Facta And K-Lone's Wisdom Teeth imprint delivers another split 12' of hybrid new school sounds: three individually stepping, swinging, subtly-tripping, dubbed-out, twisted, sub-low UK-rooted technoid mutations!
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2nd release on the zyntax motorcity - imprint by Anokie. The Mini-LP includes six sci-fi-electrotracks on red wax. The stuff always set the stage for an epic story, yet remain accessible, fresh and funky, with an edgy experimental side. NO download - Vinyl ONLY - 200 copies!
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London-based producer Guy Andrews is renowned for creating textural electronic music, combining influences from post-rock, techno, ambient and afrobeat. After releasing on Hemlock, Hotflush and Pennyroyal, scoring for photographer Nadav Kander, and remixing Massive Attack's Robert Del Naja, he makes his Houndstooth debut with 'In Autumn Arms'. On the title track, a simple guitar melody falls melancholically over a bed of synth loops and string ensemble, while snares and thundering drums meld with distortion to heighten the tension. 'Let Your Shadow Decide' is the A-side's darker, downbeat counterpart, opening with tremolo strings and a weighty bass-line, while emphatic drums build toward the track's climax. Although seemingly disparate, Guy's use of wall-of-sound noise and softer strings is skilfully mixed, carried forward by the stark guitar lead.
Cut and mastered by Matt Colton, the 7' single is pressed to dinked vinyl in autumnal orange, and limited to 300 copies worldwide.
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Label head Thomas Schumacher returns to Electric Ballroom with two brand new tracks. In true Schumacher style he showcases his knack for analogue basslines, state of the art sound design and sophisticated production
Support from Francois K., Stephan Bodzin, Tiga, Hot Since 82, Christian Smith, Danny Tenaglia, Moguai, Noir, Ramon Tapia, Tensnake, Kiki, Riva Starr, Martin Eyerer....
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1x per customer!!
Italian artist Fabio Monesi has been busy these years working hard in the studio while also running the Wilson Records label among his other production projects. Here we get three tracks of no nonsense party jams sure to burn the floor. From Acid Storm to Palladium, all bases are covered on this ep with big basslines, punching acid and well placed samples chopped just right for you and all your dj needs.
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- Dieser magische Moment... Genau darum geht es.'
(Anthony Rother über Verbalizer)
Kein Platz für lähmende Gedanken. Stattdessen gibt es nur noch Musik. Der Körper gehorcht allein dem durch den Raum ulsierenden Bass. Das ist es, wovon Raver sprechen, wenn sie erklären, was ihnen synthetische Club-Musik bedeutet.
Und genau darum dreht sich auch Verbalizer, das nun erscheinende Album von Anthony Rother, auf seinem neuen Label Nextdata.
Der Club als abstrakter Raum. Es geht um das Loslassen. Menschen machen sich frei, begegnen einander
und die Musik wird zum gemeinsamen Taktgeber.
Irgendwann nennt Rother diesen Prozess - die Dramaturgie der Ekstase', kann sich dabei aber das Grinsen
nicht verkneifen. - Die Leute sollen mit Verbalizer einfach ihren Spaß haben. Ich stand im Club und fühlte
plötzlich den Sound für dieses Album.
Verbalizer treibt im Raum nach vorn, ohne ins Intellektuelle abzugleiten. Es ist die Geschichte, der Augenblick und das anbrechende Abenteuer einer tanzenden Gesellschaft, irgendwo auf dieser Welt.
- Ich war auf der Suche nach einem expandierenden Klang. Dabei war wichtig, wie ich diesen Sound den Synthesizern in meinem Studio entlocke, so dass dabei eine Kraft entsteht, die alles Weltliche und den Alltag beiseite zu drücken vermag', erklärt Rother den hedonistischen Ansatz von Verbalizer.
Club-Tracks wie diese kommen ihrem Wesen nach ohne erzählerische Inhalte aus. Dennoch sorgen sie
beim Hörer für das Durchleben - oder besser für das Durchtanzen - ihrer ganz eigenen Geschichte. - Einige meiner vorherigen Alben haben ein komplex durchdachtes Konzept. Verbalizer wechselt
dagegen vollkommen die Perspektive: Der Inhalt und was sich aus dem Album ergibt liegt im Körperlichen, dem unaussprechlichen.'
Um es also kurz zu machen: Verbalizer - um zu verstehen, sollte
man das Album feiern.
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narrative of an imagined alien colony existing between the fabric of known / unknown worlds, Thug Entrancer'sArcology explores high tech / low life society, mechanical structures, and data-driven humanity in an evocative techno framework.
Though Arcology was conceived in a similar improvisational womb as Ryan McRyhew's debut, the new album moves subtly from free-form footworkouts of Death After Life with an expanded palette vibrating brightly with melodic deployment.
'Curaga' and 'Exo-Memory' triumph over established 303 / 808 interplay with uplifting melodies - ear-worms from outer space; 'Bronze' pumps dub-tectonics within a minimalist reduction of Death After Life's modus operandi. Lighter than most of McRyhew's output, album interludes 'Low-Life', 'VR-Urge' and the finale, 'Xeno', beam satellite ballads through alien atmospheres.
'Ryan is a rare breed of producer+thinker who is able to hallucinate worlds beyond his music that recursively influence his sound. His understanding of science fiction's speculative potential combined with a virtuosic ability to program hardware synthesizers make him a techno fantasist of the highest order.' - Dan Lopatin
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Top-Compilation mit allen neun 50 Weapons Remix-Maxis, die fast komplett alle erstmals auf CD erscheinen, in chronologischer Reihenfolge. Das Tracklisting enthält einige der besten Produzenten elektronischer Musik: von Moderat über Robert Hood bis Marcel Dettmann, von Chris Liebing über Legowelt bis Modeselektor. Als weiterer Bonus erscheinen 4 bislang unveröffentlichte, exklusive Top-Remixes auf beiden Formaten.
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* Kapvt Mvndi Records releases a first Various Artist compilation. Svprasensible Destination is a Post Techno sound from Abstract to Acid and experimental tones. A very full music experience from artist productions reflecting the forthcoming and past vinyl.
* Compilation opens with an intense piece from Astronomy Domine, a New Wave Techno production to declare war on stars. Pioneering artists such as Emanuele Rizzuto and Stefano Rocchi well represent the efforts of the label in releasing analogue music as well as all the other great producers tracks released into this. Compilation closes with master piece from Schwartz, a movie sound track for an epic end or beginning... A new music as discord, and as a discordant accord,the source of time.
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Originally recorded by Marc Moulin, Vincent Kenis and Marc Hollander in 1977 Brussels. Leapfrogging over style and genre boundaries, the LP shuffles between improvised jazz, minimalism, imaginary ethnic music, classical and even proto-techno ('Saure Gurke' foreshadows characteristic Detroit techno riffs by a good ten years).
It became a cult album in its own right and a few decades later Parisian dj / producer Krikor spontaneously decided to rework two tracks for his dj-sets. ensemble brings his remixes with the kind permission of Crammed, Marc Hollander / Aksak Maboul and Krikor.
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Part 2 of the Twin Paradox series.
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ENDLICH! Wir lassen die Nummer 40 aus dem Sack und geben einen kleinen Ausblick auf das Grand Finale von 50WEAPONS. Ihr könnt euch sicher sein, es wird dick und deswegen geben wir euch 19.94 als Ouvertüre. "Narr Day" ist der erste (sic!) Track eines der wichtigsten Berliner Elektronik Acts und gehört damit schon in den Schrank für die very, very special editions. Musikalisch vereint er gekonnt minimal die wichtigsten Zutaten von Rave: eine Bassdrone und eine Kickdrum. Das klingt nach early Ambient Techno und kitzelt ganz frühe Jugenderinnerungen wach. Der Rave kommt endgültig zurück mit Cosmin TRG's Version "Narr Day Remodulated" auf der Rückseite. Hier entfacht die Bass Drone des Originals gepaart mit den unwiderstehbar dringlichen Sounds eines modularen Synths eine gewaltige Gravitationsmacht. Das ist Techno pur mit einer Sogkraft, die es schwer macht jemals den Club zu verlassen. REWIND!
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Addison Groove releases another rattling body shaker with his new EP on 50WEAPONS.
Following up his recent album - James Grieve', Tony Williams aka the UK's footwork-jungle ambassador drops a fresh four tracker. This one is pure fiyah.
- Dat Ass', the records fierce opening track sounds like electro undergone a radical undercut. Maximal subbass meets a sceletized breakbeat, military percussions, euphoric vocal shouts and some actual whistle blowing to add that extra dancefloor discipline.
A2 features the late Dj Rashad and with its stunning title - U been gone' sounds like a hommage to one of footworks´ greatest. Syncopated kicks shuffle around a motown sample which adds a certain melancholy to the cleverly twisted jungle breaks structuring this track.
- Push it' brings some hi nrg flavour to the record and - Masamune', the closing track, brings the whistle back on a minimal Dn'B cut playing with samples that seem to come directly from the soundbanks of Source Direct and Roni Size.
A very fresh sounding dancefloor record deemed to be torn of the shelves by Djs, and praised by pirate radio and music magazines.
RIP DJ RASHAD - Never forgotten - Teklife shall prevail
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Livity Sound founder Kowton jacks the rapid fire drums and disquieting samples of Cowboy Rhythmbox's 'Fantasma', turning in a sub-heavy club roller that applies his peerless rave sensibility to the original's ghost train atmosphere. A burbling slice of Bristol meets Blackpool Pier, only on Phantasy white label, limited to 200 press. Don't hang around.
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For this year's Record Store Day, the Monkeys offer you a set of tunes released on Monkeytown Records in 2014, however freshly remixed by other Monkeytown artists in 2015:
Alex Banks remixes the brand new Robot Koch track "Let Me", off his Monkeytown debut EP "TSUKI".
On the flip, you'll find an Anstam edit of a Dark Sky track taken from their debut full length "imagin". And last but surely not least Gajek remixes a collaborative effort from Mouse On Mars & Tyondai Braxton - "Off Sea" was released as part of MoM's 21st anniversary compilation featuring collaborations with their
friends, heroes and musical partners in crime.
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Lanthan Audio is back after their debut EP that featured Edit-Select now with their sophomore release from Deepbass, Scottish DJ, producer and label owner of Informa Records.
For this EP Deepbass delivers one original cut, 'Alto' which has been remixed by Aegis, Reggy van Oers and Ness. Uniform to the Deepbass style, 'Alto' is an ethereal atmospheric track with a punchy, rolling bass, which takes you on a voyage through the cosmos. Aegis, on the other hand, takes the tracks potent bassline and adds the aura of breakbeat to the elegant atmospheres.
On the flip side RVO adds a hypnotic energy to the track as the elements continue to build to the crowning point letting you down nice and smooth. For the final take Ness adds his own style as the punchy bass lingers he is still able to keep the mood serene and delicate. All in all a captivating way for each artist to express their own style on one EP.
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Shapeshifting French producer Lee Van Dowski drops his first album in 10 years with 'Cerca Trova', a career triumph work spanning ambient techno, breaks and beyond.
The LP's title, translates to 'Search / Find' and like the name, sees the Geneva-based artist digging deep into his musical repertoire. The 14-track work harks back to his diverse musical roots, when an initial passion for techno soon led the artist into more experimental territory with the likes of Autechre, Boards of Canada, Aphex Twin, Richard Devine and Otto Van Schirac, fuelling his musical obsession.
The artist - a father of two twin boys - says he wanted to leave something for his sons to remember him by. Likewise, since his last artist album 'As Told On The Eve Of...' with Quenum released on Soma in 2006, he wanted to surprise people, while challenging himself to create a narrative beyond the dancefloor. And anyone who has paid even cursory notice of his productions over the years will notice the expansive palette of sounds the Frenchman has explored through the work, which although diverse, flows smoothly from one multilayered moment to the next.
From the glitchy stylings of opening track 'Creating Me', to the ''I.L.A.N.E.N.O', a dreamy ambient collaboration with old friend Caroline Hervé (aka Miss Kittin), that was created after they spent a weekend in the mountains with Lee's kids, the producer sets about building a creative and cohesive trip across 70 minutes.
There's '1+1', a grand, orchestral breakbeat-driven cut awash with strings and vocal harmonies and the evocative 'Repli Tactique', an intoxicating wall of sound, driven by rich Flamenco-style guitar licks, before Lee shifts the momentum up a gear for the stunning electro breaks of 'The One'. The grininducing 'Dans Tes Yeux' is five minutes of pure, driving breakbeat euphoria, before the tempo is taken into gritty acid techno territory with 'Toran'. To close, he then brings us down again with the beautiful title track, followed by the
delicate piano-laden concluder 'Sinon Toi'.
An artist reborn since joining Anja Schneider's Mobilee Records in 2013, the album follows on from Lee's outstanding past 12 months that saw him drop releases on Cocoon, Bedrock, Suara, Rebellion (sub-label of Crosstown Rebels), This and That and of course Mobilee, home to '050504', one of the year's biggest techno tracks.
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Sarrass returns with his debut album, titled Dirty Gear, on Third Ear Recordings. Dirty Gear is, we believe, one of the deepest and most sublime pieces Techno. From the crunch and fizz of Your Stink to the stratospheric winds of Ciel de Finistere, the album is an astounding piece of work. 9 tracks over 6 sides, 3 of which are given a whole side. Dirty Gear follows up on Sarrass' debut ep for Third Ear, Lust (3eep110) and the single A New Day (3eep201208), The title of the album is a reference to the instruments and machines used. These are; Doepfer Waldorf q synthesizer, Kurzweil kr2000 synthesizer, Korg Electribe mx synthesizer/sequencer, Control Synthesis Deep Bass Nine synthesizer, Deltalab Effectron jr digital delay, Dynacord Super 76 tape delay, Drehbank midicontroller, Allen&Heath xone:62, Mercedes Benz 240TD 1980 model.
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5 October 2015 will see the launch of self-distributed Munich based record label Àlden, with 001 - Satellite EP - coming from label bosses Cocolores and Maurice Paloni. Àlden Records itself aims to be a wider picture of interesting music, out of which every release will be a close-up into a different style. With an artist roster that will move from techno to experimental-pop, piano improvisations to old-school hip hop, the label will look to define it's very own genre from within.
The artwork for Àlden #001 is part of a larger chalk drawing by Berlin's highly regarded painter Carsten Fock. Different close-ups of the abstract pastel-coloured painting will be used to cover the artwork of each release illustrating the music of the record label Àlden as a never ending musical experience led by the passion of creating something unforeseen.
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It's always been tricky predicting what Firecracker Recordings will release next, though few would have expected an EP of freestyle, darkside drum machine jazz and percussive drone from Berceuse Heroique, Nous and Bedouin regular Healing Force Project. Sounding like early 23 Skidoo replayed on drum machines and samplers, there's much to admire about the hectic rhythms, foreboding textures and dusty samples at the heart of Gravitational Lensing. It's unclassifiable and completely out there, paranoid, dense and intense, with the fizzing drums, mangled horns and metallic percussion hits of "Random Walks" just edging out the experimental jungle-jazz madness of "Apophenia" in the "top tracks" stakes.
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Following in the footsteps of Sawlin and Yan Cook last year, Ann Aimee has readied its next release. This one comes from UK tastemaker and Radio 1 presenter Mosca, and is his first release of the year after previous releases on labels like Martyn's 3024 and Hypercolour.
First up is 'It's Not What It Looks Like' - a hunched over, industrial tinged house groove with rattling percussion and a heavy kick drum. Fully of grainy textures and clanging machines, the whole thing is backlit with serene pads and smeared with deft synth patterns. 'Kneecap' is even more direct, with tiny little off kilter chords bringing a sense of paranoia to the barrelling beats and bristling percussion. It's muscular and heavy yet inviting, whilst final offering 'Press Up' is a beautifully swung bit of deep and atmospheric house - all the edges are nicely frayed and the whole thing is smoothed over with misty textures as the barrelled-up sense of funk grows more and more lively as things progress. It's been a while since we heard from Mosca, but this one sure was worth the wait.
As always with this lovingly crafted label, the EP comes with full cover artwork by Boris Tellegen.
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After a few years silence we are happy to announce a brand new release by Visitors Records, The Hague. ''Walking Machine'' is a new production by Italian new wave band State Of Art (Fred Ventura, Stefano Mazzola, Stefano Tirone), active in the early eighties and reborn in 2009 after the release of
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Wilde Calm Records is honoured to present the final project with the late Elodie Lauten, a new version of the spiritual club classic 'In the Light of the Miracle.' The original version was co-written by fellow downtown luminary Arthur Russell in the early 1980s and appeared on his posthumous 1994 album Another Thought. Numerous club-friendly remixes of 'In the Light...' were released as promotional white labels in the 1990s and helped bring this amazing proto-house song to the dance floor.
This new version for Wilde Calm picks up where the white label remixes left off, as Lauten had always intended to record her own dancefloor version of 'In the Light...' and found a kindred spirit in collaborating with Brooklyn producer Pocketknife. The track features Lauten on vocals and keys, Nirosta Steel (Steven Hall) on additional vocals, Peter Zummo on trombone, and production/arranging by Pocketknife. Reworks were done by two long-time fans of Lauten, L.A.'s Gifted & Blessed (Technoindigenous Studies, Wild Oats, Eglo) and Brooklyn's Bryce Hackford (PRAH, DFA). Gifted & Blessed references Lauten's classic post-minimalist compositions with his remix and takes the dance floor of 'Miracle 2' out into the cosmos. Hackford focuses on the instrumental track, extending it way out and roughing it up with heavy Bushwick Body Actualized vibes.
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