Techno Vinyl New Releases - News

"I am very happy to welcome Jon Hester on Deeply Rooted. Not too long ago I noticed some of his productions while in a record store and I made an instagram story with one of his tracks. Soon-after we got in touch with each other. Whilst it has its faults, I love it when social media works in the direction of good music and helps connect likeminded artists! So here is his brand new 12" featuring a dope Roman Poncet remix! Enjoy, Dj Deep."

Jonas Palzer returns to LACKRec. with something more bodily than scales and dimensions. Something you've always been interested in but never knew you were. It has to do with proximity and distance, with smaller and bigger things. Little is known about it, but connecting the bits and discovering a hidden mass may somehow make you feel larger, allow you to breath more freely. These five tracks do not lack a human scale.

Next up on Donato Dozzy and Neel's Spazio Disponibile label is close friend and Italian producer Marco Shuttle. The Eerie label-boss is a regular on the label having put out his Systema album here last year, as well as his Flauto Synthetico EP in 2016. His always meticulously crafted sound is rooted in dark, cavernous techno. He finds plenty of new ground in each new release, though, with some tracks being haunting ambient works and others more propulsive rhythms. This new EP features just that across four typically inventive and absorbing tracks that are as much for your head as they are for your heel.

MOTEKA is back on skryptom for a new EP. This is a pure powerfull record of techno but deep and melodious in the same time. 1 huge first track solo really emotional but efficient in the same time. Moteka's first collaboration with her friend HEMKA for a monster techno rave, with an unforgettable hoover. And we have the big honour to receive Jeoren search for 2 remixes of the main track asgardia and a second remix from the track space nation' who's appearing only digital, Jeroen makes it very big, enjoy !

OUFOUFOF represents the beginning of a new turn for SHXCXCHCXSH, one born out of a fresh conceptual approach to rhythm. Having concentrated in recent years on music for more experimental scenes, SHXCXCHCXSH wanted to create music for the club, but not with the usual 4/4 approach. "...the main focus being our relationship with the dancers' minds and how we do our best to fuck with them". Stylistically, the project began with a discussion about rhythm, about what is interesting and what is not. The result is a conceptualized approach, one in which multiple sounds in each track are based around a single rhythmic pattern. This concept has been extended holistically, to track names and artwork. Ultimately, what began life as a series of records has evolved into an eight-track LP of twisted, polyrhythmic studies in pattern and texture. Fresh off the back of SHULULULU EP for Avian, OUFOUFOF, is the fourth studio long-player from the Swedish duo

"This music is made in order to claims the right to love free”

Time Traveler re-edits gave to the tracks 18 Years later a new life.

The Rain and Obscurity tracks written and composed by Marascia featuring Ray been “manifesto” of the “Harder Times” movement in Sardinia (Italy), for more than two decades the LGBT and Club scene danced in a cultural revolution lead by these 2000’s hits now part of Chronicles Diary catalogue.

100 limited copies.

Far-reaching, industrial music from the Paris-based, Russo-French duo, who take their name from the eponymous Russian radio transmission / broadcast originally from the cold war era.

Following previous appearances on Station Shiva and Discos Pandemicos, Estrato Aurora makes his first appearance on Bliq with some advanced deep techno immersions that match the profile of the label perfectly. "Ursus Dolinensis" takes a slow ride into submission, placing all the emphasis on the low end and using subtle background frequencies to shape out the atmosphere. "Lunanosorex" takes a particularly tripped out approach to electro, while "Glyphodon" adds a little industrial bite into the machine funk framework without losing that steely atmosphere that makes the whole EP so appealing. Leonid's remix of "Ursus Dolnensis" is the perfect complementary addition to the EP - the Dolly and Sistrum artist adds his own rugged deep techno machinations to the track to deadly, understated effect.

The enigmatic duo, Italoboyz, bring their distinct sound to Crosstown Rebels, and invite Crosstown affiliate Yulia Niko to provide the remix.

The original cut of Midnight Summer Dream is a fourteen minute epic journey through time and space. The track is dark and dreamy with Durant's tripped out vocals entwined with uplifting, cosmic arpeggios. Yulia Niko develops a deeper bassline on her take- stripped back with a grungier style.

Italoboyz, the duo of Marco Donato and Federico Marton, have been on a musical voyage since 2002. They have released over a hundred tracks for revered imprints including VIVa Music, Moon Harbour and Circus. In 2012 they launched their seminal label Superfiction, alongside Blind Minded, with the aim to create a movement. Yulia Niko has released on esteemed labels such as Get Physical, Plant74 and MATTER+, In 2017 Mixmag named her as one of their '20 Artists To Know Who Are Rising From The Underground'. Yulia also recently launched her vinyl only imprint, TochnoTechno.

The 3rd release from Tokyo based INIT. The label owner Shintaro.D's solo single including the remix work from
Rio Kawamoto who released under Skadat and What Now Becomes.

Epic Club Machine !
80s EBM mexican band Interface went digged, contacted, then re-edited by Sneaker Dj.
The unique slow industrial marchs signed Raw Ambassador strike again.
Rawmance: 3AM when the walls sweat. Addictive dance.
Dutch master Das Ding hosted here with a progressive storm, rougher than ever.

Smells of heavy rotation..

Alex Cortex delivering the heat!! Mr Cortex is kicking hard with a direct and mental techno tracks! Oscillon, A1, is a bleepy affair, direct and repetitive, but please, play it loud and watch. Rheometric is in the same alley as Oscillon but bringing the bleeps and glitches trip even more in your face. Combined with the fat but quirky bassline, it does the peak time techno thing extremely well. B1's title "Shear Wave" does the track justice. Backed by a fat downtempo beat, the distorted 303-reminiscent synth line cuts through the mix in a way that's impossible to ignore. Strain Rate Tensor rounds up the previous three cuts, also in a very dancefloor-friendly manner. Bubbly main lead and anxiety-inducing pad sneaking in the background seem to be the main thing, until another synth hits you as a counterpoint and flips everything upside down. Proper no-nonsens stuff!! (comes on 180grams vinyl)

Limited to 250 copies - White Coloured Vinyl

SoHaSo is very happy to welcome an recently unknown entity on the label, Joannes is here with a fresh sound originating form the North of Holland. We all need to do shadow work once in a while, integrating our inner demons to create a more balanced reflection to carry out our lives from. The Got Needs EP provides the soundtrack for this personal journey, including delightful remixes by Nadia Struiwigh and Melatonin Man.

Got Needs A1 is a powerful groove with heavily driven drum machines and 303 bassline for peak hour introspection, it doesn't get more hypnotic than this. Melatonin Man strips down Joannes' efort into a down- tempo electro afair containing some spell-binding rhythms that sure is to move some boo...

On the B-side we fnd Joannes taking a more emotional approach, having pads and a cross rhythmic synth rif do the heavy lifting. Nadia Struiwigh takes these elements to the outer reaches of the universe. In her remix she slows i down and creates an intriguing dubby atmosphere with dystopian chords and industrial percussion.

LSD is the techno supergroup of Luke Slater, Steve Bicknell, David Sumner. They launch their new self-titled LSD imprint with a six track double pack of pure techno. Having released their first EP on Ostgut Ton back in 2017 followed by a series of live performances at festivals and venues across Europe including Berghain, Dekmantel Festival, Awakenings, Reaktor and Astropolis they return with their second drop of studio material.

Focussing on psychedelic aspects of techno while drawing on the unique rhythmic sensibilities of each of the three members, between them this group have all had a major impact on the global techno scene over the last two decades. Their new collaborative double pack carries on where the debut left off with six tracks of melodic and mind melting techno with surreal atmospheres and propulsive drum programming that takes you into the next dimension.

DEAIK is SJ Tequlla’s third record on his own imprint Shot Of T. A solo affair, where the Berlin based Japanese artist keeps on exploring a variation of different sounds on his new 12″. Thumping Acid, moody ambient, Acid house for a club night, and some more familiar mellow drum machine and melodic pieces. SJ Tequilla’s most varied record to date. Also with an interesting approach to tempo, where each side shifts between 33-45 by preference of the listener. Essential Shot Of T! Artwork by: Fett Burger

DUAT (pronounced "do-aht") was the realm of the dead in ancient Egyptian mythology. The deity Osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the Osiris Myth.The underworld was also the residence of various other gods along with Osiris. The DUAT was the region through which the sun god Re traveled from west to east each night, and it was where he battled Apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. It was also the place where people's souls went after death for judgement, though that was not the full extent of the afterlife. Burial chambers formed touching-points between the mundane world and the DUAT, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the DUAT.
DUAT (or DUATRECORDS) is a Label by Amin Fallaha and R100.

Clark revs up the first Throttle Records release with E.C.S.T. T.R.A.X., a double A-side 12” that finds him colliding music from centuries past with sounds from the future. Both tracks open the door wide to echo new modes of production for Clark by joining the dots between two great forms of the avant-garde: Rave and Musique concrète.

Kicking off with Harpsichord Ecst, a track that bestows the original rave hoovers, Clark shoots off a frenetic, rapid-fire outburst that’s driven by the instrument, forging a sound that is characterized as anything other than Clark music. Its peak time 'ed rush is perfectly framed by the use of Clark’s own vocals, which are reminiscent of both Meredith Monk’s ‘Vessel Suite’ and Arthur Russell. Perfectly pitching it, our man explains, “It could sound prancingly medieval, but I kind of took a blow torch to it, and made it something totally different”.

Piano Ecst meanwhile sets out to search and destroy piano hardcore, built around a single broken chord, weaved into a stroboscopic digital tapestry of flute flutters, tuned sirens, whirrs and jitters. Although inspired as much by classical/orchestral and avant garde greats, as dance music, the titles multiple meanings nod to Clark’s foundation in and continued love for rave culture, but also to far older forms of revelry, and a church-like atmosphere of religious rapture, which is clearly audible in these ecclesiastic style pieces.

This fully fired up, within the abstract, effervescent, yet psychedelic electronic sound makes it clear that Throttle Records is a sure-fire one to watch...

Intrepid, hard-hitting steppers from London producer Junior Loves. Self-released 4-track 10" with hand-drawn artwork, cut by Leon at Music House, Very limited press.



Sinewy, hard-hitting steppers from London way. Junior Loves has a bit of form, last seen on Tabernacle in 2018, but this new, self-released, hand-scribed 10", with two tracks served up discomix style, is very much its own thing: a timeless, unpretentious cry-tuff encounter that combines deeply rooted, meticulous production with a rawness and vulnerability in a manner that is properly compelling. 'Banner' and its more stripped, spatial version set the tone - propelled by Shaka-ish 4/4 drum-murderation and bolshy, corkscrewing, blue-going-on-purple synth lines that shrink the distance between early Ruff Sqwad/Rapid instrumentals and melancholic ambient techno. The grimy forward-lean is there also in both excursions of 'The Nore', but this one drifts further into ethereal cold-space, recalling John T. Gast's druidic soundboy cuts, dizzyingly psychedelic but precise and uncluttered, mashing up brain/dance/everything with perfectly judged patterns of attack and decay. Very limited press, cut by Leon at Music House. Massive tip on this one!

Oliver Dollar returns to his own Industry Standard imprint after his debut album ‘Another Day Another Dollar’ and the run of singles on IS were licensed to Classic Music Company.
‘Dreams for Sale’ is stellar collaborative cut with Detroit’s Mike ‘Agent X’ Clark featuring vocals from Dr Tingle Fingers. The single also welcomes Bendersnatch to the Industry Standard family who step up on remix duties. The original work kicks off with a rich house groove, paving the way for a slightly eerie strings loop and subtle pumping bass line which locks you in from the off. Dr Tingle Fingers delivers beautiful spoken word in classic house form proving simplicity really can be key as the track develops effortlessly throughout its entirety.
Bendersnatch takes things towards the backroom as darker fuzzy kicks rattle you inside and reverb soaked stabs float effortless over the even more minimalistic percussion. Tingle Fingers’ vocals appear in stripped back form complimenting the more underground tones of the rework. Dreams for Sale’ is a strong return for the label with two tracks that cover classic
deeper house, and crunchy off-kilter techy vibes. The limited vinyl release will be
followed by a digital release at a later date.

Paralysis met in Berlin last year. Two young guys hungry for life, living together in a small room. Sharing pizza and gear. Both are gifted with great skills when it comes to production of Techno music. Cesar Mendoza is doing awesome with melody composing, Max Schroeder loves sounddesign. Both are hitting the individual spot of our DUAT sound idea and when we heard their first steps in making music, we knew they need to become family soon. So we shared our studio with them in the summer and helped them to develope their own style and our vision of innovative dance music, detached from repetitive Tech House and Deep House trends. We are proud to pre-sent the very first released record ever by Paralysis and the collab between our label owner Amin Fallaha.

DUAT (pronounced "do-aht") was the realm of the dead in ancient Egyptian mythology. The deity Osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the Osiris Myth. The underworld was also the resi-dence of various other gods along with Osiris. The DUAT was the region through which the sun god Re traveled from west to east each night, and it was where he battled Apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. It was also the place where people's souls went after death for judgement, though that was not the full extent of the afterlife. Burial chambers formed touching-points be-tween the mundane world and the DUAT, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the DUAT

KZN005 sees Silas & Snare return to the Kaizen fold with the three-track 'Pressure' EP. Lead track 'Pressure' is a continuation of Kaizen's recognisably weighty bass-inspired sound, carried by hefty kicks and screwed synths after a lengthy cosmic build-up. A downtempo influence runs through 'Dreamscape', the floaty synths countered with skittering drums, while EP closer 'Whistle Blower' is packed with industrial percussion and creepy bleeps made for those heads-down, screw-face moments on the dancefloor. This EP comes three years after Silas & Snare's Kaizen debut, 'Biometric'. Gear up and get ready for some 'Pressure'!

Fromtheoldtothenew was originally released in 1996 and is the second full length on Peacefrog from Steve
'Stasis' Pickton.
Growing up as a teenager in East London, break-dancing and writing graffiti with B12's Mike Golding, Steve
Pickton's musical education moved along a familiar path, from hip-hop to Electro and onto Techno. Schooling
himself in music theory and purchasing a sampler Pickton set about making his own music.
Releasing on a whose who of seminal UK electronic labels including A.R.T., Likemind, Otherworld and B12 under
various pseudinums Pickton's UK take on lush Detroit melodies fused techno, funk, hip-hop, dub, blues and jazz
into a dense concoction all of his own making.
Fromtheoldtothenew saw Pickton slip off his earlier techno shackles and head for uncharted electrconic waters.
The echo chamber dramatics of Gun and wayward lurch of Ale House Blues were a long way from Detroit, while
few tracks have demonstrated the sheer breadth of electronica more dramatically than Utopia Planetia. All in all it's
more jazz, less tech without losing the soul

Deadly, fresh, crafty & aware killer Techno - TIP!

We are excited to release to the Techno Universe our first Vinyl V.A - "Into The Realm" that features American Hardware hero Paul Birken, Australia's own Mickey Nox, The powerhouse duo Ontal and closing the madness is ABSL. All 4 original tracks showcases each artists' concept and theory of their unique techno story. Though most importantly as a hole it also projects and guides the listeners into the intended destination for Green Fetish Records.

Following on from “Present Versions Of The Past” (QPR 001) is the long awaited second release from the Quantum Projects vaults titled “The Concept EP” (QPR 002) in which 3 of the tracks are Jack Smooth-inspired productions and a very special 4th track with a Mental Cube (FSOL) style concept.

Worldwide Epidemic – The Concept EP delivering that classic synthesized Jungle Techno/Techno sound.

Mastered and cut by Beau Thomas at Ten Eight Seven Ltd.

Raw and in your face techno tracks on the third outing of 3TH. D.Carbone introducing his alter ego Honzo on the flip side. Where D.Carbone keeps things in control his schizophrenic alter ego doesnt hold back and delivers some mind blowing tracks. The D.Carbone side delivers strong industrial and hypnotic tracks with pulsating acid taking things to deeper techno realms.

A Knight On A Horse,
Riding A Rocky Path,
His Dog Next To Him,
Meets Death On His Way,
In The Background A City.

Neil Landstrumm returns to UTTU with an EP of oddball house & techno featuring long time collaborator Si Begg on the title track “Hell Is Other People.” A super charged fusion of dance music styles!


b a2. Shadow Man Vinyl Only Exclusive

Wolfskuil for its next instalment welcomes Ambivalent and Physical Therapy's new collaborative project PTA. Ambivalent (Kevin McHugh) has been a force for good techno for over a decade and his extensive discography includes appearances on Cocoon, Hotflush, Kompakt and Ovum. Physical Therapy (Daniel Fisher) is Allergy Season label head and resident at NYC's Nowadays. He has released on labels including Delft, Liberation Technologies and Unknown to the Unknown.

The Brothers Jonathan And Ferdinand Bockelmann Aka Glaskin ... The kellerkinder' Who Are Taking Care Of The schall Im Schilf' & back To The Woods Festival' Form Together The Duo Glaskin. In Recent Months, A Lot Has Happened To Them, They Have E.g. With Esacpe Velocity Released Her Debut Ep And Another 2 More On Hotflush. tymewriter' Is Carried By A Broken Beat Over Which Gloomy Surfaces Overlap. Just Fat !!

Simon D And Pluto Produce Together As Preset. With club Sub' They Deliver A Dirty Techno-breakbeat Board That Does Not Look The Same. Techno Smasher !!

Blitz Resident & Lighthouse Festival Booker Leo Küchler Aka vince' Made His Vinyl Debut With namechanger'. He Does Justice To His Style As A Dj With This Housig-playful Number In Each Case.

Phillip Von Bergmann Is Rote Sonne Resident And Firmly In The Circle Of Friends Of Ilian Tape, Maurice Paloni Runs The Label Alden. The Result Of Their Collaboration Is A Breaker Club Track, Perfect For Building Tension.

Don't is excited to welcome Dublin's Another Alias with a perfectly unsettling 4-track EP that veers from 2 step through Techno and out the other side, truly bringing something new to the table.This producer has been busy carving out a definite sound of late and that sound chimed so much with the original ethos of Don't, that he was immediately sought out and invited to record an EP. His productions bang, whilst managing to hit a delightfully off-kilter tone which is a tricky combination to get right and we really hope you'll enjoy this special release.

The ¡rst Bitterfeld Musik sampler featuring the three artists to
have already released on the label, Leipzig's Interviews,
Consulate and Guy Contact from Perth, Australia and a new
appearance from label co-owner, Carmel. Power electro
through to breakbeat and trip house.

Distorted Sensory Perception is a platform showcasing honest, forward thinking sonics. Hailing its roots in weird, wonderful analogue techno, electro and progressive forms of electronic music that have something real to say. DSP's first transmission is a 5 track Various Artist release. An emotive electro EP Varying in speed, mood and style. Featuring tracks from Gilbert, Mindless Evolving Objects, Datawave, Zobol & Nikolay Sunak.

Last release of Comuno on KD Raw was one of my favourite tunes last year. So I was very happy when I got the demo from him and the talented YAEL :-) On top Mark Reeve gave us a smashing remix! Enjoy the Technofunk! (Monika Kruse)

LONE - ABRAXAS EP IS A THREE TRACK EXCURSION INTO ETHEREAL ACID

Lone reveals the first physical release on his new imprint, Ancient Astronauts, which has been set up to release new material whilst working on his next studio album.

The three track EP, Abraxas, sees the producer carry out his first experiments with 303 acid packaged up in a breakbeat club tool focused sound – an idea which was sparked from hearing friends playing ‘90s drum and bass at slower speeds than usual.

The result is a rip-roaring trio of tracks, with the heavy bass rumbles and searing squelch of Abraxas undoubtedly cementing the title track as the chosen club destroyer. Young Star Cluster follows up with a marriage of the rolling funky drummer break with bursts of 303 acid and Lone’s trademark empyrean breakdowns before How Can You Tell takes us deeper still, with choral pads opening the door to another chapter in the multifaceted producer’s sound.

A resident of the infamous club Bassiani in Tbilisi, Newa will debut with a solo EP on Klockworks. Following her contribution to the 'Klockworks 20' compilation she is set to gain notoriety with this newly released trio of tracks. Expertly blending percussive stabs with hypnotic holds the Georgian rising artist pushes forward the conversation with her signature acid sound and epic breaks to showcase her varied taste.