Techno News

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Debut Release From SISmo´s new artist Qasio, Chilean artist Based in Berlin, his release is a mixture of dark,serious and hypnotic sounds, a complete EP with 4 tracks Club Oriented, Including one Remix from OMAR.

2022 Repress

Reptant has caused a bit of a stir recently and on this latest outing, he has joined Craigie Knowes to show his more experimental colours. New advancements in sound for sure - and they are absolutely excellent.

CALLING ALL FRENETIC LOONS - cursed to strut on thy toes, or to point them to the sky. Has a lack of dance based activity made you weary? The deprivation of bass inflected oxygen surging thru your body resulted in a euphoric fatigue? Well rise and shine all you

Spiritually Deluded kinder, the hit parade is back, with Roza T & D. Tiff tip-toeing in with 8 tracks high in kinetic synergy and low in “bOriNGG!!”. The sound of 2 artists; serious in their intent yet blowing raspberries at the cork sniffers/snobs, obstinate to the world of industrial decay press shots + plastic ravers.

Instead they straddle the Edge of Innocence. Residue of lines once written, now your own personal tightrope. You wobble to and fro as part of a troupe of ethereal jesters, composed of Lil’ Drummer Boi’s pitter pattering on Gravity Bongo’s. Both tracks repping and following the rhythm of the ozone bounce house. With enough elasticity you’ll ^^break thru^^, experiencing Possession by momentary ascension. The weightless sensation of falling in a circle; catch yourself if you please. Such transcendence is lucrative, the Paparazzi on hand to flash and burn the retina, providing instant short-circuit delusions of grandeur. Sonically every hard knock is met with a “bOinKK!!”, illuminating the dark yet cartoonish nature of the practice - guaranteed to make u skip, achieve the perfect sly pout. You and your gang can terraform into bodacious bass-bins, and cast your personal Redemption Arc onto the ether.

Inhibitions are to be absolved, and fat kickdrums to be followed. In this hyper-informed yet unknowing present tense, who can ignore the beat based intrinsic incentive to fuck up the circadian rhythm - the music becoming a byte-based silkworm, spinning its digital silk from synapse to synapse, until your brain is a translucent cocoon playfully ricocheting, the cranium its pleasure dome. Call the drum dealer.

After exploring some of the UK’s house music heritage, Late Night Burners’ reissue offshoot Still Burning struck gold closer to home; the Dutch have always been adept at crafting club sounds and Marcel Franke’s contributions are no exceptions.

Between 1992 and 1998 he was moving freely between house, progressive, trance, and techno under various guises leaving behind a trove of serious dancefloor 12-inches. One of these was “Tinnitus” released in 1995 under his single-use alias Timelock, containing four menacing party cuts straddling ravey house and deep techno. The Late Night Burners guys took two of them, had them faithfully remastered for the modern dancefloor from the original DATs, and added two remixes; one by the label bosses themselves and one by Youandewan, who has had the original record in his bag for so long it only seemed fitting to ask him.

Revered bossman Nonentity takes the Source Material back to its roots with this firing new EP on hand-stamped and numbered 10". 'Denzel' is the visceral opener and one that sounds as if its synths have been fired by the hadron collider they are so fierce and fast. The drums too are hefty and the squelchy bass rounds out this instant electro classic. 'Equilibrium' on the flip takes a deeper tact, with moody chords hinting at unease as the slapping drum funk powers onwards. It's a two-tracker that is well worth adding to your aural assault arsenal.

Head Cleaner brings a brilliant Hardtek oldschool sound... Souvenirs from another dimension ! BIG UP !

Banging electro techno in the fantastic 1 track per side DJ friendly style ! MASSIVE bassline !

4 Speedcore tracks.
Probably the best Speedcore record of this year.
You guys know we don’t like to exaggerate.
Take it or leave it.

repressed !

Blue vinyl repress of this Bonzai classic!

After a hugely successful first vinyl run of the superb Bart Skils Remix of Universal Nation, alongside the Original Mix of course, we’re delighted to announce a special Gold Edition repress to celebrate the record achieving gold status. This is a huge achievement, thanks to you, our fans.

The repress will be a limited run and we will also be introducing our newly designed Bonzai branded inner sleeve, so keep your eye on our websites and socials for more info about how you can own this wonderful piece of history.

To honour the creator and musical genius behind Universal Nation, M.I.K.E. / Push will receive a specially commissioned gold record in recognition of all-time sales, which is a testament to his overall contribution to electronic music.

clear red viny
Tensal K is already here with a special sound and visual design for the occasion, 4 tracks of fiery rhythms and explosive textures ready to pulverize the dance floor, excitement for your senses.

silver vinyl

Your favorite Heresy bangers are now available on this Limited Edition 2x12" Vinyl. Part I holds tracks by Sei2ure, I:Gor, DJIPE, The Outside Agency and more... High quality pressing on Solid Silver coloured vinyl.


b A2 Igneon System & KRTM - Jack Nº7

White / Blue Vinyl

The mysterious Void Settler is back with a brand new album: Given In Vigil!

Toratoratora sublabel begins with three tracks from artists Colin Zyskowski(People Mover-Tora), Butane (Alphahouse) and Germany's Holger Flinsch

Tape

Happiness and Sacrifice is based on an audio-visual work by IOM. Sampling images from different historical moments and rituals, it questions the need for giving up personal gratification in order to obtain happiness, and also serves as a critique to the catholic church as it reveals the perversion of this thought.

Tape
The occasional electronic duo KePESLAP is a joint project of Makina Girgir from France and ImiAFan from Slovakia. This month, their cassette "HyteParade" is being released on their own labels Falco Invernale Records and 4mg Records. It contains 5 new songs on the A side and on the B side there is a remastered edition, by today a rare 4 tracker EP of "Random Generator" remixes released back in 2010. The remixes at that time were contributed by Charles Kent, Click Click and Legowelt. It is a limited edition of 100 cassettes. Each cassette contains a unique code on the included card to get the digital edition with a bonus track.

Tape
Limited edition of only 30 copies.
C-30 Black tape, pink fluor and white spray on it, each one is different.
Includes download code.
Tracks written and produced by : Juan Camilo Betancur
Mastered by : Soj

Repress

RAWAX proudly welcomes Mr. Paul Johnson to the Family. We're very proud to present you the Paul Johnson Traxx Series on our CHIWAX CLASSIC EDITION. The first release will be the former Relief Records 720 "Stop Trippin' " and it includes an unreleased track! The complete series will be remastered.

More releases to come!

Paul Johnson began DJing in Chicago in 1985, and started working as a producer in 1990, doing tracks for Chicago house labels Dance Mania, Relief, Cajual, Nite Life, Undaground Therapy, Defected, DJax Up Beats, Peacefrog, and Moody. His tune "Get Get Down" became an international house hit, sustaining airplay for several years in clubs and was a top 5 hit in the UK Singles Chart. The song reached number-one on the Billboard Hot Dance Club Play chart in December 1999, and remained on the survey for 18 weeks. Johnson started the Chicago house label Dust Traxx, and has worked with Robert Armani under the name Traxmen and with Gant Garrard as Brother 2 Brother. His 2004 track, "Follow This Beat", hit # 8 on the US Dance chart.

RAWAX is very proud to present the 5th release of the "Paul Johnson Traxx Series" on Chiwax!
We're celebrating the 20th Anniversary of Paul's legendary album "Second Coming".

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True To The Dna Of Luke Slater's Imprint, Rene Wise Fires Off A Throbbing Combination Of Big Room-ready 4/4 Mechanics, High-velocity Bass And Hypnotic Acideries On A Dopey, Dubby Flex - Engineering The Tools Of Chaos For A Highly Immersivedive Into The Basement's Teeming Underworld And Its Nocturnal Fauna.

A collection to celebrate the label’s 20 years in the business of releasing timeless techno and house tracks from the crème de la Crème of the artist roster.

“We like our bike, it is made for 3. Our Mike sits on the back you see. We like our Mike and this is why, Mike does all the work when the hills get high.”

Timeless words from the great Dr. Seuss, and in considering the 20 year history of Mike Shannon's Cynosure label, there could be no truer sentiment. From it's humble beginnings in a sleepy Canadian town formerly known as New Berlin (Kitchener, Ontario) to it's current home in Berlin proper, the label has grown to become a nurturing launch pad for artists from around the globe, and one of the most dependable and consistent providers for those in search of deep minimal funk of the house and techno persuasion. Much like Shannon himself, each and every release in the label's now vast catalog reveals itself with unhurried, confident class, and always with a wink and a wry smile.

In celebration of the label's 20th anniversary, Shannon has amassed another peerless collection of tracks from his nearest and dearest which, much like every banger in the back catalog, are certain to become permanent fixtures in record bags of DJs with an ear for taking dance floors straight down the rabbit hole for many years to come.

Featuring contributions from fellow Canadians Mathew Jonson, The Mole, and Deadbeat, Shannon's frequent collaborator Dewalta, and American legends Ryan Crosson and Brett Johnson to name but a few, Cynosure 20 is a testament to Shannon's stalwart commitment to the music he loves, and the incredibly talented group of merry pranksters he's brought along with him for what, it's safe to say has been one hell of a journey... may it continue for many years to come.

The sixth part of the Wave Earplug series vinyl compilation LPs promoting synthpop, cold wave, electro, EBM music from around the world. This time from Greece, Hungary, Slovakia, France, USA, Belgium and Holland.

Part of the new brigade of artists making their mark on the label, Veerus lands his fifth release in two years on Drumcode.

With a pair of EPs and numerous contributions to the coveted A-Sides compilation under his belt since his debut in 2018, Veerus has established himself as a talented go-to producer for Adam Beyer; from his stirring cut ‘Hypnosis’ that highlighted the Drumcode founder’s Cercle performance, to the killer ‘System’ that provided an early 2020 moment for the label.

His consistent vein of form will result in a coveted spot at Drumcode Festival Malta 2021 in September.

‘Recovery’ continues the Italian’s talent for crafting powerful melody-led techno projections.

The title track is an ace. What begins as a smoky atmospheric cut is quicky elevated to beast status as intergalactic robot stabs shatter the mist, while an acid-underbelly adds to the mood. ‘Dysfunction’ brims with a distinct 90s synth aesthetic, propelled by a crisp and classy bottom end.

MixCult presents LO-FI sublabel CRYSTAL MUD focused on limited edition lathe cut 7" & 10" discs.
Dub Techno Music in Dubplate Culture. Highly Exclusive.

Bolam is back on Space Dust with the 'Lost In Time' EP, a continuation of the journey started with the widely acclaimed 'Suspended Animation'. Another well-rounded and diverse record dives into the wormhole with ’Moving Lights’, a high-energy affair propelled by filtering resonators and a haunting vocal. ’Ozone’ breaks through the stratosphere of a new world, a huge track with electro-inspired groove, booming kicks and a razor-sharp lead melody, creating a feeling of uncertainty and delirium with swelling pads and arpeggiators.

The B-side begins with the mysterious and epic, genre-defying anthem ’Air Tension’, enticing the listener into the strange new world with a chugging rhythm, tantalising textures and an indescribable melody that keeps you on the line between paranoia and euphoria. ’Bioluminescence’ descends into an alien jungle, with a hypnotic, dreamy, downtempo beat and iridescent synths and chords. Finally, as you lay down in the otherworldly glade, the record wraps up with the ethereal, ambient finisher, ‘2 Parsecs From Home’.

Kerrie makes her debut for DBA with four tracks devised originally for her high impact live sets. Other than a cut on highly regarded London label I Love Acid's 10th anniversary comp Kerrie is a relative newcomer but the ten years she has put in honing her style immediately shine through in her music. The EP ranges from Before Calm's bug-eyed, angular swagger replete with a hair raising distorted hook, to Orb Weaver's peak time techno roll via Acid8 Slider which is one of the most original 303 tracks to come out of the UK in some time and Curveball, a bolshy electro leaning stepper.

Her influences range from current UK artists like Blawan to Japanese artists such as NHK yx Koyxen & Hiroaki Iizuka and pioneers like X101, Joey Beltram and Surgeon. The running thread in her taste is a penchant for high energy, raw banging grooves with a machine funk flavour, and a love of analog sound both as a producer and DJ. No doubt this stems from her time spent working at legendary Manchester shop Eastern Bloc Records where she joined in 2013 and has worked ever since. Honing her skills through her DJ residency for EBloc Kerrie has gone on to become a regularly booked act for the UKs most prestigious underground club nights. As a live performer she has also toured the UK since 2017 with the live show being met with high acclaim. Her live set for Freerotation 2019 has been one of the festival's most talked about debuts.

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Malgorzata Dygasiewicz, who was born in Poland, moved to Berlin in 2006. Before that, Margaret lived in London where she consolidated her dj skills in such famous clubs like "Fabric" or "The End".

Third EP from Raar on his own label, it features his signature dreamy techno. From the brain melting percussions and vocal of A1 to the more experimental breakbeat rhythms and modular rumbles of the B2. Four tracks that will fit any deep and emotive moment on the dance floor.

Remora, an alias of Maroje T, one of the main forces in New York Electro, returns to Kraftjerkz with raw, distorted drums, deep filters, and a profound mood adapted to the dance floor.

DTTC is back once again with a brutal release…

The 7th EP from Uruguayan Phonotheque Recordings by Z@P.

Ecstatic Northern techno from Evigt Morker! Restless with giddy excitement and fidgeting through candescent swells, Evigt Morker's latest EP deploys a familiar, playful edge to degrees that were only hinted at in previous excursions. Ecstatic polyrhythms compound the wealth of fizzy details into prudent club missions with a bright yet rugged edge. Quality stuff!

Sigourney Discs presents its third release following BACK by Dark Vektor and CZ200 by PLOM. Rinse Repeat is the new EP from Barcelona-based French producer La Fraicheur and Berlin-based French producer Leonard de Leonard.

The Rinse Repeat EP shows the duo’s wide spectrum of love affairs with techno’s rich universe of sounds and moods. The title track Rinse Repeat is built around a raspy and ever-evolving playful acid bassline with added drama from sound design and distorted glitchy gimmicks. Mind The Step is taking the sound design-induced drama a step further with a slow burning spacious and epic cavernous fantasmagoria that flips itself on the head half way through, becoming a vengeful track driven by a menacing yet groovy gritty bassline.

Rounding up the EP is the apt-titled Fairies Bootcamp. Ethereal and eerie skidding melodies balance out a grounded martial rhythm as if you had, on a forest walk, stumbled upon an army of fairies in a training camp caught mid-flight arming themselves to take their land back. The soundtrack of a supernatural call for arms.

On remix duty, Sigourney Discs co-founder Yandira leaves the war behind to focus on the otherworldly elements of Fairies Bootcamp and offers a trippy floaty dreamstate rendition for open airs and early morning rising suns.

Midi fanfare orchestrator Novo Line is back on Protofuture with a blazing 12”. His album “Racconti” (a concept-album on cassette) gets reinterpreted by the artist’s confrères Eva Geist, Dama, Wilted Woman, Tyler Pope and Elena Colombi, one year after its original release.

Cosmic/electro/dub meets synthetic, pulsing patterns inspired by Novo Line’s disorienting yet danceable polyrhythms in this varicolored E.P, which journeys across late night and early morning sounds.

Kindly mastered by Analogcut in Berlin, the music sees the contribution of Protofuture’s inmates Dj Fett Burger, Trent and Telephones on mixing and live percussion duties.

While our lives are being set upside down due to a crazy amount of events, from climate change to eco-political re-assessment with crisis and pandemic emergencies a new spiritual era is approaching us. Rituals as well as magical practices are what we really need to learn how to go through this and be born again. We need to look inward and seek the truth that we can neither find in the outside world nor inside the digital one.

'As I'm always evolving, every now and again I need to make a point about my latest sound. Curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. "Riva Starr

Dance music's prolific Italian-born London-based sharpshooter Riva Starr set to release fourth artist album Curveballs via Adam Beyer's revered Truesoul Records.

Riva Starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. Over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (If Life Gives You Lemons, Make Lemonade in 2010, Hand In Hand in 2013 and Definition of Sound in 2016), having a myriad of single/EP releases on some of dance music's most established labels (Snatch! Records, Hot Creations, Relief, Crosstown Rebels, Dirtybird) and amassing an impressive remix resume of artists including; Audion, Groove Armada, Dennis Ferrer, Usher, Estelle, London Grammar, Fatboy Slim, Reboot and David Morales.

With all of this success and experience under his belt, the time has come for the talented Italian to deliver his much awaited fourth long-player, Curveballs - comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by Starr's endeavor to produce music that stands the test of time.

The LP's striking opener, 'Always' gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva Jocelyn Brown. Elsewhere, there's the funk-driven disco-tinged 'Piknik', the uplifting 'Needin' U' esque 'Disco Loco', the dark and commanding 'The Hole (Release Your Soul) and the pounding peak-time synth-laden roller 'Give Me Love'.

Other highlights include, the infectious breakbeat workout 'Britcoin', the techy electro-tinged 'Fresh' and the experimental synth-driven Techno gem 'AnalHog'. The album concludes with 3 fine cuts in the form of the bass heavy TR-909 laden 'Ride', the funk-fueled house groover 'Mantra (Early In The Morning)' and an exclusive deep-house-esque Dub version of 'Give Me Love' to round off yet another essential long-player from one of dance music's much-loved artists.

A staple of South America’s ever-effervescing techno community, Colombian-born producer Adriana Lopez sure ain’t no stranger to the aficionados of wild four-to-the-floor epics, having delivered the totality of her typical, custom cut bunker-busters on Developer’s Modularz and her own imprint, Grey Report, in about a decade of intense dancefloor activism.

For her first sortie away from her usual recording homes, Adriana steps up in no real unknown territory either, with Stroboscopic Artefacts’ Totem series providing a much suitable shelter for her deep-penetration, quaky club weaponry to grow and expand.

Kicking things off in frontally brutal fashion, the title-track ‘Embera’ sets the mood right away, swallowing us amidst the countless spans and layers of hypno-tech quicksands. With the kinetic energy gauge now set to eleven and kicks thumping their way across a forest of obsessive synth spirals, Adriana then whips up a frenzy of delayed percussions, spaced-out riffs and jammed radar echoes on ‘Saija’, sure to keep the dancers in a state of wilful enslavement.

Opting for a more straightforward, steady-flying angle of attack, the EP’s closer ‘Awa’ tops it all off on an equally abrasive and elegant note, true to Adriana’s trademark mix of groove-making finesse and uplifting potency.

Grey Marbled Vinyl

Carlos Nilmmns is back on Ornaments with another diverse EP ranging from Detroit-inspired house grooves, Dub-Techno, deep electro patterns and stunning soundtracks.

On textstar+ Jan Jelinek brings together the material from the CMYK series, four EPs he released between 1999 and 2002 under the pseudonym farben (the German word for both colours and paints), on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period.

A Polaroid. Still life with tangled leads and consumer electronics, late twentieth century. Black and various shades of dirty white are the dominant non-colours. The image’s spatial depth remains diffuse, the links between its elements speculative. A note stuck to the wall (a legend, perhaps, or an all-explaining blueprint in text form?) is impossible to decipher. You can’t see what connects the picture’s signs. You have to hear it.

farben says: Every sound is a text. A bearer of meaning in search of a reader. Hoping the ideas inscribed in its autonomous existence will be understood as intended. While its beauty lies precisely in misunderstanding, in reading the coded message a new way every time. A thousand colours of sound, a thousand different ways to hear, to see, to understand.

On textstar+ Jan Jelinek brings together the material from the CMYK series, four EPs he released between 1999 and 2002 under the pseudonym farben (the German word for both colours and paints), on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period. Another new element is the Polaroid, showing the origins of a world: Jelinek’s home studio in Berlin at the time.

farben says: Move your body! The project has its roots in Jelinek’s love of house as a reductionist vision of soul. Of four to the floor as a proposition that can be accessed anywhere. Of electronic dance music as a realm of possibility that can be continually expanded. farben was written as contemporary house music. As a text about excitement and euphoria. The arrangements were made directly while recording to DAT, on a twelve-channel mixing desk. Several track titles suggest a link to live concerts, coupled with the context of machine music and bedroom recording. Others affirm pop music’s most extravagant stock phrases about various states of love.

Jelinek produced the tracks with the aim of making music for dancefloors. An idea that failed very productively. In the locations to which it was originally addressed, the project barely figured. But people did listen, and they listened all the more closely to this music that opened up new acoustic and associative scope for house. farben is the opposite of genre: a music spawning new terms (clicks & cuts, micro-house) that never manage to fully capture it.

farben says: Signifiers. The four CMYK EPs are designed as a network of references that cannot be missed but that can also never be precisely deciphered. The vectors of sound, word and image point to Isaac Hayes and Ornette Coleman, to Detroit and the first generation of the Red Army Faction, to Karl Marx and Friedrich Engels. So multifarious that they are distorted to the point of recognition. Overall we hear sonic docufictions whose appealing vagueness derives precisely from this oscillation between clarity and ambiguity, which is also the source of their poetry: the lyricism of the pure circulation of signs.

The artwork is based on photographs of former Red Army Faction members, broken down into the four colours of the CMYK model. The motifs dissolve into individual dots of a single colour, so close to the faces that their expressions are only hinted at. Taken together, the individual colours compose a new whole out of fragmentary material, defying definition and thus maintaining their vibrancy. The same occurs on the level of sound. The sampler Jelinek used for these tracks had to be fed with floppy disks, imposing a memory limit of 1.44 megabytes per audio quotation from soul or jazz records. As a necessary consequence of this, the individual references, like the dots of colour, are dissolved into details and abstractions. They appear as splinters that recombine in new ways to create new meanings. The joy of collapsing metaphors.

farben says: New departures. Even two decades after its original release, textstar+ does not come across as an epitaph to the modern era. Instead, it appears as a euphoric affirmation of the utopias of the twentieth century, translated into new sound texts via the aesthetic strategies of abstraction, collage, networking and speculation. 1.44 megabytes of history, one thousand signifiers, one album. From “Live ...” to “... Love”.

Arno Raffeiner, 2021

HI-LO, the techno alter-ego of Oliver Heldens debuts on Drumcode with a full-force two-tracker ‘Hypnos’. Unbeknown to many, the Dutch future house star has been cultivating a love of techno separate from his mainstage persona. As HI-LO, he’s remixed Nina Kraviz’s ‘Skyscrapers’ and released on Octopus and Filth on Acid, the latter consisting of collaborations with Reinier Zonneveld, T78 and Will Clarke.

Over the last 12 months, HI-LO has become the sixth highest selling Techno artist on Beatport, as well as cemented his place as a top streaming act in the genre.

In recent times Heldens has become a regular supporter of Drumcode’s catalogue via his Heldeep Radio show and DJ sets. Likewise, he’s been on the radar of Adam Beyer since 2019 when the Drumcode boss played his monster cut ‘Poseidon’, which encouraged the young artist to begin sending him demos.

His Drumcode debut ‘Hypnos’ is effective and infectious in equal doses. The title track is led by a catchy bass groove that espouses plenty of personality and is a handy tool for building energy throughout the night. ‘Hera’ is a straight-edged euphoric gem, driven by an uplifting key riff throughout.

Two analogue techno tracks and a melodic broken beat composition - The works are produced by up and coming artist Ish.
Vinyl only release - Limited to 299 copies.

Jonathan Kusuma is no stranger to club music. He has played, produced and re-edited multiple works. This is what he excels at. But on Dream Bot, he wants his audience to discover a more introspective side of his. Raised in Indonesia, where rhythms are abound, be it from a folk song sung in a ceremony, a machine in a soul-crushing factory or a Boombox on the back of a bicycle, Jonathan’s ears are destined for a career absorbed in rhythm and sound.

With 5 tracks of kaleidoscopic rhythms and introspective moods on Dream Bot, he is paying homage to his rich musical education and heritage. Layered percussive samples come to mind as well as the intricate interplay of gamelans and moody arpeggios. They both evoke their distinct mournful tunings. Dream Bot is a reminder of his roots and the beauty of the sounds on the Indonesian streets that have left many ears in awe.

For its fourth release, Zen 2000 scales up from the 45 format and releases its first 12-inch, which, coming in at seven tracks (eight with the digital-only bonus) is either a double-wide EP or an LP in everything but name.

The artist behind it is Mogwaa, a South Korean producer who's built a reputation on meticulous and clean-lined melodies and sharp, glistening drums. Sometimes we find him in the club, slinking through dubby bass wobbles, flittering across breaks, and sometimes we find him in a grassy park, sprawled atop a soft ambient bed. No matter where he is, the trademark voicing is always present.

Here, on A Garden Within, we get equal helpings of both: the A-side is the chill-out room, spacey drifters that pulse through the cosmos and wiggle through underwater currents.

The flip is clubbier fare, with “Rejas” being a nod to electro sounds and “Tranquilizer” being a trippy bit of trance. Bookending the journey is “Melting,” an iceberg slowly cracking and falling into the ocean. “Con Fe” is an encore of sorts; it feels like a reconstituting of “Melting,” the reforming of that track's languid dissolution.

Late last year, Canadian producer Priori returned with his second album ‘Your Own Power’ to great acclaim. Released via his NAFF imprint, the album showcased a more contemplative style to his productions and featured one collaborative track with label partner Ex-Terrestrial. The story continues as Priori enlists a heavyweight line-up of artists to rework some of the album’s standout tracks.

Slated to drop on the 18th March, ‘Your Own Power Remixes’ features new editions from Donato Dozzy, Aurora Halal, DJ Python, and Bambounou alongside a Priori VIP - each bringing their own flair and style to the record.

Priori is an alias of Francis Latreille who first put out solo releases on Greek label Echovolt and Canadian imprint ASL Singles Club. Known to be an avid collaborator, Latreille is involved in a number of projects including Jump Source, M.S.L., Housemates, New World Science, ANF and more. He has also worked on mixing projects by fellow artists including Roza Terenzi, Ex-Terrestrial, RAMZi, Bambii, and Ouri.

White Vinyl
Dancefloor clear sounds, rising up and up and up... Neither happy or dark... pure tekno !
4 of them kick at regular 170 BPM.

BIG trippy tunes super cool in the mix... Bass-kicks are clear and pumpin.

Good !

semi clear red + blue mixed vinyl

Murder Tbilisi is pleased to announce new various artists compilation featuring exclusive tracks from Soft Crash, Silent Servant, Volvox, Restive Plaggona, OTHR & Puritan.
Release comes in limited available high quality black & marbled (140 gram 12") vinyl copy of MURDER003 with cover art by ZIMMMERIT.

Industrial Techno to Hard Techno Acid... Definitely dark ambiances, deep and dry...
A bunker ambiance. Hot stuff chasing the strobo dark dancefloor !

2022 Repress

Mental core hard kicker !

2022 Repress

Modern Obscure Music has been making links with the Far East since label boss Pedro Vian visited Japan and this is their first 12” release from a Japanese artist. Albino Sound is Hirotaka Umetani from Osaka and here he presents Black Lagoon. This is an exciting EP of experimental soundcapes and left of centre dancefloor escapades with an extra special remix from German producer DJ Normal 4. Black Lagoon opens the EP with live percussion and mysterious sounds and is followed by the mesmerising tones of Plum Valley. Transparent Colony is an open-armed ambient cut and the EP finishes with two versions on Dried Seeds. The original is an energetic mover and DJ Normal 4's Vibe Strike Remix is an eastern synth inspired mission.

Arts Gallery is a window into the soul of the artists of our label, the series goes on with a glorious combination of 3 well-distinct artists coming from the south of Italy: Drafted, Kaelan, and Unthone. The record is a well crafted Sonic Weaponry collection, the 4 cuts are a representation of high knowledge of how to paint the sounds in techno, these tracks are intelligent, groovy and most of all technically impeccable. This is the debut of Fragment Dimension.

Comes in a hand-stamped cardboard cover.

Techno dancefloor pearls, one of the ebst EP on Central Music ! Don't miss !

After more than 20 years in the business, HD Substance is still here as a full actor in the global scene.

Missing Link is a three-track EP, printed on Vinyl, signing and opening our new Vinyl release series.

TTR006 is a sophisticated piece by HD Substance, delivering Beats & Pieces 7 and 8, which are techno hypnotic vibe tracks with an electro touch; to complete the EP, we have an outstanding breaky electro track called Lady On The Floor.

Sofia Nøt from the project IAmNøt is a DJ and a producer from Bratislava/Slovakia, who just released her debut album “Changes”.
The album stems from the sounds of electronic dance music of the 90s and describes Sofia’s battle with gender identity. The music video for the track “Changes” won a prize at an international festival in Košice and participated in a prestigious ‘London Music Video Festival. In this video, Sofia kills her “old self” with an axe.

Since 2019 IAmNøt has posted her singles online. Many are also accompanied by story-driven music videos from director Simon Seriš. The music style comprises many genres, including breakbeat, techno, and synth-wave.
In the past three years, Sofia played DJ’s sets filled with breakbeats and 4/4 rhythms across the Czech Republic and Slovakia. You could see her, for example, at the Brutal Assault festival this summer.
Sofia’s debut album “Changes” was released on 9th September and is now available on all major digital platforms and a 12” LP vinyl record.

All tracks were written, produced & recorded by Sofia Nøt

except ‘Estrogen’: written by Sofia Nøt & Pkrek and

‘2020’ contains a guitar by Jakub Spiszak

Once again CC Atom explores the extrem acid limits... Frequencies frontiers are Vinyl only possible...

A crazy Hardcore EP !

JKLL open the EP with a Frenchcore killer ! Rock'n'roll baby !
The Unit brings a big corrida fucker. Collab between UNIT and JKLL
Flip the record and go for 2 Face Mask dancefloor hardcore lickerz ! Pityless kick and non-stop kick-changer. Radium style ^^

BIG up and welcome to this new french Hardcore label !!

Old school Hardtek !
repressed from Full Bass, la Caste and Zorp 08 !

Big massive and pityless !!!

Mom’s Spaghetti finally returns with volume 3 of their edit series! More of the usual hard-hitting disco/soul edits alongside some cheeky TV/Film soundtrack numbers to fill you up on this latest serving of Mom’s Spaghetti!

We welcome Stasis to De:tuned! UK techno pioneer Steve Pickton has dug deep into his DAT tapes collection to unearth 2 previously unreleased recordings from the golden era '92-'93. Both rarities offer a trademark lush and retro-futurist Detroit inspired sound that is totally unique. Fellow Likemind legend Nuron provides a stunning remix. The track was built up from scratch as no stems were available, giving you another sneak peek of the genius musical mind that is Nuron.

The vinyl version comes with impeccable sleeve and label artwork by Abdul Haqq (Third Earth).
Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl.
A separate digital release will also be available at the usual digital shops.

Stay tuned!

Bladder by the Light is a conceptional compilation between Obsolete Future and the Parisian painter Marion Guillet. It was compiled by Marion Guillet & Conor Walker.

Berlin based Spin Desire is returning with its second outing. Welcoming the debut release of Ukrainian based producer / live act from Odessa : victor.b Victor has been making waves with his live sets for the last 2 years and this is his first full length release. We are more than happy to have him on board with this amazing record. Four trance infused tracks designed straight for the dance floor and cut directly from his live set!

Reissue of effective DJ tool Techno cuts

Big mental (in)spirally tribe from Keja on the A side... Peacefull deepness...
The flip opens with more nervous item called Les Fondamentaux, the force of the Kick adding driving Harfloor.
Then comes 2 experimentals interludes... Mental electronica deeply good !!
Last tune is back to normal with a very good dancefloor feeling and structure !

Excellent Opus !

"Venturing beyond the unknown,
to the misty mystic peaks;
climbing the immovable rocks,
and cherishing the gentle creeks."

Alluring landscapes,
Summits covered in white firn,
Kissed by golden sun

All Tracks written & produced by Tom Huthwohl aka BLNDR, inspired by the majestic landscape and the atmosphere of Santiago de Chile.

Artwork by Javier Marimon
Mastered by Eternal Midnight
Released by Kizen Records 2021

180g 12" black vinyl

The fifth vinyl release of HC Records is signed by the Colombian artist Filmmaker. This sound alchemist immerses us in a maze of rhythms and low fi atmospheres that take us back to universes in 8 bits, hidden laboratories with gigantic synthesizers and old rhythm boxes where the electro synth has a main presence.

The first cut of face A is the powerful "Extinction Wave", an effective electro percussive composition, where a dominant bass drives the fate of production around dark melodies and passages loaded with sinister epicity.
"Beast Folk" takes us on the path of Post punk: distorted guitars, sharp synthesizers and a constant sweeping feeling of primitive unreality.

Face B hides in its first cut one of the great jewels of vinyl, "Noir Times", a theme that gives its name to Ep. An exciting production where Filmmaker develops all its melodic potential focused on the dance floor, enhanced by the dynamics of broken rhythms to generate an instant hymn, electro synth straight to your brain.
"Cult Founders" transports us fully to a ritual of ancestral synthesizers, oriental sounds and crispy metallic percussions worthy of a mystical pagan celebration that hatch in a musical orgy for the ear.

Filmmaker closes the vinyl with Vestigium, a dreamlike journey where our senses are calmed, once again giving prominence to the melodies on a calm but forceful rhythm fractured around guitars loaded with murky echoes of the past.
An emotional and exciting ending.

The vinyl comes with a digital download code where you can enjoy the whole ep with two bonus tracks.

Kelly Lee Owens' masterful second album Inner Song finds the convention-blurring techno producer and singer/songwriter diving deep into her own psyche - excoriating the struggles she's faced over the last several years and exploring personal pain while embracing the beauty of the natural world. It's a leap in artistry from a musician who burst forth on the scene with a confident, rich sound, and Inner Song is endlessly enticing when it comes to what Owens is capable of. Inner Song follows the star-making debut of her 2017 self-titled album, a quixotic blend of body-moving beats and introspective songwriting that garnered numerous accolades from the music press. Owens has indeed come a long way from her background as a nurse, since then she has remixed Bjork & St Vincent, released an indelibly clubby two-tracker, 2019's "Let It Go" b/w "Omen," and teamed up with likeminded auteur Jon Hopkins on the one-off "Luminous Spaces." Her latest album also comes off of what Owens describes as "the hardest three years of my life," an emotionally fraught time that, in her words, "Definitely impacted my creative life and everything I'd worked for up to that point. I wasn't sure if I could make anything anymore, and it took quite a lot of courage to get to a point where I could make something again." So while the lovely cover of Radiohead's "Arpeggi" might strike some as an unconventional way to open a sophomore effort, to Owens the winding take on the classic tune - recorded a year before work on Inner Song properly kicked off - represents the sort of sonic rebirth that's so essential to Inner Song's aura. Inner Song was largely written and recorded over a month last winter. As with her debut, Owens holed up in the studio with co-producer and collaborator James Greenwood - and letting loose in the studio and being open to whatever sonic whims emerge was essential to Owens' craftwork. The evocative title of the album is borrowed from free-jazz maestro Alan Silva's 1972 opus, which was gifted to Owens Smalltown Supersound's Joakim Haugland for her 30th birthday: "I'm so grateful for him and his perspectives - he's always thinking outside of the box. Those two words really reflect what it felt like to make this record. I did a lot of inner work in the past few years, and this is a true reflection of that." The hair-raising bass and tickling textures of Inner Song drive home that, more so than ever, Owens is locked in to delivering maximal sonic pleasure - as evidenced by the decision to make the album's vinyl release a sesqui album, or triple-sided album: "I'm still obsessed with frequencies that don't do well on vinyl if they don't have the space." "The power of conceptualizing who you are has really informed this album," Owens states about Inner Song's essence, and her second album is truly a discovery of self - the latest statement from a fascinating artist who continues to surprise, gesturing towards a rich and varied career to come.

Goose bumps mental acid music... The A side is totaly crazy... lots of breaks and reprises to kill the progressive spirit of it and enter a new dimension where the story brings lots of sonic surprises... Through it remains mental and deep, avoiding the acidcore shouting trap. Newskool rocks !

Unglaublicher Radioslave Remix

Utter presents The Jaffa Kid’s ‘Acid Raver’ on 2xLP housed in a smiley sleeve with bonus perforated acid tab sheet.

While The Jaffa Kid - real name Daniel Pringle - has been releasing music since the mid 2000’s, he has recently become a man possessed, relentlessly and unceremoniously uploading over 50 albums to Bandcamp since 2019. Prolific is an understatement.

‘Acid Raver’ was recorded in 2019 during what Pringle describes as a ‘two week acid bender’ and is part of an ongoing series of 303-based experiments. With BPMs varying from the 120s up to the 150s, the tracks collected here touch on a variety of acidic styles from the stripped-back and hypnotic to full-blooded jacking fist-pumpers, then on up to all-out squelching pandemonium. Aciiieeed!

Mastered and cut by Helmut Erler at D&M, Berlin in 2020.

Limited to 303 hand-numbered copies :)