Techno Vinyl New Releases - News

Olympic Pool Maintenance League takes us on a heavenly Techno ride.

It includes a raw remix of Head Front Panel, recalling the wild 90s and Giorgio Gigli with a more mental version of current Techno.

BLANKA the young Spanish artist has been making waves under her Room Trax home since a number of years. With major breakthroughs in releases and international shows in 2022; 2023 seems even bigger and brighter. Her debut SK_eleven release shows how hard she has been working in the studio.

TEN. KR3 marks the double-figure release, starring David Foster: the man behind the Huren project, which has been churning out influential tracks for the past three decades. Blood Fire Debt – has been described by David with one word: ‘survival’. Indeed, in this tenth release we rediscover an already legendary artist of the power electronics scene, in his most honest and consistent form. Expressing himself through cinematic-noise, harmonised by dark drones and slo-mo rhythms. Still navigating through the chaos, this ride will take us back to the 90s, thanks to the presence of a track (B2. Mytologinen) produced in those years. There will be a unique insert with the HUREN portrayed under one of the twin towers. Written & Produced by David Foster Mastered and Vinyl Cutting by: Tim Xavier at Manmade Mastering Berlin

Everyone is a moon and has a dark side which he never shows to anybody. Judas is back with one of the biggest collections of records since today, presenting more sides of his vision as an artist and as a conceptual persona, these are 4 cuts that brilliantly put you in the zone, right when the needle drops on the record. Judas present this project in 2 parts, both part of the same creature, and of the same concept, 'Unsaid' goes far beyond the usual aspect of the functionality, in this case, functionality is a pure tool, every single work shows you a path into his mind.

We celebrate our seven year itch with 2 separate double-LP's containing the new and exclusive tracks and remixes taken from the Double CD Compilation with the same title.

The first vinyl part opens with excellent tunes by our Swissman Diego, another exclusive subway track by Munich-hero Richard Bartz, some deep birthday wishes by NY based John Selway, one more exclusive by Heiko Laux and a very beautiful ending by electro master Anthony Rother. Not to forget the 3 remixes by Samuel L Session, Steve Rachmad (aka Sterac) and di_indicator.

repressed !

Following on from Lyric Hood's solo release, 'Everything / Social Distance' in July, M-Plant takes us into August with the first new release this year from Robert Hood and Floorplan.

Opening the proceedings is a solo mission from Robert Hood. 'The Struggle' opens with acidic-funk that's highlighted by Tamika Mallory's stirring speech following the murder of George Floyd, before launching into powerful stripped-back Techno. This is protest music, Hood-style.

The rest of the EP is devoted to Robert and Lyric Hood's collaborative Floorplan project. The original version of 'Save The Children' brings tough House with blazing horns and vocal refrains to continue the themes of social change. While the Detroit Mix goes deep and bassy, overlaid with poignant vocal samples including the words of Dick Gregory.

Black Lives Matter.

- generic sleeve repress -

It has been a little over a year since the release of 747's debut album, in which the Canadian masterfully drew notes of inspiration from the 90s to create an enchanting hour-long dream. In his first EP since, 747 returns from a temporal leap, bringing with him a blend of sounds and expressions to forge a timeless trip which hinges on the sounds of the 303.

Opening the release, "you,you" unfolds with a gentle and shimmery padded ambiance of anticipation. Gentle and light-footed percussion is soon interrupted by a dramatic siren, a warning beacon. Frenetic energy ensues, a frantic rush to the floor met with a cloudy head. Encompassed in an envelope of disorienting wailing and intermittent buzzing, but finally grounded by the familiarity of a 4/4 bass drum.

"Does Anybody Remember Laughter?" steps in to relinquish the force of gravity. The animated arpeggio and gleaming singing acid line rise up, uncovering the kaleidoscopic nature of the structural surroundings.

"While My 303 Gently Weeps" divulges further, exposing an underlying grid of dark geometry - binary and robotic. The topology of surfaces becomes increasingly fractalized, until the solo overtakes with a somber sadness. The 303 notes guide the mind on a melancholic and meditative walk along the grand staff, met after the break with a sense of hope and serenity.

Hypnotising drone techno from the other world.

Green Vinyl

Have you ever wondered what would happen if the Spice Girls smoked crack and joined forces with the Power Rangers on acid? Meet BĘÃTFÓØT. These punk-infused electronic poltergeists and big-beat acid trio are Udi Naor, drummer and founding member of electronic duo Red Axes, Adi Bronicki (who also fronts Israeli garage-punk-folk band Deaf Chonky) and ace of all trades guitarist Nimrod Goldfarb.
The band have been launching warped stoner-acid-pop out of Tel Aviv with maniacal intent and are producing post-punk rave bangers that will scorch every dance floor with a huge lethal smile. BĘÃTFÓØT
are a DIY supergroup who describe themselves as sitting somewhere between Aqua, Beastie Boys and The Prodigy.
Their music endeavours feel akin to being hurtled through a kaleidoscopic waterslide, overflowing with the spirit of 90’s youth culture. The radioactive trio are DJ’s, musicians, songwriters and producers with a diverse range of individual projects and talents, their combined sonics map your journey across the hazy astral spectrum of hip-hop, big beat and rave music. Morph these radioactive pieces with the no New Release Informationnonsense attitude of punk-rock and the venomous spitting flow of golden-era rap and you might just come close to fabricating the freakish sound of BĘÃTFÓØT.
The band’s self-titled debut is set for release on 17th September on Manfredi Romano aka DJ Tennis’ Life and Death. Founded in 2010, the imprint curates soulful dance music with a post-rock aesthetic.
This refreshingly original and experimental LP from BĘÃTFÓØT marks a new direction for Life and Death this year and beyond.
“BĘÃTFÓØT” takes unsuspecting listeners on a wild ride of unprecedented musical madness (firmly without seatbelts). Fizzy synthesiser programming stimulates you effervescently through the album like the welcomed sting of sour sweets, surprising accompaniments appear in the form of manipulated vocal lines and quirky samples, all jovially mixed together in a gummy melting pot of wild conceptualisation and starry eyed rhythms.
Thirteen tracks of unprecedented dancefloor mutations send us triumphantly into the candy-covered kingdom of BĘÃTFÓØT with open arms and infinite imagery of fanciful gutter-glam escapades. This project fulfills the role of a musical bulldozer, flattening all previous conceptions of what it means to belong to a genre and leaving behind a hot mess trail of anarchic musical fragments in its wake. The undying spirit of the nineties.
With fans that include legendary Irish born singer, songwriter and producer Roisin Murphy, BĘÃTFÓØT are a breath of fresh air set to be igniting dancefloors this summer.

The long awaited second release on Potency Records.

Cromby returns to his Potency label skilfully crafting three cuts to satisfy every mood on the dance floor. Whether you’re seeking to raise your hands in peak time euphoria, lose yourself in the hazy after-hour, or be consumed by the overflowing acid banger, Cromby’s got you covered.

‘Potency 002’ lands quickly after his second EP on Phantasy Sound, keeping the appetite satisfied and the momentum strong. Kicking things off with a huge presence is ‘Obsessed’, another coveted track from his Streaming From Isolation Boiler Room back-to-back with Sally C that’s set to make an impact in 2022. Kick drums with attitude meet slinky basslines, engulfing synths, all leading up to a drop built to send the rave into hysteria. ‘Body Rush’ is a low slung, moody after hours track, fit for smoky dance floors. ‘Cromby Excavator’ is a high energy acid cut, reaching heights of 140 bpm.

Behold, we've got a new modular freak on board: Dhyan Moller. The Californian original of "Megadon" is here remixed by Heiko Laux for our 25th Anniversary. Followed by the massive production of "French Quiz" of Joel Mull & Heiko Laux. And to conclude our pack of productions which otherwise would have fallen into the cracks: Ray Kajioka & Heiko Laux show how happy mild cases of autism can turn out.

I was lucky enough to release Godflesh 'Love is a dog from Hell' on my old label Pathological many moons ago. I was equally lucky to drop JK Flesh 'In Your Pit' on my new label PRESSURE three years ago, and then follow that up with the G36 vs JK Flesh sound clash 'Disintegration Dubs' last year. Justin has consistently handed me pure audio gold, and actually gifted me some of my favourite releases from him full stop, in an incredible career of riches which he has tirelessly. produced since Napalm Death til today. So again, I’m now totally psyched to drop 'Sewer Bait' on my label PRESSURE. The sixth album from JK Flesh, this album is a Slo-mo, Slo-fi, Sewer tech journey into utter gutter level filth. Overdriven, corroded, corrupted and absolutely blasted, it contains so many essential elements of clubland low life, but yet manages to remain beautifully original whilst pushing all levels deep into the red until it hurts in the best possible way. Anyone hooked on Andy Stott's dirtiest works, Porter Ricks deepest explorations or Techno Animal's speaker punishing grooves will find addictive nourishment within these relentlessly distorted heavyweight grooves.... Not so much hard as completely f-ckin brutal, the master stroke from Justin Broadrick however, is takin his raw materials and feeding them militantly into the dub chamber. This is like a wholesale destruction of Techno, 4/4 for people too wasted and strung out to give a f-ck about dancefloors, yet compelling enough and magnetic enough to completely insist upon fully body hypnotism in an undersized room with an oversized rig. The album's title track sounds like Drum & Bass don Digital or the peak of the Metalheadz label dragged down into hell for the ultimate bad rave trip, whilst 'Crawler' could be Killing Joke, jammin with Regis and his aggro allies from Birmingham Techno's underappreciated discography, deep in a warehouse warzone. You don’t have to dig techno to dig this dirt, you just have to enjoy having your head taken off and your body physically punished. If Jeff Mills output had been chopped, screwed and then painfully, slowly crushed, it may resemble the monolithic, psychedelic, crawl of 'Sewer Bait'.” – Kevin Martin

REPRESSED !!
Blank Code Records launches with its first release Circle 1 by label artist Mutate. Circle 1 is the first in a series of releases by Mutate and features remixes by Drumcell, Audio Injection, and Bas Mooy Detroit has always had a definitive voice in the future sound of techno, and this debut release from Blank Code is a prime example of both the latest from Detroit, and its international allegiances exemplified by three brilliant remixes from some of techno's most accomplished modern artists.

O-Wells is back on Die Orakel with his fourth transmission, called "Moldoom". This 4-track séance is mainly made of uplifiting, spaced out electro tracks, some rolling along with subtle or acid basslines, lush pads and gently subdued detroitish chords. Die Orakel leave it at your sonic discretion, whether the catalogue number references the year 1996.

The third and final chapter of remixes tapped from last album "5". Proper "down the wormhole" business from personal favourites

Wata Igarashi, Orbe and Rivet

We are glad to welcome a true legend to Kessell's Granulart label, Steve Bicknell, one of the foundations of European techno since the early nineties, creator of the infamous Lost parties and label. As well as the unforgettable Cosmic records imprint

Musically speaking the minimum / maximum rule has always been in his tracks, a few elements but all of them fundamental, making true abstract dj tools for the most advanced dj's. For this release he offers two original tracks plus an energized remix by Oscar Mulero.

Three slices of pure techno, ahead of the times, or to be precise: timeless.

Early feedbacks from Laurent Garnier, Oscar Mulero, Ben Sims, DVS1, Inigo Kennedy, Rodhad, Slam, Samuli Kemppi, Pfirter, Kwartz, Tripeo, Shifted, Dimi Angelis, Takaaki Itoh, Etapp Kyle, O Phase, Norman Nodge, Jeff Derringer, Shifted, Electric Indigo, Aiken, Jeroen Search, Terence Fixmer, Pacou, Eric Cloutier, Dustin Zahn, Peter Van Hoesen, Tadeo, Mike Parker, Ben Buitendijk, and Henning Baer.

Storming into 2022 with a flurry of high-octane remixed from a stellar array of artists, Anfisa Letyago continues to solidify her position as one of techno's most talked about names. An intrepid selector with a positive attitude regarding all things art and dancefloor related, she's been making seismic waves within the industry for a few years. Letyago launched her own imprint - N:S:DA last year, originally a celebration of her own dark-brooding style of techno, the label has entered a metamorphosis of sorts, welcoming in a host of established producers to remix the labels first two remix EP's.

Kompakt head-honcho and German techno extraordinaire Michael Mayer opens up the floodgates of this remix project with an alluring interpretation of "Nisida". Decades of industry experience have finely tuned Mayer's taste making to an impeccable standard, his extensive knowledge of dancefloors and deep cuts serves as an excellent explanation for his undeniable ability in the studio. Ethereal vocal snapshots from the original mix are weaved intricately amongst the machine-orchestra of arpeggiated synths and stalwart drum loops. "My aim for this remix was to crystallize this yearning sentiment in Anfisa's whispers by adding more warmth and drama to the track" adds Michael.

The Italian-born, multi-faceted DJ Tennis steps into the arena with his unique take on the original mix of "Nisida". Elegant pads flourish through the mix, carrying listeners weightlessly into warping basslines and razor-sharp drum work. The droning synths seem to induce hypnosis, circling and swaying around the driving kick and scattered hi-hats. A production powerhouse since the early nineties, DJ Tennis continues to juggle event promotion, running a label and booking agency. A hugely talented all-rounder.

1979 draws the EP to a close with a swirling techno edit of "Orizzonte", tastefully minimal and precisely crafted with compelling sound design from the analog synth wizard. Classically trained with a deep penchant for attending illegal raves in his youth, 1979 has been making waves with a flurry of breakout hits in recent years. The arrangement climbs through cycles of high-pitched tones and rolling mid-range bass, taking listeners on a sonic journey steeped in warmth with classic drum machine hits. "'Orizzonte' caught me in many ways, and I decided to use the beautiful space-arpeggios and the shoegaze pads made by Anfisa to create my own version of the track" he adds. The perfect track for highway driving and rocking dancefloors.

ARKADA Records is excited to announce our second release – the forthcoming split ep feauturing AUTOSIM and SERGE GEYZEL ( HOSTAGE).

Hailing from the UK, Rob Smith aka AUTOSIM (CULTEK/SCAND) has been active since the early 2000's together with PHIL BOLLAND (SYNC 24) as part of the well known Electro duo CULTEK. He has previously released under the alias INNUME on the mighty CULTIVATED ELECTRONICS Label.

Second part of the ep presents the music of Berlin based exciting upcoming talent in the world of Electronic Music – SERGE GEYZEL (MINDWAVES-MUSIC/BERLIN) who combines his affinity to early 2000's Electronica with the aesthetics of Electro and dark ambient colours in his music productions.

Together this makes a very strong Electro ep which moves the dancefloor and mind simultaneously!!!

After his Elements series on SINO and a release on Freddy K’s Key Vinyl, Benales is back with a new project on SINO. Three massive techno tools perfectly crafted. A must have.

Knowledge is a tool, and like all tools, its impact is in the hands of the user.

ARTS WHITE presents the debut of one of the brightest artists in the Italian scene, 'Earwax' is a project that aim on highly energetic techno, ispired by the good old habits, this EP showcases a variety of ways to destroy floors in dusty Raves. Club 25 represents the modern key to non-sense underground rave music.

Fides welcomes the duo ‘Footclan’ to the family with an absolute banger. Ghetto-Electro for finest collectors, a powerful blend of punchy dancefloor machine funk.

Simoncino returns to UTTU with 4 synth led electronix cuts - super deep introspective techno & house from one of the best to do it!

With the artists behind the music slowly being revealed on the labels website, artists such as Sagitario aka Juan Sanchez, Agents of Time, Francois V have now been uncovered. With music being the main focus you'll have to wait another 2 months to find out who is behind this latest release. The curiosity continues.

Head to their Instagram page (ig: cod3qr) for clues to the artist identities of Cod3QR001, 002 and 003!

Extremely limited collectors edition of Atom™ & Tobias.' Toolbox Series (Cuando, Zahlenraum & Enne) released on Pomelo (POM45-47) with a Dextro-designed cover.

ROD strikes back with 4 powerful Techno jams recorded in 1 take under his hardware-only Rod20 alias.

Rushing us headlong into a vorticist maelstrom of hard-edged drum stutter and polychromatic synth fragmentation, Sansibar sophomore long-player for Kalahari Oyster Cult - “Sans Musique” - tackles the very essence of post-trancey, breaks-loaded UK blends with unabashed joy to wreak havoc on his path. Throughout seven tracks oozing burnt kerosene and depleted uranium residue merged with a hint of sacred incense, Sansibar deploys his extra-wide vision for the present and future of dance music.

“Scully” attacks pedal to the metal, hi-intensity bass onslaughts and knee-buckling breaks roaring as the groove slings us at bullet-speed into a hot, narrow barrel of floor-focused aggression. Fusing rattling DnB engineering with Goa trance motifs, “Force of Equilibrium” showcases Sansibar’s hybrid attachment to functionality and headspace fractalisation. Hi-velocity rimshots, pep vox samples and alien basslines blazing, “NRJ” eases us into a shape-shifting network of underground tunnels dwelled by shady raving creatures, harking back to Prodigy’s early wares and subsequent offshoots of the 90s era.

One to bend your mind to, “Teal’c” taps into an even darker vein with its fast-cascading hats and von Oswald-ian dub whirlwind set against a surgically laid-down, unstoppable EBM bass comber. Jagged and oneiric to the finest extent, “Send It” peeps at prime Hokusai and Photek material in its first stretch, slowly making room for further spacious liquid junglism as bars run by. Cranking the 2-step/garage power levels up a notch, “Fantasmas” sends us spinning into orbit right away, while the LP’s closing track “Aurora” takes us on a languidly serene voyage of a finale, tempo slowed-down and suave trip-hop flavours exuding with increased sensitiveness.

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Hailing from Helsinki, Finland, Sansibar is a non-pareil cosmic traveller - also producer, resident DJ at Kaiku and Post Bar and wave agitator on IDA Radio and EOS Radio - whose genre-unbound sound credentials for the likes of Kalahari Oyster Cult, Natural Sciences, Émotsiya, Darknet, Avoidance et al. have helped establish as one of today’s most intriguing talents in the European scene.

Avantroots is one of the leading dub related labels in recent years taking the genre to its furthest and freshest perspectives while still respecting the history and the figures inside it. One of those historical figures is the legendary Linval Thompson who's credits and list of those he influenced are pages long.
To have Linval be the lead on this project truly makes this a unique and special release. 'World Crisis' is Linval's message and it is as definitive as ever. There is a lot of thought put into each step and portion of this project. The overall traditional dub concept is to feature different voices over the same instrumental where this, flips the script and each version has a different electronic music producer add their talents to create their own signature account. The result is an extraordinary and well composed EP. Deepchord, Deepnaut, Pulshar and Braulio Lam were specifically chosen to head up this treasured task of taking 'World Crisis' into their realms.
The Deepnaut version is a true essence of the future of a more mature island late night cultured dub techno sound. The track shimmers in a euphoric glow that covers you like a sun on the beach in summer. Linval's voice is front and center and one could say this may be the most single oriented as it uses the most vocals of any of the renditions here. Braulio Lam's submission has all the makings of a classic styled dub track. While the beat is transcendent, everything else is processed in a new school way. And the technique is next level to be clear. Next is Deepchord's version. To say this is the deepest and most techno might not be much of a surprise. The groove is addictive and the chords sampled into the rhythm while the melody ebbs and flows are pure magic. Lastly, Pulshar breaks things down to the starkest of the choices and one of the most hypnotic. Pablo Bolivar and Sergio Sainz Vidal from Pulshar have a knack for injective some serious island vibes to the electronic scene.
The artwork is also special here. It respects the history of dub culture while advancing the application as it uses AI generated images combined with human elements. The pictures support the message of the 'World Crisis' speaks on by Linval Thompson. This is a special release no doubt. Avant-Roots are very happy with the variety offered by the artists of their label and this release. They shined when it came to harnessing the essence of this track and infusing it into their
particular version of electronic dub.

Repress!

After a 5 years break, there are finally all new songs from ECHO WEST. On their 9th album they present 10 analog Minimal Wave / Electro tracks (incl. one bonustrack) in the style of early minimal electro heroes. During the creation of these songs, analog equipment was used consciously, in order to do justice to the spirit and feeling of their EBM idols THE KLINIK, VOMITO NEGRO and especially DAF.

A homage to the revolutionary “analog 80s” and a departure or breakout after the long Corona-forced break and the endless weeks in isolation. 10 songs to dance to and enjoy a new freedom.

Label favorites Pornbugs return with another triumphant release, on the ever-reliable Bondage-Music.

Kicking off with the title track 'Juvania', a deep and sophisticated subtle groover, with its deep bass setting the tone. A filtered vocal hook loops around while trippy percussive adds an additional vibe, while the gated vocal adds a sparkle to proceedings.

Remix duties see Rhadow adding some intrigue, as this bubbling bass led re-tweak unfurls, with trippy vocal fx and tasty percussion, while a warm and magical muted melodic flavor encases things wonderfully.

Next, we find 'Mudita', with its moody rolling groove, and spoken style vocal that adds a little bounce to this workout, while some dubby elements are sprinkled nicely. The breakdown is a hypnotic and cosmic vibed affair, as the spoken word plays with your mind before returning to the track with a real throb. 

Nicola Brusegan steps up to remix Mudita, taking us deep, but keeping the energy levels high, as this deep driver with a classic feel lets go. Punchy goodness!

Repressed

Holístico Records is proud to present the release of its first EP. Containing 4 dancefloor orientated tracks. HR 001 introduces three Uruguayan artists: Nicolás Amaro, wilowm representing the Holístico Records Crew and a featured guest artist, Pi.

Bitterfeld Musik returns with their second sampler, FOR A BITTER TOMORROW: Band 2. With this we welcome back label mainstay, Interviews along with additions to the label, Salomo, Qwerty and Jónbjörn for a collection of detriot electro, techno and braindance.