Techno Vinyl New Releases - News

New collective on acting press, new energy!
C3D-E, Hashman Deejay and PLO Man team up for some delicious fist pumping electronics. New vibes, new bangers.... TIP!

The Hong Kong based Homesick team are back with their yearly release of quality reworks that has made the label sought after since their first release back in 2014. For the 7th opus they've worked with Indonesian artist Jonathan Kusuma (Previously on Cocktail D'Amore and I'm a Cliche) for two reworks that have been thoroughly tried on Asia's dance floors for the past two years.

Salford's Cong Burn drop the latest in their ongoing 12" series feating entries from regulars Chekov, Perfume Advert & Lack, with newcomer Tonto making their debut. At A1 Lack provides a low key roller subtely flashing glimpses of their studio sleight of hand and their ability to craft rhythms with real momentum. Tonto's 'Rust' slows things down with a sub 110bpm DJ tool that pings splashy springs, bird calls and ascending sine tones - made for long blends and layering!

Leeds' own Chekov continues to intricately weave interlocking melodies in their most finely sculpted effort to date - with some
Idiots Are Winning indications which are more than welcome. Salford/Teeside's Perfume Advert wear their heart on their sleeve
for an emotional 130bpm+ closer.

Deeper Visions takes us back into ReQuest's recollections of the Drexciya-induced dream worlds he explored after listening to The Quest & falling into a shamanistic trance. Cruising through fluorescent reefs, seedy backwaters & the dense algae vapor of the Conglomerate's innumerable processing refineries, he recalls in detail the sensory impressions through a palette of hi-tech funk, sub-aquatic dance & bio-luminescent soul.

Following the release of Roy's sold-out cassette album of the same name in 2018, Acid Waxa are thrilled to present 4 cuts from Acid Royale on vinyl for the very thirst time! EP opener MDM ANAL cuts no corner kicks, immediately reeling in both the young & old raver of yon with a raw and irresistible chonk of hedonistic HI-NRG saucy Euro-dance bang, followed by firm EP and album fave DON'T GET CAUGHT with it's beautiful gushing synth-lines and biting 303.

Fast forward to the second half of the match and title track ACID ROYALE is a thumping, tickler of a ride with its rolling cymbals and dizzying, fizzed-up synth lines. EP closer GO SKIIING sees Roy in gentler fettle, easing our collective come-down with fluttering, snowflake-like synths and thick, buried bass drums, peng (bobble) hats and dense snares, shovelled up from off of the slope where Roy skilfully and majestically soars. BRAVO, MISTER RACE!!

"In his long career as a pioneer of sound, The Advent has become a legend in every sense of the word. Back with a new offering for our revamping of Thema Recordings, ""Dorian Blue"" is the sound of an artist who truly hasn't lost their stride. Never afraid to bend around genres and cliches, he throws the whole of dance music history into a blender. As he is known for, The Advent breathes new life into different versions of his tracks, with back-splitting electro to 909 workouts that will leave your feet throbbing for more. We here at Thema are honored to work with such a master to help get us in touch with our roots. Play it loud, play it fast." - Text by: Nathan Levenson

This time last year, The Forgotten Man launched the Noctu Recordings imprint via a superb single-sided salvo. It portrayed a producer in tune not only with dancefloors, but also the fundamentally far-sighted, intergalactic vision of Motor City techno. The good news is that this belated follow-up is arguably even better. Epic A-side "Pulsar" is a superb example of his craft; a deep and melodious voyage through shimmering pads, B12 style sci-fi melodies and crunchy machine beats. His ability to wrest every last ounce of soul from his machines is confirmed by delicious B-sides "Sky Birds of Ki" and "Beyond Sector 9", both of which fix dreamy chords and melodies to punchy electro grooves.

Yellow Vinyl

Serotonin returns to revenge with Serotonin's Revenge 2, a four track compilation representing the depth and breath of what we live for.


While resting with his camel in the Taklamakan Desert in Xinjiang this summer, bpmf noticed a shiny object. He picked up a DAT labeled "Static Breaker - 1994". It contained some solid electro, including "Transmission Complete”. Who made this? Did it fall out of a UFO? We may never know. Look for more releases from this find coming from Serotonin Records in the future.

Hailing from Biella, Piedmont and now based in Milan, Kreggo is an eclectic and versatile artist. Defined by Juno as part of "the gum-under-the-schooldesk underground", he has been active since 2014. Along with being the brain behind the Art-Aud label and the cult Secret Rave series, he has released collaborations and projects for labels such as Lobster Theremin, Helena Hauff’s Return To Disorders, Super Rhythm Trax, FTP and Melodies Souterraines to name a few. For Serotonin, he delivers evolved, deep breaks with an edge of electro funk.

Siviyex is Toronto duo Castelvi (Bass Guitar, Vocals, Synths, Vocoder) and M. Gomes (Synthguitar, Programming). Their sound combines elements of Shoegaze, Electro, Italo and New Wave, with the conceptual influence of alternate dimensions, space, dreams and out-of-body experiences. The next wave sound of "Dreams in Wannex" is a definitive part of the world Serotonin envisions.

Schooled in dance culture since a young age, with influences and experiences ranging from rock to rave, London based Nexus 23 brings a "Vortex" of his stark, bass-heavy blend of electro and industrial sound to Serotonin records.

Also included on the vinyl version 4 loops from Serotonin in-house artists: John Selway, bpmf, Synapse and Pointsman.

Look for the digital release everywhere November 5th, 2019 and the vinyl wherever cutting edge records are sold.

"In 2013, the For Those That Knoe imprint burst into record shops with a release from one of the UK's unsung heroes, Jaime Read under his LHAS alias. 5 years later, we're proud to present a reissue of a selection of Jaime's music from his 1997 album ""The End of the Beginning"".

Jaime's take on futuristic chi-town influenced house is present across the selections. Written 21 years ago, the music is more relevant that ever. Serene galactic themes and time travel optimism permeate the collection: the music tells tales of optimism rather than the bleak images carved by other similar compositions of the time. Originally pressed in finite numbers, this is an opportunity to get a copy of the key material on vinyl again, split across two 180g 12"" EPs with a free digitial download code."

ALTER is proud to present ‘Tendrils’, the first LP release from London based artist & musician Malvern Brume. After gathering some hushed praise from the UK underground for a couple of excellent cassette releases and strong local live performances, ‘Tendrils’ is the first definitive document of the Malvern Brume sound world. His instrumentation and sound sources would be considered familiar staples in the world of “experimental” music, but Salter does an admirable job of making them his own. Comprised of 8 pieces, this is electronic music at its core but a kind that sounds as if it’s being played through fog. Like spores growing on a damp surface. Densely composed and thick with an almost asphyxiating atmosphere - even during the record’s more minimal moments - track titles like ‘Caught In The Exhaust Trails’ and ‘Sunk Into Plastics’ only heighten the tone further.

Salter was originally born in the countryside and since relocated to London, a place he finds “over stimulating in every sense”. Much of ‘Tendrils’ could be taken as a response to the city and a means of equating the two. Camberwell is listed as the location for composition, but field recordings are attributed to rural landmarks. The Rollright Stones on the Oxfordshire / Warwickshire border and Seven Sisters Cliffs by the English Channel are two in case, but despite their picturesque origins Salter renders them into abstract clatter. As if dubbed from the private tape archive of an old eccentric. In addition, synthesised electronic tones hum and buzz, occasionally giving away to strange, slurring sequences that sound like lost transmissions from the radiophonic workshop. Despite the nod to this electronic music institution, it’s lacking the sincere level of esteem that can turn one into a heritage act. There is a strangeness and distant other worldliness to the music that feels unselfconscious and keeps Malvern Brume from being easy to define by contemporary terms.

Salter says the album is defined by movement and the environments that have inspired him over the years. In his own words, “each of these tracks is inspired by a journey or moving through a space, not in a wishy-washy cosmic sense but more as a practical A to B.” With that in mind, ‘Tendrils’ is perfect music for solitary inner-city marshland walks and urban bike rides to forgotten local suburbs.

Scanning Backwards, das zweite Soloalbum von Phase Fatale nach seinem 2017er-Debüt auf Hospital Productions, ist Musik über Kontrolle. Mittels der Verbindung von Klang als Waffe und psychologischer Manipulation als konzeptuelles Fundament, erforscht Hayden Payne Wege, auf denen Musik – und besonders Subbassfrequenzen – benutzt werden, das Denken zu beeinflussen als auch Emotionen und Verhalten zu synchronisieren: von Militärtechnologie zu Sound Systems zur Körperlichkeit und Sexualität queerer Technokultur.

Ausgehend von seinem innovativen Post-Punk-Ansatz zu Dance Music – nachzuhören auf seinen EPs für unterton und Ostgut Ton – bezieht sich der Berghain-Resident auf seinen Hintergrund als Gitarrist und Toningenieur. Daraus entstand auf Scanning Backwards eine berauschende Mischung aus gebrochener Rhythmik, Noise- und Shoegaze-beeinflussten Technos, oft mit langsamerer Gangart. Am Ende steht Musik mit Platz und Tempo zur weiteren Ausdehnung, das intensive Brausen von Frequenzen hervorhebend, die sowohl in der sonischen Kriegsführung und funktionaler Dance Music vorherrschen. Im Verlauf der acht Stücke, die eine Kombination aus historischen und fiktionalen Narrativen aus Literatur und Science Fiction im Titel tragen, ergründen Paynes rhythmische Exkursionen unterschiedliche Manifestationen von Klang als Macht – spezifisch im Sinne des Berghains als musikalisches Instrument. Dies reflektiert auch das Artwork des Albums: einem frühen Flyer der Partyreihe SNAX entnommen und offensichtliche Hommage an die Fetischisierung von Machtdynamiken.

In seinen eigenen Worten: „Alle Stücke dieses Albums, gleich welcher Stil, habe ich zugeschnitten, um auf ganz bestimmte Weise im Berghain zu klingen. Im Laufe der vielen Jahre als Tänzer inmitten des Dancefloors und auch während meiner DJ-Sets als Resident bemerkte ich, welche Frequenzen den Körper so richtig penetrieren. Das beinhaltet Sprache, Hochfrequenz- und Hirn-penetrierende Instrumentierung, Sägezahn- und Schlagbohrhammerästhetiken – die hatte ich bis dahin noch nicht so oft benutzt, denke aber, dass sie Einfluss auf das Denken und Gedächtnis haben. Das trifft besonders zu auf einen Ort, der schwule und Fetisch-Geschichte auf unerwartete Weise mit Musik kombiniert, auf fast kultische Art. Eine musikalische und physische Deinstallation und Neuprogrammierung, Psychic Driving und De-patterning, das Löschen und Ersetzen von Erinnerungen.“

Scanning Backwards wacht über die manipulativen Eigenschaften elektronischer Musik (Mantras, Loops, unterschwellige Botschaften) und wie Rhythmus sowohl Bewegung als auch das Denken in Einklang bringt. Ein Puls koordinierter Klang- und Hirnwellen.

Scanning Backwards, Phase Fatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, Scanning Backwards surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

Ma Sha Ru announce the launch of Kindergarten Records with their second EP, Zer0: a chaotic blend of club-ready electro, broken UK bass and gnarled techno. Respectively based in New York and Berlin, their music is born of the intense bursts of time this transatlantic couple spend together.
Recorded in summer 2019, Zer0 finds producers Ma Sha and Rù delving deeper into the dark and trippy impulses hinted at with their debut.
Opener Slew is a bubbling cauldron of UK bass rhythms and agitational tension, while the title track Zer0 builds it’s ominous electro around a vocal sample of robot struggling with a mathematical quandary, ghosts rattling in the machine. Things get eerier still on the flip, It’s a Forest Rave paying
homage to a journey deep into the woodland near Vilnius in Lithuania, menace dripping from branches as pounding, gabber-indebted kicks propel dubby keys and a distorted video game lead. Showers rounds off the record with their most experimental effort to date, a broken 140bpm stepper that stumbles and stomps around its delicate, icy core.

In February 2016 5 people from the Bass Agenda family met in person for the first time at Whip It! - an Electro night hosted by Dave Clarke and held at The Melkweg, Amsterdam. w1b0, RXmode, TFHats and Slaves of Sinus have all released on Bass Agenda before, all received regular support from Dave Clarke both on and off his infamous White Noise show (w1b0 on The Barons's Fabric mix CD, Slaves of Sinus shaking up the demolition panel at ADE, RXmode dropped twice on Dave's Beatport live session and TFHats on White Noise what seems like every other week this year!)
Inspired by the meeting, the friendship, the music and the experience of the night they set out to make the 50th release on Bass Agenda Recordings - 'Transhumanism.' Dance floor focussed Electro with an edge.
As a compilation of Dutch Electro from the deep underground the vinyl is a deep orange pressing and strictly limited to 200 copies.
Supported by UMEK, Dave Clarke, Elektrodos, Darkfloor and many more.

The continent spanning Ozzy / Berlin label Potatoheadz are showing a certain flair with their curation that is rare to see. Launching 2020 with a split EP that continues the labels thematic approach with all tracks based around the concept of biophilia. Whilst packing the kind of dance floor punch that only the heart of nature can supply.

On the A side Fibre Optixxx kicks off our (re)connection with esoteric environs with a patient dose of intelligent electronics in “Hive Activity”. A mid tempo Drum and Bass piece that is versatile, raw, and straight to the point.

Next up, “Hibiscus” presents a more dubbed, subtle sound that is just as addictively danceable. In essence a post-modern reconstruction of Kotton the Cutie - think Baltimore club muzik but in planetary orbit.

The B side comes from Melbourne resident DJ Life. His first “Lightning Ridge” is delivered with bags of attitude and is truly club certified as it twists into almost progressive territory, with it's quasi hypnotic nu-era electronics. Finishing off the EP “Butterfly” is classy, patient and beautiful with flashes of early Detroit.

Another killer from Potatoheadz, a label carving it's name into the global scene. Musically deep and utterly fresh. A statement of intent for what's to come from them in 2020.

Versalife's second release for 20/20 Vision sees Dutch producer Boris Bunnik aka Conforce return with another slab of signature electro. 'Clandestine Development' serves up dark tones and melodies layered within insistent electro beats and growling bass, that sounds huge on big room systems. 'Aegis' delivers a double dose of mechanical funk, played over atmospheric strings and auditory acid delights. On the B side 'Lamba' continues to impress with a moody laidback bass line holding the groove down over a solid rhythm & dystopian keys. Wrapping things up the title track 'Asimov's Code' plays out like war drums from space pounding away after a blissful intro of building synths.

Starting 2020 on a high note, and following a surprise charity EP along with a collaborative EP with Turnstile, Jordon Alexander returns as Mall Grab for the “Sunflower” EP.

Sunflower serves as a representation of what’s to come for 2020, and how 2019 and every aspect of it influenced my world and the world around me. Recorded in Tokyo and New York, two of my favourite and most inspirational places (to me), Sunflower comprises 4 tracks which are a stand alone project, but an introduction to the debut Mall Grab album slated for a late 2020 release.

The title track, Sunflower, was composed in New York, looking out at the skyline on an incredibly sunny day and feeling a sense of positivity and energy wash over me. Daydreams of love, fun, ecstasy, love and the people who are special to you. Above all, the desire to share how I felt and feel coming into 2020. Something undefinable - I hope Sunflower can share that with you.

The second track, Hidden Worlds, is an amalgamation for a euphoric dark room - sweaty, throbbing and uncompromising. Recorded in New York several hours before a show at Knockdown Center as a draft, and finished in London a week or so later.

Switchblade is a return to the spoken word layering of early MG tunes, set to an electro-esque, broken beat club beat. High energy, not to be taken too seriously, but locked and loaded.

Leaving Tokyo, the closing track was recorded the day before leaving japan, late 2018.
It, for me, represents the melancholy of leaving somewhere special, full of fantastic memories and people but optimism for the next stop and next adventure.

In a world where everything seems a bit chaotic and bleak, I hope I can share the love a little with you... Positive energy forever.

One of the first visitors to Planet Euphorique, Melbourne-based producer Roza Terenzi makes her triumphant return with the first LP release on the label. A playful yet cohesive collection from post-electro and extra-terrestrial techno to dreamy prog-house and low slung zingers, bumping us into the new decade. Modern Bliss, the sound of Roza Terenzi fully realized.

Never shy to experiment with unconventional sounds or mingle influences, the album presents 9 offerings to suit every flavor of raver. Opener, "Jungle in the City," takes down-tempo to a new astral plane with blushing pads and tumbling pixels, perfectly poised for a spine-tingling after hours sunrise.The title track "Modern Bliss" featuring Barcelona based singer/producer Ivy Barkakati encapsulates the dancefloor euphoria we have come to expect from Terenzi; in essence the energy of this release, contemporary jubilation and contentment amongst a chaotic world. Flickering percussion prancing above deep rolling bottom end, allowing bubbling stabs and synth sequences to lift Barkakati's intoxicating vocals to dizzy heights. “Exactly where I need to be, my thoughts create reality” truer words…

Flipping it over to the B side things heat up, “Yo-Yo” chimes in immediately with a tough onslaught of metallic polyrhythms and a pulsating melodic bassline coaxing you down a path less travelled and preparing you for the sexy sub action that demands your attention, "That Track (Rewired Mix)", buckle up to sweat. Sweet relief comes with the C side “Exhale”, dipping in tempo; esoteric atmospheres to fill your ears, something fresh to absorb with each listen. To close off the record, something old and something new, “Eternal Lust” a delicate ode to the lovers and from the vaults “My Reality Cheque Bounced (Feat. DJ Zozi)” - a raucous party starter serving up that label defining sound, futuristic and bombastic, tipping its hat to the break.

With subconscious salutes to the astrological world of OG maven Fiorella Terenzi, “Modern Bliss” invites you into an encapsulating, electronically ethereal universe. A record to summarize the myriad of diverse and evolving sides to Roza Terenzi, the full length allowing her to capture a moment in time with possibilities to transcend dance music expectations. It’s the listeners' decision whether to take a personal introspective journey through the sounds - or share the bliss with friends, united strangers and all those who dance in harmony on the tiny Planet Euphorique...

The third long player on Night Defined Recordings sees SUED affiliate SW. presenting his new mini LP ‘Night’ and walking a tightrope between jazz and club music. The tracks manifest and dematerialize themselves almost in a non-tangible and floating way, which can be seen as more than just a musical approach but rather shows the artist referring to issues of volatility and evanescence. While listening, some may find themselves in the dark and dusty atmosphere of a jazz club, where the band in the corner at the other end of the room is playing their instruments just when the beat kicks in and puts you right into the club atmosphere.

Written & produced by SW. at SUEDstudio Mastering by Mattias Fridell

Artwork by Studio Belser

Repress of long out of print Laurent Garnier 12” – originally released in 1993 on FNAC and Warp Records.

New member Kuno joins the gang with some forward thinking
trippy electro chin breaks!

London-based, Belfast raised talent Swoose lands on Lost Palms dishing up four slices of transcendental music to get lost in. ‘Introspective’ EP traverses sundowners, sunrises and the hours in between. Swoose injects a fresh burst of life to timeless sounds with this lush EP.

Opener ‘Introspective’ is bright, machine music; dreamy shimmers propelled by feel-good four to the floor kicks and spacey synths. Next up, mystical trance cut ‘Musa’ points towards Swoose’s influences. Hedonistic loops, euphoric vocals sit over driving, club-ready wiggler, a clear nod to a sound synonymous with Belfast. On the flip, stripped back ‘Smile’ is blissed out house to transport you to warmer climes. Rounding out the EP, hands in the air come courtesy of emotional ‘Lotus’. Ethereal vocals sit upon kickin’ broken beats, on this enigmatic, moodier cut.

Marreck is Michael Hann, a musician based out of Teesside and also runs the label Reject and Fade. Hann also records under the Rejections moniker, with releases on his own label as well as Opal Tapes and Tesla Tapes to name just a few. His release for Alien Jams takes a deranged journey through harsh industrial textures, creating a visceral rush through ever shifting tensions.

The bad Girlz return !!!
Electro funky tribe killer

Posthuman’s cult label reaches number 20 – featuring Luke Vibert’s return to the imprint named after his own iconic track, with a full album of purist acid. Ten tracks over a double album, all written on just three pieces of analogue early 1980’s hardware: Roland’s TB303, TR808, and JX3P. Housed in a gatefold sleeve & black paper inners with artwork by Cat Galcera, featuring the equipment used on the album and nothing more.

Records all hand-stamped, sleeves hand-numbered. Heavyweight 180gram vinyl. No digital. No represses.

Electro breakbeat on the A Side and then... a masterpiece of electro tekhosue on the flip

THE FISRT AUDIOTRIX ALBUM !!!!

10 Tracks by Ixindamix in multiple styles featuring Sim Simmer on The ones that left, Scallywag on Boom Boom Boom and Wotcha Braincells and Roberta Carrieri on Yodelix.
2 X 180G Vinyl in a beautifully designed full-colour picture sleeve with free download code inside.

What Ixindamix says !

"I’m extremely proud to present my new album “The Underground Tree” the first for over 10 years is out on 23rd May !

The title comes from a line in “Reserve the Right” – “We are family, I’ve got my possee and me, we’re fruit from the underground tree” the last track on the album, a rambling rap covering many subjects from climate change to data collection all written under the influence of a heavy hangover, where I foolishly decided it would be a good idea to get back on the mic. You can read more about that here …..

Also featuring on the album are Sim Simmer, Scallywag and Roberta Carrieri on vocals. From Bass House to Drum & Bass with a twist of Acid, Breakbeat, Ghetto, Garage and Swing, these 10 tracks are to be released on a double vinyl album available at the end of May. You can hear the megamix below.

Family is one of the most important things to us, whether it be blood or our larger sound system families, tribes or crews. They are the people that mean the most to us and make our everyday lives the best they can be. This album is dedicated to them all friends and fans the world over xxxx.

'NEEDS' returns for it's 1st birthday celebrations, returning to where it all begun with a record in aid of mental health and featuring the talents of DJ Normal 4, Red Axes and Hodge. Following on from the Needs x HeForShe record earlier this year with Peggy Gou & Juju & Jordash, the label are back with a record aiming to raise awareness about mental health and encourage positive conversations surrounding the subject. Artwork by 'Samresh Shrivstav'.
- All profits donated to Mind UK -

Netsh is dead, long live Netsh ! The 24 year old producer is back on Comic Sans Records and delivers a 6-tracker EP that sounds like a
true aggiornamento in his music.
The braindance inherited from Aphex Twin which we can hear in Neural Netshworks, is here replaced by something new that defines
the contours of a 2.0 upddate of his creative process.
Netsh has left aside most of his usual hardware and used different time signatures.
This renewal in his working method gave birth to Cyberbass, an energetic style in which IDM and futuristic bass music blend
to musically describe a close dystopia where humanism has given way to transhumanism.
The EP and its tracks are crossed with contrasts, the ear is often knocked out by a powerful polyrythmic before being released by
emotionally intense breaks.
It's probably Netsh's way of illustrating one of the biggest philosophical debate of our time : will technology free human kind or on the
contrary enslave him ?

Puzzlebox Records Classic Electro / Techno Label Returns. Label owner Keith Tucker aka K-1 is back with his own Brand of Electro Funk with infectious bass lines and unmistakable vocals from one of the genres hardest working artist and label owners.

Over the years Tucker has done it all from visuals for live shows , label art work, dj’ing all over the world to also touring as a founding member of Aux88.

His new release is “Modular World “side A is an electro banger with Tuckers amazing arpeggiator work reminiscent of his great Optic Nerve techno alias. Modular World has a hypnotizing arp and Funky bassline that hits your soul and quickly programs your mind to
dance mode. The haunting Vocal and electronic vocoder work is unmistakable K-1 at his best. Listen to the way he combines his
voices to form his own distinct sound.

Side B. “Schematix” brings this special two track ep to A thunderous boom with a more retro bass styling that shows his programming skills, K-1 is able to manipulate his mixes to showcase his intelligent techno side with the street funk of Detroit. “Schematix” dark sci-fi drone vocals kick off the k-1 mix to get any crowd to run to the dance floor.

Alex Jann returns to Dance Trax after last year’s intense electro workout alongside Assembler Code. Here he fly’s solo showcasing his broad style of electro futurism - inspired by authentic machine funk, Jann re-imagines classic sounds for modern times. Marco Bernadi on flight deck reporting for remix duties - Stay alert!

DJ Support
Nightwave “really digging this and will play in isolation streams lol cant choose a fav tracks, love them all and heavy Bernardi rmx” 5/5
Martyn Bootyspoon “Don't come around is a jam” 5/5
Solid Blake “top!” 5/5
tiga “downloading for tiga, thanks” 4/5
Fear-E “Excellent stuff!” 5/5
Paul Woolford/ Special Request “Y E S Cybernetic Memory bangs, gonna throw it in the mix on my Radio 1 show, can you send me a WAV please? T H A N K Y O U” 5/5
Horse Meat Disco “Love this” 4/5
Extrawelt “Dope!” 5/5
Martelo “this is super wavey.. into it!” 5/5
Len Faki “great vibe - love it!” 5/5
Âme “thanks” 3/5
Mr Beatnick “inward energy is perfect for my NTS show”
Ben UFO “thanks” 4/5
Mosca “Marco always hits that sweet spot of offness” 3/5
anja schneider “THX for the music” 4/5
Barely Legal “Hard” 5/5

Steel City Dance Discs Volume 14 hits with three strong doses of Aloka and a boneshaking remix from Jensen Interceptor.
Experience it all in this psycho-electro jaunt. Moments of twisted ambience with strung out lysergic chords quickly flare up into swells of stark breaks, distorted synth rushes and clouds of techno paranoia.
The B-side is laced with an active Jensen Interceptor Blue Suede Rave agent – perfect for those that seek something more and don’t mind the hard side FX. Buy the record, take the ride!

Mark du Mosch returns to Pinkman, after his debut EP The Red Hour back in 2016. Magneto takes you on a rollercoaster ride from an industrial factory workout to a soulful frenzy and back. Filled with heavy, borderline tribal rhythms intertwined with glitchy loops and spacey melodies, it's a vortex into a dreamlike state where the routine is the villain and the practice of discipline unfolds into the liberation of creativity. And all given groove Mark du Mosch's style.

Welcome to the seductive groove of Nonetheless, a new duo formed of Florian Bocksrucker and Felix Bergleiter, and the first LP on Neubau. Across four sides of vinyl Nonetheless deliver an intriguing mixture of tough dystopian midnight-drive soundtracks and transporting early electronic/musique-concrète-hybrid interludes. Nonetheless is the sound of cogs turning, churning melancholy and pulsing snake-charmer drum machine palpitation. The end result is catharsis through sinister journeying. From the near-acidic punch of 'Machine of Love and Hate', to the grandiose slow-motion of 'Epik' and the ravey 'Exclusion Zone', Nonetheless' debut record is something special to savour, and is proudly presented as the tenth release on Neubau.

Berlin’s infamous rave outlet Warning returns with the third edition of their 7” vinyl series. Another mini mega pack loaded with two quality tunes by friends of the project. Two young producers on the top of their game provide state of the art electro with a laid back attitude.

Special collaboration between Libertine Records- and the legendary Isophlux-Label, 5 dope-unreleased Tracks founded by Gosub in old Dats... Anthem Alert!

Minimal olschool DJ Tool Tribe sound.

Back in the XXth ceintury and one of the very first CZ sound....
Bloody early techno time-line... And Adam Vandal first records on what is "Dual Cyclo Trial" Record !

Caramelo & DJ Swagger team up for a german rap-cloudy-summer-club-soothing-mesmerizing electro song. Backed up by DNAonDNA and O. Wells on remixes. Bonus remix of classic song X2 (ft. Jonny5 & Badboyblondey) by DJ Swagger.

The first release 2020 on SolarOneMusic's sublabel Between Places comes from Galaxy87 a duo from Italy. One half of them regular release his music under the CEM3340 moniker for Curtis Electronix. The name of the Ep "Landing on Mars" is program. Perfectly produced deep space electro with bubbling 808 beats and basslines. Start your engine of your spacecraft and follow the message of Galaxy87. Classy stuff!