Techno Novedades

Double vinyl re-issue of the classic Lord Echo debut. Features the huge single - the cover of the classic Sister Sledge track'Thinking Of You'. Available for the frst tme on general release outside Japan. Look out for the brand new album Harmonies from Lord Echo - part 3 in the trilogy

Merv with 2 perfectly executed Dub Techno tracks...

One year after its original release, the Placid Angles album Touch The Earth is being remixed by an impressive array of artists from the extended Figure family. With John Beltran being a distinct voice within the electronic music scene for over thirty years now, Figure is thrilled to reveal a whole LP’s worth of reinterpretations, including two works by the original artist himself.

Opening up is Marcel Dettmann, who seamlessly has integrated the lush soundscapes of the original album into a beat-driven but equally serene journey. Picking up on the LP’s underlying dark garage tropes, Planet Mu headmaster M-ziq infuses his rework with even more rolling drums and ethereal vocal chops. The also inherent IDM roots of Touch The Earth have been kept close by Warp-veterans Plaid who deliver a shuffling flurry full of horns, synths and syncopated rhythms. More straightforward interpretations include Dauwd’s dazzling piece of feathery, fast, atmospheric techno; a gorgeous melodic house remix by Baltra and Cassy who turns in a rigid UK stomper.

Amidst all the reworks, John Beltran himself makes two appearances across the record. As Placid Angles he adds another heads-down percussive/ambient swirl, which represents exactly what the producer has been hailed for since more than three decades now. His own remix finishes the record on an epic note, with an organic drum track that celebrates life and the necessity for communal gathering in order to dance.
Beltran’s own additions to this LP are like the essential glue that makes it all bind together, forging the old and the new into something equally exciting as already intimately familar.

clear vinyl

We have some very exciting news to share with you. Greyscale is launching a new series for its label and its named the Exposure Series! We are happy to say that many of these Exposure releases will be released on vinyl as well.

To debut this new endeavour we have a four track compilation called "Radiant Energy". Marco Cassanelli is the first artist and his track 'Camden Town' has a pure classic dub techno sound to it. Long delayed chords lull you into a peaceful mid-set trance while the beat is sure to move your body. Sibling's 'Valhalla' rises from the depths with a fantastic bassline and metallic spheres drenched in echo. A heady and busy track that really makes you take notice.

On the second side is 'Evolution' by Federsen and it has a more traditional dub approach. The groove is addictive here. Sounds dip and swell in a master class of subliminalism. Genning's 'Q.3' closes out the first Exposure Series EP with a more modern approach. Pure floorfiller here! This track covers you with a nostalgic euphoric feel while maintaining that deep underground sound.

We are excited for you to take this new journey with us! Welcome to the Exposure series!

Leon & Marius The Duo Who Form Das Carma Hail From Stuttgart, Germany.
The Pair Have Been On A Steady Rise Pushing Their Irresistible House Grooves Since Their rst Release As Part Of 124 Recordings Va Back In 2016. Since Then They Have Gone On To Release On Other Esteemed House Labels Such As Rough Recordings, Borg And Newly Formed Esouh Music.
2019 See's The Pair Land On Strctr, A Label With A Reputation For Delivering That Sweet House Music And Das Carma Are In Good Company Here With Previous Artists Such As Manooz, Harrison Bdp & Liam Geddes On The Label. Even The Title Of The Ep Shows The Fondness Between Label & Producers : Str -> Mrs (airport Codes Stands For Stuttgart, Germany From Where The Producers Come From And Marseille, France Where The Label Is Based).
Delivering A 4 Track Ep Of Original Productions Das Carma Show That Sometimes A ashy Remixer Is Simply Not Needed. Liftoff Cloud 9 Opens The Ep With A Warm oating Dreamlike Track, Ebbing And Weaving Beautifully Throughout The Course Of The Track. Larry & Frankie And Subnautica Keep The Subtle Refrains Of The Opener But Bring The Funk Slightly More With Bump-in Garage Drums Turning These Tracks Into Feel Good Lo- Burners.
Closing Out The Ep Is Dub101, Here The Guys Waste No Time In Making The Tracks Intentions Felt, Skippy House Drums And A Big Old Slice Of Call & Response From Some Heavy Hitting Dub Chords - Peak Time Tackle. Here's What The Boys Had To Say About The Release:  from Our Perspective This Record Brings Almost Everything Which We Stand For As A Producer Duo. Spreading Happiness, Making People Dance And Do Music As We Want It To Be Are Our Goals And We Might Have Achieved Those Targets From Our Point Of View. Nonetheless, This Record Also Works While Just Relaxing At Home To Enjoy Music. We're Very Proud To Work With Strctr And We're Curious About The Resonance Of Our Beloved Community! ' Set For Vinyl & Digital Release In April 2019 And With Only 300 Records Cut, Don't Sleep On This One!

MixCult presents LO-FI sublabel CRYSTAL MUD focused on limited edition lathe cut 7" & 10" discs.

Dub Techno Music in Dubplate Culture. Highly Exclusive.

This record is named after Vedyanta, an ancient philosophy based on the Vedas, the sacred scriptures of India. The music, originally composed and produced by Joseph S Joyce and later remixed by Sebastian Mullaert of Minilogue, was greatly inspired, after reading commentaries from Swami Rama Tirtha's biography "The Scientist & Mahatma" - Chapter 1 - Vedanta and The Secret of Success. Now, some nine years later, it gets served up as a remix EP.

There's a dark El Choop Reconstruct, a gorgeous ambient version from Sebastian Mullaert, a minimal headscape from Van Bonn, Federson SF goes warm and dubby and then a crisp, tech-edged vibe from Paul 90 ends the EP in style.

The new reference of INDUSTRIAS MEKANIKAS is signed by another great artist of the electro scene, KONERYTMI is who gives name to the seventh reference of the Madrid label, which continues betting on this new release by sounds to the purest electro.

Voimalaitos EP is the title of this new work of KONERYTMI, where he prints all his character in 6 tracks that will shake the dance floors, broken bases and dark bass lines that will hypnotize you and will not let you stop dancing.

Erol Engintalay's Monomotion project is back with a thrilling new collection of tunes. Sides is an energizing and iridescent trip down the echoing, cavernous halls of dub techno, instantly conjuring the
type of late nights and dark, crowded rooms that this music is meant to soundtrack. His first release in three years, Engintalay showcases a new set of talents on Sides, an affirmation of this special artist’s
stylistic versatility as well as a gesture towards what’s to come from him.
Sides follows 2019’s Fujisan, which captured Engintalay’s capability for crafting shimmering, gorgeous tapestries of electronic music. This time around, he’s turned towards his love of four-to-thefloor dance music—a stylistic shift inspired by time spent DJing in Paris last summer. “I wanted to get back to my origins,” he says while talking about the new sonic direction, exclaiming a sentiment
shared by dance fans the world over: “I missed playing clubs and DJing!” “It brought me back to why I wanted to make music to begin with,” Engintalay reflects on a particular
experience of spinning atop a Parisian terrace. “I wanted to bring the club back to my compositions.” After years of working with the famed Fruity Loops software, he switched to Ableton Live and
discovered a whole new array of sounds within the production software that unlocked previously unknown potential in his music.
Indeed, the title of Sides is a gesture towards Engintalay’s boundless sense of discovery when it comes to creating in the studio. “I can do a lot of different styles, I’m very versatile,” he explains.
“Right now, I’m into club music, which is the music I love. I still hold the groove and the rhythm close to my heart.”
“Mirage” percolates with the effervescence of classic Kompakt material, while the rubbery rhythms that course through “Echoes” are utterly entrancing—and then there’s the huge-sounding title track,
which patiently builds over nearly eight minutes to a purely ecstatic peak. “It’s a banger of a track,” Engintalay marvels while talking about the song. “I imagine it being played at a warehouse with tons
of people and sweating walls. It brings me a massive feeling.”
And bringing that massive feeling is what Sides is all about, as Engintalay explains that exercising these new creative muscles might sound different, but in the end it’s all about his own personal love
of exploring new worlds of sound. “I love to make different kinds of music, and with this project my approach hasn’t changed—I’m just doing what I love,” he says, and when it comes to Sides, you’ll
find his enthusiasm contagious as a listener.

San Francisco is most often associated with the cartoon sounds of DirtyBird when it comes to electronic music but Federsen offers up some deliciously deep dub techno here. He joins the Lempuyang stable and brings with him plenty of fine Maurizio influences from the off: 'Rotation' is all grainy pads and lo-fi drum loops , 'Noir' has a more silky and minimal tech house feel and 'Expiravit' brings a classic dub sound. The closing track 'Aeon' is perfect for late night smoking sessions.

Continuing the theme of community collaboration sparked by Hodge and Simo Cell’s recent 12”, Livity Sound presents the first joint works by Azu Tiwaline and Al Wootton. While they come from distinct settings (Azu in the Tunisian desert, Al in London’s urban sprawl), their music shares a similar affinity for intricate percussion and dub-informed space.
The four tracks on LIVITY052 deal in a variety of rhythms and tempos, veering from the propulsive intensity of ‘Blue Dub’ to the sparse, skipping 2-step framework of ‘Light Transmission’. Azu and Al’s refined, detailed approach blurs the lines between electronic sound design and earthy sonics, resulting in dynamic drum tracks loaded with weighty atmospherics and unrelenting tension.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

The sublime music of Kaoro Inoue is the subject of this essential new compilation on Mysticisms. Inoue describes himself as an "extreme music lover" and has been for more than 30 years. His Chari Chari alias is all about self-expression and the music here has previously only been available digitally. It fuses ambient, house and techno soundscapes across four sides of vinyl with a deeply spiritual outlook and soul-soothing sound. Organic percussion, traditional instruments and new age moods all colour the deeply enticing grooves.

Pretty ironic given its name, but the Rhythm Method has proved to be a highly fertile series for Steve O'Sullivan's Mosaic label, what with this being the sixth instalment. On the A-side, O'Sullivan joins forces with Reformed Society for the gorgeously light touch techno workout 'Distant Voices', where snippets of voices and tinkling keys pepper what at first appears to be a sparse set foundations but over time reveals itself to be packed with tiny detail. On the B-side we get the dreamier 'Deep Drifting' by Rico Sante, where clouds of soft synths blow gently over an understated dub techno groove. Both are great.

Black White Splatter Vinyl

When two musicians intensively work together for a period of time, at some point the whole becomes greater than the sum of its parts. If Paul Boex and Dave Miller hadn't already reached that status under their Abstract Division moniker, they certainly have now, with the release of Midnight Ensemble, their first full length album.

Those who have followed the duo since their early days of playing dj-sets together, know that it's hard to define their style anywhere beyond techno or even electronic music, as it is ever evolving and always dependent on the time of the day or night. When listening to this album, the resemblance between their unpredictable selection behind the decks and the eclectic range of subgenres on this album is more obvious than ever before. Midnight Ensemble could be interpreted as an ode to nightlife; a reminiscence of all that happens between dusk and dawn, captured and compressed into about one hour of music. An hour in which they so delicately time their changing of styles and tempos, always reading the room and always being one step ahead of the crowd.

This album is a reflection of that skill, starting its journey with soothing, moodsetting ambient, followed by timeless pieces of Detroit and dubtechno. A daring electro cut providing a refreshing break from the four to the floor tradition, only to be followed by the stripped down sound the duo is so comfortable with.

The final minutes consist of experimental breaks, one last banger to pull out the last bits of energy that is left and a beautiful outro, which concludes the allnighter vibe. There are no open endings, it doesn't make you want to stay in the dark forever. Rather it makes you want to close your eyes one last time before walking outside to see the sun come up again before going home, overwhelmed and satisfied.

The first composition opens up with a dub tech micro rhythm which evolves gradually along with heavenly like vocal atmospheres. A little riff modulates along with the hypnotic synthtopia and chord stabs vibrate as they are washed over by their dub echoes. In the second track the raspy atmospheric pads and bouncy dubtech prepare us for a tour in the depths of dextrous tape echo tweaking. Empty land, misty air and a calm atmo which becomes entangled through live fx manipulation, are the gist of a deep listening experience. Track 3 is an audio pool of dreamesque digitalia. Slomo dub and nostalgic melodies evaporate in the deep jungle of the tropics. The locked dub groove which dominates track 4 takes us on a journey into a spiral of dark vibrations and tense echo manipulation. On the whole, Normal Stage delivers a playfull, imrpovised yet profound and structured body of work which are traits of his unique sound signature. Time becomes space, sounds, accidents and tape hiss.

Remastered Vinyl re-issue of the 1994 double album by experimental electronica group The Future Sound of London. With time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.

Best Effort dives deeper into the archives of Anthony Maher (Sheriff Lindo) and Andrew Armstrong aka Nutcase & Papachubba. Reissued as a 7 inch, these two tracks see the duo blending their diverse range of shared influences, stepping outside of the Drum & Bass and Jungle blueprint that they carved out for themselves for their singular full-length release, ‘Flex’.

Twelve years since Brendon Moeller first appeared on Delsin's Ann Aimee offshoot it's time for a welcome return to Delsin Records. The prolific producer, also active as Echologist and Beat Pharmacy, hereby presents one of his most deep going, spaced out and experimental modular works to date. Crispy noodling electronics diluted with Moeller's trademark minimalist dub scapes, reaching from the mesmerizing the rubbery basslines of 'Route' to the energizing fast paced rhythms of 'Motor'.

The inception of 49North marks the beginning of a brand new era for Duncan Forbes; who most emphatically made his mark on the WW scene as one half of legendary duo - Spooky - alongside Charlie May; releasing a string of landmark singles and albums over 3 decades, not to mention timeless remix / production work for International heavyweights like Depeche Mode, M83, Sasha, William Orbit, Mr.G and Apparat.

A1: ‘Strobe Dancer’
“Duncan Forbes’ maiden solo voyage and first ever release on recently birthed imprint, 49North - 'Strobe Dancer' is 9+ minutes of exquisitely-paced, hypnotic dance-floor drama. Sitting somewhere between Deep, Acid House and Slo-mo, Dub Techno - Duncan's opening effort is a wickedly brooding, yet seductive joy to behold.”

B1: ‘Continental Drift’
“After the hypno-House stylings of 'Strobe Dancer' - Duncan takes us to another far-flung corner of his scopic, creative spectrum - via the fittingly titled, ‘Continental Drift’; a pitched-down, acid-glazed slice of mesmeric, widescreen Electronica.”

B2: ‘In The Mansion Of The Gods’

Bygone, a 5 track exhilaration scripted by Chontane, immerses dancefloor devoted tracks in a rhythm driven yet melodic display. While intertwining wide-angle atmospherics and razor-sharp percussion, Chontane is able to make a reflection on today’s multifaceted, ever-evolving techno sound.

Aubrey has always brought a detailed sense of sound design to his heavy techno. The Berlin-based artist does that again here on a first EP on his own Solid Groveos since 2016.

Two tracks delve into his archives to come up with some rare and obscure jams from the 90s. One is 'Lose Yourself' - a bright and cosmic take on techno that prime-era Derrick May would be proud of then the other, 'Breaking Out', offers golden US-style house with nice frayed synths and smoky depths. Two new cuts are 'Chase Mind' - a cavernous and dubby, with whimsical pads and unrelenting bass locking you in a trance, then 'Mr Muscle', a twisted acid techno closer that completes a varied and vital EP.

by the time sewer sender had their inaugural appointment, nokato nomer found his way to the assembly right as remnants from the pulsing waste conformed. with SSNDR002 we make acquaintance with nokato nomer who establish his granular sound with a clear vision. A1 is a steady paced roller with a primary chord that resonates throughout the entire release. A2 expands this notion by widening the soundscape and opens up for an introspective passage while B1 finds it's way home with a long running dub version of A1 the flip side.

Two years since his Going For It EP, Livity Sound is pleased to welcome back Sydney’s DJ Plead for a second round of versatile, psychedelic club variations. Since debuting around 2018 Plead has forged a distinctive sound which focuses on inventive use of percussion and elegant melodic hooks that draw lines between global dance music cultures without adhering to any fixed formula.

From the carnival futurism of lead track ‘Come Quick’ to the infectious reggaeton lilt and understated trance synths of ‘El Es’, Plead presents a sound as playful as it is serious, predominantly exploring the 100 bpm tempo range. Shaped out by acutely angled rhythms, shifting time signatures and bold licks, Quick EP further establishes him as a vital, individual talent with the kind of flexible club tracks that bend between scenes and inject vibrant energy into the dance.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

BRUCE, K-LONE, RHYTHMIC THEORY AND GLANCES line-up on this tearing 12" comp. TIP!

The 12" brings these four artists who have close ties to Chris Farrell’s Bristol based label and shop.

Bruce with a contemplative dancefloor dub in tribute to Alex T, esteemed Leeds record shop worker and DJ - sadly taken from us too young.

K-LONE delivers a subtle and subby house roller.

Rhythmic Theory makes a final appearance with a bumpy and bassy techno track.

Glances bring a deft funkiness to the broken techno sound.

This is the end of a chapter. The last Idle Hands release for the time being. The shop continues and new projects beckon.

Parallel Minds returns after a two-year hiatus with a dub-infested celestial dance debut from a promising Toronto-based producer, record-slinger, and long-time DIY scene mainstay, Ficilio

Ficilio, a.k.a. Will Gillespie and the Parallel Minds crew have enjoyed a long musical friendship. Having met at various underground raves in Toronto, it wasn't long before they found themselves on the same lineups and began trading tunes post-show. When label co-founder Ciel first heard the tunes that would eventually end up on Parallel Minds 003, she was mesmerised by the deep, misty grooves present throughout. 'Dangerous Goods' is the creation of an artist with a super dialed-in sound, whose attention to detail, cohesion, and sound design suggest experience wise-beyond-their-years.

‘Rush-V’ begins the release with a shimmery bang, propelled by infectious chord stabs that sound like they're sprinkled with alien fairy dust and grounded by a driving and subby drum groove. 'Fluid Form' continues in this trajectory, all spacey synths and dubbed out stabs propped up by tough and bouncy drums and a deep low sub. There is an unmistakable 90s influence on these tracks, halfway between old Swayzak and the early 90s output of Dutch label ESP Records. Ficilio is not afraid to flirt with dub techno AND trance influences, which is most discernible on the last track on the A-side, the sublime 'UAM'.

In comparison to the other side, the B-side is a more sub-loaded affair. The drums on this side are less driving and more broken, chopped, and staggered. They work spectacularly on the title track, its vocal chops complement the low-slung groove of the drums to a hypnotic head-nodding effect. 'Second Fold' intrigues immediately with its unusual tempo, fluttering along in a leisurely way until these enchanted synth stabs come in and the track blooms like a beautiful flower. The release comes to a Zen-like close on 'Frame (Amber Mix)', the heavy sub and sparse arpeggiated loops draw us deep within its cavernous interiors.

Vertere Berlin is a contemporary fashion brand and party collective founded by a group of local DJs and designers. It was founded in 2017 and since then rose to international attention for their club-ready streetwear and their fashion collabos with DJs and labels like Jennifer Cardini, Disco Halal, DUAT Records to name a few. Vertere Berlin also made a name for themselve for their hyped party series “Strictly Dancefloor Business” - hosting artists like Roza Terenzi, Narciss, DJ Fuckoff, Boris, Heap as well as their resident DJs.

As a logical next step Vertere Berlin is now launching their music label Vertere Berlin Records.

The first release is by label founder Uli Hasselmann aka Basic Instinct. Basic Instinct’s DJ sets represent a hypnotic and atmospheric dub-house sound. This is also reflected in this release. “Angel Dust” is an elegant and moody house track - enriched with a stab-led groove and a haunting vocal. “Feel It” is dubby and sexy prime-time track. Seducing vocal cuts are joined by a
warm analogue lead line.

The EP also includes two stunning remixes by VRIL and Narciss.

prime time dubby techno for mind, body, and soul. vinyl only.

Across 6 tracks the Noods Radio resident Gareth Psaltis AKA Barking merges dub, ambient and menacing downtempo.

Having released on Deep Seeded and OpenTheNext, the Berlin-based producer returns to the label after his appearance on the A Call Too Close compilation.

Mastered by Alden Tyrell.
Edition of 200 copies.

The Noir Music sub-label is back with a cool co-op between Nadja Lind and Mister D. Diggler – Remix support by Markus Suckut (Rekids, SCKT).

clear marbled vinyl + stamped sleeve

Urban Force is an alias of a really well-known Detroit techno producer and we are happy that we can release a 15 years old and lost dub techno track of him with a deep and dubby remix by youANDme.
Vinyl is cut with 45rpm and if you play it with 33rpm you will hear a special surprise.

A beautifully produced collection of instrumental tracks by The Disciples' Russ Bell-Brown featuring 8 excursions in chill out, atmospheric downtempo and dubby breakbeat. Surely we wouldn't be surprised to hear some of these at a Cafe del Mar sunset session in Ibiza. The way these tracks build up over a gradient (sometimes up to 11 minutes long) from silence to mellowed out spacial trance was clearly not done with industry standards of any sort in mind, allowing the listener to dive deep into the takes of this uncompromising producer. The title Experiments couldn't be more appropriate. In his own words: “This is a collection of tracks recorded in the mid 90`s... not reggae but what i call my `experiments`... downtempo, electronic, ambient, ethnic, jazzy, funky, dubby.... whatever came into my mind.” Surgically re-mastered for vinyl by manmade mastering in Berlin.

Orlando B returns with a timeless track, ‘Foreversong’ for the sixth installment on his ‘Contemplate Recordings’ label.

Running in at just over 10 minutes, ‘Foreversong’ is an emotive “tour de force” showcasing his love for nostalgic, ‘Detroit’ influenced melodies and tugging string lines. With its uplifting vibe and atmospheric breakdown, ‘Foreversong’ is the perfect “end of the night” track.

‘New Day’ kicks off the B-Side with an uplifting piano house intro’ and a cheeky oldskool vocal sample. The arrangement builds gradually before the kick and bass line drop, taking it to the next level.

Closing track ‘Dark Place’ goes down a stripped back techno route to compliment the first two melodic house tracks. The main riff was born out of a jam session, playing around with a twisted hypnotic synth line which mutates throughout keeping the listener locked in. Muted percussion and a subby bass sound give this track a dark warehouse vibe, ideal for moody clubs around the land.

Vinyl Only

SR001 “Cloud Gate” V.A. featuring Sascha Dive, Kike Mayor, Chklte, Moreon & Baffa.

Seekers Deliver Another Double Treat: A Beautiful Lp Recorded Somewhere In Usa....hope You'll Enjoy As Much As We Do.

Waveguide, new label run by Stereociti, Mojuba based artist, starts its life cycle diving into the world of techno with a 4 track EP produced by himself. 'Motion' represents the vision of what the producer is looking to explore musically for present and future times. Always moving further creatively while keeping the integrity of his style, Stereociti shows once again his brilliance and detailed way of composing deep music that touches equally the body and the mind.

Big Ever is the new moniker of Sydney born, Berlin based music producer Thomas McAlister. Over 2016-19 Big Ever released a string of EPs and singles under the name Cop Envy; through Black Opal, Templar Sound, Cry Baby Records, Decisions and Hypercolour. Incienso is hyped to release the debut Big Ever EP “Otto” as the first in our run of very exciting records coming out in 2021.

Coming through with four distinctive and vibrant club tracks primed for all hours of the night or early morning, Big Ever lets loose on 2021 with a bold and unique take on percussion, bass, and ambiance working in unison to extraordinary effect.

Written, Produced and Mixed by Thomas McAlister
Mastered by Rashad Becker
Artwork and design by Ezra Miller

After having consolidated the bases of his parallel projects, Vincent Desmont returns to VDR

repressed in Clear Orange Marbled Vinyl


Splendid re-issue of this sought after Dutch ambient techno classic from the early 90's. Produced by the same team behind the It's Thinking project: Gerd, Dirk & Mark. Originally released through Deviate from Utrecht. Now manufactured by the self titled Marvo Genetic imprint, a one-off subsidiary to Gerd's own Frame Of Mind. Including a previously unreleased track called The Reprise found on the original session tapes. Tip!

This EP features collaborations with CV313 aka Steven Hitchell (Echospace) and Marko Furstenberg (a.r.t.less, Ornaments, Echocord).

Originally released in 2009. This 'Mike Huckaby S Y N T H Remix' to Vladislav Delay become instantly a gem into Semantica Discography. Now we designed a brand new edition reimagining the 12" as a S Y N T H release with the intention to dedicate this work to the legacy and memory of Mike Huckaby.

Earlier this year, Subwax Bcn made an important contribution to the electronic music community by having the timeless dub techno compilation Vibrant Forms II by Fluxion remastered and reissued. First released in the year 2000 on Chain Reaction, Earlier this year, Subwax Bcn made an important contribution to the electronic music community by having the timeless dub techno compilation Vibrant Forms II by Fluxion remastered and reissued. First released in the year 2000 on Chain Reaction, Vibrant Forms II is widely considered to be one of the greatest achievements in the genre. As it turned out, Vibrant Forms II became one of the last records to be released on Mark Ernestus and Moritz von Oswald's classic label - a suitable swan song if there ever was one. And that's it, right

Well not quite.

If one would search for Fluxion - Vibrant Forms III, Discogs would come up empty and Google would treat it as a misspelling. Until now.
Konstantinos Soublis, aka Fluxion, and Subwax Bcn have decided to pick up the banner and release Vibrant Forms III as a CD as well as four individual 12" records under 2016. It contains everything you could hope for and more: The massive, booming basses, the clicks and hisses, the atmospheric thunderstorms, the opium smoke-scented streaks of reverb and dub echoes. The warmth. Yes, above all else the warmth: Sometimes moist and dripping as in Safe Harbour, sometimes blisteringly dry as in Variant. It's no easy task, giving cold, dead machines warm breaths. And no-one quite does it like Fluxion.

The Reissue of Vibrant Forms II was an act of cultural preservation. It reminded us about the legacy of the Basic Channel label family, in which Chain Reaction played an important part. Without this legacy, the contemporary body of electronic music would look different and make very different sounds. With the Release of Vibrant Forms III, Subwax Bcn takes it one step further. Fluxion's Vibrant Forms III album remind us of the timelessness of truly great music, never mind the genre.

Essential dub techno masterpiece! Finally released on vinyl for the first time...

Earlier this year, Subwax Bcn made an important contribution to the electronic music community by having the timeless dub techno compilation Vibrant Forms II by Fluxion remastered and reissued. First released in the year 2000 on Chain Reaction, Earlier this year, Subwax Bcn made an important contribution to the electronic music community by having the timeless dub techno compilation Vibrant Forms II by Fluxion remastered and reissued. First released in the year 2000 on Chain Reaction, Vibrant Forms II is widely considered to be one of the greatest achievements in the genre. As it turned out, Vibrant Forms II became one of the last records to be released on Mark Ernestus and Moritz von Oswald's classic label - a suitable swan song if there ever was one. And that's it, right

Well not quite.

If one would search for Fluxion - Vibrant Forms III, Discogs would come up empty and Google would treat it as a misspelling. Until now.
Konstantinos Soublis, aka Fluxion, and Subwax Bcn have decided to pick up the banner and release Vibrant Forms III as a CD as well as four individual 12" records under 2016. It contains everything you could hope for and more: The massive, booming basses, the clicks and hisses, the atmospheric thunderstorms, the opium smoke-scented streaks of reverb and dub echoes. The warmth. Yes, above all else the warmth: Sometimes moist and dripping as in Safe Harbour, sometimes blisteringly dry as in Variant. It's no easy task, giving cold, dead machines warm breaths. And no-one quite does it like Fluxion.

The Reissue of Vibrant Forms II was an act of cultural preservation. It reminded us about the legacy of the Basic Channel label family, in which Chain Reaction played an important part. Without this legacy, the contemporary body of electronic music would look different and make very different sounds. With the Release of Vibrant Forms III, Subwax Bcn takes it one step further. Fluxion's Vibrant Forms III album remind us of the timelessness of truly great music, never mind the genre.

Fine hand-stamped Dub Techno assault with a Detroit twist from LDS, limited copies...

Amazing dub monster! The opening chapter of Greyscale vinyl incarnation. Two Surface Variations by grad_u, accompanied by perfectly crafted remix by a longtime friend Ohrwert. Perfect combination. 180g Limited black repress. 

2022 Repress

Amsterdam based artist nthng continues to have a busy year. Following up an album on Lobster Theremin and EP on Transatlantic, he now lands on Delsin with three tracks that touch on driving dub-techno and dreamy ambient. 'Oralage' opens with upbeat drum programming and gliding hits that make for a smooth flowing groove. Distant pads add some spacey atmospheres and the production is effortlessly warm and driving. 'A Souls Search' takes time out to drift in the cosmos, with waves of muted euphoria washing over you as you sink into clouds of ambient bliss. Lastly, 'Turn To Gaia' is a dubbed out techno roller, with long legged drums looping down low, reverberating chords adding weight and distant bell sounds charting the whole thing in a harmonic glow. It rounds out a super smooth and seductive EP.

Kristian is a new anonymous project on Figure Music, exploring a different kind of sound that is based on subtly nuanced live jams and oriented towards a slightly more raw house and dubby-related style.
Opener Doubtful makes a strong first impression as Kristian weaves together lush, cheerful chords with a tight yet rolling bass momentum, carrying the track forward effortlessly. In stark contrast, Dry Dub is groove reduced to its bare essence. A straight-up drum track made of
sparse elements that confidently unfold their subliminal power over time.
The flip holds cuts that really want to spring to life. Swirly, dubbed-out sounds create a colorful and dynamic palette, rapidly changing in movement and direction. Insider riffs on heavily animated, filtered synth action, while closing track Worthiness goes deep and spacey, oozing with warm machine charm, squelching acid, and bubbly bass.

The third and final part of a trilogy of EPs from Al Wootton of deep, textural, off kilter techno, influenced by the forest. Sparse, rolling, minimal percussive tracks, dubbed out and primed for soundsystems.

MixCult presents LO-FI sublabel CRYSTAL MUD focused on limited edition lathe cut 7" & 10" discs.
Dub Techno Music in Dubplate Culture. Highly Exclusive.

Repress

As a team, we have renewed our brand and identity: we have grown strong as a musical family, so our name has grown too and become PoleGroup.

Gems Under The Horizon, the chillout division of Belgium’s Basic Moves returns with its second release this July, comprised of four original cuts from various artists across the globe.
Gems Under The Horizon was launched by Basic Moves label boss
Walrus originally as a Sunday daytime party series aimed at sharing electronic music in the chillout, ambient and downtempo sphere to wind down the weekend. The affiliate imprint was launched in April 2021 with material from Astral Industries artist Sonmi451 and Dylan Thomas Hayes.
Here the label returns with four new tracks welcoming an array
of new artists onto its roster and leading the way is &Apos who delivers ‘Vigo’, a hauntingly beautiful journey through swelling textures, plucked strings ethereal voices and synth modulations. Salamanda’s ‘No Vacation’ follows, the Seoul, South Korea based duo of Uman Therma a.k.a. Sala and Yetsuby a.k.a. Manda turn their focus
towards an amalgamation of gamelan like chimes, metallic percussion, organic drum grooves and flute like synth work.
Ugné & Maria’s ‘Into Orbit’ opens the flip side, as the name would suggest embracing a spaced-out aesthetic with intricately unfolding melodies, cinematic atmospherics, and gritty broken drums. Bogota, Colombia’s Manta Ray then rounds out the release with ‘Mysterious Ways’ as she traverses through off-kilter rhythms, unfurling pads,
choppy scratches, broken vocal cuts and meandering subs.

The UKW club in north-east Germany and its street location number calling 49b.
A unique building and home for music enthusiasts where no fame exists.
The new inhouse label is now starting its output with music from friends and regulars of the club.
The label philosophy is simple: Music from the heart that moves.
This first release comes as a compilation splitted into two parts packed with chords, raw analog drums, dubby elements dreamy pads and bleepy elements

MixCult presents LO-FI sublabel CRYSTAL MUD focused on limited edition lathe cut 7" & 10" discs.
Dub Techno Music in Dubplate Culture. Highly Exclusive.

Three more iconic Parallel 9 dub-techno classics from the Steve Rachmad archives re-issued on the Delsin Sterac series. Originally released in 1996 on Prime, now re-mastered. Track order is shuffled a bit, as it turned out the full 10 minutes version of Quanah was shortened in 1996. It was through the preparation of this re-issue Steve found out now 25 years later they had shortened the track by four minutes back then for some reason. Steve Rachmad's richly melodic strain of techno has resulted in a huge body of work he has been growing since the early 90s. His sound is the perfect distillation of machine soul - dubby atmospherics and crisp, danceable dynamics balanced in perfect unison. Amsterdam's Delsin Records gathers together some of the Dutch techno figurehead's most important, sought-after works in a new EP series, all remastered from the original DAT tapes from Steve's archives. Adding to the weight of this series, the accompanying artwork is being created by Boris Tellegen, aka legendary graffiti artist Delta who first began designing sleeves with Secret Life Of Machines. Since then he created many works for labels including Delsin.

Bunny 'Striker' Lee's standing in the Jamaican recording business has remained unassailable for over four decades.Known by many aliases including 'Gorgon'.
The legend of the Gorgon originated in Greek mythology some three thousand years ago and has become a common image in art, literature and in Jamaica...Music.
The name actually derives from the ancient Greek word gorgos which means 'dreadful' ,appropriate when one considers that the avalanche of Gorgon inspired records came as a direct result of the influence of the Rastafarian movement on the Jamaican musical mainstream and the dread locked hair of the Rasta brethren was likened to that of the Gorgon sisters.
''About her shoulders she flung the tasselled aegis, fraught with terror...and therein is the head of the dread monster, the gorgon, dread,awful....'' Homer

Equilibrisme: a balancing act, a harmony of multiple different elements, tuned to each other seamlessly. Equilibrisme launches it’s first vinly release! The first instalment Cyberport by Man-L is a three tracker EP including a remix by Canadian dub-techno legend Matt Thibideau under his moniker Altitude. The whole EP is a beautiful mix of minimal and dub techno. With Cyberport, Man-L is diving deep while still maintaining a dancefloor vibe, Altitude’s take on Cyberport is a stripped back deep and dubby excursion that feels like floating. Direct Sun will take you on another journey of warm chords and delays. It’s all about the balance!

Repress gold + white marbled vinyl

A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.

MixCult presents LO-FI sublabel CRYSTAL MUD focused on limited edition lathe cut 7" & 10" discs.
Dub Techno Music in Dubplate Culture. Highly Exclusive.

Grey Marbled Vinyl

Carlos Nilmmns is back on Ornaments with another diverse EP ranging from Detroit-inspired house grooves, Dub-Techno, deep electro patterns and stunning soundtracks.

Grey Vinly

Deep, trippy, Dub Techno and Detroit inspired cuts by Daniel Stefanik.

Warsaw's very own Private Press, debut on Of Paradise with their Young At Heart EP. A super-charged 4-tracker that rewires the brain, revs-up the serotonin levels and pays a sincere tribute to the foundations of rave and the diverse techno of the early 90s.The release kicks off with Wetweird, a thunderous techno number that could shake the foundations of even the most impenetrable bunker. Following this is title track Young At Heart, an infectious big-room number and a love letter to the raves of yesterday and the parties of tomorrow.

Repress

"Cassandra" is a super deep and hypnotic cut that opens with a thumping kick and silky-smooth pads, with the techno innovator teasing out delayed vocal-like synth phrases that lock the listener in before a huge sub-bassline lands. Dozzy focuses on these main intersecting elements which gradually evolve, topped off by rolling drums and razor-edged hi-hats. Also on the release is "II," a slab of experimental sound design that swells and retracts, gurgling away to nothing and topping off an essential new chapter for the peerless techno craftsmen.

This is the last part of Sushitech 15 Anniversary Reissues series: Paul St. Hilaire & Rhauder's Reconstructed inc. timeless reworks of legendary act such as Cobblestone Jazz, Amorf, Ion Ludwig, Steve O'Sullivan, Thomas Melchior, Soulphiction (RIP), Leonel and Matt & Mark Thibideau. This special collectors reissue inc. all 3 parts!

This is the last part of Sushitech 15th Anniversary Reissues series: Originally released back in 2013, Steve O'Sullivan Reconstructed inc timeless reworks of legendary acts such as Delano Smith, Mike Huckaby (RIP), Thor, Rhauder and Exos!

The Mysticisms label welcomes Coral D aka Duncan Stump for a debut outing here that marks the first new music to be part of the ongoing and most excellent Dubplate series. This artist has a long history of crafting "deep dub electronic swing" in his roles in Mock & Toof, FX Mchm and his 6000 Degrees project. This one finds him bringing some dub reggae influences as 'Dissolves' is built on a chugging rhythm with smeared chords. 'DR 55' is then a masterfully laidback digi-dub groove that warps space and time and so leaves you utterly hypnotised.

This double vinyl GRASSWAXXーLTD.1 South Center e.p.(45rpm, 4 tracks)is produced by RAWFILA who is the head of Grasswaxx recordings. Including Lo-Fi and DJ Tool tracks like deep minimal dub track layered saturated noise sound, and old school style riff synth sounds. South Center e.p. was mastered by WaxAlchemy who has a lot of positive reputation from producers like Mala, Goth-trad and so on.

2022 Repress

Second Woman is the collaborative project featuring Turk Dietrich of Belong and Joshua Eustis of Telefon Tel Aviv.
Josh and Turk have been friends for over 17 years, having met in New Orleans in the late '90s through mutual friend and future collaborator, Charlie Cooper. The duo have been working on music together on and o since that time.
The concept of Second Woman began with the idea of taking tropes from footwork, dub, house, and techno, and twisting these ideas into something kaleidoscopically liberated from the grid. Their work first materialized with two LP's and an EP on John Elliott and Peter Rehberg's Spectrum Spools.
Second Woman tweak the perception of time and space within the audio field into something ASMR-inducing and ultimately satisfying to listen to. Both Josh and Turk experience ASMR in response to certain rhythms and sounds, and e ort was made to incorporate these triggers into the music, hopefully for other people to experience as well.
With Apart / Instant, Second Woman present their signature sound as well as a new, more measured dimension to their work.

Big warm welcome back to DC’s James Bangura!! Solo dolo this time around, the Black Rave Culture member finds himself swimming in therapeutic & reflective waters. Stretching out into vulnerable, personal territory always makes for the best tunes. And this disc (James Bangura's "Shadow Boxing EP”) is a damn doozy!! Very excited & grateful to share this beautiful release with y'all!!
(Title is inspired by Bangura’s grandfather, Carroll Daniel Smith, who boxed for the US Army in WWII)

“When I think of ‘Shadow Boxing’ I think of practice & preparation. 2020 was a tumultuous year, this was the first time in awhile that I had a moment to reflect on the years passed. My time in military service, dealing with depression & anxiety as a veteran, the loss of loved ones, the ending of relationships, and taking unplanned life paths. This portion of my life story was about healing. This record was the silver lining & the sign of good things to come. It’s about never quitting & being kind to yourself. Loving differently & being vulnerable. These are things we have to practice (and prepare) doing everyday because we can easily let dark moments overcast the joy in our lives. Music has always been therapy for me & is even more important now through the turbulent times we are living in. So practice & prepare.”
- Timothy Smith-Bangura

Detroit's deep techno master, Deepchord, makes a more than welcome return to Soma after 5 years. With a brand new album dropping, Rod Modell delves deep into his ethereal sonic world to bring you 'Functional Extraits 1'. The first single to be taken from the forthcoming album. Built in a way that only Deepchord can, he transports you to different realms with lush soundscapes and perfectly processed electro-acoustics giving you an insight to the mind of the unique artist.

Shale glides across a field of electo-static noise, guided gently by cisps, fleeting percussion and gently warping synths. Lateral begins awash with waves of sound and glistening dub stabs while rolling beats acts as the heart beat of the track with a building intensity adding a sense of urgency. The uplifting yet dystopian sounds of Mapping spiral into existence urging you down the rabbit hole as more classic techno percussion manoeuvres this track on it's journey. Modell seeking out his roots as yet more traditional dub techno prevails via the final track, Ricochet. Pumping kicks and sub set to a perfect pace and ambience is a perfect, contemporary nod to the time honoured Deepchord sound.

Oldschool Modeselektor tapedeck-material with newly crafted remixes from Sarah Farina and Hard Wax affiliate Dj Pete aka Substance.

Waage is a firm favourite amongst dub techno fans. The Icelandic producer has long been turning out icy and atmospheric rollers for the heads and here he works alongside a fresh name, Quantal, who is sure to go on to big things. Here they land on Thule Records, a legendary label in its own right with roots going back to 1995. They kick off with the textured dub of 'WQ1' which has glitchy sounds paying over the rolling drums. 'WQ2' is much more smooth and streamlined, with an underwater current that sweeps you off your feet, then 'WQ3' leans into the wind with hypnotic techno drums and vamping chords that melt the mind. Last of all comes 'WQ4', a timeless dub with infinite horizons and the most frictionless drum loops.

Producer, author, composer, multi-instrumentalist, dub organizer, label manager and singer with a unique voice, Joe Yorke is a breath of fresh air in the contemporary UK reggae scene. Known by reggae specialists for his work with the Co-operators and recently exposed to a wider audience through his two singles recorded in collaboration with Stand High Patrol, the Northern artist presents his first self-produced album : "Noise And Emptiness".

On Rhythm Steady’s debut LP, Joe Yorke plays the card of authenticity, filled with strong drum and bass sections, grooving silences, striking dub segments and heart touching vocals. Joe Yorke's music evokes the sound of Channel One UK, Channel One JA and Randy's which are among the most iconic studios of English and Jamaican reggae history. He cruises between Kingston, soundsystem dub's England, Wackies's New York and Rhythm And Sound's Berlin. Throughout the eight tracks and three dubs that make up the album, these influences collide to reveal the Rhythm Steady aesthetic : a deep, meditative and solid roots sound dubbed with no compromises.

With two singers and deejay features and lyrics that are part of a “conscious” tradition, the parsimoniously employed vocals leave a vast space for dub. Noise and Emptiness opens a window on the musical universe built by Joe Yorke, celebrating old school roots and dub music, from the studio to the soundsystem. Already played on the radio by great names of reggae such as David Rodigan, Don Letts, Dennis Bovell and Nick Manasseh, “Noise And Emptiness” will awaken the sensitivity of any lover of the genre. Others are already talking about a capital UK Roots / UK Dub release.

25yrs after the emergence of Steve O'Sullivan's dub moniker, Lempuyang has the honour of presenting the first full length album of all-new material.

Over the span of 9 tracks, Steve takes us on a version excursion, exploring a mixture of dub rhythms alongside a healthy dose of wizardry to work the floor.

Also featuring collaborations from Hidden Sequence, Another Channel, and vocals from Prince Morella.

Strictly for connoisseurs & utterly essential!

transparent vinyl
After the first few very well received releases in the Exposure series; 'Radiant Energy' & 'Luminous Energy', Greyscale is back with a new set of burners directed specifically for the DJ's and the dancefloor. 'Spectral Flux' offers four club monsters that spotlight different emotions and times in a classy deep techno set. First up is one of the top names in Greece recently, Stelios Vassiloudis, who employs his hypnotic deep techno trademark to the EP. Through a field of static electricity, this immense, well programmed animal creeps out from the depths. Confident, and never out of line, a track for a DJ to spin with a big smile as they announced their presence on the decks. Jamie S appears next on the A-side with a dreamy tech groove in 'System Encounter'. This is a no-doubter sure to get everyone to the dancefloor for a good time. Pure Finesse! Turn over to the 2nd side to begin with an example of a prime dark builder. 'Equinox' is suspenseful and dangerous. It's all the things we think are missing in this day and age of club techno. To close thing's out, Armin Bender supplies us with the most dub techno track groove on here with '494'. This has all the marks of a classic Deepchord track from early in their discography. Pure Bliss! As per the grad_u himself our label head, this comes with all the top-notch quality in a physical release. Cut on beautiful crystal clear 12" 180-gram vinyl with grey inside-out cover & special analogue art by Rima Prusakova on center labels.

Don't be late in getting in on this limited pressing!

There's a beautifully symmetrical aesthetic to the latest Lempuyang release that totally mirrors the impeccably positioned and delicately balanced sounds going on in the grooves. Two of the most consistent producers of the last few years - Altone and Gradient - produce creatively related tracks, the former named 'Day Drama' and the latter taking on 'Night Drama'. Then they hand their respective tracks over to each other for remixing duties and bingo, a pretty vital 12" is created, a gorgeous set of shimmering dubs on the A-side, and some heavyweight business for dark rainy nights on the flip. Both producers employ a modern day dub flavour to their minimal, moody techno, with it probably being fair to say that the influence of Maurizio and the Basic Channel label is fairly significant in the worlds of both. Altone's sound is a little grittier and seemingly fizzing with radioactivity, decaying and disintegrating as each offering proceeds, where there's something a bit more spartan and linear about Gradient's grooves, that seem to undulate and reverberate almost invisibly, propelling these exceptionally mixable, enjoyable DJ tools along almost under their own momentum. Nice work all round.

Back in stock

"Nature Unit is a collaboration between Lack, Jack Chrysalis and Sam Purcell (Dance), completing the final instalment in a series of releases.

Created through a process of reconstructing each other’s samples, the end result pushes each producer into eerie and strange territory. Fusing verdant techno rollers with the surreal and vivid environments of hardcore, Nature Unit is an experiment which has fashioned a unique sonic world.

Limited run of 200 in handstamped, debossed house sleeve. Mastering by Helmut Erler at Dubplates & Mastering"

After appearing on Acid Test’s 10 Year Anniversary compilation Patricia, aka Max Ravitz, debuts an EP on the label with Less Than 7, a collection of tracks that sits squarely in the club-focused end of the label’s output. Ravitz grew up in Chicago and has family roots in Detroit; these cities cultivated his affinity for mid-western dance music, with early Trax Records being a standout favorite. Years later, while living in New York, collaborator Alexis Georgopoulos introduced Ravitz to Tin Man’s Neo Neo Acid LP (released on Acid Test in 2012). This album struck a particular chord, impacting his creative vision for the Patricia project and setting him on the path towards a fruitful collaboration with Tin Man as Ociya (also released on Acid Test).

After 2021's IDM-leaning Blue Ridge LP, the Less Than 7 EP marks Patricia's return to the dance floor. Here, Ravitz explores four dimensions of acid music, each track deploying that classic squelch to differing effect. Both tracks on the A side pack a gut punch. The almost industrial beat on ‘At A. Gallop’ stomps along under moody pads and dripping acid lines until, midway, new harmonies reveal fresh vistas. ‘Head Gap Width’ is the EP’s most direct statement, a bolt of dubby techno energy with gurgling acid bass and rhythmic Detroit stabs. The B side then shifts things to a more emotive plane. ‘Winding To The Side’ uses its 9 minutes to fully explore the harmonic interplay between its buoyant braindance acid lines, which are engineered to suspend the late morning dance floor in time. ‘Coffee Computer’ closes things out, with its detuned pads, walking acid bassline and child-like piano lending it a wistful air that falls between house and IDM.

Less Than 7 was recorded at Ravitz’s home studio in Asheville, NC, and mastered by close friend Josh Bonati.

Another Picture has the honour to welcome DJ Honesty to the label's crew! The Berlin mainstay keeps on delivering for two decades and counting. Now residing in sunny and meanwhile ultra-lively spot Lissabon/Portugal he shows up with two pieces of pure electronic groove with a dubby technoid flavour. Studio knowledge at work! Usually known for positive vibes with a still abstract feel now DJ Honesty reveals a darker shade of experience. Get involved with a tougher edge and face some deeper emotion and sonic consequence - see you on today's dancefloors.. DJ Honesty's releases come as various projects and collaborations: Honesty, Honeydrop, Slope (with Daniel Paul) and Suparaw (with Woody) on such labels as Cabinet, Sonar Kollektiv and Quality Vibe to name a few. He is part of the touring Cab Drivers live crew. Don't miss!

The latest from Steve O'Sullivan and Mosaic's archive raiding series sees the first ever airing for an unreleased extended mix of the soft and soul-drenched 'Composure', plus two choice selections on the slip, the sleek sub-bass powered 'She Don't Do Chicks' and a dub mix of the equally streamlined 'Bumper Car'. If the A-side is a luxurious period piece of sorts - it could be related to Underground Resistance's 'Galaxy 2 Galaxy' for instance - then two on the other side could have been made yesterday they're so relevant and playable, coasting along with the kind of subtly jacking framework and dubby basslines that G Man made his own. All lovingly remastered at The Exchnage too.

finally repressed

These pieces produced by Modvs emulate and capture the atmosphere experienced in a forgotten city space. Mayfield Train Station stands in the heart of the city. A piece of Manchester's history that remains inhabited, abandoned and frozen in time. Much of the structure is unsafe, poorly lit and access is nearly impossible. Inside lies vast dark rooms, decaying platforms and crumbling brick walls. Modus takes it upon himself to explore such environments, taking inspiration and enlightenment that he injects into his music. This EP showcases the contrasting feelings one can experience when delving further into the darkness. All this also interpreted by Antonio Vazquez and Korridor

PL1 - The first track mirrors the foreboding nature of the dark open space deep inside the structure. Shards of light dulled by dust particles cut through holes in the wall. Droplets of water fall from the towering roofs echoing throughout the open cavern. Noises from outside the station rise and fall creating moments of suspense and fear. The mood enhances as footsteps rattle from room to room giving you a sense of what might have existed in a forgotten time. Delving further into the dark brings only loneliness and isolation.

PL2 - The second track leads you across the platform. A place once inhabited by the hustle and bustle of travelers awaiting their connection, now lays decaying and ghostly. If you close your eyes you can sometimes hear the faint sounds of steam and footsteps ascending the platform approach. A hypnotic but driving track that captures the essence of depth in the most captivating environment imaginable. Words can't describe the feeling of standing in a forgotten world surrounded by echoing memories, but music can.

Artwork photography by Modvs

So far our first releases has received support from Giorgio Gigli, Svreca, Ness, Iori, Orphx, Gianluca Meloni, Deepbass, Yuka, Cio D'Or, Exium, Eomac, Edit Select, Alan Backdrop, SNTS, Refracted, Casual Violence among many others! :)

After a first distinctive appearance in 2021 on the dynamic XX LAB compilation, Vel returns on the independent label leading this next release. "Era L" comprises a series of atypically structured tracks in which modern techno with minimalist tendencies becomes a model on which rich emotional soundscapes are carved. Sensual and complex, Vel's futuristic sound is well established throughout the "Era L" journey.

The obsessive "Inspire Me Jim" lays the groundwork for the alienating psychedelic vibe. Mixing lunacy and profound melancholy, the producer invites us on a sometimes tortuous journey, celebrating the female voice and its delicacy: “The world of femininity fascinates me.” This key theme resonates powerfully in her complex music: "The tone of my voice, the sharp percussion, and many reverb"

In addition, four club titles properly nourish the heart of the EP. All of them carefully carry unique rhythms and unexpected drum patterns. Vel’s spontaneity surprises the attentive listener, and claims the ultimate end of classical techno variations. There are frantic rhythms, multidirectional percussion, futuristic sounds, a few dreamy pads, and still a lot of femininity and lunacy."I look keenly for the unexpected, I try to explore sounds that challenge at first listen, creating strange, even disturbing textures. A mind-blowing trip, against a backdrop of galloping techno through our principal arteries."

Ultimately, "Limitless Wilderness" completes the EP with the distinct feeling that this is just the promising beginning.

"Era L" undoubtedly represents an excellent balance between body and mind, with both intriguing introspective atmospheres and captivating eerie sounds. An undeniably modern reinterpretation of rave energy and a sound design that eagerly pushes the established boundaries of techno.

Derek Carr on his own label Trident Recordings.

Smoothly grooves and minimal vibes inside. Carebears in love.

Hierarchy is a Berlin based project former known as A Sacred Geometry.

On his first Affin EP entitled "Tense" he creates a magical mixture of rhythmic-hypnotic set pieces that melt with distant clouds of sound and create spatial depth.

Repress

Fifth part in the very exclusive 'Schatrax' repress series. Handstamped 180 grams coloured vinyl.

No Way Records celebrates its 5th anniversary with a double 12” anthology of pure physical techno, defined by dark and crepuscular atmospheres that pays homage to 1975’s Dario Argento’s masterpiece “Profondo Rosso”. The first vinyl is purely dedicated to the energetic Sardinian scene, opened up by DJ Datch and Andrea Cossu’s sharp yet cosmic sounds. On the B side Ness & Kryss Hypnowave on their way to a black and white, hypnotic journey. Introducing the second vinyl is Craft with his sidereal journey, and Svarog continuing with his distinct drum machine. Sicarius Hahni gives the record a foggy and suspended mood, while Massa wraps thing up with warmer touch!

REPRESS!

Returning for 2019 with our first 12-inch release, Made in Green Records concludes Rooteo & Mahura’s opening salvo, with reinterpretations from the artists themselves and the label head putting their marks on already-outstanding material. Leading off the release, we find the original ‘Caxixi’ from their debut LP, Mettā, with its tablas and vocals rubbing against billowing clouds of bass and dubwise effects; Made in Green boss Vasco Ispirian turns in the first rework, a thickly layered, relaxed tempo dub techno trip. Barely- recognizable remnants of the original’s percussion and vocal lines occasionally surface out of the subaquatic haze before surging kick drums push them back beneath the surface. Appearing here under his recently-birthed 4NYØN3 project, Rooteo, best known as Marcos In Dub, closes the release with a pounding techno remake that utterly transforms his own & Mahura’s work. Squashing the original’s ambient sonics into unstable delay traps that reappear prominently in the breakdowns, he grafts this into stringent techno, adroitly wrought and with details to spare, the scrambled fragments of sound emerging between heavy drums and contributing to the dark and downcast mood that pervades the piece.

After two utterly essential releases on ae Recordings and Primary Colours in 2021, Altone once more delivers the goods for Lempuyang.

The label's eighth release brings together two of the most respected heads in the business on remix duties. Altone's deep & pulsing title track Vortex gets Yagya's glacial treatment on side A. Customization on the flip gets a Bluetrain rework; Steve's trademark Special Edition Dub giving the track a dancefloor edge.

What's the best way to showcase the upcoming album from Bluetrain on Lempuyang? Why, take two insanely heavy dubs from the Mosaic don, and plate them up with a roots-infused remix from none other than Deadbeat. Prince Morella staves off the munchies by providing the toast. Keep your ears peeled for the dub techno album of 2022, coming soon!

Vinyl Only. Limited

One sure thing about featuring Dan Goul in a MixCult release is that his music will always be big on emotion. Next up, “Upon Descent EP” edifices those delicious sounds that those star floating dancers are pulled to. The classy and sensual beats keep always under construction, making the range of the tracks infinitely expandable over time. This release is a very versatile DJ tool, but certainly for those who like to keep it graceful.

Follow Da Groove is pleased to announce Rico Casazza for its second strike. Waves of warm sounds ranging from dub to electro. An EP that definitely has a sensuality and a charm with 4 tracks that tell a story.

A unique approach from this energetic label that's really working for us down here. Techno/dub lush soundscapes galore...tip for ravers!