Techno Vinyl New Releases - News

Once again the versus brings a large scale of acid sounds, from acid electro ina classic Benelux style and some EBM acid oldschool !

the must have classic !

mourad Sliti Aka Dj Mourad Is A Long Standing Veteran, Since 2010 On The Minimalsoul Roster. His 2015 tacotac' 12 Amplified His Deep, Diverse & Funky Mediterranean Production Style.

Hailing From Tunisia, He Was Heavily Influenced By The Sounds Of Detroit. He Brought These Influences To Boras, A Small City Not Far From Gothenburg In Sweden, One Of Europe's Cradles For Electro Music.

Electro Is De Facto The Main Stylistic Focus In This new Moon' Ep, But The Peculiarity Of Mourad's Work Goes To Show How Boundaryless
The Genre Is, As Well As How He's Able To Contribute In A Very Personal Way. This Is Clear Already By Listening To The Ep's Opener la Lune': A Triumph Of Multiple Synth Layers, Forged Into An Electro Frame, With A Slight Uk Taste, And A Fistful Of Acidic Resonance.

The Track Gets Then A Commando Rework By Detroiter And Direct Beat Associate Will Webb, Perfect To Rock Dancefloors.
On The Flipside, Mourad's Ode To Goddess Selene Continues With A Very Sensual And Soothing Track, new Moon', Which Includes An Even More Pronounced Level Of Syncopation, Another Feature In Mourad's Production Way.

The Release Closes With The Dreamy Techno Tenderness That ten Of Pentacles' Is. In 1909 The First Tarot Deck Featuring A Suit Of Pentacles Was Published, But The Pentacle Or Pentagram Has Been A Magical Figure Throughout The 15th Century And After, And In One Of The Most Famous Grimoires Of The Period - The key Of Solomon' - There Were Multiple Pentacles, Including Some Linked To The Moon.

Indeed The Feeling That We Get From This Swirling Of Chords, Claps, Cymbals, Bass Drum And So On Is That Of An Advice:
Play Your Cards With Honesty And Courage, The Powers Of The Moon And The Stars Will Be With You If It's Meant To Be.'

Exit planet earth by 20/20 Vision is a new series of V/A vinyl releases, selected and compiled by Ralph Lawson. There is a truly heavy weight selection of artists involved in the project and the first edition 'carbon' leads with contributions from two of the most influential electro producers of all time The Hacker and 214, who both deliver unforgiving hard hitting excursions to future worlds. On the other side Reedale Rise sheds some light with 'Lux' before the record is beautifully closed with an uplifting composition for space travel - 'The Gap' by Derek Carr. Artwork is supplied in a collectible series of spectrographs in limited edition spot colour sleeves.

Ever since the early 90s, The Mover has set the standard for apocalyptic melodramatic techno and has been praised as one of the leading artists of Planet Core Productions. His distinct tone and memorable production expertise, causes one to leave the world behind. In 2018 he returns with - Undetected Act From The Gloom Chamber', an album which implies all the goodness and fears he is renowned for. Eight masterpieces carrying the authentic excitement that you would expect from the Mover in a timeless fashion. Shifting between electro beats and classic old school techno patterns, the album sets a moody tone. The release is filled with magnificent bass lines and dark-dreamy pads that leave the mind in a trance. Muscular drums and authentic synth-lines paired with the unmistakable Mover signature, makes this assembly of gems an outstanding masterpiece.

Hi there, this is the already third installment of the Familiar Faces anthology. For those who missed the first two: all the contributors to this fine selection of tunes are whether label residents who already provided their fair share to its backcatalogue or friends and affiliates, the Riotvan family hooked up with in one way or another.

Perc Trax is proud to announce Breaking The Seal; the debut album from Ghost In The Machine. Having already hit hard on the label with their "One Louder" (2017) and "King Dead" (2018) EPs now the time has come for them to expand their range even further across the ten tracks that make up Breaking The Seal.

Frank Nitzinsky & Nils van Lingen began collaborating as Ghost In The Machine in 2016, first releasing on the Genosha Basic label before working with Perc Trax. As remixers they have turned in acclaimed rerubs of Paula Temple's Joshua & Goliath and Perc & Truss' Leather & Lace whilst their DJ performances began in their home country of the Netherlands but soon took them across Europe including making their Russian debut recently in Moscow.

From the extended scene setting intro of title track "Breaking The Seal" to the genre fusing antics of "Combo Breaker", "Form Of Steam" and "Nexus 96" these 8 tracks build on the established Ghost In The Machine sound, but add something new to each track, taking their sound in directions we've not heard from them before and which we might not have expected.

'Chris Carter's Chemistry Lessons Volume One.1: Coursework' was created using a newly-formed piece called 'Bongo Glow' and reworkings of three tracks from the original album.

'Bongo Glow', a work in progress at the time, was finished using the same processes as 'CCCLV1' so that it could appear on the Japanese release of the album.

The additional three reworkings were created without direct instruction as an experiment to see how they changed with input from external sources.

Daniel Avery's remix of 'Usyring' is a slow building majestic tome that comes full circle.

The Radiophonic Workshop took 'Blissters' and created a more experimental reworking in their unique style.

Chris Liebing gave 'Tones Map' a brooding anthemic feel, adding his Slow Burn remix technique

LiveJam is approaching its 10th year anniversary and its founder EMG releases his first solo EP on the imprint. Three heavy cuts to celebrate the artist's solo debut on LiveJam - straight, no chasers.

Orson Bramley founder of Transparent Sound returns now under his new project name Empty Orchestra. Transparent Sound will be brighing some of the finest Electro -Techno there is this year and have a new album due for release on Billy Nastys Electrix label, as well as multipul release with remixes coming from so of the hottest emerging talents from around the globe. This release features show cases Brighton bases electronic producer Alero May and Maltese based 303 master Acidulant .

Following a first compilation in 2016 and a series of parties, Rinse France & Piu Piu join forces for the first release of her own label : Grooveboxx Records.

Together, they present 'Memorias', the first EP of her new imprint.

Quite explicit through its title, Grooveboxx catalogue stands for an exploration of the grooves across its modern shapes, it embodies the quest of trance throughout music and question the body and the individuals on the dancefloor.

The first release is composed of 5 percussive tracks from producers and DJs Aleqs Notal, Myako and Geena.

All tracks are exploring samples coming from the Musee du Quai Branly's ethnos collection along with some some field recordings captured in a garden in Paris where south American tribes were exhibited during the ""Universal Exposition"" in Paris.

With Salvia Cosmica Myako takes us to a progressive voyage surrounded by all kinds of spirits whispering melodies to our soul while the tribe's marching band marks our footsteps with its strong percussions. Enter the forest.

Influenced by Chicago & Detroit, house producer Aleqs Notal graces us with a percussive jam baptized Finger Prints.
6:45 of pure rhythmics honoring the roots of the music its been sampled from. The rite begins.

La Dansa Del Risa is a conversation between birds and humans overlooking at the tension one night in the forest can impose on our western fears of nature. Stay close to the flames.

Antinote senior, Geena blesses us with Selva Spirit, a slowjam reverie filled with eerie pads and peculiar drum sequences.
We're almost there.

Last but not least, Jungla Encantada seals the EP with a deep wisdom and mastership of the jungle's best kept secrets. It's slow pace and flute melodies appease our senses while mysterious dialects becomes our native language.

The journey is complete.

Leipzig´s Zwischenwelten Crew celebrates their 9th birthday with a new V/A record and their closest artists

Following on from her stellar addition to Monki's &Friends label - Polish producer VONDA7 continues her steady ascent and inaugurates a brand new project: art werk with 4 deeply personal yet effective tracks. The principle behind art werk is to allow space for movement towards the left, to allow for full creative control and to provide a platform for the listener as well as the dancer with tracks that lend themselves as well to headphones as they do to the floor.

Venezuelan Electro producer Ara-u presents his first solo EP on newly launched label No Static /Automatic which follows his collaboration with Radioactive Man on Asking For Trouble in 2019.

Black Hole EP carries three original tracks of raw, analogue machine music backed up by a bass-weighted grinding remix from Carl Finlow, support coming in from Andrew Weatherall, Radioactive Man, Jerome Hill and DJ Mag.

Ein IDM-Klassiker erfährt seinen Re-Release erstmals mit allen 10 Tracks auf Vinyl. Metamatics' "Midnight Sun Pig" erschien im Jahr 2000 auf dem schwedischen Kultlabel Dot und 2003 als "Mind Mushing Git" auf Hydrogen Dukebox, doch beide LP-Formate enthielten nur 7 bzw. 8 Tracks. Die neue, erstmals vollständige Version erscheint auf pinkfarbenem Doppelvinyl. Metamatics (aka Norken, Nacht Plank, Autumn Of Communion) wird oft mit Aphex Twin verglichen, zu seinen Fans zählen Colin Greenwood (Radiohead), Laurent Garnier und John Foxx.

- "Artfully considered landscapes. Atmospheric, large and lush." - Q Magazine
- "A successful and rare combination of machine and human soul and emotion." - DJ Mag
- "Like Aphex Twin when he falls in love with melody, this is the best abstract glory." - Update

Purple Vinyl

BAR05 by Italian MinimalRome affiliate Teslasonic. Stunning Electro cuts including a mesmerizing remix by Rotterdam favourites Animistic Beliefs.

Repress

DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.

Duke about this EP:

It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene

so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time.

_box of audible codes...

Schwarzes 180g Vinyl im Gatefold inklusive Download Code

Los Angeles-based Inhalt assemble a strikingly unique selection of eight producers across generations styles and musical backgrounds to remix and simulate Inhalt's 2018 Commerce EP.

On a backdrop of EBM techno electro industrial and more these new remixes vigorously intensify Inhalt's examination of neo-liberal capitalism and identity. Through this process a new alluring narrative of the tensions of 2020 is born.

Following his critically acclaimed 2017 debut album Apeiron, enigmatic artist Noumen, aka Andriy Vezdenko, returns to CPU with his second album 'Obscurium'.

Vezdenko demonstrates mastery in the studio again with his signature melodic, uneasy and challenging rhythms. Obscurium travels down a path seldom trod in experimental electronic music; thoroughly enjoyable and brimming with musicality.

Quintessential abstract electronics.

If you like Autechre's LP5 or Jega's Geometry you will love this.

This record contains: filters, singing, Polish railways samples, the right touch of big beat and melodies & it can help you clean the air of the club.

Solpara is an agile performer, both in sense of the nature of his live acts, background and tour schedule. Brutaż is also about nimbleness and acrobatics so it was only logical for their paths to cross. Both are connected with record dealing (Record Loft, Berlin and Halcyon, NY, respectively) and both are emotional and undergoing changes.

Contrary to his previous endeavours (incl. on Nicolas Jaar's Other People), Solpara's release does not quite want you to relax, it's fast and slow, it's emotional and rackety, it's fire and water. This Lebanese-American raconteur seem to have a similar goal to Polish complainers of Brutaż - records are not meant to wreak havoc, their purpose is to refresh the perimeter. Woda różana stands for "rose water" - it's about scent, touch & flavour.

2x12" HEAVY BLACK VINYL (350 copies, includes MP3 download card).

The first release on Curtis Electronix is from the label founder CEM3340. Includes 3 original tracks and a remix from The Exaltics. The label is inspired by Doug Curtis, father of "CEM" chip, synthesizer pioneer and innovator.

Hypersonic tunes and (un)danceable break-beat rhythms. A new hero has landed on Land Of Dance.

Electro, Techno and Ambient works from Super Hexagon co-founder Jacob Wiltshire. Each created with a nod to the past and the future.

Guerilla Toss’s material gets laid out bare for Jay Glass Dubs to work some jittery remix magic on… with sexy results

Here we go again. As a part of the Stilleben family Kuldaboli delivers Another Amazing 12" for the people. A perfect follow up to his earlier 12" on Stilleben this spring. Less hectic, a bit warmer but even a bit more mysterious and experimental... Dont sleep / Eargoggle

The second Raval Rave Breakers instalment continues with another strong five tracker. A Swiss knife where different sides of electro manage to coexist in blissful harmony. Some of them do so in a clean and classic way, like Dark Vektor's "Time Space Rhythm & Bass". A small 80s odyssey that fondly reminds of a certain quartet of well-known robots. Some others take a a more raw and contemporary approach, like Spoiled Drama (Nous, Fleisch), who plays the aches-and-pains card in a glorious way: "Drama's Welcome To The Synthesized Pain Society" goes straight to your cortex and it won't be easy to forget. Univac (Bunker, Moustache) sits in a more middle ground, bringing us "Collider": a powerful electro-techno track that will uplift any possible dancefloor. Larry McCormick, head honcho of the renowned label Monoton, signs as his usual alias Exzakt, but now gets accompanied by the mysterious BFX. Their track "Close" is a as perfect as it could be: a pure, raw, super intense breaker electro rhythm, a ratchety lead, a couple arps, a distorted vocal and a tremendous sub that, even at low volumes, it might be heard even from the Mariana's Trench. Closing the EP, Eel travels back to the more lo-fi side of the genre with "Sich Kreuzende Linien", an eerie and hypnotic track which surrenders to an absolute jackhammer of a rhythm section.

500 copies, No repress!

New imprint Jason, Jared & Brians’ Records delivers it's first offering with a release from Jared Wilson.

This record is dedicated to and influenced by Roland, Dinsync, Social Entropy Engine, and the Pacific Northwest. The three-tracks found on this EP are some of the first to come out of Jared’s new studio in Seattle. Refining and recommitting to a sound that reaches into the past and future with hints of acid, house, and techno while at the same time not being confined by any theme or style.

Known for his grainy, analogue dance floor hits, Hungarian artist Norwell has returned with a powerful and transcendent 4-track EP, releasing through Fanzine Records. "In Between" EP is a drum-heavy, intricate series of grooves and soundscapes that draw the listener in from the beginning. While remaining faithful to the tendencies of techno, this record brings something of its own to the table in the form of acidic basslines and retro Kosmiche synth parts, resulting in a stunning array of textures.

"Eastern Echoes" is the opening track on this EP, and it deserves that spot. Combining an intense, Aphex-esque drum beat with hazy, dreamlike Middle Eastern inspired vox and pads, this track is a pumped-up monster of an introduction to the EP. This is immediately followed up with "Evaporate Yourself", a dark and brooding beat with a serpentine bassline that creeps its way through the track and combines with the lush, ethereal ebb and flow of the detuned synths and horror-themed vocals. This track is as cosmic as it is industrial, and sits on the fence between the two in a very unique way. "Model 244" on the other hand utilises a much more 70's modular sound reminiscent of early Kraftwerk hits adapted to the modern age. The track builds layers upon layers of left-field percussion that dance around the central arpeggiated bass in a very pleasing way, and Norwell doesn't leave out his signature glitchy, mechanical soundscapes, which give the track its glorious tension and release. The EP is rounded off with "Repetition Void", potentially the most experimental of the four tracks. Flanged hi-hats dance around the listeners ears and hazy analogue keys induce a hypnotic trance, exacerbated by the almost Papal choir vocals that fit seamlessly into the background.

As Norwell's first release through the Fanzine Label, this EP is dark, it is foreboding, and with the unexpected turns the rhythm takes, it doesn't care about your feelings. If you're ready to be punched in the face by this sci-fi horror listening experience, watch for the release of this EP, Fanzine latest addition to their roster of tasty electronic jams.

DJ Richard's first release of 2019 sees him drop four invigorating electro tracks on Flexxseal titled "Eraser".

Emerging from the Providence noise scene, DJ Richard forges a path of disciplined selectiveness as a producer and DJ with his idiosyncratic style allowing him to make impressive, self-assured connections between 80s EBM, new beat and Italo disco, electro, techno and "post-minimalist" house. DJ Richard's feral approach evolved from the roots of his White Material imprint which quickly achieved cult status after early releases from himself and co-founders Galcher Lustwerk and Young Male.

As a solo artist, DJ Richard continues to push the boundaries of his talent and influences reflected in his two utterly distinctive and bewitching albums released in alliance with influential German electronic label, Dial. "Eraser" sees him join up with fellow American Christopher Joseph and his Flexxseal imprint as DJ Richard masterfully maintains his skill in propagating ephemeral and raw sounds with his aptitude for electronic body control.

"Critical Damage" kicks things off with resilient oscillations fused beautifully with angelic leads and thudding percussion reflecting a post-punk aesthetic while "Eraser" delivers tough, acidic swirls undulating beneath sharp, broken grooves and growling undertones.

On the flip, a slow, chugging drum sequence balanced with haunting modulations and machine-like vibrations that echo throughout take the focus in "His Threshing Floor" before "Casca's Theme" concludes the EP with meandering, robotic synth flutters and distorted bass resonations driven by hypnotic rhythms and world-ending atmospheres in this powerful electro cut.

Inner Surface Music is proud to present the next release from Endlec.

The talented Greek producer has been cementing his name in the techno scene over the past 6 years with his own take of raw sounding techno.

`Stronger Than Fear´ kicks the EP off with its tough and infectious groove. This is classic techno with a modern touch, sharp stripped percussion plays with the syncopated stab and melodic sequence for pure dance floor tension. `Strictly Havoc´ is a more distorted affair the distorted kick plays with the percussion feeling loose and scatty to create swing against the twisted and demented melodies of the synth line.

`SKG Electrik´ - this is Endlec showing how simplicity can destroy any dance floor. Tight rhythmic percussion and heavy kick drum meander and slip along the surface while the stab is only adding to the momentum and pressure of this steam train.

`SKG Electrik´ (Makaton Cordyceps Remix) - to close the ep we have a remix from one of the original UK techno innovators, Makaton. The remix starts with a hypnotic passage of endlec´s original stabs rearranged into something more psychedelic and spaced out. In true Makaton form we drop into a deep and dark driving section of stripped back drums before melting into the hypnotic stabs to crescendo as we slowly dissolve away into the darkness.

Since making his debut as 96 Back in 2018, Evan Majumdar-Swift has become one of underground electronic music's genuine rising stars. To date, the Sheffield-born producer has released two acclaimed albums for labels such as Hypercolour and CPU as well as a string of singles and collaborations. His EP for Happy Skull showcases his growing versatility as a producer and marks the labels return following a brief hiatus.

"143 Connections", is a rapidly unfurling club cut that sees him pepper a weighty 140 rhythm track with crispy arpeggios and rolling acid motifs . The track increases in intensity as it progresses, with Rob Gordon's immaculate mastering work bringing out the cut's inherent weight, sharpness and subtle Bleep influences.

Elsewhere across the EP, 96 Back takes the opportunity to expand his trademark sound a little further. "Set Science" is a colourful slab of electro machine funk, full of fizzing sci-fi melodies and brain dance era synth work while "In The Trunk, Belting Down The Highway" drops the tempo but turns the intensity up to red with a slow motion chunk of mutant electronica complete with misty eyed breakdown.

Carl Finlow returns with a double vinyl 8 track album, following a prolific run of singles for Lone Romantic, Electrix, Craigie Knowes and Orson. Apparatus is a forward thinking album that reflects Finlow's return to live touring with many tracks hitting harder and darker, pushing his electro sound into new directions and soundscapes. Flawless production is something we have come to expect from Mr.Finlow yet he has managed to raise his game yet again with Apparatus. The album means business from the start, kicking off with the title track, 'Apparatus', a no-nonsense assault on the system with fast tight drum programming, heavily vocoded vocals and powerful synths. The pace continues on the record with 'Bind' and 'Carbon Deposits', Structure' but there are also pure electro cuts like 'Differential' and moody grooves in 'Ampere' and 'Viroids'.
Finlow has been on a staggering run of form and Apparatus continues this remarkable purple patch with a new lease of electro energy. It's not surprising that every credible electronic master on the planet from Weatherall and Craig Richards to Dixon and Maceo Plex are all fans of his work.

repress

Late night escapades - Wandering endlessly through desolated city's. Behind the dystopian area that favours the odd minds. We had to go under the ground. Nothing is left only an Abbatoir of Dreams. For Dark is the Suede That Mows Like a Harvest.