The music on this album by Sofie Birch was originally created for the ASMR performance piece ‘Whisper Fold Brush’ in collaboration with SLØR Visual Performance / My Lambertsen. The album release version focuses on the music that was composed for the performance, while the ASMR sounds were moved to the background or are in some cases not present at all.
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Curation and recording of underground music on cassette with the best of Goth/ Industrial/ Synth Punk/ Wave/ EBM Techno/ New Beat/ Noise
EBM/Industrial/Upper Wave/Synth Punk Independent label based in Berlin/Mexico City
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Curation and recording of underground music on cassette with the best of Goth/ Industrial/ Synth Punk/ Wave/ EBM Techno/ New Beat/ Noise
EBM/Industrial/Upper Wave/Synth Punk Independent label based in Berlin/Mexico City
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Curation and recording of underground music on cassette with the best of Goth/ Industrial/ Synth Punk/ Wave/ EBM Techno/ New Beat/ Noise
EBM/Industrial/Upper Wave/Synth Punk Independent label based in Berlin/Mexico City
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zake, best known for his work on the prolific Past Inside The Present label that he co-founded, lines up with esteemed soundtrack wizard James Bernard and Marc Ertel, whose work centres on the healing, restorative powers of music. The album for Florina Cassettes boasts five tracks that veer on the grander end of the ambient scale - big, airy, blustery mini-symphonies that blow out the cobwebs, from opening tune 'Protector Of The Night' to closer 'Who Hath Listened'. If there is a moment of respite, it's the midway point, 'Sustained Beath', way more static and calm than the tracks it intersects. It's still filled with drama and emotion, as everything here does.
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Hör Gut Zu (Listen Up!) - stands for minimal and ambient techno and convinces with clear influences of the old school.
Reduced to the essence, René Reinert and his sound are considered a real insider tip among connoisseurs
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Big warm welcome back to DC’s James Bangura!! Solo dolo this time around, the Black Rave Culture member finds himself swimming in therapeutic & reflective waters. Stretching out into vulnerable, personal territory always makes for the best tunes. And this disc (James Bangura's "Shadow Boxing EP”) is a damn doozy!! Very excited & grateful to share this beautiful release with y'all!!
(Title is inspired by Bangura’s grandfather, Carroll Daniel Smith, who boxed for the US Army in WWII)
“When I think of ‘Shadow Boxing’ I think of practice & preparation. 2020 was a tumultuous year, this was the first time in awhile that I had a moment to reflect on the years passed. My time in military service, dealing with depression & anxiety as a veteran, the loss of loved ones, the ending of relationships, and taking unplanned life paths. This portion of my life story was about healing. This record was the silver lining & the sign of good things to come. It’s about never quitting & being kind to yourself. Loving differently & being vulnerable. These are things we have to practice (and prepare) doing everyday because we can easily let dark moments overcast the joy in our lives. Music has always been therapy for me & is even more important now through the turbulent times we are living in. So practice & prepare.”
- Timothy Smith-Bangura
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A new Uk based label from a small collective of close friends with a keen interest of getting fresh music out on vinyl only. To get things going Jase steps up with a 2 track 12''. 'You Wanna Get Real' ... great little stomper with raw bass , raw drums & vocal samples. On the other side 'Whispers' a minimal banger with a cheeky side to it, tidy first release from Off The Map Records.
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As the always-man-behind and mainly jack-of-all-trades he influenced a lot of art and style. For many of us he is like one of the greatest hidden icons on the spot. Scandinavian man of mystery, Jasper Frederik, is now doing it again musically.
After his acclaimed debut 'Beautiful' on A CLEAN CUT (e.g. #40 in Deutsche Club Charts DCC), he shows his prowess on his next song outing 'Universe', a kind of eclectic hypnosis as a never-ending track.
Years ago by leaving the causal circuit of Scandinavia after uncountable art & acting projects, collaborations, affections and residencies he started to reach his real destiny via stops in Germany, United Kingdom and the Bahamas: New York City.
The universe could be a better place, but, hey, there are a lot of things to do here on this planet, our world. Universe is here. Art is here. Love is here.
'Universe' is spotlighted with stunning and killer remixes by two highly influential artists and producers: Man-of-the-moment Captain Mustache (Bedrock, Permanent Vacation, Kompakt, Return To Disorder) and living legend DMX Krew (Rephlex, Breakin' Records). What a blast.
And directed by Clemens Wittkowski/bauhouse with I AM JOHANNES a touching video about inner feelings, the human universe, completes this really powerful package.
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Following the last Ma.to's EP we joined forces with two artists taking care of music and artwork on the 4th release. The first one delivered by the infamous Italian legend Miki 'aka' Major Hypnotic Key Institute. His resume and collaboration's list are known and long enough to establish him as a pioneer and precursor of electronic and rave music since the 80s. 4 tracks ranging from slower hypnotic rhythms to speed-up marched techno/trance.
And for the occasion on the artwork we collaborated with friend and genius Conxi at Ivvoki Studio, the result speaks beautifully for itself. Proudly presenting this 4 track Ep with included a repress of an old work from Miki on Interactive Test and a Re-Edit of miki and 2Volt of an early work from the Italian synthpop electronic band A.T.R.O.X.
Well balanced music, techno / trance / minimal spreading pure 90s vibes from both sides but sounding so contemporary.
A Must! have.
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NewKiller returns with an EP that is firmly rooted in the dark 93 days. There has been a big buzz about this one with all 4 tracks being championed by Jay Cunning on his new hardcore & jungle show.
“If” is an unsettling slow builder. When it drops…. oh my, it all comes together. Not for the feint hearted.
“Mind Loss” & “Danger” tear the dance floor a new one with hoover noises galore, grim samples and rushing breaks.
The free bonus track “Slippery Slope” is a beast of a track. Amens, dark pads and samples that will be familiar to the genre hoppers amongst you.
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The first release in the eight part “Astra Spectra” series also marks the beginning for new label Science Cult. Techno veteran Stefan Weise (Gem Records, Wolf Trap, Framework Records) and Audiophile Music Group co-founder Jimmy Freer collaborate as Syrte and Visions of Glosters respectively to deliver three highly effective electro cuts, with a space funk centric remix by Syrte.
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SJT and Aaty are still running street acid / rave project Teknobuskers.
After a long covid isolation, finally we came back on the street of Berlin.
Since last year, Robotron (Drums) and MCRD (Mic.) got a part of this project
We are now 4 people bringing up own gears on the street and playing them together to generate street acid music.
This acid improvisation was recorded directly to Tascam Portastudio 414 in front of S-Bahn Warschauerstrasse on 21.08.21.
It will be released on cassette tape w/ digi download code by end of October.
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We are excited to share our second book of our ‘Fucking Hammers’ VA complilation. This time round we are proud to welcome three new Artists to the GFR camp within Tymon, VII Circle, Gijensu & glad to welcome back the mighty New Frame who appeared on Benzeen Vol. 1 late 2019.
The music presented resembles our brand, concept and idea of the music we push.
Within the Fucking Hammers realm though, each artist showcaes their individual sound and approach to techno music.
It’s action packed and could start a chainsaw. Enjoy the record and diversity within the artists. #fuckinghammers only #ttns
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Petar Dundov (Music Man, Cocoon) and Marc Romboy (Innervisions, Systematic) have teamed up in order to release their first common EP. And when you take a listen to both tracks you realize that this was due! Two pieces of tracks which underline the passion of both, music tha moves. - Garden of cyrus' is a pure hybrid of both´s sound signature. A sequence drives the track and doesn´t leave your brain anymore. - Caper tran' is a trip into space, you don´t want to Stopp this journey, the planets are all over sudden so close. Watch out for further volumes by end of the year...
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ITALO MODERNI brings Modernation Vol.4 it’s the last compilation from 4 and this time on vinyl. We finish this compilation with the best quality in production with artists like Timothy J. Fairplay, Alessandro Adriani, Chino, Chupacabras, Leroy Se Meurt, Univac and Adrian Marth. The A-side sounds like a late-80s industrial EBM cut but with a strictly new future concept inside of each track, while the b-side goes more Electro eighties weird sounds strong with metallic beats perfect for the adventurous working DJ. Everything with that futuristic touch that surrounds us today in the electronic music scene.
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The UKW club in north-east Germany and its street location number calling 49b.
A unique building and home for music enthusiasts where no fame exists.
The new inhouse label is now starting its output with music from friends and regulars of the club.
The label philosophy is simple: Music from the heart that moves.
This first release comes as a compilation splitted into two parts packed with chords, raw analog drums, dubby elements dreamy pads and bleepy elements
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The sun, kissing the forehead through half-closed blinds; the night, coming uninvited through a windowpane like a damp, sticky shroud. Light and darkness, solid foundations and elusive glimpses of parallel realities. Armies of digital insects - taken aback by warmth of one brave heart, 90s chillout rooms updated for todays vast and desolated space full of fragile souls desperate in their look for any kind of communion; “artificial intelligence” after three decades of wandering, trying to finally find a helping hand, solace and peace. Shimmer and shine. Welcome to “Pristine”, a new recording from the mind of Jacek Sienkiewicz.
For the past years Jacek has been escaping his image of relentless producer and performer of driving, multi-layered club music. His most recent works include deep ambient records, abstract electro-acoustic experiments, and super smart, stripped-down yet incredibly complex contemporary electronica. The last few records, mostly on his own label Recognition include albums with Max Loderbauer and Atom™, reinterpretations of works by Bogdan Mazurek of the legendary Polish Radio Experimental Studio, scores for radio plays and last year’s massively overlooked “Krasz”, music for theatrical performance of Ballard’s/Cronenberg’s “Crash”.
“Pristine”, a labour of love, is at times abstract and atonal, at times breathtakingly beautiful and tender.
8 tracks written and performed in Jacek’s unmistakable, singular style, and covering many grounds - abstract, electronic forms, neo-classical wonders, super tight compositions and freeform, jazz-like improvisations and stripped-down rhythms. Different moods, machine-translated and reverseengineered in a variety of recording locations, make up this exceptional record.
Shimmer and shine, immerse and enjoy.
Co-Financed By The Minister Of Culture And National Heritage of Poland.
The project has been implemented in co-production with Recognition Records and the National Centre for Culture of Poland
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From his beginnings as F.U.S.E. on Warp, Richie Hawtin has come a long way in the minimal techno game. The Plastikman project now offers up "EX (Performed live at the Guggenheim, NYC)" on Mute. A hugely welcome return, this is his first album under this pseudonym since 2003's seminal 'Closer'. EX was recorded live at the Guggenheim, NYC sometime last year and is a modern update on the hypnotic, slowed-down acid trax that he was a pioneer of way back in 93'. Throughout the seven track album we are treated to his trademark brand of twisted squelchy 303 acid lines, but with a modern backdrop of psychedelic synth lines of epic proportions. There are echos of classic Plastik in the 'Spastik'-like ball bearing snares of 'EXpire' to the more moody tracks like 'EXtend' and onto the sedate house of 'EXtrude' rendering this album the perfect soundtrack for introverted solo missions and late nights wondering around empty art galleries and basement nightclubs.
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Green Vinyl
Industrial hard techno at the frontier of hardcore... massive !
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Re-release of 2manydjs’ seminal album As Heard On Radio Soulwax Pt. 2
In the first two decades of the 21st century, few have controlled the cultural weather quite like Stephen and David Dewaele. The Dewaeles are familiar to millions as 2manydjs, a project which undoubtedly moved the needle for modern DJing. In 2002, after a string of creative broadcasts on radio while still known primarily as a rock band, they released As Heard On Radio Soulwax Pt. 2.
This was a mix so giddy, creative, genre-blurring and downright fun that it could only be considered equal to a full-length album – which is exactly what happened, tallying Album of the Year and Album of the Decade accolades from the likes of The New York Times, Spin, The Face, Pitchfork and more, and shifting over half a million copies globally.
As Heard On Radio Soulwax Pt. 2 is now reissued featuring Richard Young’s iconic original photography. To celebrate this 20th anniversary, 2manydjs will perform at London’s Brixton Academy on Saturday December 17th alongside Miss Kittin, Charlotte Adigéry & Bolis Pupul and other 2002-specific special guests to be announced.
The Belgian brothers-in-arms are also known to many as electronic/indie rock band Soulwax, the adored group whose combination of rock, rave and gleaming white suits has proved irresistible to record buyers and festival-goers from the 1990s to the present day.
Through their Ghent-based studio and record label Deewee, the Dewaeles continue to push cutting-edge electronic music, including Charlotte Adigéry & Bolis Pupul’s infectious Topical Dancer, one of 2022’s most celebrated electronic pop albums. They have also kept up a hot streak as remixers, applying their signature jagged-yet-refined electro touch to the likes of Róisín Murphy, Peggy Gou, Robyn, Sylvester, Fontaines D.C., Wet Leg and Marie Davidson. Despacio, the roving audiophile soundsystem which the Dewaeles undertake alongside LCD Soundsystem’s James Murphy, completes the picture.
Alongside like-minded allies such as Erol Alkan, Tiga and Jacques lu Cont, 2manydjs swept dancefloors into delirium, gifting a rock ‘n’ roll attitude to club culture. With As Heard On Radio Soulwax Pt. 2 as their genre-blurring calling card, the Dewaeles’ unique style managed to be deeply credible and hugely scalable, propelling the brothers to dance music’s summit, a vantage point from which they never came back down.
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Pauper 08 offers 1 tune per side.
As usual each tune is an exploration...
A side is a 165 BPM old school tribe sound, very progressive and chanting... with a crazy end...
The flip starts very monomnom soundslike and finally turn cheezy old school :)
The kicks are very pumpin & electro, and the sound is loud !!!
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Mental acid digger... with a superb "Let's All Shout" C.Ysme novating tune : a future must have.
The Malhen and the See You Soon are 2 tribe classics grooves in a Swimming pool of old school kicks : drowning hypnotism. Tribal african feelings...Postman bring a more Hardfloor sensation, with a night-forest ambiance...
Creatures of the night material.
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Detroit's deep techno master, Deepchord, makes a more than welcome return to Soma after 5 years. With a brand new album dropping, Rod Modell delves deep into his ethereal sonic world to bring you 'Functional Extraits 1'. The first single to be taken from the forthcoming album. Built in a way that only Deepchord can, he transports you to different realms with lush soundscapes and perfectly processed electro-acoustics giving you an insight to the mind of the unique artist.
Shale glides across a field of electo-static noise, guided gently by cisps, fleeting percussion and gently warping synths. Lateral begins awash with waves of sound and glistening dub stabs while rolling beats acts as the heart beat of the track with a building intensity adding a sense of urgency. The uplifting yet dystopian sounds of Mapping spiral into existence urging you down the rabbit hole as more classic techno percussion manoeuvres this track on it's journey. Modell seeking out his roots as yet more traditional dub techno prevails via the final track, Ricochet. Pumping kicks and sub set to a perfect pace and ambience is a perfect, contemporary nod to the time honoured Deepchord sound.
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Formal yet experimental, each track plays with textural contrasts, gossamer lightness brushing up against uncompromising density. The result is a thing of austere beauty: from the cinematic opener to the climactic rush of the finale you will find shimmering arpeggios, industrial polyrhythms and, at one point, even an unabashedly 80s synth lead.
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IND in his special skillz... With melodious and nostalgic beautyful intros, opening on a light speed kick... and a crazy ambient drop sensitive and touchy.
The kick then turns more threatening... to turn Hardcore, without becoming that crazy either...
Both tunes in a pure Joe IND style.
Superb !
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Superb EP ! The best from them with a banging full Electro Techno/Freetekno side and 2 Electro Techno groovers on the flip.. Some vocal samples you could recognise from big cheezy classics...
Sound is quite minimal and spacy, the bass is light and groovy, in that Pumpin 2.0 style proper to Ixindamix.
The full EP provides a wicked printed sleeve.
BIG !
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Mental DSP style sound...With that pinch of RSF crew brilliant sound and composition... A pure jewel.
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Acid Mental tribe... Keja with 2 long tribe tunes, acid, … with a B side under FKY influence... Notice also 2 bonus tracks... hidden mikes, afterparty checking...
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Superb Keflat23 EP ! Acid chanting and mental... Regular 160 BPM.
This is a HOT Case !
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2 trackerz of high volume... Creative irrident sound, acid and not-so mental.
Check the black pearl !
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Tribe crazy 6 tracker !
Old school and offering some XP high time (kanaky)...
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3 bangers mental live set style from Matek, in a never too much spirit and one hardcore crunch from Mr Runlevel.
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Powerfull Melly is back with a full EP.
A side, a 45 Killer of a kind leads to a mental hardfloor twirling tune... That can be cool at 33 RPM too :)
The flip start with a tooth brushing 175 BPM cruiser.
Second tune is a trap door, with a loud heavy kick, 178 BPM heavy ambiance, really Hardtek in the shape, sound and ambiance.
BIG !
Illustration by Kristof Albert
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A twirling banger of Hardfloor.
10" power !
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Pampa is ecstatic to welcome Berlin's Mike Denhert for his label debut. Known for an uncompromising, heads-down approach to moving dance floors, whether as a producer, a DJ, or in his live incarnation, Mike has provided 2 original tracks that are as distinct as they are relentless, possessed of a cerebral quality that belies their tough and stripped back aesthetic. How Close To Be' is a stuttering march of half heard and half imagined discourse, broken by bright synthesis which disappears before it can fully form, with the disorientating sonics held in check only by the rigidity of rhythm running throughout the tracks length. It's both surprising and linear. Dark and uplifting. Me Too' is also a creature of opposing ideologies. Warped moving Jazz plays with static Motorik patterns, automation curls around repetition, and textures change position throughout. Bright keys warp, and swing ebbs in and flows out, all to an eventually breathless but ultimately compelling sum of these parts.
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Acid industrial mental sound of the A-Side is splendid...
Whule the flip offer 2 Massive dancefloor growers !
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With this release Mysteries completes the 1st decade. An occasion for us to deliver you a special treat of musical and visual art.
TMH A INSEKTUS, Keflat23 and mental Reaper have provided for you 3 masterpieces of their musical creation.
Mysteries #10 gives you a genre-spanning insight into the diversity of what is mostly pressed into the drawer of Freetekno.
However, every mystery of life has its origin in the heart, and this release - illustrated and designed by Darkam and TDSignz & mastered by Pozek - is a reflection of what it can mean to us, as a label and supporter of arts.
MSTR10 comes in a fullprint cover, fullprint inner sleeve and includes a 2-sided printed 12“ artwork poster plus artwork stickers.
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Tape
Welcome to Carsharing Tapes. Welcome to the future.
With "DIURNAL TIDES: First Wave" we're proud to present not only the first release of our new imprint for classic electronic music mixtape culture but also the first ever official gathering of two long standing figures which both have been relentlessly and continuously contributing to the German underground scene for more than two decades now.
And these two are: baze.djunkiii and THE D3VI7.
baze.djunkiii, Hamburg-born and based, officially entered the electronic music scene as a DJ back in 1997 from an angle of being an enthusiastic raver, launched his very own label Intrauterin Recordings in 1999 and - apart from becoming an 24/7 networker, knowledge hub, music blogger etc. - evolved into one of the most versatile underground DJs and purveyor of original DJ culture around whose journey on the decks has taken him all over Germany as well as to Greece and the United States and to countless hours of air time on a plethora of underground radio stations as well.
THE D3VI7, on the other hand, remains an elusive figure. Deeply rooted in electronic music production and the hell'ish jungle of circuit board wiring as well as DAW madness THE D3VI7 is a moniker created by one of the most active, yet probably most underrated figures on the release circuit, a nom de guerre which serves the sole purpose of being able to operate anonymously without any confirmation bias being attached to other musical guises which might, or might have not, been used previously and in earlier stages of a long lasting involvement in music. And btw - this is the first time ever THE D3VI7 agreed to provide an official DJ mix for a mixtape release.
With baze.djunkiii's mix opening the roughly hour long journey of "DIURNAL TIDES: First Wave" on the A-side we're getting a prime example of what original DJ culture is all about as he's taking us on a fascinating journey from deepest underground Electro to screaming, spiralling Acid madness and beyond, digging up most underground vinyl cuts and making proper use of his extensive collection of rare 7" releases - a format that has been criminally overlooked by many DJs but provides a treasure trove of goodness as this mix easily proves.
Turning the tape THE D3VI7 does what THE D3VI7 does best on the flip: Being a force. A dark one. Forging a pounding, most relentless stream of hammering Techno tunes to take out unsuspecting punters on heaving dancefloors one by one THE D3VI7 provides a high octane selection of peak time excess that either thrills or kills - an ode to the power of raw and unpolished Techno madness in its purest form. A power that cannot be contested. Ever.
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*Repress*
Phonica Records proudly welcomes the highly respected producer Dorisburg to their main label roster with a brilliant three track EP of expertly crafted Deep House and Techno.
Sweden’s Dorisburg (real name Alexander Burg) has been consistently creating some of the most carefully constructed dancefloor records over the past decade and his various releases for the likes of Aniara, Bossmusik and Northern Electronics are seemingly always in demand with DJs and listeners alike. His stunning debut album ‘Irrbloss’ on Hivern Discs sold out almost immediately upon release and still fetches high prices on the second-hand market. This is all to say nothing of his involvement in the critically acclaimed duo Genius Of Time with Nils Krogh (aka Arkajo).
While his productions can vary widely from upbeat and melodic to dark and foreboding, one thing is consistent in them all; atmosphere. This latest chapter in the Dorisburg story is no different, with ‘House Organ For The Lonely’ starting the EP off with a slow-building and ominous feel eventually pierced by a delicate synth line. It’s the little details that mark his productions apart, with tiny flourishes throughout imbuing the track with a layer upon layer of texture.
Next up is ‘Fumana Prophecy’, a dark, bubbling cauldron of fizzing and whirring electronics occasionally enveloped by dense pads of bass. Hi-hats ratchet up the intensity. Finally, ‘Rhythm Paint’ begins with more earthly and off-kilter percussion before a glistening digital arpeggio dances on top.
It’s yet another wonderful record from one of the most reliable producers out there.
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Another stellar release of tripped out dubby acid excursions by Projective Vision on the ever so tasteful Transmigration label.
Projective Vision open their archive for more tripping acid techno goodness. Originally released on Holistic Recordings in 1994, Close Encounter was the duo’s first record together, quickly becoming a favorite at legendary clubs like Frankfurt’s The Omen. Now faithfully restored and remastered for modern club use.
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Waage is a firm favourite amongst dub techno fans. The Icelandic producer has long been turning out icy and atmospheric rollers for the heads and here he works alongside a fresh name, Quantal, who is sure to go on to big things. Here they land on Thule Records, a legendary label in its own right with roots going back to 1995. They kick off with the textured dub of 'WQ1' which has glitchy sounds paying over the rolling drums. 'WQ2' is much more smooth and streamlined, with an underwater current that sweeps you off your feet, then 'WQ3' leans into the wind with hypnotic techno drums and vamping chords that melt the mind. Last of all comes 'WQ4', a timeless dub with infinite horizons and the most frictionless drum loops.
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For the eleventh release on their main catalogue Haven are excited to invite French king of spooky crunched-up rollers and Wrongnotes member Draugr to the label for the first time, alongside some half-time madness from Headless Horseman on the remix.
The A1 gets us moving with Gjöll, where creepy atmospheres, disembodied vocal hits and noisey drum rhythms crash together in a concoction of hard techno destruction. The A2 continues this formula in Völva, with rolling synth lines and demonic ambient textures leading in to an infernal animalistic wail breaking in to the mix following the breakdown.
The B1 continues the destruction on the flip with Vigrid - a hectic drum rhythm work out buttressed with spiky metallic patterns and further ghoulish sound design and sampling. Headless Horseman closes out the record with his remix of Gjöll, transforming it into sinister half-time stepper ripe with droning atmospheres and powerful drum hits to finalise another offering of club ready mania from Haven.
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Parallax Unknown returns a year on from their last record with another 4 tracker EP from ES-Q, featuring Lobster Theremin regular and Four triangles boss ASOK. Casting patterns, Lunatic Fringe & Intuition sees more of ES-Q's synth-ed out drum machine sounds with the lead track getting a deep, yet uplifting broken beat rework from ASOK.
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Foreign Policy is the electronic music project of Berlin based artist Thomas Ricard, co-founder of the Area Z collective. "Watching Existence" marks his debut release as well as his first 12", a six track journey of scorched electro industrial & techno body music operating as a conduit for his social observations on the modern condition, human rights and civil liberties. The 12" EP also includes a remix by SARIN. Available as vinyls & digital.
His sound can be described as a mix of influences oscillating between club oriented EBM-Techno and Industrial music, combined with a taste for dark cinematic atmospheres and soundscapes.
Released by X-IMG Records.
Strictly limited to 300 copies as 180 gram vinyl with graphic matte sleeve & CMYK label. Includes download code.
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Ocktawian delivers four high-octane cuts of direct, peak-time techno to mint the Sinxergy label. Opening with a slamming 909 assault, "Error System" then dips into the hadal zone with a tripped-out sci-fi sound, and "Hurricane" gives the EP a touch of old school flavour. On remix duties is none other than Detroit veteran Mike Storm, who strips back "Error System" into an atmospheric roller for the twilight hours. All up, Unpatterns is a stand-out first transmission from the Berlin-based label, welcoming two artists fresh from album releases on Jeff Mills' Axis Records, and providing a platform for them to create something new.
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Supported by Ben Klock, Ben Sims, DVS1, Setaoc Mass, SLAM, Kaiser, Madben, Arnauld Le Texier, Ritzi Lee, Abstract Division, Dax J, Stephanie Sykes, Gotshell, Electric Rescue, Joton, Drumcomplex, Joseph Capriati, The Welderz, Danny Tenaglia, Marcel Fengler, Markantonio, Post Scriptum, Dr Motte, Cristian Varela, Markus Suckut, and many more...
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REPRESS
Paris-based DJ and producer Anetha’s enigmatic label Mama Told Ya is a collaborative venture. Pushing artists out of their comfort zone to new heights of experimentation and creativity, yielding progressive results that challenge and intrigue.
The next instalment comes in the form of a kaleidoscopic debut release as a two vinyl pack from French producer and A/V artist UFO95, titled “Popularity is overrated”. This will be the first double EP on the label, with previous records released as split EP four-tracker collaborations with artists and Anetha herself, including Niki Istrefi, Hadone, ABSL and Sugar.
UFO95 is a French electronic music producer, who finds his roots in 90’s techno, UK jungle and also through IDM, creating a unique tribal sound. His lives ( live ; live A/V ) are like his music, dynamic and really hypnotizing. He releases his debut LP “Popularity is overrated” on Anetha’s label, Mama Told Ya.
As well, Anetha collaborates with a different visual artist on each project; Recsoverto takes center stage on the cover for this release, who combines ethereal visuals parodying Japanese video games and hyper-real typography.
The record is beautifully eclectic and has the effortless feel of a live set from a promising new producer. Opener ‘Sun S4lutation’ is a silky melodic affair, diving into a runaway breakbeat with a hypnotic edge crafting an effortlessly colorful trip. ‘2am’ is a tense nosedive into techno’s heady mutations, harnessing a prevailing kick and wormhole synths.
Up next is the masterful collaborative track with Anetha ‘On/Offline’. The track starts with an infectious energy, before vocal inflections and a dreamy hyper-real synth melody blend to hypnotic heights, transporting the listener to a open-air rave. ‘Should I Go’ is heady and bold in its brutal drum work and twisting synths, ‘Enchanted Forest’ is playful and addictive, ‘Rrkja’ starts wild until heavenly synths glow around the edges, and ‘OE’ carries the sentiment of amalgamation with a fierce kick drum and a symphonic chorus. Ending on a rough edged high, closer ‘Volcano’ takes an IDM approach with glitchy drums, weaving synths and groovy vocal inflections.
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4E used to be Khan’s apartment number in New York City’s East Village back in the late 90’s. 4E became the trademark sound for his downbeat acid infused electro work. On his kitchen floor he produced a very unique brand of futuristic funk tracks with only a ROLAND TB-303, SH-101 and the Hip-Hop fundamental SP1200 drum sampler.
Besides a couple of 12”s for Force Inc. Music and the “Gentle Killer E.P.” on Freddy Fresh’s Socket imprint, 4E released the highly acclaimed downbeat electro album “4E4ME4YOU” on German glitch label Mille Plateaux.
Back in 1998 4E shared the now legendary 12” with I-F “Space Invaders Are Smoking Grass” on the “From Beyond Series” by Ectomorph’s Interdimensional Transmissions.
“Pills & Thrills” on Temple Traxx is four previously unreleased acid-electro stomper that are as funky and noisy as it can get on an East Village kitchen floor.
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In 1993 two of the big guns in the rave scene came together and made some music. The duo wrote many tracks and remixes together during that year, but two tracks slipped through the net and vanished without trace. That is until now. Aphrodite located the masters hidden on DAT tape and hooked up with Vinyl Fanatiks to finally make them available. Two raw, uncompromising early hardcore tracks created on an Amiga using analogue gear. This is the original sound of the infamous British rave scene as it morphed into what became hardcore and then jungle. 27 years later and they still shake a bassbin.
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Bizz O.D. is somewhat of a mystery.
A known fact is that she released noisy hypnotic acid-house tracks on Force Inc. and Smile Communications back in 1993-1998. 'Warship The Speakers' was taken very literally when Detroit was kneeling in front of their sound- system praying to the allmighty bass drum. 'I'm Coming Out Of Your Speakers' went heavy rotation with Junior Vasquez at Sound Factory NYC. A collaboration with Jimi Tenor for OZON Records in 1995.
A few live shows have been proven to be Bizz O.D. herself. She would send someone, kinda anybody, to play her trademark Casio RZ-1 drum-machine and tweak her TB303 acid-lines. The vocal loops coming off some defunkt Dictaphone. So she's never been really seen or photographed. Bizzi has ZERO social media except the mentions on Discogs and some up-loads on YouTube.
'The New York Push' is two previously unreleased tracks. Fetish club, distortion and newyorican-soul all in one. Set aside some pretty bizarr promo pictures that will add to the mystery.
It's House, New York House with a Latin-Industrial subtext. Ok, whatever!
P.S. Bizz O.D. live shows this year in Berlin, her new home since 2017. The 'T' a monthly tea-dance with Eric D. Clark of Whirlpool Production fame at Paloma/Berlin. Catch her if you can!
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Bizz O.D. “House Of Domination” is her second 4 track e.p. on Temple Traxx.
Bizz O.D.’s trademark ruff Chicago acid stomps are ear bleeding love songs to a hedonistic lifestyle she is celebrating to this day.
Unique live and DJ sets make her one of New York greatest Wild Pitch producers.
Using only Casio RZ-1, Roland TB303 & TR808 and the legendary Emulator SP1200 drum-sampler prove that inspiration is what matters and love is what counts. A bit of rubber and domination does never hurt though. Bizz is in the House!
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Jimi Tenor & Bizz O.D. met 1989 in a Helsinki club called Berlin. They decided to move to New York City in 1992 to start the band "Public Extacy" which never saw the light of day. A few years later, Jimi had already left NYC but was visiting so the two met to record "Bizz O.D. & Jimi Tenor's Traffic E.P.". Released in 1995 on OZON Records founded by nobody else but Jammin' Unit and Biochip C. Originally a 3 track e.p.but we at Temple Traxx thought that it was the right time to remaster and reissue this acid jewel and add an unreleased bonus track called "Girls" in this limited edited edition. This 4 track e.p. shows once more that the two artists are real inovators and pioneers of a sound that is hipper than ever in 2020.
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After having two of his earlier tunes remodelled by Carl Craig and Mike Huckaby thanks to Sushitech, Detroit's Delano Smith re-emerges on the label with a double pack of tunes made with Brawther under the D&B Productions. That moniker has more to do with the pair's name rather than a suddenly conversion to drum & bass, although there's a love of dubby effects and deep bass power here that - at a stretch - could be said to be in common. The six tracks - Symbiosis' 1-6 - are smooth and simple, but executed with an ear (or four) for an irresistible groove, an economic but rhythmic keyboard stab and a knack for squeezing something nicely soulful from the barest ingredients. Nice work indeed.
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Inc. Johannes Brecht Remix
Fur Coat drop second single from upcoming album with Johannes Brecht on remix duties…
Fur Coat return to Renaissance as the run-in to their eagerly anticipated second album ‘Polyphony’ really starts to pick-up a head of steam. To ensure the pistons are pumping and things are approaching maximum velocity, the Latin American duo deliberately picked one of the strongest tracks for their sophomore session, ‘Shades’ - available here on a full 12" side for optimum loudness and club play.
“Shades is one of Polyphony’s more defined dancefloor cuts,” explains Fur Coat’s Sergio, “it was a natural choice for it to be a single. The thing that really underlined the decision was Johannes though. We sent the entire album over to him and said, ‘take your pick’. When he immediately chose ‘Shades’ Israel and I were left with no doubt whatsoever.”
In its original guise the track is an exemplary slice of melodic techno; that happy marriage of opposites, where dark, brooding base meets a memorable, infectious top-line. It’s firmly in ‘hum it all the way home from the club after just one listen’ territory.
Johannes Brecht’s take is a remix in the very best sense of the word. He takes the top line by the scruff of the neck and transports into the very different, yet oh-so-now world of atmospheric
breaks.
It’s one of those rare interpretations that can sit as comfortably at an Ibizan sunset as one of its famed (yet to be re-opened) dancefloors at 4am.
All in all, this is an exceptional release from two of the most exceptional production talents at work
today.
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Khan presents: Jammin Unit - Remote Car Babe
Jammin' Unit is not only my brother but one of the most prolific producer of electronic music since the early days of techno. He is one half of legendary electronic super group Air Liquide and made his way into history books with tracks like 'If The Was No Gravity' and 'Revelation' lately featured on Nina Kraviz - Fabric 91 mix.
'Remore Car Babe' was originally released on clear 10' via Temple Records NYC in 1997 and is now remastered by the man himself for our 2018 ears. Re-issued on 12' black vinyl for more gain and better audio quality.
In his own words he describes the 4 track e.p. as: 'The sound was created for headphone listening during remote car racing. Enhancing the feel of speed and aggressiveness was the goal'.
To me it feels like a manga comic strip eched on vinyl. No headphone necessary to go on this speed racing trip of extacy and pounding bliss.
A re-issue I am especially proud of to hear on dance-floors around the globe.
'Don't eat before going to sleep but Do eat before going out!'
Yours sincerely,
Khan (Of Finland)
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Brazilian producer Marcal joins Rekids Special Projects series with a four track EP of Reduction Pt.1 & Pt.2
Releasing on labels such as Phobiq and Sam Paganini’s JAM, Marcal has been turning heads for some years now with regular support from iconic names like Len Faki, Adam Beyer, Charlotte de Witte, and more. Adding Radio Slave to that list, Marcal now joins Rekids Special Projects with arguably his most exceptional release to date.
‘Ainozama’ opens the package with pace as banging drums, offbeat clicks and a murky low-end lay the foundation for rave inspired screeches. Next up the relentless and undulating groove of ‘Heart Race’ which comes complete with sci-fi inspired bleeps. On the flip and we have Reduction Pt.2 featuring ‘Angry Teleprinter’ & ‘Sentinel’ both tracks have tightly wound energy that is sustained throughout in glorious style. Marcal constructs undulating, nagging grooves, it's his use of barely tamed synths, FX and vocal snippets that give the classic techno frames real character as they shoot around the tracks with a distinct life-of-their-own feel.
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