Techno Vinyl New Releases - News

The kick cuts through the trees like a scythe, calling out to her, drawing her closer. It comes from every direction, the purr of the bass slipping through the forest like low-hanging mist.

The primal, metronomic pressure of the beat enmeshes with his lycanthropic howl. The sound is everywhere, and impossible to get a fix on. It rains down from on high, sticking her cloak to her skin and slicking his fur. It rises from the earth, seeping between her toes.

Within this secret glade they meet, alone except for the rotting leaves and creeping moss. Here they become one, disparate egos dissolved in a cocktail of chemical impulses, dopamine responses and the instinctive urgency of the sound that surrounds and consumes them.

On the second single on his Disco Inferno label, I Hate Models exudes the mysterious, ancient power of the werewolf, and invites you to join him in one last dance.

Dark night creatures creep through the tunnels and chambers in the abandoned sites of the former dwarven industry. Greenish-black energy flows through the empty halls as skeletons of the dead rise to dance, accompanied by the shaking of skulls, and the rattling of bones. Be warned, this spectacle is not for the faint of heart. Necromancy is an impressive school of magic, but also a dangerous one – it is better not to mess with necromancers.

K.O.P. 32, a studied alchemist of sound prepared this mythical and enchanting debut 12-inch filled with fast-paced tribal rhythm sorcery, psyish texture spells and mushroom spore acid.

Mana Abundance assumes no responsibility for zombifications, mummifications, or paralyzations. All claims for due compensation in silver are entirely excluded, including (but not limited to) shapeshifting processes such as converting into a werewolf or changeling. Under no circumstances should students of magic under the age of 18 attend the ceremony! Additionally, house elves and other magical creatures are to be kept away from this record.

Limited ep from Kronos Device aka electro legend Phil Klein aka Bass Junkie

Serge Geyzel returns to brokntoys with As Fallen Leaves. Six tracks of heartbroken electronica, blending seamlessly IDM and breaks.

Science Cult’s Occupants series continues with a surprise version 2. This follow-up features a darker and more experimental sound from artists such as Dez Williams, Fleck ESC, Ben Pest, Rise Black and more. Presented as a double 12” Blue Color Vinyl LP. Astute observers may notice that there is more to the artwork than meets the eye

The Swiss DJ and producer Walid reaches new heights with his highly anticipated proto-techno project "Child of the Waves", taking his place in the great Swiss electronic tradition - peopled by the likes of Carlos Peron, Boris Blank and Grauzone, to name just a few.

Konduku makes his first appearance on DJ Nobu's label Bitta, presenting four highly energetic, deep hypnotic cuts. It's the perfect collision between their characteristic practices. Konduku's two immersive techno works, in the form of 'Hayal' and the atmospheric 'Yakamoz', compliment Nobu's powerful and uplifting mountain-valley sound. Balancing out the EP are two proper mind-benders: 'Damla' perfectly represents Konduku's take on twirling half-tempo rhythms and 'Zifir' is a freaky heavy-hitter in the low sub territories.

With a first appearance on Token through a remix for PTTRN's 'To Disapear Completely', Mike Parker fully debuts on the imprint with 'The Burning Round Table' for 4 corrosive tracks of unforgiving power. Highly skilled in crafting cavernous ambiances and sharp tension, the American virtuoso offers a record emphasizing just that: imposing cuts to be selected with intention.

Parker immediately introduces the EP with gravitas through boiling, acidic A1 'Tripartite'. This first track stomps its way through an aquatic ecosystem with the occasional stab to reaffirm the vast dimension of the track. Parker uses texturally abstract atmospheres that dive the alert listener into its mysterious environment. The kick pummels onto Parker's next piece 'Ascension Chain', which carries its name well. A heavy low-end clears space for a mesmerizing stepped lead in this track that evokes a similar size as its predecessor's. Quick hi hat sections hurry the track along into the other side of the record that meets the listener with a clear transition. Part 2 of the EP begins with 'Bass Model', where Parker flattens the dimension of his project with a strong, operatic bassline and rhythmic syncopation. Movement is now prioritized in a B side that sets a convincing balance between techno and Detroit electro through a highly effective use of minimal elements. Closed hi hats are uplifted through sections of rolling rides to keep the pace persistent and the track tunneling. Parker then guides us to the final pillar of 'The Burning Round Table' with his title track as B2, a logical continuation to the song before. A sustained and highly saturated bassline pushes through head bobbing percussion with a vintage sounding vocal sample to wrap up the artist's sonic trip.

Ultra limited, hand stamped and hypnotic no-ufo-vibes by Jakob & Melina.

LDR returns with another of our favourite artists joining the roster at Lunar Disko. Waterford native Leonid delivers a rare EP, crafted as always withÊmethodicalÊdepth and warmth.

A 5 track journey of emotive electronics and machine soul, evolving into another timeless masterpiece from Leonid.

Matasism and his friend Time Traveler are back with 4 killer tracks with an old-school touch by the famous Pioneer of electronic music Olivier Abbeloos aka T99, which release two raves tracks with a sour feeling.
Acid, Rave, and boomy Techno cuts.


Mastered by Luigi Di Filippo at LRS Factory.

Produzent, DJ und Community-Leader TYGAPAW (aka Dion Mckenzie) ist einer der zeitgenössischen Leitsterne der New Yorker Clubszene und veröffentlicht als erster Künstler ein Album auf Fabric Originals. Sein Debütalbum GET FREE (2020) schuf Räume für die LGBTQ+-Community innerhalb der Nightlifekultur der Stadt und wurde zur Parole für den Abbau von Patriarchat, Rassismus und Queerphobie; das Vinyl ist ausverkauft. TYGAPAWs brandneues Album love has never been a popular movement., benannt nach den Worten des schwarzen Aktivisten James Baldwin, ist eine beeindruckende Kollektion von Techno-Tracks mit Gastvocals von LSDXOXO und George Riley.

Limitierte Auflage aus transparent-klarem Vinyl mit DL-Code und Poster mit Lyrics & Credits.

Dream Ticket celebrates 10 releases on this planet with a VA matching old label favourites with fresh new blood. Multidisciplinary artist Koolmorf Widesen kicks things off with a madcap acid squirmer that will terrorize your sense of direction as much as it moves your
body, before DT stalwart Binary Digit hits us with his latest signature braindance pounder.

On the flip, Ryan James Ford, another DT alumni, brings us a techno banger that marries the best of Detroit and Berlin, then newcomer ZDR closes things out with stuttering, dreamy piece of jungly dnb magic. Here’s to the next 10!

Newest addition to Pomelo is Spanish talent Vedelius, who delivers the late night burner "The Crypt". The EP comes with three inventive and floor ready remixes by the likes of Phosphene, Lodig/Dibek and Lok44 – a rolling breakbeat version by Phosphene, jacking techno by Lodig/Dibek and a dubbed out Electro-Techno stepper by Lok44.

Strictly Limited Edition of 250.

crafty, dark atmospheric Techno cuts

Al Wootton returns home on Trule with an EP of highly functional dance floor techno that retains his signature brittle textures, dubwise sensibilities and clipped, stepping, swinging rhythms.

This time Anthony Linell cuts his peerless supply four ways in four tracks. Short on hubris, and economical to the point of being cruel, 'Core Field Horizon' relents in all the right places to make the effects of its peaks and troughs impossible to defend against. The opening track is a deluge. Spinning on its hydro-blasted synth line, the gravitational pull erases and ensnares in equal disordering measure. On its heel is the EP's title track, an austere display of the venom in the seam between his club-focused work and his experimental output. 'Evaporating Entities' is one of Linell's most diaphanous works to date, and after weaving through the sky we are abruptly subjected to the gravity of the closing track's nerves.

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

Analog modular synth maestro Crystal Geometry fast returns to Sonic Groove for his second outing. Continuing on from where his “Red Faith Militia” release left off, the latest EP “The Cyber Heresy” follows suit, mixing a concoction of late 80’s styled Belgian EBM and post-modern Industrial Techno into the perfect explosive for dance floor destruction.

DJ Bone is a Detroit titan. He plays on the decks with high energy and next-level skill that few can match - which is why they call him the Terminator. He pulls no punches in the studio either, crafting all killer no-filler club weaponry as exemplified here by his new album Further. This is top-level techno on his own Subject Detroit label with lashings of machine soul, futuristic ideals and evocative atmospheres. Some cuts sink into deep inner grooves and take you on a mindful trip and some are more wildly expressive, but all of them bang in the club.

Following the extraordinary success of the releases signed by Lory D and John Beltran, Soul Research is publishing an EP by the creative minds of Ednic, who is from Livorno, Italy and an historical name in the international realm of electronic music, G-Man.
Pets (Try This With Mantra) is, in its original version, full of pathos. The Tibetan mantra enters and expands through base lines and obsessive rhythm.
The G-Man version, on the other hand, is the perfect for dance floor devastation, like all the techno which has come from Gez Varley.

Submerge : G-Man! Great tracks.
Paco Osuna : Will try thanks ,)
Roberto Figus : Release quality, excellent tracks, thanks very much.
Gel Abril : great!
Joseph Capriati : Downloaded for Joseph Capriati, thanks.
G-Man : ace release..
Tunnel : Lovely experimentalism on Pets original. Not afraid to risk. Love it. G-Man is pitch perfect on the remix.

Clemens Neufeld : love it! hypnotic techno dub at its best!
Ivo Toscano : G-Man remix for me, tnx!!!
Dez : G-Man!
Donnel Knox : G-man mix for me
Someone Else : liking the gman rmx
Richie Hawtin : downloaded for r hawtin
Maurizio Vitiello : g-man is the one for me!
Greg Gow : Gman remix for me thx
Terry : More into G.Man
Dj Hyperactive : G-Man rmx por moi....! Thx Hypr
Plural : Great tracks! Will play!
Anderson Noise : thanks for the music

Angel Molina : Pets (Try this with mantra) would be more for me without mantra, but the music sounds good. Ill give a proper listen, thanks.
Steve Lawler : Downloaded for Steve Lawler, thanks.
Gregor Tresher : G-man! Yes!
Koljah : like the g-man mix. thx...
Funk D'Void : great G man groove
Elon : G-Man remix! :)
Marco Carola : downloading for marco carola, thanks
Lee Holman : I like the original best on this one. Thanks for sending.

Label Misprint!

Mineral Cuts 05

Havana - Eclypse © 1995 Pin Up
Sigmatibet - Mantis Religiosa © 1992 Evolution Records.

Long journeyed, trippy, consistent, sub-driven, percussive, harmonized, techy & dubbed out - but first & foremost clubby A-side.

The B-side's reconstruction keeps the 3-dimensional solo, stabs and pads but dwells on tribal percussions in and out of the mix before going into stepper mode towards the epic & rhythmic final minutes.

Lucretio´s first solo release on Memento, the 'System Pressure E.P.' is a piece of carefully handcrafted nightclub music.
The late-hours anthem 'Addict to the dancefloor' combines the early 90s heart-felt grooves with the state of the art of contemporary electronic production.

'2bpad1' is a relentless ride of voltage controlled oscillators and hexadecimal quirks over hefty bare drums processed with a juicy analogue filter.

Finally 'Love don't leave' bring back together House and Techno, melting their rhythm and blues essence into an absolute peak-time conjunction.

Crafty techno w/ a nautical metalic sound sphere

Our man Nathan Melja kicks off his own parodia with 4 anthems feat. no less than Flørist

Wonderland is a blissful sonic universe created between Nathan Melja & Flørist. Due out June 1st, 2021 on 12” and digital via Parodia, a new label launched by Nathan Melja for creative output of his own as well as likeminded artists.

Nathan Melja, known for his releases on Antinote, Mister Saturday Night and Technicolor, as well as Kalahari Oyster Cult which saw his epic track ‘Synesthesia’ that went on to be remixed by Pariah and Anthony Naples while being rinsed by the likes of Ben UFO, Evan Baggs and Jane Fitz. Always translating sound into a wide spectrum of colours, Nathan’s signature sound has evolved over the years into a precise craft.

Flørist is hot on the heels of a stretch of highly acclaimed EPs on Trilogy Tapes, Pavilion and most recently Baroque Sunburst, constantly exploring the BPM grid, he is known to leave you wondering which way is up. Together their sensory spheres collide for a unique record which details two solo original tracks as well as two different versions of their collaborative track Wonderland, made with not only the DJ but the listener in mind.

Nathan Melja’s ‘Back and Forth’ is an updated ode to the Bleep and Bass eras, while his version of Wonderland is a colourful trip full of bright melodies. Flørist’s ‘Fade 2 Pink’ expresses the artist deeper side, exploring rhythmic boundaries. His interpretation of Wonderland hits hard with its deep and psychedelic vibrations, slipping directly into any after hours playlist.

Welcome to Wonderland.

S.O.N.S is back with the last instalment of the "T.O.K.Y.O" series. This time it is a double 12" called Shin-Okubo One Night Stand. This record is made to be played using a turntable at home, at your friend's birthday party or at your uncle's wedding. Club use is possible too but no refund will be granted if you clear the floor.

Hot off his debut 2xlp for L.I.E.S. young music prodigy Tom Carruthers delivers a new 6 track lp of total Transmat worship. Jam packed with huge DX basslines, slamming 909s, and catchy melodies - this lp is made for the floor and would be hard pressed not to be thought of as a lost relic from '89. Where as his last LP channeled more bleep elements, this one goes right to Detroit and moves the crowd as it should be...anthem after anthem.

Red Vinyl

Get ready for Entourage Concept's upcoming release by Argentinian artist Volpe, including a remix by the Berlin based underground legend Stojche. You’ll find only timeless dub grooves on this EP paired with rhythmic beats and mesmerizing chords. Don't miss out on this limited vinyl only release

Spanish techno artist Aiken is back on his own Timeline label with another EP that offers up four more of his evocative takes on the genre. It comes after previous outings on Non Series and Semantica and is his label s first release since 2016.

Basic Principles is up first and mesmerises with a pulsing lead synth line that forever changes shape. Pummelling drums power along below and add up to a disorientating and hypnotic overall effect. Theory is deeper and more rubbery, with manic synths and pads all racing along and pilling on the pressure while Midline is right out fo the Jeff Mills playbook with its molten sci-fi synths journeying through outer space. Clean, crips drums are upright and taught and get you on your toes, then Restriction closes things out in superb minimalist fashion. This EP covers plenty of ground, and all of it is utterly compelling.

After their Grime / Dubstep leaning debut single in late 2018 Intrauterin Recordings mastermind baze.djunkiii and production partner Sascha Müller return with a new outing of their conjunctional COMBAT DUBS project. With „Crystals“ they're coming at us with a special twist, presenting a fascinating crossover of UK Garage and Breakbeat sporting overwhelming basslines and a crystalline, most beautiful and ever cascading synth motif whilst the flipside sees the pair of producers diving deep into raw SpeedGarage / BasslineHouse territories for maximum dancefloor pressure with the aptly titled „Crystals *Speed Mix“.

Initial pressing will be limited to 200 copies on white vinyl.

The Detroit Party Train brings you more Detroit In Effect Classics Remastered for 2019.

The inception of 49North marks the beginning of a brand new era for Duncan Forbes; who most emphatically made his mark on the WW scene as one half of legendary duo - Spooky - alongside Charlie May; releasing a string of landmark singles and albums over 3 decades, not to mention timeless remix / production work for International heavyweights like Depeche Mode, M83, Sasha, William Orbit, Mr.G and Apparat.
A1: ‘Burning Bright As Magnesium’
“Heading up this second ‘Distilled & Amplified’, 12” sampler is one of Duncan’s most leg-sweeping, curveball originals to date - 'Burning Bright As Magnesium'... a super tripped-out, Techno head-spinner; powered by an eerie, almost spectral kind of funk.
B1: ‘In The Mansion Of The Gods’ (Mr G’s ‘Home Alone’ Remix)
“And on the flip, we see Duncan’s second ever solo release - 'In The Mansion Of The Gods' - get the rework treatment from close friend Mr G, and his unrivalled brand of analogue magic. And if you haven't heard the Phoenix G man go full-throttle before - you're in for a barn-storming treat.”

Here are a few sonic fragments of the experiments leaded between early and late epoques. Audio may have been affected by time-travel. A.L »

Debut EP for First Epoque, electronic dancehall and techno leaning from several times. Each tracks project are an ancient and new epoque like a logbook.

Already premiering by Insert : « it’s clear to see that First Epoque is influenced by Hessle Audio or Livity Sound, switching from Electronic, Dancehall and Techno. Emphasizing a certain sound-design aspect in his music.

François X returns to DRH for his second record, he is currently busy djing in Paris at the Demented parties (where he recently played alongside Moritz Von Oswald, and soon will open up for Sandwell District and Surgeon).

De Lichting shines their light on one of their core members, Human Space Machine. The Amsterdam centred collective known for their forward-thinking live sessions and highly praised compilation series now presents the third edition in their run of solo projects. Human Space Machine appeared on all its label compilations before and is a frequent guest on Indigo Aera's AEX series, now he steps forward with his first full solo EP since 2018's Ornithogallum EP on Native Response.

Over the course of three tracks, HSM explores the rich territories in between moody breakbeats, mesmerizing percussion riffs and drifting house. Its a well-varied collection capturing a wide range of moods that makes this a well-deserved and right on time solo outing from a producer that shows his true musical diversity.

High-flying global house and techno torch-bearer Jimi Jules returns with a new EP Free Bird on Life and Death Records.


The four tracks on Free Bird were written during the same sessions as Jimi’s album ‘+’ on Innervisions in 2022, and collected together they’re a summary of what Jimi’s all about - hands-in-the-air anthems, chaotic house bangers, deep burners and contemplative moments all rolled into one release.


Jimi Jules has been turning dancefloors inside out for over 20 years, from festival stages to intimate redlight basements. He’s brought his free-wheeling creative spirit and masters in music to bear on collaborations with Dixon, Âme, Joy Tyson and Tugg The Drummer for labels like Defected, Innervisions, Zukunft, Watergate and many more.


Jimi’s Free Bird EP switches seamlessly from anthemic mood and all-out party to self-reflection and brooding rave noir across 25 transformative minutes. The title track is a acid-tinged floor filler, imploring dancers and the public at large to question the status quo, and “break the rules, in everything you do”. Then Jimi follows his own advice and hands over the controls to his Swiss latino accomplice Lil Dirty, who embraces the chaos with delay effects, scratches and saw waves, for a house grinder that's full of fun and filters.


The euphoria of the A-side is balanced out on the flip with two deeper cuts. Speed Meditation delivers a zoned-out atmosphere over a bouncy percussive groove, while poking fun at the West’s adoption of spiritual practices to deal with the stress of modern living. Touched By Silence rounds off the EP, as Jimi channels his inner dancing Thom Yorke for an urban hymnal complete with a haunted falsetto, on top of a driving beat inspired by the ghost town that was Zurich during the pandemic.


Free Bird is an EP only Jimi Jules could make, operating at the height of his powers after over two decades of making people dance all over the world, where he rips up his own rule book and gets creative on four tracks packed with personality and character.

Jump Source release their second record on in-house imprint JS with their heaviest endeavour yet. Four dense cuts for whatever time you find yourself in. Made in Montreal, delivered to The World.

Gravity was finished in a Moroccan Air BnB after Jack J offered up a tasty arrangement of a previously loose ass live demo. Touch Tone started as a jam with Cloudface then was completely reimagined, keeping his keypad melody, and later touched up with Jack adding live drums. Boys Cry is dedicated to the memory of my Dad. Miss you and love you forever. And Fruits is just being itself.