Techno News

Fresh from Catz 'N Dogz own recent remixes of Disclosure, Roisin Murphy and Rufus comes their own remix album of the critically acclaimed 'Basic Colour Theory' album the Polish DJs, producers and Pets Recordings' label owners have now invited a prolific array of artists to remix a selection of the LP's signature tracks. This collection will be released digitally as well as on vinyl on 11th March 2016 The 2015 original LP combined traditional songwriting meets Catz 'N Dogz trademark infectious basslines; a natural result of extensive sonic exploration and the osmotic process of years of DJing worldwide, all the while developing a deeper understanding of what they want to deliver through their music. From more simple edit work, to entire tonal shifts, the pair's songwriting has been reassembled by an eclectic, star-studded cast of beatmakers that include Jamie Jones, Maurice Fulton, Skudge and Yotam Avni all skillfully apply curious fusions of their own unique musical roots. This is a remixer's remix compilation that succeeds in connecting the tracks musical dots into a singular musical vision. Rethought and reimagined, melodies and vocals are respectfully trimmed away In favour of new found rhythms., The remix clearly thought of as an extended method of quotation, citation and commentary with each new sound enforcing the consistency and dependability of Catz 'N Dogz original production. Across the weighty 4 tracks of warm grooves and up-tempo cuts, each remix demands attention; blissfully capturing the original's fun-based lovingness and while often delivering unlikely juxtapositions carefully avoids any artistic tangle.

In most tactical manoeuvres, there is an obvious greater goal which people want to achieve. Delusive Manoeuvres are different. What you perceive is what they want you the perceive. What you think is their goal, might be a delusion and mislead you into that unreal direction they want you. They are in control.
Or.. Aren't they

The third chapter of Shadow Story is another collaboration between its joint label owners, Dronelock and Ontal who show once again that their symbiotic relationship is a meeting of like-minds and distinctive production techniques.

The EPs opener, 'Parallax' starts with a cinematic intro before launching into its pounding groove and dark electronics before the Shadows Remix version comes crackling into play.

The title of 'Drop Forge Steel' conjures up an industrial landscape and you won't be disappointed when this tough Techno track starts throbbing with all the intensity we've come to expect from the Dronelock / Ontal partnership.

Though 'The End of Eternity' continues the pace of its predecessor, it also displays a quietness in its gentle melody to juxtapose the steely resonance.

Promising Bristolian producer JoeFarr released his debut EP in late 2012 for Tiga's ever reliant Turbo Recordings, picking up plays from the likes of Dave Clarke, Ivan Smagghe, Dexter & many more.

A further EP on Turbo, 'Clocks', followed, as well as remixes for Tiga and Zombie Nation, so enamoured were they with his production prowess, and now kick starting HypeLTD's 2014 campaign, JoeFarr presents four cuts for the Hypercolour offshoot.

Lead track 'Trapington' in instantly grabbing, fuelled by serious horse power, with its nagging and incessant stabs, clangs and vocal chops, underpinned with a meaty and distorted drum pattern. 'Pocket Face', built around a crunching 909 workout, slaps you around the chops, coming up for air with the spacey synth hook, then back down for more with some almost 'Red 1' era Dave Clark-esque vibes on this techno banger.

Flipside, 'Stuckfix' keeps things rough and ready, with a mechanical break beat juggernaut and tension building strings, whilst closing the 'Lounge Vibes' is 'Fola44', indeed perhaps the release's most restrained offering, with its deep organ melody springing to life over the dysfunctional beats, doffing its cap to some of the jazzier elements of Detroit techno over the years.

JoeFarr, defo one to watch for 2014, and if his 'Lounge Vibes' are like this, we're keen to see what he comes up with for the more peak time vibes of his repertoire....

For our first release of 2015 we welcome to ETG one of Techno's most seminal artists...

Jonas Kopp has always been an influential figure to EarToGround and was one of the main inspirations behind the creation of the label. Since his remix on ETG002 it was only a matter of time before his own full release was to come about.

Few would dispute him as being one of the most prominent and exciting figures to emerge from Argentina in recent years. An accomplished producer, in-demand remixer and versatile performer, he has fast transitioned from Buenos Aires' best kept secret to one of contemporary house and techno's leading lights. The tracks created cover his full dynamic range old, new and future while demonstrating his skill at making you want to dance.

All tracks written and produced by Jonas Kopp / Mastered by Matt Colton at Alchemy / Copyright and Publishing EarToGround Records London
Design by Leiras Santos /
Played and strongly supported by the likes of:
Marcel Dettmann, Anthony Parasole, Pfirter, Etapp Kyle, Perc, Rryan Elliott, Psyk, Rodhad, Bas Mooy, Chris Leibing, Gary Beck, Kriz, Aiken

Limited White Vinyl Pressing!
Kaiser is a Bari-based producer and DJ. He began his collaboration with Etruria Beat in 2013 with the track Conversation", part of the VA named Bud Sampler (Part 1), many times played by Richie Hawtin. Today he presents his first Ep for Etruria, entitled Medusa". The pack consists of two original tracks Save the Chord", so entitled because of the presence of some overlapping dub-chords which intersect one each other and create a melody on which grows a well balanced groove, and Medusa' taking its name by the Ep, is a techno track with an aggressive and imposing rhythm , perfect for the most powerful dancefloors! In addition then, two remixes by highly respected artists in the European techno scene: DJ Emerson , Microfon Rec. owner and well-known producer on Clr and Sleaze records, infecting Save the Chord' with his typical sound, comes up with a powerful kick and a impetuous groove, restless. Finally Matthias Fridell , after many releases on relevant techno labels such as like Gynoid Audio and AFFIN supplies a dark-and-meantime-melodies contaminated version, crossing some Detroit-reminding sounds. Enjoy !

Fat dancefloor miniaml techno, and depp techno... the little french label grow and grow and grow !!!

Think early Relief Records and the Green Velvet sound of the mid 90's, very cerebral and freaky undertones. All of this done from an earlier Mathematics artist coming back into the game. Included on the EP is a take on some jungle with a twist of analog house notes on top.

Default Position's latest offering is 'Gasworks' by Terry Francis.

Part 3 !

Two of London's finest launch their occasional re-edit series with fresh takes on two absolute classics. No repress, no digital, no names...

There is significantly more than a scintilla of exuberance on Cosmin TRG's first 2016 venture on his own Fizic imprint. Number four in the series further explores the dense textures present on last year'sIIIEP, but largely dispenses with the ennui in favour of a different discourse.
Oblic offers a brisk groove that ebbs and flows among graphite-thin layers of percussion and sonic debris. The recurring dust sample amplifies the vigorous rhythmic attributes of the track, rendering it withprime dance floor capabilities.
Serpenti takes distant sparkles of mutant chimes, wraps them around the relentless pulse of thudding kick drum and soaks everything in static. Granules and grit are extracted from circuitry with a focus on razor sharp sound system efficiency.
Oblic/ Serpenti arrives on Fizic end of March in Digital and Vinyl Formats. Produced by Cosmin TRG, transformed by Matt Colton at Alchemy Mastering, with original artwork from Cosmin himself.

This is a new record that came recommended to us by some close friends in Detroit.
Killer techno that's primed for club use from a label and producer whose roots lie in the city.

drug machine inc. 004 comes along with the amazing masterpiece "devils
books", made by the
ukraine artist positive merge (9volt, gynoid). incl. remixes by
ghettomania star dj duncan and
solid rushs mastermind ascon bates. allready supportet by some big
players!!!

2 bloody good 160 BPM acid tunes and one 180 BPM for the finish... Redge gives an old school one here, with a solid Okupe feeling.... Sevenum Six is on his style, defenitly acid pumpin galopp with irrisant acid textures... Dexco and his speed acid tune is more melodious and Dry on the kick : Minimalist. Precise Mentalcore.

Another welcome name to Soma from the Spanish camp is Reeko who delves head first into unfathomable deep techno depths with his debut release, barcelona #3am.

Reeko has been building his name with great care and attention to his sound for many years and all this has culminated in a producer who can easily flip form deep, cerebral techno to full on filth. His debut on Soma happily straddles these fields as thunderous sub bass matches some equally future realms of energy.

'Unwise Remix Series' has the involvement of artists which represent Synthek & Audiolouis main points of reference and inspiration, artists who acknowledged the potential of Unwise and accepted to get involved the remix project. The second installment of Unwise Remix Series features a strong combination of techno figures that delivered, as expected, amazing reinterpretations of the originals. Kwartz opens the release with a devastating rework of the techno train 'Counterbalance', a broken beat weapon designed to make speakers sweat. Fabrizio Lapiana remixes 'Over The Edge' loading the atmosphere of drones and swirling bleeps, placed on strong hypnotic drums layers. Antigone on the flip side gives a new vision of the track 'Something Else' leaving behind the detroitish style of the original cut to approach a fairy world, where bright and
melancholic sounds are partnering with a thin beats which dissipates every now and then. Varg close the record with a noisy rework of 'Overcast', bringing it down with heavily distorted drums, reverbered drones and terrific atmospheres.

New label "INIT" has appeared from new minimal house scene of Tokyo. First release is a Compilations Singles like the label samplers! Artists included are "Takashi Himeoka" who has released from Rora and Ada Kaleh etc, "Yoshitaca" from Fasten Musique, "Shintaro. D" and "Kensuke Yasuhara" of INIT label founders. Presenting the exquisite track with cool sound flow of the current minimal house. VINYL ONLY.

For the first vinyl release on Sound & Object we are thrilled to have Chicago resident Area bring us the EP Forbidden Plateau. In Forbidden Plateau Area is able to create a mood of equal parts confident swagger and tentative emotion. Rich pads, loping piano melodies and robust rhythms swirl and mix to land somewhere between house and techno. The 3 original tracks - and a remix from Mikaere - create an EP that is full of space, details, bright edges and dark corners all framed by lively beats.

A year and a half after Black Merlin (George Thompson) opened the Common Thread series with the much praised New World Fantasy / Ice House release George sent over some adventurous bits for a follow up and we were immediately sold. George is a true artist in his own right. All of the Black Merlin tracks evoke different sentiments. This time around the feeling it bring up is very conflicted. Both tracks have those dark aesthetics with elements of paranoia and both also share some apocalyptic elements.
It is for this reason that this is the perfect follow up for CT01.

Instead of just releasing music on vinyl we (with the blessings of Zoroaster) are looking to evoke spirits, cross boundaries and maintain quality. Major cliche's, but with an artist like Black Merlin on your books, Cliche's sometimes become truth.

COMMONTHREAD04 - Black Merlin - Burn It / Experiments In The Dark will be available on Limited heavyweight vinyl from Late May/June 2015.

Mastered By Gordon Pohl, Photography by Javier Gonzalez

Blawan pushing his machines to the bleeding edge of Techno.

Another new face graces the halls of Soma's roster as American based Techno artist Jeff Derringer make a blistering debut with Panic. Jeff weighs in with 2 top-notch hypnotic Techno tracks and we also welcome a debut on Soma from the incomparable Mike Parker who whips up his usual storm of sound on his remix of title track Panic.

Not time is wasted as the EP open with all guns blazing. Staccato synth hooks loop out of control as buzzing percussion fuels the fire within this track. Bent out bass and sub aquatic pings keep this track rooted in the depths of unrelenting Techno.

Fellow American Mike Parker follows up Jeff's onslaught with his completely unique version of Techno. A solid 909 kick is warped beyond reality with looped out, frenzied synths that only Mike seems to be able to control. Percussive blips give rise to Mike's intentions within this remix as his keeps it dark, hypnotic and turbulent.

Panic Attack closes the EP with a little lighter edge as big chords permeate thunderous low end and dubbed out percussion. Building slowly, Jeff creates the perfect tension needed to deliver the goods and a subtle break in the flow gives rise to a devastatingly effective deep techno track.

Soma are proud to welcome an already well established artist to the roster and one that fits perfectly with the new drive of the label.

The final part of the brandnew Johannes Heil album series on red transparent vinyl... a must have!!!

In January M.A.N.D.Y. dropped 'Gizmo' into our laps and caused quite a stir. Shortly thereafter, talks of remixes surfaced; and now here we are! We've got four stellar remixes from four special artists, Monoloc, Tim Green, Guti, and the one and only Marc Houle all set and ready to go. You'll even be able to get your hands on the vinyl four weeks before it hits digital shelves. The A side is home to CLR's Monoloc, who makes an appearance here with his dark remix of 'Gizmo'. With long rolling pads, sharp percussion and plenty of heavy energy to go around, this remix will surely find its way into the sweatiest of sets. Tim Green remixes 'Montagsmaschine' to complete the A side. Tim's perspective carries over the dark vibe of Monoloc's remix while keeping the energy reduced, allowing for a long, simmering track that fits nearly any time of day. Both Guti and Marc Houle play with 'Obsessed' to bring their own sound to the EP. Guti's remix is the deeper of the two, with hi hats blazing and the kicks punching. Marc's remix contrasts beautifully and keeps the atmosphere rather playful and snappy with a great tech-house vibe.

we like house music. honestly! good house music. just as back then. power, emotion, spirit. the birthplace of contemporary club culture. the basis techno wouldn`t exist without. legendary tracks from out of warehouses. big kicks and hats, mixed to a whole new bigger picture that made the nights appearing endless. we like house music. honestly. but we don`t play it. not today. cause today it`s about techno!

dmi number 003 comes along with two deep techno trax by the
whiff. whiff is a new project of some wellknown
technoproducers from germany. more we are not allowed to say about it.
but u can be sure, it´s not the last time u hear
something from the mysterious whiff.........

BOUQ.AID TAKES ACTION DEVELOPING THE SOUND OF HELP

For 3 years civil war has been going on in Syria - 4 million people have been fleeing from their own country - 2,6 million people live in refugee camps. These facts make our blood run cold. We can no longer ignore the unbearable daily news about the Syrian reality. That is why we take action and engage in a nonprofit project called 'SOUNDS LIKE HELP', All income will be used to invest in a mobile bakery, which we will send to refugee camps on the borders of Syria, baking fresh bread and giving it away to everyone in need. Check http://aid.bouq.de/

Dany Rodriguez is on fire lately and keeps rolling as an unstoppable train. His next station is the 'Safari Moon with the signature of his home label RMR. Dany offers a remarkable original coming up with 3 remixes by the ultimate techno legend The Advent and a monumental collaboration remix by the techno heavyweights Ben Long & Oliver Way. A package that will drive the clubbers to.the safari moon and back ;)

Following 'Containing A Thousand' and the 'Mountain Divide' EP, their pair of sublime releases for the label, Lakker now deliver their debut album 'Tundra', perfectly in line with R&S's techno heritage whilst also taking in influence and inspiration from the varied likes of No U-Turn Records, the choral music of Arvo Part, Merzbow, early Human League, and raw ethnic music.
The crowning achievement of their decade long musical career, 'Tundra' sees them once again blurring the lines between the 'real', organic / natural and the synthesised, virtual and 'artificial' the album contains field recordings from motorway tunnels in Japan, church bells from Schöneberg, a female choir from Dublin and Inuit throat singers.
'Tundra' is a titanic album of diverse and intense soundscapes that demands exploration by not only Aphex Twin obsessives, but also fans of the likes of Sunn o))).
- Debut album on R&S from Berlin based duo Lakker AKA Dara Smith and Ian McDonnell
- Mastered by Sonic Boom (Spacemen 3 / Spectrum) at New Atlantis Studios

Mike Parker is back with 3 massive abstract acidic tracks on Geophone.
The A side opens up with Mike's Autumn Remix of "Give Yourself Up 2 Techno" by Apple Juice featuring Sean Place. The buzzing high-pass filter pattern will shred speakers and precisely cut through any mix. The B side features two more originals by the label boss that explore oscillating low end frequencies and atonality as only Mike can. Pure techno, analogue style and created 100% live.

Seattle/San Francisco based Techno label, From 0-1 issue "Time Dilation", a 12" vinyl/digital EP by label director, and co-owner Milkplant (Justin Pennell) of the San Francisco Bay Area. Andrei Morant and From 0-1 co-owner Sone join in as remixers. Including an endless groove and two locked grooves, this piece of vinyl is meant to be as utilitarian for the vinyl DJ as possible. 'Dimension 4' starts off the EP with a classic big room percussive Techno vibe, closing in an endless groove. Following is Andrei Morant's absolutely punishing treatment of Dimension 4, a tearing lead, and searing percussion point to the main room. Two locked grooves, one percussive, the other synth based close out side '0'. On the flip side Milkplant's 'Spherical' reps a tight "future-retro" vibe; elements of old Motor City Techno dominate with a bit of grit to keep it dirty. Sone dials in a perfect toned down, more expansive and hypnotic interpretation of Spherical showcasing slowly evolving filters and modulation fit for the wee hours of the morning. 'Plasmic' is included only as a digital extra in this release- tough, noisy, and a little tripped out with a bit of swing to keep them on the floor.


All12" vinyl jackets are custom screen printed by Bloom Press in Oakland, California, with design curation by label art director, Rubidium. Mastering and distribution by Dietrich Schoenemann of Complete USA. Marketing and promotions by Pullproxy Berlin.

ASRX deliver the first in a series of Random Remixxes for their Forthcoming EP.

A new sub label for us, Church Volumes featuring friends from Peckham, L.A & Vancouver.

Hidden Recordings delivers another unique sounding and memorable four-track vinyl. Yuuki Sakai's 'Ran Tan' EP is unlimited in distinctive sounds, energy and vibe. These tracks are rare, like no other combining experimental design with controlled and well-thought out drumming. Test your limits, teetering on the edge of madness as you try to decipher the dancefloor etiquette for each of these!

Complimenting the release is a rare and wonderfully percussive-full remix from the undeniable A Mochi. A well established and respected techno vet who's been deep in the Tokyo underground for over a decade.

Banging new release from Arttu!

Dirty analog techno from French boss; Crackboy
For his second chapter on Crowdspacer (after releases on Tigersushi, I'm A Cliché, Zone or Fragil), Crackboy, the king of French dirty analog techno, half of POV with label-boss Joakim, digs deeper into that Detroit melanchol-epic vibe with Weapons Of Steel on the A-side before going bonkers on the B-side with 2 naughty stripped-down beat-centric DJ tools for the sweaty late night crowds. Made me think of some Gemini tracks when I first heard it (that's a compliment).

"Signs" compilation unites Arnaud Le Texier, d_func. (aka Alexander Kowalski), Dinamite & label boss Joachim Spieth. Punchy & dark Techno tunes.

Its always exciting for us to be introduced to new artists. Here comes the next EP on Cellaa Music, this time from the irresistible electronic Duo formed by Fabio Neural and F.Sonik, whose previous outings have been on labels like SCI+TEC, Antura, Serkal, KD Music, K9 Records, Monique Music. Cellaa is very happy to welcome our Friends to the fold.

Lead track is - Calle Sevilla' that immediately commands attention with it's locked tight Groove, Piano licks and warm Rhodes Keys that lead us to the mighty bassline and we're already feeling the intensity. A Synth riff comes in and builds to the main break and creates an atmosphere that takes us on a trip to the sunshine coast of maybe Ibiza, right before it drops back in!

Second up is- Bario Viejo' which has rolling percussions and a attention grabbing groove that brilliantly leading into the playful piano chords and vocal hook. The break creates a feeling of suspense, hence the name, until the moment in which it explodes to create a track that is sure to cause mass devastation on dance-floors this summer.

Finally Fabio Neural and F.Sonik delivers - Tulside'. Another massive Groover from start to end. Featuring a solid pulsating basslines that works in harmony with an impressive array of percussions, chunky hats and tingling keys peppered with fascinating Vocals. Sunrise or sunset, - Tulside' create a quite stunning balearic moment thats sure to hypnotize any crowd.

The ep is supported with an excellent remix from Cellaa label mate Marc Faenger.
- Barrio Viejo Groovalicious' feeds off its infectious bassline and it is is built upon some deep, rolling grooves. Marc Faenger's remix picks up the pace, adding a signature percussion sound, stripping back the vocals to create a more techier focused version of the track.

Cellaa Music delivers a Winter Smash with this EP.

Keep your eyes on this one!!!!

On the new Delude Records vinyl we presents the legendary master of dark techno.
Hefty from London, UK.
The label owner of Darker Sounds London presents his first vinyl ever, here on Delude Records.
This production contains 4 great deep dark atmospheric techno bombs in HEFTY style.

Limited Release / 200 Sk. / Vinyl Only / No Repress ! ! !

Nikola Gala is back on Metropolitan with his unique style, from house sounds to techno atmospheres. After his single "Get Your Soul Back" Nikola presents this new track for your summer season! Mattei & Omich sign a cool remix on A2 with a very old school sounds, suitable for the miost demanding situations.

You're walking up that hill at the outskirts of the city. It's the last days of summer and the sun is flooding the world below with it's yellow heat, as if it was sprinting towards the finish line. The air is trembling with fever and the distant sounds of the city, but on top of the hill there's a place that neither sun nor man can ever stir again. As a child you called it The Castle, and you still do. It's the gigantic carcase of an industrial plant. Once a place for productivity and prospect, later a place for ecstasy and rebellion, now an empty shrine for nostalgic hearts. You enter The Castle, piously, and it's cold and gloomy inside. The only thing asserting you of the existence of an outside world are dim rays of sunlight breaking through the resting places of filthy windows. It's dead quiet, but you know what to do. Your right hand is pressed against the cold wall of the Great hall. Your eyes are closed and you wait. After a while the crumbling walls begin to trust you, or at least accept your presence. And they start to sing. They sing of machines that hammers and thumps tirelessly, of masses of bodies moving in sync, of dissonant melodies flowing through the air, of sharp metal clangs and muffled machine murmurs. After a while, their deep voices fade away. A couple of years ago, they would sing for hours. Now it feels like minutes. No one is left to listen to them. No one but you. This is Albert's VANABBE03, the Dutch Minimalist's open invitation to his debut album coming this spring.

No schools, no boundaries.

These two styles of music - techno on one side and electroacoustic music on the other - are traditionally pitched against each other. However the two schools have a number of things in common, particularly the way they approach tone and the treatment of sound via electronics. Rebotini, who actually composed for the GRM, has often reaffirmed his admiration for composers like Bernard Parmegiani and Luc Ferrari. As for Zanési, after originally being in awe of Bartok and Stravinsky, he studied under Pierre Schaeffer in the1970s before discovering (rather late) the music of Kraftwerk and Cabaret Voltaire.Sharing the same curiosity for classical, contemporary and electronic music (even noise), the two composers decided to bring together and confront their two styles of music in a shared project called Frontières, first on stage and then in the studio.Over the course of their first live shows, the two musicians began to improvise, varying the intensity and length of the songs, whether playing in a club at 2am or in more traditional surroundings. Since the beginning they have been accompanied by video artist Zita Cochet who composes images to illustrate their tracks and serve as a backdrop to their concerts.

Lonely souls together under thunderous grey skies recorded this for you while the snow poured outside. Frigid techno, sleep deprived angst and alien timbres from a distant place mark this as a memoir for Babicka & Mic Mills far more than their debut single.

Blawan smashing it yet again.

We're proud to announce our second 12" single in 2015 which features never-before-heard (on any medium) rare live performances from cv313. The first track is a rare reversion of the classic "dimensional" piece released back in 2007 (Echospace 002), recorded live in Tokyo at Club AIR. For the B side we've done our best to restore one of our favourite live moments captured at ARMA17 in Moscow, Russia, a deeply moving affair somewhere between the clouds above and the water below, spaced out sonic submersion...

After releasing with Chris Moss Acid on Shipwreck in 2014, Drvg Cvltvre is now back with a full EP of his own on Dutch label COS_MOS.
Since 2009, Vincent Koreman a.k.a. Drvg Cvltvre has been churning out his own acid, no wave and experimental house on labels like Viewlexx and Permanent Vacation and now kicks off the new year in style with three more inventive offerings.

'New Earth Army' is a slow, heavyweight and coarse track with rattling chords, angry percussion and elastic drums that manages to be physical and tough yet groovy and playful at the same time. 'We Have Become The Filth of the Universe' is a big, fat, heavy wedge of slow motion techno with monstrous drums and wild acid lines all spraying about wildly for the duration. It's a warehouse sized track that will reduce the 'floor to a writhing mess and finally 'Possessed' is a sci-fi riddled track with lots of spacey synths, filtered analogue lines and paranoid sirens all making for a turbulent brew of dark and otherworldly energy. Once again here Drvg Cvltvre proves he has a raw sound all his own.

UntilMyHeartStops are proud to present the second in a series of releases from fellow freerotation resident and remarkable talent, Duckett.

AUS Music continue to roll them out and ready their latest offering - a curveball from Gerd who dusts off his Geeeman alias and offers up 'Wanna Go Bang': a ghettocentric package backed up with fellow Clone associate Alden Tyrell on remix duties. Under his many guises, Gerd is an artist who has consistently reaffirmed his reputation as a producer capable of soundtracking peak-time moments across releases on Catch, Royal Oak, Clone and his own 4Lux. Punctuated by classics such as 'NY House Track' under NY Stomp, 'Bang't' as Geeman and the stellar remix for George Fitzgerald's 'Child' that instigated his link with AUS - his catalogue has remained brimful of the sort of tough and brawny House Music that makes him a fitting addition to their ever-evolving roster. The title track kicks things off with a dense and persistent bass loop set circling under swinging hats. A hacked up vocal reprise tumbles into the frame to rapturous effect before the 'Tribute To PHTR' Instrumental version lays out a free-form workout peppered with bit crushed signals and powerful analogue drums. Clone's very own mastering engineer then weighs in and lifts the title track further with capacious laser stabs and brazen, overdriven 909 drums. Vocals and kicks are interweaved throughout in a manner that keeps the pressure up throughout rounding off yet another coup from the ever-reliable AUS camp.

Proof that Gnod's vision of modern Britain becomes no less bleakly realistic as time passes.' 7/10
Uncut

'An intensely corporeal record and one you won't forget listening to in a hurry.' 9/10
Loud and Quiet

'Gnod have steadily emerged as one of the most captivating underground acts in the UK.'
Noisey / Vice - interview

Originally composed for a live performance commissioned by the Quai Branly Museum in Paris, French producer Low Jack was given access to the museums vast music library to use as a basis for this project.
In his research he focused on the Garifuna people of Honduras sampling parts of the music and composing a live set with some of these elements. With no intention to release this performance, the live recording was subsequently brought to the attention of L.I.E.S. Records and resulted in Low Jack returning to the the studio to re-create his set, thus the culmination of this lp. Rhythmic, tense, and hypnotic electronic music that lives in a grey area many are unwilling to step into. Mastered and cut by Matt Colton at Alchemy.

KOVA hits hard with its first release presenting the legendary Finnish producer Marko Laine. Raw EP is intense and ruthless three tracker introducing distorted techno bangers, Defence, Raw and Dawn

Moderat is the alliance of Berlin's electronic heavyweights, Modeselektor and Apparat. Like very few other artists they manage to fuse rousing basslines and intense breakbeats with gripping songs and a highly individual voice. With "Reminder", the three give a first impression of their anticipated third album. The strikingly beautiful song takes off where their 2014 hit "Bad Kingdom" left off. Developing a very personal combination of modesty and honesty, Apparat takes his vocal style to another level. The lyrics deal with the possibility of a new beginning: Instead of blaming others, we should assume responsibility for our situation. This is a liberating experience, it empowers us to let the debris go up in flames and have them lead the way to new experiences. Modeselektor underpin the beautiful vocals with subtle percussive grooves. As the icing on the cake, gleaming synthesizer sounds immerse the voice fully. With the exclusive track "Fondle" the trio expose a seldom seen side of their music. The slow, heavy groove alternates between a deep Chicago House Sound and hypnotic, drifting Dubstep. As a counterbalance to this deeply felt rhythmical heartbeat Moderat place elegiac, spherical sound scapes, while Apparat drifts off in a remote and dreamy state.

'NSM002 is me, Mosca, again. Two not-house not-techno tracks, a little more raw and textured than my last 12" but with the same emphasis on dark, sexy grooves and just enough dissonance and freakiness.

The Greyhounds is a dubby rolling thing with an indulgent breakdown that I wondered about scrapping. I ended up backing myself because the crowds I played it to seemed happy, and I've wanted to use those strings for eleven years now. I tried to make Clinical Trial for the basement clubs, dust and metal and tape. Thanks for checking it out.'


Press Highlights:
XLR8R (News)
FACT (News)
DJ Mag (Review)
Ransom Note (Review)
Datatransmission (News)
Red Bull (News)

DJ Support:

DJ Qu
Kris Wadsworth
Markus Suckut
Rolando
Italojohnson
Midland
Surgeon
Anthony Parasole
Franck Roger
Brendon Moeller
Ed Davenport
Bok Bok
Galcher Lustwerk
DVS1
Art Department
Jonas Kopp
Mark E
Darko Esser
Randomer
Josh Wink
Laurent Garnier
Tuncate
Altered Natives
South London Ordnance
Appleblim
Tini
Peter Kruder
Darko Esser

Rising London duo, Mounter & Mifi, kick start their 2014 campaign with a release on Save You Records, and this, their debut EP on Losing Suki.
'Temper" is a steppers delight; more wobble than a Weight Watchers meeting, some Redneck vox samples and some precision, jacked up beats, proper tackle for the dancefloor from Mounter & Mifi. "Fiercely Pretty" is no-nonsense, minimal gear, an incessant bass synth stab bounces over the drums whilst the track gets proper twisted, with sounds akin to nails slowly scraping over a chalk board (don't be put off by this though).
Turn the disc over, and "Feel Ha" is in a right uptempo, jump-up stylee, the Reese-esque bass worming around the steppy beats and 'Feel Ha' vocal, whilst EP closer, "1000 Snares" is the EP's deepest moment, whether or not the lads have actually used 1000 snares is yet to be confirmed, but this jam is percussive to the max, a solid groove from these talented chaps, and not the last we will hear from them either....
'Temper' EP is available from 3rd March 2014 on 12" vinyl and digital download.

DJ Support
James Zabelia - Wicked stuff, thanks
Roska - Feeling 1000 Snares
Shadow Child - Spoilt for choice, great EP
Justin Martin (Dirtybird) - fantastic EP, excited to play this
Huxley - Fiercely Pretty is my jam, nice!
Red Rack'Em - Digging Temper a lot

Heavy release again by Tolkachev, steadily climbing towards the top of the techno pyramid.

June Records presents Concept 1210, a collaborative project between We Are Monsters, Ratlife Records, Nation and June Records. Represented respectively by All The Wild Eyes (Solar), Credit 00, Naughty Wood, Traxx, The Pedestrian, Villan X ,Trenton Chase and June. Concept 1210 is a contemporary take on DIY electronics, introducing Nu-No Wave made with the original rhythm machines, synthesizers and sequencers that became available between the period of late 1970s to mid 1980s. 'My Sin' by The Pedestrian with Credit 00 is a recording from a live performance in 2010 at Hellerau festival in Dresden. June's "The Legion" is a studio recording made with a Korg KPR-77 and a modular system that transits to electronic chaos. 'Character' is the result of the uninhibited collaboration between aficionados Villan X and Naughty Wood offering a new demented take on DIY electronics. 'Protection' is the outcome of the first collaboration between June and Traxx resulting to riot electronics. 'All The Wild Eyes' offers Doggo with vocals by Credit 00, a psychedelic - 10 minutes long - Boss DR-55 driven piece. Trenton Chase's 'Prowler' is a home recording that transfers angst through a hypnotic maelstrom of noise and grainy atmosphere. Limited double vinyl edition of 250 copies (12-inch pressed on black vinyl and 10-inch pressed on grey vinyl).

handstamped limited underground techno from all across europe.

One Track Brain is back with his third EP "Kitten Play/Dust Devil" on the OTB records imprint. Jazz drums and the trustworthy 808 kikdrum are at the heart of this energetic and playful new 12". On the A-side, "Kitten Play", a whirlwind of rhythms evokes an untampered lust for life. A spontaneous structure keeps the kittens in check. On the B-side, we find "Dust Devil", another energy pill based primarily around rhythm. A sweet little melody is juxtaposed against a thick layer of bustling drums. A stormy track with a mermaid's melody calling out from afar. One Track Brain, clearly not a rookie, remains a shadowy quantity with the focus wholly on his music. Kitten Play/Dust Devil comes out worldwide on limited hand stamped vinyl.

This is the first album Oscar Mulero has released under his own name, after two acclaimed LPs under the moniker Trolley Route. Well known for his skills as a hard-edged, raw and floor-orientated techno dj, his productions go far beyond, digging deep into the intricate landscape of intelligent techno, floating moods, reminiscent atmospheres, harmony and detail.

"Mathematical rotes. A continuum none wishes to give up. Deep bars, groove pads, diverse elements entering and modifying structures, feelings, situations. As if it could go on forever. The path is always the same: gently bumping."

Acid techno!!!

400, 12" 180g, hand stamped, individually numbered records, single press only.

Radio Slave, Spencer Parker and Mr. Ties return under their B.A.D.S moniker with remixes of last year's iconic 'Hous-O-Matik Hom-O-Patik' release.
B.A.D.S. is an acronym of 'Berlin Amateur Dramatics Society', the project was established by Edwards, Parker and De Nittis for the original release in tribute to Berlin's Homopatik party, the monthly event series helmed by Mr. Ties himself.
In the House Of Ties Remix a syncopated breakdown erupts into a frenzy of rumbling kicks, infectious vox and Montefiori's charismatic saxophone. In contrast, Parker's reinterpretation is more mesmerising in nature with echoing stabs, reverberating vocals and eerie organ chords.

Mojuba is very proud to present a new little daughter to the label family called Mojuba Underground. From now on Mojuba Underground will be the home for unforgettable, rare, obscure licensed tracks that left a huge impression on us during all the years at the clubs.

finaly repressed!
Marco Shuttle and fellow italian techno legend Donato Dozzy team up for a duo project under the name Anxur, a collaboration that combine two artits that certainly have a wide common ground when it comes to vision and musical aesthetics. The Anxur Takes Vol.1 is the first instalment of the duo's output, the release is a 2 tracker that have a strong esoteric feel as you could expect both from the label and from the artists involved but still maintaining quite a straight 4/4 dancefloor vibe. Volo 1 is a steady mesmerizing, squelchy acid track. A meticulously modulated high pitched 303 bassline that extends through the whole track keeping the listener suspended in a loopy sonic experience where the percussive elements slowly build up the progression together with the bassline. Volo 2 on the B side brings the tones into a slightly more subdued territory, still keeping some kind of thread with the A side but radically changing the atmosphere. a warped modulated synth-line dynamically changes its shape throughout the whole length of the track but the bassdrum is more round and soft and irregularly pulsating delayed 808 snares and 909 hats resonate through long tailed reverbs that give the track an even spacier, more landscapy feel. A very coherent and uncompromising ep by two minds that think alike.

All music written, produced and arranged by Spider Recorded in Web Lab Studios, Jersey City, NJ Shout out to the entire Vanguard Crew!

Hannu Ikola is a Finnish artist and owner of the Etherwerks label, releasing his third record on the imprint. "Chrysalis" is a four track opus of raw and swarthy techno. In the tracks Ikola's musical inspiration from experimental and ambient music can be heard.

After recently impressing with a great remix on the label, Kalden Bess is now back on !Organism with a full EP of his own. The great original tracks come on vinyl and digitally and feature remixes by Jon Gurd and Developer. Ground factory label boss Kalden Bess has been making moves since 2008. His techno sets and tracks have found him playing with the likes of Richie Hawtin and Sasha and his style, in his words, is 'dirty and sexy.' Attention grabbing headliner 'Jet Lag' is a deep and atmospheric track with rough drums and textured pads setting a moody tone. Glistening percussive patterns shine through and add drive to the groove, whilst dystopian pads add a real sense of techno urgency. On the remix is Developer, a product of the Los Angeles techno scene of the 90s who co-founded and managed the first dedicated techno distribution company on the west coast. A fierce DJ who mixwes tens of tracks an hour on three decks, he run his own Moduarz label and releases on a range of top labels. His version of the track is physical and tough, layered up with many rugged synth lines and raw drums and has synth surges that really add to its impact. The other standout original from Bess is 'Rabbit Hole', which is a much deeper and more hypnotic, streamlined techno track, as the title would suggest. With muttered vocals and rubbery drums, it makes for a steamy yet striking cut that will carry dance floors deep into the night on a nicely serene groove. UK techno mainstay Jon Gurd (of labels like Octopus Recordings, Quartz Rec and 8 Sided Dice) then strips things back to an infectious hi hat and kick drum combo. Airy and clean, percussive tinkles and glassy chords add character to the physicality of the track and prove that Gurd is in a fine run of form. Buy the EP digitally and you will get treated to the dark, broken experimental beats and hellish vocal cries of 'Slower'. It rounds out another essential EP from this most tireless techno label.

The mysterious but widely acclaimed R-Zone series roll on to a 15th EP now with a new four track release that is as essential as ever. Opener 'Hired Gun' is a tough and raw concoction with coarse, snappy snares, rough drum pings and lots of abrasive texture all making for a physical listening experience. 'Midwinter' is a deeper and more emotive jam with warm pads dampening down icy hi hats and busy synth work. It is fresh and original and sounds like little else, then 'Captive' gets all deep and space-y with smeared pads and slick metallic hits tied together with a molten acid line. Lastly, 'Exile' is five blissful and beautiful minutes of atmospheric, intergalactic electronic sounds that really take you to another place.

After a long time break MainConcept Music is back with first vinyl release signed by RNTS from Madrid (Spain). 'Acid Hazel' is a simple but obsessive Techno track made as a tribute for the love of oldschool vibes with remixes by
all MainConcept Music crew.

First remix is signed by Hector Oaks: aggressive Techno inside. No one can do it like HO: catch essential from the original and keep his point of view: raw, rage, speed, energy. Go away, you can't stop him. Always effective.

VELOVR are back to MCM. Yes, VELOVR duo by Elchk and David Reina come back for this amazing remix. Grey Techno Psycho-Techno We don't know how define their own genre but sure they come from hell (#joke). They are unique, they are addictive.
Last remix is signed by Brunes. Always trying his thing on to the break Techno genre Brunes signs a remix focused on the most dark side of Acid Hazel: sub and dense atmospheres mixed for a brutal and primary explosion of Techno.
Be careful.
Enjoy, MainConcept is back.

Sometimes you wait and things fall into place, this is an A&R man's dream. You can spend hours banging your head, waiting for lightening to strike, trying to find the perfect pairing, it's there floating around in your head but the answer is not clear. The record needs a remix, but who would be perfect

Not being one for doing things by numbers, sometimes you have to leave the music for a moment. Give it a life of its own and allow the musical landscape to adapt to it. I had been mulling over remixes for Seven for quite some time. We had the Krystal Klear mix which was perfect, that happened early on, I just needed something to compliment it and round of the remix single.

Detroit Swindle are notorious for being very selective, but armed with Classic as my calling card I got ready to approach them. Low and behold, possibly within a day or two of formalising my approach in my head, they emailed me and asked if they could remix the record. The stars aligned and it all made sense. These two remixes complement each other perfectly, and this feels like a complete single coming from the heart, remixed with love.
Luke Solomon, 2015

2 dark ambient tracks by Slim Vic transformed into epic technobangers from two of Swedens most prominent technoproducers, Petter B and Nihad Tule. On the A side we find the track Talong in a deep hitting remix by Petter B (Bond/Drumcode) The B sides is a epic 9 minutes remix on the track Force Majeure by Nihad Tule (Drumcode/Sloboda)

Merciless remixes by Surgeon and Yves de Mey adding an EBM/electronic twist.

Advanced modern effective techno by Tallmen 785. Dark-ish vibes with nice rattling drum machines and a fierce drive. Top stuff!

First ever reissue on Forbidden Planet features four tracks by the Mover, arguably one of the most influential yet underrated artists of the late 80s, early 90s. All tracks were originally released on Planet Core Productions (PCP) between 1991 and 1993.

99.9 is a techno label from Sterling Moss and Stay Up Forever. This brandnew banger features tracks by Sterling Moss & Cyber Symon, Chris Liberator & Sterling Moss, Riino, Mark EG & Chrissi & Sterling Moss

Strut return to the archives of seminal Chicago house label Dance Mania in January 2015 for 'Dance Mania: Ghetto Madness'. The follow-up to Strut's acclaimed Dance Mania label retrospective 'Hardcore Traxx' from early 2014, this new instalment places the spotlight on the raw, stripped back, hyper bpms of ghetto house and the rise of the movement's fresh generation of stars during the mid'90s including DJ Deeon, DJ Funk, Jammin' Gerald and DJ Milton.

The album tells the story of the evolution of Chicago's sound during the era as mix tapes circulated through local stores and DJs developed their own underground following, playing local parties in the projects. Crowds began responding to faster bpms and gangsta rap-inspired X-rated lyrics. As DJ Deeon remembers, 'it bridged the gap. It made it OK for guys in the ghetto to like house again and it brought the women onto the dancefloor too.' Dance Mania was perfectly positioned to capitalise on the new sound - many of the DJs came regularly into Ray Barney's record store and, as Chicago's most trusted and respected label owner, he was offered the best tracks for commercial release at an early stage.

'Ghetto Madness' brings together some of the underground classics and enduring favourites that earned Dance Mania the title of 'Ghetto House's Motown'. Tracks include DJ Deeon's party-starter 'The Freaks', raw DJ Funk cut 'Computer Sex' and Nina Kraviz favourite, Paul Johnson's 'Give Me Ecstacy'. Other featured gems from the archive include the dark early Steve Poindexter outing 'Computer Madness' and Tyree's in-demand jam, 'Nuthin' Wrong'.

'Dance Mania: Ghetto Madness' will be released in 1CD unmixed, 2LP and digital formats. Physical formats are fully illustrated in raw ghetto style by James Wilson and also feature CD a fold-out poster featuring an exclusive James Wilson illustration featuring the Dance Mania DJs as tattoos!

W WINGS are relatively new trio made up by the likes of Lit Internet, Lit Daw and Lit EYNE, who probably all have net art-leaning Tumblrs. W WWINGS come from the ashes of BWW WOYS. Of those three artists, you're most likely to be familiar with the first, whose mixtape/album "Angelysium" came out last year to critical acclaim. Now, they debut with Infinite Machine with a solid grime / experimental EP, or how they like to call it "depressive suicidal black metal music". Comprised by 4 tracks ,including one that features their long time collaborator ENDGAME.

Möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. It's a band, producing, playing live but it's also a label created only for the trio productions. Each releases will propose 3 tracks from the 3 artists. For that first one the famous trio propose 3 huges bombs Mö4, Mö5 and Mö6, 3 huge techno killer using rough skins with raw edit. Speech less and listen to that we can call Pure TEchno.
While carefully handling their respective careers, postponing then their obvious collaboration, Möd3rn trio's members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge.
The six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. Of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. The formula is elaborated freely: each one's adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing Detroit's grieving sensibilities as well as last decade's bewildering cacophonies. The potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre's diversity and dynamism.
Chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label's releases.

1X EACH CUSTOMER!

great with Remix by Simian Mobile Disco !!

Counter Pulse #12 see's Alessio Plli team up with NX1 and Conrad Van Orton.
Three artists who's stocks are rising daily. This cut takes us through Acid Techno, sporadic, percussion, dark tension, drive and distortion...and the series continue.

Already receiving great support from the likes of from Claudio PRC, Per Grindvik, Pfirter, Dimi Angelis, Oscar Mulero, Kwartz, Myk Derill, Truncate, Advanced Human, Giorgio Gigli, Iori, Mary Velo, Donor and NX1; this EP is set to find good home in record crates of DJs, music connoisseurs and vinyl collectors who really appreciate their techno.

12 tracks, 12 artists, Mostly Philly people, A couple of out-of-town friends/collaborators, Most are artists who have previously released music on the label, Wolf Dem is a duo, with a 12' to be released next (GRCR-011) , Prefix Moniker is also a duo, with an LP to be released soon (GRCR-013)














D03 Prefix Moniker - Stellarator

First part of the ace new A Made Up Sound double drop on his own label. Two pieces of his signature stutterfunk with the machines slowed down to a midtempo drift. Stumbling on the A-side, slamming on the B-side. Highly recommended.

Contium, the Berlin based producers release a new EP this spring. This second vinyl explores three distinct shades of techno: 'Metroide', a floor-quake guaranteed, essential ride on side A. On the flip side, 'Cryllion', a departure into mesmerizing dubby soundscapes and 'The P-Wave' remixed by Yoshitaca complete the voyage displaying splendid sonic treatment.

Jelly, made by Remy de Feyter - glass blower artist, is the second lamp that features on the cover of this EP series. Just as the former EP, the tracks listen to names of natural stones with colors similar to the colors of Jelly. The tracks this time, again created by Dieter Vorderhake, are more techno oriented; raw edges in the sounds and a rhythmatic drive create a mysteries dark atmosphere. This EP is definitely made for the dance floor!

G-Man aka Gez Varley first came to prominence as one half of the ground breaking electronic group LFO. Their first release LFO 'lfo' reached number 10 in the UK charts and went on to sell 150 000 copies worldwide (1990).

Gez left LFO in 1996 and went on to do G-Man as a solo project over the years. Gez produced some real classics under this new alias G-Man, like the 'G-Man Ep' and the track 'Quo Vadis' and he has recorded for labels like Warp, Force-inc, Gigolo, Swim, K7, White noise and +8 (to name but a few ), and worked with the following producers: Mark Bell , Richie Hawtin, Karl Bartos, Marco Carola and Thomas P Heckmann.

Despite a predictably hectic summer schedule, Moon Harbour boss Matthias Tanzmann returns to his own label with a suitably brilliant new EP, Tilt, complete with a remix from US bad boy Kris Wadsworth. It's his first release since mixing it up for fabric 65 last year, but boy has it been worth the wait and as such will also be pressed onto vinyl.The title track Tilt goes first and exhibits Tanzmann's unique skill for cooking up a nice loose brew of silvery hi hats and dumpy kick drums that is constantly evolving and revolving. Frazzled chord stabs add some nice texture to the clicky, clappy and infectious loops elsewhere and a moaning voice adds that all-important human touch. Just wait until you hear this one at DC 10. The Extra Ball mix of the same track is a bit more bold and direct, with plenty of height in the kick drums and drive in the hi hat ringlets that surf up top. The rubbery basslines prop up the whole thing and interact so closely with the stabs your attention is never allowed to wane. ...There's a reason Matthias Tanzmann enjoys the high profile and revered position he does in today's house and techno scene, and this evidence is further proof of that once again.

* London based label SM-LL presents its first main label 12" release from label owner Martin J Thompson a.k.a Pokk! with remix by Yves De Mey (Sandwell District, Line, Spectrum Spools).

* Pokk! has also released with SonuoS (2013), An Epic (2014), and previously with Dragon's Eye Recording (2011) as half of minimal electronic duo Mimosa Moize with his wife Lucia H Chung. Pokk! also records under projects including Typeface and Reloc, a new collaborative project with Chung.

* Pokk! - SM-LL 0000 is the first main label 12' release on SM-LL. Furthering his deep interests in rhythm, repetition and reduction, Pokk! crafts white noise with clinical tone bass percussive elements to form shifting patterns alike that of Steve Reich, and creates a particular sonic rawness parallel to 'The Works' by JB³ . This 4-track release spans from intense rhythmical drive such as '203', calm and broken structures found in '172' and '207', to a classic Yves De Mey heavy bass pulsating remix created using a Nord Modular patch provided by Pokk! Their mutual passions for the Nord Modular system brings Pokk! and Yves De Mey together, crossing creative paths for the first time.

* SM-LL, now in its 3rd year, has slowly established its reputation through numerous digital (Default) and small-run vinyl (Batch) releases. SM-LL continues to operate around core values: small tokens of exchange, mutual respect, a passion for music and ultimately creating and releasing music for the right reasons.

Terron back on a Whities. This 4 track EP features 2 lead singles in No.29 Pareto 20/80 & No.34 Dove (Part II), and a continuous piece of music running across 3 tracks on the B side. Hand painted sleeves.

New Ex Aequo release, this time from irish producer Colin Mckeown aka The Parallel.
He delivers 3 pieces of music , mixture of classic techno & Detroit vibes.

Two years after his debut full length on the label,
The new album marks something of a new direction for
Cosmin, however - it's a much more intricate affair that deals
in plenty of fuzzy texture, percussive energy and his
trademark skimming bottom ends, but looks outside the
techno world for its influences. "Gordian is as much a
document of my past year as it is the beginning of a
conversation. The title references an ancient myth, but
describes the very contemporary, impossible task of
discerning between real and replicated, authentic and
contrived. Coping with facts, objects and bodies, the
necessity of 'making it', fear of failure, fear of 'not being
happy' are today's topics, and Gordian is my attempt at an
exploration of those issues."
Starting with the deep, alien laced ambience of 'New
Structures For Living' its clear from the off Cosmin's
production has continued to improve and evolve since
Simulat. Abstract yet heartfelt, it's followed by the more
implosive snare rattles and crossing synth lines of the title
track 'Gordian' that sounds like a factory gone feral.
Opposing light with dark, density with space, tracks like
'Desire is Sovereign' manages to be both propulsive and
cerebral. One thing that ties the album to Cosmin's nuanced
back catalogue is the gauziness of tracks like 'Divided By
Design' where the distant hum of radio frequencies turn your thoughts
to Cold War era transmissions lost in blizzards of
snow.
Though the heads down surges of tracks like 'Semi Present'
sure will work on the floor, there's an underlying narrative that
makes this album as suitable for listening on headphones.
Non-standard melodies, otherworldly blips and a ruined
intergalactic energy seem to course throughout, truly transporting you
to another world entirely.

Our newcomer Gajek is being remixed by two of electronics finest: ALVA NOTO and PLAID. Need we say more We are extremely honored to release this fantastic work on Monkeytown, not only because we are big fans of the artists but also because both remixes prove real heavyweights on their own. The tracks work very different angles: Carsten Nicolai's Alva Noto project turns the playful "Restless Water Shapes" into a stonecold dark bassline roller. You are welcomed into the sonorous temple of solemn and serious dancefloor business with a pumping kick and resonating reverb deemed to drain you of all your adrenaline. On the flip Plaid bring up your oxytocin levels with bristling euphoric electronica letting a bright light shine into every corner of your mouth.
Guaranteed to make you smile, this package feels like an extremely fulfilling hypermodern clubnight compressed into just 2 tracks.

After the album - Barcelona', released in summer 2014, - Tough' is the second production of Hoshina Anniversary released on Boysnoize Records. With this release the Japanese DJ created another striking piece of work. The EP is composed of two original mixes: The intoxicating track 'Tough' and the more laid back song 'Motion Emotion D.I.C.E'. The rest of the EP contains remixes of 'Tough' by wide known DJs throughout the scene. The American techno Producer D'Marc Cantu who has previously released on Spectral Sound and Ghostly as part of the duo 2AM/FM. Greg Beato who just turned 21 but already released a few EP's on Apron Records and L.I.E.S. and the British DJ and producer Deadboy, who brought "Tough" with various new elements, enter a new stage. The collaboration of these four successful producers promises a truly brilliant new piece of art all combined into this EP.

repress soon - be fast to secure your copies! After deeper excursions on January's grand 'Cathedral', Inigo now strikes back with a monumental new 2 tracker.
Both tracks emerged from the same studio session and definitely complement each other.
While the pounding drums are omnipresent on this release, 'Emitter' leaves us euphoric, while 'Collector' is less explosive, more persistent.

Nowadays we live in an era of minimally processed products, an age where electronic music is no longer a meticulous and painstaking craft but instead becomes a dish of "fast food", an easy-to-digest and cheap product.
Luckily, there are still musicians who refuse to enter this business circle and continue exploring, investigating all angles of this Clubbing culture.
Joton has been following this way since the beginning of his career. He has been learning, experimenting, looking for the roots sound, and shaping its complexity until reaching a Techno style full of energy and depth.
Casting Out Nines is the culmination of years of work. It is the first album in more than a decade of waiting. A conscious and intentional type of wait to find the formula that leaked everything learned and experienced to get an authentic product away from any commercial contamination.
Casting out nines is a mathematical formula to validate complex multiplications and divisions, an ancient tool that our parents learned at school before the age of computers. Using this concept, Joton has created an album with nine songs that have passed different filters to be realized.
Casting Out Nines looks beyond the established, it is not just a musical proposal, it is a complete product that features artists from various disciplines working together to merge art and music using the complexity of the mathematical concept as reference.
In this album, Joton offers a seamless sensory experience, where you are invited to a one-way trip through the more industrial Techno roots.

System Preferences sees L-Vis 1990's alias, Dance System, follow-up his appearance on Ultramajic's Metaphysix series with a full EP.

We are proud to introduce one of Holland's finest to our roster. We have been big admirers of Sandrien's DJ-sets and the fruits of her studio efforts for many years. When she send us 'Haters', it was love at first sight. This left field gem falls neatly between several genres such as techno, electronica and house. There's no way around the stunningly beautiful dance between the theme and bassline, sweeping in out througout the track, constantly building without reaching a climax. Digital bonus track Goodbye is build on the same pillars, but is more rough around the edges. She proves once again that the simplest ideas usually have the most beautiful results.
In Berghain resident and Ostgut Ton recording artist Marcel Fengler we found the perfect match for the rework. Marcel is well known for combining typical Berlin-style raw grooves with melancholic melodies, thus adding sparks of light in the darkness. He even skipped the typical 4x4 groove in his interpretation, giving the bassline and melancholic washes of strings endless space to take over control. He manages to do this wihout losing any danceability or impact when played out on the dancefloor. We take out hat off for you Marcel and Sandrien and welcome aboard.
FEEDBACK
Early support by
Skream -"The Marcel Fengler remix is absolutely SICK!!!"
SCNTST -"DAMN! Marcel Fengler your remix is amazing!!"
Norman Nodge -"Three great tracks that are gonna work perfectly in my sets. Strong release!"
DVS1 -"It's Marcel's remix that wins the show here for me. Great work!"
Philip Sherburne -"That's dope -- and from a name I don't recognize, always a pleasure. And the Fengler mix is a beauty too."
Gerd -"Great new Wolfskuil again. Great original from Sandrien. I really enjoy the drum programming and sounds. Well done. Marcel's rmx is a bwad bwoy too! My fave is the digital exclusive. Great release!"
Norm Talley -"Its all about Goodbye for me on this one. Very nice track!!"
ZDAR (Cassius) -"Thanks guys!! I LOVE this tune... Haters is just perfect. So far away... LOVE!"
Ambivalent -"Wow super dope EP. I actually love the Dig Ex as much as the other tracks. Fenglers mix is fire, and the original is dark & analog but different."
Gary Beck -"Nice one on the original of Haters. Really good stuff Sandrien!"
Nuno Dos Santos -"Cool ep again from Wolfskuil. Really like Goodbye & Marcel Fengler's remix! Go Sandrien!"
Ian O'Donovan -"That's a really cool atmosphere on the original of Haters. Like that!"
J.Phlip -"This is a really fucking cool record. Would love to get this on wax. Its really special. Especially that Fengler remix... but i like all 3. Did they press this"
Al (Shadow Dancer) -"Love 'Haters', spacey and warm with a tune that could loop for hours. The Fengler mix is starker but good also."
Marc Romboy -"Great signing, Darko! Original the one for me!!! Excellent record!"
Agoria -"I am definitely a Lover not a hater, however I am a lover of Haters! "
Marcus Intelex/Trevino -"The Fengler remix is superb! Goodbye is also a cool track!"
Untold -"Fengler mix is quality - really interesting groove. Support!"
Laurent Garnier -"Yes! Three great tunes again from Wolfskuil... what more can I say. 100% support!"
Cosmin TRG -"That is a very interesting interpretation from Marcel."
Samuel L Session -"This is a nice one- a bit special this one. Sandrien's original is the one here..."
JD Twitch (Optimo) -"Really good record! Fengler's remix is great but the original is the pick for me!"
Jonty Skrufff -(BLN.fm Berlin, Germany) -"Great stuff: straight into the set at Kater Holzig tonight- perfect "
Christillization Radio, Serbia -"Crazy and trippy EP, both versions of 'Haters' are great! Thanks guys!"
Diversions -(CHRY Toronto, Canada) -"Diggin' the expansive playful electronica of the original mix!"
De:Bug Magazine, Germany -"Considering for review!"
Tsugi Magazine, France -"Wow, the remix is BIG!"
Groove Magazine, Germany -"Will check for review."
Scan Mode -(DJ Magazine, Spain) -"Haters Original is amazing, will try it out! Fengler Remix also is nice!"
Hyponik -"The Fengler remix is H.O.T.!!"
Luis -(Clubbing Spain) -"Really good release, all quality stuff, full support!!"
Andrew Ryce -(Resident Advisor) -"The original is pretty decent... I like the slightly squelchy lead against the lithe, housey hi-hats, and the resonant synth sounds only add to the complexity. The Marcel Fengler remix is absolutely killer, however, from the slow, wailing pads to the gnarled, blown-out leads."
Little White Earbuds -"Making it available to our writers."

First vinyl only release in a brand-new series of heavily textured, hypnotic and puristic techno by one of Holland's veteran's in this area of expertise. This twelve marks the official launch of the second alter ego from Nijmegen's Darko Esser. You might call Tripeo the nemesis of his other project Onionboy. Where Onionboy is as eclectic as he can get, Tripeo is all about niches and purism. All trips are inward journeys through explicit sounddesigns, textures and rhythms.

Tripeo is embarking on his Third Trip. Two hypnotic and stripped down techno cuts dipped in Detroit funk and Berlin darkness. Aimed for dancefloors only.
The series is VINYL ONLY

FEEDBACK

Early support from



RØDHÅD - 'the new tripeo is really good. i played it on every gig since i have it :)'

Mark Broom - "6 is the one for me, sweet Melody/b-line :) He is def getting a good vibe going with these releases! Respect to Tripeo :)"

Ben Sims - "Thank you for this, untitled 5 is great, will be blasting that one at the weekend!"

Tommy Four Seven - '5 is massive man! will drop for sure this weekend, thanks for sending!'

Untold - "Quality gear here - my pick is #6. This will fit nicely into my sets and I'm sure will be lots of fun to play. I'm noticing a few tracks surfacing with paranoid twisted synth hooks and this one nails the vibe perfectly."

Stephan Bodzin - "#3 is my no#1 so far. what tripeo is doin these days is becoming my definition of pure and rooted techno. love that bit smoother and still tough rocking feeling. it´s a fragile and fine line between new- and oldschool and tripeo is exactly on it. excellent production btw, raw and delicate. will hammer both tunes everywhere that´s 4 sure. thanks darko ;)"

DJ Deep - "I played Untitled 6 and i love how raw and powerful it is!"

Perc - "Yeah its good. Solid useable gear from Tripeo :)"

MUS welcomes Die Roh to the fold! Veneto strikes again with this project from Marco Zanin and Luca Segato from Riviera del Brenta.

Their first release on MUS "A Date With Barbara", is a 4 track EP with a seriously solid groove, sweet vocals and a warm, analogue sound.

French artist Felicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme Un Seul Narcisse (SP070), their first collaborative effort recorded between NYC and the Alps.

Comme Un Seul Narcisse is an epistolar conversation of post-modern times between Jefre Cantu-Ledesma and Felicia Atkinson, who - strangely enough - only met 'in real' once in San Francisco back in 2009. But the record is also a detour. While Cantu-Ledesma released the haunting A Year With 13 moons (Mexican Summer, 2015) and Atkinson her most intimate effort to date with A Readymade Ceremony (Shelter Press, 2015), their combined music sounds like everything but their recent records, filling the gaps between their solo outputs.

What is it to wander What is it to be - as Baudelaire would put it - a flaneur from a continent to another

From the subways of NYC to the crooked trails of the Alps, the two musicians have exchanged fragments of sounds, melodies, composing and building together a new landscape, neither bucolic or urban, a bit aside from nomenclatures or postcard-type aprehension of a site-specific recording.

Here there's no specific site but a construction build from eterogenous elements brought together, in a virtual ecosystem.

What is to wander.... in a non-specific site Is it a fragmentation A sedimentation

The title of the records and the tracks are hinerited from Susan Sontag's On Photography quoting Baudelaire: the flaneur sees himself in the documents and medias he uses and intergrates to his own perception, the act of recording becomes again an act of feeling.

Somewhere between some Fluxus collages and more contemporary musicality, this «neither/nor» music confront abstraction to the impermanence of concrete materials, building something on its own, as a standing still ceramic or a pond. Comme Un Seul Narcisse is a record to live with, as Jacques Ranciere would put it a partage du sensible (distribution of the sensible), standing as it is, unresolved, neither as a simulacre. There's no image to watch here but the possibility of a shared a moment, inviting the listener to complete the experience by himself.

The title of the record combined with the organic paraphernalia may provoke the image of a - touch me not', a sensitive plant. That's a bit misleading since Grykë Pyje, the duo of Jani Hirvonen (Uton) and Johannes Schebler (Baldruin), are not exactly fussy when it comes to bustle around with a lot of stuff - sometimes not exactly musical instruments. Together they built a soundworld as colorful and detailed as a field of flowers in the summer. On first sight one may be overwhelmed by the vast amount of impressions but the more time one takes the more detail can be experienced. So, enter the world of Grykë Pyje, get lost in a lovely and psychedelic pasture, but be careful: don't step on the daisies! - Holger Adam

Intentions and Variations is composer Mikael Lind's most ambient work to date, absent of beats, filled with soundscapes and sound manipulation. Weightless music that may make you think of Christopher Bissonette, Deaf Center or Stephen Mathieu. Lind's tracks are based on simple themes - often performed by a piano or a viola - but his compositions gradually evolve into more complex creations and mature textures by letting electronically manipulated sounds interact. As in Lind's previous releases, these five sonic explorations are more comforting than agitating. But make no mistake: underneath their beautiful surface, threatening forces constantly loom, waiting to be unleashed: In 'Unyielding Rocks' the shimmering sounds are almost drowned in a wall of droning distortions. But those multi-layered elements never fully negate the solemn aspect of Lind's music, or, as he puts it: "Complexity is a wonderful thing, but should never be an end in itself." Mikael Lind is a composer of experimental ambient music, currently residing in Reykjavik, Iceland. 'Intentions and Variations' is his debut for Morr Music.

collecting orders for repress

Mote039 comes from New York-based Mike Parker, a producer known for his consistent stream of quality work, whose first release goes back to 1997 and who is the creator of his own language of music.

With Spitting Electricity EP Parker showcases his unique sound of dizzying array of hypnotica warped in metallic swirls. Dubbed with a fitting title to characterize his high-voltage soundscape, the EP is also a nice comeback to Mote-Evolver after his remix for Marcel Fengler's Thwack Remixes release.

This time Parker delivers 3 tracks that are not only powerful, but also designed to deepen and strengthen almost meditative nature of techno's outer-end, endlessly evolving with fluidity. The title track is charged with electric sparks buzzing through a hard-edged 4/4 rhythm with unstoppable ebbs and flows of intensity. Following "Polar Vortex" adds even more pressure points and characters, especially with hollowed out deep chorus of voice layering unexpected touch of solemnness. On the B-side is "Ice Fissure", the longest track of the EP that takes time to render its full force. It's also the track that's most core to Mike Parker's trademark perpetuating spiral vortex, featuring ever expanding ripples across the surface of sound.

'White of the Eye' is the first release under "Nothing but Blood" from Scott Fraser, a direct link back to Scott's earlier 90's work and sound around the darker realms of techno and harder-edged Chicago house. The EP title refers back to a favourite Donald Cammell film of Scott's from 88'. 'White of the Eye' on the A-side is an 11 minute extended mix of the lead cut. Silent Servant on remix duties delivers an amyl fuelled techno bomb landing somewhere in an 80's new york basement. Diving deeper on B2 it features Atlanta resident Claire Elise Tippins on vocals.

One of the very earliest and most important examples of electronic tape music to be pressed on to vinyl (alongside the Radiodiffusion-Télévision Française musique concrète compilations in France and Jim Fassett's comedic Strange To Your Ears novelty record) this privately pressed 1955 LP was released on a one-off label owned by businessman Gene Bruck to document a custom made performance at the New York Museum Of Modern Art back in 1952. This facsimile edition of this important LP archives remastered versions of the first recorded unison of Otto Luening and Vladimir Ussachevsky and a partnership that founded the Columbia-Princeton Electronic Music Center at Columbia University in 1959, which would later count Ilhan Mimaroglu, Wendy Carlos, Dariush Dolat Shahi and Alice Shields as its graduates.

The October 28th 1952 performance showcased the debut of the seminal Fantasy In Space based on resampled flute recordings which were manipulated on magnetic tape to create an otherworldly melodic composition, stylistically begging comparison with the early recording of Kraftwerk (made some twenty years later) and bringing a palatable and tuneful alternative to the stark avant garde experiments of their French counterparts. The mechanical construction of the track was even 'performed' on prime time American television to celebrate this groundbreaking approach to modern music. Alongside four other tracks the full programme comprises further experiments with manipulated recordings of bells and woodwind instruments subjected to mechanical 'augmentation, diminution and retrograding' to create pieces that 'cannot be played with conventional instruments.' In the following years labels like Folkways and Desto would also plunder this important session as a milestone in electronic music.

For the purpose of this release Cacophonic have also included the seldom heard 14 minute track A Poem In Cycles And Bells For Tape Recorder And Orchestra which was recorded using the same techniques with the Royal Danish Radio Orchestra in 1956 and released via the Composers Recordings Inc. label founded by Otto himself in 1954 (employing Vladimir in an advisory capacity) and operated for forty-nine years - releasing records by Harry Partch, Alwin Nikolais, John Cage and Alice Shields. Also included on this edition is an expansion of the rare 10 original artwork by legendary graphic designer Ronald Clyne, an early example of his work made before he became in-house designer for Folkways Records rivaling the likes of Blue Note's Reid Miles for some of America's most iconic record sleeves.

Could everything be different What if, for example, nine was actually eight Well then, 'If Nine Was Eight' is the third studio album from Ritornell - following up from 'Golden Solitude' (2009, Karaoke Kalk) and 'Aquarium Eyes' (2013, Karaoke Kalk).

Naturally, nine stays nine, that is not going to change. Gently but firmly, Richard Eigner and Roman Gerold (both born in 1983) do it nonetheless: on 'If Nine Was Eight' they create states of suspension and illusion, which not only blur the lines between pop and art but also between acoustic and electronic sounds. The ambiguous beauty of their music has been compared to a detailed botanical still life: you half expect to see movement among the leaves.

Contrabass flute, cello, piano, Rhodes, these are only some of the ingredients that make up the ten tracks on 'If Nine Was Eight'. On this album, percussionist Eigner and pianist Gerold collaborated again with a number of musicians: Jazz tubist Jon Sass, saxophonist Werner Zangerle, and Swiss avant-garde percussionist Julian Sartorius are among the contributors. Flip Philipp, member of the Wiener Symphoniker, plays marimba and vibraphone. Various flutes are added by Norbert Trawöger, a prolific mediator between old and new music. Mira Lu Kovacs (Schmieds Puls) is responsible for the lyrics of and vocals on the track 'Old People,' and Viennese artist Mimu Merz (Book of Now) is once more a part of the team. In addition, the soulful vocals on the track 'Sleeping Alone' are courtesy of Tobias Koett of the duo Ant Antic.

In Ritornell's protean live performances everything is flexible. Depending on the context, Eigner and Gerold dress their compositions in different guises: dance tunes can morph into planar-cloudy soundscapes and vice versa. Thus they demonstrate that even if nine can never be eight, at least their music is full of possibilities.

UK/Japan Exclusive - No Exports Outside Those Territories
Loud and direct Techno that takes no prisoners. Recommended

London-based producer Moiré may have a background in architecture, but if his music were houses, they'd be the kind you find in Escher paintings. The rhythmic foundation wobbles and shifts, flickering synths pulse in and out of time, and the blank space between the elements feels ominous and imposing. They're also inlaid with hundreds of tiny details: deep inlays of electronics, gentle waves of sound, scuffed-up techno and low-light dance music, as much shadow as sound. Even his name hints at that contrast. A design term for the process in which one set of lines is laid, at a slight angle, on top of another set of lines, causing distortion, it hints at both the symmetry and the deliberate imperfections in his music. One side of it is actually describing the process,' he said in an interview with The Quietus, and the other one is mentioning that unwanted error which can actually turn into something that you want.'As a teenager, Moiré would sit in his bedroom, using his cassette recorder to capture strange, distorted noises. Eventually, he began crafting songs with a friend inspired equally by the rhythms of African music and jazz as the music of Mobb Deep and Wu-Tang Clan. Though he loved that music, he also longed to move into more dangerous sonic territory. He was encouraged when he saw Darren J. Cunningham, who records as Actress, play at a the second Brainfeeder party in London, because it solidified his belief that there was an audience for the kind of music he wanted to make. He released his debut EP, Never Sleep, on Actress's Werkdiscs label in 2013 and, one year later, released his first full-length Shelter to instant acclaim.Now comes Lines + Colours, Moiré's first EP for Ghostly, and one that is even tenser and more spacious than his previous work. Songs are pared down to their essential elements: quick blips of sound, minimalist rhythms, quick flashed of vocals that are more texture than sound. Overall, Lines + Colours is starker, a move from cool neon to outright black and white. On Brixton,' the same two-note phrase blinks over and over, and the song's use of symmetrical structures slowly becomes hypnotic the longer it goes on. The title track is more hectic - darting pointillist electronics and a dry, steady rhythm - but it also sticks with a circular shape, layering in faint whispers of sound in the backdrop, but never diverting from the established melodic pattern. As its title implies, Lines + Colours is about getting down to the basic elements - shape and shade - and exploring all of the ways to use them.

repressed !!

Amazing release by Polar Inertia, who already gave a glimpse of their techno brilliance on Dement3d 002, but with 'The Last Vehicle' it seems their craftmanship has come to full growth. This third release on Dement3d is once again formed of three different tracks, high in contrasts and emotions. Industrial but groovy, raw yet hypnotising deep techno that will create a stir in basements and warehouses worldwide.

collecting orders for repress!

"Machines will fail us": those are the unsettling first words of this much expected new episode of the Polar Inertia odyssey. Starting with this ode to machinery, the tale plunges suddenly in a stark apocalyptic scenario. Along the 3:14 of the track "Kinematic Optics", this mysterious "polar inertia" eventually begins to materialize and reveal more of its true essence. Same might be said about this double EP, consisting of almost 75 minutes of music. First record is a black vinyl with the actual four pieces of the "episode". Second one is a white vinyl with the entire recording of their live "Can We See Well Enough To Move On", that had been given just once, in May 2014, for the closing of their expo in Brussels, at the project space/ gallery Abilene. Again this illustrates Polar Inertia's will to be seen as an unidentified entity, where many participants contribute to the evolution of the Project: the expo in Brussels last year was indeed a collective effort, and the live you're listening to was given from a considerable distance, with streaming, to an audience that didn't see the performers from where they stood. The four tracks of the first record convey the same feeling; of music that seems to be composed as a soundtrack for oblivion, and disappearance of individuals. Polar Inertia's techno is made with a very specific intent: taking the time to accurately tell a story, bring specific emotions, narrative noises and illustrations, integrating all elements in a contention between darkness and light, between a tale of Earth destroyed by nuclear weapons, and the blinding white-out of the Polar Children's wizardry. We've been asked a lot of questions lately about Polar Inertia; their mysterious posture has stirred up an unusual curiosity... but if you really want to know more about PI, well, listen closely to these two records, for a lot of the answers lie in the music.

The next reference Injected Poison Records is loaded with an original track by Jose Pouj and 3 remixes from Jonas Kopp, Luis Ruiz and Kwartz.

A deep and sharp, with dark sounds and atmospheres of fear EP. The original track by Jose Pouj, leaves a path laden with thick deep bass line, atmospheres and a hat that comes all the way.
Jonas Kopp remix more forceful with a stronger kick and a more progressive and sharp hats.
The remix of Luis Ruiz leaves show their usual sound that identifies this artist, maintaining the original sounds does your personal brand. Kwartz, a young producer who hits hard, perhaps the deepest and darkest part of the EP, making atmospheres pro- tagonist and a strong kick and sub bass. A full EP that does not disappoint.

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Mycobacterium, the eighth installment of the Spanish label Injected Poison Records.
For this occasion the label has invited only Spanish techno producers: Jose Pouj with 2 original tracks and remixes by Tadeo and NX1 with his take in analog format.

Jose Pouj leaves us two versions of the same project. In its first version a deeper track that makes its way through a thick bass line and atmospheres, and with its progressive percussion it hypes the crowd,while the V2 covers lower frequencies and has enough dynamics keeps the groove and is focused on the dance floor.

Tadeo exposes perhaps the most cautious version of EP, and no less forceful, bringing fresh sounds where percussion takes the direction of the track and retaining many of the original sounds, changing the track enough to recognize his personal signature.

The remix of NX1 hits hard, entering its deepest and most aggressive face, keeping more nuances present in the original version, the duo from Barcelona introduce a double bassdrum and sharp percussion to satisfy the fans of the harder sound.

This completes a strong EP full of energy, with which we can take a trip accompanied by fresh, deep and percussion sounds and sharp enough forcefulness, an EP that can't miss in your recordbag.

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Organic Failure is the title of the latest release on Injected Poison.

On this release we have 2 original tracks and 2 remixes from two of the most important producers in the techno scene at the moment.

Jose Pouj named, his first two tracks SIRIS and FMO, two tracks produced through hardware and software with a thick bass, synth and deep atmospheres.

Christian Wunsch is responsible for the first remix, with a more forceful and direct dancefloor approach.

Orphx delivers his version of metamorphosis, keeping the original sounds and shifting forward Orphx trademark sounds.

New End Of Dayz "Lost" by the italian producer Kaiser with remixes by Janzon (Germany) and CoastDream (Brazil). Played by Ben Sims, Angel Molina, Takaaki Itoh, John Barera...

First release of the fresh new vinyl only Gothenburg label dedicated to deliver high quality releases, lurking at hybrid of House & Techno, strictly created by a new school of Swedish promising artists.
This double header is presented by Nowakowski, mainstay of the respected Berlin label Room With A View and who released also on Catz'n'Dogz's Pets.
Already in heavy rotation with Axel Boman, Jimpster, Mosca & more

Having continued to impress with recent releases on Trusoul, Upon You and Get Physical. Dutch producer ONNO makes a much welcomed return to Inmotion following up 2013 Loose Control EP.Powered by thick kick drum and of beat snare title track Bang Bang is the perfect treat for your summer floors, its then taken on its head for a deeper rework by Sable Sheep. The Germans take strips Bang Bang to the Bone. Bass and beat.The Imaginatively titled Space Wallabies rounds out the release and finds Onno matching wobbling stabs, heavy groover with catchy vocal

Scientific Dreamz of U returns to Tabernacle with 4 tracks for open-hearted dancefloors.

LAST KNOWN TRAJECTORY welcomes SYNTH ALIEN to its roster, here delivering four tracks of pure, timeless, soul-infused electro.

Limited pressing.
Artwork by the fantastic Pla´stica.