Trance music fans, get ready to experience Push's iconic anthem "Universal Nation" like never before with the upcoming 2 x 12" vinyl release.
Featuring an array of incredible remixes, including Airwave's Vocal Theatrical Version, James Harcourt's remix, Gai Barone's remix, and DJ Ghost & Danny C's remix, this release is a must-have for any collector.
The vinyl set comes in a stunning modern remastered artwork, with one disc in purple and one in white. Don't miss your chance to own this special edition vinyl release and rediscover the magic of "Universal Nation”.
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Siarem, this experienced artist is a sound artisan. The secret of the extraordinary quality of his spotless and calibrated sound could be his exclusive use of analogic gear.
For this new release he introduces five tracks where Techno and Electro are mixed with EBM and Industrial. 50 per cent of strenght and 50 per cent of darkness.
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Southern Lights celebrates its 5th anniversary with the first of two EP’s showcasing various artists titled “Charged Particles”. Charged particles is a metaphor taken from the Aurora Australis wonder, where charged particles from the sun enter the atmosphere on the poles and create the Aurora phenomenon. Creating the sonically charged particles for Volume 1 are 18 Figures, Cliche Morph, Bastian Balders and Shoal: a unified course that traverses across glacial textures, metallic soundscapes and sonic expeditions.
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'Bad Computer' was originally released in 1995 on Temple Records NYC and is now the first 12' on TEMPLE TRAXX. Produced by brother Jammin' Unit, who also signed for re-mastering, and myself as Bizz O.D. in wild pitch matters.
Cube 40 was always meant to be The Ramones of techno by repeating the same track idea over and over. Compare with 'You Make Me Function' and you'll get the idea.
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Orlando 'Format' Voorn erweckt sein enorm einflussreiches 'Solid Session' von 1991 zu neuem Leben. Zusammen mit Joris Voorn schreiben die beiden Amsterdamer Legenden die Geschichte dieses Klassikers neu. Neben Original & Joris Voorn-Remix gibt es auch einen überragenden Trip von 14 min Länge, mit dem 'Solid Session' der Soundtrack 2023 zu einer Million glücklicher Dancefloor-Erinnerungen und ein Sammlerstück für diejenigen wird, die sich dem Vinyl verschrieben haben.
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Dancefloor Prophecies for humanity delivered by Detroit based spoken word artist Mike Ellison. Features a DJ tooled acapella to further spread the True meaning of Detroit Techno around the Galaxy.
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The final chapter in the RATS: INFEST series adds a left-field twist. Mike Parker is one of the most important historical Techno artists for us and has recently released two halftime EPs for Donato Dozzy & Neels Spazio Disponibile label which have been some of our favourite releases by another label in the last few years. Once we heard these EPs, we were on the hunt for some Mike Parker music on Samurai.
Mike Parker creates music live on an all-hardware setup and has done so since the mid-'90s. There is not really anyone that sounds like Mike and we're excited to have him on board at Samurai.
Mike has recalibrated his machines and created an all-new halftime sound specifically for this remix of 'Mainliner' and his upcoming EP for Samurai. Slightly more quirky and less dense than his usual approach, the machine pulses wind around a steadfast step. An unexpected, but perfect mood shift to re-imagine the Mainliner sinisterism.
Baby T makes a welcome return to the label following on from her debut EP Portra. This time the versatility of the Baby T sound is on display with a 140 Breakbeat killer re-sculpture of 'The Spell'. Dealing out euphoric vibe peaks with 4/4 punctuations and Reese/break combinations, this one is a guaranteed peaktime dancefloor weapon. We love Baby T!
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We are a vinyl-only label based in Miami, FL.
Our first release comes from label boss, Feph.
Steady rhythms, captivating grooves. An ebb and flow of energy throughout every track.
Catered to DJs and meant for the club.
Extended DJ tools that will serve a place in any record bag.
300 copies
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After the 14 track debut album from Setaoc Mass in 2022, he returns now in '23 back to his usual guise and home label SK_eleven to release a 4 track EP entitled "Satellite".
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Transmigration launch their new white label edits series with three tracks covering haunting down tempo grooves, fried kosmiche drum jams and a Mediterranean progressive trip. Designed to turn heads - tried and tested from the forests of Brandenburg to the darkest corners of Berlin club land.
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Rekids Special Projects, the no-nonsense techno-focussed sub-label of Radio Slave, aka Matt Edwards’ Rekids, launched in 2017 releases a 4-track vinyl sampler from the recent compilation RSPX presents Actualize Pt.1. Featuring absolute barnstormers from Mark Broom, Dustin Zahn & Marcal, Klint and Hemka. Watch yer Bass bins.. I’m telling ya!
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The 25th release on Auxiliary is a remix 12" by ASC. Featuring four remixes of the EP of the same name, released in 2014, Return Of The Emissary Remixes is an inventive and creative re-imagining of the original tracks.
Inverse Ratio is transformed into a more uptempo Grey Area affair, while Fenris gets a heavier workout on its remix. Flipside sees a sparser approach to Zoning, while Night Clouds notches up the intensity somewhat. A statement of intent from Auxiliary and ASC.
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Cardiff based producers Blap have gained a reputation for their live acts with slamming kick drums and rattling drums that find a sweet spot between dark, mysterious and roaring techno. They’ve been steadily gaining notoriety over the past years with this release having seen support from the likes of Dax J, Kuetzal, Esther Duijn, Samantha Togni, Ian Void, Raymundo Rodriguez and Cristian Varela to name a few.
‘Paradox’ EP is a heavy techno cut presenting three original tracks by Blap and a remix by OUT OF CTRL label boss ALNA. It’s a mixture of fast-paced kick drums, glitchy synth textures, loopy percussions and warehouse-ready sounds that will turn any club into a groovy rave party.
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The incredible artist CASUAL TREATMENT landed on Eclectic Limited with his solo ep called "Discipline". 4 stunned tracks representing the real character of the artist.
This project signed the last chapter of "wired cube" concept that was our fantastic mission for 2 years.
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After recent releases on Truncate and Ben Sims’ Hardgroove, the Italian producer Elisa Bee returns to Balkan Vinyl with her new EP, Sample Minds. 3 cuts of peak-time jacking techno and acid with a proper edge of funk, plus a remix from Neville Watson taking it into slower, deeper blissed out territory. Out on a hand-numbered edition of 303 copies, on translucent blue 12” vinyl.
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This is the third release on the “For Playful Manners” label, a split record by Gwenan and Camiflage. Originally from Wales and living in Berlin, Gwenan Spearing is an algorithmic coder during the day and a DJ and producer by night. Gwenan presents on For Playful Manners 03 some of her first club music compositions (and there are plenty more to follow!). Camiel Hermans aka Camiflage takes charge of the flipside. Based in Brussels/Belgium, Camiel is a movie animator during weekdays and a producer, label owner (Snaretrade Records) and DJ during the wee hours of the weekend.
Track ? and ? written and produced by Gwenan Spearing in Berlin, Germany
Track ? and ? written and produced by Camiel ‘Camiflage’ Hermans, recorded at home, Altitude 100, Brussels, Belgium
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Nous'klaer Audio presents Martinou - Chiral, the follow full-length up to his 2021 album Rift. This time nine tracks across two vinyls. An album flowing 'in a way' like Rift, but it's different: More outspoken, heavier sound design and it peaks on a blissful note. ''Open up the blinds and take me there. We'll break the surface tension. We'll dive in. I'm locked in your devotion. You give an inclination to our demise. It will be our exit. To bliss, we'll be its guardian. Once there was love. Clear as glassy water. No ripples, no waves. I followed while you led. Our arrival was warm. Hot, even. Stunning to a startling degree. Hands intwined, frolicking towards the blue. Hours passed, and white heat cede to an orange hue. We cooled down. Red. We rallied. Black. It began. Into the deep darkness we ran. White sand, it has a tendency to get everywhere. Salt water will only dehydrate you more. Shriveled and dry. Scratchy and coarse. More. And then we were lost. Fingers once locked grew distant. Morning, dear. Where have you gone? We looked. A glimpse from afar. Red. We rallied. Shall we share a bottle of wine? Black, lost again. Afternoon, friend. Where were you? Red. Alone. Black. We rallied. Shall we try somewhere new? Sand and salt. Evening, sir. Reservation for one? Reservations a plenty, I say. Evening, miss. Dining alone? Aren't we all? Dining, miss, not dying. Oh, yes, alone. Black. Sand and salt. I found you. No. No. Wait, do I know you? You feel like a dream. Don't touch me. Move along, sir. Who are you? Leave. Who are you? Where did you go? Keep moving. I am, I will. Time to move on. I'm moving! Leave. Don't touch me. Leave. Why are you? Exit. Purple. Orange. Yellow. White. Blue. Morning, dear. Shall we have breakfast? I think I'll sleep some more. But it's our last day. I know. See you downstairs when you're ready. OK. I open up the blinds. A bird breaks the surface tension. Locked in. To Devotion? No. Demise. An inclination. Reverie. Take me there. Where? Exit (To Bliss) '' Text by Gregory Markus
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Stephan Bodzin: a classically trained musician, vastly experienced producer and master of melody. He has built a reputation through countless releases under many aliases, and through his dramatic and dynamic live set capturing the hearts of fans worldwide. For Afterlife, Bodzin bottles the infectious energy of these shows into two epic, colourful landscapes of sound, 'Strand' and 'Catamaran'.
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A re-issue of the highly sought after CORROSIVE 002 with all 3 original tracks, plus a bonus 2020 remix of Acid Corrosion by PUNKY JUNX (aka Tassid and label boss Austin Corrosive). Classic Acid Techno!
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The first in a string of 2023 releases from Liverpool based, Brent, comes in the form of four club-ready cuts. ‘Digital Karma’ opens with the nominal track – a dubby, 80’s riddled piece which sets the stall for the remainder of the record. With progressing melodies and an Edith Piaf cameo, it’s a colourful & creative way to start your engines. ‘Don’t Call the Doctor’ answers back as the most atypical house track of the four, taking a surprise twist in the form of rolling triplets and robotronic vocals. ‘Liquid Gold’ launches the B Side with a standout bassline/vocal combination which allows simplicity to do the talking. ‘SOM’ rounds off proceedings with a vocoder-led ode to Liverpool.
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We will write no future if we understand no past."
Proudly reissuing one of the most wanted Birmingham industrial techno records by the Japanese legend Takaaki Itoh. This seminal milestone has been carefully remastered, for fitting nowadays standards, but conserving all the rawness and power of the original, by Pedro Romero at Nexo 101. Contained in a 12" disco bag designed by Marcos Leiras Santos. For disc-jockeys and collectors.
Originally released in 2004 in IM records.
Respect to Takaaki Itoh and UVB for making this reissue transcend to the next generation and probably to the eternity.
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ZentaSkai unveils stunning, high-concept house album on Mask Records.
ZentaSkai undertook a period of research into the underlying structure and organisation of the human brain before writing ‘The Architecture Of The Mind’. The Berlin-based artist then took what had been learned and kept it in mind when writing the music that marks Mask's first album release. It comes with extensive background notes on each track, and an operational manual of sorts - notes from the artists as to the effects each piece will have on those who hear them.
"The message conveyed by this album is that life itself is filled with music, but our egos often prevent us from being in harmony with this symphony. Inner chaos and silence can be challenging to bear, leading us to seek solace in external noise. We have constructed a barrier between our inner and outer worlds, causing us to lose touch with the rhythm of harmony. However, by embracing the illusion of separation and dancing to good music, we can rediscover harmony with ourselves and our environment. To fully experience the essence of the album, it should be played loudly on a proper sound system or high-quality headphones. By immersing themselves in the music, individuals can engage with its transformative power and potentially find a deeper connection with their own minds and surroundings." - ZentaSkai.
The gorgeous 'Mind Mapping' opens up with deep and dubby drums and lush harmonies that soothe you to your core, '030' then has more raw, heavy drums with many layers of glowing synths, glassy melodies and organic found sounds. 'Fügung' keeps the deep and introspective moods coming before the crisp tech of 'Flow Dreaming' ups the ante with more drive and layers of vocal whispers, hi-hats and smeared dub chords.
Elsewhere the likes of 'Quiet Reflection' lean into the groove with swirling pads and one-word vocal sounds drifting through the air over propulsive drum loops, and 'Boiling Range' suspends you in deft synth loops amongst the stars over a prickly house beat.
The superb synth craft and well-designed grooves continue through the dusty deep house of 'Karl-Marx-Allee' and minimal dub of 'Dynamic System' before the elegant melodic techno of 'Apeiron' and dreamy synthscapes of 'Parallel 30' close the album in a reflective fashion.
This is a deeply evocative album with a fully realised concept that is as thought-provoking as it is immersive.
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Hungarian-born, Dublin-based Phil Robertson has some pedigree but Arbilla is a new name he's operating under, and indeed there seems to be a slightly more musical, less relentless angle to his once defiantly minimal sound to go with the new moniker too. He provides three of the four tracks here, from the chunky and dramatic 'Stranger Things' and the breezy, spacious 'Fragrance' to the EP's glorious title track, with its Plaid-like syncopation and spiralling melodies. Mysterious techno 'supergroup' from Detroit, Scan 7 remix 'Virtual Reality' and they whip it into thunderclapping Underground Resistance shape. Greatness in evidence whichever way you turn.
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Argentinian DJ, artist, and label head DJ これからの緊急災害 also known as Wachita China makes his debut on Fides Records with the EP T.A.K.E.O.V.E.R, marking the 16th release for the label. Five energetic tracks showcase Wachita China's scholarly knowledge of influenced Ghetto and Electro Music. With his driven 808 beats, fierce basslines, extraterrestrial vocals with a metallic edge, and a blend of sci-fi melodies, the artist proves once again his ability to create timeless dancefloor weapons. The EP also include an electro-infused upbeat track featuring DJ Disappointed, injecting a energy burst into the release.
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heat-seeking cuts, rattled with adrenaline and gnawing feedback, set Nikki Nair's "Singular Vectors" on course for pure obliterated electro. Incubated in a time similar to the lab sessions of Singular Values (TP009.5), "Vectors" continues on that raw-live energy, topped off with a thermal rave remix by Jensen Interceptor.
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Allpa Puruma is a staple within the Latin American techno scene. This EP is nothing but incendiary hurricane whirlwind tracks…speckled with samples from the junglescape, full of hardgroove velocity.
In short: Four dancefloor bombshells (with a B2 to level you out) by a rising South American techno wizard. Tough tools to recalibrate your mind and ass to access the euphoria you need to set yourself free.
Berlin E.P." by Marmion was released 28 years ago on 15th of April 1993. Unavailable for more than 20 years the legendary Berlin EP from Marmion is back as original repress, re-mastered and re-cut. The fourth release on Superstition Records and especially the included "Schöneberg" was suddenly heavily championed in the Benelux and UK, e.g. by Tony De Vit (RIP) @ legendary London's Turnmills @ Trade events and soon became a legendary status as one of the biggest House or Tech-House hymns of its time, celebrated in the best clubs by the most renowned DJs worldwide. But this E.P. has much more to offer, Marcos Lopez and Mijk can Dijk managed to capture the very open minded spirit vibes and energy of the early 90s of Berlin in four different and special tracks. "T-Dancer"for example is Berlin's Hi-Nrg answer to the East Coast House and was simply the hymn of the Gay-T-Dance scene worldwide. About Marmion: Mijk van Dijk and Marcos Lopez met each other in 1986 when both did their academics at FU Berlin. Marcos Lopez was yet working as a DJ at several Berlin clubs and was also the moderator at the Eastern-Germany based cult-radio station "DT 64" with the legendary programme "Nightflight". Mijk van Dijk worked as a music journalist for magazines like "Frontpage", "CUT", "HYPE!", "Network Press". In 1990 he released his first record on the Berlin based Low Spirit label (LoopZone, Hate/Les enfants du paradies). For the Berlin Bash-records he produced in 1991 solo and together with DJ Tanith different 12"s, before he found a constant base at the also Berlin based MFS label with projects like Microglobe, LoopZone and Mindgear and on Superstition Records with his MIJK VAN DIJK projects.
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BERLIN PARTY AWAY WILL CELEBRATE A DECADE OF EVENTS WITH LABEL COMPILATION "AWAY 10 YEARS" AND THREE WEEKEND PARTIES
"AWAY 10 Years" features 10 tracks from a family-and-friends lineup of influential powerhouses like Moodymann, Move D, Axel Boman, Lady Starlight, Mark Broom, Inland, and well-known talents Discrete Circuit, Eluize, AWAY Soundsystem, and Attila & Blivv
Founded by DJ and producer Discrete Circuit in 2012, AWAY was born in Berlin out of a purist desire to establish a party for timeless house and techno music. In the early days, AWAY moved from multiple in- and outdoor venues to showcases across Europe to ultimately finding a stable home base at the About Blank club in 2015. Quickly they earned a reputation as a must-attend event series without losing its underground credibility. The AWAY crew did not shy away from booking many veterans and legends of the genre, some of whom are now on the compilation "AWAY 10 Years"
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Mental Modern is a underground music label created to explore all the nuances of modern techno music, from deeper sounds to the darker and industrial ones. Focused on signing new artists with big artists from the Techno scene, to provide quality music.
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Early support by DVS1. Up next on Token Records is Kr!z for his first release on the label since his acclaimed 'Atlantis' EP late last year. Keeping his sound pure, Kr!z presents a cohesive collection ofdecisive tracks for 'Marbles', his third release of 2023.
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SHDW & Obscure Shape and their "Mutual Rytm" imprint celebrating a first year anniversary with an outstanding 3 vinyls pack as their tenth release to date and the second instalment of their "Federation of Rytm" compilation series.
Being the buzzing German producers most prestigious project to date, their musical philosophy of "modern old school techno", has been backed up by some of their favorite artists out there, from well-established to new upcoming producers, all contributing their music to take part in one of the most highlighted releases of the new year. The compilation features 22 tracks: 18 cuts spread over 3 vinyls covered with the label's neat artwork signature, and 4 digital bonus tracks. This and more, sum up the musical vision of the German duo, going between early hours to peak time anthems and in between previously known artists to the label and new appearances of new talents, all together, symbolized by different generations and areas of techno-based music, backed up with the label head honchos SHDW & Obscure Shape's wide community following, marking the calendar for an exciting game changer release set for March 2023.
The "Federation Of Rytm II" vinyl edition comes with a heavy inside-out cover, finished with a high quality logo hot foil print on the front, and printed inner sleeves. Strictly limited Edition.
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(Emmanuel Top, Tom Hades, Kony Donales + original remastered) Zolex heads up our next Bonzai Classics vinyl release with his 1993 cut, Time Modulator. New remixes come from Emmanuel Top, Tome Hades and Kony Donales who add their own unique twists to a techno classic.
Zolex heads up our next Bonzai Classics vinyl release with his 1993 cut, Time Modulator. New remixes come from Emmanuel Top, Tome Hades and Kony Donales who add their own unique twists to a techno classic. Back in the mid-nineties, Frank Struyf was churning out top club hits on Dance Opera, Circus, Frank’s own Zolex Records and our very own XTC and Bonzai Records imprints. Despite his busy DJ schedule Frank still found the time to produce his own sounds. Many years of producing quality records followed and he is still twiddling the knobs and spinning sets to this day.
The Original Mix graces the A1 slot, with its dark drums and rolling techno vibe hitting the spot. Moody and twisty, the groove becomes infectious and hypnotic thanks to a combination of blippy, bleepy sounds and relentless strings. The energy levels rise after the break, causing chaotic scenes on the floor, an absolute stomper. French DJ and producer Emmanuel Top takes up the A2 slot, delivering a fine remix with his instantly recognisable signature sound. Responsible for so many acid laden moments throughout his career, Emmanuel Top remains an inspiration to many. On the remix here, the tension mounts as 303 lines fade up alongside a hybrid drum construction and hypnotic FX. The acid effect takes hold, dominating the groove, the perfect set builder to whip up the crowd. Over on the flip, Belgian artist Tom Hades offers up his interpretation, turning the original into a slamming slice of techno for the modern dancefloor. Undoubtedly, Tom is responsible for some of the best techno joints released in recent years. Here, he employs his skills to great effect, using banging beats and minimalistic sounds that drive a solid, dark room techno vibe. This one is a must have, no doubt. To complete the vinyl, we have French artist Kony Donales on remix duties. Kony is the owner of Cayden Records which has churned out top techno tracks since 2011. He is known for his minimal style and he definitely knows how to work a track. The remix here brings the essence of Time Modulator into the 21st century with a strong contemporary groove. Nice pounding kicks and crispy percussions set the rhythm loose as metallic hits join raucous percussions and FX. Top-notch stuff once again.
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