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Techno News
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Munich boy continues his explorations in unpolished house meets techno journey with this new EP called 'Forever 16'. Crackles, noises and distorted bass kicks, perfectly combined with our young SCNTST's heart, will lead you through computers souls. The release is set to explode in late August, just in time when all the festival heat is fading away and all people are moving their hearts to the dancefloor surrounded with walls again.
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When Hartmood sent us his stuff in the late eighties we were like 'Oh my gosh it's far too early for that kind of next gen shit!' We asked him if he was in a hurry. He said 'Do what ever you like!' More then two decades later we thought it was time to release his shit. And so we did. We asked Boris Bunnik and DCNT to do a remix and in the end we even had some more next gen shit!
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"I've intended to do an album for a long while. The tracks draw upon ideas going back to various points over the last 12 years or so - some of the hooks I wrote years ago, other bits are brand new. In some ways I wanted it to reflect a personal arc and the way I tend to do things - never rushed"
After a string of acclaimed releases on Token and a selection of remixes, Ø (Phase) released his debut album 'Frames Of Reference' on Token this fall. It earned him outstanding reviews at Resident Advisor ("a display of real power and finesse" 4/5), in DJmag ("a calculated masterpiece" 9,5/10), at XLR8R ("sticks out as an alternate route to the heart of machine music's appeal" 8/10), Groove Magazine ("pulsating techno in which every sonic details fits") and more.
After the double a-sided first single 'On The Edge / Perplexed' in June, we now bring you the 2nd single.
'Dirtro II' is definitely one of the standout cuts of the album and shows Ø (Phase) in his darkest and deepest mood. On the b-side he is joined by one of his biggest inspirations & one of techno's most legendary innovators: Robert Hood. The result is a carefully executed yet explosive peak time cut.
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With L.I.E.S. 50th official release, London's Randomer appears as the first British artist to release on the label with his 'Residents' EP.
On this EP we get three out there diverse tracks with the title cut being a moody rhythmic, heads down yet upbeat percussion driven affair. 'Jakobs Dream' steps into the abstract tweaked out techno world, while 'Huh' which fills the entire b-side is a massive massive electro cut for the floor.
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Stevie P is a youngster who is rapidly building a name for himself in the belgian Techno scene. One of those people who don't start their career by looking for the right hair dresser and a campaign manager, but who take their time to perfect the sound and DJ skills, and now gradually stepping out into the light. He has been steadily giving out demos too which already got him a few fans like Ben Klock or Spacid, just to name a few. We're very proud to be able to present you his EP, which will be available on vinyl of course.
Opening track "Constant" has a lot of belgian heritage in it, blasting off as a hard and mean mofo but evolving into more melodic sounds (reminds us of the old R&S releases of Robert Leiner and CJ Bolland) and keeping it interesting throughout. It would be a massive mistake just to listen to the beginning seconds, this track needs a full listening to understand the full potential indeed.
Emerging on the same side is "Emerge", an eerie techno trancer with plenty of weird business going on in the back to make you really get an unsettling, horror mood. If you dig the sets of Rodhad, Klock and alikes, you will probably dig this a lot.
On to the flip side for title track "Construct", a hard as nails, industrially distorted, mean growling dance floor destroyer that builds layer upon layer to become threatening as hell. This track caused mayhem on the floors where we heard it so far and we can't wait to hear it on yours. Ain't that marketing blah for ya.
Last but not least is definitely "Momentum", a bit the odd one out but we at Coincidence just loved it so much we kinda twisted Stevie's arm a bit to get it on the EP as well. Repetitive, dark echoes, banging basskicks and a distorted hi-hat, that's the stuff that makes us happy.
As usual: mastered by Dimitri Andreas to get more bang out of your wax.
We hope you will enjoy the release of this new upcoming talent as much as we do.
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Lycaon launches Syntagma, its fourth release, a work of Aiken, an artist closely related to the distinctive sound of the label and one of the pillars that will hold its future production. An original cut and two remixes by Agony Forces, Lycaon owners, round off the tracklist of this release.
Aiken combines techno sound of the nineties with current formulas in the main theme, giving a new dimension to classic synthesizer sounds and rhythms vintage, making a direct track capable of shaking up any disco track. In the first remix, Agony Forces decompose the elements to deliver a new alternative viewpoint, making sounds mutations and variations in rhythm the protagonists in the beginning of the second side of the disc.
At the end of it, the two producers introduce atmospheres that broad up the sound palette, a hypnotic trip with industrial touches that converts the depth in the mark of the second remix and serves as the end to the fourth installment of Lycaon records.
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Independent record label based in Santander, created to accommodate a form of thinking and understanding electronic dance music. Focusing on fresh sounds industrialized tapping the best techno sound
The founders of this young brand are Miguel Rey & Trevor Klap better known as Akasoundsite.
In this project we want to translate their efforts, and teach their advance more view without closing the door to other more contemporary styles.
They collect the classic Detroit and Berlin techno rhythms remain true to authentic sounds but giving them a modern twist and playing the most diverse styles of techno
Without losing the tradition of classic sounds and purists, his intention is to strengthen the link between the machines and software, and squeeze all the possibilities offered by the times in which we are.
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'Dilderano' written and produced by Cédric Dekowski, Sven Hergenhahn and Felix Reifenberg 'Brown Paper Bags' written and produced by Sven Hergenhahn "John Delan" written and produced by Thilo Dietrich and Sven Hergenhahn Artwork by Karl Becker, David Goossens and Timothy Schaumburg. hardworksoftdrink is a creative collective founded by twelve friends in 2012 faithfully representing the Offenbach and Frankfurt am Main area. They work on a range of cross-discipline projects including music production.
The first vinyl output of hardworksoftdrink named chup EP is focussed on Muanda, one of the team's producers.
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Ikonika is in straight up banger mode on this EP, possibly her finest release to date. Confident, energetic and tough, these tracks are made from solid tour experience and made for big room dancing. The EP is made with an almost 3D sense of contrast, and a brilliant ability to balance dusty old school sounds and shinier new ones and reshape them into something that sounds really fresh.
'Position' kicks things off with rough kicks and snares that sound like they've been created in a foundry, mixed into rolling kicks lifted from a crumbling drum machine and vocals sliced and diced into sharp hallucinatory rhythms. 'Praxis' sounds like a track that could have come from her groundbreaking 'Contact, Want, Love, Have' debut album, except the straightforward melodies with droning synths and steamy drums over growling bass give the track a confident upgrade. 'Strawberry Underlay' builds melody lines over a single basic, repeating riff in quick succession while a series of interchangeable, tight old school drum patterns stop and start underneath in quick succession. It's a brilliant exercise in dynamics and tension. 'Wakeup Sequence' sounds like freestyle pop driven into strange Atari game shapes, bubbling arpeggios, rough, funky melodies, ancient drum machines, and distorted guitar synth and weird squeaks.
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Special series returns with another hot dj tool for all dj's and fans. The year 2011 started with the release of the first album by FER BR and it was well received by all media, dj's and fans all over the world. From Spain to Japan almost all the tracks the LP covers are being heard in the clubs today.
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Last Magpie makes his Electric Minds debut with the 'Influences' EP in April. The EP's three original tracks combine the producer's
knack for punchy UK club tracks with elements of the pioneering electronic music that have informed his music tastes.
Inspirations from classic hardcore, jungle and garage loom large on EP opener 'Mirdad', while 'Pledge' takes things on an electro tip
with nods to the sound's leading mid-2000s exponents. 'I Love Me' juxtaposes light and moody elements for a heavier take on disco
and Chicago house, while the EP is completed by a sublime Trevino remix, as the Soulr boss reshapes 'Pledge' into the kind of
tough, hypnotic house he's made his forte.
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Lee Gamble is a UK-based artist and electronic music producer with roots in the original jungle-techno and extreme computer music fields. In 2012 he released a couple of highly acclaimed records via PAN, 'Dutch Tvashar Plumes' and 'Diversions 1994-1996', that refracted dancefloor and home-listening dimensions into trippy new head-spaces which touched a raw nerve with ravers young and old(er). He's since expanded those records into live audio-visual performance with fellow CYRK collective founder Dave Gaskarth and continues monthly broad- casts of his NTS radio show.The 'Kuang' EP heralds the release of Gamble's keenly awaited 2nd LP 'KOCH' (due September '14) with three tracks of dissociative ambient/techno. 'Kali Wave' opens with a bittersweet breakbeat roller sounding something like early AGCG playing in a hall of mirrors, whereas 'Mimas Skank' diffuses oily acid and dry dub techno inna dancefloor wormhole, and the detached ambient drift of 'Girl Drop' rends a gasp of post-rave bliss into twelve minutes of spectral sublime or precipitous dread, depending on your perspective.
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heavyweight bassy and rollin techno from italian darksound-specialist
mark morris in combination with another italian techno-gallion logotech,
so it was just a question of time until their music appears on 43
reordings. it`s a kind of mystic thing how much energy can be released
within 124 bpm only, and so you better take a deep breath before
checking out these two more than 8 mins long monsters of basspower.
strong support from gary beck, stephan bodzin, len faki, chris liebing,
technasia, laurent garnier, speedy j, alex bau, adam beyer and many more...
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finally repressed!
To celebrate the birth of a new techno label called 'Ressort Imprint' the extremely talented german 'Strck' delivers an outstanding 4-Tracker including 2 originals and 2 remixes. The young guy from Dortmund already approved his skills on making heavy but still incredibly groovy techno on Labels like Kaputt before joining the re-established Ressort Family.
The EP contains the title track called Tendenz with a strong leadchord and one hell of a grooving drum-architecture, 100% Struck! Tendenz received a remix-treatment by Modularz-Mastermind 'Developer', he delivered 3 outstanding remixes. One of them can be find one the vinyl, the others are only available as a digital bonus. He takes the track into a more industrial sphere and chooses a very straight and abstract path for his interpretation.
The second original is called Ektan. This one features a very cool filtered and washed out leadsynth and scrubbing hats, definitely a good choice for the primetime. Ektan has been remixed by our familymember 'Glos', he gave his 'Flickering Light Remix' an extremely deep touch by using a lot of atmospheric pads. He keeps the dynamic by using straight drums and repeating noises, this one could be considered as an introtrack for your sets.
Keep your ears open for Ressort and welcome it's raw technocuts in your collection.
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We've got the two titans teaming up once again on 'Eternity', and there is no letting up as the cyclic sensibilities and swirling pads engulf the unsuspecting listener, letting the crackling rhythm section lead the way to the intense breakdown, reminding us exactly of who we are listening to.
Subtle details add to the grandiosity of the whole affair, and yet another lesson in anthem-construction has been delivered by the two masters.
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New release on legendary Leo Anibaldi's imprint Cannibald, this time from Zooloft masters Giorgio Gigli and Obtane.
The EP starts with a strong acidic Techno driver that creates a perfect synergy between mind and body.
Mad circuits modulate a breathless ride of stomping hypnotism for modern floors. Leo Anibaldi, on the flip, pushes forward the original content to a next level, adding more strength and stripping down acid elements to deliver a killer darker version.
KC1's remix completes the release with a heavy industrial take on Zooloft's original, adding darkness and power to this monster.
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Alan Backdrop's first EP on Enklav014. The third physical release for the italian label with Salko. Buried vaguely melodic ambiance grows and expands in the most surpising fashions within rigid structures.
Side A comes with two tracks whose spine consists in upright, inflexible rhythmic phrases. While an atmosphere of echoing undefined notes that unfold onto the main pattern of Ch-x, the muddy, obscure bassline and the driving pulsation of Dp3 form an elastic cohesion, whose tension is released and dropped at crucial times in the most subtle and gentle way.
On the B side, Meamb carries on with uprising stabbed chords through a less conventional rhythm leading the main theme, and Snit has a dark and distant sound with ever progressing percussions which rumble and float around a straight and decise beat. Ending Salko is a fast paced astounding combination of soft, evaporating but tight cymbals upon a one chord theme, led by a merciless sharp, stinging kickdrum.
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Label-head Anthony Parasole and analogue warlord Phil Moffa are back to The Corner! Both have beaten a rugged path since dropping their first collab, with Parasole dropping a quickstrike one-sided Corner cut amongst others, and Moffa going on to work with DJ Spider for a killer 12". This new EP represents their best work to date.
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Am 1. März 1993 eröffneten wir die blauen Türen auf der Gladbacher Straße 36 zum ersten Mal und ein neuer Kölner Plattenladen ward geboren. Zwei Umzüge, eine Namensänderung, fast genau 500 Publikationen und schwindelerregende 20 Jahre später ist KOMPAKT immer noch da und stärker als je zuvor. Deshalb feiern wir 2013 "20 Jahre KOMPAKT" in allen Formen und Farben, einschließlich der Vinyl-Edition von KOLLEKTION 1, randvoll gepackt mit Tanzflur-Favoriten, überragenden Evergreens und Geheimwaffen aus der reichen Geschichte von einem der beliebtesten Labels Deutschlands.
Vorsichtig aus dem umfangreichen Archiven KOMPAKTs destilliert, ist dieser erste Eintrag in der 20 JAHRE KOMPAKT KOLLEKTION Serie nicht als "Best of" zu verstehen: das wäre in der Tat eine allzu große Aufgabe. Anstatt die üblichen Verkaufszahlen abzuklappern, haben wir uns für einen anderen Weg entschieden und versammeln unsere stolzesten Momente; klassische Platten, die unseren heutigen Sound entscheidend mitgeprägt haben. Der Erfolg der Doppel-CD gibt uns schon jetzt recht, nun gefolgt von einer Vinyl-Edition mit den größten Highlights von KOLLEKTION 1. Wie wir wissen, was die größten Highlights sind Nun, wir haben gefragt. Wir baten unsere Fans zu entscheiden, welche Tracks auf das Vinyl kommen sollen und dies ist das Ergebnis... eine äußerst gelungenes, wie wir meinen.
Das vielfältige Spektrum der KOLLEKTION 1 Vinyl-Edition reicht von VOIGT & VOIGTs zeitloser Hymne VISION 03 bis hin zu JUSTUS KÖHNCKEs Tanzflur-Epos 2 AFTER 909, mit Zwischenstopps bei LAWRENCEs brilliantem Remix von SUPERPITCHERs HAPPINESS, MICHAEL MAYERs deliziösem LOVEFOOD oder GUI BORATTOs großartigem ARQUIPÉLAGO. Selten Gehörtes und Underground-Hits wie DJ KOZEs MARIPOSA oder sein umwerfender Remix für MATIAS AGUAYOs MINIMAL stehen neben den prägnanten Sounds von Stammkünstler THE FIELD und seinem Klassiker OVER THE ICE; ein gekonnt gestaltetes Hörerlebnis und eine verlockende Reise in die Vergangenheit. Besucher bitte hier entlang!
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Mark's classic 'Shooting Stars' was originally released on the late great 'Offshoot' label in 1998 and became an underground hit, seeing support from a variety of DJ's including Derrick May, Cajmere and of course, Ben Sims.
Fast forward 15 years and this uncompromising tough edged disco workout still gets dropped and is highly sought after on the second hand vinyl market, so we thought it was time for a respectful remix package.
First up is a brand new firing makeover from the man himself that jacks in all the right places while staying true to original groove, then label head honcho Ben Sims who drops an intense Lil Louis inspired reworking. Uk hero Aubrey gets Dark on us with an intricate and menacing remix while newly formed Fokus Group (aka Paul Mac & Ben Sims) pull no punches with a relentless and harsh interpretation (Vinyl Only).
Feedback:
Adam Beyer "Love these new versions"
Untold "Top quality feeling all the mixes"
Truncate "Wow, Such a great record, love all the mixes"
Luke Slater "lovely"
L Vis 1990 "Pure peak time fire"
Jonas Kopp "Great classic reworked"
Dan Curtin "Super dope EP"
Ryan Elliot "Excellent release"
Massimo Di Lena "Man, this release is great"
Plus DJ Support from:
Ben Klock, DVS1, ROD, D Julz, Benjamin Damage, Marcel Fengler, Dave Clarke, Alan Fitzpatrick, Dustin Zahn, Colin Dale, Billy Nasty, Mr G, Paul Mac, Doc Scott, Rivet, Technasia, Franco Cangelli, Santiago Salazar, Gary Beck, Mr O, Slam, Len Faki, Nick Hoppner, Recloose, Ethyl, Sev Dah, Ritzi Lee, Greg Gow, The Advent, Mark Broom, Shadow Dancer, Jon Rundell, Cari Lekebusch, Trevino, Basic Soul Unit, Samuel L Session + more
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* DJ Support from: Pinch, Mumdance, Loefah, Ziro & many more!
* Press: Tectonic internal mailout/Echo Empire (PR company) mailout. Seeking features with FACT, RA
* Tectonic is proud to host the debut release from this new and exciting producer, Nurve, who brings a dark, well constructed sonic to the ever mutating and fast changing sounds of bass-driven UK techno.
* The lead track on the EP, 'Wrong Number', was included on the much acclaimed Pinch B2B Mumdance mix CD - one of the only producers to feature on the mix besides Pinch and Mumdance. The beat charges up with a rhythmical siren, building the energy before rolling tribal drums kick in, blurry paranoid vocal cuts smudge into a sudden and pounding bass heavy drop! Darkside techno of the finest order!
* Flip then for the first of two excellent cuts, that stay true to the darkside themes of 'Wrong Number' - but tear apart the rhythms for a more broken take on the techno landscape. 'Clik Clak' mutates a fusion of grime, tech-step and techno to produce a unique rhythmical monster! Along with 'Spasm' these two tracks cut new ground entirely, showcasing the first offering from a new and exciting producer experimenting in the cutting edge of the darkside hardcore continuum.
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xxxy returns to Ten Thousand Yen with a pair of cybertron futureproof rave burners.Goldfish exists to pull you in, mangle you up and squash you out the other side. The flip Evade is on a hands in the air, vapour jets in Amnesia flex. We love em both. A lot. Hope you do too x.
Jackmaster "That xxxy is a madness"
Early Support From: Jackmaster, Annie Mac (BBC Radio One), Monki (Radio One), Will Saul, Eliphino, Dusky, Sinden, Shadowchild.
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Few people stand for a real underground approach to techno like ADAM X does. For over 20 years he has been right in the center of the scene. Before moving to Berlin he ran the Sonic Groove record shop in NYC for 15 years. The Sonic Groove label also owned by Adam is still a dominating force in the scene and has released music of legends like Abe Duque, Blake Baxter, Frankie Bones, Kevin Saunderson and many more. With djing, producing music Adam in recent years has received a lot of support from people like Chris Liebing and many others for his productions as ADAM X as well as for his aliases TRAVERSABLE WORMHOLE, ADMX-71.
Adam's sound is dark and heavily influenced by his passion for industrial and old school EBM music. With COERCIVE PERSUASION on the A-side he combines these influences with a functionality that can only derive from his extensive touring as a dj and live act. It is a dark anthem that will destroy all real techno floors. No doubt. The B-side DEPROGRAMMING SEQUENCE comes along with driving bells that give the stomping beat of the track a little uplift and therewith balances out the heavy dark side of the EP.
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a1. Music Is Your Medicine (Aux 88 Original Mix) 7:08 - Detroit's AUX88 welcomes singer, 'Samara' on to the big stage with big sound. All the elements of a anthem ride within the track, as 'Samara' holds her own ground in this premiere collaboration.
a2. Medicine (Nubian Mix) 4:43 - Flat-Out/The intro IS magic sprinkled around 'Ms. Samara's' voice, calling to the listener,
'Don't stop the music....let it be your medicine'. A delighted mix to a well-written lyric of rejoice & bliss to the dancefloor.
b1. Medicine (Detroit Manipulation Mix) 5:21 - Minimalistic, big Motown techno stabs join the vocal in this engaging taste of sound and texture. Medicine for your soul; Indeed.
b2. Medicine (Detroit Institute Mix) 5:28- Traditional, rich strings play hide & seek with the stark sound of a drone-y bassline for full-on effect. Punchy kicks, dreamy chords, great song....your cured.
For its 37th release, Throne of Blood reaffirms its love for all things French, with a new EP by one of the country's finest ambassadors: Chloé. The Kill the DJ co-founder found time in her relentless DJ schedule to deliver two originals to form the backbone of the aptly named "Smash" EP. Two cracking remixes round out the release.
On both originals "Smash" and "Time Right", Chloé showcases her trademark sound; hypnotic grooves and simple yet furiously efficient basslines serve as the driving force behind cut up, breathy vocals and tense, reverb-drenched melodies. Tailored for the dance floor, these two gems strongly evoke the energy of her legendary thursday night residency at the now defunct Paris club Le Pulp, and will delight fans of others artists who have added their contribution to the TOB catalogue in the past : Andrew Weatherall, Daniel Avery, Remain & Mlle Caro, Hardway Bros, Populette...
The EP turns into an international affair with two remixes by Belfast's Phil Kieran and Toronto's My Favorite Robot. With his "Smash" remix, Kieran retains the hypnotic groove of the original, adding dissonant synths that culminate into a break worthy of the tweakiest after hours, while MFR take "Time Right" into a territory of their own, blending house grooves and spooky synths to perfectly round this smashing EP.
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FURFRIEND is everything you never dared to sex about. From the depths of warm and tight cavities come the two fuck pets DINGO TUSH (vocals) and DAS UBERDOG (production) be it the pleasures of gay circuit life or the sweet feel of sheep in their best years - FURFRIEND covers it all and more.
The techno duo doesn't know their origin exactly - their memories go back to dark but also jolly times at an animal shelter in antwerp where they were kept until MUM, their recently deceased fostermother picked them up, to have them join her 21 other pets. It was a hard childhood, not even knowing what type of mam- mal you were, but the toughest part was being relentlessly used by ´MUM ´as a sex slave, having to fulfill all her sexual desires in order to get a bit of food.
Then the confusion that arose when MUM was killed having sex with her oldest aquisition 'Bob' the german shepherd who couldn't take it anymore and ate her face - the poor guy was put down right in front of their face. Now, being freed from the clutch of MUM Furfriend look into the bright future of being popstars, know- ing this is what they were born to do.
DAS UBERDOG has been listening to MUMs records on headphones ever since he found the power switch for the stereo - it was clear back then he would become an awesome producer. DINGO TUSH, the singer of the duo, howled the melody of `my favourite things ´when MUM was watching her favourite show: 'The sound of music' - they were clearly bound to become a music production team. It just had to happen even- tually.
These times are long past now, but they have left a mark on their souls which they heartbreakingly sing about in songs like 'GECK' 'FIST FUCK' or 'SHEPHERD' which relates to the tough life, herding sheep just after MUM had passed away.
Originally based in Antwerp the duo has now made a move for berlin.
'Antwerp was just not the right place for us. As much perversion as there is in belgium, it is the people of Berlin we love for the open sexual deviance present all over Berlin We think this is the right breeding ground (haha) for our art.' says DINGO TUSH, the band ´s cockslinging singer. Techno just has a different meaning here - everybody does it, spit in a corner, and you'll hit a dj! This is perfect for us because it shows what people really want. and we are here to give it to them.' adds DAS UBERDOG, the musical genius behind the furfriend productions.
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Saved's latest offering is a collaboration between label boss Nic Fanciulli and the legendary Josh Wink. Originally released back in the nineties the record has been re-done for a fresh 2012 remix. This has been bubbling under for a long time and has been massive for both
the artists in their sets and now it gets a full release on Saved.
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Brand new music!!! This latest offering of unreleased gems played at Dope Jams' monthly parties features fresh and all-original tracks from some of NY's finest harbingers of electronic music. "Winter Sampler 2013 #1" opens with the jerky, post-punk nodding funk of "Emperor," from the promising and much hyped Brooklyn outfit Beige, an imminent anthem perched somewhere between house, techno and psychedelic pop---and superseding of all of it with its sheer scope, ambition and originality. Nifty, intuitive synth-work, extremely catchy vocals and a piercing lyrical wit filter through torrents of heavy tape delay and speed-dosed drum machines to form the perfect musical lament of post-modern futility. Next, Francis Englehardt, one half of Slow To Speak/Dope Jams, offers up his latest in a spaciously unfurled series of heady and challenging techno experimentations for the post-appocalyptic generation yet to be. "Leveling" forges a clearly singular and solitary aesthetic out of personal loss, pain and ultimate redemption---truly personal music that tests the limits and transcends the simple utility of mere body music. The sampler is rounded off with the first contribution to vinyl from newcomer Genoa, featuring the aptly titled "New Way," a well-freaked peak-time workout that recalls the energy and vibe of early 1990's vocal-sample laden house without getting bogged down in the stone-forming mediocrity of the lost-and-gone medusa's gaze. All and all, an EP of very much forward-leaning music that swells the ranks of groundbreaking new contributions to the field.
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Under the stewardship of Alan Fitzpatrick, 8 Sided Dice Recordings continues to maintain its reputation as one of
the most consistent techno labels via a steady stream of well-received releases. The label operates as both a home
for high profile artists and an outlet for emerging talent; striking a balance between output from Fitzpatrick and his
contemporaries including contributions from Rich Jones, Chris Colburn, ON/OFF, Harvey McKay, Hans Bouffmyhre
and Nicole Moudaber.
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Freitag's First Vinyl: The Beauty of Dueling Creative Energies
Almost Over is a first on a couple of fronts— it's the first finished collaborative project between Submerge and Ricardo Garduno, and it's Freitag's first release on vinyl.
But 'Almost Over'— what does this title mean, anyway Not as deep as you'd think; it comes from the first serious in-studio brainstorm between Submerge (Orlando Solis) and Ricardo Garduno, owner of Illegal Alien Records. After a gig one night they gathered at the studio, broke out the Heinekens, and got to work putting together the tracks that until now they'd only talked about.
Two days later the phrase 'almost over' had become a standing joke, summing up that common phenomenon of the artistic process when you think you're finished but then you see another thing that needs to be done . . . and another thing . . . and another thing . . . and another thing . . .
The happy result is four fantastic tracks that are deep, funky and energetic at the same time.
The title track is a subtle number with clicky, deep, dubby beats, a ton of atmospheric pads, and a long, silky breakdown that will take listeners on a deep and mindful journey. (Check out the erupting crowd in this video clip with Submerge performing the track: http://www.youtube.com/watchv=mM40ny3VLyI&feature=youtu.be)
The flip features "Roots,' which takes a more sinister direction, dropping some of the up front package, with big, brash, percussive rhythms. This track has been played by many and has been featured on the CLR's podcast.
Grab it before everyone else does— it's sure to be one of those EPs that get talked about for the rest of the year!
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The Maghreban returns after the success of the Afric 12" to take a little trip through space with two Star Trek inspired cuts.
Amok Time is an ode to the brutal Vulcan mating ritual and is punctuated by a large laser and heavy 90s progressive House sonics. The Empath is more mournful and melodic than previous excursions, perhaps even world weary.
Radio Play from Benji B, recommended at Sonic Router.
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- A1: Craig Huckaby - The Answer Feat. Kelly Hayes
- A2: Alex Israel - Bubble Wrap 106
- B1: Reggie Dokes - Cyber Love
- B2: Patrice Scott - Cosmic Rituals
- C1: Marcellus Pittman - Make It Work
- C2: Terrence Dixon - The Fall Guy Pt.1
- D1: Keith Worthy - Cyclops
- D2: Dj 3000 - Faygo
- E1: Alex Israel - Cash Neutral
- E2: Gabbamonkey - 2 Pace Back
- F1: Mike Agent X Clark - Free Your Mind
- F2: Raybone Jones & Jon Easley - As She Moves
Back in 2005, Still Music made history by releasing one of the most acclaimed and legendary compilation about Detroit Beatdown music,somewhere between Detroit techno, house and soul. Featuring Rick Wilhite, Delano Smith, Marcellus Pittman, Mike Huckaby, Amp Fiddler and a few more, In The Dark: The Soul Of Detroit showcased a pool of talents that is now established worldwide. Highly sought after, In The Dark was repressed in 2012 and was an immediate success. This October, Still Music is proud to present the follow up to this great compilation: In The Dark: Detroit Is Back.
Diving again in Detroit's most talented pool of underground artists, In The Dark: Detroit Is Back brings to the foreground 24 tracks (DCD) produced by the who's who of Detroit's thriving electronic music scene. Marcellus Pittman, Delano Smith, Rick Wilhite, Amp Fiddler and Keith Worthy are back along with a few newcomers and familiar names: Terrence Dixon, Dj 3000, Gerald Mitchell, Alex Israel, Craig Huckaby (Mike's brother), Patrice Scott, Reggie Dokes and a lot more.
Like its predecessor, In The Dark: Detroit Is Back, focuses on techno, soul and house, it is a journey through Detroit's basement clubs, studios and warehouses, an uncompromising view of one of the most progressive music city in the world.
Detroit Is Back.
KEY SELLING POINTS
> In The Dark: Detroit Is Back, features worldwide renowned artists such as Amp Fiddler, Terrence Dixon, Marcellus Pittman, Delano Smith, Rick Wilhite and many others.
> Compilation comes in a stunning 3LP set and DCD gatefold.
> Detroit¡¦s music scene is now peaking worldwide with its Djs regulary touring the globe to great acclaim.
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Fifteen years have passed since the release of the first and only 'Demo Tracks' compilation to date on Tresor Records. For this new commencement, we are proud to present three exceptional
upcoming producers, selected amongst the various different paperboard envellopes and electronic communications received daily, here in the vault.
Acronym has been slowly and mysteriously instructing his sound over the last three years through his own Dimensional Exploration imprint out of Stockholm. With 'Nabu' he presents a dimension of his work so far only known to those who had the chance to hear him perform live.
Hailing from the northern Spanish surroundings of Bilbao, J.C. is a young producer whose work has surfaced on labels like Deeply Rooted or Greener. He also runs an eponymous record series and offers here a shaking number 'CheNox', keeping his ears riveted on the Berlin sound.
Last but far from least, Zadig is a producer who has been regularly catching our attention. Growing figure of the French and Parisian scene, his polished sound possesses many different facets. With 'Panic', Zadig looks back to some of the crudest moments of the Tresor catalog.
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Time for the second black label M_Rec Ltd 10', a series of no-frills vinyl records used by Max_M to deliver dancefloor oriented tracks to djs and techno fans around the world.
On one side, Max_M delivers an irresistible joint that thanks to layers and layers of elements manages to surprise beginning to end. That high pitch bell sound, which is somehow becoming a trademark in Max_M's productions, splits in multiple directions generating soulful melodies and grooves. A perfect track for peak time. Fabrizio Lapiana's cut is an introspective journey rich in modular-fueled melodies. Its mellow refrains pay tribute to ambient classics and trippy British electronica, while the drum programming sets the track into a techno context, groovy and forward driving.
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Craig McWhinney is a Melbourne based Techno producer and Dj. McWhinney has been making music for years and releasing since
the late 2000s on Melbourne labels such as Pinksilver, Melbourne Deepcast and his own Haul Music; also on labels based further
afield such as Brendon Moellerís Steadfast, Speedy Jís Electric Deluxe, Telrae and Project Squared.
Sub Squared is a sub-label of Project Squared, a label whose back catalogue features releases by Kowton, AnD, Asusu, Tom Dicicco
and Shifted. After a strong start with Ghostek's Garage and dark Techno encompassing "No Way Out EP" in September 2013, Sub
Squared's sophomore release changes tone with Craig McWhinney's "System EP". Three tracks of Techno, heavy but subtle and
melodic but still rhythmically driven, each of McWhinney's tracks would both suit a nuanced peak time or warm up set.
"Pulse For Harvest", cut at 45rpm, lollops along at a very swung, almost broken 124bpm contrasted with hints of Dub Techno in the
sparse melody and focused dancefloor energy coming through with a single well placed hi-hat. On the B-side, "Citadel" is a rollicking
128bpmer, a melody churning throughout and embellished with various percussive accompaniment at different stages of the track. A
more restrained "Six Hundred Furlongs" rounds off the EP, clocking up 127bpm. Vocal snippets and a call and response percussive
melody providing the driving force along with a deep kick drum.
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***RECORD STORE DAY EXCLUSIVE***
Gerry Read returns to Fourth Wave after holidaying away with a release on Will Saul's AUS, with an exclusive release for record store day! Socialize is a 10 minute funky techno opus - starting with emotive chord stabs and a brooding vocal, things are soon driven into dubby techno territory. The flip sees Gerry flipping some fuzzy boogie house with warm detroity pads and an incessant bassline.
Extremely limited quantities pressed up for RSD - be quick!
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Ghettomania delivers another jacking EP crossing the old Dancemania Style with a hard-edged note...Save the Vinyl !!!
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A1. Motechnique Itokim's opening gambit on Subject Detroit certainly leaves a dent. To true DJ Bone fans, Motechnique will have eyebrows raised and mouths open from the off with it
having been a staple component of Bone's three deck attacks in recent months. Weighty but warm kicks start as they mean to go on, bursting with pace and vigour as thrusts and stabs pinprick the brooding chords. The composition continues to explode with ever more rapturous flourishes of orchestral verve as synth and melody are thickened, acting as a backdrop to a brutal yet beautiful assault of wild, stabbing strings. Itokim delivers a magnificent forgery of might and magic with Motechnique, with all the hallmarks of a classic-to-be.
A2. Roll Up and Shine The laid back, easy-going connotations of the title are very much the ethos and aesthetic of Itokim's second contribution to the Subject Japan: Rhythm Poems EP. The
playful, bubbling melody sets a warm and almost sugary tone from the off before being bolstered by a suave melange of full-bodied kick and dexterous percussion. Swirling and
smiling from start to finish, Roll Up and Shine, is a sumptuous merge of insistent groove and radiant warmth that is guaranteed to raise a smile even on the darkest of
days.B. The Mood Device
Itokim rounds off his first outing on Subject Detroit with The Mood Device, a tothe-point groover that melds elements of both Motechnique and Roll Up and Shine to
stunning effect. A genuine builder of a track with a straight and true trajectory, The
Mood Device melds innumerable coatings of percussion and synth as stabs are layered and
layered again, clotting and coagulating the composition in to one delightfully deep
and multidimensional slice of formidable dancefloor composite.
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Les Disques De La Mort is the new and highly anticipated label from Ivan Smagghe & The Ginger Prince. Their first release is by the true originals Rimini maestros Margot, featuring a spellbinding remix courtesy the one and only Erol Alkan. Previously released as a very limited white label, this ecstatic 12" now gets a full release!!
Margot who have previously released on luminaries such as Kill The DJ, Border Community and Hell Yeah!, are now given the esteemed honors of opening the Les Disques De La Mort coffin, and we could not have picked up better caretakers. Their Club Mix is an over-fast, Detroit infused earth-shaker, it sparseness balanced with a Franck Tovey / Soft Cell vocal romp sung in an undistinguishable language. The Original version on the inside cut is even more evocative of Marc Almond but shredded backwards through a blender, and slowed down to an almost eighties electronic glam beat. On the flip, Erol Alkan reworks the original to epic proportions. Erol has been a huge fan of Margot (he compiled them on his Bugged Out! "Inside" cd) and his admiration comes to life in a respectful but transcendental interpretation. Managing to combine elements of both versions, Erol then adds his own unique production magic and a transmogrifying piano line (dare we say "italo rave") that lifts the whole affair to new heights.
This record has already been championed by Andrew Weatherall, James Holden, Erol Alkan, Optimo, Red Axes and Ivan Smagghe...
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Second release from Relapso Records where the host brings new fresh Techno in is own way, using a reat 909 groove and raw mood in the sounds.
This pack brings great remixes from the Japanese well known Go Hiyama where he shape the Motion sentiments in his own style and the other remix is from a newcomer in Techno scene the Portuguese Alfred Kopke where he takes the Unmotion track and makes is own atmospheric and hypnotic style like he loves to do it! Its all about feeling and get in the spirit of Relapso sounds in this release!
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- A1: Nummer 1 - Sebastian Phillip
- A2: Nummer 1 (M.in Remix) - Sebastian Phillip
- B1: Nummer 1.1 - Sebastian Phillip
- B2: Nummer 1.1 (Moritz Ochsenbauer & Danito Remix) - Sebastian Phillip
- A1: Nummer 2 - M.in
- A2: Nummer 2 (Pig & Dan Remix) - M.in
- B1: Nummer 2.1 - M.in
- B2: Nummer 2.1 (Sebastian Phillip & Danito Remix) - M.in
- A1: Nummer 3 - Sebastian Phillip
- A2: Nummer 3 (Lorraine Remix) - Sebastian Phillip
- B1: Nummer 3.1 - Sebastian Phillip
- B2: Nummer 3.1 (Italoboyz Re-201 Remix) - Sebastian Phillip
incl. RABAUKEN#1, RABAUKEN#2, RABAUKEN#3
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So it seems that 2013 was the year Skudge team decided to camp by the pressing plant! The Skudge imprint is indeed growing along its artists as we're now ready to embrace longer formats, a testimony to the future and most than anything a continuous effort to grasp the present's relevancy.
After their wonderful EP from a year ago, the Fishermen are ready to take you on a diving trip with their very first album, an accomplishment in itself With 'Patterns and Paths', Thomas Jaldemark (YTA) and Martin Skoggehall (MRSK, Smell The Flesh) have crafted a rather mesmerizing story of abstract and figurative tropes altogether, and eerie is probably the best word to describe the general mood of this, but hard and raw eeriness! The affair starts with 'Green Horn', a gentle foreplay setting the tone for an imminent journey into the lightless abysses. 'Hope Is gone' further enhances the incoming grim turn of events in a coil-like fashion before 'Serpents' makes our feet and hips take over our fear of the unknown. The trance has indeed begun and we're soon entering a hidden warehouse rave cave of un-earthy shamanism, the unforgiving stomp of 'Get None'. 'Dyspnea' manages to find a path into deeper regions the groove shift towards a darker funk with 'Lost Teeth', a caribbean techno banger that'd wake any zombie in the making! 'The Four Skulls' suddenly hints of a safer journey with healing percs and melancholic pads, but 'Rise' soon shatters those false hopes with an evil lurking motoric groove. Then, you hit 'Scurvy' where the pace slows down a little only to introduce the seductive side of this gloomy adventure, a challenge to you feet inducing lascivious moves. Keeping you in trance, 'In Solitude' kind of combines both previous tracks strengths with an added Twin Peaks value. Now finally reaching the far bottom of the ocean, the mood gets even more claustrophobic with 'Sunken Mosque', the last stage of this trance before maybe getting back to the surface. Indeed, if 'Torments' might let you catch a breath of air, it is filled with minerals, the world above has changed, and you might very well feel safer back under the water, a reverse mirror to Mike Ink's old Gas project. While this tour guide concludes his narration, the Skudge camp proudly hopes to see you embark on it very soon!
Exclusive debut EP from the artist known as Force/Emerge, including an essential Inland Version.
Force/Emerge, the mysterious rookie of the Berlin underworld, finally throws off the covers and brings us up to speed, making a bold statement with this debut on Counterchange.
The anonymous German producer has currently only produced a handful of remixes, namely for the Praterei label in 2011, and later an edgy UK-styled mix of Inland's first record on Berlin's Falkplatz in 2012.
Now Force/Emerge arrives for real with two original pieces of cinematic intelli-house. 'Lumi' blooms and matures with its dense undertones and sense of space; a unique narrative unfolding amongst moody chords marked by a classic NY house Bassline.
Continuing his foray into more powerful techno sounds, Inland (aka label curator Ed Davenport) offers his first ever remix under the moniker. Gliding into a tunnelling, hypnotic Version of 'Lumi' on the B1 - he fuses dirty analog harmonics with a custom designed volley of drums.
B2 cut 'Valo' takes on a sweeter ride in this broken beat house exploration, scattered with sound bytes, driven by emotion and attention to detail. Simply honest electronic music, with no pretense.
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fine new drumcode release!
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RIpatti is a new label from Sasu Ripatti (Vladislav Delay) envisaged as a studio diary of sorts, cataloguing
ongoing experiments made by Sasu in his studio on his own and alongside various collaborators.
Ripatti06 features two further productions from Heisenberg, a new collaboration between Sasu Ripatti
(Vladislav Delay) and Max Loderbauer (NSI, Sun Electric, Moritz von Oswald Trio).
Play at 45 RPM!
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Special Remarks: full cover artwork by Luio Onassis, inside-out print, download code for free mp3 and a bonus track
Few DJs and producers have had the longevity and success that Jerome has had throughout his career and even fewer can lay claim to having graced such esteemed labels as Planet-E, Drumcode, Defected and Renaissance to name but a few. On the 'Bicept' EP Jerome Sydenham takes time out from running his renowned house imprint Ibadan Records to deliver the fantastic four track 'Bicept EP' for Desolat. The EP kicks off with 'Bicept', a driving house track with incessant warm bass which cleverly builds through smartly placed additional crisp percussion and short echoing vocal snippets. Jerome demonstrates his production expertise on 'This Door', injecting the track with some serious funk, combining uplifting keys and warm pads, resulting in a track that has all the right ingredients to be one of the anthemic house records of the Summer. 'With The Bone' is another Dancefloor focused track, combining sharp stabs, a meandering synth and a short sharp vocal to devastating effect. Rounding off the EP, 'The Jockey' sees Jerome combine brilliantly with the Berlin based Greek producer Quell, whose debut album was released on Ibadan recently. 'The Jockey' is a hypnotic and hedonistic journey, complete with pumping percussion, rolling vocals and raw sounds perfectly suited to move a packed club.
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Sims & Degiorgio follow up the success of Machine 01 with another showcase of blistering modern techno and uplifting electronic bliss.
Strike aims straight for peak-time with a driving, trademark Sims rhythm that only he knows how to pull off.
Degiorgio's remix keeps it tough but adds some subtle elements in keeping with his soulful approach to music-making.
Degiorgio's own 'Guardian Angel' is another in his series of uniquely harmonic techno tracks that has no equivalent in dance music.
Another major statement from the number one techno event around. MACHINE.
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The English born Mark Reeve is an old-school Techno producer. There is no schmaltz, no loop fiddling and no cheap sensationalism in his tracks, which are aiming at the big Techno floors. Dark, kicking and with an incredible amount of energy, he creates Techno tracks that allow no escape. The opener 'With Us' shows all this in an impressing way. The kettle-like ride cymbals and the 'Spaced Out' vocals generate an almost mystical atmosphere. The mighty bass grounding does the rest: go for it - nothing more, nothing less! 'From The Soul' slows down the whole thing a bit, however it's still a pumping and lively track. Certainly, Reeve offers more variety in the arrangement, with long breaks and monstrous chords that should make any after hour boil over. Reeve's 'Antidote' sounds like a trip through time, back to the golden days of Berlin's Tresor club. Detroit meets Berlin: demanding, decent and full of testosterone. For fans of Slam and Gary Beck! 'Initial Spark", Reeve's collaboration with Ingo Boss, is a great DJ tool. A cool, kicking groove with much room for long mixes and some DJ work behind the decks. No artificial mood elevators and no Ableton DJ fireworks, but rather solid Techno that leaves the DJ still be a DJ and doesn't take the work out of his hands. So, Reeve delivers a true Reeve. Also his cooperations with Pig & Dan and his releases on Soma or Traum are shining through here. For those who like it a little more tough!
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New House / Techno label based in vienna.
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Powell returns to his own Diagonal imprint with a three-headed monster of a 12', his first on the label since 2012's Body Music. Since then he's released a pair of acclaimed 12's through The Death Of Rave and Liberation Technologies, as well as remixes for Silent Servant and Ike Yard, all of which have tracked his musical aesthetic as it's gradually been scrubbed, honed and fully articulated for the dancefloor. The result, then, is Club Music, where Powell's characteristic arsenal of scrabbling synthesiser dirt, ruffneck drum and vocal samples and air of nocturnal cheekiness are put to the service of three livewire percussive workouts, each bristling with energy. While the influence of both techno and early drum & bass was detectable in Powell's early
music, here those genres aren't so much channelled as ruthlessly stripped down for parts, their atmosphere and momentum transferred into brutally funky beat tracks that charge forward with
gleeful intensity. They find Powell increasingly operating in his own space, forsaking the current vogue for swiftly laid-down hardware jams to focus on intricately crafted arrangements, with these three tracks often taking sudden jarring changes in direction, or slinging unexpected detail in the mix to throw dancers off kilter. 'So We Went Electric', matching its title, sparks like a cable gone haywire, spitting arcs of raw blue energy through the mix amid spidery distorted guitars and moaned vocals. 'No U Turn' is bonedry yet hot-blooded funk, its drums and bass strutting back and forth in an overdriven frenzy. And 'Maniac', which features Russell Haswell ringing the life out of a Devil Fish TB-303, roundsClub Music off at its murkiest and most grimey, peaking repeatedly in a scrambled, angry mess ofyelled voice, smashed instruments and amplifier buzz — flipping the atmosphere of an almightyonstage punk band strop into contorted, fucked up basement acid.
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On PSYK´s new 'Eclipse' EP, CLR finally releases a track that Chris Liebing has been playing all summer long on all kinds of occasions. 'Eclipse' formed an essential part of countless of his sets, which says a lot about the quality of this outstanding production. The label-head has even called it his 'track of the summer", a royal accolade for young Manuel Anós pka PSYK, a highly inspiring and respected artist from Madrid. Like other similarly contagious tracks, 'Eclipse' also has an intoxicating, elegantly rolling beat and loads of well defined bass. The general choice of sounds and atmospheres has a somewhat trippy and otherworldly yet uplifting feel, which beautifully combines with the driving character of the track. The EP does not include any edits or remixes, so what you get is this one powerful piece of music, this authentic milestone production by the Spanish DJ/producer. PSYK stands for raw power with a very subtle and pleasant touch, characteristics that have gained him massive praise and support in the global scene. Make sure to check out this seriously groovy piece of cutting edge Techno by one of the rising stars of the genre. Additional remix by Chris Liebing included - available on this vinyl only!
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Supported by - Darko Esser, Lee Holman, DVS1, Jeroen Search, Jonas Kopp, Dimi Angelis, Paul Boex, Markus Suckut, Sebastian Bayne, Echoplex, Go Hiyama, Miss Sunshine, Samuli Kemppi, Philippe Petit
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The medieval alchemists were obsessed with anti-poles; often exploring the possibilities to mix substances and energies together that were considered to belong to opposite elements, trying to merge them into new, higher forms. Sometimes with impressive results that have effected the development of modern chemistry and medicine. And sometimes, of course, resulting in their covert workshops being blown to smithereens. In any case, mixing opposites is always an interesting project, and that brings us to the present release from Kontra-Musik. On the one hand, we have Swedish National Treasure Andreas Tilliander and his already classic TM404-album. On the other hand we have Svreca, the dark prince of Semantica Records and the heir to Oscar Mulero. We thought it would be most interesting to blend these clearly diverse elements together. We where right. There is a very clear and constant division through the entire release. On one hand you have the warm, fuzzy analogue dubbiness of TM404, on the other hand you have the focused, trimmed and piercing techno from Svreca. Where TM404 brings out beams of acid sunlight from his silver boxes, Svreca conjures up a starless night with his relentless beats. It's a bit like Saruman was given the permission to remix a Gandalf record. TM404 + Svreca. A piece of modern Alchemy, brought to you from the Kontra-Musik workshop.
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Razor-sharp Techno mutations fresh from the mind of Tom Diciccio. The Corner reminding you once again that Techno is still a relevant and boundary-pushing art-form. Peep Big Mike on the artwork too! Take yer ringside seats for and audial pounding. Strength is always the last thing to go.
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Killekill is proud to present EOMAC's 'Spectre', the debut album from Dublin-based producer Ian McDon- nell, a rising star in the techno scene. Spectre also marks the label's first full-length album release.
Ian is better-known as half of the Irish duo Lakker and this album is certainly carved from the same cold slab of stone. His music has already gained huge support from the likes of Tommy Four Seven, Ellen Allien, Thom Yorke and the one and only Aphex Twin himself.
Bleepy, slo-mo synth lines, dense textures, saturated bassdrums and hand-sliced vocals dunked in cavern- ous reverb - Spectre is all about EOMAC doing what he does best, taking our concepts of club sound and contorting them into something that is truly his own.
The melodies are slo-mo and lo-fi, the pads, exquisitely lush and textured. Ian's amazing sound-design (bordering on the intense in some places) and incredible attention to detail makes this an album where each listen reveals a deeper layer. Spatters of noise, shards of broken beat and relentlessly pounding techno rhythms also make it a dancefloor-decimating weapon.
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"First, time will tumble and then the earth.
The clouds begin to race, the earth boils over; this is the sign.
This is the beginning of the end"
Those who are familiar with their techno will know that the genre doesn't get much more intense than it does on the music of Orphx and Ancient Methods. The former are Canadian duo Richard Oddie and Christie Sealey, whose 20 odd years of experience has seen them release an extensive catalogue of albums, cassettes and EPs, most notably for Adam X's Sonic Groove label. Formerly a two piece act, Ancient Methods meanwhile is the current solo concern of a Berlin-based artist who has worked alongside Adam X, Kareem, Regis and whose music is similarly relentless in tone.
The three artists unite now under the name Eschaton for a forthcoming self-titled four track EP on Token.
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Blue Vinyl
Nachtstrom strikes back with this amazing ep by Kostas Maskalides featuring smashing remixes by Forest People, Hackler & Kuch and Adam Jay!!! Limited collector's edition on blue transparent vinyl!!!
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LAB.OUR 04 sees the return of Toronto's own Maxwell Church with 3 raw techno cuts; Doldruk, Faxnews, and Geosynchronus Orb. When not busy as one of the founders of Toronto's techno night The Deep North, Max releases music as a solo artist and as one half of The Hermans.
Doldruk's driving rhythm is anchored by percolating synths and ever changing, melodic patterns. Faxnews is a dubby stomper with synth stabs and vocal snippets. Geosynchronus Orb shows us what acid sounds like on Saturn.
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Tireless producer, Tronic boss and top international DJ Christian Smith here steps up for his first release on Plus 8. Over the years Christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (Bedrock, Systematic, 100% Pure, Soma), so it only makes sense he now finds himself on one of the sceneís most reliable outposts for such material.
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MASSIVE RELEASE!!! "Tei" is just a killer of a track. High recommendation straight out of the Kompakt office.
Virtuous perfectionist, obsessed with mixing bassdrums, recording percussions and sampling drummers, Fango never fails to surprise. it doesnt matter if its a drum machine, a gong from an orchestra or simply a voice (like in this case), he will make it sound right.
Degustibus Music delivers his new weapon of mass destruction, use at your own risk!
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After a about 2 years of great digital releases the Logism Crew decided
to spread some limited vinyl copies with special selected tracks
directly smashing on the dancefloor.
The first one includes 2 tracks of the current LGSM008 by Kemmi Kamachi
and 2 tracks from the forthcoming releases 009 and 010 by
Blood & Tears (Nachtstrom) and Plasmic Shape (Cromosom) ... enjoy some
fine and varied techno!
Supported by: Audio Injection, DJ Hi-Shock, Mattias Fridell, Slam, Paul
Brtschitsch, Rino Cerrone, Samuli Kemppi, Speedy J, Someone Else,
Stigmata, Umek, Xpansul
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We are proud to present the third full-length album of Octave on Nachtstrom's sister-label. The album
will be released on 2 parts and will be loaded with a total of 12 tracks full of dark, industrial, distorted
soundscapes and banging, twisted grooves that turn this album into something very special and unique!
Limited edition on white vinyl on the first pressing!!! Part 2 will be coming soon!!!
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'GRASSWAXX RECORDINGS,' a leading label in Japan's underground music scene, is releasing the label's host, RAWFILA's original track "gravity" and "debris" on side A. On side B, are the best sound quality Techno remix's by a
track maker, 'A.MOCHI', who is now praised by world class top DJ's, and is famous for his releases from LEN FAKI's label, "Figure."
Side A by RAWFILA is consisted of, "gravity," a dope minimal track, from a combination of soft noise and hypno parts, with a stoic roaring beat that accelerates with a metallic dub effect, and "debris," an Industrial Techno track with an edged dope synth. Side B with "A.MOCHI's" remix of "gravity," a masterpiece of dangerous deep dub techno, is created with his trademark of uncompromising bass and heavy percussion. The dubby bass creates a psychedelic, three dimensional sound image you will never forget.
- Luke Slater (UK)
a cool drifter,will try out.thanks.
- Chris Liebing (Germany)
thanks! very nice and trippy :)
- Tommy Four Seven (Germany)
Dope!
- Gary Beck (Grasgow)
Thanks so much for these! Wow, really cool.
- Marcel Fengler (Germany)
Thanx for that nice package. Gravity is my fav..
- Xavier Morel (France)
exelent rmx!!! play it chart it next month.... best supports!!!
- Elvis.T (China)
awesomee DARK stuff!
- Go Hiyama (Japan)
heavy and deeeeep....cool!
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Between sleep and the void lies the electronic interzone of Actress. Following the noted 2010 album Splazsh (voted number one in The Wire magazine's Top 50 Releases Of The Year) South London producer Darren Cunningham returns with a suite of electronic laments, tone structures and dreamtime rhythms which all carry his unmistakable fingerprint. R.I.P. comprises fifteen tracks painstakingly crafted by Cunningham in his London studio over recent years, with a conceptual arc taking in death, life, sleep and religion. 'I'm just an instrument,' Cunningham avers. 'I'm completely dead when I write.'
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This June will see Teng label-head Nick Woolfson aka AKRA make a triumphant return to his imprint, with a three track single entitled the 'Los Peros' EP. Nick Woolfson initially rose to fame via his collaborative work with Duncan Stump as Mock & Toof
among other aliases, though the past two years have seen Woolfson explore a new venture, namely AKRA. This new material has predominantly been released via his own Teng imprint where he returns here, a label, which since its inception has seen tracks released from the likes of Neville Watson,
Nubian Mindz, Paul Mac and Louis Guilliaume.
Title cut 'Los Peros' kicks off the EP, a brooding, stripped-back number led by growling saw-wave bass tones, an understated percussive movement and smooth Rhodes chords. Woolfson introduces intricate nuances in the groove and subtle progressions in the elements over the tracks six and a half minute duration to create a gritty and intriguing composition. 'Cairns' follows, staying on a similar tip with penetrating bass sounds acting as the driving force, although AKRA instills some additional musicality this time by fusing ethereal pad lines, dreamy arpeggiated sounds and an amalgamation of ethnic vocal samples, again resulting in an intelligent slice of contemporary electronic music. The release is then rounded off with 'Walk Don't Walk', a classy closing cut which delves into deeper realms, this time tipping the focus towards mellow, dusty atmospherics, a hypnotic acid hook and glitchy resonant synth sounds. While the raw organic percussion and weighty rhythms drive the
groove.
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After the successful release of the 'Form and Function' series from Abstract Division, which included remixes from the likes of Delta Funktionen, Ben Sims, Milton Bradley, Mike Parker and Norman Nodge, Dynamic Reflection continues its slow but steady ascent to the highest regions of label-land with its twelfth release to date. Two original tracks from D. Carbone, one of Italy's finest producers and label owner of REPITCH, and an accompanying remix from Japanese legend Go Hiyama. This EP is only the first of many more first class material Dynamic Reflection will be putting out in 2012.
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If this is your first time experiencingGut Nose, prepare for the following: furtive anxiety, jaundiced eyes, a shortness of breath and an over-racked nervous system. The New York born producer has concocted a blunted and dilapidated strain of house music that puts biters to shame with his debut 12" -Vicetopia- for Styles Upon Styles.
Influenced by his life in a windowless studio (from which he was recently booted due to rent hikes) and composed entirely of battered wax and living tech,Vicetopiacrumbles and thrives under an asphalt-infused haze. This is the score for mutant, cannibalistic pigeons struggling to escape a radioactive wasteland of skeletal brownstones and seething subway tunnels.Vicetopiadoesn't give a fuck about your soundsystem, snapbacks, or overpriced parties.Vicetopiais a shaman of a species left to survive after the carnage has passed, leaving scores of wack producers to ferment in techno's vast and unforgiving graveyard.
This is the first salvo from Gut Nose. The second will come in extended form this summer.
Vicetopia will be available soon from all shops that hustle good vinyl.
Mastering and cut to precision by Matt Colton / Pressed by Curved, UK / Distributed by Kudos
Additional Notes
This is the debut 12" from Gut Nose, a lifelong Brooklyn native with a grimey, analog approach to boom bap and dance music production
Gritty, raw NYC dance workouts RIYL BMG, Anthony Naples, Powell, and Delroy Edwards
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New Kelis remix EP loaded with edits from Mount Kimbie, Visionist, Darq E Freaker, Machinedrum and Rob Garza (Thievery Corporation) in an original black & yellow Ninja Tune disco bag.
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- CD 1-1: Dubble D Feat Qnc - Intro
- CD 1-2: Art Of Tones - Praise (Colors In Waves Remix)
- CD 1-3: Soldiers Of Twilight - Believe (Pbr Streetgang Remix)
- CD 1-4: Sacchi & Sasse - Future Domain
- CD 1-5: Maya Jane Coles - Senseless (Matthew Herbert Remix)
- CD 1-6: Doc Daneeka - One For Pidge
- CD 1-7: 2020Soundsystem - I Don't Know (Pezzner Remix)
- CD 1-8: Franck Roger - Too Blind To See
- CD 1-9: Huxley - Body Talk
- CD 1-10: Citizen - Where Is Love Now
- CD 1-11: Ejeca Feat. Freak Seven - Ancient Times / We Bring The Music
- CD 1-12: Eats Everything - Adam
- CD 1-13: David Duriez - Get On Down (Cassy Remix)
- CD 1-14: Simian Mobile Disco - Parson's Nose
- CD 1-15: Waze & Odyssey - In My Arms
- CD 2-1: Eats Everything - Adam
- CD 2-2: Paul Woolford - Erotic Discourse (Dense & Pika Remix)
- CD 2-3: David Duriez - Get On Down (Cassy Remix)
- CD 2-4: Simian Mobile Disco - Parson's Nose
- CD 2-5: The Youngsters - Third Knife (Matthias Tanzmann Remix)
- CD 2-6: Waze & Odyssey - In My Arms
- CD 2-7: Franck Roger - Too Blind To See
- CD 2-8: Huxley - Body Talk
- CD 2-9: Sacchi & Sasse - Future Domain (Instrumental Mix)
- CD 2-10: Soldiers Of Twilight - Believe (Pbr Streetgang Instrumental Mix)
- CD 2-11: Ejeca - Ancient Times
- CD 3-1: Debukas - Some Days (Psychemagik Remix)
- CD 3-2: Kalabrese - Muchtoosmall
- CD 3-3: Maya Jane Coles - Senseless (Matthew Herbert Remix)
- CD 3-4: Doc Daneeka - One For Pidge
- CD 3-5: Soldiers Of Twilight - Believe (Pbr Streetgang Remix)
- CD 3-6: Burnski - Coming Home (Groove Armada Remix)
- CD 3-7: Citizen - Where Is Love Now
- CD 3-8: Art Of Tones - Praise (Colors In Waves Remix)
- CD 3-9: 2020Soundsystem - I Don't Know (Pezzner Remix)
- CD 3-10: Wulf N Bear - Raptures Of The Deep (Tom Trago Remix)
2020 Vision celebrates its 20th anniversary in style this year. As ever, the UK label will do things differently - no dwelling on times past and no back catalogue rehash. Instead, 2020 Vision release 'Content', a compilation mixed by Ralph Lawson featuring 20 exclusive new original tracks and remixes from a dizzying array of arch collaborators. You can tell a lot about a label by the friends it keeps, especially when those friends include Matthew Herbert, Eats Everything, Simian Mobile Disco, Groove Armada, Cassy, Matthias Tanzmann, Psychemagik, Dense and Pika, Tom Trago, Huxley, Waze and Odyssey, Ejeca, PBR Streetgang, Doc Daneeka and Citizen among them. A formidable assembly of the world's top electronic music talent by anyone's measure, but put in the context of one album, it makes 'Content' a strong contender for compilation of the year from the tracklist alone.
CD 1 (Ralph Lawson Content DJ Mix)
CD 2
CD 3
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Disco infected Techno ! Vinyl only ! Limited Edition 300 units.
May not play this in world regions that are contaminetd by homophopic or religious extremists.. You may be arrested or killed due to homosexual propaganda. Only for dropping to an open minded crowd in the free world.....
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2 in 1!!
Robin Hirte is back on 007+ bringing us the 2 energetic peak time tracks with the static sequences packed up in his traditional underground techno beat
versus
italian Stefano Pini (it's his first EP on the label), who combines dark techno & rhythmic tech house sound either powerful and soft in the same time.
Check out this incredible release and let the floor burn!!
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Evensloped is back again on 9Volt. Paul.Groove and Lars Gustav's new 12inch (and digitally release of course) is an
per(c)fect mix of raw techno, driving grooves and a bit dirtiness.
Rumbling basses, mind blowing breaks and the exceptional sound design will keep you at the floor. Prime time techno
at it's best.
In 2006, evensloped was founded by Paul.Groove and Lars Gustav. After some years of producing music, they come
together for a electronic live performance project. They started with a lot of minimal inspired tracks, which are
released on several labels like Kaufe Musik, Schieber prod. and some more.
In 2010, the sound of evensloped turns more and more into raw Techno. With 9Volt-Musik they joined a cool and
forward thinking Techno label, which is based in Germany. For further information or booking request, go to
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Six years ago, Token was born with the release of Inigo Kennedy's 'Identify Yourself'. Since then, each of his EP's has been a milestone in the label's growth and this new 3-tracker promises to be no different.
After widely acclaimed 'Cathedral' in January & 'Emitter/Collector' in July, Inigo reveals his third EP for 2013: three no nonsense tracks in his distinctive style: dark, refined and so very magnetic.
Busiest year for Token so far. And it's not over yet.
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Irish techno up and comer MYLER drops this 7" featuring two extremely raw warehouse tracks filled with carefully placed found sound and off kilter rhythms. Limited edition translucent blue vinyl that comes with a DL code card that includes two bonus cuts ("CAKE WALK" and “CAKE WALK THE INTERFERON RMX).
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Supported by Chris Liebing, James Ruskin, Speedy J, Carl Cox, Ben Sims, Marcel Dettmann, DJ Rolando, Planetary Assault Systems, Kevin Saunderson, Orlando Voorn, Ritzi Lee, Dave Clarke, Sven Vath, Ben Klock, Bas Mooij, DJ Rolando, Grovskopa, DJ 3000, Josh Wink, Surgeon, Sandwell District to name a few.
Techno pioneer Orlando Voorn re-releases The Nighttripper project
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Back in May producer duo Will & Ink launched a new label. Now they give us another glance into their musical universe with their second EP, Wilson. 'First Wilson' is a well swung bit of dub techno that rocks back and forth in a vast open echo chamber and features some crazed machines taking control and whirring manically until the dubby, pendulous garage groove returns once more. 'Second Wilson' is a more flat-footed slow techno jam. The kicks are hard and fast but are softened by blurts of thick synth and various little sound effects and wouldn't sound out of place on Fachwerk, whilst closing track 'Third Wilson' is another muscular and physical thing with barrelling kick drums, little rays of synth light shooting through and warped and reversed tones cut right through it all to devastating effect. It's rave and jungle like at the same time as sounding thoroughly contemporary.
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- A1: Catch - Untitled
- B1: Ansome - Untitled
The first release on Ansome and Catch's very own imprint South London Analogue Material are two cuts of unashamedly raw and powerful UK techno.
The A side is a strong stepping groove; the powerful sub-bass and textures enveloping the whole track make it a true peak time weapon.
The B side taken on by Ansome initially may start spacious but sees itself dominated by a pounding analogue kick drum and a screeching rhythmic lead, sure to leave any warehouse in a frenzy...
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Following on from Spencer Parker's artist album, Saved continues with an EP from Berlin based artist Emerson Todd. Having gained releases on Cocoon, Get Physical and Dirtybird, Emerson delivers 3 amazing records on the "Got your back EP".
On the A side is grooving "Ain't no thing" whilst on the flipside is "Drifting Boats" featuring Fabian Reichelt and "Say What". This EP is a solid package with tracks that are sure to get dancefloors rocking as we start to move away from the Ibiza season and towards
the winter months.
Extensive Tastemaker DJ Promotion through Exclusive Promo
All tracks have been serviced directly to global tastemaker DJ's including Eric Prydz, John Digweed, Danny Howells, James Zabiela, Sasha, Laurent Garnier, Carl Cox, Richie Hawtin, Sander Kleinenberg to name but a few, over 200 DJ's in all.
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Rrose, Vatican Shadow, Recondite and nsi. remixes!!!
After Function's epic debut album "Incubation" had several months to breathe, Ostgut Ton issues four remixes by Function contemporaries Rrose, Vatican Shadow, Recondite and NSI. Spread over 4 sides of vinyl they paint a picture rich in texture and atmospheres fitting it's origin. Like the album, the remixes transcend club concepts of electronic music and techno as they unravel in surrounding territories.
After initial releases on Sandwell District the darkly mysterious Rrose seems a natural choice for this EP and Rrose reveals a deep and instinctive understanding of Function's sound world. The remix of "Against The Wall" picks up the hypnotic acid of the original and spins it into manic depths, relentless and powerful.
Vatican Shadow hones in on the fragile beauty present in the original "Psychic Warfare". Like a different side of the same coin, the track portrays a far away view of the original, where memory enhances the warmth and the contrast between tension and ease in Function's original.
German producer Recondite has been going from strength to strength in recent months and his remix of "Incubation (Ritual)" confirms this status, seemingly understated, his remix achieves a stunning grip with minimal texture, killer synth line and bass, effortlessly solid.
The last remix comes from artist pairing NSI. Max Loderbauer and Tobias Freund share between them the huge experience of half a life time in music and sound engineering and Freund also mixed the "Incubation" album. For their remix they tap into Function's early music influences and layer elements of pioneering German electronic experimentation with ambient and psychedelic sensitivity, creating a dark, brooding version of "Inter", that seems to close the circle between the then and now in living electronic music.
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The German based label Kitty Corner Records turns back the wheel and starts a new series of fresh experimental techno music. The opening track 'Hachzem' from Bristol's Kanji Kinetic comes with storming mutant basslines and rave stabs collide over a thumping techno beat. For 'Battle Creek Brawl' RRRitalin and Cynthia Stern take it back to '92 with pitched up rap vocals over a prodigy style breakbeat hardcore track. Spaceface's 'Hands of a Lunatik' is frenetic and crazy wonky techno, while Luke's Anger rounds off the EP with the robotic 909 warehouse beats of 'Throwing Switches'.
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A year has passed since the last Lucy and Xhin release on CLR, and here they are again, the two sound futurists from Italy and Singapore. With this present EP, the acclaimed production duo, who have steadily confirmed their reputation as some of the most cutting edge newcomers in the world of electronic music, impressively prove that they are still on their dedicated sonic mission.
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- A1: Henrik Schwarz - Take Words In Return
- A2: Soul Clap Feat. Baby Prince - The Neverending Quest For Inspiration
- B1: Jesse Rose - String Ting
- B2: Dj Sneak - Battleís Over
- C1: Sebo K & Metro Pres. Freefall Inc. - Night Drive
- C2: Catz 'N Dogz & Slg - Loud Sandra (Vinyl Edit)
- D1: Maceo Plex - Why
- D2: Marco Resmann - At Rickyís (Vinyl Edit)
- E1: Subb-An & Hector - What You Got
- E2: Mike Shannon - Waterfloor Shuffle
- F2: Butch - Led Ceiling (Vinyl Edit)
- CD 1-1: Dop - Take Care Of Me
- CD 1-2: Henrik Schwarz - Take Words In Return
- CD 1-3: Soul Clap & Baby Prince - The Neverending Quest For Inspiration
- CD 1-4: Jesse Rose- String Ting
- CD 1-5: Dj Sneak - Battle's Over
- CD 1-6: Matthias Meyer - Fallin'*
- CD 1-7: Ruede Hagelstein - Silence 8.Sebo K & Metro Pres. Freefall Inc.- Night Drive
- CD 1-9: Subb-An & Hector - What You Got
- CD 1-10: Sis - Talking To The Birds*
- CD 1-11: Tiefschwarz Feat. Mama - Black Magic Woman
- CD 1-12: Butch - Led Ceiling*
- CD 1-13: Oliver Koletzki - Oh Shine
- CD 2-1: M.a.n.d.y. Vs Lopazz - Full Off 12
- CD 2-2: Fritz Zander & Martin Dawson - Sleepwalking*
- CD 2-3: Maceo Plex - Why
- CD 2-4: Benoit & Sergio - What Is Dance Music
- CD 2-5: Catz 'N Dogz & Slg - Loud Sandra*
- CD 2-6: Lee Jones - Lost Decade
- CD 2-7: Marco Resmann - At Ricky's*
- CD 2-8: Ryan Crosson - Lost
- CD 2-9: Koljah & Robin Drimalski - Ten Years After*
- CD 2-10: Mike Shannon - Waterfloor Shuffle
- CD 2-11: Sebastian Wilck & Stassy - Moustache Groove*
- CD 2-12: Guillaume & The Coutu Dumonts - The Drums*
- CD 2-13: Mathias Kaden - Sion
- Voucher for 2x Guestlist Entrance (and no cues) worth EUR 30,00!!
- 2CD with the same tracklist as above.
- DVD with 45min Watergate movie featuring interviews, party and historical footage.
- Photo book with 270 pages, special cover.
- A1 Poster
- 3LP Grey Vinyl with individual sleeves
- All items excluding the 2CD are exklusively available in this box set.
- Limited to 700 pieces.
- Box features a high class linen packaging, logo embossing, a ribbon to lift the records, etc.
[A] A1 | Henrik Schwarz - Take Words In Return
CD 1
CD 2
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International Sound Laboratory is proud to present the next development in audio technology, a long
awaited co-production between Alexi Delano and Jesper Dahlbäck. The release consists of material recorded
live at the ISL head quarters at Globe Studios Stockholm. Their process consists of the formation,
deformation and accumulation of sounds produced solely and purely under the influence of heavy coffee
dosage.
In fact, the studio caters a wide range of different kitchen appliances for creating a perfect cup of
coffee. From a soft and smooth watery coffee via the heavier taste sensation of the Swedish electric
percolator to the extreme intensity of the piece de resistance, the Italian espresso machine. Not to
forget, the kitchen also includes a special coffee grinder capable of grinding beans to perfectly match
each machine and purpose.
The worlds top consumer of coffee beans is the people in Finland, closely followed by swedes and Norwegians.
In Sweden, an average amount of 150 metric litres is consumed each year. About 6 480 million kg of
coffee beans is consumed world wide every year, generating some 103 223 million litres of
coffee (8 g/cup 15cl).
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I-Robots is an alias of Opilec Music boss Gianluca Pandullo, a long time DJ and producer with a penchant for classic techno and electro cosmic disco. For his next project in the esteemed I-Robots Reconstructions concept series the Italian re-edits some classic material, all with the permission of the original artists. The tracks in question are Derrick May's hugely influential 'Emanon' cut, recorded under his Rhythim is Rhythim
alias and originally released in the 1990s on his own seminal Transmat Records label - one of the most important imprints in the early days of techno alongside KMS and Metroplex. The second track - which was first released on Metroplex, the label Juan Atkins founded in 1985 and then re-released and reworked on Sound Vision - is 'Game One' produced by the legendary Juan Atkins and Orlando Voorn as Infiniti. The latter of these pair has already released a number of times on the Opilec Music label. The inspiration for the title of the EP comes from the Detroit's People Mover train - almost like a monorail from the future but with retro trains riding along it, the People Mover speeds people around the city and has done since the mid 60s in a fashion that brings to mind the futurism of techno in a perfect way. The stunning 'Emanon' is first and the idea with both edits was simply to 'keep the original vibes and just create a longer groovy version with a more DJ friendly sound that I love to use in my sets' says I-Robots. The results truly are sympathetic to the original while at the same time imbuing it with a fresh modern perspective. It's a fantastically freestyle and deep electro tech track with plenty of machine soul. Moody
synths form the backdrop of the track as scattered and loose percussion fills the foreground. Plenty of bite comes from the pudding kick drums below and the way the track constantly twists and turns through a sci-fi galaxy makes it as essential and arresting now as it has ever been.
'Game One' is a much more streamlined but just as infectious track that bares the old school Detroit hallmarks of the 80s and 90s that are still so appealing today. Frantic percussion shimmers back and forth above jazzy hi hats and lively synths dance their dance in amongst it all. Hypnotic and seductive, this track is a classic piece of Detroit techno soul reworked with a live, freestyle "samba" inflected percussive groove all tastefully and masterfully carried out by I-Robots. Two superb edits, then, that breath life into already classic material and will likely win both I-Robots and the original producers many new fans in the process. The vinyl release will be strictly limited to 500 copies and will feature artwork from Alan Oldham aka DJ T-1000 who originally designed for Transmat Records and Djaz-Up-Beats.
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eduardo de la calle ,analog solutions ,semantica,non series,mule musiq tokyo ,cadenza and more run
his new imprint called 'soul person'
the record label has been created to unleashing the eduardo,s ideas under the 'sequential circuits' new moniker shall see the light in a continuing series of references in 2014
it's a risky project with hard touches but also mellodic and with hook on !
eccentric
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After a few month from his last EP on Vinyl - HMZ002, Hustler muzik is ready to launch his next vinyl EP. Public Toilet is the name and the same is the name of the original mix by Synthek and Fabio Florido that together, propose us a rithmic and cheerful mix but with powerfull bass.
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- CD1: Dimitri Pike - "Exotica B" (Music Frommathematics Compilation)
- CD2: Jack Frost - "Te Adoro Acido
- CD3: Iamthatiam - "Vibrations & Harmonies 2
- CD4: Adonis Presents Hieroglyphic Being - "Residue
- CD5: Contra Communem Opinionem - "Tired Feet
- CD6: Africanswithmainframes - "Inscription
- CD7: Ed Dmx - "Can't Remember
- CD8: Area - "Digerati
- CD9: Adonis Presents Noleion Reusse - "Lover's Jak
- CD10: Dimitri Pike - "Exotica D
- CD11: Hieroglyphic Being - "Temple Of The Moon
- CD12: Basic Soul Unit - "Mmme
- CD13: Cris Moss Acid - "Niacins Touch
- CD14: Contra Communem Opinionem - "Late Lopps" (Steve Poindexter Remix)
This is one for the collectors! A boxset featuring nine HIEROGLYPHIC BEING CD albums (MFMDCD07,08,10,14,16,18,19 and MATHEMATICSCD03, 07). Very limited set with a small number of boxes signed by JAMAL MOSS (HIEROGLYPHIC BEING) himself randomly mixed in. TECHNO HOUSE
Includes these 9 CDs:
The Lost Transmissions (MFMCD007)
Free The Energy (MFMCD008)
Ankh (MFMCD010)
Speaking in Tongues (MFMCD014)
Strange Strings (MFMCD016)
Cosmo Rhythmatic (MFMCD018)
The BlackBox II (MFMCD019)
So Much Noise To Be Heard (MATHEMATICSCD007)
Music From Mathematics Compilation (MATHEMATICSCD003)s
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Get ready for a new exciting collaborative project on Electric Deluxe! "Workshops" is a new experimental series of releases by Phil Kieran and Jochem Paap (aka Speedy J). The idea behind this project is to explore the recording techniques used in the middle of the 20th century and dating right back to the mid 1950's. Famous inspirational places like 'BBC Radiophonic Workshops' in England and 'Philips Lab' in Holland have seen some of the most innovative production techniques, experimenting with the first use of stereo, modular synths, found sounds and reel to reel tapes.
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Following a failed demo submission to Mad Decent (note to Diplo - we can hold a grudge a VERY long time...) Blacknecks decide to self release their crossover mega-hit 'To The Cosmos, Let's Go!'
With an unlikely pairing of Stock-Aitken-Waterman style disco and robust techno grooves, this track effortlessly showcases their 2-step production prowess, by not even needing to call upon it.
Flip over for an Armani-esque belter, backed with a noisy, introvert synth jam with a needlessly grandiose name. Suck 'em...
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let's welcome to the reference 005 of Kubic Records Vinyl (Limited Vinyl 100 Copies) the first track twister is a techno track in which highlight acid analog lines, strong rhythms, and voices that take a long time to fade from your mind,the second track Starb start with hard kick and development becomes with bass and techno atmosphere. We bet for this sound this year.
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Cursor Miner has built a solid reputation over the years for being a free thinker in the world of techno, breaks and bass
music, and here for Don't he delivers the MASSIVE 'Nonon'. With early support from Perc, the track has to be heard to understand...
It lures you into a trance then thunderous spastikesque drums pummel the listener into submission. In one word, Classic. plus you
get Palinki, a warped techno bouncer. On the flip, another freethinker, Ben Pest treats us to "yam Um Sugli', with deranged
synths and drums practically oozing funk, this sounds like nothing else on the planet.. which is what don't is all about! Finally, label
boss Jerome Hill steps up to give a reworking to the aptly named 'Rumbler', an intense techno bruiser!
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The Spanish duo Exium and french artist Elyas present a special split ep presenting a funk fused space journey and go deeper into the sound of functional grey area techno. Sonically the release pushes the listener into what currently identifies the label's sound introducing various works that are made for a wide range of facilities and situations and continue to shed light on what is ahead.
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Darknet returns for its 7th 12" release, and just like the former 6, it's guaranteed to set your local dancefloor on steamy hot fire. Gabeen and Yan Cook are the first ones to line up, and the original 'Dark Shade' has just that perfect vibe for creating exactly what its title says. With its solid building and pianostab breakdowns, its guaranteed to set it off in every club.
The renowned Yan Cook takes on things differently in his outstanding, deep, dubby but also grim remix. The rolling energy makes place for a lot of space between the beats, which are nicely filled up by the piano-stabs delays. If you still don't know how to open your set, look no further.
The B-side honours are being fulfilled by Static Sense. His original mix of 'Brain Revolution' is peak time glory again, as it continues the dim character of the A-side tracks by throwing in a heavy groove, underlining a deep, distorted stab. There's no escaping the fury of this one. When the famous Kraemer & Niereich agree on remixing, you know exactly what to expect; leave your children at home, cause things are likely to become sinister. Their version of 'Brain Revolution' is no exception, making the last track on this EP as good as the ones that went before. A must have EP for all dark technoheads around !
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ICEE HOT has grown and evolved quite a bit during its fourplus years of existence, and so have the talents of party/label cofounder Ghosts On Tape (a.k.a. Ryan Merry). Back in 2012, the San Francisco based producer was responsible for the first ICEE HOT release ("Nature's Law" / "No Go"), and he followed that up in 2013 with "No Guestlist" / "Still Got The Feeling". Now, he's returned with a new 12", and it just might be his best work yet.
"Only Now" kicks things off in a rollicking fashion, its stuttering synth riff taking center stage and gradually building atop Ghosts On Tape's trademark drummy percussion. Those whose who've followed Merry's work know that his command of rhythmic interplay has always been at the heart of his production, and while that skill helps to make "Only Now" an enticing proposition, it really shines on "Snake Box." Abandoning melody almost entirely, the track offers an intense, drumheavy workout over an insistently thudding bassline.
On the remix front, ICEE HOT has enlisted Chicago duo Innerspace Halflife, who infuse "Only Now" with soaring cosmic synths and twisting melodies, giving the song a decidedly (no pun intended) ghostly feel.
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Here comes the big news. Pioneering techno duo MOTOR is about to release their fourth album on CLR. After completing three massively successful and critically acclaimed techno albums, Bryan Black and Oly Grasset, who together form the act MOTOR, have shifted gears and recorded a song-based vocal album by the name of "Man Made Machine".
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We proudly present you a long-awaited vinyl series of HueHelix. The 1st release features the one-and-only mighty Oscar Mulero. He provided us with 3 very strong tunes for the launch of this special project. These 3 tracks emphasize funky, cosmic, groovy, spacey, driving and hypnotic sides of Techno. End your search now. This is definitely the one you've been looking for and will stay on top your playlist. The next release of this vinyl series will feature special remixes by us HueHelix members. Stay tuned for further notice, you won't be disappointed.
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Almost two years have gone by since the team at Injected Poison Records launched its previous vinyl record. Now, the label headed by the Spanish artist Jose Pouj brings us its fifth release. Available on vinyl and digital, this issue will be jam-packed with the best and most up-to-date techno, because they have enlisted the most outstanding Spanish producers: Oscar Mulero, Christian Wunsch, Exium and the label's boss himself: Jose Pouj. Side A of The Structure opens with 'Sound Mirror': Oscar Mulero's unmistakable sound envelops a track full of melodic atmospheres, deep percussion, synths that come and go... All wrapped in reverbs that are impossible to describe. A great work by our great master Oscar Mulero. Side A's second track is 'Mutation', brought to us by Christian Wunsch, a Cantabrian born in Monaco who is behind Tsunami Records. This is a classic 4x4 track with a relentless bass line and never ending atmospheres that verge on darkness. Pure Wunsch sound. On the flipside we can listen to 'Repeating Future'. The first track of the B side is a work by Asturian duo Exium, whom we also know as Hector Sandoval and Valentin Corujo. This track is slightly different from what we are accustomed to hear from these producers: a great and dynamic structure which is innovating, whilst retaining the characteristic sound of the duo. The EP closes with 'The Structure': produced by Jose Pouj, the label's chief, this track is loaded with forcefulness and a very well processed action. Sharp percussions and progressive filters take the centre stage in this great synth exercise, where the dense bass line helps to produce an exquisite end result. This production definitely adds up to the curriculum of this contender to the European techno dance floors. In a nutshell, this is a fantastic EP made up of the best sounds of the moment.
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For EarToGround's second release of 2014 they once again step it up another gear with their latest signing from Belgium born now French based artist Philippe Petit. Three brand new, expertly crafted tracks with additional remix work from Fachwerk's Roman Lindau.
Venus was Ben Klock's first tune of 2014 at Awakenings' New Years celebrations at Gashouder and Roman's remix of Meteorite has seen airplay on London's Rinse FM...
Ben Klock's first tune of 2014 is Philippe Petit - Venus -
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