Aetheria marks the second chapter of this journey, where Egyptian Greyhound explores an emotional landscape shaped by house, trance and progressive influences.
Each track reveals a different facet of the same ever-evolving experience, gradually unfolding into a world of its own. Intimate and introspective at times, expansive and euphoric at others, the music moves through shifting atmospheres, hypnotic rhythms and melodies that linger long after they fade.
Rather than following a fixed path, Aetheria invites you to surrender to the moment and discover where the sound takes you. From its first breath to its final echo, the journey unfolds through emotion, movement and an immersive sonic atmosphere, leaving space for something new to emerge.
Earlier this year, Blue Hour released his debut album Selva, a record steeped in the imagery of lost and forgotten worlds. Now, rather than let that world stand still, Blue Hour opens it up, inviting a handpicked crew of fresh talent to step inside and make it their own.
The result is a remix companion that reimagines Selva through fresh eyes and ears. Each remix artist brings their own sonic fingerprint to the source material, some peeling back the original's dense atmospherics to expose skeletal rhythms underneath, others pushing further into the album's dreamlike haze. What emerges isn't a simple tribute, but a genuine dialogue: new talents in conversation with an album that was already asking questions about memory, erosion, and what gets left behind when a world disappears.
It's a fitting extension of Selva's original premise: if the debut album conjured ruins and jungles swallowed by time, this remix project treats those same soundscapes as living, mutable spaces, ready to be excavated, reinterpreted, and given new life by a new generation of voices.
A defining electroclash anthem returns to wax. Tiga & Zyntherius's cult classic Sunglasses at Night gets the deluxe vinyl treatment, featuring the iconic original 12" mix that set dancefloors ablaze in the early 2000s-plus a thunderous rework by techno titan Chris Liebing, who injects it with deep, industrial muscle for the modern floor.
Whether you're chasing nostalgia or sonic intensity, this is a must-have release for collectors, selectors, and nocturnal creatures alike.
Molecular Recordings proudly announces the release of "Structure Series 1," a special vinyl collection marking the label's 30th anniversary.
This release features unreleased tracks from both veteran artists and emerging producers, highlighting the label's ongoing commitment to innovative and high-quality techno music.
For three decades, Molecular Recordings has been a leader in the techno scene, continually pushing the genre's boundaries and redefining its sound. "Structure Series 1" is a testament to this legacy, blending the work of established artists who have shaped the label’s history with fresh talent poised to influence its future.
"Structure Series 1" is more than a collection of tracks; it is a celebration of Molecular Recordings' journey and a glimpse into its future. This release commemorates 30 years of musical innovation and signals the beginning of a new chapter in techno.
With great joy, we are happy to present to you our next release, celebrating the milestone of reaching 40 vinyl releases.
"From Vision To Reality" will not be a simple release, but a collection of 13 tracks produced by 13 different artists, divided across 3 discs. The selection of tracks will be a mix of up-and-coming artists, established ones, and dear friends, many of whom are making their first appearance on the label.
Opening and closing the compilation are the first two hip-hop instrumental tracks ever released on the label, by Chester Watson and Dean Denali.
In between is a selection of different styles, ranging from melodic Broken Beat and Ambient to Electro, passing through Acid Techno and Goa Trance, featuring artists such as Josh Abrahams (from FSOM), Wedding Acid Group, Sohrab, ADSR, Enrica Falqui, and Parand, to name a few.
A special triple gatefold sleeve has been carefully designed, including printed pictures on the inside that show memories from our journey. Starting from the very early days in London in 2012, they bring back special moments shared with people and friends, or simply, for those who were not there, offer a chance to learn more about our history.
A 30 × 60 cm poster will be included, printed on both sides. The full artwork of the release will appear on one side, while the other will feature pictures of the 13 artists along with their biographies.
The word classic is a much overused one, but in the case of this much in demand 1999 four tracker, it's no exaggeration. There has been much conjecture over the years over the identity of the producer - or producers - behind the mysterious Clint Foster name, but our lips are sealed, we ain't no grasses. All we will say if you like your techno seriously laced with acid, tough and sinewy but equally funky then then you'll love this. Opener 'Indium' is pinned down by machinefunk handclaps, a gloopy bassline and a synth line that coasts pretty majetsically. 'Patterns' is faster, harder and dubbier, not a million miles in its rhythmic shuffle from Carl Craig's 'My Machines', while 'Throughway' is the truly hypnotic one, big on the atmospheric scale. 'Afterdark' closes things, airy synths swelling and hovering over an addictively chunky beat. No names, no packdrill, just four essentially fantastic bits of classsy techno that haven't dated in all the years since. Essential.
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Four essential cuts extracted from the deepest corners of the Newrhythmic digital catalogue.
Hypnotic rhythms, fractured textures and immersive atmospheres converge in a limited vinyl selection focused on tension, depth and movement.
Written, mixed and produced by V/A
Released by Newrhythmic Recs, Spain
Catalog Reference: NRLTD022
Mastered by Jose Angel Palacios
at Newrhythmic Studio - León, Spain.
Format: Vinyl 12 & Digital
Promo / Press : thotpr
Faith Beat’s 16th signal comes from label head Ryan Elliott. The “Tribute" EP is his 1st release in 7 years. Four tracks that move with a clear sense of progression, from warm, chord-led nostalgia through stripped-back, headsy rollers before building into something more emotional and driving. Across all four, Ryan’s signature approach remains intact: understated, groove-led and never overworked; it doesn’t get much more Ryan Elliott than this. Words by Ogazón.
Few tracks carry the weight of techno history quite like Dave Clarke’s ‘Wisdom To The Wise’. Created in a damp basement flat in Brighton in the early ’90s, the track was produced on an Atari 1040 and micro-sampler, drenched in dubbed-out reverb and shaped by a young Clarke still honing the sound that would soon make his name.
‘Wisdom To The Wise’ became the centrepiece of Red 2, the second instalment of Clarke’s seminal three-release series. With Red 1 already making serious waves, it was Red 2 that sent interest in Clarke into overdrive. Within a year, the series had helped propel him from underground producer to global techno force, culminating in a major-label album deal and international recognition.
The track’s influence has endured ever since, earning celebrated reinterpretations from techno heavyweights including Robert Hood, Marcel Dettmann, Boys Noize and Steve Rachmad. Now, Spectrum adds another chapter to that lineage with a very special remix from label boss Joris Voorn.
Staying faithful to the spirit and unmistakable character of the original, Voorn brings his own weight to the classic, reinforcing its impact with a heavier kick and the subtle production touches that have become his signature. Originally created as a weapon for his own sets, the remix has been road-tested on dancefloors and is now ready to be unleashed beyond the booth.
How many orbits before human becomes machine? How many moons are to be found in space?
From the cockpit of 92moons, a celestial mystery broadcasting from earth, comes 'ALT/ERA : The Cockpit'. Her latest transmission forms OG03, a cosmic journey through the birth, revival and expansion of a different era...
Who better to take the controls for the remix than Human Space Machine, steering these signals deeper into the fringes of the (un)known.
Im Herbst 2007 veröffentlichte ein 26-jähriger Produzent aus Köln namens Daso Franke seine 12"-Single auf dem Label ,Spectral Sound" von Ghostly. Auf der A-Seite befand sich ,Meine", ein euphorischer, achtminütiger Höhenflug, der die Tanzflächen weltweit begeisterte. Seitdem ist die Single zu einem regelrechten Klassiker geworden. Anfang dieses Jahres bezeichnete Resident Advisor ,Meine" als einen der besten Songs des Jahrhunderts bis jetzt. Im April 2018 verstarb Franke nach einem langen Kampf gegen den Krebs. Mit der Unterstützung seiner Familie und auf Wunsch der Fans machen wir die ,Meine Idee"-EP wieder verfügbar - in Erinnerung an Dasos musikalisches Vermächtnis. Resident Advisor fährt fort: ,Der Song ist unglaublich positiv, was erklärt, warum er jahrelang ein Favorit in der Panorama Bar war. In den letzten Augenblicken seines Lebens spielten Dasos Freunde ,Meine` über eine Stereoanlage in der Ecke seines Krankenhauszimmers. Es war die einzige Möglichkeit." Daso besaß eine einzigartige Gabe für anmutige Melodien, und die EP ,Meine Idee" fängt einen Moment ein, in dem diese brillant zur Geltung kam. Seine Musik wird weiterleben.
Magic Water Records proudly returns with its fourth release featuring Dutch producer Jos Lok. His “Samtengle Swing” EP delivers raw, saturated sound across four stripped down (techno-)house tracks, limited to 300 copies. Vinyl only.
Len Lewis arrives on Amsterdam’s Dzungla, digging into the tech house veteran’s vault for a mix of archival material and previously unreleased cuts. Four tracks spanning from 2003 to 2021, showcasing his trademark dark, driving sound, with three tracks being released for the first time.
The A-side reissues the original “Paradise People”, the highly sought-after 2002 cut and enduring spaced out favourite. On the A2 comes the previously unreleased “Paradise People (2003 Dub)”, a more dubbed-out version produced in 2003 but never released before.
The B-side opens with “Bare Back”, an eerie high-energy groover, while the B2, titled “A1”, takes things into wonkier, more stripped-back territory. Two contrasting cuts that work across the dance floor, from peak-time sets to the opening hours.
With 108, Nathan Melja shapes a world built around movement, repetition and presence.
Across four tracks, rhythms unfold with patience. The record opens with “Joe’s Muse”, a playful and deep energetic track, before “Les Planètes” expands into something wider, with the help from New York vocalist Joiah, and more suspended. At the centre, eponymous track “108” draws you into a more hypnotic, ethereal space. “Trippin’” closes the EP with a sharper physical pull, bringing the record back toward the dancefloor without breaking its internal spell.
The release is completed by “Strategic Patterns” as digital bonus, an additional exploration of sounds, repetition and subtle displacement.
108 is a record for the space between attention and abandon, precise in its construction, but always open to wonder. It also offers a faithful portrait of the broad panorama of influences that Nathan Melja incorporates into his music, a sound that can be equally appreciated on the dancefloor and through attentive listening.
Orbe Records presents its most ambitious release to date: a special edition vinyl signed by its founder and main catalyst, Orbe. Comprising 4 meticulously crafted tracks, this record stands as the Andalusian artist's most mature work since his beginnings in the electronic music scene.
Far from looking back, this EP is a definitive statement of intent—a sonic manifesto that clearly outlines the artistic direction and evolution towards which Orbe is driving his sound. The record is a total immersion into hypnotic, deep techno, engineered for both physical trance on the dancefloor and mental introspection.
Through cyclical sequences, organic textures, and flawless rhythmic architecture, every cut on this vinyl shuns passing trends to reclaim a techno with a truly timeless vocation. An essential collector's item capturing an artist at the absolute peak of his creative maturity.
A defining classic of the melodic house and techno scenes, Oxia's Domino has remained a dancefloor staple for two decades, driven by its hypnotic groove and instantly recognisable synth hook. Celebrating 20 years, this special vinyl edition pairs an anniversary remaster on the A-side, with Space 92's powerful peak-time remix on the B-side, bridging the track's iconic past with the new generation.
Celebrating 25 years of one of electro's most unmistakable crossover moments, Tiga & Zyntherius' Sunglasses At Night turned Corey Hart's '80s classic into a dark, futuristic club hit. For this anniversary edition, four fresh interpretations make up the record: Sniper Mode on A1, Alter Ego on A2, Raxon on B1 and Konrad Black on B2, each putting their own distinctive stamp on this enduring dancefloor classic.
Life In Patterns welcomes Uncertain for his first appearance on the label with “Defeat”, a five-track EP bringing together five warehouse-focused techno tracks, moving between darker industrial tones and the classic rave influences that have long been part of his sound. “Defeat” will release on vinyl and digital formats on 16 October 2026. Across the EP, Uncertain explores a broad range of peak-time energy. “Anxiety” and “Dismiss” take a darker route, built around tense atmospheres, heavy percussion, and industrial textures, while the remaining tracks introduce classic rave chords and a more open, melodic character. Despite the differences in tone, the five tracks share the same directness and focus, designed with the dance floor firmly in mind. Uncertain, formerly known as Boriqua Tribez, has been active in electronic music since 1989. Over the past two decades, he has released and remixed more than 50 tracks for labels including KMS, Recycled Loops, and Ingoma, before starting a new chapter under the Uncertain name in 2018. Since then, his more frantic approach to techno has found a home on labels such as Rekids, Symbolism, Beard Man, H-Productions, WRKTRX, ANAOH, Illegal Alien, Mind Medizin, Intec, and Uncage. Alongside his productions, Uncertain is an experienced DJ known for fast, precise three-deck sets, with international performances and support from artists including Ben Sims, Radio Slave, Truncate, Mark Broom, Carl Cox, Blasha & Allatt, Chris Liebing, Richie Hawtin, Luke Slater, DJ Rush, DJ Bone, and others. With “Defeat”, Uncertain makes his Life In Patterns debut with a focused collection of five techno tracks — from dark industrial pressure to classic rave energy, all built for the warehouse.
Following the release of Electric Rescue's new album, "Different Horizons", Laurent Garnier's COD3 QR returns to its signature various artists format for a new vinyl-only release featuring six new tracks, by WheelUP, Rapson & Kathy Brown, Mirko Loko, Costello, Jules Wells, Rod20 and James Warburton.
WheelUP is West London producer and DJ Danny Wheeler who's released music on CoOperation Records, Jamz Supernova’s Future Bounce and his long-time home Tru Thoughts. After appearing on COD3 QR in July with a track alongside Blu James, he now teams up with regular collaborator, music producer, DJ and keys player, Rapson, alongside acclaimed US vocalist Kathy Brown for the intensely soulful "Music".
Mirko Loko is a prominent Swiss talent, known for his work as resident DJ at Couleur 3 and Loft Electroclub, artistic director of Polaris festival and releases on Planet E, Border Community, Cocoon and Visionquest returns once again to COD3 QR with the Detroit-influenced "Silent Failure".
French electronic DJ and music producer, Costello returns for his sixth track on COD3 QR, having also released on Solomun's Diynamic, Chloé's Lumière Noire and most recently Maceo Plex's Ellum Audio. His bright Techno groover, "Cocotte" closes the A-side.
Another COD3 QR regular, Jules Wells opens the B-side. Influenced by the Motor City, Jules has released on labels like Electrofunk, Submerge, Twilight 76, KMS, Planet E, Brique Rouge and Logos. Here, he takes the EP into atmospheric territory with "The Rooster".
Benny Rodrigues has previously delivered tracks for COD3 QR as The Lost Souldancer. But now he reprises his Rod20 alias with "Stars Of Bethlehem". Rod20 is the dedicated hardware-only techno project he began in 2020, which prior to its standalone vinyl imprint, launched with a self-released compilation, followed by a dual-part album on Jeff Mills' legendary Axis Records.
To close the EP is the experimental ambient work of "You Are Carried On Waves Of Endless Love" by James Warburton. James is a composer and multi-instrumentalist whose work has appeared on TV and film including Netflix’s "Squid Games", HBO’s "Succession", the title music for Channel 4’s "Manhunt" and the original score for Endemolshine/Banijay’s hit TV series "Murdertown" and NBC Universal’s "Faceless" podcast.
Retro Addict Vinyl Collection - A new series is born.
Five years of parties. Countless memories. Now, the music lives on.
After five years of bringing legendary club sounds back to life, Retro Addict takes the next step: bringing the energy of the dancefloor straight to your record collection.
Introducing the Retro Addict Vinyl Collection: two double-vinyl editions curated byDJ Furax, celebrating retro classics, trance anthems and early rave sounds that defined a generation of clubbers.
The Red Edition features iconic tracks including Rave 93 and Stress, while the Blue Edition brings together dancefloor favourites such as The Jumper and Orgus 69. Two distinct collections, united by one shared passion: the timeless music that made club history.
Whether you're a longtime fan, a vinyl collector or simply want to relive the magic of the dancefloor, these releases are an invitation to rediscover the sounds that started it all.
The party goes on!
For the past five years, Retro Addict has brought the spirit of legendary club nights back to life, creating unforgettable events dedicated to the sounds that shaped an entire generation.
And this is only the beginning. The music continues, the memories live on, and the dancefloor is waiting.
Join us at our upcomingRetro Addict parties and keep the spirit alive.
Retro Addict Vinyl Collection - A new series is born.
Five years of parties. Countless memories. Now, the music lives on.
After five years of bringing legendary club sounds back to life, Retro Addict takes the next step: bringing the energy of the dancefloor straight to your record collection.
Introducing the Retro Addict Vinyl Collection:two double-vinyl editions curated by DJ Furax, celebrating retro classics, trance anthems and early rave sounds that defined a generation of clubbers.
The Red Edition features iconic tracks including Rave 93 and Stress, while the Blue Edition brings together dancefloor favourites such as The Jumper and Orgus 69. Two distinct collections, united by one shared passion: the timeless music that made club history.
Whether you're a longtime fan, a vinyl collector or simply want to relive the magic of the dancefloor, these releases are an invitation to rediscover the sounds that started it all.
The party goes on!
For the past five years, Retro Addict has brought the spirit of legendary club nights back to life, creating unforgettable events dedicated to the sounds that shaped an entire generation.
And this is only the beginning. The music continues, the memories live on, and the dancefloor is waiting.
Join us at our upcoming Retro Addict parties and keep the spirit alive.
His sophomore LP for Limousine Dream, Secrets, is his most expansive and refined to date. Borrowing from after-hours techno, tech house, minimal, and deep house, Secrets is a tour de force of the outer fringes of house music. Wallace leans into the darker hours of the night and the tracks are heavier and headier, but still imbued with his trademark funk. Across 8 hi-definition nuggets, Wallace crafts bespoke bangers for the sound systems of the world’s best clubs.
Asphalt DJ lands with his second outing on Sentiment.
Following a more Detroit house & techno oriented first release, this EP fi nds itself in four club-focused, yet deeper house tracks. - - - - - - - - - - - - - - - - - - - - - - - - - - - - Sentiment is a label born from admiration for those who came long before us, who were driven by curiosity and experimented with early-day machinery. We want to create a home for music that carries that same spirit. A home founded on the bricks of house and techno and built together with artists who inspire us. Feel free to join building.
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A timeless classic - coming up on nearly 20 years since the original 12's were released and the very first time this LP has collectively been available on wax. (over 15 years since last in circulation) This edition was remastered to analog perfection from the legendary Stefan Betke (POLE) sonically sculpting the original work into a true masterpiece - this album has never sounded so alive! This is truly a multidimensional sound experience; it's like taking a swim in an analogue ocean and being immersed into the deepest end of the Marianas Trench. This edition features two cuts, "A Night To Remember" (as featured on Richie Hawtin's ENTER: Ibiza 4XCD mix) & "Under The Ocean" from the original 2009 edition of the album. The remaining tracks were selected from CD2 including "Tswana Dub" (Phase90 Restructure) as featured on Deadbeat's classic mix "Radio Rothko" on NYC's theAgriculture. Also included is a "live" (recorded from the house booth) performance at "dub echoes" in NYC (a screening for the feature film).
a A1. A Night To Remember Remastered 11:07
b A2: Ocean View Remastered 5:30
c B1. Kingston’s Burning Dub live in nyc 8:08
d B2: De Lion’s Den Remastered 4:20
e C1: Never Forget Remastered 9:06
g D1: Love In Lofi Remastered 13:00
Remastered 4:44
a A1. A Night To Remember Remastered 11:07
b A2: Ocean View Remastered 5:30
c B1. Kingston’s Burning Dub live in nyc 8:08
d B2: De Lion’s Den Remastered 4:20
e C1: Never Forget Remastered 9:06
g D1: Love In Lofi Remastered 13:00
Remastered 4:44
Fantastic Planet marks its 10th release with Singularity, a solo transmission from Bassiani resident Newa. Built on firm, rolling techno frameworks, the record layers restrained vocal fragments that gesture toward broader philosophical themes. Rather than chasing immediacy, Singularity unfolds patiently, shifting perception from the present tense toward something more suspended and timeless.
Mensch & Maschine. A concept. 13 tracks. One system. No coincidence. No compromise. Everything follows a logic. We live in a time where progress is no longer a goal, but a reflex. We accelerate without knowing the destination. We develop without questioning. We trust without understanding. We are driven by the idea that technology produces solutions. Without calculating the risks. Meanwhile, something new is emerging. A form of intelligence. Not human. Not emotional. Unstoppable. Consistent. Precise. Superior. Maybe not today. But eventually. Mensch & Maschine exists exactly there. Between what we create and what replaces us. This work does not provide answers. But it may ask the right questions. What happens when we are no longer the most intelligent entity? What remains of the human when systems begin to replace them? And who makes the decisions when we no longer decide for ourselves?
Italian-Iranian DJ/producer Sciahri lays down a deeply hypnotic seven- track EP on return to Mutual Rytm. Heading up the agenda-setting Sublunar label, which is one of Mutual Rytm boss SHDW's personal favourites, Sciahri has been deep in the scene for more than a decade ever since he turned heads with a debut on Ilian Tape in 2014. Well respected for his carefully balanced love of the classic sound with new school influences, always delivering cuts with a refined and personal touch, highlighted and showcased via his widely-loved ‘Pareidolia’ release series. Returning on the label following his appearance on the ‘Federation of Rytm IV’ compilation, he lands with a freshly evolved EP that kicks off with the much hyped ID, ‘Moonwake’. That cut is built on robust, rumbling drums and layered up with flashy synths that bring stark futurism to the dance floor. ‘Liminal’ follows a similar linear path with musical drums and synths that twist and twitch, firing your synapses while your body is locked to the rhythm, before ‘Night Sentinel’ transports you to a more eerie world of anxiousness and tension - the synths are spooky, and the sonar pulses keep you on edge as immersive drums race nonstop. ‘Unmoved’ lands heavy, the bulky kick drums coming on like a storm with howling synth winds adding to the all-consuming atmosphere. ‘Too Much Time’ closes out with a wall-rattling groove and subtle synth motifs that creep in the shadows. As always with the label, digital cuts ‘Silent Frontier’ - which gets dancers on their toes with a backlit synth glow - and ‘Louisiana’ - which brings a more psychedelic energy and hard, hammering groove, rounding out a stylish, meticulously produced offering.
KYSH returns to wax with its third vinyl release — another milestone in the label’s steadily growing catalogue. More than a year and a half into the journey, KYSH feels more in its element than ever, bringing together five names that represent both the label’s own extended family and fresh acts joining the ranks. All well-established and highly respected figures in the modern techno landscape, they deliver a sharp selection of contemporary club weapons. Kashpitzky opens with “Blush”, a raw, boomy cut where rough-edged rhythmics meet crisp modern production, channeling the spirit of industrial techno at its best. “Tarmac” by Regent follows with a dense, restless groove, while Chontane’s “Gyuto” dives into hypnotic territory, layering rhythmic elements around subtle dissonant melodies. On the flipside, Temudo & Pierce join forces for the threatening, aggressively contemporary “Highest Clarity Grade”, balancing intricate sound design between rhythm and atmosphere. Closing comes GCOD with “Sleeper Agent” — dancing sub bass, a striking hook and a relentless hi-hat groove keeping the weight firmly down low. Another strong statement on wax, KYSH-003 confirms the label’s vinyl output as a mark of quality, with five floor-tested cuts drawing from a fresh, current take on the industrial influences that shaped techno a decade ago. A new lineup, a distinct direction, and five tracks ready to speak for themselves on a proper soundsystem.
747's 2025 album Pacific Spirit is reinterpreted across four distinct visions as Eusebeia, Etapp Kyle, Ness, and .VRIL step up to rework select cuts from the LP. The pack starts out dreamy and atmospheric with Eusebeia's halftime remix of Sea to Sky, while Etapp Kyle transforms Cascadia into a melancholic hymn. Ness opens the B side at 170bpm to deliver a thunderous remix of Coquihalla, and .VRIL takes on Pacific Spirit, colouring it with sweeping, dramatic textures to close.
A new album, a new era for Adam Beyer and his music. The revered Swedish producer, DJ, and label head of Drumcode and Truesoul has consistently pushed the boundaries of techno in his own 30+ years of releases, while his imprints have launched many new artists and boosted the clout of major stars.
‘Explorer Vol. 1’ see's Adam Beyer showcasing his inspiration from his whole past creative journey whilst continuing to explore different sounds and new genres. It reflects permutations of Adam’s headspace and who he is, celebrating his personal interests and influences including in sci-fi, both musically and visually. A new age for Adam Beyer, after a prolific slew of superb EPs, singles and collabs which have spanned 20 years since his last LP.
Alexander Kowalski and Miki Craven have crossed paths for years through clubs, releases and remixes, but Terrassa / Les Fonts EP marks their first studio collaboration.
The record came together during a visit to Craven's home in Les Fonts, near Barcelona. While setting up his newly built studio, the two started testing the hardware and soon found themselves jamming. There was no plan to make a record, they simply followed the machines and kept the ideas that worked.
Those spontaneous sessions became the basis of the EP, retaining much of the directness and energy of the original jams. The title refers to Terrassa and Les Fonts, the place where the music first took shape.
The remixes are an integral part of the release. Blueprint founder James Ruskin and Renegade Methodz founder Endlec each bring their own perspective to the material, taking the tracks into distinct new directions while preserving the character of the original sessions.
ANNE Returns to Soma Records with "Sleepwalkers EP", Featuring Exclusive SLAM Remixes
ANNE delivers her fourth release on Soma Records, reinforcing her position as one of techno's most compelling new voices. The release also features two special remixes from Soma founders SLAM, adding heavyweight reinterpretations to
ANNE's original vision.
Sharp and uncompromising, this release is a statement moment for ANNE and a
clear reminder of Soma Records' enduring influence at the cutting edge of techno.
Axel Karakasis returns to Remain Records with four new tracks, delivering driving rhythms, hypnotic grooves and raw, functional techno across the A and B sides.
Two shadows crossing during sundown. Benabou's cuts are physical when the feelings shift. The conductor doesn't announce arrivals. Not on every bar and anything within. All bars, all elements flow side by side. A conflict divides, but it's not divided. What seemed a paradox becomes a daily fix.
TAR048 Chaz Moloney - Tar 48 - TH Tar Hallow The room exhales.The tunes work in the low. Moloney locks the loops. The floor feels low to the dancers, everyone dives higher. A1 - Chaz Moloney - Behind The Red Curtains A2 - Chaz Moloney - Irritation Realm B1 - Chaz Moloney - We're Going There B2 - Chaz Moloney - Look Into My Soul And Tell Me What You See
American DJ, producer, and Ovum label boss Josh Wink remixes Chris Liebing's 'Eye C' via CLR on 25th September 2026, one of the standout tracks from Liebing's first fully solo-produced LP, 'Evolver', which landed in March. The album featured collaborations with the likes of Luke Slater, Charlotte de Witte, and Daniel Miller, with Josh Wink the latest to rework material from the project. The Philadelphian is an electronic music veteran who has shaped countless releases on his own Ovum, while also remixing the likes of Depeche Mode, Moby, and Radiohead.
Josh Wink showcases his production skills once again with a blistering take on Chris Liebing's 'Eye C', rewriting it with fizzing synth modulations and prickly acid lines. The track grows in intensity as rumbling drums march on, and the synths become ever wilder before pulling back into a deep, atmospheric groove, rebuilding beneath the menacing vocals and icy, incendiary hi-hats.
The original version of Chris Liebing's 'Eye C' is a deep, rolling techno masterclass with pulsing synths and deft percussion peeling away from the groove. It's linear and heady, perfect for the small hours, with unsettling vocal fragments refracted around the mix and subtle hypnotism floating overhead as the drums grow ever harder.
Last locked in techno mode around 2005, Chris McCormack left the scene at peak power. He was one of the few producers actively pushing the dancefloor sound into the future while so much of the music became frozen in the past.
With a decade-long golden run mostly through his Embryo and Materials labels, a string of classic, era-defining remixes, his peerless UK Gold releases, and a small but timeless collection of electro and electronica donning the What Kind of Sound? name, Chris' contribution has been a cut above. Somewhere in the middle of all that came "Erase Techno", a strong contender for the best hard techno track ever written.
While that release was the one and only on his Blacklisted label, Blacklisted Mastering was soon born - a premium mastering service Chris has now run for over 20 years, counting the likes of Gary Numan and Max Cooper among its regular clients.
Venturing further away from club music and into the world of library music production, it seemed as though a fresh Chris McCormack release would never again materialise, but he has now, out of the blue, hatched a new full-length album. It is, as you'd expect, a key addition to his rich discography.
A range of moods underpins The Bones of the Old World, which plays out like a cinematic experience: existential pondering, grief and darkness gradually giving way to playfulness, gratitude and a reassuring hope for what is ahead. Majestic, evolving melodies, lush atmospheres, eerie soundscapes and turbo-powered drums form the foundation across 13 tracks. Gripping sound textures and detailed, twitching rhythms run through a blend of ambient, spoken word, electro, loaded broken beats and fierce-intensity techno. A bit like old times? Maybe just a bit like he'd never left.
Lock in to this hour-long odyssey from a crucial voice in electronic music. We're honoured and excited to welcome Chris back for his debut on Earwiggle, as well as the first artist album on the label.
Drumsauw returns to DCLTD for the second time this year with 4 new tracks off his new EP 'Empire.' The title track 'Empire' is a thrumming blend of high speed percussion keeps up techno pressure, counterpointed by a soulful female vocal intoning with Middle Eastern sounds giving a melodic element. Followed by 'Cycles,' a demanding percussion like hammer blows races along, while spacey horns with doppler FX and dark, plangent synth tremolo arps bring an otherworldly, sinister vibe in a huge breakdown/drop. Next comes 'Collision,' rampant, bounding beats, loud rattling backbeat, with a robotic spoken female vocal riff changing pace, slowing in breakdowns before the racing tempo reasserts itself. And lastly 'Comet' that has the fast layered percussion, interspersed with pizzicato melody, varies pitch, becoming frantic, distorted, in the breakdowns. The vocal riff running through adds to the drama; nervy, hyper, disturbing.
ETRX001 - Tension marks the first release on Enigma Trax, a new label founded by Rotterdam-based producer Enigma Trax.
The EP brings together four tracks that explore different sides of his sound, from deep, hypnotic grooves to more driving and energetic techno. Emotional chords and atmospheric textures are present throughout, giving each track its own character, with some leaning towards a darker, more melancholic atmosphere.
All four tracks were recorded as live jams, keeping the raw energy, natural flow and unexpected moments that come with this way of producing.
The release is a personal project from start to finish, with both the music and original artwork created by Enigma Trax.
Gannein makes his Sine Space 7 debut with Lux, a five-track EP that lands the Berlin-based producer firmly in the label's hypnotic and driving orbit. Following recent releases on Arts, KR Records, and KYSH, Gannein arrives with a record that feels both unmistakably his and right at home in the Sine Space 7 catalogue. His productions have already found support from the likes of Ben Klock, Nastia, and Luke Slater, with tracks played at venues such as Bassiani and Berghain.
Opener Gamut sets out patient and spacious, built on a pure kick with creative, ear-catching sounds filling the room around it. Mascarade shifts into swinging groove territory, with the record's signature ear-candy weaving through. A low, echoing voice surfaces at intervals across the cut, demanding attention every time. Furo kicks the tempo up a gear, driven by a hypnotic stab that stays present across the track over sharp, precise claps. Title track Lux opens itself up gradually with melodic synth lines that build synergy with each other, laid over the same well-mixed techno foundation that runs through the rest of the EP.
Closing the record, IGLO's remix of Mascarade honours the original while pushing it into new territory. The Zurich-based producer (with recent EPs on Len Faki's Figure label) brings his own sound engineering signature to the track, adding movement to the low-end and reworking the echoing voice for a fresh take on the source material.
Mastered by Robin Van Genechten at Wanton Mastering.
Since the release of DAMAGED in 2024, Michael Fiedler aka GHOST DUBS has been surfing intensifying waves of adulation, earning praise from such diverse underground legends as Justin Broadrick (Godflesh/Jesu), Regis, Stefan Betke (Pole) and Steve Von Till (Neurosis). With second album Oblique, his mastery of sculpting sound waves results in a spellbinding set of alien soundscapes: larger in scale, richer in tone and considerably more cinematic than its predecessor. Lower, deeper and moodier, its cloudy abstractions, shadowy pulsations and submerged rhythms find Fiedler reaching further into his own sonic void, crafting blurred melodies and addictive narco loops into something simultaneously heavyweight and hypnotic.
Lead single and album opener “Low Times” sets the atmospheric pressure to maximum, resembling a dream date between prime dirt-house era Andy Stott and Berlin dub-tech pioneers Basic Channel. From there, Oblique descends into a series of enchanting mood scenes: the furtive, balletic gyrations of “After All”, the haunting ambience and buried heartbeat throb of “Soft Collapse”, and the noirish atmospherics of “Blackout Dust”, which worms its way into the mind like some forgotten David Lynch scene. The spirit of reggae is more distanced here than on DAMAGED, but the ghost of Jamaican dub still permeates these foggy soundscapes, particularly on “Bombed Suburbs”, where Augustus Pablo-style melodicism is chopped, screwed and slowed into a magnetic lock groove.
Superficially minimal but maximal in its minute detail, Oblique is a record of contorted reflections, mesmeric echoes and tantalising audio mirages. By the vaporous mist of closing track “Almost a Structure”, obvious rhythm has been craftily filtered away, leaving a blurred and blunted residue full of mystery and implied narrative. Dense in the best possible sense and crushing when played loud yet equally potent played quiet, Oblique imagines dub techno burning its own rigid rulebook: sensual, funky and concussive rather than dry or alienating. Following Fiedler’s recent work scoring Sound of Falling, recognised at Cannes in 2025, Oblique finds Ghost Dubs shedding his influences and making it clear he has arrived at a sound entirely his own — essential deep listening and a bewitching dose of future shock.
Harvey McKay’s “Table for One” returns to Systematic Recordings for a special and deeply meaningful vinyl edition. Originally released digitally on Systematic, the EP captures the unmistakable sound of the Glasgow producer: powerful, hypnotic and uncompromising techno, driven by raw energy while always retaining the musicality and soul that defined Harvey’s work. Following Harvey’s passing in Spring 2026, this release inevitably carries a different weight. For Systematic and Marc Romboy, it is first and foremost a celebration of
his music and the lasting impression he left behind.
For the first time, “Table for One” will be available on vinyl, presented as a strictly limited 12” picture disc pressing of only 500 copies. The original version takes the A-side, while Marc Romboy’s remix opens the Bside, offering his own interpretation of Harvey’s distinctive sound. The release is completed by “Mycelium”, another powerful example of McKay’s ability to combine hypnotic repetition, precision and sheer dancefloor energy. More than a vinyl edition of an outstanding Systematic release, this record has become a tribute to an
artist whose music will continue to live on through clubs, DJs and dancefloors around the world.
Jacopo Latini and Giammarco Orsini continue the Data Memory Access trajectory with the second outing on their eponymous label. Jacopo flies solo for this release, showcasing his innovative sound across four essential cuts within the “Echoes Of Tomorrow” EP. Gritty yet futuristic energy throughout, creating a beautiful balance between genres, teasing elements of techno, and electro, but still keeping the depth and emotion Latini’s productions have become synonymous with. Wandering between the distinctive and hypnotic moods of “Time Is Up” and the sought after “Nightfall”, in addition to the transcending yet punchy atmospheres of “Otherside” and “Electric Edge”.
This classy exploration from the Italian producer follows on from what has been a bright few years for Jacopo, as he has found himself sharing his music on a diverse selection of labels including Mood Waves (solo and as DMA), Innershades’ Altered Circuit, and as Data Memory Access, labels such as UK favourite, Craigie Knowes. The “Echoes Of Tomorrow” EP adds to this colourful back catalogue as Jacopo approaches what seemingly looks like the most prolific stages of his career this far.
After the well-received digital release of "Blur Archive" on Radial Records in 2025, James Begley returns to the label with his first EP on vinyl. A release that brings a long-hidden body of work into sharper focus.
A Dublin-based producer and DJ with 18 years of experience, Begley is no newcomer. Until recently, his music remained a private pursuit, shaped over years of experimentation, refinement, and reconstruction, away from the demands of visibility. "Blur Archive" was his first step out of the shadows. Since then, a track has also appeared on a Mord compilation, quietly establishing his presence within the underground.
Rooted in techno's raw foundations and the late-2000s resurgence, Begley's sound draws on the uncompromising lineage of artists like Surgeon, Regis, Steve Rachmad, Cari Lekebusch, and Jeroen Liebregts, while remaining distinctly his own. Tightly wound rhythms, shifting structures, and a sense of controlled disintegration define music that moves between mechanical hypnosis and emotional fracture. Nothing is overstated; every element serves a purpose.
This EP marks more than a first vinyl outing. It gives physical form to a practice that has spent years developing outside the frame: music built for depth, detail, and the full attention that a record demands.
For Radial Records, it also marks a return to vinyl after a hiatus. No better place to resume: a release by an artist who has taken his time, arrived fully formed, and has plenty left to reveal.
The almighty Joe of the Farr’s is a highly accomplished UK techno DJ, producer and mastering engineer. Originally associated with Bristol's electronic music scene, Joe studied TV and film sound design before building a solid reputation through hard-hitting, technically sophisticated techno releases on labels including Turbo, DSNT, Bloc, Soma and Power Vacuum. His concentrated output combines aggressive club-focused rhythms with melodic and IDM-inspired elements. Now based in Wales, performing internationally and on home turf, he also operates a professional mastering engineering operation of the highest esteem of which RIOT could simply not operate without, as many others will gladly attest too.
Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, we’ve finally let loose the screamer of a release, from such an integral member of RIOT HQ, that’s been patiently ‘Left Alone’ and waiting for the right time to unleash its User Experience. Joe’s totally went one step beyond and cranked out a pressure filled release of not only persistent anthemic prowess but one of such rigorous determination, all those on the dance floor MUST ‘Obey’ to its diligent beats. And with Rant & Rave Records boss Maedon serving up such an iconoclastic relentless remix, you will absolutely need to submit complicitly to all things RIOT.
The full digital release also features two bonus meticulously disciplined tracks to fulfil your obedient, subservient requirements.
WARNING: NON STOP BREAKIN’ N’ STOMPIN’ N’ BOPPIN’ TO THE RIOT BEATS WILL MANIFEST ITSELF
Originally released in 2006, John Acquaviva presents Swen Weber's ‘First Stroke’ returns on Secret Weapon Records with a
brand new remix from Luca Lozano. A defining Electro House record of its era, built around its instantly recognizable synth
theme, now gets a sharp 2026 update as Lozano moves the hook onto a break-driven groove, adding playful bass movement
and a futuristic vocal touch.
The remastered original is included on the flip, preserving one of the standout club records from the mid-2000s Electro House
boom.
SENSE004 sees Helsinki’s Kaspiann deliver a four-track journey of deep, psychedelic exploration. Blending heavy forest-psy influences with alienating, primitive sound design, the EP creates an immersive atmosphere that pulls listeners straight into the untamed depths of the Finnish woods.
End Of Dayz returns to the fray, this time with a deeper release than usual, presenting tracks by Granada-based Canarian producer Mesh Convergence, teaming up with the mysterious Afa Ttura. The record is completed by a remix from Australian artist Fergus Sweetland.
Mike returning to Earth this time as a Superhero to save us all from evil! HAHA kidding because nobody cares! Viewlexx is proud to present this 5 tracker of DOOM so we can face the apocalypse chins up and backs straight!
Nizre makes his second appearance on Shlomi Aber's Be As One with a new four-track release built around deep grooves, heavy percussion and hypnotic energy. Raw, stripped-back and precise, the EP further defines his signature approach to uncompromising underground techno.
A drifting and minimalistic techno house by the Ukrainian artist and long-time friend O’FortyFour who's pulsating, floor-focused A-side meets the late-hours yet sharp precision of the closing track on the B-side.
Renowned Berlin-based DJ and producer Paàl returns on Fides Records with his latest EP “Echo Park” due for release on 20.03.24. Following his single 'Green Lawns', this upcoming EP marks the label's 19th vinyl release.
Echo Park EP unfolds as a four-track demonstration of Paàl's distinctive 90s hardgroove techno interpretation, artfully blending in Detroit and Chicago sounds, Funk influences and a French-house flair. The EP radiates his signature energy, merging uplifting and rolling grooves with tribal percussion and catchy chords to create entrancing and timeless dancefloor tools. His approach to music production is a testament to his deep involvement and dynamic presence in the scene, solidifying his role as an inspiring figure in underground culture.
For over 30 years the Midwest machine menace that is Paul Birken has been developing and exploring his love for the limitless potential that exists when you chain together synths, sequencers, samplers and beat makers, he is a true audio explorer communicating his own unique sonic exploration through his machines + odd dreams. Starting out back in the day merely with a Commodore 64 computer and a few synths, his studio gear arsenal has constantly evolved over the years into a myriad of unfathomable boxes, cables and bangin’ in his attic allowing him to freely manipulate his random audio creations into the most serious and fun grooves anywhere in the techno realms. Along-with his own imprint Tonewrecker Recordings, Paul’s appeared on a huge stack of the most impressive labels including Don’t Recordings, Fun In The Murky, Earwiggle, Mord and of course a plethora of remixes and tracks on our very own RIOT Radio Records.
From within a tomb in ancient lands comes this 'Bandage Boogie.' A hallowed homage to all things that are non-stop breakin' n' stompin' n' boppin' to the RIOT beats that have now manifested themselves on a 'Mummificated' dance floor near you. This aint street life, this is tomb life, and you'll need as many sacred tanna leaves to keep you movin’ as your fiendish high priest will bestow upon you. This brewed techno fluid that we're administering will ultimately invoke 'The Curse of RIOT’ and you’ll be doomed to eternal bouncin' aboot to its 'Pyramid Pongo' beats that go mysteriously THUMP in the night. Each track on here, and especially in his infamously legendary live sets, are unique in that they get erased from his machines after their creation and won’t ever be spawned again, but ssssssssssssssh, Mummy's the word.
The full digital release also features two bonus immortal tracks delving you deeper into the life-giving sounds of this ‘Mummy Wrapsody.’
WARNING: THESE UNWRAPPED TECHNO BEATS CREATE A WONK-A-THON YOU WILL NOT ESCAPE FROM
'Might as well dump 'em, get another' Proposition Joe is back with the second EP on SCHwuNG RECORDS. It was all of us! A four tracker with no standards or boundaries! Joe, as you know him, always got a proposition for you, something that soothes the mind. And if not, we don't care, you might as well dump 'em, get another. We respect Joe. Now Let's Dance!
The 17th release on Asking For Trouble.
Radioactive Man presents Hole In The Fire EP Four tracks of Radioactive funk for the floor.
All tracks have featured heavily in his live sets over the last year
12” in white gloss cardboard with paper inner and sticker on the front.
Regent unveils his debut LP, North Prism, on Monnom Black. Across nine tracks,
the album explores the full spectrum of modern techno, deep, sharp, hypnotic and blissful. Moving freely between stripped back driving cuts and more atmospheric, immersive passages, North Prism captures the many sides of Regent's sound.
Intensity and restraint, darkness and light sit side by side, revealing the full breadth of his sonic vision.
New Rosati on deck! The Italian producer returns with a deep excursion for the late-night hours. Shifting focus toward a warmer, more atmospheric sound, this release delivers rolling baselines, lush chord stabs, and infectious house-infused techno grooves. Pure sonic hypnosis!
Special poster on 250gram paper. Postcard with photo taken by Sandrien. Hand-numbered sticker. Shrinwrap
After more than a decade without releasing new music, Amsterdam DJ and producer Sandrien returns with her debut album Compass, released on her own new label, inspi. Created during a stay in Spain, where she finally found the space to create freely again, the album marks a new chapter: no genres, no expectations, just music made purely on feeling. Compass is an album about finding your own path, personally and musically, a cycle of searching and finding, letting go and beginning again. Lead single 'Life' laid the foundation for it all. The visual world of the album is just as personal: photographs Sandrien took around her house formed the basis for its artwork and imagery. With 27 years of experience behind her, Compass proves that mastery doesn't lead to routine, but to exploration. This double LP includes a beautiful double-sided poster featuring two original artworks of ‘Compass’ by Dutch artist Pieter Jan Boterkoek. Releases October 9, 2026 Written and produced by Sandrien Mixed by Julien Chaptal Mastered by Giuseppe Tillieci at Enisslab Artwork by Studio Pieter Jan Boterhoek This album is made with love in Spain, Volkshotel Amsterdam and Groenekan.
Blind Harmonies returns with its third release, welcoming the Greek artist Sera J for a deeply immersive EP where power and sensitivity exist in perfect balance.
Across four meticulously crafted compositions, Sera J unfolds a distinctive sonic language with emotional depth. Rooted in precision yet guided by instinct, these four pieces embody a refined balance between functionality and storytelling. The release invites the listener into a journey where rhythm becomes emotion and movement becomes memory.
Rather than relying solely on intensity, the EP finds its strength in contrast. Pulsating grooves give way to luminous melodies, subtle harmonic shifts, and moments of quiet reflection, allowing emotion to emerge naturally through carefully sculpted sound. It is music that breathes, evolves, and leaves space for interpretation.
With its third chapter, Blind Harmonies continues to shape a catalogue driven by honesty, depth, and enduring artistic expression, where every release is conceived not only for the moment, but for what remains long after the music fades.
Soma's 35th anniversary remix series continues with SOMA35.4, turning its focus to one of the label's more recent defining tracks - Slam's 'Activate'.
Originally released as part of Slam's catalogue over the last decade, 'Activate' quickly established itself as one of the duo's most recognised and widely played tracks of the period. For SOMA35.4, the track is handed over to four artists who each bring a distinct perspective to its driving, functional foundations.
Luke Slater takes 'Activate' and applies his trademark precision and raw club-focused approach. Oscar Mulero delivers a tougher, more industrial interpretation, pushing the track deeper into his characteristic high-pressure sound. Phil Berg brings a hypnotic, groove-led edge to his version, while Nastia Reigel offers a more contemporary, atmospheric take that reshapes the track through a different sonic lens.
SOMA35.4 continues the ethos behind the 35-year project: bringing together established figures from Soma's history and artists operating within its wider sonic sphere.
Tracks 1, 3 & 4 Mastered By Conor Dalton @ Glowcast Mastering
Track 2 mastered by Carlos Koschitzky
TAR050 Sub Basics & Thanos Hana - Tar 50 TH Tar Hallow __ The bass and drums clears slightly out of frame. The synth lines are watching a sudden wide-open space from a blinding altitude. The voltage remains, refusing to settle for comfort. Sub Basics and Thanos Hana building a record that hammers one stubborn head cornerstone. Then you get four dubs and fifty undeniable grooves.
After opening the DOMU catalogue with our first release, Tensal returns to mark another chapter for the label. Huge Rings of Hot Plasma inaugurates our label’s physical series, bringing his unmistakable language back into focus. Across four tracks, repetition becomes momentum as tight rhythmic structures shift through layers of tension and movement. The record stays locked on its course, carrying the mental drive of Tensal’s sound through a continuous pull towards the floor.
Iconic Dutch techno pioneer Stefan Robbers returns to De:tuned with Nodes, a mesmerizing new 8-track album under his legendary Terrace alias. Serving as the sixth Terrace LP and the highly anticipated follow-up to 2025's Branches, Nodes further refines Stefan's signature blend of Detroit-inspired futurism and warm, dub-infused textures. Drawing on decades of studio experience, he delivers another finely balanced collection of expertly produced techno, enriched with warmth, groove and precision. Stefan's relationship with De:tuned spans many years and reflects a shared passion for timeless electronic music. From his acclaimed Phosphenes EP (2017) and his memorable remix of LA Synthesis - Agraphobia, to standout appearances on label compilations such as 10 Years of De:tuned with Estrings, Terrace has remained an integral part of the label's catalogue. Nodes is the latest chapter in that enduring collaboration. Rich in detail, depth and emotion, Nodes once again demonstrates why Terrace remains one of the most respected and enduring names in Dutch techno. The creative heartbeat of Eindhoven is still beating stronger than ever. Artwork has once again been created by Al White and Kevin Foakes (Openmind, DJ Food, Ninja Tune), while mastering duties were handled by Matt Colton at Metropolis. A separate digital edition will also be available through all major digital platforms.
Umwelt returns to his own Rave Or Die imprint with "Rave The System Vol. 1", a five-track EP built for the dance floor. The result is a direct and uncompromising EP: fast, heavy and deliberately excessive, with each track designed to hit the floor. "Rave The System Vol. 1" sees Umwelt reconnecting with the more liberated spirit of rave, pushing his techno and electro influences into tougher, more visceral territory while injecting the production with a distinctly old-school rave energy.
The A-side kicks off with "The Sequal", a straight-in-your-face anthem built around haunting, disappearing vocals and hammering beats, topped with heavily distorted, Arcadipane-esque Hoover tones. Next up, "Rough Cut" delivers a haunting workout based on metallic drums and dark synth flights, conjuring an unmistakable end-of-the-world vibe from its distorted textures.
On the flipside, the untouchable "Power To The B-Boyz" dives into a more syncopated and urban approach, driven by electro beats and a raw, break-heavy groove. "Blow Up Mission" follows with aggressive machine-driven rhythms melting into hip-hop-inflected vocal lines.
Finally, the opening track returns in "The Sequal (Lethal Mix)", a hypnotic rework that departs from the original through enigmatic riffs, dramatic funk melodies and a distinctly dystopian aesthetic.
The artwork comes courtesy of Docteur Lo, (BWP crew) a long-standing figure of the Brussels underground techno scene for over three decades, best known for his graphic work for the cult "Outsoon" magazine and the Radikal Fear label. His visual contribution perfectly complements the raw, underground character of this latest RAVE OR DIE release.
Tooflie's anonymous archivists return for another trip through the past, this time leaving geography behind for the unruly musical landscape of the 1980s. Four edits bring together the creme de la creme of Polish rock, Danish new wave, Soviet avant-garde and Georgian synth-pop, giving each source a fresh dancefloor angle while keeping what made the original so distinctive. A Balearic rework, an Hi-NRG treatment and two more leftfield interventions turn these unlikely archival finds into records that work just as well at home as they do on a larger system. The original records behind these edits are notoriously hard to find, making Tooflie 008 a rather useful detour for diggers and collectors, as well as anyone with a soft spot for overlooked musical oddities.
Second volume in Vuo's Moodsurf series. Finnish, functional, no filler. Solid. Nothing here is loud. It works because it holds back, letting space and repetition do the job a drop usually does.
DOSSIER002 UVB 2éme nouveau dossier contenant des éléments anciens - DOSSIER 2 A1. Dossier 2-1 A2. Dossier 2-2 B1. Dossier 2-3 B2. Dossier 2-4 "Unshadowing a second dossier by UVB. Tar Hallow and System Revival offer to rebuild the events with the precision of an addict. After finding out that the system goes far, all ideas become evidence. All tracks recorded in Berlin between the years 2012-2014.
Roll up Roll up! We have a very tasty package for APPIAN019 and have reverted to a Various Artist format for this one. Here we share 4 sets of artists that have been on our radar for some time - some new joiners to Appian and some old friends : ) We think each track stands out from their past discographies and offers something special.
PATENT004 presents DOWNTOWN DUBS 2. The second chapter of our Downtown Dubs series brings together OFF/GRID, Gockel, Linus Quick and Volpe. Four tracks somewhere between deep techno, dub-infused rhythms and late-night pressure. Deep basslines, dubby grooves and enough space to let the sound breathe. Limited to 300 copies, handstamped & handnumbered, incl. stickers, pressed on lemon-icecream colored vinyl.
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BRVTAL continues to push deeper into the essence of techno with its eighth release, embracing the sound in its purest form. Stripped back to its raw foundations, BRV008 is a statement of intent. Stripped-back grooves with a dark hypnotic pull built for the dancefloor.
Rooted in the underground and free from unnecessary boundaries, this release captures BRVTAL's commitment to proper techno: raw, powerful, and relentless.
BRV008 brings together 8 artists contributing with 6 tracks, featuring the distinct approaches of Kaiser, Clotur, Pierce, and West Code. Joining them are Hungary's own CVRDWELL & AGA2L, alongside the collaborative force of BLZS & Indirect Movement. Bound by a shared underground spirit, each act brings its own character to the record.
The VA Essential Memories EP Part VII brings together a diverse mix of old-school pioneers, new-school talents, emerging artists and established names with a long-standing presence in the industry.
Corpo Fechado is a 4-track EP from Vinicius Honorio that moves fluidly between reinterpretation and original production. Rooted in raw, hypnotic rhythm and a subtle spiritual tension, the record balances club functionality with deeper symbolic undertones.
On the A-side, Joao Grilo's "Maria Cade Meu Ponto" receives two distinct treatments: a driving rework built for the floor and a stripped-back dub version. Both preserve the original's vocal and melodic identity while pushing the energy into a more focused, percussive direction.
The B-side moves into more personal and expansive territory. "Ze Pilintra feat. Ogan Heitor" channels ritual energy and percussive intensity, built around invocation and ceremonial weight, while "La Luna" drifts into hypnotic, nocturnal space, where subtle samba influences introduce a warm, swinging undercurrent to its minimal framework. Together, Corpo Fechado exists in the tension between functional club tools and more evocative, symbolic expression, holding a strong internal coherence throughout.
GRUV births a brand new vinylseries with GRUV WAX 01: raw, timeless, and completely uncompromised.
This compilation shines a spotlight on a brilliant young generation of producers who aren't riding the wave, but actively sculpting its future aesthetic. Expect a deep dive into raw grooves, hypnotic textures, and futuristic melodic shimmer.
Human Endeavour returns with a new 12" from Don Khair, a name you haven't heard before, but should've. Moving between the ethereal and the belligerent, the EP thrives on opposition - contrasting views, moods and feelings that enrich its versatility and make it all the more essential. From midnight to midday, Don Khair captures whatever the hour calls for.
Efdemin and Vril. revisit Endless / Purge, originally released in 2021 as the only release on the short-lived Sun Sad imprint, launched by Kinzua’s Lucas Brell. Five years later, it returns on Confusion Is Next To Happiness in a revised and expanded edition. The original recordings have been newly mixed and remastered by Rashad Becker and are complemented by a previously unreleased Vril. reinterpretation of Endless.
Throughout the record, arpeggiated sequences drift through layers of finely textured dub haze, balancing physical momentum with an floating sense of weightlessness. While retaining the artists’ unmistakable sonic signatures, the record subtly channels the melancholic futurism and machine-driven pulse of techno's Motor City tradition.
No, not the reincarnation of the King Of Rock n Roll, but more like a speedrun along obsessive grooves.
Flip the record for the stripped slomo version. ElVis has left the building
Terminal Recordings launches with a four-track split release.
The A-side, produced by Luis Malon, delivering two cuts driven by heavyweight basslines, broken rhythms and machine-controlled tension. Make Shoot sets the system in motion with relentless groove and low-end pressure, while Inside Your System dives deeper into a darker, more hypnotic environment where fractured percussion and synthetic textures take control.
On the B-side, Molen takes over the signal with a pair of electro transmissions. Pathcord unfolds through precise sequencing, robotic funk and evolving circuitry, building a dynamic journey across interconnected rhythms. Codec closes the release with sharper frequencies, coded melodies and futuristic electro architecture designed for late-night dance floor communication.
Bondage-Music proudly welcomes back Mihai Popoviciu with his latest EP, “Pick Up The Phone.” A familiar name on the label, Popoviciu returns with another refined selection of deep, groove-driven house music, combining his trademark rolling rhythms, warm basslines and subtle atmospheric elements.
With a sound that effortlessly balances depth, hypnotic grooves and dancefloor energy, Mihai Popoviciu has established himself as one of the distinctive voices of contemporary house music. “Pick Up The Phone” continues this signature approach across four tracks, delivering a focused and timeless club release.
For this edition, Bondage-Music presents the EP as a Limited Splatter Edition on 180G vinyl. Adding to its collectability, two tracks are available exclusively on vinyl, making BOND12086 a special release for DJs and vinyl enthusiasts alike.
Private Parts hits 011, and for this one we’re digging deep into the legendary Grayhound Recordings catalogue to bring you two very special cuts from the one and only Nectar.
Reissued and remastered for 2026, these are two tracks that have fully stood the test of time — records that have been thumping dancefloors for more than two decades.
First up is “Koncussive” — a tripped-out, bass-heavy, hypnotic driver, packed with stabs and FX that will have you stunned you for days.
Flip it over for “The Worm and the Weasel”, bringing even more percussive energy and that unmistakable Nectar sound. Throbbing low-end, off-kilter delays and a whole lot of FX make this one every bit as infectious today as it was back in the early ’00s.
Everything Adam Tenenbaum, aka Nectar, has touched over the years has been gold, and these two tracks are no exception. They sound as fresh today as they did when they first dropped, and we’re very proud to have him join the Private Parts family.
A huge thank you to both Adam and Garth for these timeless classics.
Driveline Records presents its first solo EP, welcoming Maltese producer Patient to the label. Across four tracks, Patient showcases his signature blend of deep low-end grooves, hypnotic atmospheres and driving rhythms, staying true to the label's vision of timeless, dancefloor-focused techno. The title track, "Genetic Mutation", opens the record with a powerful and atmospheric journey, combining hypnotic textures with a driving groove built for peak-time moments. On "Sphynx", rolling hi-hats, evolving percussion and subtle tension create a hypnotic, constantly moving groove that keeps the dancefloor locked from start to finish. Flipping to the B-side, "Drift" shifts the focus towards deep low-end frequencies. Rolling basslines, immersive atmospheres and subtle movement give the track a dynamic yet restrained energy. Closing the EP, "Not A Replica" delivers a classic syncopated groove, full of tension, punch and infectious swing. A functional dancefloor weapon that provides the perfect finale to the record. With DLR002, Patient delivers four distinctive cuts that balance atmosphere, groove and functionality, reinforcing Driveline Records' commitment to timeless, vinyl-focused techno.
Tripmastaz is back on his imprint with Tripmastaz 08 which features three large-scale dancefloor bangers ranging from freaky big-room smashers to dubby warehouse groovers. "Hypno Dre Vox" plays like a homage to the mid 00's big-room tech-house with its ever-rolling and intensely hypnotic sounds, crafted to turn raving minds unexpectedly upside-down. On the flip side, "Really Quick Dub" tones it down a notch for some dubby warmth while keeping the groove irresistibly bouncy, while "Radio Tranz" brings back the late 90's rave feel with sophistication and class. A no-joke, fail-proof EP to pulverize dancefloors.
Doctrine Audio launches with Wetworks’ The Spraypaint Audio EP, featuring two original cuts built around raw percussion, nasty grooves, and uncompromising dance-floor energy. The release is completed by powerful remixes from techno veterans Cari Lekebusch and Glenn Wilson, bringing their unmistakable production quality to a record rooted firmly in the tradition of timeless underground techno.
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Yesca is back on Shall Not Fade with ‘Paint on Walls’ 12” EP.
2024’s Yesca EP on SNF - “Mood Loops” - set a high bar, so when we say this record is something special you should take note. Of course if you already know Yesca’s music or have had the pleasure of a Yesca DJ set then you will have already this queued up.
Sweet Spot: Ben Sims, Deetron, Oliver Ho, Vince Watson, Grain (Artwork’s Techno alias). Planet-E, Primate Recordings, Paul Mac & Stimulus Recordings found the sweet spot.
According to the OED the first use of the phrase “Sweet Spot” was in 1976 in reference to tennis rackets and golf swings. It’s where everything hits just right. And that’s what this EP does, hits just right. What strikes me is how descriptive the phrase ‘Sweet Spot’ is. Given enough swings and some luck we all know what it feels like to hit the sweet spot in some regard. Finding the sweet spot regularly though takes time and skill. But being able to hit the sweet spot by design every time, well that’s something different. That’s what makes the greats great.
For us at SNF there’s a consensus that in the lineage of electronic music there have been many moments where artists & labels converged on a sweet spot. One such sweet spot for us is in Techno
around 2003 when at the tail end of Hardgroove tempos began to slow and a groovier more refined tech house infused goodness appeared in the racks from a group of killer techno labels & artists (some mentioned above) that moment before the fuller emergence of the 2nd wave of Tech House in the mid 00’s.
That sound, while often emulated, never quite hit the same for us at least – until Yesca came along. His music has everything that we love about that sweet spot. Raw driving groove, rolling basslines and hip shaking percussion. What’s different on ‘Paint on Walls’ is that Yesca stepped on - he had already found the sweet spot on 2024’s Mood Loop EP - now his sound (or swing) is natural. Repeatable, refined and seemingly effortless. To revisit the tennis and golf analogy, this is the start of a Grand Slam run from an artist ready to etch their name in dance music history. Tiger..... Serena......Yesca.
Run the Tracks:
‘How I Do It (They Wonder)’ - A masterclass in less is more, and a serious DJ tool. Full of groove - slow it down and it will light the touchpaper in a house set - speed it up and you’ve got techno weaponry. Forget gatekeeping, this will make you feel like you just found a 2004 techno white label from the likes of Grain or Ben Sims.
‘I Desire’ - House music that I reckon Deetron would be proud of... Blissed out machine funk, whispered vocals, slick jazzy chords and dubbed out techno stabs are all grounded by Yesca’s impeccable, loopy drum programming. The best tunes always end too soon.
‘Domination’ - The ever rising bass, err, dominates this track and this track will dominate on many a dancefloor, but Yesca's knack for dubbed out swinging synth lines has to get a shout out here too. He turns what would be melodic elements into what feels like part of the percussion. Double Threat. Hands Up and Heads Down business.
‘Paint on Walls’ - It would be a tough call to say Yesca’s saved the best til last with the EP’s eponymous track given what’s come before, but Paint On Walls works all the highlights from the rest of the EP into a latin techno/house infused anthem. Skittering percussion, a hint of Detroit goodness and a deep deep rolling bassline and THAT vocal. In every way hopeful yet resistant, and that is what techno is all about.
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Ben Sims and Truncate return under their ASSAILANTS guise and drop the long awaited follow up to 2018's 'Chase Sequences' EP on the jointly run 'Obscurity is Infinite' imprint. Original Hardgroove flavours blended with tough Machine Funk, showcasing the sounds they're both individually celebrated for and delivering some unique fusions on this all thriller, no filler EP
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Mutual Dreaming label head and New York favourite Aurora Halal is back on her own imprint for the first time in some seven years. This new EP finds her in a cosmic mood and exploring new frontiers, starting with the journeying 'Red Alert' which is encircled by clean sci-fi melodies as slinky drums power onwards and upwards. 'The Spell' is less mobile, instead hunkering down in a deeper, slower, more inert groove, but one no less detailed by intergalactic melody. 'Airtrain To Jamaica Station' takes flight on liquid and linear deep techno grooves with a psychedelic synth wash and 'Mist' and 'PF Tek' bring anxious moods to restless grooves.
BAUGRUPPE90 return to their MONTAGE imprint with a four-track release built around different shades of peak-time functionality, moving between emotional warehouse pressure, stripped-back bounce and rolling club mechanics. A1 “Crowd Can’t Sit Down” sets the tone with an emotional big-room charge: a warehouse stomper driven by scale, tension and a sense of release without losing its physical weight. “The Bell” follows with a cleaner, more direct approach, pairing old-school energy with a bouncy, forward-pushing groove and a distinct FM-driven sound that gives the track its sharp, instantly recognizable character. On the flip, “Gummy Cluster” moves into more unconventional territory. Built around inventive sound design, shifting textures and an unusual rhythmic vocabulary, the track functions as a club tool while maintaining a character of its own. Closing track “Roller” is exactly what its title suggests: a locked-in, propulsive groove designed to keep moving without unnecessary detours. Across four tracks, BAUGRUPPE90 balance personality with utility, keeping MONTAGE firmly focused on music made for the floor.
DjRUM"s DJ-Kicks mix brings together his work as a DJ, producer and composer. Built around four new original compositions and exclusive contributions, "Flip" by Skee Mask and "Clonk Dual" by Clark, the release was developed from live vinyl mixes that were subsequently edited, collaged and expanded with overdubs. The mix moves between ambient, breakcore, classical music, punk, acid and experimental electronic sounds, combining a wide range of styles into a continuous sound collage.
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Astro’, the new double LP by Donato Dozzy, is in many ways a culmination and intersection of life-long interests, and Tresor Records is delighted to announce that it will launch into the cosmos on November 20, 2026.
Donato Dozzy is beloved for his way of blending synthesised sounds into seamless, deep, hypnotic works, whether as a DJ or in the studio. So it might come as a surprise that at the root and source of Dozzy’s musical inspiration, we find Japanese children’s cartoons and toys.
In the late 70s into the 80s, Italian youngsters, including Dozzy, were captivated by a wave of Japanese cartoons featuring Jumbo Machinders, awe-inspiring robots on adventures beyond our solar system. Every episode came dubbed into Italian, and had its own specially written Italian theme song, each pressed onto a 7inch single. This was the launchpad for two lifelong obsessions: vinyl records and vinyl figurines, and still kept in his home today in immaculate, carefully tended collections.
In 2025, Dozzy took a sample from the first of the Japanese themes he ever owned, Astro Robot Contatto Ypsylon. Marking the first time he had directly sampled a song for his own work, later to become the track ‘Astro’, this created an impulse to begin a series of new music, sparked by the robots in his collection.
Dozzy’s meticulous respect for his collections is reflected in the precision of these tracks. Elements within each track are harmoniously organised together while ever retaining a sense of space that reflects the cosmic subject matter. Explorative tracks like ‘Raydeen’, and ‘Himika (M Song)’ exemplify this with powerful yet gentle arpeggios, while ‘Pegasu’ brings forth visions of robots assembling for a deep-space mission launch.
Much like the human characters in the cartoons who piloted the Jumbo Machinder robots, on ‘Astro’, Donato takes control of mighty machines such as the EMS Synthi AKS to create sonic journeys for us all to embark on. ‘Jumbo Crack’, written on the AKS, is a soaring beatless piece built of rising bass tones and white noise that combine to conjure taking off from earth or a long journey through space. The whole collection is rounded out with ‘Ryoma (Lò Song)’, a gigantic trance anthem that could easily be the closing credits of your favourite childhood cartoon.
With ‘Astro’, Donato Dozzy pulls together threads in his life: the warp of music and synthesisers intertwining with the weft of childhood memories. A tribute to that freedom to dream, and to the sounds that, from the turntable of his childhood, led him toward alien and technological musical territories.
In the early 1990s, as techno began to emerge from the shadows of New Beat and EBM, a number of tracks crossed over into wider club circulation, helping define the sound of a new era. Among them was “Fingerfoc” by Friends Of Carlotta, the project of German producer Volker Then.
Originally released in 1990 on ZYX Records, “Fingerfoc / Alles Klar” quickly achieved cult status. Both tracks are driven by punchy drum machine patterns, sharp synth stabs and looping vocal fragments, combining the rhythmic directness of New Beat with the emerging minimalism of techno. “Fingerfoc” stands out for its hypnotic repetition and stripped-down structure, while “Alles Klar” takes a slightly more playful, rhythmic approach. Together, they capture the raw, functional club aesthetic of the early 1990s.
Limited to 300 copies on black vinyl and 200 copies on crystal silver vinyl, this new edition of “Fingerfoc / Alles Klar” pairs the original mixes with two previously unreleased remixes and two previously unheard recordings, offering a broader glimpse into the project's output during this formative period.
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