Techno Vinyl New Releases - News

Recut & Repressed

With ´Future Romance´ a new chapter of storytelling house & techno music is opened. After running the mighty Parquet Recordings label for 15 years, german DJ and producer ´Solee´ is starting an additional vinyl & digital imprint with focus on quality deep & expressive sounds.

Future Romance starts off with „Reboot“ a new single by the labelboss himself showcasing once again his ability to build up a track like no other and combine extensive melodies with big basslines & clever invented synth-work. As remixers for this promising debut release we could win no less than one of the greatest icons of melodic techno worldwide ´Recondite´ (wellknown for his releases on labels like Afterlife or Innervisions) and italian master of organic deep and emotional house sound ´Lehar´, member of the Diynamic family and owner of the ´Multinotes´record label together with Musumeci and Olderic.

Early DJ support by DJ Hell, Innellea, Kevin De Vries, Fur Coat, Pig & Dan, Timo Maas, Quivver, Musumeci, Oliver Huntemann, Dave Seaman, Mira, Rinzen, Markus Kavka, Nick Warren, Eelke Kleijn, Nhar, Martin Roth and more.

Swedish duo Alexander Johansson and Mattias Fridell have built an impressive reputation since their production debut in 2000. Now they make their Blueprint debut with four new tracks of the tough and pulsating Techno they've become known for.

The second release on the Berlin based Underlying Form label comes from Darren Allen, offering three more unique and abstract techno tracks plus a remix from talented Slovenian artist Vid Vai on B2 rounding off this experimental yet functional four track EP

After two stunning releases on Exit Records in 2018 and 2020, 2022 marks Itoa’s third offering to dBridge’s esteemed catalogue.

With his ‘Oh No’ EP, the London artist follows hypnotic loops into a treasure trove of 160 and bass bangers that are sure to keep their cool even as they set dancefloors on fire.

From the slouchy, wall-melting fuzz of ‘We Want’, to the breakneck claustrophobia of Girlboss Microplastix, the release keeps the body at its core: in Itoa’s words, “trying to make music that makes me want to move when surrounded by uncertainty and possible collapse.” Fierce, but subtle: funky, and still ice cold.

For the title track, Itoa incorporates spicy vocal grit from Japanese vocalist Nakamura Minami / なかむらみなみ, a rapper with affiliations to iconic Tokyo-based imprint Trekkie Trax. ‘Oh No’ takes jacking acid to new levels, unleashing an infectious 303 workout not just for the feet, but the shoulders too. Go ahead and whip your hair to this one—then take a sweat break before ‘Fonda U’ continues to tear up the tracklist with crisp wubs and a drumbeat that just won’t quit.

On the flip, ‘Girlboss Microplastix’ and ‘Catch Eyes’ hit a perfect combo of neurofunk hypnosis and raise-yer-gunfingaz fuel. Who said a 303 couldn’t tag team a reese bass… Jump-up, footwork, bassline and braindance all make their cameos here and the results are delicious—fine dining for the UK heads.

To celebrate its tenth release Mekanika Recordings goes vinyl. The first release from the label on plastic is a Various Artists best of (kind of) from the label. It will come out in a limited edition, 100 numbered copies. The EP opens with label boss Stevo Kurt's industrial techno track 'De-Mo-Dex' in a dancefloorfriendly remix by UK producer Ade Fenton.

Berlin-based Greek DJ and producer AgainstMe delivers the prime time banger 'This Killed My Ego'. On the Other Side we have German Neue Schule artist David Lohlein with the title track 'Sion' of his release for the label, followed by Temporal Regularity's blissfully hypnotic 'Atta'.

LTD Yellow Vinyl !

Charlotte de Witte & Enrico Sangiuliano have come together to serve up a very personal remix of the hugely influential self-titled classic by Age Of Love. It lands on the original Belgian label Diki Records on August 13th next to the legendary Jam & Spoon 'Watch Out For Stella Mix' and the original vocal mix from 1990.

Age Of Love wrote and released their most iconic track in 1990. It went on to become a stone-cold dance classic that inspired a whole trance movement that has endured throughout the years. The track was originally released on one of the most iconic trance labels in Belgium's history and has been specially remastered for this 2021 release.

The idea to remix 'Age Of Love' started taking shape when KNTXT boss Charlotte was in lockdown with esteemed Italian techno artist Enrico at the end of February last year. As soon as the track was finished, it was played in several live streams and the online community quickly fell in love. The remix bears all the hallmarks of both producers, who between them have a number of Beatport hits and have crafted everything from the darkest drums to the most emotional synths to great effect.

Say Charlotte and Enrico, "It's a very meaningful track for both of us, for various reasons, and it brings back many joyful memories. Remixing such a legendary track was a super fun thing to do, but we noticed how easily and spontaneously we could work together in the studio. We are beyond excited to finally unleash our remix to the world. And this at a time where the world finally seems to be going back to normal. There is no better time for a New Age Of Love. We're ready."

'Age Of Love' (Charlotte de Witte & Enrico Sangiuliano Remix) is a big, driving techno roller. It has heavyweight drums and stripped back percussion which leaves plenty of room for the ionic synth lead and spine-tingling vocals to ring out and really work the crowd into a trance.

This fantastic remix brings a new perspective to one of dance music's most celebrated and influential tracks.

The 10th release from Ute is crafted by none other than Felix Benedikt aka Alpha Tracks. Delivering the hard task of producing hard-hitting, functional and club ready tracks with the storytelling and emotion of early 90s trance-music. Expect mind-drilling 303s, ethereal pads and larger than life melodies packaged for the modern dancefloor.

Means&3rd returns to Unveiled Nuance with 002 following the label's debut 'Thought Contortion'. This time coming armed with 4 tracks providing a more direct club sound and falling in line with NUANCE001's affinity for low-end, tight percussion and underlying tribalism.

‘Aberrance’ opens Side A with a broken rolling kick drum and FM-type polyrhythmic stabs which reach a
kinetic climax with further patterns of distorted FM crunch and propulsive percussion that sit next to alien
sound FX. ‘Life’s Glorious Mosaic’ gives way to a much more mesmerising mood, utilising classic CR-78
percussive shots to provide energy amongst a sea of delicately delayed glassy synth chirps, spacious and
mystic, the perfect hypnotic spell.

‘Kairos’ is the first cut on side B, picking up the pace with deep and dense shamanic formant drones
juxtaposed against ethereal stabs which provide rest bite from the heavy groove, a chance for the ear to get lost in a moment of psychedelia before seeing us out with the return to the solid rhythm. ‘Discordianism’ closes out the EP, anchoring around the repetitive grit of the lead synth, textured stabs unfold next to squeezed shots of phased synth work that subtly lay underneath it, the whole track, reduced in nature,perfect as a layered tool.

Pressed on 140g black Vinyl, reverse board full colour print sleeve with poly-lined inner sleeve.

Produced, Programmed and Mixed by Means&3rd
Mastered by Neel @ Enisslab, Rome
Cut @ Schnittstelle Berlin
Design by Means&3rd
Pressed By Matter Of Fact, Güstrow, Germany
Distributed by Rubadub, Glasgow

Raxon lands his first richly-deserved Drumcode EP.

There’s something distinctive about the Egyptian-born artist’s productions that provoke a special response. His debut outing on Drumcode, ‘Dream Space’ soundtracked our favourite takeaway moment from Awakenings Festival in 2019, as Adam Beyer and his three daughters danced along to their mum Ida Engberg’s set, wearing smiles the size of watermelons. More recently, when Beyer played ‘Connection’ during the ‘Drumcode Indoors II’ stream from his Ibiza home, once more, his daughters sprang into dance mode, their fists striking the sky. Raxon’s music just touches you, it’s unavoidable.

After a pair of contributions to Truesoul and ‘Dream Space’ appearing on A-Sides Vol.8 last year, his maiden Drumcode EP is perfectly timed. ‘Connection’ is catchy intergalactic techno, driven by thick wedges of bass and an irresistible lead hook. ‘Orbit’ initially takes a crunchier and more percussive tone, before rich melodic chords sprout from the darkness to add colour to the mix.

Lazy Harts Club man Evan Baggs is not one for keeping up a regular release schedule; in fact, his last single of note appeared way back in 2015. This first appearance on Time Passages has arguably been worth the wait, though. The Neu Rochelle EP offers a quartet of contrasting cuts. For example, compare the rough-and-ready, bass-heavy Drexciyan space electro of "UTL", the rolling, acid-flecked old school tech-house of "Neu Rochelle", and the melodious machine jam that is closer "Still Breezin". Best of all, though, is "All Question All Answers", which comes on like an unlikely collaboration between 'Pure Trance' era KLF, bleep types Sweet Exorcist, and late '90s tech-house jams.

The duo make their debut to Drumcode Limited with a heavy, two track release. The EP showcases a mix of their talents and influences to create a moody, dark techno groove. The atmospheric EP is enriched with gritty reverbs and a deep kick drum and the slow, deep crescendos in each track create an intense sound. Mullaert and Siech prove themselves again with a powerful offering to Drumcode Limited.

It started as a little science fiction story where Kepler-129, a hot star located about 1200 light-years away from our Solar System, became the living environment of peculiar creatures, passionate about music, throwing parties to overcome their tedious routine.

Eventually, this story mirrors what Kepler-129 has grown to be: a concept of round-the-clock parties in unusual settings, simultaneously inspired by the rave culture and the cosier approach of small selectors clubs.

What the science-fiction story did not predict, however, is the Visolux project.

Parties don’t last, printed music does. Surrounded by talented and nerdy friends from both real life and the Internet, much keener to work out drums and machines than launching a start-up, we joined forces to craft a various EP that would echo our Kepler adventures.

Repress

Moscow’s celebrated label System 108 presents the latest split release by Danny Daze and Anthony Rother. The “Binary” EP is inspired by and dedicated to Moscow and its rich and distinctive atmosphere. One side of the record consists of a raw-sounding and dancefloor-oriented techno track “Moscow” by Danny Daze. With a slight correspondence to the Dutch sound, the track also has a soulful synthesizer touch to it. During the process. Remixed by producers Etapp Kyle and Tarra. The second part of the EP belongs to the German electro producer and artist Anthony Rother with his track “Kocmoc", referencing the Soviet satellite launched in 1966, as part of the Dnepropetrovsk Sputnik program. The track is presented in two versions - the original mix being more dance-oriented, whilst the space mix is more abstract in its sound and style!

The inception of 49North marks the beginning of a brand new era for Duncan Forbes; who most emphatically made his mark on the WW scene as one half of legendary duo - Spooky - alongside Charlie May; releasing a string of landmark singles and albums over 3 decades, not to mention timeless remix / production work for International heavyweights like Depeche Mode, M83, Sasha, William Orbit, Mr.G and Apparat.

A1: ‘Strobe Dancer’
“Duncan Forbes’ maiden solo voyage and first ever release on recently birthed imprint, 49North - 'Strobe Dancer' is 9+ minutes of exquisitely-paced, hypnotic dance-floor drama. Sitting somewhere between Deep, Acid House and Slo-mo, Dub Techno - Duncan's opening effort is a wickedly brooding, yet seductive joy to behold.”

B1: ‘Continental Drift’
“After the hypno-House stylings of 'Strobe Dancer' - Duncan takes us to another far-flung corner of his scopic, creative spectrum - via the fittingly titled, ‘Continental Drift’; a pitched-down, acid-glazed slice of mesmeric, widescreen Electronica.”

B2: ‘In The Mansion Of The Gods’

The Melting Point series strikes again on Dame-Music!
Launched in late 2017, The Melting Point concept sees label founder Bloody Mary invite a selection of her favourite and most respected producers to offer up an exclusive cut that represents their own take on the acid sound.
Following the first 3 volumes of the series, which featured cuts from heavy hitters such as KiNK, Josh Wink, Hardfloor, Thomas P. Heckmann and more, Dame-Music now presents Volume 4 of the V/A acid series, as she welcomes four new guests including Fear-E, dyLAB, Freddy Fresh and UMWELT to share the record with her this December, to mark the imprint’s 46th release. Five tracks made by and for acid lovers!

Fur Coat launch new label Oddity which aims to showcase a darker, more tripped out techno sound. The first release kicks off with their 'Genesis' EP, which features two original tracks and a remix by Scottish techno veterans Slam.
The Venezuelan duo of Sergio Munoz and Israel Sunshine have released on labels like Watergate, Crosstown Rebels, BPitch Control and Balance.The 'Genesis' EP's artwork comes courtesy of Barcelona based, Colombian born artists Lina Bassiouny and Maria Paula Quiva.

Michal Wolski’s first introduction to Southern Lights was to deliver the striking and thunder-clapped remix of “Pressure” on DRYAD’s 2S2W EP. He follows up that remix with his first EP titled ‘Primeval’.

The EP features ‘Braids” and ‘Primeval’ on the A-side; both tracks share the same uncompromising, rhythmic and altering effects that is the result of Michal’s drum-focussed and modular-opaque experiments.

On the B-side, Vohkinne provides a forceful and abrasive remix of Primeval while Blazej Malinowski delivers an ethereal journey on his interpretation to round off the sixth EP release on Southern Lights.

Young Australian producer Campbell Irvine follows up his 2014 debut with his second release for Infrastructure, 'Reunion of Two Bodies'

The extended EP consists of two full sides of vinyl, plus a 50 minute continuous CD, entitled 'Terms Of Propaganda'. Following Irvine's initial discovery by label founder Function thanks to a chance meeting, the producer's relationship with Infrastructure has since blossomed. 'Reunion Of Two Bodies' marks a new chapter for the Berlin-based musician, his heavily weighted Modern World Music routed sound continues to grow, furthering him as an excitingly singular new talent

21 years later, this Fall, Dave will release "Cosmic Path"on Infrastructure.
The cosmic connection.

Damon Wild and David Sumner (aka Function's) relationship dates back to 1991 at Lord Michael's Future Shock, Limelight, New York City - when Damon was running EXperimental Records via Northcott Productions. At the time, he first saw something in Dave and added him to Brand X, a record pool run by Moneypenny. But their bond is based around a period 5 years later when Dave had an apartment above Rogue Music at 251 West 30th Street in Midtown, Manhattan. It was during this time Damon developed him as a Synewave artist and released his first EP as Function in the Fall of 1996 - catalog number; SW-24. Falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. So it's not a coincidence that now Damon has turned to Dave to release his first album in 13 years, during the time he is reissuing that first "Synewave EP" on "Recompiled I/II & II/II" (A-TON LP02/03).
This is where those paths cross again...
21 years later, this Fall, Dave will release "Cosmic Path" on Infrastructure.
The cosmic connection.

***
Pinball machine streets.
Teenage future time code.
Hear me sigh, make me snap.
Erasure.
***

LTD Yellow Vinyl !

Charlotte de Witte & Enrico Sangiuliano have come together to serve up a very personal remix of the hugely influential self-titled classic by Age Of Love. It lands on the original Belgian label Diki Records on August 13th next to the legendary Jam & Spoon 'Watch Out For Stella Mix' and the original vocal mix from 1990.

Age Of Love wrote and released their most iconic track in 1990. It went on to become a stone-cold dance classic that inspired a whole trance movement that has endured throughout the years. The track was originally released on one of the most iconic trance labels in Belgium's history and has been specially remastered for this 2021 release.

The idea to remix 'Age Of Love' started taking shape when KNTXT boss Charlotte was in lockdown with esteemed Italian techno artist Enrico at the end of February last year. As soon as the track was finished, it was played in several live streams and the online community quickly fell in love. The remix bears all the hallmarks of both producers, who between them have a number of Beatport hits and have crafted everything from the darkest drums to the most emotional synths to great effect.

Say Charlotte and Enrico, "It's a very meaningful track for both of us, for various reasons, and it brings back many joyful memories. Remixing such a legendary track was a super fun thing to do, but we noticed how easily and spontaneously we could work together in the studio. We are beyond excited to finally unleash our remix to the world. And this at a time where the world finally seems to be going back to normal. There is no better time for a New Age Of Love. We're ready."

'Age Of Love' (Charlotte de Witte & Enrico Sangiuliano Remix) is a big, driving techno roller. It has heavyweight drums and stripped back percussion which leaves plenty of room for the ionic synth lead and spine-tingling vocals to ring out and really work the crowd into a trance.

This fantastic remix brings a new perspective to one of dance music's most celebrated and influential tracks.

No Press Release. One Love. ItaloJohnson

DJ Hell and Radio Slave are Radio Hell for REKIDS200. Celebrating the label’s landmark release, the two legendary producers’ team up for a massive two-tracker with artwork from Alan Oldham, aka DJ T-1000.

From the electro-influenced intensity of ‘Radio Hell’ to the melody infused techno of ‘Lost Souls’, ‘This is Radio Hell’ is a release worthy of its creators' reputations as two of the most recognisable names in dance music over the past few decades and beyond. With both tracks clocking in at over 11 minutes, the release is epic in every sense of the word and is a fitting 200th release celebration for a label that has hosted some of the finest names in house and techno since its inception in 2006.

DJ Hell, founder of International Deejay Gigolo, curator of the Museum of Modern Electronic Music, DJ since the late 1970s and acclaimed producer, is an icon of modern dance music and culture. Drawing lines between photography, art, design, fashion and music, Hell has worked with Sven Marquardt, Tom of Finland, Balenciaga, lectured at the Munich Chamber of Architects and created his own fragrance, all whilst holding down residencies at Tresor, E-Work and Watergate throughout his career.

Radio Slave, aka Matt Edwards, is responsible for some of the most recognisable techno tracks in the genre, including ‘Grindhouse’, ‘Don’t Stop No Sleep’, ‘Another Club’, and many other timeless cuts. His collaboration work with Joel Martin as Quiet Village and solo work as Rekid has received critical acclaim, and he remains one of the most in-demand and consistent remixers around.

Rekids is one of electronic music’s most bankable imprints, having played host to the likes of Nina Kraviz, Robert Hood, Joe Claussell, Mr. G, DJ Deep, and Laurent Garnier amongst other esteemed artists. Reaching its 200th release, Matt Edwards’ imprint shows no signs of slowing down, with forthcoming releases from Mark Broom, A Sagittariun, Ian Pooley and Roman Flugel scheduled for 2022.

Warok music releasing the fourth featuring collaborations with various artists, from breakbeat techno to mental driving techno.

In the Ponorogo series, Warok is continuing revealing the story behind the label which is inspired by the fascinating Indonesian culture.

French artist JC Laurent returns to label with a hypnotic cut in collaboration with label co-founder Coltur entitled "The Vault" featuring syncopated, spacious rhythms, zappy synths revolving underneath the reverberating bass grooves before Enemy Records' Blenk & Materia's Ruhbarb join to create a shimmering techno roller in the form of "Day One" which pulsates with breaky drums and rubbery modulations.

On the flip, Skrypton's Moteka & Shekon provide a psychedelic experience within "Gallia" featuring tunneling oscillations, rising synths and undulating effervescence taking you on an otherworldly trip until Eyth & Hearthug round things off with "Patchworks" which offers up acid squelches, alleviating, angelic pads and scattered, broken percussion which keeps the enthralling energy flowing until the end.

White label

The next drop on Livity Sound is the first collaboration from long-time label mainstays Hodge and Simo Cell. True to the styles the artists have individually marked out since first appearing on Livity Sound circa 2014-15, LIVITY050 presents fiercely imaginative, upfront club music across a spectrum of tempos.

The supple, fluid approach to electronic music the two producers are separately known for feeds into a cohesive partnership, whether they’re turning their hand to dancehall-inspired, sub-100BPM heavy hitters or jagged, technicolour half-step tapestries.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

El Absurdo comes as the first Release of Colombian label Disidencia Records.

An EP made up of 100% synthesiser sounds that navigates through the realms of Electro, Techno, EBM and Breaks.
These genres get all tied up in this 4 track instalment with brief Spanish lyrics that question some of the reality of South-American society.

Bygone, a 5 track exhilaration scripted by Chontane, immerses dancefloor devoted tracks in a rhythm driven yet melodic display. While intertwining wide-angle atmospherics and razor-sharp percussion, Chontane is able to make a reflection on today’s multifaceted, ever-evolving techno sound.

Giuseppe Scaccia joins non series with a stunning, eclectic 6 tracker EP

Ultra rare techno trance from the UK’s Alan Hill. Elliptical Headz was a once off project that flawlessly blends lush synthesis with tasteful exotic sampling and robust drum programming.
Originally released on Junkanoo Recordings in 1993, all tracks have been faithfully remastered for modern use and licensed in collaboration with the artists family.

Nite Fleit steers a course through electro, breaks, techno and acid to deliver a debut LP made up of two distinct halves, exploring contrasting emotional states and new sonic territories.

Shifting between styles, emotions and eras with ease and hiding surprises around every corner, Nite Fleit owes her rapid rise as a DJ and producer to an ability to keep dancers perpetually on their toes. Coming up through Sydney’s underground club scene, the Australia-born, London-based artist started producing as recently as 2016, making her production debut for Steel City Dance Discs in 2018. Since then she has appeared on labels across the globe including Return to Disorder, Planet Euphorique, Unknown To The Unknown, International Chrome, Acid Avengers and her own imprint, Atomic Alert.

‘Day Fleit / Nite Fleit’ is an LP with no front or back cover - depending on the listener’s intended destination the album’s two discs can be listened to in either order. ‘Overload’ wastes little time in setting the tone for ‘Day Fleit’. Densely layered, soaring arpeggiated acid lines twist and dance around Nite Fleit’s spoken lyrics, inspired by Delia Derbyshire and Barry Bermange’s iconic 1964 ‘The Dreams’ sound collage. On ‘Like I Used To Be’ warm, dreamy chords are decorated with sparkling synth melodies and vocals from Nite Fleit’s friend and fellow producer Mesmé. From the triumphant EBM textures of ‘The Flower Dance’, which features a theatric monologue by Partiboi69 reciting an Alan Watts speech, to the video-game pop melodies of ‘Dark End of the Street’ and ‘Morning Song’, on ‘Day Fleit’ Nite Fleit infuses her sound with a new buoyance and musicality.

On the flip, those rich colourful harmonies make way for the imposing, mechanical rave energy on punishing percussive techno and electro cuts like ‘Double Digits’ and ‘Nah’. Nite Fleit’s graceful acid lines turn feverish and frenzied on ‘Airs & Graces’ and ‘Paranoid Energy’ - a pair of break-heavy, mutant club tracks fine-tuned for dark and manic basement raves. ‘Bold Poke’ provides a moment of brooding, melodic respite, before ‘Serious Effect’ a cinematic closing electro workout. Across these 12-tracks, taken from a vast pool of demos sketched out over the last two years, Nite Fleit provides a sonic snapshot of swinging emotions and dancefloor yearnings, delivered with uncompromising energy, melody and contrast.

Some lucky few will never forget at least one of our sweaty Mary Go Wild Basement Raves during the Amsterdam Dance Event 2016 edition: The one where Swedish dj and producer Patrick Siech lived up to all expectations and had everyone present reach a next level of mindfuck.Now, early 2018, we are very proud to present Patrick's first EP on MARY BLACK: Tetrahedron Cluster. A perfect title for an EP in its strongest setting showing 4 different faces that could all be considered the base.The title track is a compulsory kick into the unknown, where you will find yourself surrounded by unpredictable delays shooting ahead. This gem defines space in its purest form. Italian dj and producer Fabrizio Lapiana delivers an amazing remix that will rush through your mind and body with the speed of light.On the flip another Patrick Siech original entitled Bubbli. Let yourself roam in a world where warm rays of light eventually slip through the cracks of a dark hypnosis. Dutch duo Abstract Division took care of the remix, picking up intriguing and pulsating signals creating the perfect calm after the storm.Lift off. To the sky and beyond!

The latest outing from Drumcode sees regular contributors, Slam back with a bang. Now on their sixth release for the label in a little over two years, the renowned duo have been instrumental in helping to shape what Drumcode is about in 2012. While there can be no doubt over the popularity of combining two names that have been at the forefront of techno since the early 90's, a closer look at the shared values between Drumcode and Slam shows a common thread that is at the heart of what has cemented the connection between the two. Whether it is the unwavering commitment to the techno genre, the consistently dynamic and purposeful dancefloor output or the statesmanlike, altruistic approach to their craft, the bombastic results of the partnership speak for themselves.

Presented as a two-track EP, Slam's latest body of work for Drumcode covers a range of styles, drawing on their vast experience of the multi-colored nature of techno. Vespula, with its resolute groove and low, humming bass works the speakers hardest, while synth stabs, dramatic drawn out chords and a distinctive two-tone hook add contrast. Metus beats out a slow burning but impactful groove that swings between an intricate, multi-layered arrangement of wigged out atmospherics and industrial clunks and clanks.

Dancing as an act of rebellion is the first Abraxas LP in collaboration with the Valencian label Soil Records. A compilation of the first project recordings released between 2020 and 2021 plus some new tracks and, in addition to this, a second vinyl by other darkwave electronic artists remixing the first one: Geistform, We Are Not Brothers, Ober Dada, Melting Dogmas, SMforma, HBK1, José Rodríguez, SOJ and PanDemian.

Abraxas is a halfway project between dark dance electronic music, philosophical reflection, socio-political activism and musical entrepreneurship. Its main goal is to shake bodies and minds by spreading messages of individual and social self-criticism from the point of view of duality, extremes and contradiction, inherent to the human being and capitalist society.

now repressed !!!!!
finally !!
the long awaited new adam beyer bomb is out !!!
this one contains also a hot remix by jerome sydenham !!!

Flickering ears. A sharp blue sky. You get a hint of the sun, squinting through the broken windows of the former, northern ammunition plant. Concrete slabs beneath your feet. You still taste the fume, you feel bricks and steel and your warm, inner voice purrs soothingly in last night's rhythm: „understood“.

Flimmern in den Ohren. Schneidend blau strahlt der Himmel. Du erahnst die Sonne blinzelnd durch die zerbrochenen Fenstern hinter der ehemaligen Munitionsfabrik Nord. Die grauen Betonplatten unter deinen Füßen, schmeckst du noch Rauch, fühlst Stahl und Backstein, während dir deine warme, innere Stimme beruhigend im Takt der vergangenen Nacht zuschnurrt: „verstanden.

We are honoured to have Laurent Garnier do a remix for us on Tronic. He completely reworked and remixed his version of Christian Smith’s ‘Air Castle’ track for 2019. The result is a complex, Detroity, musical techno voyage. Deep, moody, and groovy. All we can say is thanks to the don, Laurent Garnier!

From the depths of the all-devouring, yet everybody carrying floor, I catch sight of this being - no, just its silhouette - which, without recognizing what it is, much less perceiving its true nature, magically captivates my whole self. Getting closer, without converging. Fusing, or rather gaining certainty about being one already. We
are the beat, the moment, the synthesis.

Aus den Tiefen des alles verschlingenden, jeden tragenden Floors sehe ich diese Gestalt – nein, nur ihre Silhouette - die mich, ohne erkennen zu können, was es ist, geschweige denn wer, magisch in ihren Bann zieht. Ein Aufeinanderzugehen, ohne dass wir uns näherkommen. Ein Verschmelzen, oder vielmehr die Gewissheit bereits eins zu sein. Wir sind der Takt, der Moment, die Synthese.