Techno Vinyl New Releases - News

DJ Pierre’s carefully curated series of Acid Track Remixes continues with another stellar line up of legends old and new, including K’ Alexi Shelby, Posthuman, Lauren Flax, Acidulant and 30303.

The mystical connection between north and south, between cold and warm, in the common ancestral plain where the forces gather in honor of the sun.

Spandau20 presents the next 12", another family affair including tracks by Fadi Mohem, Balas, Claus Schoning & FJAAK

In compiling a remix 12” for the most recent Homemade Weapons LP - Gravity, we approached 2 titans of underground electronic music who have both been supportive of Homemade Weapons and Samurai Music. Donato Dozzy and Tommy Four Seven have each been utilising our releases in their sets and we have been inspired and grateful for their fearless deployment of drum and bass to their predominately Techno audiences.

No stylistic directive or requests were given. We trusted these two gifted artists to interpret the music in their own unique fashion, but in all honesty expected remixes around the techno tempo. What we received back are 2 landmark drum and bass versions that re-define the nexus between Drum and Bass and Techno.

Samurai Music has worked for many years in both Drum and Bass and Techno and constantly explored the middle ground between the two. Many Drum and Bass producers have been releasing their version of this cross over but producers from the Techno sphere coming at Drum and Bass have been fewer and less successful.

Donato’s remix is a poignant reduction that strips Svalsat to a potent shuddering core, splashing grey swatches onto a constant rhythmic build. The maestro’s power of subtle, hypnotic transformation applied to the 170 tempo sculpts the rhythm to searing perfection.

Tommy Four Seven reforms Red Tide into a grinding undulation, a thrusting and propulsive menace with titanium strength breakbeats bulging at the edges of it’s construction.

Philipp Otterbach has been around for a while, publishing records at Grokenberger and Tour Messier Records. Although he is now based in Berlin, Philipp was one of the first residents of the famous Salon des Amateurs in Düsseldorf. Together with his friend Vladimir Ivkovic he has organized the Substance parties for many years.

His productions sound like floating in the unruly waves of life, reflecting its flow and resistance. Otherworldly beauty is conveyed through cinematic, pulsating soundscapes, where contextually sampled and poly-rhythmically designed, electronic percussion generates impulsive rhythms.

The Rest is Bliss conjures up the stillness of dawn, where fog shrouds a pristine forest far away from civilization. The damp confines of a sauna come to mind as well. The heat slowly overtaking the senses, leaving you with nothing more than the urge to breathe and a feeling of being alive.

4th in the "Restless Breed" Series on STONEDWAVE and one of the last vinyl records on this label. Limited to official 75 double LPs with hand-painted artwork containing a full bucket of quirky and wonky techno and electro tunes by Dez Williams, Sane, Ghoul Detail, Thomas Grinder, Jochen Heym, Chordata DJ Ze MigL, Chip Tronic, and the Seahorse Drivers as Sterago.

CA2+ first appeared on last years compilation Scandinavian Swords II and Gait Cycle EP further showcase excellent, sterile and cerebral noise rhythms from this upcoming Stockholm producer.

HIEROGLYPHIC BEING'S Volume 3 of 9 "A SYNTHETIC LOVE LIFE VOL 3" features more uptempo freeform electronic mosh pit sonics that were created a decade ago to cassette. Limited & stamped for MATHEMATICS PLUS

Introducing the premier of the Berlin based label Roman'. The initial release - Lit EP - arrives with two deep, hard hitting, techno tracks meant to entice and add a riveting tool for DJs to mold the dance floor.

The A-side Lit' packs an underlying heavy sub bass with crunching filtered highs. The overlaying lively hook animates the listener, sending them on a bubbly, but dark melodic journey.

The B-side Human Design' compels with its driving raw bass and drifting synth line. It grows as it proceeds, delivering a powerful floor filler, expanding and oscillating vibrations through the room.

‘Portuguese electronic alchemist Bruno Silva aka Ondness aka Serpente lands his first ever vinyl release as Ondness on the ever-evolving SOUK imprint. The last year couldn’t have been better for Bruno Silva. Two major releases under his moniker Serpente, “A Noiva” (Tormenta Eléctrica) and “Parada” (Ecstatic) and a Ondness tape, “Not Really Now Not Any More” (Holuzam). “O Meio Que Sumiu” is the first vinyl release by Ondness, following more than a dozen releases on tape, CDRs and digital. He’s also graduating to vinyl on the Discrepant family, after his 2018 tape “Celas Death Squad” combining Serpente and Ondness works as a split.

“Meio Que Sumiu” can be translated as the “community that disappeared” and it alludes to the disappearance of outdoors communities and how it affects the music we listen (and how we listen to it). Ondness wanted to release an album less about himself and his inspirations and more about his aspirations about how dance music could be in an era of constant interactivity and information.

But also, how it fails to be that aspiration. Once again, like in “Not Really Now Not Any More”, Bruno works in the territory of science fiction. Investigating the present and future with nostalgia about how things could be and could evolve.
It’s music in the realm of non- existing, instead of raving nostalgia about dance music from the 1990s, Bruno explores the idea of possible futures with different approaches to dance/electronic music in each song.

In “Meio Que Sumiu” it’s obvious his music has matured and found its listenes. Bruno is no longer a bedroom musician. (He never was, but he sure worked on that idea. And very well, we might say). The dancefloor is now his, with music that explores the deeper immersion of ourselves. Communities may be changing, but the principles of dance music are always the same. Even with motion sickness for future nostalgia, like the music in “Meio Que Sumiu”.

Limited edition 12" vinyl including a magic deep house track by Tony Lionni (Ostgun Ton, Madhouse Records, Wave Music, Freerange, etc.) and "Dissonite Bar" by Stefano Greppi (Schermate, Goldmin Music, Azuli and more)

mysterious and deep 4 tracker with depth

New Record Label By Craigie Knowes Focussing On Faster, Harder And Darker Tracks. The First Comes From A Familiar Affiliate Of Craigie Knowes - Textasy. This Record Sees The Texan Side-step Away From His Usual (if There Is Such A Thing For Textasy) Electro, Hardcore Or 'terror Tech' Sounds And Lands Firmly Within The Realms Of Techno. Interesting And Club-destroying At The Same Time, Just Like Everything Else He's Released. Hand-drawn 10" Sleeve Design By Rakem To Boot.

Decennium 1.3 is the final part of a 12 series celebrating Affin's 10th anniversary. Find 4 hypnotic techno tracks from Giorgio Gigli, Joachim Spieth, Deepbass and Periskop."

Fabio & Grooverider have been at the forefront of UK dance music for over 3 decades. This is the roots of their story told through music.

The 2 London DJ's are part of the DNA of the global Jungle / D&B movement and they have remained relevant, cutting edge, authoritative and essential to this truly underground art-form since it's inception. RAGE could arguably be the ground zero of Jungle. The party was started at London's cavernous Heaven club by Fabio & Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. RAGE was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio & Grooverider were the people firmly behind it.

RAGE is approaching it's 30th anniversary. It's sonic and cultural legacy is still being felt today, Fabio & Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. This musical selection you hold in your hands, the first of 4 parts, sees them delve into their prodigious memories and record boxes to select a true musical representation of the very beginning of one of the UK's most unique and influential musical movements of the last 50 years. Across 4 x 2 x 12"s compilations we are taken on the journey through the sounds of RAGE, accompanied with track by track notes from Fabio & Groove themselves. This is the sound of the underground, from the inside out.

This is a masterclass in the old-school. The roots. There is no filler here, it's simply ALL killer. Lovingly selected and programmed by the masters - 'The Living Shock' & 'The Ladies Choice'. Produced in conjunction with Above Board distribution and Fabio & Grooverider. All tracks mastered from original sources and fully licensed. Mastering by Optimum, Bristol. Artwork and design by Atelier Superplus. 2019

Nicola Cruz re-visits his second album 'Siku', released earlier this year to widespread acclaim, with ‘Siku Reworks’. The release provides the listener with another perspective on the ‘Siku’ domain, one envisioned in different corners of the world; Argentina, the UK, and Japan to name a few. In an effort to unlink the original material, Cruz has selected producers to re-work a designated song on 'Siku'; according to their own style. Additionally, Cruz has chosen to re-record two tracks whose live versions have stuck with him throughout a year of constant touring.

‘Siku Reworks’ invokes a psychedelic view of the original material, Hermetics (R&S) provides deep atmospherics with his take on 'Obsidiana'; and Nicola offers an acid-merengue-infused live version of 'Señor de las Piedras'; alongside an infectious and club-ready re-work of live favourite 'Siete'. In some ways it's hard to define Nicola'ssound, shaped by years of global touring, and every track here is unique and succeeds in breaking from the usual electronic music format in captivating fashion.

3 massive techno tracks from Leipzigs Oliver Rosemann plus a Pfirter remix. Limited to 250 copies. Vinyl only.

The young nordic label is back at it with a sturdy 12' vinyl release, produced by the Helsinki underground electronic music champion Poly Sone.

The three tracker kicks off with an intro track titled Come Find Me' which combines stripped down rhythm patterns with a subtle choir pad. On top of the foundation, an entrancing spoken word verse works as the main ingredient throughout the track.

As the needle pushes onwards to the title track Echolocate', the listener is confronted with a robust wall of low-end, soon accompanied by rolling percussions and clever use of reverb and delay. The simple composition highlights its sterling production and makes for a highly useful dancefloor tool.

The last track Helix' bundles up the record nicely as the most melodic one of the bunch. The agile synth stabs and dystopic pads operate on a surprisingly groovy soil of bass and drums which add up to a dreamy whole.

In all its variety, Poly Sone's Echolocate EP' can be considered the dancers as well as the DJ's choice.

Pure warm UK techno & electro vibes from Spin Fidelity.

New label, Reposition are setting themselves at the vanguard of cutting-edge electronic music with their first release by Belgium's T-Scale.
T-Scale, from Liege, started experimenting with audio editors and sequencers in his early teens. Active on his local scene since 1998, having been involved with several collectives and the now defunct Industrial-Bass Music band, Urban Toonz, he played alongside internationally acclaimed DJs and live acts like Murderbot, Ital Tek, Subjex, Exillon, Milanese, Boxcutter and Noize Creator. Now based in London, he is a member of the UK based collective and platform, Loose Lips, which launched in 2014, as he continues to push his sound forward. In his quest for physically impossible sonorities, he has spent the past 6 months developing a performance tool that gives him the ability to sculpt sounds on the go.

At a recent gig in Macedonia, he played an incredible 'live pure data' set, using real-time graphical data flow programming to create all his own sounds.
With this huge wealth of knowledge and a hard drive stacked with unreleased productions, his 'Spookz EP' is long overdue. He describes his music as Industropical or Funkyndustrial and when you hear his two original cuts on this EP, these descriptions become more apparent. 'Spookz' is dappled and harmonious with sweeping electronics and in-depth grooves. 'Prance For Me' is atmospheric and quaking in its deliverance, showing all his innovation and creativity.
The EP comes with two stellar remixes. The first is by El Prevost who delivers a grinding reworking of 'Prance For Me'. El Prevost has been forging his sound over the last decade, gradually shifting into the House and Techno scene in particular for UK label, Third Ear and his most recent self-run label, No Speakers, which boasts a varied artist roster that includes Doorly, Red Rack Em, Wbeeza, 65D Mavericks and Gabbi Lopez.
Rommek's remix of 'Spookz' follows and shows why this recently emerging artist is fast becoming a definitive force on the Techno scene. Fellow Loose Lips collective member, Rommek made his production debut on Weekend Circuit, before joining James Ruskin's iconic Blueprint label who released his 'Moth Hole EP', plus an appearance on their 20th anniversary compilation, 'Structures and Solutions' gaining him an admirable reputation for textured sound designs.

Secret Rave celebrating their 5 year anniversary with a 3x12" LTD Coloured BOX set!

Len Faki isn't showing any signs of slowing things down over on his special edits-platform, already lining up the second round of 2018 and thus bringing the catalogue total up to LFRMX006. Alex Danilov's Inside comes in two new versions here, both of which build upon the Russian producer's trademark filter action, making for a groove that funks as strongly as it remains subtle. First off the charming Deepspace Mix patiently unfolds into crisp breaks and lush strings, followed by a remarkably atmospheric Hardspace Mix, which soon steps it up a notch and gets smacking in order to get that floor chugging away to its choo-choo-chimes. Meanwhile on the other side, Developer's steaming Lost Moments is treated to an array of additional elements, the outcome sounding razor-sharp and agile as ever, yet still channeling a considerable amount of propulsive force. As with all releases of LF RMX, the proceeds of this record will be donated to the Berlin charity project Straßenkinder e.V. to be used in actions against child poverty.

Those who expect dreamy home-listening from Family Lounge, could fall victim to conceptual conflicts of association. Family Lounge is analog Minimal-Techno, defined by Germany's electro-figurehead Anthony Rother.

ATT Series is proud to present Greenbeam & Leon's first album, The Haze Of Dust.

The inspiration of this album comes from the experience of many years of work in their natural city, Tbilisi.

Sadness, fear, hostility, happiness, gratitude, hope,are some feelings obtained that have fructified in an idea after a beloved long hard work in the studio.

If one thing can be said, this work gives off essence, pure essence Greenbeam & Leon that bring you to another dimension. An extended variety of genres and references featured on this album, bringing a lot of influences and different compositions together, sometimes dark, sometimes deep, sometimes raw, sometimes melancholic, but all with essence.

A complete soundtrack that will not leave anyone indifferent.

Hot off the heels of Aluxes, his 2018 Lumière Noire debut EP, young Mexican DJ/producer Iñigo
Vontier is inviting Chloé's label on a trip to the far corners of the body & mind with an album of
demented grooves, psychedelic take-offs and imaginary comic strips of mystical rituals. A
bewitching debut full-length. Mexicans may never possess the sonic science of the Germans,
the hedonistic madness of the English or the gift for synthesis of the French, but, as proven by
Iñigo Vontier's first full-length for Lumière Noire, their universe is much more exciting than
anyone would have ever thought.
The DJ/producer fully asserts his origins by brandishing the album’s title "El Hijo del Maiz" ("the
son of the corn") almost as an emblem: "in Mexico, corn is eaten daily. It has long been defined
as 'the gold of America', and I consider all Mexicans as children of corn". A spiritual and
embodied vision Iñigo's first Lumière Noire release, the four-track Aluxes, set the tone of the
young talent's distinctive interpretation of dark disco, which creeps up on the dancefloor from its
iconoclastic side. The two tracks and two remixes (one by Flügel, the other by Inigo himself)
featured on the 12" for lead single "Xu Xu" (featuring Red Axes-affiliate Xen's irrelevant vocals)
was a full-bodied confirmation that Vontier sees the dancefloor as an arena for the occult –
whether from the peoples of the equatorial jungle, the Middle East or, even from indocile
machines. But, while the spiritual element seems part and parcel of the Jalisco native’s output, it
is in no way the only ingredient of this first long-player: "this album best reflects my own vision
and spirituality, and the way I feel it" he says.
Whether contemplative or frenetic, the collection of tracks that make up “El Hijo Del Maiz” takes
the kitchen sink and throws it out the window: languid rhythms, haunted vocals, and mysterious
percussion fuel a discombobulated house set that scrambles the listener's five senses, leaving
one disoriented and exposed to the vagaries of vertigo. Following the demented, dystopian “Xu
Xu” EP, which explored an imaginary jungle that harbored Mayan and Egyptian pyramids,
Middle Eastern accents are once more present in the off-kilter “Bo Ni Ke” and its Japaneseinfluenced vocal trickery, which Moroccan flutes à la Jajouka transform into a feverish trance.
With the following three tracks, Iñigo Vontier raises himself to the same level of excellence as
the Pachanga duo (of which pride of the Mexican scene Rebolledo, is also known as a prolific
artisan of deconstruction): “Awaken”'s slumbering voice, heard as through the veil of hypnosis,
slowly introduces a techno beat which, as in follow-up “Time”, literally brings the listener to a
levitative state. In a housier vein, yet continuing in the same psychedelic, 90s-infused spirit,
“Don’t Go Back” disrupts the genre’s usual signatures with an out-of-tune keyboard that is
becoming the artist's trademark, destabilizing the listener into a drunken vertigo, with a good
helping of sexiness: "I think the sexy dimension definitely brings a kind of magic to music," says
Vontier. “I'm sure I felt this magic during my DJ sets, and I like to think that sorcerers use this
element in their practices. I might consider myself a bit of a sorcerer when I take over the DJ
booth, by the way." A mood and sound that can once again be found – in a quieter, more
bucolic version – on “Chiquitita” (feat. the flute stylings of pioneer DJ Rocca, now a partner of
cosmic disco legend Daniele Baldelli). The more cinematic, fast-paced and dreamy beat of the
no less captivating “Little Monster” might evoke the mischievous spirit of the Mayas' minor
mythological creatures, while ode to the magical herb Marijuana (feat Thomass Jackson)
proudly tramples into the debate that such a provocative title inevitably provokes: "psychedelic
drugs are powerful tools to reach a higher level of consciousness about what surrounds us, but
we must learn how to complete this psychic journey by ourselves, notably through meditation
and love.
In the end, El Hijo del Maiz is an album-length confirmation of Iñigo Vontier's uniqueness, and
his adherence to Lumière Noire's policy of letting artists fully express their vision – while letting
their passions guide their idiosyncrasies and explorations of innovative electronic signatures

Coming May Joel Mull will finally re-join the Kanzleramt Family in a collab with Heiko Laux called 'Rooter'. This is Joel's second appearance on Kanzleramt after his very much loved solo 12'' 'Reminder' (ka127 12'' digi) in 2006. It's also not the first release of the two, as last years Drumcode limited release 'Slight Munch' shows.
Joel and Heiko have been friends for over a decade. The depth of that connection is reflected in 'Rooter' as much of this release was designed and realised right at the kitchen table over breakfast or with a good wine while cooking dinner. More parts of those sessions will be following on Parabel later this year.

New EP by Odopt, delivering their secret remakes of hidden soviet-sonic basement tracks! Dystopian celluloid trips visiting painters of Belgrade, St. Petersburg’s errand boys and japanese antagonists.

New EP by Odopt, delivering their secret remakes of hidden soviet-sonic basement tracks! Dystopian celluloid trips visiting painters of Belgrade, St. Petersburg’s errand boys and japanese antagonists.

Kanzleramt presents 'Consistency Remixes', a three track remix EP of as-yet unreleased Ray Kajioka originals, hinting at new material on its way soon from the Berlin-based artist and Kanzleramt mainstay.
The EP will land on vinyl in September of 2016 and features remixes from Detroit legend Rolando, as well as The Persuader (aka Jesper Dahlbäck) and Kanzleramt label-head Heiko Laux.

Berlin based producer Zigan Aldi has always been open for different cultural influences in his music. An openess that might go back to his own background since Zigan had been brought up in the eastern part of Turkey, before he moved to Germany when he was 14. Apart from working in various jobs it was always the music that kept him going and let him experience his true passion. After releasing music on Bedouin's label trueColors or 3000 Grad it was about time his diverse music finds another home on Underyourskin Records. Therefore Zigan delivers five exclusive tracks that depict his approach to electronic music with a mostly downtempo vibe. 'Luton', 'Seems To Be' and 'Olin' follow the path of the label's as well as Zigan's philosophy a slightly oriental influence that meets darker multi-layered synth chords to create significant atmospheres that can work at any time at the club. 'Miracle' featuring SANDECK is just what the track title suggest: a musical miracle. As the track slowly enfolds its groove to the audience, it is the guitar riffs and the vocals that sum up magic of this track at this very intimate moment.

Selvamancer proudly presents its first release by Finnish producer Boneless One. The Barcelona-based label with Dutch roots is aiming to release pounding dancefloor mantras. Selvamancer is heavily influenced by mysticism as well as futurism, trying desperately to maintain its balance on a psychedelic tightrope throughout the multiverse. Its first release results in an exciting melting pot of vintage synthesizer jams and modern acid bleeps, the perfect playground of Helsinki based Boneless One. After releasing on Snuff Trax and Tabernacle Records sublabel Ride The Gyroscope he joins the Selvamancer family and cooks up four tracks of acid, rave, distorted techno and industrial-tinged dancefloor burners on his Woofers EP.

Another exceptional talent has been brewing in the Idle Hands homestead of Bristol for some time now. Daisy Moon has forged strong ties within the creatively bustling city, from her current DJ spots at the ever popular Housework nights, alongside Shanti Celeste, Gramrcy and Golesworthy, her continued work with Bristol's Women In Music group via DJ workshops and industry advice sessions and her former residency alongside Idle Hands founder, Chris Farrell, and Danielle, at the much loved BRSTL nights.

In a sideways step away from the dancefloor, Daisy has prepped a diverse and absorbing EP for the label. Celestial tones and shimmering vocals form the building blocks of 'Geometry Of Curves' whilst 'Halycon' moves at a seductively smooth pace as it combines time stretched vox, sparse yet crunchy beats and plummeting soundscapes to great effect. Deft melodies and woody percussion signature the almost kitsch pop sounds of 'Anemone', whilst EP finale, 'Chambers', locks down ethereal sensations floating on a hefty rhythm, signing off a wonderfully impressive debut release from Daisy for Idle Hands.

2x12"

A stunningly accomplished work, ‘Deep Rave Memory’ is an insight into Fearless’ worlds – both metaphysical and geographical. Pulsating in unison with the heartbeat of a modern metropolis, it was recorded at the Metal Box’ – his studio located on the peninsula of land where the River Lea meets the Thames.

The haunting and wistful blue ambient ‘Vision of You’ leads into the bracingly chilly ‘New Perspective’, which evokes a heavy rush where perceptions are blurred and vision is freeze framed, via elements of techno-soul, Sheffield Bleep and Mika Vainio.

A snarling beast of a track, the relentless machine funk of ‘Devil on Horseback’ perfects the pure cathartic release of dark ‘n’ hot body music, whilst ‘Acid Angels’ is a throbbing low-fi 303 requiem, which encapsulates that perfect dancefloor moment, when the first light breaks through the shutters.

A future classic and the album’s modus operandi, title track ‘Deep Rave Memory’’s discordant filter passes sweep across a hypnotic melody, communicating a deep sense of warm nostalgia and taking you on an epic journey – stretching out a single riff over 12 minutes – akin to the krautrock greats of which Fearless is so fond.

‘Atlas of Insanity’ is big room techno with pounding kicks, death-whip metallic snares and head spinning, spiralling synth lines that drill into your core. This is raw, impulsive and frantic music that sizzles with electric effervescence.

The Germanic kosmische idyll of ‘Driving with Roedelius’ is a homage to one of Richards’ heroes – Hans-Joachim Roedelius – and was inspired by his experience playing a set consisting solely of the electronic pioneer’s music, at a festival celebrating his life and career.

On the album's closer, Fearless recounts, “‘Broken Beauty’ is something I’ve always strived for in my art. It’s inspired by Robert Frank, William Eggleston and the way they could take the most inane object a turn it into something of beauty. It’s equally schooled by the aggressive simplicity of King Tubby’s dubbing and the transcendence of Joy Division’s ‘Decades’. The sparse allure of the best dub and techno is something I’m always striving for; being able to conjure emotion with the fewest possible elements; to not fix what’s broken, but to make it shine.

Limited to 500 copies.

Following her strong debut EP on Warp Records sister imprint Arcola, Copenhagen’s Anastasia Kristensen, renowned for her energetic sets, presents M A X I M A, a four-track EP of animated techno and elaborate sonic geometries.

Kaleidoscopic patterns and angular drums launch straight through the spacetime continuum. Fusing elements both hyper
modern and old school, Anastasia crafts an expansive package for the most discerning psychonauts.

Released on Magenta colour vinyl.

Like a fragrant quatro formaggi pizza, Motormännen invites you to 4 singles tracks. Motormännen continues to take responsibility in social issues and informs the Swedish people about non-current events in politics and society.

Motormännen make information techno infused with an air of Swedish nostalgia through a filter of retro-futuristic skepticism. The music is packed with minimal acid loops and samples with excerpts from Swedish politicians, documentaries and Christer Glenning, reflecting on times when the cold war and the traditional welfare state were dissolving. Inhibitions were relaxed and new, foreign influences crept into the body of society and the old information monopolies. Motormännen’s tracks are visually enhanced by messages from pictures and videos from the 1970’s and 80’s.

Mastered by Joakim Westlund (Alpha Mound)
Artwork by Jim Kaneko

Like a fragrant quatro formaggi pizza, Motormännen invites you to 4 singles tracks. Motormännen continues to take responsibility in social issues and informs the Swedish people about non-current events in politics and society.

Motormännen make information techno infused with an air of Swedish nostalgia through a filter of retro-futuristic skepticism. The music is packed with minimal acid loops and samples with excerpts from Swedish politicians, documentaries and Christer Glenning, reflecting on times when the cold war and the traditional welfare state were dissolving. Inhibitions were relaxed and new, foreign influences crept into the body of society and the old information monopolies. Motormännen’s tracks are visually enhanced by messages from pictures and videos from the 1970’s and 80’s.

Mastered by Joakim Westlund (Alpha Mound)
Artwork by Jim Kaneko