Techno News

Redimension welcomes newcomers Richey V & Simone Zino to the label with an exclusive collaboration from the young Italian duo.

Hailing from Milan, the pair cut their teeth performing regularly at the cities best known techno clubs and events, leading to Simone gaining a spot as resident DJ at famed Italian venue Bolgia, and Richey launching his own weekly techno event, VOID. With further support on their releases from well-known DJs such as Joseph Capriati, Tale Of Us and Adam Beyer, they have built a strong and growing fan base.

“Hysteria” is the first collaborative EP to come from the couple, and it does not disappoint. The eponymous track creates tension with a stripped back groove, and uses hypnotic synths and an arpeggiated lead synth to generate an extra wave of intensity, resulting in a brutal workout, worthy of its namesake.

Track two, simply titled “Action” lifts the Ep’s energy even further. With a sinister lead vocal throughout, the hard-hitting drums and warning sirens give a taste of what’s to come.

Next up, “Rave On” is a nonstop workout that takes the EP deeper using unique vocal chants, and a buzzing lead synth. Keeping the spirit of the rave alive, “Rave On” is a throwback to the origins of techno, and is set to damage dance floors from warehouse raves to intimate clubs.

The fourth track on the EP, “Empire” uses a thick and driving bassline, and the accompanying melodic synths to create moments of euphoria. The driving techno track is relentless in its dramatic suspense, and leaves the Dancefloor wanting more.

Last up is the EP’s digital exclusive. “Meteora” is an epic slice of melodic techno, using snare rolls and swelling synth pulses to create waves of sonic energy, the track is a welcome finale to the EP and rounds of a truly unique and powerful EP from the young Italians.

M.E.R 002 Parque Rodó EP is the first release put out by Santiago on his own label. His approach to music shapes and reflects much of M.E.R's musical imprint.

Some quality techno on this new label from Paris including a beauty of a rmx by Conforce!. For this first vinyl only EP, Shlomo, one of the label's owner arrives with two original tracks with a deep atmosphere crossing classic techno drums. The other side presents two remix, on from the Edinburgh's techno master Stephen Brown with a fine old school reshaping. Next comes The Conforce's remodel which will talk to all ambient and minimalistic techno, 100% as we love his sound. Beautiful contracts between the liquid beauty and massive force of techno. Limited with beautiful handmade sleeves. Tip!

As we reach our 30th release on the label, Animal Farm is proud to present Stephanie Sykes' first solo EP since 2016's effort on Prodigal Son. Those two years have seen her presence in the techno scene explode, with a flurry of appearances across Europe - our own Animal Farm night in Glasgow among them + residencies at Tbilisi's KHIDI and the infamous after hours Jaded crew in London, Corsica Studios.

Title track 'Interference' is an impeccably crafted tool in the vein of her recent DJ sets - boomy in the low end with sweeping peak time sensibilities. It's a brand of unpretentious techno purism Sykes has become synonymous with, also making her a firm favourite with the Animal Farm crowd.

The electro-informed 'On The Other Side' shows a new side to Sykes' production; contrasting mean drums with opulent synth work to craft something that is simultaneously dreamy and floor effective. The elusive Janice turns his hand to 'Interference' on the flip, providing a razor sharp mind-trip of a remix that's as affirming as it is abrasive.

All tracks mastered by Conor Dalton @ Glowcast Mastering.

After a little more than three years since the beginning of the label, Tensal returns with a very strong new double work. It contains eight tracks in which he defines the new evolution of his sound without losing too much sight of his roots.

Midland's Graded sub-label returns with a four-track various artists EP spanning techno, minimal and deep house. Otik's contribution, on the other hand, skews towards UK bass.

Parisian 'Von Grall' contributes a new records four track counting EP to the Planet Rhythm black series.

'Tracking Happiness' is a lush piece of esoteric Techno that spans over six minutes and showcases Von Grall's artful approach to contemporary eletronics.

'Case History' is a percussion laden cut that delicately changes further on with slabs of FX while maintaining it's mystic atmosphere. 'State of Being Violin' is a state of the art piece of techno music completed by deep percussion and moments of wild FX. 'Self Portraits' serves as the closing track.

This cut showcases taints of experimental electronics and dystopian techno. A bonus track called 'Better Places' is included in the digital release.

Black Qirex & Boccaccio Presents : Vinyle Resistance Festival !

Serypgraphied sleeve and Insert with explanation about this project.
A deeply human project between a squat and a sound system. Together united for an event called “Vinyl resistance Festival”.

This is their first vinyl, and so called the event exist since 3 years. A Village-Label devoted to the autorpoduction and the undeground into electronic music. 2 days festival... A pure jewel !

NO MORE DREAMS RELEASE A NEW EP FROM 1991. IT FEATURES 5 CLUB TRACKS INCL. A REMIX BY REZZETT. BUY IT.

Acidcore inna hardtrance SOM for the A side... Excellent sound : 1 track a side daring the DJ banger !

DJ Support
Solar, DJ Seinfeld, Jerome Hill, ASOK, Molly , Gramrcy, Extrawelt, Mor Elian, Manuel Fischer, Vin Sol, Dusky, Ivan Smagghe + more


Hugo Massien drops his sought after grime-tech-house anthem - one of Annie Mac’s top tips for the summer!

Hugo Massien debuts on Dance Trax after previously turning heads with releases on XL, Tectonic, E-Beamz and more. Here he explores more straight up dance floor flavours including 2 collaboration tracks with DJ Haus & a bonus remix from Jensen Interceptor.

2019 is shaping up to be a great year yet with more of the same focus on championing new and emerging artists; alongside the more established. But before all that..

Belfast is the first port of call as DJ and producer Jordan delivers a variety of party thumpers. With thanks to AVA festival and the invincible Bicep going from strength to strength; the Belfast scene is enjoying a moment with the likes of Bobby Analog, Cromby and Hammer all breaking through to greater recognition. Jordan has equally been keeping busy between releases on Abandon Silence and launching his own edits label through Lobster Theremin..

So the stars are aligning for this release, which typifies what the label is about. Each track could easily be the 'A1' and it's already been doing the damage with the likes of Tim Sweeney, Erol Alkan and a select few, until now.. Expect to hear much more from each over the year ahead.

Chanting acid techno and spiral. Trance Tribe digger. A true Acid Spiral Style ? Yes it is... Pure Analog style achievement ! Bloody good label.

12" vinyl limited edition of 150, 45rpm, Artwork hand stamped.

TRORA Vol. 2 is Panda Lassow's part two of her interpretation of recent global tropical bass movements like Gqom, Kuduro and more. This time you can hear
influences of her broader network as of her mates from the Principe-fam or Dengue Dengue Dengue.
As born and grown up in Eastern Germany, in TRORA Vol. 2 she combines these with her musical roots she found in techno and rave music.

With some Hard techno and some banging tribe tunes this EP offers the great return of Mr WIN on vinyl !!!

Credited as “Music For Relaxation”, Cumulus is the perfect music to encourage subconsciouschange, decrease blood pressure or pet the cat on the couch to.

Recorded in a Toronto apartment in 1985, Cumulus is an ultra-rare private-press ambient cassette release which was circulated amongst a small group of friends within the avant-garde theatre scene at the time. Brent Snyder’s interest and discovery of Frippertropics and Brian Eno inspired him to set up a 4 track tape recorder in the corner of his dining room to create the two slowevolving guitar loop-based pieces that make up Cumulus. The a side, “Excursion”, drifts between subtle dusty peaks and valleys in an almost Basinski-esque way, while the subtle hums and textures of “Cumulus” gently levitates above the earth and settle into sublime tones similar to Steve Roach “Structures From Silence” and Brian Eno “Apollo: Atmospheres and Soundtracks..

It's been a long wait.. 22 track album from Delroy Edwards on his own L.A. Club Resource. 500 only, be quick.

FJAAK are new to 50WEAPONS and they already have had a killer start. It is said that they actually sleep/live in their studio and one can easily imagin them listening to bassdrum samples for breakfast. Their rough techno tracks are driven by a fast and furious energy, that is pulsing with love for its genre.

The A side is ruled by the outstandingly well carved noises of the Kick drum's reverb, brilliantly timed breaks and a windy flute pad that pairs perfectly with the distorted snare drum. A knack for expertly distorted drum sounds is one of FJAAK's most distinctive features.

The B side explores the quest for finest distorted kick drum. - The Wind' pairs it with delayed synths and a noise-come-percussion heading into deeper territories while - Curious' on B2 sets a darker vibe with growling bass drones that sting like metallic insects and infect you with dancemania.

A group discovers a community of outsiders engaged in a ritual that invokes an inexplicable celestial event.

Mastered by Beau Thomas at Teneightseven.

Project Runaway brings together two of Tel Aviv's new breed of talented DJ / producers in a meeting of tripped out, expansive, psychedelic, club music. Landing on Especial to expand horizons is Met, their debut EP of deep, percussive dubs for late night tribes. A name on many leftfield lips, Alek Lee's journey continues following two acclaimed solo releases for the wonderful Antinote crew and new project, Shame On Us (alongside Naduve and Yovav Arzi) for that brightest star, Hivern Discs. Teaming up with the sound production skills of Stephan Bazbaz they create Project Runaway. Holding down his own citywide residencies, Bazbaz has developed a studio mastery of minimal dub, crispy house and trippy techno via a growing stream releases on numerous labels, as well as setting up his own No Wave records in 2016. After their welcoming, simple, yet wall quacking remix of Persian (EES031), Met, or 'dead' in Hebrew, bring their strands together as one sound. In original form, a vibrating drum takes on bass backbone is broadened with tight layers of percussion overtones and warped vocal interplay. Lee's psychedelic imaginings are a perfect fit across Bazbaz's wide production expanse, before horns raise the heat to extreme. For deeper DJs and big system dwellers, Met (Dub) does as it should, stripping away and opening wide. Hand percussion and vox ride the channels, coming in and out of the mix, while dub stabs transfix and could run for days. A meeting of minds, drums, psychedelics and pure club love.

Last year, we got together with The Netherlands Institute for Sound and Vision’s RE:VIVE initiative for the second time, inviting four local artists to breathe new life into four archival films from the Sound and Vision and EYE Filmmuseum archives. Jordan GCZ, Suzanne Kraft, Parrish Smith and Upsammy were all assigned short animated films dating back to 1921. The films and their new scores debuted at EYE on August 2nd as part of Dekmantel Festival 2018. Unsurprisingly, each artist imparted their unique styles onto the films that they previously had no relation with. From Suzanne Kraft's sparse atmospherics that have become more apparent in his new SK U KNO project to Jordan GCZ’s free flowing hardware jams. Parrish Smith showed his contemplative side and sparse orchestrations that he demonstrated on his RE:VIVE release, Genesis Black, a sonic departure from his bombastic releases and DJ-sets while upsammy showed yet again her deft hand for melody and texture, a style that dominates all her releases to date.

These four scores can live apart from their films, fitting seamlessly into each artists' growing catalogs of work. But when combined, it’s as if the films and music were made simultaneously with the artist and filmmaker together in the same room. Dekmantel and RE:VIVE are proud to present these new works as the electronic music scene in The Netherlands continues to show its multifaceted talent that continues to expand far beyond the dance floor.

Remixen und das Anfertigen eigener Edits gehören für DJs genauso zum Tagesgeschäft wie die Beschallung des Dancefloors. Einer, der sich auf beides ganz ausgezeichnet versteht, ist Joey Negro. Sein Herz schlägt für die Tanzmusik der 70er und 80er und damit für Disco, Boogie, Soul und Funk. Und da er mit diesem Faible nicht alleine steht, lässt er uns an seinem Schaffen dankenswerterweise mit persönlichen Klassiker-Updates teilhaben. Für die zweite Ausgabe seiner liebevollen Überarbeitungen hat sich Negro Songs von unter anderem Grace Jones ("Pull Up To The Bumper"), Robert Palmer ("Every Kinda People"), Cheryl Lynn ("You Saved My Day"), The O'Jays ("I Love Music"), Gwen McCrae ("Keep The Fire Burning") und George Benson ("Love Ballad") vorgenommen. Dabei konnte er - in Kooperation mit den Rechteinhabern - auf die Originalbänder der jeweiligen Stücke zurückgreifen, was für die Tonqualität ein Segen ist, die höchsten audiophilen Ansprüchen gerecht wird. Insofern macht es auch wirklich Sinn, die Remixe nicht nur auf eine CD, sondern eben auch DJ-freundlich auf zwei Doppel-LPs zu verteilen.

Oculus is one of the titans of the Icelandic techno scene and has been one of its key foundations for over a decade. His live shows have captivated the audience with his exemplarary mixture of deep, innovative and hypnotic techno. His productions skills are unquestionable and we're excited to bring you four techno anthems ready to conquer the late night dancefloors. ae Recordings LTD is a brand-new offshot from its legendary Thule Records motherhub - under the strict control of veteran Thule members: Ohm & Octal Industries. The offshot will ensure quality techno for the mind and soul from Thule members and friends - wherever they might be.

In her varied career that would combine art gallery installations, major film soundtrackings and commissions for Atari, Suzanne Ciani’s earliest experiments remain some of her most challenging, beguiling and timeless... Flowers Of Evil ticks all the above boxes and flicks switches that would power-up a new uncharted universe of her own musical modernité. Finders Keepers present the first-ever release of these vital archive recordings.

As a genuine vanguard of electronic music composition at the forefront of the modular synthesiser revolution in the late 1960s, Suzanne Ciani’s forward-thinking approach to new music would rarely look to the past for inspiration, which makes this unheard composition from 1969 a rare exception to the collective futurist vision of Ciani and synthesiser designer Don Buchla. In choosing to adapt the controversial prose of French poet Charles Baudelaire, Suzanne would join the ranks of ongoing generations of pioneering musicians like Olivier Messiaen, Karlheinz Stockhausen, Serge Gainsbourg, Etron Fou Leloublan, Celtic Frost and Marc Almond (not forgetting Star Trek’s William Shatner!), all equally inspired by the 19th century writer’s works of “modernité” (modernity), a self-coined term dedicated to capturing the fleeting, ephemeral experience of life in an urban metropolis, best exemplified in his symbolic, erotic and macabre ode to Parisian industrialisation, Les Fleurs du mal (Flowers Of Evil).

In her varied career that would combine art gallery installations, major film soundtrackings and commissions for Atari, Suzanne Ciani’s earliest experiments remain some of her most challenging, beguiling and timeless... Flowers Of Evil ticks all the above boxes and flicks switches that would power-up a new uncharted universe of her own musical modernité. For the many enthusiasts that have already drawn the parallels between Baudelaire’s writings and experimental/electronic music (a relationship rivalled only by the likes of J. G. Ballard and Aldous
Huxley) some might instantly recognise an unconscious sistership between this recording and another 1969 electronic adaptation of Flowers Of Evil by celebrated female electronic composer Ruth White. An interesting distinction of White’s excellent version of Flowers Of Evil (released via Limelight records, home to the likes of Fifty Foot Hose and Paul Bley) is that its dark tone generation and vocal manipulation was created with a Moog synthesiser, the commercially triumphant
rival to Suzanne and Don’s Buchla Systems (Buchla and Moog’s historic, simultaneous, neck-and-neck synth developments are well documented.) The fact that Ciani’s version was never intended for commercial release (not unlike her 1975 Buchla concerts, which could easily have taken Morton Subotnick’s Bull by the horns!) is also poetically reflective of the nature of Ciani and Buchla’s alternative perspective. The choice to present this extract from Flowers Of Evil in its intended French language further distances Ciani’s faithful reaction from some of its better-known variations. Having attempted to voice the poem herself, the multilingual Italian-American composer’s French accent did not meet her own standards, resulting in the request for a fellow unnamed French student who lived on campus at Mills College in Oakland to accurately verbalise the section of Baudelaire’s collection entitled Élévation.

sychosis-inducing’ club tracks from Moscow. Ushi333 shares Green EP on PG TUNE, label by Philipp Gorbachev. The 4 track vinyl version of the EP is balanced with both functions: a fresh idea for DJ peak time moments and laid back Detroit influenced soundscapes. The digital version of the EP has three more tripped-out tracks: Space Mania, Tribal 1and Ophiuchus. Ushi333 is a Moscow based low-profile producer and this material was recorded live with hardware machines in the years 2018 – 2019.

Remixen und das Anfertigen eigener Edits gehören für DJs genauso zum Tagesgeschäft wie die Beschallung des Dancefloors. Einer, der sich auf beides ganz ausgezeichnet versteht, ist Joey Negro. Sein Herz schlägt für die Tanzmusik der 70er und 80er und damit für Disco, Boogie, Soul und Funk. Und da er mit diesem Faible nicht alleine steht, lässt er uns an seinem Schaffen dankenswerterweise mit persönlichen Klassiker-Updates teilhaben. Für die zweite Ausgabe seiner liebevollen Überarbeitungen hat sich Negro Songs von unter anderem Grace Jones ("Pull Up To The Bumper"), Robert Palmer ("Every Kinda People"), Cheryl Lynn ("You Saved My Day"), The O'Jays ("I Love Music"), Gwen McCrae ("Keep The Fire Burning") und George Benson ("Love Ballad") vorgenommen. Dabei konnte er - in Kooperation mit den Rechteinhabern - auf die Originalbänder der jeweiligen Stücke zurückgreifen, was für die Tonqualität ein Segen ist, die höchsten audiophilen Ansprüchen gerecht wird. Insofern macht es auch wirklich Sinn, die Remixe nicht nur auf eine CD, sondern eben auch DJ-freundlich auf zwei Doppel-LPs zu verteilen.

Medical Records / Transfusions is excited to showcase the return of Derivatives (Josh Rose, Vancouver, BC). Just as a challenging equation stimulates the mind, these four cuts will carry you through the provocative landscapes and exercise your analytical cogs with precision and grace. Waveforms and beats are the currency of trade and from the speculations on these dubbed out honing missiles, good times are ahead. Buy low and never sell. Q.E.D.

The second in a series of EPs by Mark Van Hoen's Locust project. Continuing in the vein of Mark's signature interpretation of techno, GREEN also has a few other surprises in store for us including an only slightly glossier vibe this time around without compromising the heavy-hitting dance floor anthems. Special mention of the final track "Arch Enemy" which immediately reminds us of why we are enamored with the work of Locust in the first place. Ongoing stunning artwork by Paul Nicholson as well (designer of the new Locust logo as well as a history of other groundbreaking artwork in his repertoire).

Complatt appears to be releasing it's first Vinyl Only release that is called Vinyl001. Weltschmerz, label owner, has taken his time to deliver an outstanding discourse of avant-garde sounds all-in-the-box. These 2 picks will definitely bring some extraordinary atmosphere to any event that you could ever think of. Enjoy organic sounds, careful mastering and non-typical arrangement of the tracks provided in CTTV001 by Complatt.

Introducing a new label and musical direction for Lee Renacre from 100Hz with, PUSHER. His aim is to push the boundaries of electronic music by using different time signatures and poly rhythmic patterns, and by not using 4/4 patterns and the standard hat clap beats it’s possible to create a different style of mood and dancing which is deep loose and skippy. Pusher has a bold new Techno sound and also a gentle side with tracks of deep emotive strings and melody’s.

This Series of tracks is called Drug Music, a stripped down funky style with unusual beat patterns and poly rhythmic elements best enjoyed and fully understood when in an euphoric state, always recorded from a live studio jam where Lee’s improvised sounds come to life with some unexpected results. Lee also collaborates with artist and good friends for some extra depth and to mix up this unique style of electronica.

The first of the Pusher EP’s is a thumping minimal and full on affair with infectious killer acid riffs in odd time signatures. Crisp funky modulating hats monster bass lines and dramatic interplanetary sounds with live tweaks, twists and turns. Also some seriously deep and intense music is coming from this live jam situation with a thrilling string track to round off the Pusher experience.

Open Letter to the Government of Georgia and Madam President Salome Zurabishvili

Dear Governing Class of Georgia and dear Madam President,

I hope you will allow me to first write my sincere greetings. I will spare you the J'accuse, but I am going to delve into a sinister and shameful situation for our otherwise beautiful country.

My name is Irakli Kiziria, I was born in Georgia and I am a musician living in Germany for almost two decades. I first heard about Mikhailo two years ago through friends and activists. I listened to his music and met him during an interview with Electronic Beats that happened in 2018. To be able to meet him in prison gave me the chance to exchange with him on different projects. It is not easy to collaborate with someone alienated from “regular” society, with no access to the internet and so on, but it is also very interesting. After almost a year, I am very happy and proud to announce that my label is ready to release our record on June 15th.
I believe music is an expression of freedom and that Mikhailo expresses in his music his longing for it. Maybe if you listen to his music, you will hear the voice of our brothers and sisters in prison. Maybe you will feel and understand that he and many others do not belong there. Maybe you will find the courage to change these laws that hurt so many of our brethren. And maybe you will try to help them see their families and their friends sooner.

My name is Mikhail Todua, I am turning thirty-four this year and I was raised in Tbilisi. Music was always my passion since childhood, which is why I decided to work in this industry. Thirteen years ago I met a girl named Salome in a club, we fell in love and I married her before she gave birth to our daughter who is now nine years old. Sadly for the past six years, I have only talked to my little girl on the phone. She thinks I live very far away in the USA because we did not want to hurt her at such a young age with the truth.
On September 12, 2013, while I was driving back to Tbilisi from holiday, I was randomly stopped and taken into the local police station. After which I was sentenced to nine years for possession of the drug MDMA (for personal use). After two years in jail, I was granted the right to work on music, and the penitentiary administration allowed me to arrange one room and transform it into a music studio. Music is one of the most important things in my life and I could not be without it. I collected various parts of music gear that people sent me. It was not easy, and I had to depend on the kindness of many people to get what I needed. During my time in prison, I have managed to release five records. This is a labor of love that I craft and work on during the 5-hour blocks of time I get five times a week in the studio. I have created music for a play based on 12 Angry Men and for the documentary Facility 16. I also offer music therapy for my fellow inmates.

My name is Salome and I am Mikhailo's wife. We are preparing his music studio space that will be ready for him after his release. Of course, Mikhailo has changed, but I do not know if the reason is due to his arrest or simply time, because many people change and improve without going to prison. I do think that prison showed him a different side to everything. He uses time as productively as possible there and I believe he is using his abilities to the maximum. What he is doing there no one has done before in Georgia. In September it will be six years after his arrest and I think that this a lot of time for such an offense.

My name is Beso. A few days after I had been released from prison, after serving eight years on drugs charges, three police officers took me to the police station demanding cooperation in order to prosecute Lasha.

My name is Lasha and I was arrested in 2013 for the possession of 0.00009 grams of desomorphine found in a syringe. An amount so small, it cannot be seen with the naked eye.

His name was Demur, he was twenty-two years old and in August 2016 he committed suicide. The young man left a note which spelled the abuse he had been subjected to. A policeman had threatened him into revealing the identities of people suspected of dealing marijuana in the town of Samtredia.

We are just a few names in the thousands that have been impacted by the current Georgian legislation. Our drug policy is one of the strictest in the world. Is it right? We are not just numbers, we are lives that are destroyed, children that are left alone, futures that vanish.

Maybe Mikhailo found solace in prison and became what he was meant to be: a musician, an artist. But what about others who don't find this welfare, this strength? People with no support that are pressured by a police force who often do not see us as human beings, because the current laws do not encourage them to do so. Please Madam President and our government, think about this youth that is getting stolen away. We have seen and endured these sufferings for too long. We can no longer be prolonging these hardships that are unfair and unjust. What we are asking for is not to decriminalize or legalize the use of drugs, but to correct the political errors which have led to and caused so much pain for the children, women, and men of Georgia.

Georgia has one of the highest incarceration rates with 252.2 inmates per 100 000 inhabitants, in Europe, only Russia has a higher rate. (Source: SPACE 2018 survey)

Georgian law does not establish a threshold for small quantities, which means that possession of even particles automatically qualifies as a large amount, triggering criminal liability and a mandatory minimum five-year prison sentence.

Between 2006 and 2008, the first two years of the “zero tolerance” policy, the number of registered drug offenses tripled. It also coincided with a tripling of Georgia’s prison population.

Modeselektor veröffentlichen eine dreiteilige, limitierte Picture-Disc-12"-Serie mit den Highlight-Tracks ihres Albums "Who Else" samt Vinyl-exklusiven B-Seiten. Die Single "Wealth" mit der Londoner Grime-Künstlerin Flohio erscheint samt Instrumental und Accapella-Version (Vinyl-only). "Who", die knusprige Kollabo mit dem estnischen Rapper Tommy Cash, wird mit Modeselektors atmosphärischem "Who Else" gespiegelt. Und der Dancefloor-Hammer "I Am Your God" mit Otto von Schirach ist gekoppelt mit dem nicht minder effektiven "Bronko". Alle Picture Discs erscheinen in vollwertig bedruckten Innenhüllen und Außencovern.

Since launching back in 2017, London label NorthSouth Records has released a quartet of EPs showcasing tracks from the likes of Christian Jay, Bilal, Rob Amboule and Henry Hyde. Here they return for the first time in 2019 with another action-packed, multi-artist extravaganza. Voigtmann kicks things off via the deep space chords, funky electronic motifs and intergalactic tech-house grooves of "Separation Attitude", before The PGA offers up a bass-heavy peak-time roller rich in retro-futurist riffs, watery electronics and crispy drums. Label regular Chris Geschwindner opens up side B with an attractive blend of two-step garage grooves and spacey tech-house melodies, while Henry Hyde delivers the synth-bass-propelled, electro fired melodiousness of "Hello Spcshp".

Legendary artist Mick Harris (Napalm Death, Painkiller, Scorn…) kicks off his 2019 with this EP of tar-black, bass heavy sonic violence. This EP features 4 reworks of “Salford Priors”, one of the heaviest tracks from his return-to-form album “Over Depth”, the first by Mick Harris himself, and 3 more by his longtime collaborators in the production guises of Fausten, Stormfield, and Monster X. The EP begins with an apocalyptic, dubbed out violent rework by the man himself, creeping in with a cold, calm eerie drone that quickly goes from zero to 100%, blasting into a full force attack of artillery percussion and strafing, shrapnel textures atop the landmine subs and characteristic Harris snarling mono-bass.

Julien Caraz has caused much distress over the years with the sheer rage and precision sonic assaults of his Monster X project. Here he eschews his usual frenetic tempos for a solid 130BPM, a sleek techno destroyer built for giant spaces and huge soundsystems in mind. The Combat Recordings boss has worked audiovisually with Mick since the Scorn AV at Bangface Weekend in 2011, touring with Fret AV in 2018. Here he switches back into audio mode to rework Salford Priors into a hard electro assault for the Stormfield remix.

Fausten is the shadowy, twisted collaboration between Monster X and Stormfield.
Having released a staggeringly twisted album on the legendary Ad Noiseam, Fausten
went into hibernation as the pair pursued their own projects, with only a few sporadic tracks surfacing over the years. The pair have been putting together an album’s worth of new material for 2019, beginning with a powerful remix of Salford Priors. Taking Fret back into it’s aquatic, fathoms-deep sonic territory, this remix is a behemoth work that moves at quarter-step tempo, allowing for more physicality and dynamics, the profound pulse of each profoundly deep bassdrum like an underwater volcanic explosion, with skittering percussion the resonates in the stillness.

Previously unreleased rave weapons from the iconic, Haunter Records affiliated Milanese duo's lost archive. 200 copies, vinyl only.

Pure Beauty !
Grey marbled transparent record... fat cut ! Bassy Hardtek or techno when played 33RPM... Pressed 45 RPM.

Quiet old school tribe from the most beautiful techno couple on earth ! A strange record where Hit Hat have been puuled away... get free of high freqs to enjoy the true real techno idea of an elelectronic creation, getting' rid of the Hit hat reflex.... Crazyness :)

Notice here we offer a listen at 33RPM 8, in a Techno downtempo, quiet Doom and totally great as well.... is this an accident ?

Timeless Italian acidic blinders. _ 200 copies, vinyl only, no repress.

Dusty grooves from the dunes of Scheveningen! Inspired by myth, legend and scifi; Legowelt conjures up four ancient mysticism and space odyssey themed tracks that will take you on another journey through psychedelic space and paranormal rituals.

✖ INCL 7 STICKERS, 2 BUTTONS + 2 FOLDOUT POSTERS
✖ SPECIAL „GLOW IN THE DARK“ PRINTS
✖ LIMITED TO 300 RECORDS WORLDWIDE!
✖ COVERART by SCOTT ROBINSON 3D (UK)
✖ MASTERING by STAZMA THE JUNGLECHRIST (F)
✖ DESIGN + PRINTINGJOBS done by e_wann (BE)

Next up for Rhythm Section's club focused sub-label - 'International Black' 004 is here and it is bringing the heat - this time from Tennessee, USA. Mister Saturday Night and CGI affiliate Alex Falk delivers a 4 track EP made with one thing in mind - the dancefloor. Taking influence from the likes Chevel, Levon, Redshape and Phase; Alex Falk achieves a singular vision merging American and European styles of Techno.

Opening with UPP, an effortless techno groove with a tight rolling bass line, classic lead stabs that pulsate, twist and turn as the heavy kick punishes the subs. BETA comes in next with a serious low end bounce - a distorted bass bump pushes the system to the max before being followed up by lower sub all swinging around a fat house kick and tight percussion - another club stomper for the serious rigs only.

The B side is a proper dub techno workout. Beginning with DAB a focused club tool whereupon sharp stabs progress and modulate throughout the track as tight kicks and hats hold down the groove. Its a serious wristbreaker that will cut through any mix. Closing the EP is GATES13, a more downtempo affair. Atmospheric chord stabs dub upon an 808 kick, a must for the warm up or warm down.

Modeselektor veröffentlichen eine dreiteilige, limitierte Picture-Disc-12"-Serie mit den Highlight-Tracks ihres Albums "Who Else" samt Vinyl-exklusiven B-Seiten. Die Single "Wealth" mit der Londoner Grime-Künstlerin Flohio erscheint samt Instrumental und Accapella-Version (Vinyl-only). "Who", die knusprige Kollabo mit dem estnischen Rapper Tommy Cash, wird mit Modeselektors atmosphärischem "Who Else" gespiegelt. Und der Dancefloor-Hammer "I Am Your God" mit Otto von Schirach ist gekoppelt mit dem nicht minder effektiven "Bronko". Alle Picture Discs erscheinen in vollwertig bedruckten Innenhüllen und Außencovern.

Following on from the success of the most recent Moscow drop ‘Waisted’, Archie Hamilton’s next release is ‘Make the Difference’ with New York’s Sole Channel Music and Muzik 4 Tomorrow founder aka Mr V.

‘Make The Difference’ in its original form is a mesmerizing and slice of anthemic vocal house laced with the spine-tingling and sumptuous tones of Mr V.

A track tailor-made by Archie for those life-affirming dance floor moments, Mr V’s vocals home in on the core values of house music in its purest form, unity and sanctuary in the freedom of expression.

On the flip is two club tools, Mr V’s acapella and Archie’s VIP mix, a fast tempo techno-driven banger geared for peak time energy.

Bristol stalwarts October & Borai join forces once again for their second outing on Happy Skull. The pair join the dots between sleazy EBM and rugged, hardcore atmospherics.

Lead track 'Fatal Rumba' is a titanium plated slab of latin funk for freakier, late night dance floors. On the B-Side 'Swipe Left' drops the tempo but turns the pressure up to boiling point, a chugging drum machine workout complete with pulsating 303's and dub techno chords. To round things off, Conch bosses Bash & T give 'Swipe Left' the full UK treatment, flipping it to a mutant funky roller.

Black Codes are back doing what they do best – heavy hitting, underground techno bombs, built for big rooms and bigger soundsystems.


Takaaki Itoh – Endorsed

The Japanese techno producer hits with an industrial powerhouse full of sonar bleeps that drift in and out of time, perfect to spin the heads of any unsuspecting dancers.

P.E.A.R.L. – Regrets

A monstrous and menacing pounder from P.E.A.R.L. melding huge kicks, modulated arps and crisp hats that cut right through. Rattling, distorted, heads down goodness that will shake the walls from start to finish.

Cristian Varela – Variable

Black Codes Experiments co-captain and one of Spain’s techno stars, Cristian Varela follows suit for the B1, ‘Variable’. Swirling pulses and analogue synths mix with crashing rides that pan from side to side, engulfing everything around them.

Ian Axide – Envelope

Alongside Christian, Ian Axide completes the Black Codes HQ masterminding. For the final slot Ian unleashes ‘Envelope’, a no-holds-barred weapon, bursting with unbounding energy, heavy low end and precision percussion - a fitting closer that’s full of the Axide touch.

Long time unsung UK techno artist Aubrey is to release Gravitational Lensing, a first artist album since 2001 and his third in all. It lands in early 2019 on Out-ER and across 12 tracks it finds him getting more personal and instinctive than ever before with jazz, techno, broken beat and house all colouring this most coherent of musical adventures.
Aubrey s discography dates back to the early nineties, when he was a key part of the UK scene on labels like Solid Groove, Textures and Mosaic. Up there with the greats from Chicago and Detroit, he has turned out a steady stream of music that marries perfect dance floor functionality with real musical invention. Always inspired by anything deep with a good groove, everything from synth band Japan to funk king George Clinton, electro break beats to Jean Michel Jarre all inform his work.

As a DJ, he cut his teeth playing the biggest raves in the UK with names like Carl Cox and Eddie C having been swept up by the acid house records that hit English stores when he was just 15. Add in a love of jazz, ambient and US house, and you have all the eclectic influences that this criminally under-the-radar artist has drawn on for his latest album.

It is one that finds him really put his personal stamp on his sound. It s a chance to be more who you are and what you feel without pressure to conform to a particular sound, it s a chance to be free, says the artist of the album process. It was partially produced at Out-ER s studio in Nard , Lecce over the course of a year s worth of studio jam sessions, and is his finest and most cinematic work to date.

Things kick off with the ambient synth modulations of Aerglo Visible before exquisitely loose jazz drums and sci-fi pads suspend you in the cosmos on Floating to Rigel. There is an experimental feel to the off grid drums, rippling chords and drunken keys of Doctor Portia that keeps you brilliantly off balance, and the first deep techno trip is Journey To the Blue Planet , which has gorgeous ambience swirling over rolling, dubby kicks and soulful Detroit synth work. Carrying on through more lush, musical synth work and inventive drums, there are moments of heads down dance floor power and hi-tech soul, serene techno landscaping and chord-laced deep house that is superbly cerebral throughout the album.

In all, it makes for a complete and storytelling record that draws on a rich variety of genres and reworks them into something deep, multi-layered and hugely emotional that works as well in headphones, at home, as it will in the club.

The willpower to guide the eye to the dreamlike. A profound devotion through research and music. A continuous trip the one into sound. and by whom decides to undertake it, made to build a productive space where a creative need finds its expression.

In 1996 Paul Birken released the classic and now rare as hens teeth 'Surfin Superior' double 12" on Woody McBride's Communique label. This was to be a revered and respected record that influenced many and is still talked about and played today. Now, some 19 years later he follows it up with part 2.

Nobody works as hard at getting human sounding chattering from their machines as Birken and here he treats us to 8 massive cuts of grinding Techno that are as humorous as they are danceable.

Pressed on Orange vinyl and limited to 300 pcs.
If you like acid this record is essential.

Repress from the second Squatt... originally pressed as a 45 RPM this time we did it 33 RPM ^^ krkrkr exactly the reverse engine than the TK32 / Suqatt 01 repress... ins'tn'it disturbing ? Test it 45 ?? ahahah ^^

Fresh from outings on Super Rhythm Trax, Killekill and Power Vacuum, and following on from April's 'Toy Box Part One', Jerome Hill is back to complete the series with part two, presenting four raucous Technoid trax in glorious Technicolour, striking out and injecting some humour and rowdiness into the techno landscape. "Donkey Bite" is the one everyone's talking about, borrowing an old vocal sample and updating it into a pleasurably rolling Chicago style banger that will appeal to fans of his track "It's Time For The"... Next up is 'Slither', that does what it says on the tin... A creepy and subliminal sludgy bass roller! Flip the record for the deranged, banging and distinctly wormy "Mr. Worm" and then the Toy Box saga finishes up as unconventionally as it began, with the lop sided lumber of "Torque Talk". Available on lovely grey marbled Vinyl.

Long running label Don't presents 2 beast tracks from Minneapolis Techno legend Paul Birken making his 5th appearance on the label. Paul has been in great demand the last few years regularly touring the USA and Europe with his incredible live set up. These tracks both feature his trademark heavy crunch and literally pummel any sound system they're played on. Also included are 4 rock solid Locked grooves featuring beats from the tracks. This release is presented on clear 10' Vinyl and is strictly limited to 300 copies.

Don't hits hard with 3 Monstrous new tracks from original Brighton innovator, Tobias Schmidt.
Tobias Schmidt is back and at the very top of his game with these three amazing tracks that all channel the spirit of the label to a T and have been smashing up dance floors during his live sets and at the hands of those with advance copies ! - Massive.

Tobias Schmidt follows up his 'Call The Fucking Cops EP' (Don't 027) with another smasher to back up a string of live appearances over the summer at various festivals and clubs around the world, once again cementing his position as one of Techno's true mavericks. There are 4 tracks this time, each one hitting hard with something unique on offer...

Already making waves with a series of releases and remixes for labels such as Hottrax, True
Romance, We Are The Brave, Nice Age, art | werk, and forthcoming music on DJ Haus’ Hot Haus
label, 9th House brings his astrologically charged house to this special vinyl only release.

‘Keeping Me Up’ emits huge rays of sunshine, with its piano driven house chops and soulful vocal
licks. It’s of no surprise, then, that the likes of Midland, Dan Shake, Peach and William Djoko are
already playing and supporting this one. On the flip, ‘The Calm Of Libra’ channels early 90s
break-beat house, coming over like a modernized Nu Groove track, the aficionados will appreciate the
musical sentiments here for sure!

Meda Fury welcomes Tom Wrankmore aka Eliphino to the imprint for a stunning EP of thunderous breaks, 303’s and serious sub-bass pressure. Hailing originally from the Leeds, but with wider travels to settle down in both London and Berlin, Wrankmore’s music embraces hip-hop, rave, and UK garage. He now serves up
a pungent confection pitched between the Hessle Audio crew, Joy O and Demdike
Stare’s most recent efforts. Having released heaters for Brownswood and Hoya Hoya over the years, Eliphino now debuts as part of the Meda Fury family with the Realistic Sex EP.

Wrankmore has been locked away in his studio for the last 1.5 years, abstaining from gigging and releasing records to knuckle down and produce, emerging with a new darker edge and a much more hardcore sound. Tom explains: “The theme of the EP
is trusting your intuition in an information flooded world. I’ve collaborated with visual
artists Tom Pounder & Jon Harris who have created two videos for the release, one for Disc Rhythm and one for Realistic Sex." Meda Fury boss Nick Williams; “Tom's new music epitomises to me what modern club tracks should sound like - wild, energetic, deadly. He’s discovered his own dark new world of sound fusing breakbeat, acid, speed garage and even industrial stylings”

7 track EP/mini album by L/F/D/M 's Richard Smith - ‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM.

Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”

7 track EP/mini album by L/F/D/M 's Richard Smith - ‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM.

Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”

Having kicked off the year debuting a new audio-visual performance, enduring techno outfit Octave One announce new music for 2019, with a series of EP’s entitled ‘Locus of Control’. Featuring many unreleased nuggets, the series will feature unreleased tracks which were tried
and tested at a recent Valencia Boiler Room set.

The term ‘Locus of Control’ is a psychological concept that refers to how strongly people believe they have control over the situations and experiences that affect their lives.

“Musically we are exploring the ‘power or powerlessness people feel over the things that shape their world’.” State the Brothers.

Side One kicks off with ‘Lies In Truth’, euphoric piano meets melodic stabs layered with feel good crescendos and a positive uplifting baseline. Intelligent synth builds and layers making for a super strong lead track. Followed by Injection (String Free edit) with an intensifying and pulsing rib rattling bass.

Side Two features the full version of ‘Injection’. The thundering bass takes you on a journey of transcending arpeggios, developing progressions and meandering melodies making the track a peak time cut.

Who is Boelja? Who is Sebastian Mullaert? Who are they really? Are they the finite body and a collection of thoughts? And who are you? Are you your memories or perhaps your projections of the future? Or are you this present moment?

What is silence? Is it solely the absence of sound? Or are all sounds springing out of silence and falls back into the same? And what is sound without context? Is it just nonsense? Or is there something more universal to it?

Where did the second vinyl go? Is it sitting in an attic or warehouse somewhere waiting to be discovered? Is it being played as you are reading this? Is all of this just a game? Are YOU being played?

Did someone make this music or did the music just happen? Where does the process of creation start? Where does it end? And who is the listener? How does the listener affect the music? Is there really any separation between the creator, listener and the music? Are they all one and the same?

What is next? Where is all this going?Is there an end? Or are your actions just another event happening in this never-ending stream of consciousness? And to whom is it happening?

PYRAMID TRANSMISSIONS presents the 2nd solo release on the label from PT creator ADJ.

STREET LIFE Part 2 continues the theme of Part 1 with another 4 tracks of bass driven future electro music from one of the longest standing members of the scene.

STREET LIFE Part 2 is more pure Future Bboy music with punching kick drums, Alien melodies and crunchy glitches for that unmistakable ADJ sound aimed at making you dance while getting in your head simultaneously. ADJ always looks to the future but with nods to his past of 808 electro music.

* ATR is a new venture from the Kniteforce famlily of labels. An attempt to slide back to certain years in the progress of the rave world, making music that sounds exactly like it was from that particular year, even if it was not. So here we have the classic Jimmy J & Cru-l-t track “Six Days” taken back a few years before it was released and changed into something that might have been. Likewise the other tracks on the vinyl – all are modern day built, but all would sit perfectly on an old mixtape from 1991, or being played in the early hours of the morning at an illegal warehouse party….

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

A BRUTALIST BLOW. A DARK EXERCISE IN PROGRESSION. A PUZZLE THAT OUTLIVES THE EXECUTION OF HARMONY.

Vanta is a construction for the savage. It reaches the profane along with the cryptical. The EP includes 5 tracks in which Zomby redetermines his access to techno by developing a language that is archaic. A language that is his own.

Compilation of Aardvarck mainly unreleased material from one of our favorite and dearest producers.
Limited Edition Of 300. Every sleeve is unique - achieved with a computer generated randomization process for each print.

Acronym returns to his Stilla Ton label with a two-track EP. One could say that with this release, Acronym assumes his ultimate form: the A-side brings us a devastating and room-proven piece of focused and propulsing Techno of the highest order. Cold, shivering synths twirls around the earth shattering beat, which is all held together with a dominant synth line throughout. On the B-side, we are reminded that Acronym not only masters our dance floors but also has a special tendency to capture moments both fragile and powerful. The sonic journey presented here is something special, which surely will keep a wistful dance floor satisfied.

Spread out over two 12"vinyls - this is the result from a two day recording session in Brussels by the duo of Beau Wanzer & Maoupa Mazzocchetti. 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms

Beau says, “We hooked everything up and just pushed play. We didn’t really discuss much about the process….it was very ‘spur of the moment’.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms

Fourth installment for the Orbitr vinyl series.

Just under a year after their last big impression on Rekids, Private Press are
back with four more of their brilliant big room techno cuts.

This Polish pair hail from Warsaw and are focused on producing high energy and
dubbed out techno. Already this year they have released on the Ziema label and
had a strong 2018 two EPs on the highly regarded Indigo Area. Their powerful
sound is a perfect fit with the no frills Rekids label and these four tracks all do
plenty of damage.

Opener ‘Traces to Nowhere’ is an impossibly bristling track with razor sharp synth
stabs and jostling drums that are redolent of the masterful Shed. Part old school,
part a vision of the future, it is impeccably produced.

‘Paper Clip’ is a haunting, high speed dub techno trip with eerie chords and sound
design that keep you on edge, and ‘Wet Moon’ is a broken beat masterclass with
sirens, tense breakdowns and icy hi hat ringlets that is archetypal club weaponry.
Last but not least, the warm, atmospheric and unrelenting banger that is ‘The
Struggle’ sweeps you up and carries you away on a classy techno vibe and rolling
drums that you could listen to for days.

This is a devastating EP of high impact, high quality techno.

Libertine Industries is the new output dedicated to new talent and Libertine resident djs... Sbri is in charge of the first release with an outstanding double EP.

The artist André Walter is looking back on a countless number of releases and remixes with different projects and artists, as well as on his long term studio partnership with Chris Liebing.

The project he´s certainly most passionate about is STIGMATA, without doubt! After the succesful release of - Chapter One - The Complete Collection , which was mixed by Chris Liebing, it´s time for STIGMATA´s first concept longplayer PARASPECTRAL.

PARASPECTRAL is a symbiosis of Modern and Old School Techno from different decades. You will find EBM-influenced sound from the 80ties, 90ties-rooted Rave & Acid, old school STIGMATA tracks and of course, proper Techno of nowadays on this spectacular album. You can be sure: No two tracks sound the same! On top of this, all vinyl lovers are going to enjoy an exclusive bonus track on the limited record edition.

For two very special songs, STIGMATA teams up with RASCAL from ROTERSAND to add some brilliant vocals. So be prepared to hear something completely unexpected in - No Heaven and - Menacing & Sullen .

Whether with vocals or not, all tracks have one thing in common: Uncompromising TECHNO, made to kick some ass on the dancefloor!

Joining the WCF imprint with his 'Distorted Time EP', the Manchester based Transcode brings his driving sound to Egg LDN's in-house label to showcase his versatile approach to production. 

With the vinyl press being released at the beginning of November, followed by the digital version, which includes the bonus track 'Backlash', due out on 14th December, the EP includes two remixes by the club's close friends Secret Cinema and OC & Verde. 

'Timewarp' opens up the release, immediately setting a tripped out tone with its distorted vocals and a slightly menacing melody, which bubbles under the surface throughout the track. 

'Rotation' is a slightly darker and dubber production complemented by crisp hi-hats and well-rounded drums. It is a perfect intro to building up an extended set. 

Secret Cinema leaves his stamp on 'Timewarp' with an ominous Remix of Transcode's Original. Again, it fits into the shady feel of the EP but the Dutch producer brings an enchanting feel to the track, with a twinkling melody laced throughout. 

Manchester based OC & Verde bring their stamp to the release with their remix of 'Rotation'. Using a blend of drawn-out synths to build up a powerful lead, packed with raw percussions, it certainly shows the sonic direction the duo has been working on over the last year. 

Completing the digital edition with a bonus track, Transcode rounds off the EP with 'Backlash'. A punchy and unrelenting track, it's a peak time tune which is one of those tracks for a heaving dance floor to relish in what the Mancunian producer is all about. 

R&S welcome emerging UK bass and techno producer Yak AKA John Randall for a 5 track EP of rugged broken beat techno, following up stellar EPs for Version, Martyn's label 3024, and VA releases on Le Chatroom and Brotherhood Soundsystem.

A classically trained instrumentalist primarily based in Sheffield, Randall began making his name as a resident at the cities seminal Pretty Pretty Good parties, quickly picking up the production bug and in recent years scoring a number of heaters, most notably the propulsive techno of 2017’s Mido EP on Version which reached the top of Phonica’s illustrious
Singles of the Year list.

Finding a kinship with the off-kilter grooves found on Swamp 81, Hessle Audio, Livity Sound and Timedance amongst others, Randall's releases have been tipped by the likes of Ben UFO, Martyn, Objekt, Call Super, Laurel Halo and Midland and marked him out as a name to watch.

Restless rhythms are in full attendance in the inspired rush of the tracks 'Wide Eye' & 'Spore'; "I started them the day after going to a sick party when the energy from the previous night was still fresh in my mind". The idea for the track 'Skooma' came to Randall while at home messing with foley samples and processing random noises like scissors cutting and paper being crunched. 'Termina' was constructed after a week long binge of listening to ambient soundscapes, movie & video game soundtracks and fellow R&S allum DjRum's album on repeat.

Randall's attention to detail and sonic craftsmanship alongside irresistible rhythms are a key part of what makes Yak music so alluring. “The music I make is always underlaid with a strong percussive foundation first and foremost," Randall explains "I think interesting and groovy percussion makes the difference between a track that's cool to listen to and a track that makes you move your body.”

The masters for this classic were lost long ago. We have carefully restored them from Mint Vinyl and had remastered at Subvert Central Mastering. Check out the You Tube Videos for a taste of the quality achieved.

Remastered and recut by MUSIC PRESERVATION SOCIETY

DJ Tango (RIP) was a D&B scene legend and originator.

This series are remastered from Digital Originals and include Dubplate only versions of some classic tracks from the early years

Next move from Artefakt and Delsin is a selection of their label back catalog remixed by a few of their personal favourites in modern techno days. Forest Drive West and Evigt Morker both deliver slamming and hypnotic techno workouts. Where Polar Inertia and Valentino Mora take a dive into deeper territories. It resulted in a well balanced pack of exciting drum grooves, hypnotic loops, smoky dub techno and cinematic ambient.

Here's a new atmospheric techno release by Conforce on his own imprint Transcendent. After his last gem on Delsin records he seems to be on a roll again with his sophisticated trademark techno sound. Conical Surface showcases a diversity of carefully selected techno tracks, all with the profound character you can expect from a new release by Mr.Bunnik. Lush pads and interstellar bleeps send you straight into his musical universe again. Performed and recorded with accurate precision for maximum impact. May Conforce be with you.

Electric Rescue is back on his own imprint to his new album, the third one and the most powerfull one no compromises techno and electronica music, a film of his 2 years past life, authentic, personnal and unique vision of the actual techno scene and life, pure !

I'm happy to present the talented The Reason Y from Berlin. After his EP on Pan-Pot's label Second State The Reason Y showcases his diversity with straight dark techno but also a warm melodic tune - Almathea . On top the man of the moment - Kevin de Vries - made a wonderful remix of Almathea (Monika Kruse)

Food Music is massively privileged to officially bring you Xpansions “Move Your Body”, as the next instalment of Shadow Child’s ‘Curated by’ series.

With all manner of DJs reaching for the original 1990 hit still to this day, we’ve remastered it exclusively to vinyl and brought you fully official reworks from today’s elite.

Using original salvaged parts from the Xpansions vaults, we have remixes from Krystal Klear, Rebūke, and Loods who all bring a fresh take as we enter summer 2019.

Krystal Klear heads up the mix package, taking us into electronic bliss with his sublimely fresh synth stabs and a huge breakdown that will tease all your senses.

Rebūke’s massive techno twister is set for the big rooms too, with a new riff following the bassline melody, trippy vocal production, rolling percussion and his trademark crescendo’s.

Finally, Loods takes us on a retro house tip with pulsating hi-hats and a new take on the melody with bumping bassline’s and energy.

Peder Mannerfelt & Pär Grindvik push the Aasthma envelope looser, faster, and stranger on a
second limited edition 12”, featuring one cut of blistered power ambient, plus a sidewinding
cybernetic techno twyster - properly f*cked & deadly dancefloor gear highly recommended if yr
into T++, Ugandan Methods!!!
A strong new addition to both artists’ oeuvres, the 2nd Aasthma 12” follows the same formula as
the first, and again finding a smart balance of immediate rawness and classy sound design, but
this time slightly altering the parameters to more reckless and experimental appeal.
The smoky ambient blush of ’Rotating Blue Device’ unfurls a fine mesh of gauzy mid-ground and
prickly surface disturbances to bend the mind’s eye and presumably sound steeply psychedelic
in altered states, which finely sets the tone for ‘Los Angeles’, where they spar with thorny techno
drums and surges of bass voltage in a roving, undulating, crisp but distorted mass that will swill
the club out something rotten.
No brainer.

DJ Tango (RIP) was a D&B scene legend and originator.

This series are remastered from Digital Originals and include Dubplate only versions of some classic tracks from the early years

This is the 9th release on RIOT Radio Records, an independent techno label based in Scotland.

This 12' is the 4th of many releases to stem from our V/A - 'STAY TUNED Sampler - Vol. I' LP whereby each artist on that compilation will have their own individual release.

Neil Landstrumm is a legendary producer whose influence within the techno scene cannot be understated. He's had many, many releases over the years on the world's best labels including Sativae, Don't, Peacefrog and his own Scandinavia imprint. He's also accredited with remix duties on our 7th release by The Horrorist.

There's two original tracks on this release, one remix by JoeFarr and another by Sunil Sharpe, all are bona fide club stompers.

This release sees him returning to his electronic roots with 'I Want No More Moaning' being crafted on his trusty Roland TR-909 and a Jupiter synth just like in the good old days, something he's not done for a very long time. So this one's something special altogether.

It's time for you to Stray from the path .......... it's time for you to RIOT .......... and NO moaning about it.

Re-issue of the much sought after Univac release on Bunker! New Spanish talent, industrial/EBM mixed with dark robot electro, very menacing! Black vinyl version.

Hailing From Montreal, Canada Is M.s.l. For Their Bakk Debut The Duo Present Three Rugged Floor Oriented Tracks. A Fast Paced Belter For The A Side And Two Nuanced Electro Tracks For The Flip. Comes In Hand Printed Artwork Provided By The Bakk Quebecian Consulate.

ELLLL continues her prolific 2019 run with a new EP for the expertly curated (and newly revived) Paralaxe Editions label out of Barcelona. Fresh off releases on Glacial Industries and First Second, the Irish-born, Berlin-based shapeshifter takes a creative turn here, setting aside her bassy excursions and techno flirtations for something much more cinematic in scope. Rich in melody, this record finds ELLLL taking an orchestral approach, weaving together piano swells and delicate strings to create a truly immersive listening experience. Mastered by Rupert Clervaux.

Sworn Virgins are back on Soulwax/2manydjs label, DEEWEE with two more hugely effective club tracks entitled ‘Lazer Beam / Take Your Lady.

From the green hills of Albania to the back rooms of New York City, Sworn Virgins bring the light. A strangers hand on your shoulder, bright red painted finger nails scratching your thigh, all those beautiful things that made you leave that small town you came from. Greased up and ready to go, close your eyes and take it in.

Dj Tango (rip) Was A D&b Scene Legend And Originator.

This Series Are Remastered From Digital Originals And Include Dubplate Only Versions Of Some Classic Tracks From The Early Years

Alex Jann returns to Censor for the label’s second excursion into the unknown with three direct communications and a mix of the title track from Rotterdam’s Animistic Beliefs.

The EP’s title track Computoid.Transmission.X is a pulsating drum workout laced with dystopian pads, laser-cut leads, anxious bass lines and an evocative mutant vocal from an A.I. system gaining consciousness.

Animistic Beliefs create a darker texture in their Electric Eye Mix of the title track, sending the vocal and lead sound straight through the stratosphere via complex bass and arp phrases that filter and stalk around the lead bringing a deeper and more contrasting A2.

Firewall Culture comes as an intoxicating trip on the B1 with off-world FX, feral acid lines and a spacetime-defying style of vocal that haunt Alex’s work.

Jupiter Storms on the B2 ascends the EP to a higher plane with deep washes created from evolving pads adding space and movement to the final track of the release, all accented with glacial micro drops, syncopated beats and tight trickling synth sections. The release was mastered by Keith Tenniswood at Curve Pusher.

Spatial Cues releases split singles and solo EPs that sound out main(void)’s and Kon Janson’s shared musical space. Operating out of Berlin and London, the two artists join forces to showcase their mutual vision of techno music.

CUES005 aligns itself with the deep and hypnotic side of the series by inserting repetitive themes into flowing soundscapes and subtly shifting rhythms.

Spiralling deeper and deeper into a slowly evolving vortex of sound, CUES005 A emits gleaming signals into the expansive space emanating from its mesmerising bass line.

Held together by the gravitational pull of its sub-heavy kick drum, CUES005 B’s swirling drums orbit around a minimalistic synth pattern that echoes back in bleepy accents.

We're delighted to share this record from the Moscow-based recording artist OL aka Oleg Buyanov. His most recent work, the double LP "Height Difference" on the seminal Gost Zvuk label, saw him transmit his research in soviet sound heritage into a range of genres and tempos. On "Dismeteo", we see him inhabit a similar atmosphere, refracted through a different lens of influence. In Buyanov's own words, "The tracks are like concrete blocks & buildings lost in the woods. It's a point where correct geometry and mathematical constructions meet with organic forms.

In the year 2001, David Carretta released his fantastic Domination EP on DJ Hell's label International Deejay Gigolo. Vicious Game was a huge success for Carretta and Gigolo. 17 years later we release the track with a new Interpretation from Carretta. The track is coming with a strong remix pack. Mark Broom better known with releases on his own label Beard Man and releases on Robert Hood's M-Plant, Blueprint, Ostgut Ton (to name a few) is coming with two smashing remixes. The second mix from him is coming out as digital only. As a part of the duo Unsubscribe with Dave Clarke, the dutch producer Mr. Jones delivered us a strong Industrial Techno Mix for the peak time Set's. Last remixer on the record is GND Label Head S-File. He remixed a year ago Carretta's Hit Never Control and have a huge Floor Filler record in 2017 with Shelter and Nu Life. That release is after the huge success of Never Control and Machines Invasion, a big highlight in the GND catalog. We hope that you are as much excited as we are about this new Carretta record!

American producer FBK returns to Rekids with his debut album entitled 'More
Stories From The Future'.

Long-term house and techno heavyweight, Kevin M. Kennedy aka FBK has a
career spanning three decades. Debuting with a seminal release on Frictional in
'97, Kennedy went on to appear on labels like diametric. and Urban Kickz, whilst
more recent releases have landed on Barba Records, Suspected (alongside Paul
Mac) and Rekids - kick-starting the label's Special Projects series. With a close
bond to Detroit greats like Anthony 'Shake' Shakir, Daniel Bell, Claude Young,
Keith Tucker and Sherard Ingram (DJ Stingray), FBK is considered a true
contemporary. Returning to Rekids for his inaugural long player, 'More Stories
From The Future' demonstrates his versatility within the studio and mirrors his
genre-bending approach to performing, both as a DJ and live act.

'Modular Life' brings deep resonating lows, liquid pads and clinical percussion,
before the psychedelic vocals of 'I'll Sit Back, You'll Jack' join smashing snares
and intensifying synths. Exhibiting erratic sound design, 'Layers of Fear' comes
complete with pumping drums and intense hi-hats, until 'Hassling' offers a
stepping groove, thick pad stabs and deep sub movement. 'Headless' gets
modular heavy with bubbling effects and shuffling rhythm, preceding the driving
kicks of 'Gate Closing' where ghostly vocals meet enveloping acid growls. 'The
Boxing Lesson' delivers punchy kicks and steppy snares under lofty atmospherics,
ending on 'The Finisher's Heart' where evolving detuned synths flow over powerful
percussion.

Each vinyl sleeve is individually painted with highly-pigmented acrylic, using a single-movement brush technic. (Limited edition of 500)

ara is a new record label curated by David Letellier, a.k.a Kangding Ray. ara is a platform for recording artists with unique sonic identities that seeks to induce deep emotion through sound ; focusing on singular artistic endeavours, created with patience and dedication. While rooted in electronic club music, ara will not follow any prescribed sonic path : it will explore a palette of diverse sound worlds who evolve through parallel series of curated releases. Each series will represent either a concept or a particular musical direction, which will be mirrored by its own design approach. Since releasing physical records is increasingly becoming an irrational choice, each record will be irrationally produced as an hand-made work of art, involving procedures and techniques such as manually-applied ink, brushed acrylic paint or tape. Each edition will be individually numbered, recognisable as a part of a whole, while being slightly different by nature. The first release, by label curator Kangding Ray, will be the first step of this journey : organic, emotional club music, for the body and mind.

And he is back! After the successful last EP on Terminal M, Metodi brings us again a funky 4 track ep in his very own Hristov style. Enjoy. (Monika Kruse)

Seasick Acid is an aquatic addition to the Gunnar Haslam multiverse, a twisting realm of mirrored realities and fully realized continents with their own submarine logic systems. We asked Gunnar Haslam about the story behind this EP, his third release on The Bunker NY, confirming that he has not been recently seasick but did grow up by the ocean spending plenty of time on boats as a young man. Seasickness thus established as a part of Haslam’s personal history, he went on to explain “the best nights out hearing music are the rocky ones, not the smooth voyages” flashing to the experience of a very deep rave as a large ship with all hands on deck working to keep the whole thing afloat. All four tracks bring a woozy driving force to the dance floor that are sure to keep everyone bobbing along disorientedly.

Dixon Avenue Basement Jams are proud to present "Rainbow Body" by Nightwave on their new sub-label Neutralizer Records.

New music from Nightwave is what life is all about.

Check out her new fantastic release for Dixon Avenue Basement Jams’ Neutralizer sub-label if you’re in any doubt. Rainbow Body EP is 4 tracks of Detroit influenced dance floor damage, taking in and breathing out lush melodic techno, driving ghetto beats, steppin’ authentic electro and bold yet synthy house music. It’s a release that does it all and with such style and confidence. You’d be a fool to miss out.

Limited Hand Stamped Vinyl and crazy story inlay included

The first of a new series of VA releases, Casting Shadows reimagines archival music through the eyes of our favourite DJs. Each volume is overseen by a different selector, inviting us to look through the peephole of their crates.

Cutting the ribbon, we invite German luminary Mick Wills. Active over 3 decades, a perennial influence and looming figure across the wave and techno scenes.
Wills refashions 3 of his favourites, giving them the trademark ‘Cut’ treatment for tender floors worldwide.

The first track sees a crucially overlooked Baby Red Torres number 7” fully expanded to 5 am percussive meltdown business.

Next up synth-botherer Paul Nagle sees his early tape emission‘The Mesomeric Effect’ re-cut by cool hand Mick, coming in hot & throbbing in all the right ways.

Closing on a dramatic note, Kehrschliefe’s Leonid Brezhnev (previously on Polytechnic Youth) is opened up, ripped apart and smartly re-dressed, oozing class and menace.

3 cuts your way from one of our favourite basement surgeons. Look out for the second volume of Casting Shadows, carefully compiled by an interplanetary presence .

Mastered by Alden Tyrell.

The Kioku EP is Wata Igarashi’s third release on The Bunker New York, showcasing considerable emotional range that speaks to his long career as a sound designer. All four tracks feature a cinematic, expansive quality that make it easy to imagine how each could fit specific moments across the arc of a party. Different aspects of the music are carefully balanced and combined: seemingly simple patterns in the foreground are animated by precise intensities at play in the background.

We encourage you to give this one a listen on a proper sound system or headphones to fully dive into the intricacies of Igarashi’s sound design. “Reflecting on his feelings about these tracks, Igarashi tells us that, “there are many times when you’re listening to powerful music and you are not really able to think but your body still remembers how to move and breathe”. Kioku means “memory” in Japanese and Igarashi goes on to explain that “all the fast and complex melody combinations (of the title track) make me imagine how our memory functions: connecting via synapse and nerves, going all over the place...the music comes from my experience and memory.” The complexity and beauty of our thoughts and bodies are mirrored in these fine productions that make up the Kioku EP.

Played and Supported by Kenny Larkin, Laurent Garnier, Adam X, Speedy J, Norman Nodge, DVS1, Pig & Dan, Perc, Max_M, Jonas Kopp, Freddy K, Kirk Degiorgio and more.
Cannibald Do you remember something about an LP of the 90s signed by Leo Anibaldi Yes! it's the label of Leo Anibaldi. Until three years ago his releases were on vinyl. Then he continued in digital format until now. Now it's time to release again a special vinyl!

There is something singularly unique and peculiar in the degree to which seemingly unsettling themes and extreme taboos have been explored, most notably in the medium of film, in the land of Nippon. Free from the constraints of reality, notions of grotesque brutality, torture, fetishism, and sadomasochism, to name a few, have oftentimes served as driving motifs in the examination of the true nature of violence latent in the most repressed reaches of the human mind. Concurrently, in the realm of electronic music, many Japanese producers have often been able to cultivate and harness a daring yet distinctly refined and inimitable form of organized sonic chaos, one almost instantly recognizable to the occidental ear. The music of Tomohiko Sagae, and in particular his latest contribution to Furanum's catalogue, The Spurt of Blood, is perhaps a quintessential example of the confluence of the former themes and latter medium.
At the outset of the record, the beholder is faced with the 'Vacant Eyes' of a staggering monstrosity, a subdued and subjugated automata in the midst of a bleak dystopia, nearly lifeless but for the grudgingly conceded advance of its death march. As a battery of gratuitous aural violence led by a dominant synth is rapidly unleashed in the subsequent composition, a growing malaise transforms into fractured bone and psyche alike, with no distinction made anymore between the tearing of metal, flesh, or the fabric of the mind. Culminating in 'Severe Pain', with limits of endurance breached and descent into madness the only seeming form of respite, relentlessly rolling drums and hauntingly sublime howls provide the context for the dawning realization of pain as a virtue in and of itself, when a demented pleasure and the exhilarative liberation that lies therein begins to emerge. In the final act, reinterpreted by Furanum stalwarts Uncto, roles are tellingly reversed as the vacant eyes of the victim become that of the oppressor. With cold-blooded precision, the original is reengineered into a force of merciless domination, its elements machined and recalibrated for pure power.Words: PSD

Collecting orders for repress

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black car's running in the rusty light of a bohemian sunset while the desert cursed dust over the words of scared man
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Fabio & Grooverider have been at the forefront of UK dance music for over 3 decades. This is the roots of their story told through music.

The 2 London DJ's are part of the DNA of the global Jungle / D&B movement and they have remained relevant, cutting edge, authoritative and essential to this truly underground art-form since it's inception. RAGE could arguably be the ground zero of Jungle. The party was started at London's cavernous Heaven club by Fabio & Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. RAGE was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio & Grooverider were the people firmly behind it.

RAGE is approaching its 30th anniversary. Its sonic and cultural legacy is still being felt today, Fabio & Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. This musical selection you hold in your hands, the first of 4 parts, sees them delve into their prodigious memories and record boxes to select a true musical representation of the very beginning of one of the UK's most unique and influential musical movements of the last 50 years. Across 4 x 2 x 12"s compilations we are taken on a journey through the sounds of RAGE, accompanied with personal track by track notes from us. Music from London, Detroit, Sheffield and beyond features, with a deep selection of tracks such as Tic Tac Toe's monstrous roller 'Ephemerol', Top Buzz's anthemic 'Living In Darkness' and the deepest Morales dub of D-Mob's 'That's The Way Of The World' . This will be a true masterclass in the sound of the underground, from the inside out.

This is a masterclass in the old-school. The roots. There is no filler here, it's simply ALL killer. Lovingly selected and programmed by the masters - 'The Living Shock' & 'The Ladies Choice'. Produced in conjunction with Above Board distribution and Fabio & Grooverider. All tracks mastered from original sources and fully licensed. Mastering by Optimum, Bristol. Artwork and design by Atelier Superplus. 2019

For our second REVOLT release we decided to showcase this compelling EP from our Scottish friend Hans Bouffmyhre, who gets remixed by one of our favourite artists, Kessell.

Collecting orders for repress

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She's daffodils and morphine,
the tender cannonade of
lovesick napalm.
She's the trapeze wire
in a thunderstorm.
Enkindle me cruelly.
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