Techno Novedades

played by: Gregor Tresher, Stephan Bodzin, Ambivalent, Dubfire, Pig & Dan, Carlo Lio, Christian Smith and many more...
Electric Rescue's "Change Of Appearance" EP turns out another brace of impressive trademark techno. Each of the tracks open on a deeper trajectory but Electric Rescue soon ups the anti as lead cut "Change" rolls out the drums and pierces with its synth stab riff and vocal drop outs, before "Certaines Apparences" raises the game yet further with its crescendo topping moments that fall not once, not twice, but three times.

Unestablished Moves presents Primitive Sci-Fi's debut EP featuring 4 tracks of unrelenting gear oriented madness sure to hypnotize the dancefloor. All 4 tracks on the EP were writting live on the fly using an TR707 SH101 and TB303. Primitive Sci-Fi takes the soundscape of the past and updates it for today's dancefloor. Enjoy!

Only on Wav CD +++ Limited copies +++
Francesco realizes the new project called "Run Tools", so called by him for their raw and synthetic line. They are traces with few elements with simple structure. The CD contains 5 Sequence of Run Tools.

Flying Agaric last opus drops into the real Trance sound, not too psytrance and not techno at all, a real trance music experience, for 2 total oldschool tunes and one at the Goa frontier. Will you dare

Danny Serrano (Saved Records, Suara, Brise) back on Sphera with hot
remixes from Mihalis Safras (Material, Soma, Trapez) and Piemont
(Plumbum, Suchtreflex, Yellow Tail).

Edition six in the Gynoid Audio Limited series presents two Scandinavian veteran producers, Mattias Fridell & Samuli Kemppi. The Scandinavian vibe is immediate manifest with its melancholy & deepness, along with almost philosophic vibes packed in a rusty, mechanical suit. Both the original and remix on "Procurators" encloses the necessary components for true dance floor classics. Where Mattias' Original Mix functions with several different elements throughout the track, Samuli's Remix turns it to a more stripped down and direct sci-fi injection, and both the original and remix allows heavy focus on a fierce 808 hihat patterns.

dj rush classic

GROW003 begins with an emotional poem to the eye, A1 Le Ojo (slow tool mix), an envisaged desire is definite in the long, and within in which rich, percussion; a strong and constant longing can be felt, emphasised with sporadic calls to another in a determined expression in honour of the eye.

The second track, A2 Smell of clown's nose, is an eccentric walk down into the spectacular and eccentric. Punchy base converses and traverses through a mysterious landscape, as the rambunctious protagonist; he did bad things and they stole his nose can you I mean imagine; continues through a barren and eerie place of transition, he moves with a certain energy, his path known to himself.

Then the B-side of the first record; Florescape, a call to nature! Before the basic structures of society. Amidst, an intricate magical process is underway a spell is being enacted, evolving and descending until the moment, where the weather forms on more magical fronts and the intricate patterns now enchanted proceed full of the trickery found in this mystic place that is Florescape.

The second record begins with C1 Jahya (Wednesday live) featuring the vocals of Brachman; this track releases us, praise be.. a temporary individual rejoice, and rejoice to all the people around. Together taking us higher in levels of peace as it progresses. A distinct groove at the centre of the track is a stable with on which it moves forward, we grow in environment full of captured reflection expressed, bells hold and release, together with tones of natural calm

PART 3 OF THE BEDROCK STRUCTURES TWO SAMPLERS

Bratha is the studio project of No Mad Ronin, Marieu and Lucretio. These 4 gems of contemporary techno have been recorded during the past months at the Restoration Headquarters with the ssistance of a bunch of transistors delights carried by No Mad Ronin to Neukölln. All the music has been produced on hardware devices and record on ferromagnetic tape during frantic aftertea sessions. This is a first selection of their works, for the sake of techno. On B1 the Bratha trio has been joined by Arthur Cayzer (SheWorksTheLongNights). Only 300 copies have been pressed on blacklabels and no further repress is planned at the moment.

A friend of ours wrote a magazine article a couple of years ago saying that the one good thing about the credit crunch was that it would give the warehouse party scene a boost. For some reason that hasn't quite happened yet - but we refuse to give up hope. And to prove it, we have got a belter for you on Retrometro. Detect Audio are Arnaud Le Texier and Antonio De Angelis. Between them they've clocked up and impressive catalogue of releases on Cocoon, Bass Culture, 2020 Vision, Syncrophone, Gynoid, OFF, Leftroom and Children of Tomorrow. And they don't disappoint here. Minotaur brings heavy, upfront kicks and unrelenting perc drive together with a smooth and infectious Convexion-style synth line. Freak Lips is a cranked-up ghost-in-the-machine groove, and Leadings is a precision-engineered destroyer. In addition, ROD has filed a pacey rework of Minotaur, which comes through with a Hardgroove flavour and a no-prisoners bass drive. Meanwhile Antigone turns up the dub pressure in his remix, combining discombobulating pads and tooth-shattering bleep to massive effect. This one really has to be listened to through a massive wall of speakers in a building made of asbestos. But if you can't find one, a nightclub will just have to do... Either way, make sure you've got a penny on top of the needle, because it's heavy. Vital Sales Points: - Debut release for Arnaud Le Texier and Anotnio De Angelis on the label. - The duo have releases on Children Of Tomorrow, Nowhere, Cocoon, Syncrophone & more. - Remixes by techno heavyweitght producers ROD and Antigone. - Limited to 300 copies.

Apparent Horizon Burst on to the Berlin Scene with a impresive Hera EP. 4 Tracks from Bule and Hunab - a member of sowing paranoia-. Roots Classy, late '90s-styled Techno dub also infected with the new virus of avant techno.

Martin Landsky needs little introduction - his services to the cause of house and techno have been well documented, particularly through his long and fruitful collaboration with Steve Bug's Poker Flat label. Always willing to take chances, Landsky continues this legacy with what might be the fiercest assault of the dancefloor of the year - get ready for Ekko Trax. This three track release sees Martin achieve something very special - a raw and honest tribute to the sounds that inspired him - namely the early days of Detroit and Chicago, before genres like house and techno had been defined and pigeon-holed. Each cut here is a creative interpretation of the tough, jacking rhythm trax popularized by originators like Ron Hardy at the Warehouse in the mid 80s - uncut machine funk made with one purpose in mind - delirious and ecstatic dancefloor movement. Even the titles reflect the stripped down vibe - these trax are purposefully rough-hewn and fully authentic - aggressive and euphoric slices of electronic body music that build their groove and melody out of swaths of deadly delay and echo. Showing it's still possible to innovate with basic materials, 'ET1' and 'ET2' are equally irresistible - paired down to the essentials and shot through with a charged, raw energy.
'Let It Snow' continues the theme - an acidic monster built on the sounds that shaped a generation.Each of these tracks has a timeless quality, managing to both pay their respects to the origins and keeping things moving forward at the same time. One thing's for sure - Landsky's Ekko Trax will be tearing up clubs from Berlin to Buenos Aires throughout 2013.

Krake 001 is a CD/LP compilation that features tracks by artists who played in 2012 for us. A few of them have been released on other labels before, but the bigger part of the material is exclusive. Some of the tracks were even recorded live at our festival. There are dark atmospheric drones by the likes of Thomas Köner, Shrubbn!!, Cassegrain and Dadub, sweet melodic pieces by Ulrich Schnauss, Bersarin Quartett, Kid606 and Barker, a bass heavy live recorded jam session by Tim Exile, mechanical grooves by Perc and Swarm Intelligence, melancholic epics by Goner, Alex Smoke and Lakker, and last but not least a sweet minimalistic dub track by grandmaster Pole.

A powerful and unique musical voice from Brussels, Belgium, goldFFinch have launched themselves swiftly to the forefront of their
chosen electronic music style with a series of unmissable dancefloor weapons on labels 'Numbers', 'Dirty Bird', 'Saigon Recordings',
'Airflex Labs' and 'Audio Culture'.
Yoann and Gilles, the duo behind goldFFinch, have let themselves be inspired by current movements in electronic music and have
worked to redefine it in their own unique way. One of their trademarks is stuttering vocal samples worked indecipherably into their
own groove, a skill built from their formative years listening to Hip Hop. With this vocal technique as a distinct signature laid on their
tracks, the core of their music brings together the best of the German Electronic sound, the funkiest of the first Detroit Techno wave
and the cutting edge music production of the 22nd century together in one funk fuelled musical style.
With continuous support from Akkord, Loefah, Boddika, Claude Von Stroke, Oneman, Jackmaster, 2562, Midland Sound and Mary
Anne Hobbs, and their subsequent releases on high profile labels... goldFFinch are rapidly gaining popularity and credibility with a
constantly widening audience.
Barely into their third year of existence as a musical entity, what goldFFinch have achieved in this short time is impressive to say the
least. 2013 looks to be another exciting year for this mysterious duo who have focused on letting their incredible music do the talking.

Ipman has established himself as a force to be reckoned with over the last couple of years, bringing a lethal combination of unfaltering creative freshness and no-nonsense soundsystem pressure to the table. His music is held in high regard by Kryptic Minds, and this August sees them welcome Ipman to the Osiris Music UK crew to drop two blackened cuts of bruising tech-edged weaponry for the imprint's 32nd release. The results are unreservedly dark and punishing, with 'Persistent Dread' driven by hypnotising sub bass body-blows that punch beneath a jagged swell of menacing sound design and mazing glitch melodies. The flip features the fierce rolling beats of 'Signal Motion', a lurching stomper that hits hard with chest-caving intent; deft snarls of mechanised snyths and titanium-grade kicks accent waves of deep dread frequency. A monstrous debut Osiris 12' from Ipman, as both label and artist continue to make serious moves in 2013.

Chris Jarman, previously known as Raiden, now known as Kamikaze Space Programme. Get used to it. WNCL Recordings is proud
to present KSP's debut vinyl offering where we see the producer bringing his found-sound recordings (bits of old truck and a pocket
full of coins amongst other things) from the field to the warehouse...

(Part Of The August Cargo Collective) RIYL: Voices From The Lake, Terrence Dixon, Basic Channel. Genre Deep Techno / Electro Acoustic / Experimental. Blondes were last heard demonstrating their transcendent approach to dance music - one

favoring analog serenity to digital flare - on the duo's 2012 self-titled debut album. The evolution of sound systems on which Blondes played created a curve along which Sam Haar and Zach Steinman learned to build a universally impactful sonic experience. After

rehauling their gear and settling into a new studio space, Blondes' busy year ended in an intensely focused production period during which Haar and Steinman sculpted the boldly detailed Swisher. Swisher unfolds as a series of mini-epics rather than a string of banging cuts. Still, the allegiance to the groove remains absolute. Percussive elements are most notably honed, drawing a sharp contrast between Swisher's rich timbres and the vaporous synth sounds that seep throughout the album. Centerpiece 'Andrew' and closer 'Elise' enhance the melodic concerns of Blondes early material, mantled now in a maturity that favors gradual force. By focusing on process rather than protocol, Haar and Steinman allow space in each track for dramatically immersive environments. Most tracks on Swisher tread beyond the five minute mark, but always absorb rather than indulge. This cosmic scope aligns Blondes not only with the German synth masters of the 70s who have been a guiding inspiration for the duo since the onset, but also the slow burning dub techno of later day Germany - though ramped up several bpms. The heterogeneous textures throughout Swisher often brood, but ultimately make for a considerate and cathartic brand of dance music. Swisher's foundation is its tremendously crafted percussive core, and its architecture is the elemental beauty hinted at in prior Blondes work offered, offered now in lucid detail.

Fresh from an inclusion on Spargel tax vol 2,
mysterious producer Lily drops his first full 12" on
Idle Hands this summer.
A-Side 'Trumpets at dawn' is a latin techno roller,
complete with steel drum melody, tough percussion
and driving synths.
B-side 'Machine dreams' takes the tempo down a
notch. With growling bass and dubbed out hits
developing into a grinding rhythm....

After the overwhelming success of the first release, the Climat collective returns again with another seasonal inspired release named Primavera, featuring the works of Pheek. Known for his lyrical and hypnotic pad use, Pheek throws in the first track Hyperpad as an opener. The track itself is unsynchronized melody, as a complex pachelbel effect of percussive sounds layered over melancholic melody. The result is a very eary but reassuring, warm atmosphere. The b-side is a collaborative effort with Stephen Vitiello, a sound design artist known for his works on 12k and Subrosa, as well as artists Andrew Deutsch and Sawako from Japan. Textures are rearranged by Pheek who sculpt half dreamy, half dancy moments of pure delight.

After being wowed by Christian Smith's superb remix of Carl Craig's 'At Les' the legendary Underworld listed it as one of their tunes of 2010 thereby planting a seed in the veteran producers mind.

A mutual appreciation and the aforementioned events have resulted in Smith's biggest remix yet - the reworking of Underworld's seminal 'Dark & Long'.

Coming in two versions, both of which have won immense support from the band themselves, the Christian Smith remixes of 'Dark & Long' take the track in to new territories respectfully and skilfully.

The Tronic Treatment mix preserves the vibe of the original perfectly while adding a condensed but slow burning feeling of tension which explodes into the epic break we all know and love.

The Hypnotica dub version underpins Karl Hydes classic vocal refrain and the rich synths of the original with an ever-changing, guttural monster of a bassline that adds a whole load of understated aggression without ever taking over the wonderful melodies.

Born under a bad sign... SHITPARADE label owners and best friends DANIEL METEO & T.RAUMSCHMIERE finally teamed up in the studio to bring birth to their first release as dad and dad. PARADE 10.0 under the monika D.REAMTEAM was initially planned to celebrate the 10th edition of the annual Berlin club festival by the chaotic label that takes place on the 13th of july, on Dr. Motte´s original birthday. Musicwise this 12' kind kicks off surprisingly soft flowing with a 7 minute club trip without any bassdrum. Clack Clack Clack Clack. PULT is waving afterhour dj food for the drug crowd. B side opener KATA can be translated to a reverse varation of the same material but on a fat ass shuffle beat. B side closing tune SHIT could be described as typical rock techno opera a la T.RAUMSCHMIERE but with this METEO touch.

We are very very proud about this first Terminal M release from globetrotter Danny Serrano, worldwide admired for his amazing releases on Get Physical, Saved Records, Area Remote, Viva Music, Break New Soil, Kling Klong, Suara, KD Music... And also this time the guy from Madrid knows well how to treat his gear and how to create atmospheres to rock any dancefloors. Or to shake down on any dancefloor.

The italian duo Macromism experienced big successes on the US-market with releases on Dubfires's SCI+TEC and on Carlo Lio's Rawthentic. Here they are on the remix tip with another belter for Monika Kruse's label

DJ Hi-Shock, also known as Advanced Human, returns to his roots, releasing
a track on a label where it once all started: Elektrax Recordings.

Opening and title track 'Control' is as funny named as it is maddening.
The irony lies in the fact that it is truly impossible to control your
body while this killer pumps out of the speakers. The bassline grabs you
by the throat instantly, and only grants you time to breathe during the
breakdown, where a perfectly placed highpass filter throws you right back
into your initial state; complete failure of control...

Knowing Kraemer and Niereich, we don't have to expect any remorse here.
Their remix contiunues the peaktime madness right from where Hi-Shock left
it. Dark hoovers and raw percussion are the right drug for just any party,
being it at home or the local warehouse. The fast paced rhythms bring you
right back to where technomusic was always about; squashing the last bits
of energy out of the dancefloor.

On the B side, we are treated with 'The Womb'. The metallic sounding
percussion sets the perfect industrial mood, and when the kick knocks in,
we realize that DJ Hi-Shock's intentions never were to go easy on us. The
track gets carried by the genius, gloomy percussion, and if there would
ever be a human memory referencing a true womb, we could certainly imagine
it sounding like this.

To close things off, 'Rave Control' comes along. It won't come as a
surprise that this isn't your run of the mill minimal house track. Seldom
we heard an offbeat track with such a drive, and if Dante would ever
thought about writing about a 11th circle of hell, this would be the track
to accompany the context. When the tracks takes advantage of the window of
oppurtunity to scream the vocal 'rave control' at you, you realise that DJ
Hi-Shock is truly the lord of the underground, and the EP's title finally
strucks you; the dj playing this, will be in full rave control.

From the deepest and blackest moments to the highest emotion in a rush.
On the A side pure 808 and 303 inductions soak you into a state where you will find yourself distracted from reality.
On the B side we let our passion for a good rave go. Allways high and never sorry!

Sophie is back on vinyl, a great techhouse release for  all  vinyl - lovers !!! All 3 tracks have minimalistic, groovin and deep floating sounds . Keep the spirit alive with this vinyl only release!!

yellow coloured vinyl !!!

Positioned as lesser-known little brother to Adam Beyer's globally renowned Drumcode brand, Truesoul has, to a varying extent, existed in the shadows since its conception in 2002.

Never designed to be a label that you could set your watch by, releases have come
sporadically over the past nine years, albeit when they have come they have always made an
impact. Notable examples include much of Beyer's most recent material; including his last
studio album, Ignition Key. Other contributors include Cari Lekebusch, Joel Mull, Agaric, Alexi
Delano, Aril Brikha, Dustin Zahn, Nihad Tule, Steve Rachmad & Heiko Laux and Ida Engberg.
Originally established as a channel for more alternative material, Adam Beyer's Truesoul label continues to provide a deeper, left-of-centre alternative to the Swede's more functional Drumcode output. Recent releases such as Maetrik's chart-topping The Entity, Adam Beyer's Diana Ross (!) sampling 'No Rain', Patrick Siech and Gustav Sollscher's sonically diverse 'The
Watch Receiver' EP and Marc Antona's sensual Darwin EP set the tone for what is to come as
Truesoul continue their push to become a go-to label for fans of a deeper and edgier tech vibe.
Having released his 'Sensory' long-player on Truesoul in February 2011, Joel Mull returns to
the label he considers his spiritual home for his first original production of this year. Often
described as 'The Techno Soul of Sweden' thanks to his predilection for fusing emotive
atmospherics and erudite ambience with the kind of purposeful beats Techno has come to
expect from Stockholm's long line of trailblazers; Mull's reputation as a 'producers producer' is
well documented. Naturally, those who were seduced by the contrasting emotional highs and
lows that defined 'Sensory' will find plenty to enjoy within this rich and balanced two-track EP.
Lead track, 'Running', is a carefully crafted example of Joel Mull's deeper side. Unrushed,
deeply groovy and enchanting; harmonic tones ping pong beneath a distinctive vocal lament
and bumping tech groove. This is just the kind of track that has made Mull a firm favorite with
Panorama Bar's Sunday night long-haulers. 'Track From The Past' subtly picks up the tempo
but retains a slow-burning depth and tripped out 'messiness' that flow so naturally from Joel
Mull productions. Hypnotic and driving, swirling melodic loops twist and distort into acidtweaked
hooks dotted above lively, muscular grooves of perpetual, upbeat, forward motions.

a great new 4 track ep from kellermusik with tracks by klima and morbus m !!!

The Thrilla in Manila was a fomous boxing match between Muhammed Ali and Joe Frazier in 1973 in Manila. This tribal pumping and cool groovend sounds are into paul van dyk's playlist - bomb tune !!! now back on stock !!!

Remix package on Spanish label Mechanisms Industries, including reworks by Oscar Mulero, Henning Baer, Subjected and Fanon Flowers.

Limited 300 copies, vinyl only.

Second release from Nihad Tule's Sloboda imprint. 2 bangin' underground techno productions of the highest "anti-beatport" quality!

repress in black vinyl!
Planetary Assault Systems presents Deep Heet Volume 3, the third instalment of one of Luke Slater's most seminal series to date on Mote-Evolver and carrying on the series of intergalactic exploration.

Voltan rips the EP open. Inspired by the Mayan god of drums and the earth, Voltan is underpinned by primal desires. Huge bass drives the track forward and an angry undercarriage whirls deep below. Peppered with snares and licks of white noise, the EP starts as it means to go on.

Pygar's futuristic sound palette is utterly hypnotic. Loops are layered insistently and despite the 4/4 structure a disorientating soundscape emerges. Filled with sounds that could just as well have been sampled from a space station as coaxed from a synthesiser, Pygar is optimised for the chaotic afterhours.

On the flip side the abstract references are abandoned in favour of the concrete. Turn erupts with syncopated rhythms, metallic rasps and mechanical warning signals. It's the stuff of industrial nightmares.

Flat Tire is built on an angular bed of noise and interspersed with low, deep rumblings. The track fans outwards as ecstatic details are layered one upon another, ensuring that the EP closes on an enduringly hypnotic note.

Planetary Assault Systems has created four tracks that don't play by the rules. Deep Heet Volume 3 is Luke Slater yet again innovating with four tracks that fuse together the experimental, the bold and the brutal.

After his big success - Feel' on Toka Beatz, here comes the next smasher from
Sofa Tunes at his own label - Wanda'.
The - Cloth bag EP' contains two different tracks from Sofa Tunes and 3 big
remixes by Raumakustik (- Glaub mir doch') , Andlee and Klanggewalt.

More club techno excellence from Tearz on his Life On imprint with a
killer original backed up with heavyweight remixes from Paul Mac,
Groovetune and Reaky

Soniculture continues its series of underground releases with tracks from famous artists that are on a secret mission. Physical format will be on vinyl with black sleeves and no information whatsoever about the artists. We are just disclosing the number of tracks and the running time of each one. Here we have a release of a classic anthem that marked Soniculture for many years, along with two other tracks that have within them the power to generate a sonic revolution. A1 is definitely a timeless masterpiece that will set a groove in our hearts forever. It is a result of one of those unforgettable moments of inspiration that is pressed onto physical format to be presented to the world in its pure essence. For those of you who remember it or for those who will listen to it for the first time, give a big leap of joy for here it is, in full splendor. B1 is a new techno bomb, tailored for these days of our lives. Dark, strong and involving, it will push you to the limit, as intended by this masterful producer that has been around and in the forefront of the scene for many years. B2 brings a bit of acid into the mix, and is again one of those tracks that will last forever. Independently of the fact that it was made a long time ago it has all of the ingredients to be up to date, modern and timeless. SONICULTURE CONFIDENTIAL will come back soon with more secret surprises from artists that are at the top of the scene. Stay tuned for more.

ltd one-sided white label run!

Josh Butler already released on known Labels as OFF Recordings, MTA Records, K9 Records and Hector Couto's "Pura Music".
Now with his "Can See You EP" he strikes back again. talented Josh delivers 2 Dancefloor Bombs which have early support by Darius Syrossian.
Played in Watergate and also on other big clubs over the world.Alex Jones presents a powerful Remix of the EP-Main-Track "Can See You" and Def:Play remixed "For Who You Are". nice piano within a dirty & catchy bassline rounds the EP to a solid package!

Support & Positive Feedbacks by
******************************
- Darius Syrossian
- Huxley
- Maya Jane Coles
- Kris Wadsworth
- Hector Couto
- Tom Demac
- Tamer Malki
- Jordan Peak
- Shenoda
- Glimpse
- Zeitgeist (Highgrade)
- Freeman & Farrelly (Viva Music)

Steve Parker's Mexilhao has made a quite big steer two years ago on all most every dance floor around, from being charted by the likes of Sven Vath to reaching out an outstanding 3rd place at Beatport techno top 100.
And for a proper return of this classic piece of techno, we invited two of the best techno producers around in the business.

TECHNO IN THE MIX: Stampfender, grooviger und vor allem wummernder Techno, wie aus dem Bilderbuch... Eine perfekte Symbiose aus schneidenden Höhen, die einem zum Arme in die Luft werfen animieren, und tiefen Bässen, die die Hosenbeine zum flattern bringen und dazu animieren das Tanzbein zu schwingen. Das ist TECHNO IN THE MIX... Eine CD mit einem spannenden Techno-Mix von DJ Van mit Titeln von odeselektor, Gary Beck, Gregor Tresher, Sven Wittekind und und und!

MODESELEKTOR FEAT. SOUND PELLE - NEGATIVITY (Original Version)
TASTER PETER & VAN BONN - ERODE (Roberto Capuano Remix)
SVEN WITTEKIND - DYNAMITE (Orignal Mix)
GREGOR TRESHER - WARPAINT (Original Mix)
LOWKEY & KARDINAL - THE RIOT (Original Mix)
MARIO OTERO, DANI RIVAS - THE GRINDER (Original Mix)
SHEKON - PUZZLE (Florian Meindl's Valve Remix)
SIN SIN - ICED (Original Mix)
DAVID TEMESSI - PHOBIA (Original Mix)
RHATE - OBSCURE CINEMA (Original Mix)
WHISPERER - NEZD AZ EGET HOL VAGY MOST (Lee Remix)
HANZ LOOP FEAT. ROSENWASSER - LORELEY (Sven Wittekind Remix)
MILTONE - I'M BACK (Original Mix)
MAURO PICOTTO & RICCARDO FERRI - NEW TIME NEW PLACE (Gary Beck Remix)
ZEITLOS IM KLANG - ALTE PFEIFE (makit Remix)

Turbo Warehouse Series continue with this pair of bombs from Gingy & Bordello, backed by a killer remix from Robert Hood.

Gingy & Bordello have, more than their New Jack Techno peers, kept their eyes trained on the co-ed club dance floor. The magic here is that although this is warehouse-tough and head-noddingly well produced, these tracks stay sexy and appeal to more than just a boiler-room sausage-fest of fans - this is booty shaking club music with broad appeal... That's right, ladies...

Saturday Night Fervor silkily wraps itself around wiggly disco-inflected samples that guarantee hand raising and foot stomping in equal measure. This is the kind of fun, soulful, inclusive party bomb that makes the world go round.

All Day pulls off a similar trick by extracting maximum vibe from a tiny vocal sample, this time laying it over a harder-edged beat constructed from finely tuned kicks, crisp layered hats, and a killer hook of a bass line. This is a pec-pumping, ass bumping groove, a rock-solid house you could jack in ALL day.

As if these two bombs weren't enough of a workout, we called in legendary producer Robert Hood, fresh off releasing a new LP as Floorplan, to transport things into the Detroit dimension with hypnotic stabs, slamming rides and extended vocals.

The XX Files EP is the latest from Matrixxman, co-owner of the Soo Wavey imprint and formerly known for his work with 5kinAndBone5, on Brooklyn's Fifth Wall Records. The release culls influences from late 80s/early 90s dance music with particular nods to classic Detroit techno and WBMX-era Chicago house, and remixes come courtesy of London's Ill Life and Irish producer Myler.
Support from Tommy Four Seven, Tiefschwarz, Sinden, Sei A, Trevino, Forward Strategy Group, Breach, and more.
Confirmed coverage/reviews from Pitchfork, FACT, XLR8R, FADER, and more.

This time Moan is back with a massive variuos artists, that contains four awesome remixes
by great artists such as Basti Grub, Luca Agnelli, Leix, and Larsson with original tracks
from Francisco Allendes & Bimas, Jose M & Tacoman, Luid and Samu.l.
Four powerful tracks ready to destroy all dancefloors. For sure a "must have" vinyl release!
Already supported by Loco Dice, Marco Carola, Gel Abril, Monika Kruse, Robert Dietz, Leon, Oxia, Nicole Moudaber and many many more.

Cult label Uturn back on Vinyl! Loved by Par Grindvik, Surgeon, Len Faki, Marcel Dettmann, Psyk, DVS1 and many more

Already played and supported by:
Pig & Dan, Stephan Bodzin, Paco Osuna, Richie Hawtin, Maetrik / Maceo Plex, Slam, Phil Kieran, The Advent, M.A.N.D.Y, Silicone Soul, Booka Shade,
Someone Else, Samuel L. Session, DJ T., Psycatron, Steve Lawler, Arnaud Le Texier, Claude VonStroke, Butane, Joachim Spieth, Alexi Delano, Sasha, Axel Bartsch,
Sasha Carassi, DJ Wehbba, Sebastian Roya, Scuba, Seth Troxler, Electric Indigo, DJ Felipe, Switch, Remote Area, Patrick Bateman, Marko Nastic, Angel Molina, Andrew Grant, Jaumëtic, Jonny Cruz, Garnica, Simon Beeston, Christian Kausch, Werner Niedermeier, Luciano Sambati, Simon Smith, DJ Tronic, Niv Hadas, and many many more!


Patrick Zigon's return to tanzbar musik! Part 2 with a bigly help of his friends Todd Bodine, Louis Osbourne & Niko Doreen!
More than 2 years after his last release on tanzbar, Patrick strikes back with a massive collaboration EP, this time with a bigly help of his friends. Produced in different countries and different studios, this EP features Zigon's typical high-class production skills paired with influences of top-producers such as Martin Eyerer, Todd Bodine, Louis Osbourne, Mark Ash and the two newcomers Niko Doreen & Lupen Crokan.

First Ep by The TransHumans with the special collaboration of U¨bermensch Rmx. A piece of raw asphyxiated PostIndustrial Techno wich explores the duality between to primary stimulus: Pleasure and Pain.

Leave your body and transcend to another experience. Go beyond the organic and explore the 3o Nature with this classy old school Techno release by The Transhumans.

limited white vinyl pressing!

German artist Lars Stowe, better known as Anstam (on Modeselektor's label 50 Weapons) was invited to remix Pereval. After the successful debut from russian producer Alexander Babaev aka Rekord 61, he follows up with his second single Pereval. On his own label imprint Konstruktiv

Chris Mitchell is back on Plan B Recordings for his third EP with the New York underground crew who has been churning out deep, raw and original house and techno! Label bosses, DJ Spider & Dakini9 supply remixes of both tracks from Mitchell. The Vanguard Sound Crew strikes again!

Hard, 1990s Acid & Industrial informed Techno EP

Effective, hard stomping, noisy droning Techno EP

Own label of the American artist R. D'Atri aka Realmz!
Producer/dj/frequency architect in the realm of techno, electro, experimental, ambient, post industrial and various other ineffable sound creations..
tending toward cinematic, surrealistic, dream like worlds with a strong focus on sound design and vibe.

yesss! pumping techno trax with vocals from the famous actor klaus kinski!

Halocyan Records is proud to team up with rising star Dosem (of labels such as Tronic, Intec, Suara and Bedrock) for its penultimate summer release, 'Atica'. This single is expertly trimmed to optimally loud 45-RPM perfection, a lean and muscular dancefloor bomb primed to take the world by storm. Its two tracks embody the Catalonian producer's thoroughly singular sound which has caught the attention of contemporary dance luminaries such as Sasha, Carl Cox, John Digweed, Joris Voorn, Christian Smith, and Laurent Garnier. Title track 'Atica' is the main attraction, a technicolor anthem encompassing all the best elements of Marc Dosem's forward thinking and inspirational 'soul-techno and hi-tech funk'. Comprised of a handful of sounds employed with expert timing and finesse, this track's undeniably huge bassline and gliding beat follow a fist-pumping path of total elevation, helped along by ecstatic synths and crucial horn stabs. 'Atica' embodies irresistible, timeless, and original dance music, imbued with the futuristic and progressive hallmarks that are Dosem's signature. Following a more experimental trajectory, B-side 'Multipass' is all infectious, steamy rhythm laced with bursts of ultraviolet soundscapes and subtle builds / releases. Whereas 'Atica' screams of peak-time celebration, 'Multipass' squirms and wriggles through the darkness, another formidable weapon primed for the late night.

Jason Potratz's debut album 'Transfer', released on Phthalo Records in 2001, was a work of experimental acid
techno well ahead of its time. The release heralded much of the ensuing popularity of SH-101, MC-202, and TB-303-
inspired electronics. Over a decade later, just as it seems that acid is once again on the rise in electronic music
culture, the shadowy and mysterious Potratz returns on Halocyan with a killer single entitled 'Absent Center'. The
philosophical concept of the 'absent center' revolves around paralysis or evaporation through planning and thought.
In kind, this track is a forceful, paranoid rush of lacerating, rich and twitchy sound design-- all frenzied, furious
movement, exploding and collapsing inward upon itself. Potratz's expert programming and sound design are very
deliberate flirtations with ways of grounding the groundless in a techno framework. On the B-side, NHK RMX, aka
NHK / Kouhei Matsunaga (whose prolific and experimental body of work has been released on labels such as Pan,
Raster-Noton, and Mille Plateaux), whips 'Absent Center' into an absolutely relentless cyclone of whirring bleeps,
renegade high-hats and and a consistent, ingrained glitch. Cut by Stefan Betke (aka Pole) at 45 RPM for optimum
loudness, limited to 200 copies.

Ministry of Sound's Masterpiece series has so far produced a collection of mixes that are already considered timeless by many. With dance music luminaries Andrew Weatherall, Gilles Peterson, Fabio & Grooverider, Jazzie B and Francois K taking the Masterpiece concept and curating seminal mix compilations.
For the latest instalment in this inspirational series, Ministry of Sound have employed the services of a Techno leviathan, a man who hails from the Mecca of Techno, Detroit and someone who not only grew up with the sound but is considered to be one of the foremost pioneers of the genre, a Grammy-nominated visionary and an artist who has consistently pushed the envelope when it comes to making and performing electronic music. Carl Craig is his name and we are very pleased to have such an esteemed member of electronic music fraternity contributing to the Masterpiece series.
With his label, remixes, original productions and collaborations Carl's list of achievements is endless, indicative of a man who never stops working and whose depth of musical knowledge is unsurpassed. The concept is simple; a mix of what Carl is playing now, what he's listening to and what he's been inspired by. Truly an exciting prospect when you consider Carl's history, his A&Ring for Planet-E and his dynamic DJ sets. Expect an eclectic, diverse selection of influences from The Temptations and Erykah Badu through to underground heroes like Kyle Hall.
Breaking new ground is in Carl's nature so to complete the album he is creating an exclusive composition that will be comprised several 'acts', a Masterpiece first.
With his compilation Carl Craig takes us on a very personal journey into his past and present inspirations, while using it as a platform to delve deeper into his own musical experimentations. Be prepared to be educated, invigorated and entertained, another Masterpiece is born.
CD1 - ASPIRATION




Martinez Brothers' Bronx Zoo Mix













CD 2 - INSPIRATION
















CD 3 - MEDITATION

///+ special Release ///
Moderat are Modeselektor and Apparat. Hardly anybody has brought electronic music from Berlin to the farthest flung corners of the world with more passion and enthusiasm than these two heavyweights.

From deep dungeon to post-Detroit techno tracks by Juho Kusti, S100, Imugem Orihasam and Epiphany.

limited red vinyl pressing!

Having spent the beginning of the year working with his own intergalactic techno band, greasing the project and finally publishing EP Vectr (Chaval Records), Victor Santana returns with the first of a brand new solo collection, the Seven Series. To celebrate the release yet further, Victor has drafted in two of techno's ultimate heavy-weights: Terrence Dixon and Orlando Voorn.

!! repressed !! "comm.ma" was licensed to Marco Remus´s Mix-CD, "beep" to Recordsmania Mix-CD by Q-ic

The Plan B Recordings crew are back with their new CD Compilation for 2013 and it features some new artists to the label! This is a CD Only release, the same as the others and can be ordered here:

Dark Maneuvres is a track which lives up to its name, the original expressing pumping, dark and crunchy sounds interspersed with string arrangements and overdubs which move the track in various different directions. The 1996 original is a great example of some production techniques of the time and is of interest in identifying the direction of the Techno sound in that era, as well as being eminently listenable. Slam were very much involved in the progression of Techno at the same time as Envoy was creating tracks such as Dark Manoeuvres and as such they have a real handle on how things have evolved, enabling them to bring a classic release such as this bang up to date. The distinctive hook, attention-grabbing melody and strings which are distinctive elements of the original are all incorporated in a full and fresh dynamic which sees some of these elements regrouped in individual sections such as the strings or moulded with deeper, darker resonance into a new expression.

very limited re-stock of the original pressing from years ago !!! very last copies on earth !!!

///+ special Release///

Already supported by Len Faki, Lucy, Tommy Four Seven, Norman Nodge.
Second Limited's release is a various artist composed by : Andrea Belluzzi , Jeroen Search & Dimi Angelis, The Plant Worker and Colin Bain.4 Bombs tracks made for destroy the main floor...

250 copies (ONLY VINYL)
Secret name for a big artist.
'The end user has now become obsolete. We are just an entity that sell goods. We are not the target but on the contrary a mean to make profit.

Cassiopeia Audio - intergalactic sound system. Our mission is to support futuristic disco & techno music on vinyl. Label started in 2013 by Ukrainian DJ & producer El Mariachi. Our first record it is 4-track space techno from label boss. A side contains 2 original tracks: "Orion" and "Andromeda" are filled with cosmic sounds and melancholic melodies Side B begins with the "Kraftwerk-style" track "Another place, another time". This track is a combination of deep sequences, vocoders and computer grooves. The EP ends with the track "Synthphony" - dark melodic "no beat" sequence, great for start / end your mixes.

The new Moscow based label, Soul.On records, comes with their first release with Kashawar & Nu Zau "Soul One". This is the first part of a seven souls collection. Don't miss to get a copy of that special series.

Until now, Alec Storey has been known as Al Tourettes, the pseudonym under which he has released on labels like Applepips, AUS and Hypercolour s offshoot Sneaker Social Club. He collaborated with close friend Appleblim on Underworld s latest album, and on a remix for Luke Slater s Planetary Assault Systems. A regular performer at both Fridays and Saturdays at fabric, and Bloc Weekenders and club nights, his greatest achievement to date has been soundtracking Natalie Portman s first (fictional) ecstasy experience in Darren Aronofsky s Oscar-winning movie Black Swan. Leaving the Al Tourettes alias behind, Alec now joins the Houndstooth roster as Second Storey, as he is to be known henceforth, with his unique brand of colourful psychedelic electronic music, rooted in bass-heavy soundsystems and festival culture. The Margosa Heights EP is made for fans of Drexciya, Appleblim, Shackleton, Pearson Sound and T++.

Wolfgang Voigt returns on MAGAZINE as WASSERMANN, one of his best known aliases since the famous "W.I.R." (1999) Believer in the unconventional ! An enthusiast of the new ! WASSERMANN is reputed as the original rebel of the zodiac. WASSERMANN pore deep over what makes the world tick and can be trusted to come up with ideas and hypotheses which seem to be way ahead of his time. This is why he is attracted to the new and different. Highlights: Good Traits: Good story-teller, charismatic, idealist, humanitarian, cordial, open-minded, issue-oriented. Bad Traits: distant/aloof, childish, thoughtlessness, antisocial, obstinate, unemotional Likes: Fighting for causes, dreaming, planning for the future, thinking of the past, good friends, and having fun. Ê Dislikes: Full of air promises, excessive loneliness, the ordinary, imitations, and unrealistic ideas. Things Associated with WASSERMANN: rebellious, distribution, breaking boundaries, all fruit trees, orchids, independence, self-potency, freedom, rhythm, definite, loyalty, support, fellowship, rainbow, congress, commune, Utopia, science, meditation, electricity, computers, chaos theory, peacocks, large flying birds. Ê Strengths: Electric attitude Weaknesses: Know-it-all attitude.

limited clear vinyl pressing!

After his "ETERNAMENTE EP" on MATHEMATICS, GIORGIO LUCERI returns with an amazing debut full length album. Combining classical keys with the old and new sounds of electronic music, he creates an atmosphere perfect for dark club floors, open air festivals, and afterhours. 10 tracks total.

Dual is the debut EP by Sampha, out July 22nd 2013 on Young Turks.

Following the low-key online only release of Sundanza in 2010 plus his noted collaborative work with Jessie Ware, Lil Silva, SBTRKT and Koreless, this will be Sampha's first full solo outing. 

The record was put together over the last 18 months in the gaps between, and time after, an intense touring schedule with SBTRKT live. Working from his childhood home in Morden, the tracks were written, produced and mixed by himself in isolation. Offering an intimate and idiosyncratic glimpse into his artistic intent the EP, which includes 'Indecision', showcases Sampha's talents not only as a vocalist but more broadly as a songwriter and producer. 
tracklisting:

After releasing some tapes from the USA's I†† (eyedoublecross) we present their debut LP. Extremely limited just 100 copies. I†† fuse together the industrial technoid dub of Scorn, the glorious feedback of prime My Bloody Valentine and the magickal music of Coil.

808 master Addison Groove is back with a fresh new EP. This time not on a solo mission, but with Bristol´s finest Sam Binga. If you would like to pigeonhole these tracks into a genre, good luck, we ain't gonna try! If B1 "11th" sounds somewhat familiar to you, you might have heard it on Radio 1, or on Kode 9's brand new Rinse FM Mix CD. There's also a good chance you already heard some of these tunes in sets by D Bridge (EXIT), Kasra (Critical), B Traits, Om Unit or Fracture. Now these 4 gems are finally out on wax and digitally.

"Bouncing 808s at 170, but it's not jungle... chopped up vocals but it's not footwork... all I can say is - first we lean widdit, then we rock with it!" - Sam Binga

One year after the first excursion into his haunting world of sonic spaces on the Analog Amputations EP, machine wizard CVBox strikes back on Uncanny Valley with the follow up "Trawler Crossing". And from start to finish this EP is a journey between Techno and Ambient full of unheard noises and grasping rhythms. In the title track the beat rides on spooky pads that flow down like lava from a volcano. The more the whipping drums come into play, the more captivating the atmosphere evolves. "Echo Place (Canyon Version)" is CVBox in pure beauty. Starting with quirky synth-sounds that seem to talk to the listener, a dubby bass driven groove takes over to unfold an adventurous Techno track in all its glory. On the flipside "Leo on LFO (Accordion Partition)" takes its time to build up into an epic Electro track that is distinguished by the acidic synth-bass and outshining strings. The collaboration with his musical soul mate Micha Freier marks the end point of the EP. "Remind 20 : 3" is a dreamy slow burner that seductively puts its arms around you after all. The cover artwork was created by photographer Felix Adler from Leipzig.

After several digital references and with great effort, we are pleased to present our first release on vinyl. TBA is the title of this release that holds the participation of Eiht, Hanchi, Scalameriya and Astronomical Telegram. The Colombian label Moleskine Music expects continue to strengthen vinyl limited edits. Vinyl only!

Kript 432 Hz EP is composed by three Tracks: Two experimental and one Techno set in the middle of the vinyl. It arises with the aim to reveal a theme which has been investigated since many years both by the musical and scientific theory: the Universal Frequency (432 Hz).

Hieroglyphic Being's second release for Alter, compiling three choice cuts from last years 'Man With The Red Drum' transmission. Rough and distinctive production with melodies that twist into psychedelic wormholes, raw kicks and toms that are as hard and tight as walnuts. Yellow vinyl.

With Volume 5 of the Club Constructions series we introduce Hysterics, a new project from Philip Gamble, better known as the breakout Night Slugs producer Girl Unit.

While G.U. continues to exist in a bright digital universe that stretches beyond the dancefloor, Hysterics lives in the club. Hysterics tracks are reductions of visceral percussion and bass that connect with our basic instincts.

The three cuts on this volume are the result of an experimental production processes, incorporating tape feedback, raw drums punched in manually and percussive parts that are allowed to take unusual lead roles.

The resulting recordings are intricate but highly robust rhythm trax - the oppressive EBM-tech of "Pleasuredrome" juxtaposed with a show-stopping DJ tool in "Code Switch". The tracks sound like heavy industry: pistons, valves and and exhausts pumping and hissing, hammers pounding.

But as machines they are not self-powered - the sound of human exertion is ever present: heavy breathing and gasps as each track is operated manually, man intersecting with machine in a collision of steam and sweat.
Club Constructions is a series focusing on rhythm tracks, wild DJ tools and stripped down music made directly for the dance floor.

limited lila marbled vinyl!

Fun fast paced, hypnotic jacking track by 19.454.18.5.25.5.18 with remixed versions by Serge & Tyrell. We just couldnt resist to press some copies of these tools so we can play it out loud from vinyl! ltd cloured copies!

The follow up to the sell out debut. Essential sludge for the clubs!

After taking us on a hellish journey through the dark corners of the human psyche on their debut EP for the freshly minted Copicat Tracs, Watkins and Almadovar return with another set of nefariously charged tracks on ultra-black wax. We're still none the wiser as to who this diabolical duo are. In fact, it's more of a mystery than ever before. They're sound is one drenched in ethyl poisons, the result of a grim pact between two old shooting buddies to be executed before the final days of the alcoholacaust. One can only imagine this gnarled pair holed up in a lodge in a remote part of the Scottish Highlands, twisted spines hunched over machines inscribed with words written in an ancient and forgotten tongue, the smell of whisky so strong it closes the throat. This new trip sees Watkins & Almadovar in a somewhat reflective mood: whether they're reflecting on an old encounter with an African Death Cult, or a visit to Boleskine House to uncover the lost writings of Crowley is anyone's guess...

Side A is a jacking, industrial burner, and if Rock N Roll is indeed the music of the Devil, lord knows who this crust belongs to. The brooding chords of the first chapter make another appearance here, underpinned by a maddening rhythm culled from the cogs of a real horse rotorvator. Side B gives us a slice of ye olde Black Bleep and traditional Samhain Acid. Funk for cunts that operates between the physical via ritualistic body popping and the third mind. What would shed further light on the meaning or origin of all this bad vibin' would be the fact that all of these tracks share the name of "Darvaza". Budding geographers out there will know Darvaza as the colossal natural gas field in Turkmenistan which is also known as the "Door to Hell". While Soviet petrochemical scientists were drilling for gas there in 1971, a large area of ground collapsed beneath the drilling rig. Hazardous gases were released as a result, and to put a lid on the problem, the scientists decided to burn it all off by igniting the gas, expecting it to burn off within days. To this very day the Door to Hell is still wreathed in flame. "The pungent smell of burning sulfur pervades the area for some distance". Aye, sounds about right

Amazing release feat three remixes of Bigfire's 'General of the Universe' on the Japanese label of the same name. The A-side is courtesy of none other than Robert Armani in full Chicago-style jackin' effect, it's a bomb people, be warned!! Flip then for deeper but still epic remixes from Hawkinson and Beroshima, all packaged in a really cool full-colour picture sleeve and everything adds up to a record that is not to be missed.

Supported by:
RICHIE HAWTIN, DUBFIRE, ADAM BEYER, UMEK, LEN FAKI, SPEEDY J, ALAN FITZPATRICK, SLAM, JOSEPH CAPRIATI, GARY BECK,
SECRET CINEMA, SIAN, STEVE PARKER, TOM HADES, SUBFRACTAL, LOCO & JAM, ROBERTO CAPUANO, SPACE DJZ, AXEL KARAKASIS,
TORSTEN KANZLER, BODYSCRUB, SUTTER CANE, JASON FERNANDES, MIKAEL JONASSON, SUBMERGE, ERPHUN, SNELLO, XPANSUL,
SPARK TABERNER, ANDRES GIL, A-BROTHERS and many more!

'Whoever's in charge of A&R at Anjunadeep deserves a pay rise' Resident Advisor
"Anjunadeep is representing the deep emotive end of electronica and house better than anyone else right now." Tom Middleton (Global Communication)
Dedicated to deep electronic grooves with emotion, soul and melody, Anjunadeep holds a unique position within today's dance music world. Picking up rave reviews everywhere from Resident Advisor to DJ Magazine, the label's releases regularly feature in the sets of the world's most respected DJs (Solomun, Breach, John Digweed and Kerri Chandler are just some of those who have supported over the past year), and are always just as likely to sit perfectly on the Sunday afternoon home stereo as the Saturday night dancefloor.
An A&R hotbed, the label is celebrated for releasing the debut artist album from Dusky (2011's critically acclaimed 'Stick By This') - a duo that have since been described as 'the toast of the UK underground' by Resident Advisor - as well as nurturing talents such as Matt Lange, Martin Roth, Beckwith and Andrew Bayer.

In the fifth instalment of their iTunes Dance Chart-topping series, Anjunadeep shows off its current crop with two mixes that journey across ambient electronica, deep house, modern garage vibes, and spacey techno.
First up is label boss James Grant, whose annual compilation mixes are eagerly anticipated by the Anjunadeep faithful - with good reason. Beginning on the beautiful chilled electronica of Croquet Club's 'Cardigan' (supported on BBC Radio 1 by Zane Lowe), Grant's mix is loaded with exclusive original material from Dusky, Vincenzo, Tom Middleton, Beckwith and DAVI.
Also featuring the exclusive Andrew Bayer & James Grant Remix of 'It's Cool' by Australian indie-electronic outfit The Presets and two standout tracks from new talent Universal Solution, Grant's mix is a measured and character-filled blend of modern melodic deepness.
Next, we welcome Bristol's Jody Wisternoff to Anjunadeep mixing duties for the first time. One half of legendary dance act Way Out West, Jody has spent over two decades behind the decks and his monthly Intensified podcasts are a treasure trove of modern classics from across the house music spectrum.
Bringing that sensibility to his first Anjunadeep mix, Wisternoff's CD is a blend of sunshine-soaked deep house (San Francisco talent Lane 8's brilliant 'Be Mine'), melodic deep house (Alfred Taylor's 'Kuza') and Good Looking-esque liquid jungle atmosphere (check Jody's own rework of Skanna's '93 jungle classic 'This Way'), with a garage curveball from current hotshots Leftwing & Kody and some deep washed out techno from Matt Lange and Andre Sobota along the way.
CD 1 / James Grant


















CD 2 / Jody Wisternoff

Raudive, the prolific DJ and producer also known as Oliver Ho, has been putting out a stylistically diverse range of music for nearly 20 years under these guises and various others, on a plethora of labels including Blueprint, Drumcode, Poker Flat, and his own Meta. For his 'Last' EP on Halocyan, Raudive has delivered a pair of absolutely uncompromising electronic works. Although this is perhaps Halocyan's most experimental release to date, the tracks all retain a dance sensibility. Title track 'Last' builds a fantastical techno narrative over beds of cold, precisely controlled reverb and insistent, crucially positioned percussion. A small set of sounds lock deftly into place in various formations, expertly building tension and intrigue as they coalesce into a surpsingly expressive journey. Al Tourettes and Appleblim take the original and add some colorful techno bounce to their remix, twisting the original's stern bassline into something more fluid and fun. B-side 'Dumb' operates on little more than a strict, pummeling 4/4 beat and subtle, metallic harmonies to create a deranged and acerbic techno lobotomy, with a pitched-down, barely decipherable voice lording over the proceedings. Steve Moore (of L.I.E.S., Zombi) takes 'Dumb' and ramps up the darkness, crafting a John Carpenter worthy atmosphere of terror, paranoia, and dread, custom-tailored for the dancefloor.

Limited to 100 copies. Small art zine included

Sam Walton is a 22 year old producer from Manchester who came to Hyperdub after feeding them demo tracks, and started off in 2011 with the 'Walton EP', the first of three EPs for the label. Since then he's honed and developed his music into 'Beyond', finding a really fresh and subtle intersection between music that doesn't seem to naturally fit together, old eski grime, funky and Detroit house and techno but with smudged edges and a colourful industrial sound palette that gives a real richness to his productions. Walton's music is never sombre or angry, but is about subtle combinations; there is an appealing, soulful sensuality to his beautifully crafted and joyous music. He says of the album 'I just wanted there to be a contrast between bright and dark, I didn't want to stick to a specific genre either. Just a vibe.' Walton's young enough to hear older elements of dance music with fresh ears - a recent Hacienda reunion was an ear opener, hearing the stripped back power of acid house for the first time influenced some of the music on 'Beyond', in the way that a handful of contrasting elements can be placed together to create an exciting whole. Tracks like 'Need To Feel' find this idea in action, this catholic but balanced take on production working in effect, with funky basslines, garage woodblocks and ambient atmospherics. On 'Can't You See', grimey kicks and claps are pitched against swooning, trancey strings, and 'Every Night's tough grimey synth horns work in tune with echoed guitar licks and pumping kicks. Or check the way the clanking metallic drums and 3D atmosphere of 'You And Me' contrast with warped diva giggles. By contrast, a tune like 'Memories' will wrongfoot you with a long, detailed intro before breaking into a track that cuts between old school grime and bitter sweet house stabs, as will 'Grit's whipping snares, strange rotating bleeps and snaking bassline. 'Frisbee' again works with a grime pallette, a sparse, inventive soundscape of huge car door slams, weird squeaks and crackles, and a four note melody, while 'City Of God's reverb laden, depressed beatlessness evokes a feel somewhere between grime and dubstep. Alternately recalling familiar dance music but created with freshness and enthusiasm, Walton's vision is a welcome and highly enjoyable mutation.

Jeremy from Junior Boys collaborating with some Canadian modular synth masters on some great techno tracks ...
æ - Jeremy Greenspan & J Borys
ø -  Jeremy Greenspan
œ - Jeremy Greenspan, J Borys & Christina Sealey

Sui Generis's sound is born from a love of underground London basement raves such as Jaded at (Cable) and Fuse (93 Feet East).
His music draws as much inspiration from those hedonistic parties as it draws from the early foundations of soulful Chicago house
music and dark, techno influences from Detroit.
Sui is receiving early support from key figures such as Jackmaster (Nmbrs), Eats Everything, B Traits (Radio 1), Breach (Naked
Naked), Dusky (Schl Rcrds) and Route 94, whom he has been collaborating with on projects that are forthcoming on Mansion Music.
Skream recently included a number of Sui Generis tracks in his recent Miami mix compilation together with house veteran Pete Tong
on Defected Records.
Up next on Mansion fresh music from Ivory D'or, Electric Apache and Sui Generis Vs Route 94.

Berlin resident Call Super (aka JR Seaton) provides the debut release on the Houndstooth label with his four track EP, The Present Tense. On the A-side  Threshing Floor pivots on the heavy 4x4 kick, with Seaton cloaking it with swathes of sound that shimmer and pulse  and yet  Leosengor is almost the antithesis of that approach; all bubbles of synthesizer, stuttering stop/start drum patterns and woozing melodies that melt through the spaces the drums create. In fact, the whole EP is a multitude of approaches with  Siglo Gray Vision and  No City Of Choice on the B-side further fleshing out the Call Super arsenal with morphing drones and sprawling dial tones on the former, and huge chunky drum textures prevailing on the EP closer.

After re-releasing their Spark Plug EP Tim Grothe and Heron directly introduce the first package of remixers on it.
DJ Shufflemaster, Woody McBride and The Kooky Scientist team up for rework the originals.

After the Mega-Hit Edelknarz (Supported by Dubfire, G. Ananda, Hanne & Lore, Stephan Bodzin, Richie Hawtin, Mauro Picotto, Laurent Garnier etc.) here comes the next Vinyl-Charts-Bullet from Keymono Music. The About Me EP by Kanzler & Wischnewski includes Remixes of Holgi Star (Kiddaz.FM) and Mike Wall (Lordag, Orphik). The Genres of the 3 Tracks are Techno and Tech-House.
Supported by Luciano, Dubfire, Gabriel Ananda, Stephan Bodzin, Hanne und Lore, Andreas Henneberg, Rene Bourgeois, Franco Bianco and many more

UTTU TAKE YOU ONE STEP BEYOND... ESCAPE TO FOREVER WITH THE LORDS OF MIDNITE!

UTTU step once again where many have feared... the Unknown! This time on a quest to unearth the LORDS OF MIDNITE, a sect of humanoid aliens lost for generations and almost erased entirely from the history books. US military droids were tasked with an expedition to discover the lost rhythms that some consider the key to existence. Discovering that all that remained were 3 lost audio maps & shocked to discover the messages hidden within, UTTU have achieved the impossible and are finally making these transmissions available to the wider public, May 2013...

The next release on Lo Note UK sees the second installment of Excursions, Lo Note's 10" series focused on the darker, more experimental sounds in underground electronic music.

Excursions 002 sees unknown London producer Tum Hulbruk make his debut with these two dark, stripped back cuts of raw mutant techno. Intricate sampling, complex rhythms, and an awareness of space suggest a maturity beyond his years and a producer who has already developed his own unique sound.

Tough dancefloor beats for the heads.

Support from South London Ordnance, Kutmah, Paul Pre, Thefft, Last Japan, My Nu Leng

...hold tight....new Population One material, on Mr Terrence Dixon's own label. Seriously classy, abstract techno, excursions that sound-clips cannot really do justice..... He's on his A game here! GENUINE TIP!

After years sound tracking the dancehalls of Bristol via their considered selections as DJs, brotherly pair The Kelly Twins add label bosses to their CVs with the establishment of Happy Skull. The label kick offs in illustrious fashion with a collaborative release between two of Bristol's most interesting producers, Kowton and Hyetal. Adopting the name Systems Of Desire, the pair worked on a track together, before going off to produce their own individual versions entitled "Control" and "Consumption"; the results are exactly the intriguing cross between Kowton's raw, crunchy, grime influenced techno and Hyetal's glistening synth work you would imagine.

Limited white label - quantity restrictions may apply Hand stamped sleeve and centres

The second release on the AnD white label series consists of 3 heavy industrial techno tracks.
'002' is first up on the A side with distorted broken kick drums and textured percussion parts weaving their way through the syncopated high end sequences - reminiscent of the mid 90's Birmingham sound.
'0202' hits hard with a 4/4 kick drum that twists and turns alongside mutant swung percussion and psychedelic synth lines.
'0222' delves into a deeper and more experimental side of techno - playful synths move the track with metallic textures and stepping drum patterns taking you to a dark and subterranean world... Mastered by Matt Colton at Alchemy Mastering

A new Warm Sounds... nothing to add... don't sleep!

Glasgow based imprint Tribal Pulse launches this July with 'Temujin' by Boom Merchant,
backed with a remix from Pole Folder.
Boom Merchant was born in Ireland, raised in Spain and now resides in Glasgow, the hometown of
Tribal Pulse. Merchant grew up on a diet of Detroit Techno, House and generally futuristic forward
thinking sounds, which is evidently apparent in his own productions. Tribal Pulse therefore is a fitting
home for this new release, as the label sets out to deliver deep, pulsating electronic rhythms
designed for the dance floor.
The release kicks off with the original of 'Temujin', the track features warbling Tuvan throat singing
sounds, broken 909 style rhythms and progressive melodies. Acidulant steps up next with a raw,
penetrating interpretation of 'Temujin', employing dark bass tones, organic rolling percussion and
tension building strings. The track takes on the form of analogue acid house with some contemporary
sprinklings.
Last up to close the release is Pole Folder's rework of 'Temujin', the Bedrock artist takes things deep
with marimba style melodies, crunchy digital drums and bubbling atmospherics.

"Sundog" by french producer Johannes Regnier was a massive but bloody underrated track this summer - when i heard it recently at the Innervisions-party on the Berghain-floor i felt confirmed about this dude's big potential. Meanwhile he moved from Paris to Berlin and his first studio in town was located in a street called Wiesenweg. There Johannes met Alexander Antonakis, an excellent and well known DJ from Frankfurt for some sessions - the result you can hear on this "Wiesenweg EP": Even deeper but with the same forcing elegance. "You can't buy happiness" is a detroitish chord-monster with an amazing vocal-loop as main theme. A true jam for the peak time. "Wiesenweg" slips more under the surface while catching you with beautiful strings and a balearic synth in best "Sueno Latino"-tradition. I still love the break after a thousand hearings, emotive! "Deep Voices" is a slow and pure house tune for all 909-lovers out there. In a stoic manner it goes on and on and you wish it will never stop. More is less! Since "Wiesenweg" would be called in english literally something like "meadows way" it is obvious that THC 02 comes in a nice green sleeve and extra thick green wax - a special postcard included. Enjoy summer in wintertime ...

Played and Supported by Chris Liebing,Luke Slater,Speedy J,Tommy Four Seven,Audio Injection,Drumcell,DVS1,Norman Nodge,Technasia,Shifted,BCR Boys,Samuel L Session and more.

Rhein-Main based tag team Diggler & Franksen go back some way in the history of Frankfurt's electronic scene. Around 2000 Diggler honed his reputation as a master of dubby techno for a whole decade. His early tracks like 'Boogiemonster' are blueprints of cool. Period. Today he is still rollin' out crisp and deep techhouse beats that combine musical finesse, compositional tension and club appeal. Having released about six albums and countless tracks n remixes for labels from Raum...Musik to Cocoon and from Resopal to Level Non Zero, Diggler is still on the hunt for the proper dose of beat hypnosis.

white vinyl

We start with "COFFIN TRAIN" which spirals in a deep, dark state of techno with a catchy acid loop. On the flip, "COFFIN TRAIN GETAWAY" is like the original but with more snares and more dynamics.