Techno Vinyl New Releases - News

Faithful to the ethos of the label to put new talents on the map, the second E2-E8 release comes from newcomer Hems. A regular punter at underground festivals such as Freerotation and Labyrinth, Hems spends some of his time making great electronic music in his East London cave… And we are very happy to be the first to put his music out.

A fine connoisseur of ambient and electronica, Hems has sometimes featured on the line-ups of Astral Industries parties. This release covers a wide spectrum of his sound. The almost beatless title track Post Radiance opens things up, followed by the subtle dub techno of I Know This Road and by the raw and relentless beat of Dirty Chords. On the B side, Let It Go is a suspended 15-minutes journey clocking in at 140bpm – arguably the highlight of the EP, sounding like little else out there. Madsituation closes the EP, with a nod at lighter atmospheres and a hint at Detroit-influenced strings.

Techno heads will be pleased to hear that the record has already got praises from techno talent Refracted, who loves Let It Go, and from Jane Fitz.

Italian producer and Be Free label head Jäger makes his debut on Underyourskin Records with a haunting 'Mystical Journey' that turns out to be a playful minimalistic techno approach in the beginning, before evolving into a dark synth driven and more techhouse dominant tune gaining its dancefloor eligibility with a heavy baseline. Louis Kolben, part of Agents of Time, takes on the technoid approach to create a wobbling stomper that could easily tear in any location it is played at. 'Mizar', the EP's second track, partly connects with regards to content to 'Mystical Journey' but focussing merely on that dreamy aspect that claims its listeners and leads one to a state of trance. Steffen Sonnenschein builds up the track slower to delay its peak that hits heavily when the synth sounds are let loose and set the pace throughout the end.

Today Kimochi Sound gets Baltic Sea sonar pinging techno deep, maybe something like bridging the gap between Sleeparchive and Mono Junk.
There are enough hypnotic spaces and hallucinatory frequencies in these loops to tide over the dark winter months, with enough funk packed into the riddims to inspire some heated early morning grooves.

One EP is the first release of newborn E2-E8 Records out of London. A label to celebrate friendship and put new talents on the map.

Out of Luca’s E2-E8 show on Netil Radio came the idea to launch an independent imprint with the same concept: putting good new electronic music into people’s ears, and expose people whose creative voice has hardly been heard so far. The result is a label with a clear plan, with promising talents already lined up to appear on the platform.

Fittingly, the first release is a split EP between two friends.

On the A side we have “Rising Sun”, from the mind of Netil Radio founder Miro Sundaymusiq. This suspended, emotive number perfectly encompasses Miro’s world, where ambient rooms and rapturous deep trance seamlessly bond together. The Pacifist Techno Version is purely for the mind, while the Non Pacifist Trance Version engages your body and translates the same emotions to the dance floor.

The B side is home to two Meditations from the creative flare of Avsluta, one of the most fascinating sound artists recently appearing on London’s scene. With performances at Cafe Oto and collaborations with David Toop already on her back, we are witnessing her charting a groundbreaking path. “Meditation 03” and “Meditation 18” are part of that path – two rich and articulate works that will sit easily in many ambient sets. The Digital Bonus “Meditation 16” sees the artist playing with her voice, in a way that reminds us of Donato Dozzy and Anna Caragnano’s “Sintetizzatrice” from a few years back.

Early support for this record comes from Vladimir Ivkovic, who played Meditation 18 as the opening track of one of his Noods Radio shows, and from Jane Fitz who played Rising Sun on her Rinse FM show.

a A1. Miro Sundaymusiq – Rising Sun Pacifist Techno Version
b A2. Miro Sundaymusiq – Rising Sun Non Pacifist Trance Version

[On a Summer’s Day]

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Limited Clear Vinyl Pressing!
We are very happy to present a new series of limited releases in vinyl, called the Pattern Series. This series will consist of translucent pressings with specially designed artwork, and the first number 'Vertigo' will feature three tracks from label boss Oscar Mulero.
On the A side, the main track is 'Epley Manoeuvre', with funky components, solid drums and a repetitive synth workout which is reminiscent of classic Regis-style bleeps. This one is aimed directly for the floor.
On the B side there are two other cuts. First comes 'Gravity' flanged sequences on an hypnotic vein, sharp shaker driven percussions and a subtle but fat kick drum spiced with white noise details and 909 snares.
Closing the B side we find 'Particle Repositioning', which starts with a round kick drum and bleepy one bar sequences that are soon spiced with claps and reverb. A second percussive sequence appears after some bars, starting a rhythmic conversation until the shuffled hats and rides complete the beat.
Three abstract pieces of modern techno but with a solid step into tradition.

As a contrasting follow-up to our first single from Rooteo &
Mahura's Metta album, the second single on Made In Green
Records keeps the format intact with entirely different results. Deadbeat's remix on part one was both respectful and subtly transformative; on part two, New York's upcoming Max McFerren, whose busy 2015 included EPs on Ultimate Hits, Allergy Season, and 1080p, brings us a startling reinterpretation of album closer 'Harmal' very much in keeping with the vein of raw, aggressive house coming from Brooklyn since that scene's resurgence. The original version of 'Harmal' finishes the album in fine style, blending tablas, celestial electronics, and short melodica phrases that gradually swell with layers of vocal samples and orchestal pads before reaching a climax and slowly dying away in gradually receding layers of ambient electronics. McFerren's remix leads off with only a bare framework of techno percussion. The entry of a sampled section of melody from the original signals a rapid transition to more abrasive territory, with sheets of metallic noise slashing through the high end, short vocal syllables stuttering, and an insistent bass pulse building up and breaking down with at least one element constantly in motion.

Radiant melodies interwoven with slippery polyrhythms are the order for the day on the first Kimochi Sound release for 2021. Shielding shows a mastery beyond genre borders, incorporating shades of highlife, bass, drone, djembe, and triphop. It's a challenging & rewarding 32 minute journey. Essential.

Preferred Family Name's first release is also the debut of Steifl. This mini album shifts from melodic electro/braindance towards the more heavy techno tracks.

First reissue of Claque Musique's Formes featuring Donato Dozzy, Carola Pisaturo, Iuly B and The Hush

If you want a snapshot of where techno stands in any given year, and a preview of where it’s headed, look no further than Drumcode’s A-Sides compilation. Since 2012 it has marked the label debuts of countless vital Drumcode artists and affiliates, from Layton Giordani, Wehbba and Boxia, to Amelie Lens and ANNA, no less.

Every year, new names are unearthed, tried and true techno contributors serve up their best, and icons of the industry land their debut on Adam Beyer’s storied label. The 2020 edition hits with 13 tracks, eight coming from label debutants.

On part one, Belgium’s Joyhauser featured at last year’s Drumcode Festival paving the way for ‘Fierceness’, a beautiful melody-drenched cut befitting their DC cap. Alongside this, longtime Drumcode cohort Reset Robot dishes up a pounding arp-laden weapon, reinforcing his classy production nous.

Finally closing out the EP, with three EPs in less than two years on Truesoul, Oscar L steps up to DC, showing the breadth of his sound palette with a soaring, synth-laden gem ‘Dark Fate’.

With its saturated sounds, clipped beats and spacey pads, Walk Again opens a portal to a place full of mystery and promise.

Across 11 tracks, John Lord Fonda confirms that he is not only capable of writing techno bombs like We Can’t Breathe and Race For Nothing, but also breakbeat-tinged gems like Little Jazz.

The soaring melodies of Antarctica and Creme bring a dreamlike intensity to the project, while new-wave wannabee Together Again (featuring vocals by Gabriel Afathi of The George Kaplan Conspiracy) enlarges the musical horizon, planting its flag as an evolved piece of techno not afraid to mix genres.

Calmer moments such as Walk Again and A Descent Melody continue our journey into the richest of techno landscapes, where intriguing, fascinating tracks like They Will Fight For You.

Dazzling and cold, brutal and soft, the album marries a fluid, coherent mix of cerebral techno and poetic melodies, both calm and calming.

Walk Again, dance again, live again.

VOLTAGE Imprint is delighted to present a unique collab between Voiski and Hadone, two pillars in today’s innovating French techno scene.

In addition to having quite possibly the greatest beard in techno, Will Clarke has proven himself an unstoppable force in the genre. Will now returns to Factory 93 for his second release on the label, “Mirage.”

Will prompted a firestorm of “ID?” requests when he dropped it in his live-streamed Escape Halloween set last fall, and for good reason. “Mirage” brings together ferocious, chugging low-end and an instantly-memorable melody that modulates constantly throughout the arrangement, fine-tuning the energy to create an absolute bomb of a track.

“Mirage” will also mark Factory 93’s first vinyl release, with his first Factory 93 outing “Sometimes You Gotta Let It Go” gracing the B-side. Look out for it in a shop near you.

PUBLISHED: 25TH APRIL 2022

Earlier this year Jamal Moss aka Hieroglyphic Being released 'The Disco's Of Imhotep' album via Ninja Tune's Technicolour imprint. Drawing on the energy and spirituality of Sun-Ra, Moss conducted his machines to create a raw, pulsating and meditative work that focused as much on the dancefloor as on the synapses. It was universally praised: 'Sweaty and ecstatic, elevated and pure...' (Pitchfork - 8.0); 'Frequently sublime' (Crack Magazine); 'Fires the mind and soothes the soul...' (The Quietus) and earned Moss a thoroughly deserved' Album Of The Month' spot in Mixmag.
Never one to rest on his laurels, Hieroglyphic Being returns to Technicolour on 11th November 2016 with an essential 12' two-tracker paying homage to 'The Natives' of Chicago's nascent and fertile electronic music scene in the 90s. Fiercely visceral and channelling the same 'rhythmic cubist' approach, 'This Is 4 The Rave Bangers' and 'HOME 95' are proffered as 'Reinterpretations or a Revisionist's retrospective of the early 90's electronic music based in Chicago during the rise of Rave Culture from a sonic anthropological narrative'.

Berlin-based Irish artist Hybrasil returns to Rekids with four murky techno cuts in ‘We Don’t Flip’.

Having made numerous appearances on Rekids including ‘Embers’, his debut album released last year, Hybrasil has become a core artist on Matt Edwards’s label when not releasing on his very own eponymous imprint. Reflecting on an amazingly creative 2019, at the start of this year Hybrasil set a new creative path for his future live shows, writing new music that received regular support from Radio Slave, which is what ultimately shaped this new four-track release.

‘We Don’t Flip’ opens the package with an immediate shadowy aesthetic before rattling kicks, off-beat hats and snappy snares lay down the groove as distorted vocal murmurs join delayed synths. ‘Hour Glass’ is next with its syncopated rhythm and quivering pads before ‘Ikigai’ takes things into wonkier territories courtesy of subtle melodies, metallic atmospherics and dubby chords. Tying everything together, ‘System H’ takes things up a notch, adding extra oomph to the package using powerful drums, rippling bass and deep stabs.

A fast paced EP from DC based producer Jackson Ryland who you might know from previous outings on Peach Discs or as part of Superabundance alongside Max D on Future Times. Rave meets Detroit - tracks built for the clu

“Grinding, old industrial influenced, no wave techno for outsiders…”
JK FLESH is the industrial techno alter ego of JUSTIN K BROADRICK (NAPALM DEATH, GODFLESH, JESU, TECHNO-ANIMAL, ETC). It is techno made by an extreme music pioneer, so expect techno that is heavy, brutal and psychedelic. ‘NEW RELIGIONS OLD RULES’ is the latest JK FLESH album, made up of 8 fierce dancefloor destroyers. ‘NEW RELIGIONS OLD RULES’ thematically explores mankind’s persistent obsession with indoctrination. Limited 500 copies worldwide only on double vinyl!

*repress*

Justin Cudmore returns to the Phonica White shelves with four new tracks, and his long-awaited first full EP since 2017's "Forget It" for The Bunker New York. With the dancefloor seeming far outside our reach right now, 'Train Dance' transports us back to a simpler time lost in the mix.

Across the disc, Cudmore reflects on the sounds and scenes closest to his heart and record bag, flexing his knack for crafting catchy hooks and the kind of ear-worm melodies that helped cement his status as one of house & techno's fast-rising stars. A1 "Train Dance" is his ode to the urban symphony of train cars whirling past his apartment in Brooklyn, with eight minutes of swingy, jacking house built for a sunny afternoon set across the pond at Panorama Bar.

"Club Fetish" shifts to a more introspective, heads-down vibe crafted instead with a dark and sweaty basement in mind. A touch of psych à la classic John Tejada, Cudmore's subtle, squelchy synths rub shoulders with cerebral drums and floating basslines.

The B-side nods to Cudmore's acclaimed acid sound for two deep slow rollers. "Expectation Game" and its no-nonsense 303s chug through a couple of understated breakdowns, while "Realize" was written with a Detroit outdoor patio in mind, with a sleazy acid bassline and cut up vocal groans sounding like Cudmore riffing on a late-night Moodymann jam.

Recorded during a productive time of new beginnings and positive headspace, ‘Train Dance’ comes out during a strange and unclear present for Cudmore and many of his contemporaries in the scene. However given it all, Justin remains excited to share new music and sounds, and hopes to return to the dance floor with everyone again as soon as safely possible.

Artwork as always is supplied by the talented Pedro Carvalho de Almeida

Ragnarøk, Germany´s leading label for dark and heavy techno presents his first vinyl production produced by colognes Lukas Freudenberger with huge RMXES by Angy Core, Cortechs and Jan Fleck.

She Said is a absolutely Floorfiller, tested many times on many Dancefloors.

Ragnarøk shows their love to vinyl, the roots material of all electronic Music Productions.

The EP was composed during a fully immersed, three-month residency at a secretive studio in the centre of Toronto - a city nick-named 'The Six', hence the name of the EP. Stacked to the roof with rare, vintage Moog synthesizers and machines, one piece being custom-made by Robert Moog himself, LVCA had unlimited access to this unique studio that's the result of decades of accumulation by a private collector.

The opening track Teep takes us straight into that 2am, underground, dance-floor feeling where all heads are locked into a body-jacking 4:4 journey. Psychedelic bleeps and electronic schisms float above a seriously chunky baseline that's 130bpms of pure drive.

Dean's Groove is a bubbling cauldron of squelching bass and atmospheric moods that builds to a head bobbing, floor stomper laced with trippy effects; all triggered by LVCA who was conjuring heat to keep warm while physical temperatures outside the Canadian music studio reached -40 degrees.

Notherplan delivers a teasing build of acid bleeps, space echoes and bass notes that opens out into a psychedelic future-scape of raving on Mars. LVCA's joy at being let loose on synths, Roland machines and Synton Fenix boards is clear as layer upon layer of sounds weave in and out of this funky, robot-punk jam.

Heavy-Duty Sound is a glorious acid house call-and-response where different bleeps swirl and jive with synth tones aggregating into a near tribal trip that goes deep, deep into a Moog jungle where the flora and fauna is pulsing with electric energy.

A rare and unexpected resurfacing of the captivating West Coast-based producer Ruoho Ruotsi, who released 9 records on his De’fchild imprint between 2005 and 2011, collaborating with Thomas Jirku and Hollis P Monroe among others, before vanishing into life’s many responsibilities. Ruotsi’s sonic jaunts draw upon the visceral aesthetics of dub, techno, garage and impractical melodic leitmotifs from exper- imental electro-acoustics, fusing them into imaginative new musical opportunities. His music has been described as “vaporous”, “aching and expansive”, “a wicked dub abstraction” or as “Jamaica-meets- Detroit with jazz legend Eric Dolphy.

The night after he sent me the tracks that appear on Prelude, I dreamt that someone had hand-painted strange, swirling patterns on a dark red tinted light bulb, and then turned the light bulb on inside my head.

Since then, I haven’t found a better way to describe them. They’re haunting, absorbing, enchanting. They create their own listening environment. They have the power to change your mind. Each track on Prelude is a unique spatial tapestry. “Prelude a L’apres midi d’un Buzz” meanders through an impressionist landscape, the chugging beat a tense counterpoint to the drifting, breathing melodic formations that fold in and out on themselves. “Na me U Dey follow talk”,(“are you talking to me”) in Nigerian Pidgin, is an exercise in psychedelic vocal experimentation tied to a dub backbone, "the cacophony of everyone talking and no one being heard." “La Brume Sur Buri Buri” hangs an understated rhythm in riveting suspended meditation, the melodies and textures recalling cloud formations and rolling fog unique to the Bay Area. The name is a reference to the https://en.wikipedia.org/wiki/Ran- cho_Buri_Buri.

This release on R&S marks the debut appearance of one of the most active and vital voices in dance music culture, combined with a one-off bold & idiosyncratic sleeve re-design from another omnipresent, globally influential practitioner.

The music is by Special Request.

The artwork is by Virgil Abloh™️ c/o Alaska-Alaska.

Spectral Frequency first appeared on the final day of 2019 — it was included on the 4th SR album released in that year alone and caused so much havoc in clubs, warehouses, basements, bedrooms, dive bars, sweatlodges and ear buds that we simply KNEW we needed to give it a full release.

After discussing it with Paul Woolford, he told us he viewed a possible EP as an equal split of “Face-Melters and Heart Breakers” and this is exactly what he has delivered across both sides of this EP.

Virgil Abloh is a man that by now needs no introduction. He has contributed both a psychedelic and incredibly apt one-off sleeve redesign to mark this occasion.

Pick your side and let the world melt away.

L2 Glenn Davis - Oh My Love - 7:13
L3 Irene Buckley - Mother Of Tears - 4:35
L4 Zvuku - Breakup - 4:48

All the gems of Electronic Music in a 5 LP boxset with : Fakear • Kölsch • Fritz Kalkbrenner • Laurent Garnier • Bicep • Kerri Chandler • Thylacine • Bob Sinclar • Mr. Oizo • The Prodigy • Alex Gopher • Purple Disco Machine…

Myk Derill is an integral part of the Knotweed family, producing music for the label since its inception in 2011. The funky bulldozer of techno (as some like to call him) created three tracks especially for our tenth birthday: bass-heavy, cold and groovy, minimal and funky at the same time: thank you Myk!

We are celebrating 10 years of Knotweed Records, exploring different shades of techno!

One of the many musical entities the French collective Simple Music Experience sent to earth to vociferate electronic incantations, Radiante Pourpre is the name of a duo comprised of Alex and Leopold as well as the name of their 2017 debut album on Antinote. Last year, they have released an acclaimed LP on Kneklehuis under another moniker, Violent Quand On Aime, but the place from which they keep on transmitting musical signals has not changed: a post-exotic world (NO ZONE) where the only remains of the societies we live in are barbwires, battered radio transmitters (TAKATO) and deserted oil rigs the duo uses as fictional shelters.

From their precarious haven, they send us field recordings of waves mixed with analog glitters (INTERLUDE). From their lost at sea run down tower, they record the cries of ominous seagulls (SMALL TALK) and a bewitching Spanish voice (MALA 800), incorporating these to primitive drum machine patterns… And then…

A miracle happens when the record is flipped: a Balearic hit for post-apocalyptic times (IEMANJA)! Begining exactly like the opening track (THE COPS, THE JAZZ, THE BIRDS), in an unexpected twist of fate, it summons the angelic voice of Galadriel Andrade for a delicate Brazilian conjuration. There might even be a sunny spell lurking in the spirited closing tune (MS BUTTERFLY): “NO BORDERS, NO COPS, NO PROBLEMS”.

French old school head Seuil is next up on Cartulis Music. This man has been around for some time and once again he hits the spot on this strong release on Cartulis Music. 4 cuts that fit into many moments. From peaktime to after hours and everything im between. Special appearance by great friend of the label LeLoup on one of the tracks too! Bonus!

2x12" REPRESS

* Surgeon's new full-length, Luminosity Device, takes Bardo Thödol - the Tibetan Book of the Dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories.
It has the potential to turn anything from a club visit to a train commute into a collision with the otherworldly.

* Since the 1990s, Anthony Child has been one of the most consistent and pivotal electronic music producers to use that craft as a tool for achieving transcendence. Under his aptly chosen DJ-ing and production alias Surgeon, his technical precision and clarity of creative vision have resulted in a highly influential form of techno-mesmerism documented in exhaustive live sets and incisive studio recordings. His talent for wielding beats and sonic textures as healing technologies and as magical weapons simultaneously, and particularly for excelling in 'long-form' treatments, has made him not only a key contributor to the legacies of touchstone labels Tresor and Downwards, but also a prized collaborator (his British Murder Boys duo with Regis has capitalized on both producers' natural intensity to devastating effect).

* The pure techno idiom has never been his sole method of exploring the vastness of inner space, or of illustrating the interaction of thought and memory with the external environment: the work published under his own name (e.g. the two-volume set Electronic Recordings from Maui Jungle), along with newer collaborations like the Transcendence Orchestra with Daniel Bean, have shown Child to have a masterful knowledge of the intimate qualities of drone and atmospheric sound: the sound-scaping talent utilized in these projects is capable of drawing out acute emotional reactions from a broad spectrum of listeners.

* Coming late Spring / early Summer to celebrate the release of a new album from Surgeon, he will present a completely new and recently developed audio visual live set to be debuted at a few selected festivals.

We welcome the French sound designer Vâyu to Affin.
With "Nysiads" he takes us into sound structures that move between hypnotic and ambient, deep techno.

Radio Slave returns to his Rekids imprint for his first release of 2021, ‘Variations’.

Marking the first release of 2021, Matt Edwards aka Radio Slave turns in two thundering tracks loosely based around a common theme: his signature maximal minimalism mixed with classic dub techno aesthetics.

While his recent anthemic single ‘Live My Life’ displays Edwards’ knack for twisting vocal hooks into main room artillery, ‘Variations’ sees the Berlin-based producer head for room 2, showcasing Edwards ability for crafting devastatingly effective heads-y techno.

After releasing Robert Hood’s incendiary ‘Mirror Man’ LP towards the end of 2020, Rekids is showing no signs of slowing down for 2021. With this release highlighting an artist at the top of his game, ‘Variations’ adds yet another powerful and striking 12” to both the discography of one of electronic music’s most essential labels and one of its most lauded artists.

Purple Vinyl

Van Bonn & Upwellings join forces to showcase journeys of different moods and styles of dub techno on their new ep called Cloudwalker. The opening Cloudwalker Dub is moving in between the triangle of dubby stories told in Bristol, Copenhagen and Vienna. Harmonious, bass heavy and with a special attention to the little something. Bridging is raw and deep. It sucks you in and the harmonies tickle on your skin during a sunrise on a mysty morning. The following Dilated Spaces is reduced to its bare minimum and proofs that when you go deep and minimal, there is always the possibility to go even deeper and reduce the elements even further. Up next is Deepchord co-founder Mike Schommer who directs his remix of Bilateral Kite in moody and texture rich territories conducted by a straight forward kick and dubbed out fx. King Cry Cry is a personal reminiscence to the big soul of the originators of dub.

Electronic icons from across the ages come together to contribute to a stunning new package that features Grammy winner Midge Ure and cult house artists Ame on a record inspired by legendary Kraftwerk drummer Wolfgang Flür.

This project came about when Midge Ure was performing with his group Band Electronica in Dusseldorf in 2020. Wolfgang Flur was in the audience and later asked Ure to join a new project he was working on. A few days later, with thoughts of Wolfgang's pioneering electronic drumming, the role Dusseldorf has played in the scene, and the beat which makes the world move, Midge Ure wrote 'Das Beat'. Whilst Wolfgang went on to record his own version of the song for his LP, Ure laid down ‘Das Beat’ with Band Electronica in its original form.

Ultravox and Visage legend Midge Ure played a pivotal role in the world of electronic music and here gives credit to those that inspired him, Wolfgang Flür among them. Says Midge of the new record, "'Das Beat' is a nod of thanks to the people who created the inspirational sounds and music I heard in the clubs in the late seventies and early eighties."

'Das Beat' is an archetypal piece of European electronic music. This superb single nods to the heritage of the genre through the proudly stark synth sounds of the 80s, right through electro-pop and modern techno. The clean, crisp vocals nod to Midge's knack for pop songwriting as they muse on the enduring appeal of electronic beats. Finishing it in style are the sleek Kraftwerk-esque melodies that are filled with a subtle sense of hope.

Remixing the record is German duo Âme. Kristian Beyer and Frank Wiedemann have fomented their own deeply emotive house sound over the last 15 years. They run the influential Innervisions label and constantly drive the scene forward with their widely-influenced sounds, whilst bringing DJ and Live sets to the world's best events. Their excellent remix fills out the sound for the club, with chunky broken drums bouncing beneath visceral acid, big hits locking you into the groove and a vocal that brings a standout retro-future flourish. The remix also comes with an alternative ‘Dub version’.

2022 Repress

'Enande mane' is Evigt Morker's first release for Northern Electronics since his artful debut album, 'Krona.' The fizzy bliss of melancholia's brutal truths have rarely been explored this thoroughly by Evigt Morker until now. Though often riding the torque of his caustic moments with a playful, ebbing refrain, these four tracks lead with the elation.

Double album of deep raver analogue techno. heavy distortion, raw emotion, thundering beats, stormy baselines, contorted singing, moaning, cursing, trippy atmospheres. turn up the volume, embrace the storm!

KGLW made the colloquially-dubbed 'Timeland' furtively and in semi-secrecy around the time of their 2019 Red Rocks show, and intended it for use as an intermission piece for said three-hour marathon set. Made up of a thoroughly different palette of inspirations to their usual speedy psych-rock, the LP operates in strange surrealist dance music and instrumental beats, oddly peppered by Gizzard's classic nasal vocal twirls and hooks. Guitar rarely features. Now, this weirdo's oddball remains shrouded behind secrecy and conspiracy theories, and as such, will not feature on any DSPs. So get on it while you can, because this cream coloured vinyl version won't be around much longer before the heads snaffle it up. Just in case you vomit at its glory, it comes in and with a brown paper bag.

Stepping out the shadows and into the purified light Lizzitsky launches the NEVER SLEEP Label with an esoteric rave masterclass. Narcotic BPM’s, forward leaning hardcore drums and an undercurrent of spectral noise.