Techno Vinyl New Releases - News

Google for Proxyan and you quickly get lost in the world of Bitcoins and proxy servers. Don’t go there and simply accept the fact that this illusive Dutchman does not want his true identity to be known. Our advice: embrace the mystery and focus on his music instead, which is a tight fit between Detroit infused electro (think Ectomorph, Ersatz Audio and Dopplereffekt) and the melodic wonders of Brits like Silicon Scally and Mark Pritchard. Proxyan’s productions are both slinky and funky, with much attention to detail and rhythm. The fascination for Motor City funk is most apparent in ‘Network 313’ but shimmers troughout this energetic 4 track-EP. Amsterdam based knob twidler Tracey (Voyage Direct, Dial) delivers a spot on remix which combines melancholica with a crisp production. His version of Human Error Processor is as bitter as a decent dry Martini under a setting sun. Every single sleeve of this mysterious EP will be a unique work of art by graphic designer Steele Bonus, thanks to the manual printing process.

2x12" Clear Vinyl

Newly remastered at D&M, ’Necklace Of Bites’ is a vital volley of early Regis artillery sourced from 12”s issued by Downwards c. 1998-2000. Effectively a reshuffle of his 2000AD self-titled CD
compilation of 12”-only cuts, it features his Jim Jones-sampling ‘Solution (Voice)’ amid a ruck of prime, dark and killer late ‘90s techno girders Revolving definitively monotone and snaky templates for the Birmingham techno sound forged by Regis (alongside Surgeon, Female, Mick Harris and Justin Broadrick), ‘Necklace Of Bites’ is built in the driving, distorted and highly utilitarian style that spilled out of Brum’s Q Club in the mid ’90s,
and which continues to infect the sets of DJs such as Helena Hauff and Blawan well into 2019.
Back before main room techno became meme-ified as “business techno”, these tracks were the Black Country shirehorses of peak time DJ slots across the UK, EU and the world. Influenced as much by Jeff Mills’ Axis and Purpose Maker 12”s and hardass Chicago house as original ‘80s industrial and post-punk, the dozen tracks epitomise Regis’ signature distillation of proper, bluecollar club sounds made for those who like to play hard and all night, and as such they’re future-proofed for use over 20 years later.
The set in particular highlights Regis’ hypnotically sexy and arguably rare use of vocal sampling in the inexorable, militant charges of ‘Execution Ground’, ‘Baptism’, and ‘Purification (Endless)’, while his use of a muffled Jim Jones sample on ’Solution (Voices)’ predates his use of Jones in BMB by half a decade. More to the point, the compilation also holds precious DJ tool bruisers in the likes of his lip-bitingly infectious roller ‘Wound Us’, and the industrial galvanics of ‘Adolescence’ and ‘Rites’
that still kill in the modern day.

Terrence Parker (known to many as "TP") born and raised in Detroit, has become legendary for his quite uncommon yet skillful turntablism style of playing House Music. TP has also become widely admired because he uses an actual telephone handset as headphones. Terrence has performed as a DJ in 40 countries throughout the world and has released more than 100 recordings on his Intangible Records label and various labels including Sony, Defected, Nervous, Kingstreet, and Purple Music.
Terrence has top 20 hits with his songs "Love's Got Me High", "The Question" and albums like 'Life On The Back 9' and "Detroit After Dark". Terrence is also making his mark as a techno producer with his 'Alarm The Sound' track topping the 2016 Traxsource Top 200 Techno Singles chart at Number # 3.
'GOD Loves Detroit' is Terrence Parker's new album due for release June 30th on Planet E Communications (Detroit). This new album features TP collaborations with Coco Street, and additional projects with Merachka (who co-produced, co-wrote, and sings on the first single entitled 'Don't Waste Another Minute' which also features a remix by London's As I Am) released in February 2016.

Deecoy the man in Chicago you should have heard of... AKA Daryl Cura part of The Dirty Criminals (with Traxx).
L.I.E.S. go in on the archive. Info soon..

2016 Repress with basic artwork! Classic Legowelt !

Dutch underground acid-techno act Random XS strikes again with two rugged and authentic dance floor rockers. After a long awaited re-release of their Djax-Up-Beats classic 'Give Your Body' last year on Delsin, they return with a pair of fresh and unheard acid jams on the closely related MOS Recordings. Both tracks recorded in the early '90s, but only recently finalized and improved for heavy club impact. It's an EP full with gurgling 303 grooves and raw energy in the traditional and energetic Random XS way.

Get ready for the fry-up by Snork #70. For the anniversary release, no one less than Neil Landstrumm and Bill Yougman are turning the heat up, serving two joint tracks and two solo ones by Mr. Neil Landstrumm, finally getting right back to his very techno roots. What you finally get on the plate is a steaming Snork signature e.p.. Two veterans of underground techno clearly demonstrate what the one-of-a-kind Snork Enterprises sound tastes like. Based on voluminous, substantial underground techno beats, stunning bass lines pour in and get spiced up with boisterous experimentalism. It's a symbiosis of the distinct Neil Landstrumm sound heated up with some special snorky attitude. It's no small fry. It's a hot, fat deep-frying dough of sizzlingtechno music. Snork #70 proudly presents: "Fry-Up e.p.". Neil Landstrumm "A pioneer of new electronic styles with a strong signature techno sound often copied and imitated, he has always been, and continues to be, a unique electronic artist." Neil Landstrumm clearly has been coining electronic techno music for the last twenty years. Often referred to as one of the innovators in techno, he has been working with significant labels such as Peacefrog, Tresor and Planet Mu. His multiple influences move from New York hiphop to bassy dubstep or ragga sound and melt into his unique techno style. Besides many notable cooperations with artist such as Optimo's JD Twitch, Cristian Vogel, Si Begg and Tobias Schmidt, for many years now he's been collaborating with Bill Youngman in various side projects. Now, history repeats, proudly presenting Snork #70.
Bill Youngman

Not Waving makes his anti-fascist feelings clear with two banging tracks that trust dancefloor irony is not dead and leftist solidarity is alive in 2019
Closing out a banner year with a club-ready boot up the ass, Not Waving’s Alessio Natalizia follows his divergent 2019 outings beside Jim O’Rourke, Mark Lanegan and Jay Glass Dubs with a
wildly driven lunge for the strobes. Balancing pure escapism with a reminder to dance and laugh at the populist peckers that dominate the news and global politics, this 12” is exactly the kind of
statement that should be heard more often in underground music’s naturally left-leaning network of inter-linked, fringe and minority communities.
The A-side’s Belgian new beat-styled détournement ‘Tremendous’ makes ironic use of a foamy-mouthed but blithe Tr*mp speech about the Paris attacks, sliced and jacked into a strapping mix of
jagged EBM arps and Italo/Detroit chromatics with a naggingly playful aesthetic that harks back to Belgian new beat and UK rave’s mix of pop-politics and subversive escapism.
His B-side ’S.M’ then opens with a rabble-rousing recording of Italian students chanting “Salvini, merda” against Matteo Salvini - Italy’s immigrant-hating far-right former deputy Prime Minister -
over a bucking, pulsing electro groove that sounds like CoH jamming Ro Maron.
Acts of subversive defiance such as this, encouraging dissent and ridicule of pompous right wing blowhards - and no matter how small in the wider scheme of things - have never been so vitally
required in the modern day.

Into The Deep brings Modex for this 2019 space excursion. The Berlin based rising talent's sound signature can't leave anyone indifferent. Fasten your seat belt and enjoy this fast-paced interstellar ride where melodies, drone acid lines & percussive drum patterns create a deep, powerful yet emotive sound for the late night dancefloor hours.

ENDLESS MEANINGSLESSNESS
Two heroes of UK techno combined in one release. FEINWERK proudly presents its second vinyl
Limited Edition Endless Meaninglessness' with a smashing duo: Dave Tarrida meets Tobias
Schmidt. It's the Superman vs. Batman showdown of Brighton techno.
Inevitably, five powerful tracks are paving their ways through your speaker. Right on the A-side,
Tobias Schmidt presents three chapters of finest techno experimentalism from his digital release
Blonde Horror'. Rhythm and style create an acoustic weirdness with a sci-fi taste and a
playground for your imagination. Turning around on the B-side, you find two of Dave Tarrida's
thrilling tracks from his digital piece People Are Fragile'. Each of them merges colossal bass
drums, driving beats and a voluminous sound conglomerate in its own way - rough and ruthless,
dark but honest.
Clearly, this milestone vinyl release is a blast on the turntables and an honor for each record
cabinet.

TOBIAS SCHMIDT
He is one of the big names that shaped the UK techno sound of the mid 90s. Along with Neil
Landstrumm, Cristian Vogel and Dave Tarrida, Tobias Schmidt was one of the key figures that
coined an electronic music era that got famous under the name of Brighton techno'. This special
kind of sound stood in close relation to labels like Tresor, Telepatic, Scandinavia, and Sativae -
so did Tobias Schmidt.
It was the early 90s when the Scottish artist appeared on the scene. Since then, he has been
building a strong reputation as an wild and experimentalist producer and a stunning live performer
- whether as solo act or together with artist friends such as Neil Landstrumm. In 1999, Tobias
Schmidt temporarily also transformed into le Chimp Atomique, an artist who combines dark
techno grooves with multiple influences creating an ironic sound mixture. No matter under which
name, he is an experimentalist at heart with quite a sense of humor!

DAVE TARRIDA
Grown up as a techno artist within the 90s UK scenery in line with Neil Landstrumm, Tobias
Schmidt and Cristian Vogel, Dave Tarrida sounds just like one of those loud, sweaty, really dark
underground clubs with too many strobes to see but just enough to keep your heart rate at a max.
Most well known as one of the founding members of the legendary Sativa club in Edinburgh, he
still retains this ravy, industrial feeling in his tracks and remains an ambassador of never ending
electronic roughness - as a DJ as well as a producer.
His smashing tracks have been released on labels such as the famous Tresor, Outpost
Recordings, and of course on the club-related label Sativae Recordings, which he co-runs with
Steve Glencross, as well as on his more recent founded own label AUTOFAKE.

FEINWERK
FEINWERK is the hardcore porno everybody hides deep down in his closet. Not everybody has
the guts to confess to it, but everybody owns the desire for it. It's the urge to resent all
conventions and solely listen to what your body is longing for - pure hard underground real shit
fucking music!
Reminding the techno scene of the mind blowing beats of unique electronic sounds, such as the
Brighton techno, FEINWERK is coming back with its new badass interpretation of experimental
underground techno with a mixture of industrial and minimal influences involving an apocalyptic
touch.

Aubrey is a man on everyone's lips at the moment. After nearly 25 years of releasing music, the South Coast techno pioneer has just completed a busy 2013, including a remix for Juan Atkins' Metroplex Records and is pushing his own DOT Records to new heights. Here, Aubrey has followed up his earlier Ferox releases "Abstractions" and "Inner Feelings" with two super deep cuts on this techno jazz fuelled 4 -tracker. On remix duties are label boss Russ Gabriel and his RT-Transmissions partner - Germany's Hans Thalau.

* Emika releases a remix EP of her 6th studio album ‘Falling In Love With Sadness’, (Originally released on World Mental Health Day Oct 2018)
* The remix EP explores 4 sound worlds in electronic music today. Experimental bass music, hypnotic & dark techno, and electro.
About the remixers:
* Pinch, a pioneer of UK bass-driven music, is considered to be one of the most groundbreaking, explorative producers to emerge from the UK dubstep scene.
* Rising techno star Julia Govor is an artist doing things differently, paving her own way with her own label, receiving recognition from the global dance music scene.
* Rebekah needs no introduction, pioneering her own intense sound, now entering her 20th year in the business, she is a serious artist with some seriously heavy vibes.
* Underground Berlin talent Headless Horseman, all though shrouded in mystery, is in high demand world-wide to perform his unique live sets at some of the biggest clubs and festivals.
* Emika produced original album material with cult electro icon The Exaltics.
* Solid remixes from solid underground artists.
About the remixes:
* Pinch creates a seductive environment for a scene from which could have been from David Fincher's Fight Club, one which threatens to overload at any given time, but retains tension until the end.
* Julia’s mix transports us into the next part of our journey, beyond conflict and tension, she gives us the chance to breathe, open up, be free and to dance.
* Rebekah's remix brings us hurtling back down to Earth at a tremendous pace, with crystal clear drums that wake up the soul and synths that energize the mind, this version is more than a dark techno track, it has the spirit of a self-confident grown woman running through it.
* Headless Horseman brings Emika’s original into a beautiful new song space, revoicing the harmony and finding completely fresh chords and backing.

* The artwork hits the mark with a message important for Emika: Equality. With 3 female artists and 3 male artists all featured on the cover, this is a way in which Emika highlights her love for collaboration and sharing of the spot-light.
* Green coloured vinyl (1st edition) 500 copies pressed..

‘’We are moving into a new century where collaboration is going to bring music forwards and exclusivity is going to become a thing of the past.’’ - Emika

"The long-awaited Exos and Ohm record will finally see the light of day this November on Exos' new label, X/OZ. This is the second release from the label and also the first Exos and Ohm ep in 16 years. Exos and Ohm are old friends and long-term collaborators having released on the legendary Force Inc. label as well as Thule Records. The pair met in Reykjavik in 1997 and played together in clubs together such as Thomsen and Tunglid, both historical cornerstone in the icelandic club scene. Soon after that they started making music together. This release, Frodari, marks their fourth collaboration and is a sort of sequel to the 2001 Thule Records record ""Paint Me Up"". The records share the track ""Frodi"" which has been remastered for this 2017 release. The album has been in the making for the past two years and is set for a vinyl release in November with a digital release to follow in early 2018.

Retrocausality features eight new tracks spread across two EPs. Thematically, the record is inspired by the idea that spirituality and science can crossover and blend, such as the theories of quantum physics and Buddhism, according to the press release. The EPs are titled A Posteriori ("from cause") and A Priori ("from result"), meant to highlight the duality of perception. The music is a mix of ambient, drum & bass and techno in the Grey Area style pioneered by ASC, Sam KDC and Horo label head Geoff Wright.

The Japanese artist, real name Maiko Okimoto, first released an album on Horo in 2017. Earlier this year, she also put out the Figure And Ground EP via Sacred Court.

Retrocausality features eight new tracks spread across two EPs. Thematically, the record is inspired by the idea that spirituality and science can crossover and blend, such as the theories of quantum physics and Buddhism, according to the press release. The EPs are titled A Posteriori ("from cause") and A Priori ("from result"), meant to highlight the duality of perception. The music is a mix of ambient, drum & bass and techno in the Grey Area style pioneered by ASC, Sam KDC and Horo label head Geoff Wright.

The Japanese artist, real name Maiko Okimoto, first released an album on Horo in 2017. Earlier this year, she also put out the Figure And Ground EP via Sacred Court.

The T.E.W. (Traveling into Esotheric World) project was born in 1993 from Simone Renghi and Boccia Bean, really busy as DJs at the time since many years, the first focused on the dancefloor, the second on turntables. They met each other discovering they both had to spread their musical message not only through playing others music, but linking their minds to synthesizers and drum machines. Their debut was inspired by the great following techno music had in Roma at the time, and after few time they released their first records on different italian electronic music labels like Synthetic, Plasmek and Nature. Then, for their own musical independence, they chose to found their own label, Habitat Records. Even if it was part of the ambient techno productions of the time, their music had something about folk, because in some way it told about the bucolic landscapes just outside Roma, natural places so close to the eternal city where they still live in, and about the emotions that only who lives so closed to his own born place can feel, expressing himself in his own original way.


In 2014, after a long time far from the scene, during which they contributed to their solo projects, 18 years after their debut the independent roman label Electronique printed their new record, Eighteen: two tracks from their 1996 and 1997 archive never released before. Their sound is something out of time, with no context and far from any idea of business, all features that make their music so current. Every time someone put their records on a turntable, their music is able to open a way to suggestions, memories and reasonings that make us feeling their own language so deeply, a kind of sound that has really something to say.
On 2019 T.E.W. are back with a new Habitat release, iPHiiUNiCi 1/3, the beginning of a new musical phase from the duo that many people admitted as one of the absolutely most underestimate techno projects.

Belgium based Border One continues his hot streak in 2019 with the launch of Border One Records. After successful releases on Wolfskuil, Escapism and Voltage in 2019 he now set’s up his own imprint. The label will feature the young producer’s own material and will be pressed on a limited 200 copies 12” run. Artwork done by painter and tattoo artist Ilja Vanhoutte.

The label sets the tone with the “Abyssal” EP that features four cuts made for peaktime dancefloor moments. Four hypnotizing and ever evolving tracks to rely upon.

Robotron successfully autonomized and has now breached the mainframe. This is its second offering for the ESP Institute. Side A’s Exodus picks up where the last 12” left off, the spoils of cybernetic war as scavenged by the now-defunct Xinner and translated by Robotron into machine dance music for a post-apocalyptic future. With only a select few analog machines with which to communicate, it manages to produce the most bombastic beat we’ve heard this side of the acid winter—a mighty compressor permeates all spare gaps in the waveform, as communicative bleeps and note-bending mechanics work in concert to assemble a highly dynamic composition— emboldening us with courage for a new age. On the flip side, Kamchatkan renders a sparse image of a only remaining organic life, found in the furthest Eastern reaches of the Asian continent, the Kamchatka peninsula. Here, Robotron experienced a metamorphosis, a collapse of its structured programming in which it became self-aware and transitioned from its quantitative agenda to a qualitative enlightenment. This breath of new life invigorated Robotron’s musical approach as heard in the aforementioned title, revealing an uncanny ability for humanistic percussion and lyrical Acid melodies. These two programs will conduct synchronized dances for the masses.

Planet Rhythm continues the Various Artists series with a versatile 4-tracker containing tracks by Planet Rhythm regulars and a relative newcomer to the scene. The A-side features a deep groover by Yan Cook as well as an atmposheric track by promising act ALPI. The B-side is home to two tracks that lean more toward the harder and more repetitive part of the label's broad spectrum.

“There is something comforting in the idea that one day a few representatives of our little
terrestrial village might venture to the great galactic cities ” - Carl Sagan.
We focus our music and concept mainly to make good records.
“Reason of being” is the name of the second EP of the Madrilenian techno label ,
Matterwave Records, 4 Original tracks by Spanish producer Akenaton (Sub TL, NXT
Recordings, Hxagrm Records), a skilled techno producer and dj emerging in the scene.
This EP is influenced by sounds of the motor-city where Akenaton shows his abilities
recording the tracks in real time as a live set.
A trip across the space to find yourself.

Dan HabarNam returns to Chris Farrell's label with a follow up to last years acclaimed 'Draw Your Pattern' 12". Picking up where that left off 'Major Blinks' delves deeper into sub heavy techno with superb sound design and depth. On the flip 'The Source' transfixes with its eerie pads and broken drums. Another strong release from this label and another chapter in this unique Romanian artist's story.

Last summer during an evening spent with my friend Dj Topha, we came upon the everlasting subject of old versus new. 'I'm finding so much great music right now, and not just digging back in time but exploring our own timeline geographically too,' he said, 'The level of production these days is rising fast. You have to check out these snippets from a new label based in Casablanca.' m Not long after, in an interesting twist of fate, Driss Bennis and I began to exchange music: I shared his Soundcloud for the first Casa Voyager release, and he sent me a promo copy which I played out a lot. It seemed only logical to ask him for music for Basic Moves. Later that summer we met in Paris for a convivial back to back at Dawidu's shop, Te Iubesc Records and Sapology. It was as simple as that, and in a few weeks Basic Moves 04 was ready. Night Train and Overseas blew me away by their quality - the tracks are retro-esque yet fresh, and stem from a loose approach to electro. Their arrangements are very smart; not everything is revealed the first time round. The more you listen, the more you understand that the power of the tracks lies in the details. Together with Ailsa's artwork, Stefan's cut and Chris' mixes the release fell so smoothly into place.
I have come to realise how important it is for the scene to release recently produced music as well as treasures from the past. You can't build a community by only playing old records. It's about a combination, about finding gems that glide together. Old and new. And for that, I think both these DJ Booth tracks really fit the bill.

Gimpmask rises once more from the decaying underbelly of Britain's neglected majority to showcase more cinematic dubbed out grooves. Three more Beautiful and Melancholic adventures into broken Britain courtesy of the illusive
Gimpmask.

After a few good years of releases on labels such as the Catz’n’Dogz founded PETS or unforgettable hit ‘Turnaround' made it together with SLG for Play It Down, Smolny has started his own imprint called Bourassa Records.

‘Explain’ EP is the first release on the label and you can definitely call it bangin’ stuff! All the tracks are inspired by UK Dub and techno sounds. Smolny concentrated on the strong and soft bass line in the same time which literally vibrates and floats on the filter. In a balanced way, it gives tension in the tracks of well-arranged drums that kick you at the right moment. In each of them we can also hear a hypnotic vocal cuts that gives you slight anxiety and mysterious aura.

After five years Patrice W. returns with a new vinyl on Delude Records. On these release are four brand new tracks with a lot of new fresh techno and tech house grooves.
On the A side are the track GRAVITY and SOLAR, very good techno tracks with nicely arranged tech house elements.
On the B side are the tracks RADIATION, a nice melodic tech house hot stepper with good synthesizer sound and COSMIC, a very beautiful dreamy track in PATRICE W. style.

200Stk. // Limited // colored Vinyl // Vinyl Only // No Repress

Crosstown Rebels welcome Tochno Techno label owner Yulia Niko to release her first full EP, Paradise, a captivating three track EP featuring jazz bossanova vocalist Sil Romero and Italian talent Cioz on remix duty. Opening track Caminando encapsulates Yulia’s inspiration from walking on the White Isle of Ibiza where she spent the last year living. The hypnotising deep house melody of swirly synth pads and Sil Romero’s beautiful dreamy vocals wash over skipping percussion in an emotive composition. Cioz puts his own melodic stamp on the remix, creating a progressive club piece with bright keys over a reshaped bass line. Paradise continues the warm, ethereal atmosphere of the EP, bongos dance on hats as lush, relaxing tones fade in and out. Russian-born DJ, producer and label owner, Yulia Niko learned her trade in the clubs of her hometown before moving to the US to work as a resident DJ at Verboten, Brooklyn and Heart in Miami. Now touring the world, she is based in Berlin and runs a vinyl only label, Tochno Techno. She has also released on other esteemed labels such as Get Physical Music, Nervous, Heisenberg, Natura Viva and Dee-P-erfect.

Repress12" Acid Techno Vinyl produced by Ant & D.D.R., released on Stay Up Forever Remixes. Another Stay Up Forever favourite gets the remix treatment. This time Rhythm Technologies, K.N. & DJ Clydeboards do the work

Tribe classic and olschool... superb sound A-Class underground … sweet and fat ! MUST HAVE from Vinyl Bleu

Industrial Doom Hardcore, or maybe Hardtechno at some point but anyway not too speed, very fat, crunchy and defenitly Hardcore in the spirit.

Dark techno to Doom sound... A solid PCP influence here, inna Rave modern way. Enjoy !

Renowned Frankfurt-based producer Anthony Rother delivers an otherworldly release on Rekids offshoot, Stranger in The Night.
Very few electronic music artists stand the test of time but German electro pioneer and visionary, Anthony Rother, is one of them.

Whether running labels like Psi49Net, Stahl Industries and Datapunk or working alongside the likes of Sven Väth, DJ Hell and Kraftwerk’s Karl Bartos, Rother’s legacy stands tall. Having made recent appearances on DVS1’s Mistress or Danny Daze’s OMNIDISC, Rother now connects with Stranger In The Night, joining a tight roster of luminaries including King Britt, Fred P and label boss Radio Slave.

‘We Are The Future’ opens the package with sci-fi synths, a decaying vocal and arpeggiated highs, before ‘Super Future Metropolis’ continues the theme with ultramodern vocoding and industrial drum patterns.

Following on, ‘The Message’ sweeps in with laser-like stabs and a leading lyrical sample until two new perspectives conclude the package: the multi-layered ‘We Are The Future (D-Cut)’ with it's intricate keys and a ‘Space Mix’ of ‘The Message’ which widens
the audio journey with lightly flowing pads.

Borusiade's Misfits of Broken Dreams puts a futuristic twist on industrial electronics, fusing it with spaced out drones and detached, yet bold spoken word by the artist herself. Rugged tribal rhythms and rumbling bass complete the picture, and you're left with an immersive ride leaving you somewhere inbetween fight-or-flight and gloomy despondency.

Yellow Vinyl

Superb belgium techno, Acid dancefloor classic style, well done. With a bonus track (A3) story telling.

4 track EP by Huey Mnemonic from Flint MI
Vanity Press

2x12" Limited 100 copies stickers cut @ the Exchange

2 live sets on 2 plates. Cut at max volume as possible by Shane the Cutter.
Spleandid realese expressing how Live sets are a way to enter some deadends and how crazy it is to escape them. Defenitly a Challenge, an Artistic way to make music rather than to mix tunes on a computer...
Enter the Jaquarius experience !

1 Hour of music...

ROD strikes back on his own RODlabel with a filthy high energy techno banger + a sweet melodic comedown on the flip. vinyl only.