Techno Vinyl New Releases - News

7am. Tilburg. Black room. Strobe light. Dutch Soundsystem Wirwar. "Party Like It's '96" celebrates 23 years of musical debauchery, rinsing BPMs and battering bodies in forests, squats or wherever a PA system could be plugged in. Five tracks from five different aliases make up this descent into drum beat battery. Noses are up against sweat drenched wall from the needle drop, the thundering pace of Trippy D's maniacal offering being elbowed in the ribs by Bart Bral's nosebleed inducing "No Shit, Sherlock!" Distortion slices into squalid acid lines in the blazing "Water On Mars" by RAF before broken beats are blended and blitzed by Just So Nah. The night, or morning, comes to an end in Roel's nightmarish fairground ride. "Wurlitzer Express" minces chiptune cuteness with splintered snares, cracked kicks and mutated percussion to leave hearts, minds and souls thoroughly stained.

After the success of the first A-sides compilation in 2012, Adam Beyer has decided its time to release another. With Adam's stature steadily growing as one of the leading talents in the Techno scene and the rise of Drumcode, the standard of demo's that have been sent to Adam have been top notch. Adam has now decided to release two compilations with 10 tracks each, consisting of tracks that Adam has tried and tested. There are also new artists that have been invited to release on Drumcode for this compilation and others who are a staple in Drumcode's core family. Combining both old and new talents Drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

Box with 4 releases coming from Michel de Hey. Originally released as Unknown Artist. Including remixes from Steve Rachmad, ROD and Windows.

REPRESSED !!

VINYL ONLY - Random coloured vinyl - limited to 500 copies worldwide

Immagine A1 : Deep down a dubby techno track, intelectual dancefloor with a strong work on shirley. Introspective sounds, smoothy track.

Immagine A2 : Strong kick with this taste of Modernism : Dub and chirurgical rythm.

Immagine B1 : Dancefloor destroyer. This track is an emphatic techno housy bomb. Like a calm river finish to a waterfall. Not easy, truly, madly and deeply song for an another taste on the dancefloor !

Immagine B2 (Zadig rmx) : French sounds designer made an destructuration work on this remix. Syncopated beats, high shirley for a masterpiece

PBR Streetgang return to their home imprint after a brief hiatus with possibly the strongest release on the label to date and a heavy remix from cult producer Johnny Aux.

'Zoot Module' is a moody, low slung slab of Electro with haunting riffs, holding your sonic gaze front and centre.

The EP’s title track, 'Sendeturm' is named after the tower atop a very special lookout directly above the Love International festival site. The beatless piece, a melancholic ode to a lost summer in place of beauty.

On the flip Paranoid London member Johnny Aux turns out his signature rough & raw dirtbox sound that burrows its way under your skin. A true Electronic Body Mover. And closing the B side out 'Thru The Shutters' was imagined as a last track on the early hours of Sunday morning dancefloor but could just as easily be a blissed out home listen. Depth and space run through every track.

Press:

Les Yeux Orange Premiere - Johnny Aux Remix

Clandestino Premiere - Senderturm

Nonacíenmanchester Review

Sentireascoltare Review

Spotify Playlist Inclusion - Joe Cowley - (Zoot Module)


DJ Support:

Paul Woolford - Senderturm is fucking ace x

Tiga (Turbo) – bomb

Gerd (4Lux / Clone) - dope trax! johnny aux rmx very good too!

Bill Brewster - Zoot Module is excellent.

Jennifer Cardini (Crosstown Rebels / Dirt Crew / Correspondent) - Great!

Psychemagik - Johnny's remix is the one. Defo in the crate.

Cromby (Shine / Tenderpark) - jonny aux mix is sick

Massimiliano Pagliara (Live at Robert Johnson) - nice tunes

Severino Panzetta (Horse Meat Disco) - Interesting YEAH

Jason Kendig ((Honey Sound System) Dark Entries, Solardisco Recordings, 3rd Strike Records) – feeling the original of zoot module and the killer remix as well! ace all around

Justin Robertson (Deadstock) - love this...

Joshua James (Phantasy) – GWAN

Alinka (Twirl, Classic, Crosstown Rebels, Batty Bass) - Awesome!

Ian Blevins (Me Me Me, ESP Institute, Futureboogie) - Outstanding throughout !! x

James Welsh (Phantasy) - Some of the most intensely exciting noises I've heard since 1999

Fear-E (Dixon Avenue Basement Jams, Don't Be Afraid, Hilltown Disco) - This is excellent. Zoot Module is right up my street especially.

Dave Harvey (Future Boogie / El Harvo) - This is excellent chaps!

Harri (Sub Club) - Lovely stuff, will support and play

David Martin (Dimensions Soundsystem) - Strong stuff.

Jaye Ward (Dalston Super Store / Netil Radio) - big fan and not disappointed! Johnny aux remix is brilliant but senderturm is one for me.. looking for good solid deep downtempo stuff like this ALL the time.. brill!

September marks the return of MindTrip's Don on his imprint with a dark, intense and musical exploration, followed by a signature remix by Ukranian icon Stanislav Tolkachev. 'Rise Of The White Dwarf' welcomes you into a trippy journey. 'Double Existence' goes into a darker dimension of broken patterns and modular jam. 'They Want To Fool Us' is a clear statement by Pfirter who delivers a raw, stormy techno track that keeps a melancholic twinge; while Stanislav Tolkachev makes his long awaited debut on MindTrip with a psychedelic, strong and driving interpretation of this original piece. MT16 completely embodies MindTrip's philosophy around music created to take individuals on a higher state of consciousness. This is MindTrip.

Phyzikal Flex delivers four absolute bombs from the vaults on this colabo EP from Doom Chakra and Parallax. The 12" features two revised and polished versions from his 2017 Doom Chakra Tapes album, “Keeping It Real Since 92”, plus two unreleased tracks - available for the first time now on vinyl.

Parallax & Doom Chakra joined forces on this PARADOOM 0001 release in order to finally release these four long-awaited gems on wax. The release will be delivered in a unique hand-sprayed sleeve, each record will be hand-stamped and will also include a batch of collectible stickers from both labels. The record was mastered by Norman Nitzsche @ Calyx Mastering and cut by Phyzikal Flex himself and will be pressed at Optimal Media.

The Analogue Cops' "Zigulí" E.P. for Vitamina is an earthshaking four trackers dancefloor banger which melts old- school roughness and cutting-edge spectral enhancement.

"Climate Exchange" and "Take your vitamina" wisely blend Chicago fuelled drums with ballistic delays, toward a frantic peak-time climax.

"Passage to the door" and "The green door" instill romantic acid madness from emerging minimalistic tight rhythms incautiously driving to a late-night daydream.

From Detroit and passing thru Chicago on the Soul Research train, comes Titonton Duvante', a multi-faceted artist who has been in the US scene for over 15 years, and has been making the Motor City music scene proud ever since.
Recapitulate, EP vol1 is new and a pot of inspiration. Two tracks which mix Detroit grooves and sounds with a Chicago style rhythm. Recapitulate, produced with Christofer Rau, is experimental and ethereal. The EP ends with a Yotam Avni, a young and talented artist from Israel, who takes Recapitulate into
techno with no compromises.Russ Gabriel : Total
quality. Love it.Claude Young : Really nice EP!
Impasse is my fav ! Duvante is on fine form as always!
Gel Abril : nice yotam mix ! Jeff Derringer : Titonton forever!
Joseph Capriati : Downloaded for Joseph Capriati, thanks.
Donnel Knox : Good tracks Titonton is the man
Danny Tenaglia : thanks!!!!
Norman Nodge : Beautyful and rough at the same time, good stuff. Many thanks!
Richie Hawtin : downloaded for r hawtin
Maurizio Vitiello : Yotam Avni Remix thx!
Luke Slater : like it
Pfirter : Yotam Avni remix is my pick here, Thanks.
Terry : High level music, classy & sexy, loving the whole release ! Support & thks
Jeroen Search : yeah very cool stuff!!
Dj Hyperactive : dope.....!! Love it
Andrew Duke : Superb stuff, Titonton can do no wrong in my books.
Magda : downloaded for magda, thank you!
Anderson Noise : thanks for the music
Plural : Hot release! My favorites are impasse and Recapitulate ft. Chistofer Rau (Yotam Avni rmx)
Unbalance : Cool release!
Angel Molina : Ill play Yotam Avni rmx, but 'Entre Temps' is a nice classic / timeless tracks as well. Good to hear Titonton stuff again, thanks.
Par Grindvik : sweet one! thanks
Bleak : Really smashing release! Yep!
Electric Indigo : impasse is my favorite here
Exium : i will test Yotam rmx,thx
Jorge Savoretti : entre temps is my pick here! quality
Lee Holman : Recapitulate both versions, are great. The original has nice baleric vibes but still a raw underground quality. Will play these. Thanks!

De Lichting is a brand new collaborative project between three key underground labels from Amsterdam namely Yield Records, Native Response and Working Titles. All with their own successful solo projects and well established in what they do, the collaboration is “a coming of age story narrated by a bunch of music heads from the same city.” It is a project that sees seven self-confessed music nerds putting their DIY ideals front and centre and coming together to self-release these 13 new and exciting tracks.

Artists Nathan Surreal, queniv, RDS, Scott Franka, Kaap, Eversines, Human Space Machine and Deltitnu all contribute at least one track each to what will be the first in a new series of releases that follow this same diverse collaborative approach. Musically, the tracks cover many shades of house, ambient and techno across four carefully curated sides of vinyl.

Side A takes in unsettling sci-fi ambiance that turns into spacious and cosmic deep house before dropping back into dreamy, beatless chords. Side B picks up the pace with slippery electro synths and rubbery grooves that journey through the cosmos before ending up on romantic broken beat bliss.

Side C kicks off with menacing and trippy house which turns to deep acid, loose beat workouts and dubby ambiance then last of all, Side D offers supple mind melting techno and sombre minimal dub. Always inventive and atmospheric throughout, this a varied and vital release that both DJs and dancers are sure to love.

At the disco there is a mentasm... You will find me there..."

So begins Cornwallis' "At The Disco", a robot-voiced spoken word oddity released on Power Vacuum in 2015.

Power Vacuum is all about the mentasm: the mental orgasm, the moment when psychoactive electronics remould your grey matter into discombobulating new shapes, and when silliness, surreality, and playful aggression flip the sensible order of things upside down.

De Lichting is back for their second double vinyl album titled; 'Twee'. The collective showcases a genuinely sensitive and pure sound resulting in an emotionally charged album.

The A-side kicks off with Boris Acket & Kaap. The live and improvised performance 'De Tuin' starts as a percussive soundscape and evolves into light footed ambiance, which resonates to a designated chill-out space, followed by 'Verwar' of Eversines. A darker hedonistic cut thanks to its atonal pads and heavy but sensual low end. A polyrhythmic breakbeat is introduced, which releases the tension and clears all the grey clouds to its sonic spectrum.

Human Space Machine & queniv take over the B-side this time, working their way through an emotional techno journey with Human Space Machine's 'Feels' and the most apocalyptical techno banger we've heard from queniv so far called 'U.I.C'.

Switching records to the second vinyl, we start on the C-side with Boris Acket's 'Humming', a house anthem sure to jerk the tears of euphoric dancers. Continuing, three other cuts which are Nathan Surreal's 'Chaos In The Echoes'; a mental deep weapon, queniv's museum inspired experiment 'Kruller Muller' and 'Onvoorwaardelijk' by RDS. C4 lives up to its number; blowing up clubs with a lovely sensitive yet dangerous electro bomb of a track.

When the concluding side is put on, we're taken aback by Kaap's 'Hartzeer', a heart aching combo of 707 drums, grungy textures and a rolling 16th bass, which goes right in the feels. RDS is featured a second time on D2 with 'Haat & Liefde', resulting in the most acoustic sounding track on the compilation before we end with Eversines' '2Anticipate'. An ambient cut where the 303 acid synth has hardly ever sounded so soft, tender and more sincere than you'd expect. And so, the album is wrapped up and implies a feeling of a new start to the next compilation.

Viers rolls through with a unique 4-track, club oriented EP entitled ‘Innocence’ for Typeless. After some previously highly acclaimed releases, the Leeds based artist reinforces his supremacy with a fiercely diverse electronic voyage.

"EVA00" on the A side offers up a hybrid electro-breaks infused sound with rolling basslines and euphoric melodies, encapsulating yet to be heard futuristic club cuts. Whilst ‘Douglas Descend’ adheres to a more classically punchy techno sonic with hypnotic kicks and a protruding industrial snare. B-Side’s ‘Innocence’ is a dark bass-heavy electro track that is masterfully mind-bending. The EP is then rounded off by the warehouse inspired track entitled ‘LSD’, reminiscent of big room rave settings of the 90’s. A high energy club ready EP.

Alan Fitzpatrick makes a triumphant return to the scene-leading imprint this August. The typically bombastic three-tracker of explosive, crowd-moving techno opens with Love Siren packed with all the power and punch required to knock over festival crowds as it systematically builds and drops, this is one for the big open air stages. 'U Said U is a massively hyped track that has been the subject of huge fan-demand since it first featured on Beyer's Drumcode Radio in January. Rumours wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies.

Repress!

‘Thief of Sanity’ is shapeshifting duo Animistic Beliefs’ debut on Brokntoys.

The 4 track EP is an ode to the past, drawing inspiration from political techno group Underground Resistance, as well as ancestral pan-tribalist music. Without compromising their signature Rotterdream sound, the dynamic duo deviates from their recklessly violent live-sets, tuning into more introspective and earthbound frequencies.

By means of hypnotic synthesizer and bursting drum machine workouts, Xakalele and rbf.linh take you through their melancholy filled world, sharing with you their worries, hopes and fears in the form of a tongue-tied protest.

Borai will be instore at Container Records launching the EP, date TBC
Bristol based Borai returns to THEM records with a 4 track EP of 140bpm Jungle and Warehouse Techno. Ruffneck club music for 2018

DJ SUPPORT:
JoeFarr
Manni Dee
Lag
L Major
West Norwood Cassette Library

Stroboscopic Artefacts Returns With Another Strong Addition To Its Totem Series, A Unique Set Of Releases Pressed On Transparent 10' Vinyl, Capturing The Essence And Effusiveness Of Multidimensionality Of Club Culture. Bridging The Gap Between The Worlds Of Sound And Material Objects, Totem Is A Series That Aims To Meld The Artistic Resonance Of Each Forthcoming Release Into An Emblematic Representation Of The Sounds That Are To Be Presented, Clearly Within The Grooves Seen And Heard On The 10'. Stepping Up For The Third Release In The Series Is Berlin Legend Efdemin -- Bringing A Three-track Journey That Is Unequivocally Enduring And Flexible For Journeys On-and-off The Dancefloor.

While Each Track Shares The Same Title, The Textures And Traits Are Different -- With The A1, circles' Setting Things Up With Pertinent Percussion And Staccato Synth Lines, As Efdemin Sways Towards Another Side With left' -- A Heady, Hedonistic Thumper With Exuberant Melodic Bursts, Followed By A Therapeutic Sequel With right' -- Closing Out The Release With A Melange Of Spacious Efficacy, Something The Berlinbased Producer Has Been Known For Throughout His Near-two-decade Career. Between Releasing For The Likes Of Ostgut Ton, Curle, Dial, And His Own Imprint Naïf, Efdemin Takes On The Challenge Of Totem's Conceptual Subjugation And Subverts It With His Emotionally Honest Take On A Stimulating And Subdural Sonic Experience Within Three Parts. Narratively Dense And Expertly-paced, The Totem Series Carries On With Another Outer-worldly Insertion To Its Catalog.

Inner Surface Music are very proud to present Grey Branches - a new project by Yves De Mey. It brings together his love for straightforward technoid tracks and his known interest in experimentation. Grey Branches deliberately aims at the floor without losing the focus on sound design. It serves as the ideal output for Yves' take on distorted rhythms and linear arrangements.

'Exsolve' opens proceedings with a truly unique take on broken techno rhythms, playful yet commanding synthesis intertwines with low-slung baselines. 'Lower Bounds' enters us into a psychedelic dimension that we have never entered before, slow robotic drums and synths bleep and modulate as we enter the void to float into a parallel universe. 'Binate' stomps and kicks with ferocity, the synths build and swarm like a giant mechanical wasp ready for the sting - a powerful and dynamic track that will encapsulate any dance floor. 'Plangent' is an experimental modular workout - a perfect amalgamation of sounds that melds between metallic and organic sound sources with great intensity and precision

Jackson Ryland debuts on 1432 R with some sublime house & techno. As one half of DC duo Rush Plus, he’s no stranger to high speeds and booming percussion. Here he’s weaved a four-tracker from grainy pads, squelching synths, and scorched drums. All spun out in single take sessions. Focused, honest, and fresh, Stealth Mode is a record with barreling rhythms and soul stirring harmonies. A mix of menace and melancholy, shadows and strobes.

Our number 17 comes in the hands of P.E.A.R.L. himself, with three slices of modern properly distorted technoes plus a Drum & Bass infused cut. As P.E.A.R.L.'s sound signature, a few elements make things move an evolve without super breaks or mega reverb washes, dry, raw and precise. Shuffled rhythms and sequences, complex arrangements, cold in essence but warm for the most advanced dancefloors.

Artwork curated by Silent Editions.

Pearson Sound returns to Hessle for the first time in 5 years, with an EP for clubs and warehouses varied in tone and intensity. 'Alien Mode' orbits around a sledgehammer breakbeat, processed for impact on contemporary dancefloors whilst referencing the sonic palette of early hardcore and jungle, with its time-stretched vocals and restrained FX stabs. 'Cobwebs' flips a percussion sample, officially licensed from Nigerian musician Adewale Ayuba, into a head-spinning sub-fuelled roller at 155bpm. The understated ecstasy of 'Everything Is Inside Out' closes the EP with its elastic arpeggios and yearning synth lines. DJ support includes Four Tet, Objekt, Jamie xx & Daphni.

A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.

The 25-track strong compilation, split across 7 EPs, features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.

Part 1 sees Layton Giordani drop the stirring chord-driven ‘Chrome’, whilst Veerus follows up his powerful DC release with the fierce ‘Prophecy’ and BEC makes a blistering debut with ‘Hypersphere’.

The highlight-rich compilation also includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘The Grid’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’.

The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, while the exciting Hyperloop project links up with Upercent for the slinky loop-driven ‘Rouge’, alongside label mainstay Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.

There’s a troupe of debutants donning the Drumcode jersey for the first time, including Shelley Johansson, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Timmo follows up a strong DC release with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons.

Berlin based and operating, Paris bread and raised, Jean Yann Records is an independent music label focused on house, tech-house and techno music. Evolving in the Berlin scene for over 3 years now and being over 4 years old. This Vinyl only release represents everything Jean Yann Records stands for, a real blend of genres, with a multi-cultural background, shaping the future of electronic music. All the producers who helped build this project play in big venues, either in Europe or in Asia, are known from and know the club scene, which sublimates the standing of the tracks in this episode.

Influential Spanish artist Coyu is stepping out on his own Suara label with a long overdue debut album entitled ‘You Don’t Know’ that is going to shatter all conceptions about him. Due for release this September 23rd, the 16 track affair showcases his broad range and takes in collaborators like Moby, Lazarusman, The Horrorist, Thomas Gandey and many more.

Coyu quickly rose through the ranks to become one of the most prominent names in underground dance music. The Spanish man famous for his love of cats has established his Suara label as a go-to outlet for the most essential house and tech tracks, as well as releasing his own expressive grooves on Cocoon Recordings, Diynamic, Bedrock Records, Turbo Recordings and MORE. Now he really stretches his legs across a fantastic full length album that goes way beyond the dance floor and shows many new sides to his sound. The artist has been working on it since 2012 and aims to show people that whatever they think about him is wrong.

Says the artist himself, “the album is named ‘You Don't Know’ because many people have a preconceived idea of who I am. Until now, maybe I wasn't smart enough to show them my roots, what I love and what I can offer to the music. I'm not just a DJ or a producer who can play or make grooves – I love many different genres and many different kinds of music. With this album I want to change that preconception.”

The album kicks off with a dramatic spoken word from legendary vocalist Lazarusman before exploring low slung and sleazy grooves on ‘The Three Chimney’, floaty light melodic and dreamy house on ‘Out of The Pain’ and more club focussed but just as dreamy fair on ‘We All Try’ with Mike Leary.

Proving he can do everything from poolside gems to peak time techno, ‘Fear Is Gunna Be A Player In Your Life’ is one to get you in a trance with its sonar like synths and rolling deep space drums. Thomas Gandey aka Cagedbaby then steps up to guest on ‘1+1’ which is a hands in the air piano anthem to pump the party, and ‘Wanna Do Right, Wanna Do Wrong’ is a techno cut with brilliantly energetic drum programming and a big, perfectly placed vocal sample.

Switching up the vibe is ‘I May Be Dead, But One Day The World Will Be Beautiful Again’ with none other than dance legend Moby. It is a heavenly track with break beats, angelic melodies and a celestial feel that leaves you refreshed. The second half touches on raved-up drum & bass, gurgling minimal techno and harder techno with mind melting acid synths. The Horrorist contributes to the banging ‘My First Pill’, while the techno journey continues with ‘Unite’ featuring Gabriella Vergilov before the album finishes on the fluttering ambient track ‘Insania’, with mad church bells and manic percussion all bringing things to a close in style.

This is a broad, adventurous album that covers plenty of music ground and takes you on a true electronic trip from one of dance music’s most accomplished names.

Repress in Black Vinyl

Voitax welcomes newcomer Cyan85 to their roster. Characterised by its dreamy pads, retro-futurist arpeggios and slamming 808 beats, his debut EP, "Bay Of Sampieri" builds on electro's rich heritage to deliver a bouncy, dance-floor warmer.

The second release on TDSR comes from the Prince of Florence - Dukwa. "Tears Like Stones" is his most varied body of work yet, and hints at the versatility of what's to come from this new Glaswegian label.

Marco Dukwa lives a life of many parallels. Growing up in a small town on the outskirts of Florence, he is the third of eight children in a working class family - by day working 13 hours shifts since adolescence to help provide for his siblings, all the while dreaming of music. By night he locks himself in his room, channelling his emotions through the only hardware he could afford – the MPC1000. Through his sampler he reflects various influences from dance music past and present, crafting tracks of rave euphoria, dusty Detroit house, gliding arpeggios and golden era electro.

At weekends, he is the darling of his local football team Antella FC for which he is the top goal scorer and subject of much adoration (even if it’s only from the average attendance of 50 people).

“Tears Like Stones” translates both the introspective recording process and the intent for versatile DJ use, percussion tools and peak time energy represented across each side. The EP demonstrates Dukwa’s path from 2008 to today – the culmination of more than a decade immersed in sound.

Exciting new electronic project E&D burst onto the scene in stunning style with the exhilarating ‘Not Enough’ and ‘Runaway’, released on FCR on 14th June and backed by remixes from acclaimed electronic producers Mall Grab and Ali Berger.

London based E&D have unleashed two scintillating vocal cuts which have UK clubbing culture at their very core, featuring classic Garage influences. The theme of heartbreak runs throughout both ‘Not Enough’ and ‘Runaway’ with an emphasis on harmony and melody which will be integral to the identity of the E&D project.

The deep and atmospheric ‘Not Enough’ presents a beautiful yet powerful female vocal whose tone and expression perfectly emphasises the message of lost love. E&D perfect balance this with contrasting shimmering and stabbing beats to produce a track that already has the hallmarks of a classic.

‘Runaway’ is an up-tempo, vintage-sounding UK Garage themed cut with poignant undertones, as the gorgeous female vocal again mourns a relationship which has moved on.

For the remixes, E&D have called upon two of electronic music’s most respected producers – Mall Grab and Ali Berger. Both offer a completely fresh perspective to the originals. With his remix of ‘Not Enough’ celebrated Australian Producer Mall Grab takes the original into deeper, tougher territory, stripping back and lowering the vocal and adding intense, almost tribal, percussion alongside vintage acid house beats.

FCR favourite Ali Berger also takes his working of ‘Runaway’ deep into the underground, emphasising the bass, cleverly layering the vocal and building to a peak-time floor-filler.

Following 3 maxis on Hilltop Imprint and the label Construct Re-Form, the producer Fareed – formerly of the Society of Silence duo (Versatile, Concrete Music) – returns on the new label, MAZE, dedicated to experimental breaks and cinematic soundscapes.
This first EP, with irregular rhythms and metallic sounds, loses us in the meanders of a jungle and transports us into a world borrowed from mysticism.

Harvey McKay is back on the track, and stronger and harder than ever before! His last release for Cocoon climbed to the top position in the Beatport charts and stayed there for quite some time and it was about time that the drumcode- and soma-recordings producers returns to Cocoon.

And the wait was worth it as he manages it to bang the drums even more with his new release! 'Cinnamon Kiss' brings us spicey cinammon flavour for the colder days & nights that need to be heated up in all the clubs again after this super hot (but short) summer. A massive tech-house-tune with cool oldskool house chords and cool break downs that will put raverhands up in the air. However there is even more here waiting for you as 'Push It' does what the names says and pushes the beat even higher! This tune is energy loaded and will power your legs to dance, dance and dance. A pumping techno monster that even features a little D-Shake sample for the ones who know. Pure Testosterone and a clear message: Get on the floor and get crazy! One for the big raves!

Non Series welcomes mysterious Judas for their 4th release of their white series

Climate of Fear follows up Soft Boi’s debut LP with a mammoth drop: 12 tapes ripped straight from the first two years of Berlin parties. Released one per month, the series moves from Izabel’s shivering chug through Nkisi’s deadly anarcho-gabber psychedelia, Polar Inertia’s sleek techno throb and DJ Python & Mad Miran’s impromptu closing b2b.

Climate of Fear's second installment in their tape series comes from Polar Inertia: a one hour masterclass of HD ice burn techno. Recorded live, the set shows PI in full command of their craft, lunging forward with deadly intent while opening up to moments of shivering awe. The full roster is as follows:

Elena Colombi
Polar Inertia
Nkisi
Bruce
Relaxer
Bambounou
Shanti Celeste
Karen Gwyer
Vladimir Ivkovic
Izabel
Terekke
Mad Miran b2b DJ Python

Raw Culture renews its love with France by carving it on the wax.

The Parisian Security Dj, honorary member of the Knick Knack Yoda squad, returns, after the success of "Fucking DJ", in collaboration with Sophia De Jong released on our t last VA, this time with two whole sides dedicated to his weirdness.

Resident of Rinse France, in his sound, converge endless cues from his musical research, expressed through his already proven skills as a producer in his infamous Aubervilliers Studios. Roughness and overwhelming grooves are his characteristic traits.

Within the EP a collaboration with his snack dude Rawmance, Parisian by birth, Italian by adoption, with whom he shares also the Drew C. Mance project.

Asymmetrical , boss of the label, did the role of Celine Dion in “Ramp Age” with his magic voice.
Finally, to complete the work, we have the pleasure to have in our infamous stables tha guy Cardopusher, who cooks his version of "domestic xs" with his unmistakable groove and sound that makes even the stones move from the ground.

The release as always will be available in a limited series of 300 hand stamped vinyl.
Mastered at Sensorium

We are proud to welcome back San Francisco based DJ and producer Sepehr Alimagham for his debut album ‘Shaytoon’. Drenched in nostalgia from his upbringing, ‘Shaytoon’ pays homage to 1970s Iranian albums that were on rotation throughout his youth. Eight tracks of twisted acid, left-of center electro, sludgy psychedelia, and things-you-can-maybe-call-techno are a few of the sonic elements found within. Regular listeners will find Sepehr’s signature perspiratory dance-floor vibe, but some songs also showcase a low-slung, cerebral approach. Sepehr's unique sonic palette carves an interesting space in the dance music world by harnessing the spirit of his cultural ancestors. The artwork pays tribute to ‘70s Iranian pop and funk albums with bold Farsi calligraphy and portraits by Sahra Jajarmikhayat. In relation to the music, the album cover creates a dichotomy much like Throbbing Gristle's ’20 Funk Jazz Greats’. Berakhs (Dance).

Label Boss of UNCAGE label, Marco Faraone delivers a series of incredible remixes of Tin Man's Nonneo single, which was originally released in 2011.
First up is the Floor Mix, which leaves the wispy, undulating acid line form the original in place but layers in more heavy, earth rattling drums down below. It makes for a truly hypnotic track.

Then comes a dub version, which is built on elastic drums with gentle acid riffs floating above the compelling kicks, and last of all is a Dreamy Version that is awash with lush heavenly pads that float up to the skies as the rooted drums keeping things moving down low.
This is a varied and vital package from Faraone, coming on a fresh slab of 10".

Censor - A new electro label taking influence from other worldly communications, all translated via synthesis. Alex Jann supplying sonics from an array of hardware based instruments on the label's first outing. With a rattling A side mix from Marco Bernardi of the title track.

The release was mastered by Keith Tenniswood at Curve Pusher.
DJ's playing such as Sync 24, Kirsti Null + Void, Wasp, A-Future

B A2 | Dismembered Dolls & Cracked Skulls (Scalameriya Remix)

Clouds present Maxiboy, an outlet for the Scottish duo to release solely their own productions. The label will be a vessel for experimentation within the realms of highly functional techno, aimed directly towards the club.