7th collab LP of Anetha's Mama told ya label, including tracks from French artist Mac Declos, and a collab track by with Anetha.
On November 4, 2022, Mac Declos will release MTY007 «Hard work always pays off», a brand-new LP on Anetha’s label Mama told ya. Already on board this year on MTY-TERRE «Contre tout, toutes et tous, la terre demeure» with the excellent Trust your eyes, Mac Declos is signing here one momentous album. «Hard work always pays off» includes 2 remarkable vinyls and 10 captivating tracks. 9 are produced by Mac Declos and one is co-produced between Mac Declos and Anetha. With MTY007, Mama teaches us
again one valuable lesson: in life, there is only one path, and it’s a sweaty one. Bring your towel !
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Morphid and x(eptional signed to Lucid Recordings in quick succession back in the day, their complementary styles helping to establish the label as a purveyor of pioneering and divergent quality techno sounds. They often worked in the studio together, and now they’re gleefully doing it all over again with this perfectly pitched platter of originals and remixes from the two duos.
x(eptional’s epic breakbeat techno sound always went down a storm at the original Lucid events – live and on disc – and second-hand prices prove their Lucid releases have lost none of their dancefloor appeal.
Morphid’s sparse, offbeat sound was always different, otherworldly. Delightfully strange while always warm and witty – and a little bit spooky!
Side 1 presents two classic originals, one by each duo: x(eptional’s a-whole-night-in-one track classic Dark Waves, a ten-minute-plus banger of epic proportions and soaring highs, followed by Morphid’s ethereal Gezouten Dessert, with its pared down bare breaks and brooding tones.
Side 2 sees x(eptional and Morphid switching roles to present radical and thrilling reworkings of each other’s tracks. Morphid strip down x(eptional’s Dark Waves into a cut-up of eerie, angular funk rhythms, voices and sounds, while x(eptional extract the beats from Morphid’s Gezouten Dessert and transpose it into a whirlwind of jazz-tinged breakbeat techno that gets a grip from the get-go and just won’t let go.
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Fabio & Grooverider have been at the forefront of UK dance music for over 3 decades. This is the roots of their story told through music.
The 2 London DJ's are part of the DNA of the global Jungle / D&B movement and they have remained relevant, cutting edge, authoritative and essential to this truly underground art-form since it's inception. RAGE could arguably be the ground zero of Jungle. The party was started at London's cavernous Heaven club by Fabio & Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. RAGE was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio & Grooverider were the people firmly behind it.
RAGE is approaching it's 30th anniversary. It's sonic and cultural legacy is still being felt today, Fabio & Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. This musical selection you hold in your hands, the first of 4 parts, sees them delve into their prodigious memories and record boxes to select a true musical representation of the very beginning of one of the UK's most unique and influential musical movements of the last 50 years. Across 4 x 2 x 12"s compilations we are taken on the journey through the sounds of RAGE, accompanied with track by track notes from Fabio & Groove themselves. This is the sound of the underground, from the inside out.
This is a masterclass in the old-school. The roots. There is no filler here, it's simply ALL killer. Lovingly selected and programmed by the masters - 'The Living Shock' & 'The Ladies Choice'. Produced in conjunction with Above Board distribution and Fabio & Grooverider. All tracks mastered from original sources and fully licensed. Mastering by Optimum, Bristol. Artwork and design by Atelier Superplus. 2019
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Parallel Minds returns after a two-year hiatus with a dub-infested celestial dance debut from a promising Toronto-based producer, record-slinger, and long-time DIY scene mainstay, Ficilio
Ficilio, a.k.a. Will Gillespie and the Parallel Minds crew have enjoyed a long musical friendship. Having met at various underground raves in Toronto, it wasn't long before they found themselves on the same lineups and began trading tunes post-show. When label co-founder Ciel first heard the tunes that would eventually end up on Parallel Minds 003, she was mesmerised by the deep, misty grooves present throughout. 'Dangerous Goods' is the creation of an artist with a super dialed-in sound, whose attention to detail, cohesion, and sound design suggest experience wise-beyond-their-years.
‘Rush-V’ begins the release with a shimmery bang, propelled by infectious chord stabs that sound like they're sprinkled with alien fairy dust and grounded by a driving and subby drum groove. 'Fluid Form' continues in this trajectory, all spacey synths and dubbed out stabs propped up by tough and bouncy drums and a deep low sub. There is an unmistakable 90s influence on these tracks, halfway between old Swayzak and the early 90s output of Dutch label ESP Records. Ficilio is not afraid to flirt with dub techno AND trance influences, which is most discernible on the last track on the A-side, the sublime 'UAM'.
In comparison to the other side, the B-side is a more sub-loaded affair. The drums on this side are less driving and more broken, chopped, and staggered. They work spectacularly on the title track, its vocal chops complement the low-slung groove of the drums to a hypnotic head-nodding effect. 'Second Fold' intrigues immediately with its unusual tempo, fluttering along in a leisurely way until these enchanted synth stabs come in and the track blooms like a beautiful flower. The release comes to a Zen-like close on 'Frame (Amber Mix)', the heavy sub and sparse arpeggiated loops draw us deep within its cavernous interiors.
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Following an accomplished EP on Perc Trax & a feature on Parallels and Influence Part II, Manni Dee returns to Leyla contributing his third EP to the labels impressive discography.
Your Public Image commences with Insurrection Erection, featuring vocals by Joke Lanz of Sudden Infant (Harbinger Sound, Raubbau). The vocal contributions harness a feeling of widespread disharmony, punctuating the bullish drums and assertive atmosphere with eruptions of frustration and expressions of malcontent. While the field recorded vocals made by Lanz feature as an empowered voice and a call for upheaval, the screams and shrieks from Lanz operate as the marginalised voice of the oppressed, sharply slicing through musical elements only to disappear and become submerged.
The A2 skips along with broken beats in very British fashion, reminiscent of Manni's earlier work on Black Sun Records, with added ingenuity and percussive flare.
The application of vocals, which has become a key characteristic of Dee's recent work, is creatively exhibited on the B1 Combination Acts; a track that displays a deft percussive density unique to Dee's style, adding a frenetic touch to a steadfast substructure. The tempo ramps up on the EP closer, satirically & appropriately titled The Jingoism Stench. The distorted & frantic yet nimble foundation propels the track forward, with reverberated contact mic and vocal recordings bouncing off the stolid walls of rhythmic pressure.
An acute understanding and implementation of rhythm and sound design results in provocative dancefloor material that blurs the lines between industrial traditions and (post) punk artistry. Dee continues to flourish as one of the most innovative and exciting voices in techno today.
Words can't fully express how honored we are to launch our label with this timeless masterpiece of a tune. And honestly, words will never do this monumental piece justice. Just focus, and the music will effortlessly take you further, and further, and further, into the beyond within. Deep and serious, yet light and uplifting, and so, so powerful. Truly devotional music.
On the B-side we find Deepbass taking the essence of the original into his signature trance-techno hybrid, suitable at any sequence of a DJ-set. We have already seen the track work wonders on dance floors up north.
Toffes Varld ends the journey perfectly with his unique eco-friendly style. The sound of an early, misty morning deep into the Varmland forests. where innocence and play still rule the environment. Wynja energy at its purest.
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BAR08 is a Various Artists EP with Italian art-aud / secret rave mastermind Kreggo, the debut of Rotterdam talent Pim and Proper, a label debut by German bass wizard Panda Lassow, Teslasonic returns with another mindbending monster, Teeta; the third italian on this sampler with a big electro bass tune and last but not least the mysterious Stoornis 2 with heavy electronic violence.
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Clear Green Vinyl / Vinyl Only
The tenth Affute release is a Various Artist with three different artists. On the A-side, you'll find 'Overtone' and 'Undertone', two abyssal tracks from label boss Teo Drean made out of haunting throat singing samples. On the B-side, the British twin brothers Morven deliver a hypnotic groove with 'Awakening'. Young upcoming Dutch producer Hitam wraps up the VA with his dark, sophisticated 'Emerald Curse'.
All profits from the vinyl and digital sales will be donated to an orphanage in Vietnam where Teo's younger sister was adopted. The dark transparent green vinyl echoes the traditional piece of jade jewelry that women wear in this part of Asia.
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Sweat It Out up the perspiration levels to 10 with this modern day rework of Kwanzaa Posse's 1993 tribal infused 'Musika', by the much in form Yolanda Be Cool. A driving beat and dynamic bassline are interspersed with the Posse's euphoric chants firmly placing this a dancefloor destroyer.The first of three remixes comes from Babert. Turning Musika into a Miami Vice style synth laden boogie number, complete with uplifting piano stabs and a full bodied bass. Flip it over and things get a little more sinister. Both ideal for the basement club setting as much as they'd work in the big room clubs. GotSome revolve their remix around the chopped up tribal chants of Kwanzaa Posse - enhancing the expansive build ups and breakdowns to new heights.
To close it out, Dateless strips things back with a huge pulsating bass / kick combo whilst dubbing out the chants to be dropped in at choice moments before those heavyweight drops.
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Delsin welcomes Jayson Wynters into the fold for a four-track EP that embodies techno as a vibrant, expressive artform with the ability to uplift. On The Affect Heuristic, Wynters strides forth with an electrifying machine language, calling to mind the feverish, psychedelic tweaking and layering of visionaries like Dan Curtin and Lee Purkis (In Sync). Across four tracks, Wynters pivots between distinctly Motor City-indebted funk, springy electro-techno and vivid, immersive soundchasms. The artwork - a canny meld of bold geometry, bright colours and rough textures from Erosie and Erris Huigens (Graphic Surgery) - responds to the music in a wholly appropriate way.
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Keith Carnal's techno has a signature sound that draws on rich melodies and locked-in groove - it is made for dancing but comes with an ominous feeling of melancholy that makes a lasting impact.
He kicks off his latest powerful missive with the driving, rock solid kicks of 'Hope', a dark and alluring track where the heavenly synths bring the only light to the groove. 'Endless' is a peak-time cut that will have you riding on the edge of your seat thanks to its high speed arps and icy hi hats, all racing along over more firmly rooted kick drums.
Carnal's cultured studio craftsmanship is laid bare once more on the pounding, stripped back yet compelling 'Daily Route' which is linear techno with a soulful synth sound that takes you well into the future on a mysterious vibe. Closer 'Sadly Mistaken' has taught, pining kick drums and spooky howling synth sounds that are brilliantly unsettling as you march onwards.
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After 10 Years As A Dj And Several Releases On International
Labels, Lydia Eisenblätter Has Founded Her Own Record Label,
Oam And Starts Her Next Chapter. Her Love Is Fully In The
American In¢uences Of Chicago And Detroit From The 90s. A
Mix Between House And Techno Paired With Rough And Dry
Elements, Groovy Bass Lines, Chords And Soulful Vocals. As A
Remixer, She Has Brought On Board The Up And Coming Artist
From Brooklyn P.leone And The Techno Legend Mark Broom
From England. Both Remixers Complete The Ep And Turn It Into A Complete Work Of Art.
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Live From Earth Is An Independent Label And Artist Collective Based In Berlin, Germany - With A Specific Focus On Music, Video Art, Fashion And Events. Live From Earth Klub Was Born To Kill Stereotyped Thinking About Dance Music!
Live From Earth Is An Independent Label And Artist Collective Based In Berlin, Germany - With A Specific Focus On Music, Video Art, Fashion And Events. Live From Earth Klub Was Born To Kill Stereotyped Thinking About Dance Music!
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Dalmata Daniel continue their work with the 7th release in the main flow, and this time they assigned the new experiment to the Teslasonic lab.
In this research, Teslasonic examined the case of 'Quantum Paradox' with the help of another well-known scientist: The Hacker.
The code name of the project is DD007, in which Teslasonic, a citizen of the world, has invented certain new and useful tracks. These tracks are not just sounds, they also create visions, because while we're listening to 'Quantum Paradox' and 'Aether', we feel the energy of the melody, and in our minds, we travel with them through space and time to discover new things. Furthermore, through Blitz Ciphers' and Unified Field Theory's dark and raw electro sound, we find ourselves in the cold and sterile laboratory of the spaceship, where the miracle is born and science is cultivated.
However, thanks to The Hacker, we get a new viewpoint, as in his remix, he re-examines the main theme and at the same time he invents something different - a perfect echo of the original 'Quantum Paradox'.
Aquatic drums and romantic vocoders from a galaxy far far
away... This is what the yellow cargo lifter from space
brought you tonight. Are you accepting? PWRLDRs first
release is starting off strong with raw machines that’ll grease
your gears and bake your circuits
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Having made his debut on Drumcode in January, the evergreen Italian producer is back with another four-track EP to follow up the enormously well received 'Prisma' EP. Supported by DJ's from across the spectrum from Drumcode stalwarts like Alan Fitzpatrick (Prisma) and Slam (Self Control) to house music legend Erick Morillo (Back To Zero), Paganini's reputation within techno circles is well established with a recent discography that boasts Plus 8, Form and Octopus Recordings alongside Drumcode.
Eros sets the tone for the EP with a hypnotic fusion of mechanical robot funk pitched to a shunting percussive groove that weaves its way through subtle washes of faint vocal snippets. Egoism ups the intensity with a cavernous big room workout that pairs heavyweight throbbing bass and harmonic rhythms to create a deep, snaking sonic ride.
The Gypsy slips back down through the gears to work up a bumping groove that combines exotic tribal rhythms with otherworldly effects and wonky vocoder vocals. Finally, Wooden Toys continues the percussive feel of the EP with a slamming tech cut built on a swaying groove and punctuated with distinct rhythms and drawn out pads.
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new vinyl only imprint - the ethos behind Berlin based Amotik is to release a series of limited runs of raw techno from the producer of the same name. AMTK002 follows up the debut release with 4 more hypnotic cuts, taking a slightly more melodic approach to the EP with an ambient intro tool useful for set openers.
Support comes from Ben Klock, Boris, Ben Sims, Norman Nodge, Kobosil, Tommy Four Seven, Luke Slater, Sigha, Etapp Kyle, Pfirter, Lucy, Edit Select, Truncate, Developer, Thomas Hessler, Truss & Jeroen Search
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Sixth launch of the discodemuerto label.
Davit Error true to his characteristic style:
Darktechno, acid, explicit content.
Pure underground Techno. Rave sound from Valencia.
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All artists are well known for their outstanding sound design and mixing skills. Get carried away by pounding drums and razor sharp hi-hat patterns. Intense synth workouts, nebulous atmospheres and well-chosen floating percussion parts are desi- gned to melt the boundaries between modern sci-fi sounds and 90s techno vibes.
This release is an absolute weapon and meant to create a higher state of tension and high voltage energy on any techno dance floor. ‘Insolate – Cosmic Paranoia’. The track’s kick drum has a clear crisp knock to it while the sub-bass swells and cradles around it perfectly. The sharp acid stabs in conjunction with this make it a very stomping track while the arpeggiated synth in the background flows with the voice resonance.
‘Mode_1 – Broken Machines’ is the second track on the EP and has a bit more depth and groove to it. The massive low end grooves beautifully with the flowing synth as well as the bright variations of hi-hats.
Next up we have ‘Elias the Prophet – Masochist’ which has a very bright kick and a wobbling bass that’s sure to make your chest rumble. The tight and delicate hats loosen up creating a washing of bright noise that flows over the track while the synth continues to send you into another realm.
The fourth track ‘Joton – Ziggurat’ fits perfectly due to the distressful synth. The track’s sub swells between every fourth and first beat while giving it space to ride smoothly beneath the kick drum between these intervals. The hats remain tight while the cymbals flow over the track creating even more tension.
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Giant Swan sind eine der aufregendsten Bands des UK Undergrounds der letzten Jahre und melden sich mit ihrer ersten neuen Musik seit fast zwei Jahren zurück, mit der sie endlich wieder touren. Die cluborientierte 5-Track-EP 'Fantasy Food' - mit dem 4/4-Weirdo-Techno-Knaller 'RRR+1' mit zerhackten Stimmen, hallenden Kicks und K-Loch-Synth-Lines - folgt auf die 'Do Not Be Afraid Of Tenderness' EP (Anfang 2021) und das selbstbetitelte Debütalbum davor. Das Duo spricht Hardcore-Punk- & Noise-Rock-Fans ebenso an wie Club-Kids und Electronica-Fans, tourte vor COVID unermüdlich, spielte überall von Berghain bis Glastonbury, als Support von The Horrors und IDLES, und veröffentlichte im Vorfeld ihres Debütalbums eine Reihe von EPs auf renommierten Labels wie AD93 und Timedance.
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Rising Mancunion producers PSTW serve up a tight Tech House roller with Fixation and then we have decided to go big on the remixes to do their hard work justice! First up we have the Nigerian modern music visionary Jerome Sydenham (Drumcode / Liebe Detail / Ibadan Label Boss) coming direct from the European Techno Hub that is Berlin, a man with his finger firmly on the pulse and it’s no surprise, IT’S A BANGER! Following on from Jerome we have Mykel Haze & Plastik Corpse (Noir Music / Naked Lunch) with a deeper more melodic interpretation that still gives a fair bit of punch to keep the energy of the release on track. Then we throw in a curveball with the wobbly acidic vibes of Dan Wild (Just Jack Bristol) which would fit perfectly at any late night Chicago warehouse party, and finally, last but by no means least, we have label boss and rEJEKT supremo Iain Taylor with a straight up House groover that brings a distinct American / Parisian feel to the proceedings.
Artist photos, biographies and cover artwork all included in the resources file.
Please Enjoy Irresponsibly!
Much Love From Planet rEJEKT x
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First Album on Peur Bleue ! Alextrem and his fresh style :)
Hardtek oldschool with one idea per track is the vibe here :
Never too much, in constent evolution... Sober sound accepted through various angles : Hardtek, Hardcore (Hyro) or Electro tribe (On UFO Are Back)... Loud and clean sound:).
The Visual here is very important too :
If the sleeve is released by our FDB Vestee crew the Photos are here done by Yamoy... Mr Little Freaks Society organized a Party for Peur Bleue near London ! All these photos on the sleeve were made there, at the Peur Bleue party... except that...
This is not real humans, it's a figurine party ^^
Maximum fun and big respect for Yamoy !
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At last, after a long break... WM006.A four-track EP by Morgan Louis— from the 004 showcase —plus three locked grooves.
Pedigree, locomotive, deep steppers.
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We first discovered this when Noir recieved the promo from Ten Ven.Noir then started spreading the word about his love for this new 'Ten Ven' act and shortly after we were generously offered to release it on Noir Music.
We did not hesitate for a second to sign this and we are delighted to be able to present such a great 4-tracker on the label from a new and exciting act. Not only do we believe that Ten Ven could be the next big thing but we also strongly believe that these solid house grooves might lead the way of the changes in the underground this year. Its a throw-back to french and filtered house as it started out more than 20 years ago melted into todays production techniques. It's super refreshing to hear this sound again and we promise there's more to come over the summer period.
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Written at the beginning of the global pandemic All Of You is a prayer and a call to action. There is no going back, there is only forward and nothing will ever be the same. We can be a creative part of building the new world we are being hurled into and it will only require us to be fully and completely ourselves. To bring our all and everything. Every time.
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