Techno Vinyl New Releases - News

Acid techno masterpiece from Camera Security, the Techno project from Mingo ( from Acidolido and No Pizza Rave)... The Flip is nevertheless than Collision (OBS:CUR) with his techno project WAVEBNDR ! BLASTER !

DJ Nigga Fox’s most substantial release to date sets a new benchmark for Lisbon’s revered underground ghetto dance scene, pulling traces of jazz, acid house and cinematic sound design
into his deeply rugged and exceptional sound with effortless style. Highlighted as one to watch in Lisbon’s virulent club scenius since appearing on the ‘Bazzerk’ compilation which introduced many
ravers to Kuduro in 2011, DJ Nigga Fox’s productions have become acclaimed for a mix of abstract weirdness and proper dancefloor impact that’s hit ‘floors hard across the world. Following 2018’s
‘Crânio’ 12” and remix of How To Dress Well, he now returns to the Príncipe powerhouse, home of his first trio of 12”s, with a definitive statement that arguably ranks among this year’s strongest,
rhythm-driven LPs, bar none.
In a way that mirrors UK dance music’s transition in the ‘90s from hardcore jungle to garage and D&B, or in the ‘00s from grime and dubstep to more “sophisticated” styles of deep house,
broken beats and UK Funky, Nigga Fox’s longest release to date appears more layered, plusher and, ultimately “musical” when compared to his earlier work. Using sparing but knowing dabs
of noirish jazz keys, live-sounding double bass and expressively off-kilter synth tones, he binds rippling, colourful flesh to his flexing, bare bones drum torque in a way that boldly blazes a trail for his local scene without ever losing sight of what makes it so thrilling in the first place.
This inch-tight refinement of Nigga Fox’s already distinctive style is characterised by the twisting,
unpredictable arrangement of ’Sub Zero’, where stealthy waves of swingeing drums and vintage horror movie tropes are ramped with feral electro scuzz to killer effect, or equally in the freaky tension between lissom jazz chords, jaws-harp buzz and wild acid lines on ‘Faz A Minha’, and likewise the way he meshes roiling drums with complex, asymmetric electronics on ‘Vicio’, or simply forges his own, outstanding form of slow, psychedelic dance-pop replete with his own,
Quasimodo-Styled vocal in the shocking closer ‘5 Violinos.’
By any measure ‘Cartas Na Manga’ is a singular album-length EP that stands miles out from the crowd. Its only comparisons really lie within Lisbon’s club scene, with the likes of DJ Firmeza,
Marfox or Nervoso. As such it’s best taken as symptomatic of their collective scenius, and is keenly ready to be mixed with music from all corners of the Black Atlantic.

Fur Coat return to their own imprint Oddity with 'The Sequel' EP, backed by a huge remix from Rekids' Radio Slave.

Venezuelan and now Barcelona-based duo Fur Coat have been steadily carving our their own brand of melodious Techno over the past few years. Initially rising up the ranks via releases on Crosstown Rebels, BPitch, and Last Night On Earth the duo have recently turning their focus to their own imprint Oddity, amongst output on Berlin institution Watergate and Joseph Capriati's label Redimension.

'Stargazing' leads the package with entrancing, rising arpeggios, choppy bass hits and murky bass textures all dynamically unfolding around a weighty drum groove. 'Orbital' follows, stripping things back to a more refined, atmospheric feel via soft synth flutters, swirling echoes and eerie, unfolding bass licks.

Radio Slave's '9118 Remix' of 'Plaid' follows next, employing a robust amen break driven rhythm, glitched out synth lines and underlying strings steadily building tension throughout. The original mix of 'Plaid' continues the EP, dropping the tempo and laying focus on old school IDM tropes via multi-layered pads, bass and off-kilter drums.

Hyperlacrimae is a porn-ceptual industrial project by Erminio Granata and Carmine Laurenza focused on melancholic, dreamy, erotic wave tendencies, based on illusory memories.


“Through the lies of Mr. Nasotti" can represent a clear link between modern industrial music, sludgy ambient and bleary post-punk and darkwave resonances.
The main aim is to spread the word of Mr. Nasotti, describing his world in all its aspects: weird habits, dirty perversions, nostalgic thoughts and a strong anti-crowd attitude.
So, if you’re into twisted metallic drum machines, cavernous atmospheres and noisy body arpeggios, if you like the murkier corners of electronic body music, you’ll be surely into this.


credits
Written, recorded and mixed by Erminio Granata & Carmine Laurenza
All tracks have been recorded between September and November 2018
Mastered by Hyperlacrimae at Red Dungeon (Naples)
Layout and cassette design by Erminio Granata
Photo by Nicola Pagano
All rights reserved
IB008 / INFIDEL BODIES 2019

Concentric Circles presents ''For the Moment'', which features tracks from some of Di Stefano's early cassette releases, as well as a number of unheard explorations of Indian polyrhythms from the early 90s. Di Stefano’s prescient and unique work will appeal to fans of Cybe, Joel Graham, UnknownmiX, Zru Vogue, and provides a fascinating view of the 80s US electronic underground.

American-born, Japan-based composer John Di Stefano self-released a number of cassettes as part of the 80s DIY underground on his own imprint Oktron Produktions, including Klang's Drift, a collaboration with Joel Graham.
Living in San Francisco, Di Stefano had access to multiple University electronic music studios, where he had an impressive array of synthesizers at his fingertips, including both Buchla and Serge modular systems. Combining his knowledge of modular synthesis with a background in percussion, his early releases were a uniquely human approach to electroacoustic music, with flourishes of post punk in the mix. Di Stefano developed an interest in world music, studying Indian music theory and tabla, and after an extended trip to Indonesia in the mid 80s, he was particularly drawn to Javanese gamelan music. Future recordings would forever be indebted to the sounds he heard during those travels.

Banging techno & Acidcore... another masterpiece from the Molekul artists Crew !

Off the back of his killer album release, LOMA, Throwing Snow returns to Houndstooth for a fiery, politically charged EP; The Death of Pragmatism.

As tension continues to rise in the UK around the Brexit debate, Throwing Snow channels the aggression into a 4-track release - showcasing some of his most intense work to date. To be released on the 1st November, the day after Brexit is executed, the EP opens with a percussive-driven record ‘Nought To Gain’. The idea is built around Ross Tones (AKA Throwing Snow) looking into the dramatic system modifications at play that change landscapes as a whole and when ’the supposed benefits of that modification no longer apply as there is now a different structure in place - there is nought to gain and all to lose’.

The second track, ‘The Righteous Mind’, is named after Jonathan Haidt’s book subtitled ‘Why Good People are separated by Politics and Religion’. ‘His approach explains the current schisms and could act as a mediator for angry voices’, Ross says, giving a better understanding of the single as it allows for a moment of reflection before leading into ‘Ideolog’ - an ominous soundscape circling back to Throwing Snow’s half time DnB influences.

‘When staring into the abyss, a great orator speaks of utopias and rose-tinted cocoons. Ideologues are intrinsically reductionist, degrading the complexity of every single issue. Meshed interrelations are ignored, in favour of quasi-religious furore. Basically, it’s a shit idea to follow them’.

Rounding off with ‘The Death of Pragmatism’, a climatic syncopated record focused on glass-shattering beats and piercing synths, Ross cites the world of Gödel and unyielding ideologies which suffer from their complex consequences. ‘Assessing the foreseeable aftermath within a broader context is a map through the madness. Otherwise it’s the death of Pragmatism’.

The artwork features Phillippa Battye’s sculptures representing a concept. ‘The shape will look different depending on the observer’s position, which is isomorphic to viewing a debate or issue from different ideological standpoints. Different moral axioms result in different vistas. The sculpture is both block rectangles and warm circles.

Apt E Vol. 1 is the first entry in a series of 12” compilations featuring the off-the-wall projects of various Seattle-based artists.

Berlin-Cologne based duo Atlantik is well known for incredible ravish live sets. People go ballistic ! Georg and Clemens played their set more than three years ago on one of the parties and everybody instantly felt in love with it. Atlantik has got a residency at the world famous Sisyphos Berlin where they set up their impressing analog machine park on a regular basis. The Snö EP contains two original tracks plus a crispy remix by Feines Tier friend Schlepp Geist.

After 10 vinyl releases exploring the leftfield side of electronic music, No Suit Records enters a new era with a new serie of Split EPs. Two artists per EP, offering a wider color palette, stretching styles and genres.

Cabasa is back on No Suit Records after the launch of a successful live act and many appearances in festivals and high profile clubs around Europe. On this release Cabasa navigates between luscious atmosphere, broken beats and polyrythmic patterns.
Crystal Clear is made of soft melodies and tickling bass —it is a reminiscence of the 00’s downtempo apogee and an invitation to accept your inner melancholy. More Than a Second is a slow awakening, a groggy musical move, a muffled request for a brighter future. Catching Fire Slowly is a contemplating ode, a call to take a deep breath and prepare yourself for the upcoming run.

Lost souls or flowers of hope, lurking into light and darkness, no one knows who Scaarlet are. The only certitude is that they always play with boundaries and enact performances between syncopated melodies, cut up sounds, wavy basslines and deep atmospheric sounds. They are back on No Suit Records and continue to develop their own intricate style, merging Drum’n’Bass and Techno influences into a politically and socially engaged music.
My Man translates the raw energy of riots and rebellion, powering a fusion of Drum’n’Bass and Techno. The River resumes some of the Yakusa women tattoos symbolism into a romantic pulsating 170ish bpm vibe. Advertising is an open critic of the fast fashion world and the supremacy of commercial communication, mixing polyrythm with a straight DnB kickdrum.

All tracks mastered by Pole at Scape Mastering in Berlin.

DALO aka Nadia D’Alò emerged at the ESP Institute in 2018 with a brutal remix for Benedikt Frey’s Private Games. Having been floored by her sinister aesthetic and stripped-back approach to production, as well as being long time fans of INIT (her collaborative project with Benedikt), the ESP institute was compelled to commission a dedicated solo work. Across four beastly tracks, Nadia pulls from a gritty palette of instrumentation, combining ritualistic drums, industrial percussion and scratchy acid lines with a blurry montage of demonic sighs and whispers. The result is deeply hypnotic. As we slip into the abyss of her psyche, we attempt attaching to the repetitive instrumentation, clinging to what’s familiar for a sense of security, however, every element in Nadia’s world betrays us as it slowly mutates and slips from our grasp, leaving us in a perpetual state of bewilderment. Similar to a deep dream or a heavy trip, incidents in the music replay on mental loop, accumulating layer upon layer of subconscious meaning, deteriorating our senses until we’re completely removed from our safe zone. It's precisely this dose of danger that keeps the listener inquisitive and on-edge, a potent potion that Nadia has proven effective without over-cooking or adding extraneous ingredients. On the surface, there is an admirable dryness to her tonality, even through the intermittent tape echoes, detuned vocals and haunted smears of reverb, the music is never drowning. Such achievements are the marks of a bold and confident artist, one whose firm grasp of a particularly psychedelic craft supports a warped command of nuance. It’s with great pleasure we find DALO’s agenda aligns so strongly with the ESP Institute.

Fortuna Records boss Kalbata launches his new record label Brush & Broom with this impressive EP, featuring two acid-tinged African percussion excursions for the late hours. Obskuure is a ritualistic percussion journey reminiscent of old-school warehouse days while Rumoured is a high-tech conga roller layered on top of analog drum machines and an acidic bassline.
Crucial and limited!

Umwelt allies with Midnight Shift for the release of the mini-LP Superior Life Forms, featuring six devastating tracks on the vinyl release. Limited edition marbled vinyl with full printed pencil-drawn artwork on thick cover. Artwork by Aeropalmics

Limited Edition Vinyl



Vinyl + Digital Ep

Vinyl includes a Bandcamp download

released Oct 25, 2019







The new release of Dusk & Waves is starring by Vicky Montefusco, Dj and producer from Italy, resident in Berlin for a few years. This EP is presented as his first work on vinyl with great force and originality. Whit a style, synthetic, analog, crude and influenced by the legacy of the 80s, has allowed him collaborating on labels such as Ninefont, Clouded Vision or Items & Things.



The EP begins with 'Justice', a low revolution techno track that with its line of acid bass and Martian sounds, added to the speech sampler of JFK, leads us to a state of deeply hypnosis. On the other hand, 'Roar' goes deeper into EBM territory. Above the starting of the arpeggio, it is built a dark track full of synthetic sounds and a nightmare atmosphere (somber, gloomy, baleful). 'During' keeps the darkness of the other two tracks; however in this case, the rhythmic guitar at the beginning adds a more 'funk' touch to the track. It is “a funk” with a narcotic and somber flavor thanks to the vocal and the synth sounds that accompany it. On the B side of the vinyl we find Blacknob's remix to 'Justice', which gives him a re-interpretation more club raising the bpms and creating a perfect track for dance in the late night. Finally, Jamie Braid´s remix offers a reconstruction of the track 'During' with electro beat, generating an odyssey of textures with a development that goes beyond the standard structures of dance music. Timeless!

Between the vast flatlands of Western Ukraine and the Pacific shores of Vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. Initially free from the weekend routines of the established club circuit, producers from Etapp Kyle to Stanislav Tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios. The interconnecting conduit of these geographically isolated minds has often been the radio show of Nikita Zabelin, a Moscow-based DJ mining the local torrents for treasures. Vladimir Dubyshkin is one premier example of how this culture yields wildly exciting finds. Listening to how sweepingly effective his de-centered vision of techno is, it's hard to believe that this actually is his first fully fledged vinyl release. Hailing from Tambov, a city of 280.000 souls 460 km southeast of Moscow, Vladimir Dubyshkin is a regular of Zabelin's show and has contributed tracks to two compilations on Nina Kraviz's TRIP label - another major force in bringing great techno from the fringes of the former Soviet Union to the attention of the world. The "For Various Reasons EP", coming in two separate installments, now shows the full picture of Dubyshkin's special talents. Highly energetic, rave-infested analog techno with de-tuned melodies rubbing against take-no-prisoners basslines. There is an intense emotional component present at all times, typically missing in Western grayscale techno. And once again, the great promise of participation of techno has been proved alive and well, with the freshest contribution coming from the least expected of places.

We were always living in nonlinear times, but a significant cycle is coming to an end so we are noticing a growing number of severe changes and happenings caused by the nonlinear nature of things. For human beings it's difficult to imagine exponential growth despite it surrounding us in almost every aspects of life.

In music one can find such nonlinear increases or logarithmical declines in the core of sound creation itself, namely in envelopes controlling levels, texture and frequencies. But also in real life in the rise and fall of popularity, in viral news or in the development of music technology.
Utilising his sound pallet comprised of modular synthesis and electronic instrumentation, Florian Meindl highlights these resonances of thought and exploration with a sonic statement of his current vision around electronic music in the form of his 4th artist album.

LA's Truncate returns to James Ruskin's Blueprint with a new 3-track EP, having made his outstanding debut on the label back in 2017 with 'Terminal 5'. Early support comes from Ben Sims and of course label head, James Ruskin. Over its 3 tracks Truncate continues to shape his evolving Truncate sound that he launched in 2011, from the tribal energy of 'The Bell', via the piquant twang of 'Initials', to the deep sensibilities of 'Timbre'.

Vinyl only!

Long overdue, here comes AIR LQD’s first full-length player, Repeat Itself, making up for the direct follow-up of his acclaimed vinyl debut released on the label in 2016. Mixing science fiction, social criticism and punk ethics in the most cryptic fashion, the latest entry in the discography of the taciturn Belgian groove-maker sees him pushing further his electronic experimentation. Delving into the meanders of the human consciousness through hazy and abrasive rituals, brainpowered by robotics, artificial intelligence and urban metamorphism. The weird looping echo of a man-machine drifting through a vortex of feral scratches and overworked machinery. Slowly moving towards the event horizon of a supermassive black hole, leading to unexpected aural aberrations full of hidden, past and new meanings. Giving a last disillusioned glance at our human condition facing technological progress and the toxicity of the outside world.

Solid Tapes label and Ritmos Comunes nights boss Fabio Vinuesa delivers his first EP in Hooded Records. '4 Cuts' is a solid representation of Fabio's work and aesthetics: strong melodic sense, mastering of deepness and feelings, great production skills and stylistic eclecticism. Electro, techno, house and dreamy hardcore all have something to say in this record, making it a great tool and essential EP in any record bag.

Anagram Label start off their new vinyl only series with a split EP from De School resident JP Enfant and label owner Sinfol. Limited to 200 copies.

Following the release of Tolga Baklacioglu & Dee Grinski’s album “Your Secret Face”, VENT presents a remix package featuring Samuel Kerridge, Svreca, Ryo Murakami, and Isabella, who are some of the artists who have most inspired and supported the duo’s music. These exceptional artists’ interpretations refract the industrial rhythms and harrowing vocalisations of the original tracks into caleidoscopic tunnel visions with each remixer's individualistic expression.

The first track Monkey Bizz' recollects memories of old school raves as the beats reverberate across warehouse venues. BOOM!

Next up is Infiltrator', a rave anthem which was previously released digitally on One 92' EP and now added as a bonus track on the black gold.

Swerving into Interlinked', a gentle yet very strong emotional tune driving upon a dreamy synth hook. Followed by Level 3', an off-beat techno track which does some serious damage.

Back after a much lauded first foray on LENSKE last year, Sam Deliaert alias Farrago rekindles the flame with the high-beam pulse of 'Neontrance'. Witnessing his growth as a skillful producer and dextrous buildup architect, the EP finds Farrago further carving out the contours to his developing signature sound - halfway industrial cyborg-ness, ruthless trancey syncopations and more spacious, off-kilter cosmonautics. With announced dates including appearances at the OFFSónar Exhale party in Barcelona, Dour Festival, Extrema Outdoor and Feel Festival, needless to say Sam's summer is going to be busy to say the least.

Having served as the epic topper of Amelie Lens' Timewarp 2018 set and RA podcast, the title-track will undoubtedly ring a bell to all self-respecting fan of the LENSKE mastermind. Melding a heavy-duty four-to-the-floor with well-timed breaks and the kind of fluttering bleepy melody that sticks in your head long after the needle's lifted off the groove, the "pure emotion" of 'Neontrance' makes for the central pivot around which the other tracks revolve and articulate.

The EP opens with the stomping and churning 'Sinner' which examples Deliaert's production expertise. Pulling out the trenchant katana samples, spiralling bass and weird mouth noises, the minimalistic 'No Jutsu' is one to crank up the heat effortlessly. Completing the picture, the original version of 'Risin' echoes Kobosil's anthemic revamp from last year: a bouncy joyride in acidic marshes and hallucinogenic landscapes that's sure to slap a smile on the saddest raver's face all the way. Techno's a party, and Farrago's got the soundtrack for it.

Enjoy these three brilliant new versions from Spartaque, Gorge & Hybrasil of Martin Eyerer's sensual techno trip featuring the unique voice of former Archive singer Craig Walker!

On his newest record, Alex.Do shows his unique sensitivity for compelling grooves and atmospheres in the purest form we've seen from him so far. 4 tracks that could'nt fit the artwork better on Alex’s second release for Plangent Records - the stamp displays the "Alexanders Plant" which has its habitat in shaded and sheltered areas. Just the musical mood of Plangent's eleventh issue.

Vinyl speed adjust debut on constant sound. Great remixes curtosy of Mike Shannon and Doubtingthomas.

After 2 years from the publication of a remix , our master commander KEN KARTER back on Eclectic Limited with 3 smashing tracks of pure Techno .

An incredible trip with a lot of deep noise sound and of course the strange way of the artist to make a music! Together with the artist we are super honored to have one and unique Heroine of Techno ELECTRIC INDIGO! She made a powerfull remix following the way of ken karter. ECLLTD009 is a fantastic result of the music

Lemmi Ash is a Swedish duo comprised of producers Samo and Martinou, and their debut EP with ESP Institute, 'Osmin Uratoma', has been a long time coming. Samo has been a friend of the family since prior to the institute’s inception — dropping in on us in NYC, occasionally as a guest DJ at The Stallions’ residency in Chinatown — and ever since those halcyon days in the late Noughties, we’ve been slowly circling a moving target, poking at his potential contribution to the label. It wasn’t until recently, when fellow Stockholm depth-charger Martinou stepped into the picture, that stars finally aligned and Lemmi Ash was born. Now a steadily growing lovechild, the collaboration displays a finely balanced ratio of the duo’s DNA, complimentary in both aesthetic and character. Across four seemingly disparate tracks, we can sense Samo’s penchant for Dub is subliminally leading the way — from minimal organ stabs and off-kilter hi-hats on the relentlessly pounding 'Apsu', to the hybrid-Dancehall rhythm box and hazy familiar vocal snippets on the late night stormer 'To Dare Is To Do' — while Martinou’s masterful brush is a bit more broad and subtle, shifting the shape of Lemmi’s arsenal into a deep and ethereal Techno head-space full of warm pads, softened percussion and sub bass on both the iconic 'Lemmie Ash Theme' and the EP’s melancholy closer, 'Horror Vacui'. The artists explain that this music was “made with birds in mind” — a somewhat poetic and abstract notion which (to us) symbolizes their stoned veil of indifference, a carefree fluidity of influences, and an ease of traversing stylistic positions — alluding to the rewards of an effortless and non-compulsory collaboration, a genuine creative simpatico.

Birmingham experimental dub terrorist Mick Harris inaugurates new Madrid imprint Trauma Collective here as Monrella, with four brand new executions of sheer naked aggression. It was under this moniker that Harris (aka Fret/Lull) released half a dozen EPs for Karl O'Connor's ZET label between 1996 - 2002 - a strong departure from his previous involvement in seminal grindcore outfit Naplalm Death, and the experimental Scorn project (with fellow band member Nik Bullen). Fierce, functional and direct impact grooves that lunge straight for the jugular, the cuts featured on the Build Time EP recapture the zeitgeist of legendary local club night House Of God - an institution responsible for unleashing fellow legends such as Regis and Surgeon back in the day. Although somewhat overlooked, Harris' sound under this alias has most definitely evolved, and follows through with enough dancefloor dynamics to blend with other modern techno sounds.

Two minds on a sonic rendezvous best describes our first split release. Off Land and Diahgonal swap remixing duties on each other’s respective songs. Aegirine from Off Land’s On Earth album undergoes a mild mood shift once put thru Diahgonal’s lens flare. Movement B from Diahgonal’s Spiral album gets an ambient makeover courtesy of Off Land.

***
ex nihilo, twelve, cash,
moonwalker, wolf, pyro,
knives, flesh, sun, doors,
death, whistle, doves, two,
postcard, skies, mice, you.
***

The sun rises and through the eye of rain the seraph appears to announce the third coming.

9x7" Box Set...now for super offer !! be fast !!

World Wide limited number of 300 sets. 9 x 7" vinyl picture discs in a box

The history of Planets...

It has been 100 years since the British composer Gustav Holst introduced his most famous score «The Planets». An elegant musical tour to each one of our Planets in the Solar System, Holst brought forth imaginary visions of space that would survive many generations and decades after. As an important piece to the classical universe, 'The Planets' is regularly played throughout the World every year as it had been the most vivid translation of our cosmic neighborhood until now.

The Electronic Music artist and producer Jeff Mills, pays tribute to this century of incredible musical production. He embarks to compose a sonic journey to re-discover our neighboring planets in a 18 piece suite that explores the nine planets, including the portions of space in between the Planets, the nine regions Mills calls Loop Transits.

Deeply inhabited by science-fiction, Jeff Mills adopts its ideas, concepts, stories and esthetics from the outset. For him, Space is an obsession and his music almost becomes a musical science-fiction. Conquering space, his music embodies the future while both respecting the past and remaining well into the present. Mills takes the rotating principle of the solar system as aesthetics, concept and model for creativity. From the beginning, his first releases explore futuristic and science fiction topics and continue to do so to this day. For Jeff Mills, the future is a powerful creative drive which explains the artist's ceaseless activity.

Since its creation and like the intention of Holst, each track is musically imagined to invoke the psychological affect, emotions and ideas of each planet. But unlike in the year 1918, when the score was first publicly heard on the last week of World War I, 100 years later, we now have a more accurate knowledge about what each Planet is made of and what they look like. The piece should bring the audience closer to confronting each planet in ways that audiences in 1918 could only dream of.

With the French composer Sylvain Griotto, the arranger of Planets and Mills' previous work on the album and classical score about the NASA astronaut and doctor Mamoru Morhi's space journey in 1992 and 2000 from the album 'Where Light Ends', Mills has created an electronic music album that have been translated for symphonic and philharmonic orchestras and will accompany them in their live debut and all performances. Starting to conceptualize and produce music for it dating back to 2005, Mills constantly worked on the project over the years to bring it to fruition.

In July 2016 Jeff Mills has completed the last production stages of the Planets album at the world famous Abbey Road Studios in London. Recorded and will be released in 5.1 surround on the Blue Ray digital format, the soundtrack needed a particular high level of expertise that could only be attended to at hands of the renowned senior studio engineer Jonathan Allen. The expertise and quality associated with the legendary Abbey Road Studios is recognized globally and undeniably the most famous studio in the World. It is with acclaim from the Beatles, Pink Floyd, or more recently Radiohead before him, that Jeff Mills will bring Planets at this legendary music institution.

The mastering sessions occurred on August 2016 with the acclaimed Mastering engineer Darcy Proper in Holland.

KlangKuenstler first made his debut on our SUM 5 VA with his massive track ‘Continuum’ and now returns for his first solo outing on Second State with two absolute bombs primed for decimating any dance floor they encounter!