Nuevos Lanzamientos Techno - Novedades

Hamburg based ohne kommerziellen Wert deliver another varied four tracker for the dancefloor. STUTE opens the A-side with the dirty banger Mandy, a robotic voice paired with a touch of atmosphere, followed by VUUDUU and her floor-melting acid machine Trigger.
The B-side ups the BPM with Strathys Nihilism Inc., a pure rave order from the past and the present. The release finishes with the dangling, amen-break infected Rhythm Gangster by aitch & von Wrangel. 180g, hand stamped

Climate of Fear teams up with Vladimir Ivkovic for the eighth edition of its twelve part tape series. Recorded in in the last months of 2019, Vladimir showcases here his indelibly dank and syrupy sound. Gooey rave carnage, IDM turnarounds and flavor for weeks. One of the all time juiciest sets at any Climate party, this tape hits like a dripping mango in an arid desert. Out April 2021.

Greetings from Baba Osman!

More than 20 years after it first launched, and 15 years after the last release, Gaetano Parisio has revived his well regarded techno label Conform. Now back to take up its place at the heart of the international scene, The first release of the new era is the start of a new CONFORM RE-TOUCHED SERIES which will be released over the coming months and contain classic Conform tracks that have been re-edit by big techno artists.

The first release contains four tracks plus one digital only bonus with heavyweights Ben Sims, Mark Broom, James Ruskin, Truncate and Stojche all stepping up. UK techno legend and Machine man Ben Sims is up first. His Hardgroove edit of Gaetek's is a brutal track with driving drums and unrelenting synths that bring it into the present day with a real sense of style. Mark Broom is another long time techno titan who has released on the best labels from M-Plant to Blueprint and he edits the B1 from C&G Southsystem's Dual EP. The result is an edgy track with big hi hats and hammering drums all run through with some bright synths that melt your mind.

James Ruskin is another vital techno player who runs his own legendary Blueprint label. His edit of a track from Gaetek's Advanced Series Vol. 1 EP is deep and hypnotic, with wooden hits and warped bass wrapping round the toughened kick drums. Truncate then tackles the same track and is known for his focus on the deeper, raw side of techno on 50 Weapons and Soma. His edit is just that - deep and atmospheric, with subtle keys up top as the busy and hard hitting drums power the track along.

Last of all, Stojche's Re-Chord of Stanny Franssen's Between the Lines is a digital only that is designed to get whole clubs and warehouses on the end of their seats.

This is a fantastic way to relaunch a much-missed techno label and marks the start of a great new series.

The Wobble Boys are here. It’s ‘Time To Wobble’ !

Matterwave Records presents its faith EP with a combination between new and mature blood of producers to edit "ALLIANCE" release. Specific collaboration series. Ferdinand Prairie and Hector Mad, one side for each one where they express an electronic language balancing minimal techno
forms.

Four original tracks + Locked grooves, high quality limited 12" with a full colour sleeve. 200 copies

The legendary G Flame follows up this summer’s debut on No.19 Music with ‘I Want You', a fantastic LP drawn from his musical vaults that proves why the UK based artist is such a vital part of electronic music’s history.

G Flame aka Cisco Ferreira, is the solo artist behind the legendary project, The Advent, which originally included former production partner Mr G. He has long been a pivotal player in the development of house and techno, as a DJ, producer and also an engineer working with greats like Larry Heard, Derrick May and Adonis. Cisco has released on seminal labels such as Jack Tracks, R&S, Novamute and Tresor, has remixed New Order and always brings a unique musical vision to his work.

The legendary G Flame moniker was originally used for Ferreira’s more house infused, techno sound, something he developed in the early 90s. Says the artist, “Back then there were very few tech house tracks being released. At the time I called it 'house techno’ as my main vibe was always house music first, with added techno spice and faster BPMS for DJs.” That description is a simple but effective one that sums up the visceral power of this new record, a record which features tracks predominantly written between 1992 and 1999.

The first two cuts are previously unreleased gems, opening with the ducking and diving drums and intense synth work of 'I Want You', and followed by the old school 909 workout of piano-infused house, ’Freetown.’ The buzzing low frequencies of ‘Broken’ burrows deep into your brain and was released as a single on this label this summer, then come previously vinyl only classics ‘Thoughts’ which brings brilliant dynamics and a pulsing bassline that is overlaid with trippy melodic motifs and sci-fi details, and 'Up All Night,’ which is ghetto house perfection with its bristling drums and percussion, knotted bass and frenzied vocal stabs.

The final four previously unreleased tunes kick off with ‘Lynn Grooves’, a perfectly reduced piece of rubbery techno to get you in a sweat, and ’Stringer,’ another urgent and compelling house cut that races along on slapping drums and scraping hits while subtle vocal sounds add soul to the power of the machines. The stellar ‘Turnmills’, is a loopy, chunky and futuristic wedge of sci-fi tech that is sure to make you march and last of all, the fantastic '6am' is a zoned out affair with far sighted cosmic chords, bumping kicks and more tender vocal sounds that finds, like the rest of the album, a perfect sweet spot between house and techno.

This is an essential collection of music from an artist who has been at the very heart of the house and techno scene for the last three decades, and is sure to enthral both his industry acolytes and new fans alike. It also marks another high point for the ever impressive No.19 Music as we close out 2020.

A name familiar to Hidden Recordings, France based JC Laurent
returns for the fourth time with Distressed World. As with each release,expectations are high and the young Frenchman impresses with hislatest body of work. He delivers three original tracks inspired by thecurrent state of global affairs: underlying tension, shifts in mood withthe need for a steady hand. Accompanying the release on remix duty isBerlin's Oliver Deutschmann, well-respected for his diverse trackselecZons and varied soundscape, his recent discography includes a2018 release on Luke Slater's imprint, Mote Evolver. Showcasing his
broad palate of sound, he is only a handful of talents who has DJ'd both Berghain and Panorama Bar over the last 10 years.

clear transparent vinyl, Repress

Heavy acid bangers. The story continues for Planet Rhythm's 303 series.

Indomitable, hard-hitting techno straight to your body. Griessmuehle's club night Deestricted turns into a record label and delivers four explosive tracks from WNDRLST, Umbraid, K Ø Z L Ø V and Elios.

Following the release of DBA's tenth anniversary digital compilations in 2020, the label presents a vinyl edition sporting the four most in demand tracks. Kerrie opens proceedings with a barnstormer in her trademark dark machine funk style. Bristol's Lurka follows with 'Clean' which has been receiving plays from Ben UFO and other leading DJs. On the flip Mr. G slips down a gear for a deep house workout which is guaranteed to get floors moving, and The Room Below completes the package with futurist batucada bomb 'Bassika'.

Locked in a 486 glow, lightblink machines nightlight, being enters lighttime limelight. The long nineties already distending, the Major midbloats, crowds throng superclubs- strobelit honeys on a podium in Ibiza already blasted a stratosphere away from mildewed badflats, emphysemic parlours, the fug of week old washing drying slowly on the rad. Ach we’ll hang it out in the morning fire another joint of badhash and turn that tape over. We are being Here. beings disconnected, shut ins, psychick worriers, long walks to and from clubs, mostly dark, always raining, or mizzling anyway, lug bigbrick machines into cabs and Venue, setup and playing live and right now from the lounge lobby at Sativa, down the stairs from the caustic, twitching thrashpit being sits, being works. Dole sludge, shirking class zeroes, scoff pizza rolls w salad cream, that headchef gaffer never reckoned you’d graft at the potwash, a slick fur of rotfood dish slop residue right to the elbow, absolutely bowfin. Rumours of other places, people, scenes, tapes sent and emissaries return, invites to get trains, overnightbus south to London. being brought water to the ‘wells in South London and monthly emissions snaked out into the world, into badflats elsewhere where gowched couch tatties sprawl and the being burrowed deep into memories.. Tea is toast and sandwich spread and endless crisps as the binbags pile high in the backyard, the being blinks, it’s a twilit morning and it’s time to go to bed.

Back on Kalahari Oyster Cult after a maiden incursion in 2020, Brussels' boldest club explorer Andrea Mancini, alias Cleveland, resurfaces with “Golem” - a helluva four-track trip spanning Arcadian shimmers, bobbly swamps of disproportioned FX and other off-piste routes swiftly veering into the wild wild west of house production. Treating sound like an entomologist magnifies the dazzlingly lush shapes and colours of insects, Mancini overexposes his elements, clicks, percussions, pads, clicks, et al. to a profusion of playful procedures.

Opening cut “Forest” sets up the scenery into serenely alive woodlands, where slo-rattling percs and wonky polyrhythms gently coalesce with further entranced congas and alien gargling, shaping up to an off-beat symphony of sorts. Adding a steelier spin to his macro views of teeming cellular life, “Trullo” blends in a propulsive mix of dynamic drums, fluttering chimes, aqueous dub, and squelchy sub-bass moving incognito.

Dwelling the flip is the title-track “Golem” and fellow KOC affiliate Junes’ remix, each bringing along its distinctly unique palette of colours and sensations to the table. While the original mix rather focuses on the in-betweens and über-detailed immersive quality of its audio CGI, merged with a sixth sense for wrong-footing stop-and-go sequencing, Junes remix puts rhythmic straightforwardness back at the centre of considerations, cranking the tempo up a notch without stripping it bare of its vital textures and ideas lavishness.

As Dense & Pika, Alex Jones and Chris Spero have garnered an enviable reputation for making devastating club ordnance that finds the sweet spot between dark, mysterious house and roaring, brawny techno. With over a decade of material under their belt, Jones and Spero are set to release their first studio length debut album, ‘Colour Burn’ via London major imprint BMG on 4th December, home to the likes of Leftfield, The Prodigy, Holy Ghost and Faithless.

‘Colour Burn’ is a 13-track composition crossing through downtempo house and electronica, built as a conceptual sonic representation of the pair’s live audio and visual set up. The album is a step away from harder and faster material and a move towards a more leftfield sonic trajectory, featuring a handful of impressive heavyweight features of Jones & Spero’s musical heroes who have informed the Dense & Pika output.

Released today, album moment ‘Honey’ features the master of sensual, slow-burn techno, Matthew Dear whose contribution to ‘Honey’ arrives in vocal form – a breathy, brooding ensemble of spoken word that glues perfectly with the duo’s trademark rough and textured sound palette. It helps turn what Alex calls “a headsy, dusty piece of housey tech” into something sensual and otherworldly.

Dark and smouldering, it seems to the suck the air out of the room like a tightly packed subterranean dancefloor deep in the throes of night. Glitched out percussion and fizzling hi-hats feel caustic against the track’s low-end frequencies. The thumping bassline and kick drum combination delivers punch and pressure to the mix in a true Dense & Pika format. Matthew’s sauntering vocal contribution guides the track into a deep and hypnotic groove well equipped for any late-night excursion. “The boys sent over a lengthy jam, but there was that simple loop that stood out and had me hooked. I put it on repeat and let the mind and pen wander. It’s a bit of cosmic abandonment, brazenly sung by a professional of the night.” Matthew Dear

Elsewhere on the LP, standout track ‘Hidden’ features the drums of Sepultura’s legendary metal icon Igor Cavalera resulting in a fabulous frenzy of percussion and driving rhythm. The equally momentous and unforgettable ‘Control’ features the heavily robotic vocoder of Leftfield’s Neil Barnes aiding and abetting in its quest to be a high-octane, twisted rave jam.

The impressive features on ‘Colour Burn’ are an insight into the hugely artistic and visionary A&R skills of Alex and Chris and the start of a new chapter for Dense & Pika kicking off with the long-awaited release of their first studio length album.

Jaded by a world in which receiving a notification justifies interrupting conversations and people travel from one end of the world to the other just to take selfies, 4 compadres in search of meaning find themselves in the depths of the Canadian forest to embark on the longest jam session of all time. Months of messing around have already passed when an elusive radio signal infiltrates their circuitry, giving hope of a Somewhere or Someone else. Get onboard their DIY spaceship and join the odyssey through their encrypted network.

Included in the record, an acces to some exlusive content on their website.

Beard Man label boss Mark Broom returns to Radio Slave’s Rekids with a swinging techno focused four-tracker entitled ‘Raver EP’

Since the early 90s, renowned UK artist and DJ Mark Broom has been cherished for his consistent output of rhythmically charged techno and energy spiking performances with releases on Warp, R&S, Soma, Hardgroove and Blueprint alongside collaborations with artists such as Baby Ford, James Ruskin, Discrete Circuit and Gary Beck. A regular on Rekids, Broom's contributed numerous releases and remixes to Matt Edwards' label - notably last year's massive 'Break 97 EP' - and his next outing sees the prolific producer return with four more versatile club-focused cuts.

‘Raver’ opens with boomy kicks, splashing cymbals and aggressive stabs until ‘Insta’ trembles the floor with rolling snares, driving rides, distorted claps and arpeggiated synth patterns. On the flip, ‘Midnight’ takes retro sounding keys and adds peak time drive with lofi drums, distant vocals and a sleek funk line
sample before ‘Hear Me’ electrifies with a tease of classic 90s-esque lyrics, bouncing toms and elated chords.

coloured vinyl

One of the biggest trance hits of the new millennium gets a 2020 makeover and a fresh squeeze on hot wax. Push – Strange World is given the remix treatment by Belgian dynamic techno duo Joyhauser, alongside the anthemic 2000 Remake. What can you say about M.I.K.E. / Push, the guy is a legend, a musical genius having crafted countless tracks under several guises, and he is still going as strong as ever today. Taken from the album, From Beyond, Strange World really hit the big time in clubs and festivals thanks to its soaring melodies and euphoric climax. It spawned a swathe of remixes and reissues over the years and no wonder it raises its head once again. Joyhauser are Joris Cielen and Stijn Vanspauwen, a techno outfit from Bilzen BE. They share a deep passion for electronic music and have been smashing dancefloors since 2017. Their sound is a hybrid collection of genres, creating unique flavours which grabs attention from all quarters. They’ve played all over the world and to date they continue to perfect their sound, releasing quality music with devastating effect.



The Joyhauser Remix adds a thundering techno vibe to the original sound. Huge, powerful, arena style kick drums lead the way alongside crispy hi hats that slice through the murky basses. That distinctive, highly infectious melody seeps through, building us up the break where the main hook comes to life before climaxing back to thundering techno mode. Twisting synths and gritty basses greet us on the drop, locking us in for the duration. An absolute stormer of remix that is not to be missed.



Who could forget that legendary riff on the 2000 Remake? A track that captured the imagination of the dance music world, becoming a go to track for many jocks. A hybrid groove that dished out an energy laden vibe with a tech edge on top of an uplifting synth riff that gets the hands in the air. An absolute classic and always a must have in any collection.

deadly Techno - no less!

ABRAXAS is the activist techno side project of Damià Llorens , alma matter of WE ARE NOT BROTHERS. Self-defined as “activism trough music, promoting social, political, economical and environmental changes in our fucking capitalist society towards a greater good”, his vinyl debut is about real punk attitude on the 21th century. Including collaborations by Nightcrawler, Univac and José Rodríguez”. Presented on deluxe edition, including inner printed sleeve.

Secret organisation Sunrise Inc. appears once again from the shadows revealing their mysterious new architects, Thru Zero...not much is known about this enigmatic force, yet they have left behind 5 traxx designed to take listeners 2 vast psychadelic space dimensions: Doomsday Ambience, B-Boy Battle Funk, New Beat and Subterranean Electrobass.

After the great success of 'Der Himmel uber Berlin', the second release on 'Envlp imprint' is signed by another South Italy's talent: Drum Communicate is a project of drummer and composer Francesco Varchetta.
The EP take the name from the first track, 'The Fast Line', which show all his talents as a musician, producing an 'Ambient' track with Detroit's influences.
Tuner is the second track, which has a marked groove and much more dancefloor, also remixed by Brendon Moeller in two versions, goes to conclude a release for true connoisseurs of the genre.

Repress!

Hammer serves up his second dancefloor edit with ‘Strong Enough’ on his The Hammer Hits label, a huge Roland sh2 baseline driven track following on from the sell out ‘Love Somebody’.

Mall Grab joins him on the flip with a huge crunchy techno dub. Satisfaction guaranteed.

French producer Marla Singer returns to Bipolar Disorder to release an emphatic techno EP titled "Complicated Issues" with remixes from Vienna's Codex Empire and Arts Collective's Introversion.

Murky oscillations, thumping kicks and growling resonance take the focus in "Complicated Issues" before Codex Empire's remix delivers machine-like atmospherics with rumbling low-end and screechy melodies.

On the flip, "Go Again" offers winding synth flutters balanced with obscure oscillations and rattling percussion until Introversion's remix throws down breaks tinged percussion, angelic pads and emotive break downs which harmonise creating a euphoric ambience.

For it’s inaugural release, label boss Sepehr provides the first electrified soundtrack for Shaytoon records with “Crown Jewel”. Listeners should expect visions of monoliths, obsidian mountains underneath blood-red soaked skies and freaky soundwaves while listening. “Crown Jewel” EP should be listened to while hitchhiking across the country with only a bottle of wine in a knapsack, dreaming of dancing to the drum. Do not go gently

Cryptobitch has officially infiltrated, and corrupted the Planet Euphorique mainframe. The 17th release on the label orbits beyond tangible earth and seemingly slides into the new age of sexy cyberspace. 7 tracks of eclectic lysergic bliss, spanning speeds and servers; originally recorded over 2010/20 and re-released into today’s future; making more sense than ever. Hosting post-hyper electronics, recontextualized data and warped familiarity with metaphysical links to patterns of hacking; crashed genres and next-gen dance excursions flow throughout the record, only broken by bot-breath and text to speech realness. Hot-wired rhythmic signals scurry and disperse as your senses awaken, a harshness perfectly calmed by surfing over textures of the digital sublime.

The Bitchy & Glitchy soundtrack to your personal, anonymous chat room fantasy.

Hardacre releases this debut EP on his brand new wax series summoning the spirit of UK rave, breakbeat, techno, trance and acid to produce some of the most upfront cuts around.

Carrying Hardacre’s signature artist logo, make no mistake with this one – descending through the stratosphere are four tracks destined to make waves through the dancefloors starting with the ‘The Cosmos’ and its killer bass track accompanied by layers of spacey pads, all to the rhythm of a clinically produced breakbeat.

‘Levels’ then journeys deeper with its hypnotic melodies and rhythmic bass before ‘Founder’ takes things to another dimension referencing early 90s acid and breakbeat to make for a huge dancefloor shaker.

The EP concludes with ‘Dreamscape’, a moody rave-derived sub bass trip, rounding off a must have piece of wax from this hugely talented artist.

Luigi Tozzi returns with another 4 timeless hypnotic minimalistic cuts to Non Series after his great past releases on the label.

EYA Records marks its 10th release with a solo work from French producer Master Flashhh.The opening track "Too Big to fail" is stripped back yet energetic, driven by 909 drums,atmospheric pads and drifting vocals.A2 "Beat Boxxx" is catchy electro workout with vocal samples from a Dominican Republic radio and 303 acid lines. On the B side "Boulevard Mystere' is an ode to Boulevard Barbes in Paris, the track is characterised by haunting melodies and a warm analogue bass.B2 is a dreamy and evocative number with the use of Juno 106 spacey sounds and 808 drum patterns.Enigma EP is contemplative, audacious and imaginative.

Slam's new single flawlessly encaptures the modern Drumcode sound. Movement trundles forward with snare rolls and funky percussion. The synth line keeps the funky groove rolling along until the snare roll break where it then crescendos effortlessly back into the track. The Realms synth line weaves in and out of the beat, filtering up and down to create intensity before unleashing itself into aural pleasure. Irrational Numbers takes an unusual rhythmic synth pattern and creates a groove that will make the dance floor shuffle. Layered with pads, the track uses depth to create a distinctive character.

Limited hand stamped copies..

Victor Calderone has a very colourful history within the music scene working with the likes of Sting acting on Madonna's recommendation to remix 'Desert Rose' after also remixed Madonna's 'Frozen'.

Having previously worked with Nicole Moudaber, they released a joint EP on Drumcode named, 'The Journey Begins' to great success. As a solo artist and DJ, Victor has been a resident at Roxy in New York and Liquid in Miami and has been working in the music industry since the early 90's to great success.Victor Calderone has stepped up for his first solo release on Drumcode with his two track
single, 'Burden'.

Featuring two energetic tracks, 'Skin' and 'Burden', Victor has used effected vocals to create funky rhythms over the top of some steaming kick drums. Thesynth stabs lend themselves well across this EP particularly in 'Burden' where they really augment the flow of the track.

The use of percussion phrases throughout both tracks on
the single also reinforces the grooves and adds character to create a distinctive sound that keeps the single fresh and exciting.

Waterford hero Cailin inaugurates Gurriers with her solo debut Phantom Love Affair. 4 tracks of gritty, hardware focused techno with impressive variety and measured dancefloor focus that prove the producer to be one of Ireland's finest.

"The Unicorn" gets right down to business, siren-ated synths engulfing the hardened doofs for a tool'd up ride through the wild and uneasy. "Dickheads" proves heavier with an rising acid line leading the march to addictively hypnotic militant drums.

The flip gets funkier with Sphinx's staccato'd snares bouncing around a kinetic melody via peak time pace for prime floor effect. Our finale then involves the incredible title track, locking in for a mesmerising frenzy of pressure cooked 303's, high hats & kicks that will surely ravage the rave, whenever it may be.

Mindcolormusic 10 year anniversary triple pack with 12 artists new to the label, each providing 2 tracks - limited to 150 copies!

Local boys FYI Chris are back with the feel good ep of the summer. Taking in ballroom energy, deep rolling psychedelic techno and the sun drenched house jam, ‘Daze’ featuring Simeon Jones. A classic from start to end - FYI Chris step forward with their finest cuts to date for the homies at RS INTL

Gen Ludd are Glasgow-based Rich McMaster (Golden Teacher, Modern Institute) and Tom Marshallsay, both of whom are a big part of the extended Rubadub family. Their music perfectly embodies the Rubadub ethos of music for heads and feet.

After months of negotiations with our minister of finance Hillington West Snr, TAFKNAGL (That artists formerly known as General Ludd) return with four precise cuts of pure rhythm and motion.

These tracks are a message to the Ramona-toting, gymnasium-powered international dance deejay. Please be bold enough to play them... you'll make the world a better place. We'll give you free WAVS too.

Mike Parker with a second volume of his Devil's Curators series on Donato Dozzy and Neel's Spazio Disponibile imprint. Another pack of powerful and spacious techno hypnotism. Touching a wide range of tempo's and moods while staying in close touch with the original Mike Parker aesthetics.

Grand St., the upcoming release on NYC's Maddjazz Recordings, is a 7-track EP from the duo Pharma - the musical group of long time friends, Sam Katz & Milo McBride. While they’ve spent the past years operating in different musical landscapes, Pharma is their most recent collaboration and features guest performances by rising stars, anaïs + Wati Heru.

At its heart, Grand St. is pop music, but performed through a dusty lens of bittersweet melancholy. The release is offered both in digital formats on all platforms and as a limited 12" Vinyl (100 copies only). The artwork + design was done in collaboration with Phil Wong and Lucas Mascatello.

Tomas Jirku began his career in the golden era of minimal and glitch techno, helping to define the genres through releases on Alien8, Force Inc., Klang Elektronik, and Traum. Over the past two decades, Jirku has built a strong repertoire with his exploratory approach to music, experimenting across genres to develop a sound he can call his own.

"Touching the Sublime" is the culmination of this work, with material transformed through performance, experience and introspection. Inspired by his explorations of the remote wilderness that surrounds his home in Vancouver, Canada, Jirku evokes the philosophical concept of the sublime, where an overwhelming experience of awe confronts us with the limits of our rational minds. The album is a synesthetic auditory expression of Romantic era prose and stories of early alpinism. Bringing epic orchestral compositions and intimate guitar passages together with Jirku's unique sense of space and texture, "Touching the Sublime" draws from his most important collaborators and influences to create a uniquely personal result.

The album is accompanied by a limited edition photo book(not included), where, as an accomplished photographer, Jirku has captured the landscapes and vistas that have been his inspiration.

Bradley Zero celebrates five years of his Rhythm Section International imprint with 12” compilation SHOUTS Vol. 1 & 2. Vol. 1 represents the more club ready side of the label whilst Vol. 2 explores more
mellow territories. Famed by Mixmag as one of the Top Ten DJs of 2019, celebrated as a “figurehead for the exploding south London scene”, and “responsible for spreading the gospel of the city’s new Jazz sound”, it’s clear to see why Bradley Zero is quickly becoming the taste-maker of his generation and Rhythm Section INTL as one of the most respected outlets for authentic global cuts. A go-to label for the connoisseurs Rhythm Section INTL is a UK staple. The raison d’être has always been to unearth and nurture new talent, not just via the catalogue but through the now established network of radio shows, concerts and club nights Rhythm Section has become known for. The SHOUTS compilation and accompanying celebratory tour is a continuation of this mission. SHOUTS is a nod to the online radio culture that birthed the movement. SHOUTS is the label using its
voice to amplify its peers. SHOUTS is Five years of Rhythm Section International.