Techno News

wieder zwei geile pumpende tracks + eine darkes electromonument !!!

diesmal von niemand anderes als luke slater !!!

sehr fette oliver lieb produktion technoschranzrhytmus mit geilen flächen !!!!

vier unterschiedliche tracks machen die scheibe zu einer runden sache !!!

pumpende technotools !!!

robably one of the very best from FKY, with a ruff heavy cut!

finally repressed!

Repress on a White solid vinyl.
With a new visual.

A great classic from FKY... the first one actually !!

enjoy !

finally repressed!

schöne technohousetracks !!!

Back to the vinyl rules, Spectral Rebel is proud to present its collaboration with the Dutch duo Abstract Division, featuring two originals and two remixes by Mike Storm and Re:Axis.
The good architecture of "Convergent" opens the EP with a slow but strong climax, hypnotic rhythms and ambient sounds create an elegant atmosphere, surrounded by a resonant voice.
"Divergent" shows a deeper concept of techno: the emotional melody keeps the track into a new landscape, merging with a heavy basslines.
Mike Storm is a familiar name to the label. His remix reshapes the original track "Convergent" and takes us into an interstellar trip through the cosmos. The atmosphere is intense.
Re:Axis version of "Divergent" is a high-energy piece and it's definitely the powerful techno punch of this EP. Classic drum sounds combine with vibrating kicks and some loopy cuts.
SPR007 is an ecstasy for ears and a proper bang for dancefloors.

MANUEL LAURO / FAZE MAGAZINE
Blasting!

LAURENT DIOUF / MCD MAGAZINE, WTM RADIO SHOW, WRECK THIS MESS RADIO SHOW
another wtm's playlist is coming soon...,)

GRANT PATERSON / EDINBURGH EVENING NEWS, THE GUIDE, FNOOB
superb release, this is killer

LOUK / ZONE MAGAZINE, 24/7, RTE 2FM, SONIC SESSIONS
Both originals for me!

SCANMODE / DJ MAG SPAIN
re:axis for me

FARCEB / MINDTRIP
Mike storm remix is amazing!

MOTIONEN / ASCETIC LIMITED
good stuff. Divergent original and Re:Axis remix for me! Thanks.

DENITE / DIYNAMIC, GET PHYSICAL, THIRD EAR
Divergent is nice. Thanks for the Music!

WERC & ROOT NOISE / MUTTED TECHNO
Great EP Favorites: Convergent, Divergent (Re:Axis remix)

KHEN / LOST & FOUND
re:axis remix for me here thx

RICHIE HAWTIN / MINUS, RICHIE HAWTIN
downloaded for r hawtin

CHRISTIAN SCHMIDT / SUBCULTURE
re:axis remix for me, thx

CHRIS LIEBING / NOVAMUTE, CLR
Thanks!

AXEL KARAKASIS / REMAIN RECORDS
downloading, thanks!!

MARKANTONIO / 1605, ALCHEMY, IMPACT MECHANICS, LOOSE RECORDINGS
Downloading for Markantonio...thanks for the music!!!

SLAM / SOMA RECORDS
thanx

DUSTIN ZAHN / ENEMY RECORDS, DRUMCODE
really like both versions of Convergent!

MARCO BAILEY / MB ELEKTRONICS
Many thanks!

PAUL RITCH
SUPER EP as always also great remixes

LUIS ROZALEN / CLUBBING SPAIN, BEATBURGER
Tight1

LINOS VIAPASCAL / REPUBLIC 100.3FM, OZON
support from Greece

LUIS REHMARK / ELEVATE RECORDS / SPARK MUSIK / WORLDSOUND SERIES
re:axis will play

ANDREW TILL / MACHINE, FNOOB
Strong release, Loving the original mix of Divergent and both the remixes ... will play. Thanks!!

JOSEPH CAPRIATI / ANALYTICTRAIL, FRANKIE, CMYK, LOOSE, MINIBUS
downloading for joseph capriati, thanks !

ILARIO ALICANTE / COCOON RECORDINGS, ALPHAHOUSE, BOSCONI, PRISM
Downloading for Ilario Alicante, thanks for the music!

PFIRTER / MINDTRIP MUSIC, AUDIO ASSAULT, CLR, FIGURE, KRILL MUSIC
mike storm remix, thanks.

DJ CARLIO LIO / RAWTHENTIC MUSIC
cool ep

WEX 10 / NAKED LUNCH, PLASTIQ, LOST DEMO
Mike storm remix is very nice

AURELIO CIANCIOTTA / WICKED STYLE
well done...

SANDRA MOSH / SWEDISH NATIONAL RADIO / MOSH MUSIK
AWESOME! Both original tracks and remixes!

MILAN GETO / THE CLUBBER
Quality release! Thanks

HOURS / MIXMAG DE, LEHMANN CLUB STUTTGART, AGENTUR LEHMANN
Divergent for me. Thanks.

KRISTIAN HATTON / HAARP MEDIA
cool thanks

MISK / ALTROVERSO
playlist + review in altroverso

GREG GOW / RESTRUCTURED
mike storm remix for me

DUKE SHIN / FREELANCE / FREAKEASY, BAD ADVICE, DARK + DEEP
Tough stuff!

RIYAZ KHAN / CHRY 105.5FM
SOLID rollers - especially like the pulsating title cut (Original Mix)!

SEBASTIAN / F.A.R.E.S / BASS AND SPACE
perfect techno tunes, thanks!

AZTERISCO / AZTERISCO
Nice originals

MATTEO PITTON / DIFFERENT GROOVES, WHEN WE DIP
"convergent original mix" is my favorite, thanks!

DON RIMINI / MENTAL GROOVE RECORDS, RISE RECORDINGS, NO BRAINER RECORDS, FOGBANK RECORDS
Re axis

electric rescue
really into abstract division sound
thanks'

Darren Quail
Divergent is the one here! thanks!'

Joaquin Ruiz
Total Support ! Thanks for the music !'

Fundamental Interaction
Solid stuff here, thanks'

Mark Sherry
Liking Convergent..thx for adding me guys'

D-Leria
nice EP!
thanks for the promo'

XHEI
Really nice rrelease! Mike for mi here! But Albun
Complette is Great !'

Hans Bouffmyhre
Convergent is a really nice track. Support!'

Arjun Vagale
excellent release - diggin Mike Storm remix the most'

Manuel Di Martino
Nice EP !!
I love so much Mike Storm's version.'

Kill Ref
SOLID EP. Thanks.'

Timmo
convergent is very cool!'

Marc Troit
Great tracks here, full support on the whole ep.
Thanks for the music!'

Remco Beekwilder
Hypnotic stuff :)'

El Grego
Really cool EP !! Re:Axis rocks'

Sigha
lovely release, many thanks for sharing'

Marcel Heese
mike storm remix is my pick. thanks!'

Samuel L Session
good solid scifi belters'

Gandalf
Very nice ep! Like a lort Mike Storm Remix'

Luca Agnelli
great pack'

Spin Diva
Great release'

Krenzlin
huge ep thx'

Joseph Capriati
downloading for joseph capriati, thanks !'

Stephano Infusino
Amazing release, love all mixes! thx'

Sasha Carassi
solid!'

Drumcell
nice EP.. Mike storm remix for me !'

Juho Kusti
thanks!'

Andres Gil
good release!! love all stuff, thanks!'

Dave Miller
Nice to be part of this project!'

ryogo yamamori
nice ep'

AnGy KoRe
massve stuff,thank you!'

pär grindvik
Love it! especially the A1, thanks'

Kaelan
Really nice stuff here. Will play !'

Marco Bruno
Great package, thanks!'

Richard Hawtin
downloaded for r hawtin'

paco osuna
Will try thanks ,)'

Arnaud Le Texier
Some great tracks. Thx'

Coefficient
Love the two Abstract Division tracks!!'

Boston 168
Thanks :)'

Ben Klock
Nice stuff. Both Divergent mixes are my favorites here.'

Olliver Fandino
Great work from Dave and Paul! Both strong original
tracks and the remixes turned out really well!'

Nino / Misk
playlist and support in altroverso'

Dave Manuel
support!!'

Godiva
Good job on all, really like both originals!'

Vegim
Convergent original is the one for me. Thanx'

Deepbass
Excellent, support for all tracks'

Jeff Rushin
Thanks! Nice tracks, will play.'

Ness
solid one from the boys, enjoyed it. thanks'

Bodyscrub
super release, love it'

Different Grooves
convergent original mix
thank you!'

Bodyscrub
Super release, love it'

Beat Movement
Thank you! nice stuff!'

Damon Wild
Great tracks..will for sure play!'

ben sims
all very playabe, thx!'

luigi madonna
nice ep, thx'

AMPLITUDE RADIO
playlisted on www.radio-amplitude.fr'

Adriano Sarria
great taste!!! thanks'

Steven White
Re:Axis mix works best, thanks for sending :)'

The-Zone Radioshow
Thanks for the music! Support from The-Zone Radio!"

A Thousand Details / Quantic Spectroscopy
Great EP! Originals and Mike's remixes are dope, will be
supporting them! Thanks!'

Shifted
Quality throughout.'

Alex Bau
re:axis remix is really nice and perfect for my sets,
however the rest is big too!'

Danny Tenaglia
Thanks! Support!'

Drum Complex
Re:Axis for me'

SLV
support!'

Aiken
great!!'

Ryan James Ford
Divergent for me!!!'

GoldFFinch
dope, original and remixes !
thanks'

Roberto Clementi
Convergent is nice, thanks.'

Luke Slater
support for this one thanks'

Audio Injection/Truncate
Solid cuts thanks'

Flug
Great EP, thanks for the music.'

Florian Lillpopp
Gread thriving techno.'

Submerge
Solid release thanks.'

Jonas Kopp
Mike Storm Remix , thanks.'

DJ Emerson
support'

Uakoz
Convergent for me,
Thanks for the music!'

Marcel Dettmann
thx'

RVDE
So mental! thanks for promo'

Paul Langley
great melodies'

Kevin Arnemann
Gonna try that Re:Axis remix - thanks!'

Christof Schiller
Nice atmospheric techno.dark and pushing.love it!'

The Welderz
Perfect EP love all tracks! Thanks!'

DVS1
thanks'

Klaudia Gawlas
will play! thx!'

ADSR SPQR debut on Scuderia with their first release "This Is Religion". Formed by Italian master of techno Luciano Lamanna together with the famous tattoo artist Luca Mamone, ADSR SPQR will take you back to the 90's with 3 hard-core anthems that will crush your skull. Violent, raw and dirty like the streets of Roma, it comes in limited edition 12", 160gr black vinyl. Get ready for stage diving

Available Technology and Gary James Geiler of ovis aurum.

The Spinning Plates imprint returns this October with Club Winston’s ‘Guzzle’ EP, comprised of four gritty club workouts from the London artist.

The UK’s Club Winston has been steadily unveiling a series of tripped-out club ready cuts via his own UKGEORGE label over the past few years along with remixes from the likes of D.Tiffany and Tim Reaper. Here though we see him join the roster of Spinning Plates with his latest collection of works, an imprint that’s played host to material from the likes of SHKN, Neksha, Andy Rantzen, DJ Spider and Bruno Schmidt since its inception in 2015.

Title-track ‘Guzzle’ leads, laid out across five minutes with a menacing arpeggio bass lead, howling atmospherics and crunchy analogue drums. ‘Hell’ follows and tips the focus over to heavy doses of sub bass, intricately dynamic, modulating drums and intense swells of processed synths throughout.

Opening the flip-side is ‘Chart’, upping the energy levels with a pacey 4/4 drum groove while twitchy resonant synth lines, low-end pulsations and cavernous reverberations ebb and flow throughout. ‘Partook’ then rounds out the release, a cinematic ambient composition which lays focus on swirling, textural pads, glitched out resonant bleeps and fluttering low end hits.

on limited blue vinyl !!

“This record is dedicated to my good friend Mike Huckaby. He planned on remixing "Incineration of Years and Truth" back when I originally made it in 2011, but we never got around to actually making that happen. I'm also honored to have my other close friend Phil Moffa on remix duties. There were many sessions in Phil's studio (Butcha Sound Studio, NYC) where we used to jam with Mike whenever he would come to New York to DJ or hang out. We used to play with synthesizers for hours. We were all good friends and it was perfect to have Phil on this record as

well! Mike taught and inspired us to have fun with making music and push ourselves to be the best that we can be. We will love him forever.”

Rob Hampton, better known to most as DJ Spider, has been releasing his twisted take on Techno and experimental

electronica for over a decade on the likes of The Trilogy Tapes, REKIDS, Vanguard Sound! and Berceuse Heroique as well as his and Dakini’s own Plan B Recordings and its sub labels BTU and Sublevel Sounds. Here he joins the roster of Spinning Plates, the London-based label that’s established itself as a go to purveyor for leftfield leaning Techno, Electro and more.

Title-cut ‘Hyperspace Wardance’ leads and employs DJ Spider’s typically dynamic, brooding and robust style via clattering percussion, eerie pads, murky bass stabs and tension building atmospherics. Phil Moffa’s take on ‘Hyperspace Wardance’ follows, adding a lighter touch to things, bringing the pads to the forefront alongside a shuffled drum groove, snaking bass line and resonant synth licks.

Opening the flip-side is ‘Space Aggressor Squadron’, a six minute workout fuelled by squelchy acid lines, swelling pads and crunchy, distorted rhythms before ‘Incineration Of Years And Truth’ completes the EP, edging things into a dubby territory courtesy of smooth chord sequences, spiralling echoes and bumpy, reduced drums.

After the amazing release from Kwartz and Hector Oaks, we are very pleased to have on vinyl Filip Xavi, young Belgrade artist with a lot of potential, not a newcomer on Sonntag Morgen. He shows 3 mental, hypnotic and banging tracks...and to complete the ep we have the honor to have on board Dasha Rush, with an outstanding remix!

Continuously defining his unique composition skills over the years, Gábor Lázár shared a first release with Russell Haswell for his now defunct imprint Last Foundation, quickly followed in 2014 by the album I.L.S. on Lorenzo Senni's Presto! label and EP16 on The Death of Rave, before collaborating last year on a joint album with Mark Fell The Neurobiology of Moral Decision Making, also released on The Death of Rave.
Mostly pieced together in 2015, but utilising material made as early as 2011, Crisis Of Representation forms a direct continuation of Lázár's increasingly incisive composition techniques, offering 7 pieces (+1 bonus on CD) which unknot the same nasal drip motif in myriad permutations of possibility. With that in mind, it's not difficult to draw an economically short line from his to Mark Fell's music, but where Fell's Linn grammar and SoYo accentuation tends to clip itself, Lázár's compositions ribbon off into unnaturally fluid flights of mercurial, polychromatic acrobatics.
We could imagine that this deeply abstract yet soberly conceived techno sound is antithesis to causal listening. But, if you're game enough to follow Gábor into the wormhole, and have the head for incredibly intense, elusive sonics, then you'll be embraced by a unquantifiably psychedelic experience quite unlike any other, where notions of "proper" musical convention are upended and rhythm, pitch and tone become fused by your head into scintillating psychoacoustic formations of perpetual tension and amorphous resolution.
If you're into sound design or the rave reductions of Lorenzo Senni, this one comes highly recommended









only)

Following His Recent Release On The See Double Va, Rising Talent Josh Baker Finds A Home Once Again On Luca Cazal And Brigante's Imprint With His Explore Ep. Original Fuse London Resident Rich Nxt Is Also Onboard To Deliver An Elevating Remix.

First Supported By Romanian Master Barac, Title Track Explore Is A Surefire Weapon For The Dancefloor. Jaxn's Breathy Vocals Effortlessly Complement The Peak-time Bass And Glistening Hi-hats. On The B-side, Rich Nxt Adds A Funkier Bassline And Light Keys For His Rework Of The Title Track. The Ep Closes With Black Lines, A More Formidable Number With Baker Employing Darker Elements Into His Production. The Talented Producer Explains After Receiving Some Exceptional Vocals From Jaxn, 'explore' Wrote Itself. I Wanted To Create A Real Peak-time Song, One Suited For All Spaces And I'm Happy To See It Get Consistently Road-tested At Dc10. 'black Lines' Is A Moodier Acid Track That I Feel Compliments 'explore' Massively.'

Since The Tender Age Of 16, Josh Baker's Passion And Enthusiasm For House Music Has Grown From Strength To Strength. The Young Manchester Producer Also Curates His Own Successful Night, You&me, Which Has Since Gone On To Take Place In Leeds, Newcastle And Ibiza. His Musical Output Has Garnered Support From Big Names Such As Apollonia, Richy Ahmed, Ben Rau And Rich Nxt.

It seemed obvious that a club such as 'Le Spartacus' would eventually launch its own label. For their debut EP, club residents Medeew & Chicks Luv Us decide to partner with Mesrod & Avner to create 3 tracks filled with Deep & Dub Techno sounds. To complete this release, Jun Akimoto brings his savoir-faire with a Dub remix that only he could have mastered. 300 limited vinyl !

London label Spinning Plates is fast becoming one of the most consistent labels on the scene. Following on from the brilliant sophomore release, which featured Andy Rantzen and Bruno Schmidt, will be the debut of Nekhsa, an alias of a renowned veteran producer. Keeping in line with the label's raw, groove-led sound, Nekhsa provides four storming originals and is backed up by two heavy remixes from NYC's DJ Spider, who provides a perfect hazy counterpoint to Nekhsa skeletal grooves. It's a brilliantly minimalistic cut withrich history of electro greatness running through its vein which comes as no surprise upon listening.

When promoting the release of Figure-Ground's 'EP 5', released December 2016 it was finally announced that the previously anonymous modular duo were in fact Dronelock's Alexander Church and Boris Brenecki from Ontal. So now the cat's out of the bag it seems fitting that Figure-Ground should have this outing on the Dronelock / Ontal co-run label, Shadow Story. Add to that a collaboration with one of the UK's finest electronic artists and Figure-Ground fan, Paul Mac and you know you're set for some beautifully worked productions from this trio of talent.

Teasing and playing with the hardware throughout the EP, they've stayed within the realms of techno to create mind-melting and dance floor devastation across 6 tracks. From 'Virtues Values & Venom' itself that opens with gusto, before erratic beat experimentation on 'Eightfold Path', the frenetic 'Digital Dialectic', which also gets a second more staccato outing on Version 2, 'Noble Habitus' with its machine-funk to the subterranean 'Nativism', it's obviously been an enjoyable ride and that translates to the listener.

The 'Virtues Values & Venom EP' will be released digitally and on vinyl as a special edition 12' package that includes a CD and booklet of Figure-Ground's debut album 'Reality Revision'.

Pale Desert is the first release of the Australian born, Berlin based producer Ryen March. The name resonates not only the dry outback of his hometown, but it also mirrors the soundscape of the tracks - being completely raw and sweaty at the same time. The five track strong EP has it's core in the techno swamp but with the aesthetics of punk and EBM.

We're happy to have found a new friend from down under and beyond excited to be releasing March's first EP!

The Berlin-based Party Series "STÜTZPUNKT" are starting their new Label with forthcoming Vinyl "Aleph“. Matrixxman, as well as Stützpunkt’s very own Saturator, - Staím and Tymotica
are contributing to this first release!

The A-Side consists of 2 Main Room-Stompers, „See You In Hell“ takes you on a trip through dystopian worlds, synths pushing you away and pulling you back in before finally letting you go into an ecstatic state at the gates of your destined place! „Dubchord Invasion“ pulls you back out, the chord progressions remind you of old times, sway you into melancholy and then release you into the here and now where you are joyous to be where you are (...)

The B-Side takes a more ravey approach with 2 dancefloor bombs. „Tridems“ drips of energy that feels like it could keep you going forever, changing it up halfway through, surprising you at every turn, fueling you with new vitality at every chord change or new percussion element! „Access Extortion“ marks the finishing point off all that’s good and bad, no matter which road you’ve been on, facing forward into new beginnings, whilst never looking back, dreaming about all there is to come.

Spinning Plates is a brand new vinyl only label set to make wave in 2015. Debuting with an EP by Will & Held and a remix by Prime Numbers owner and highly respected artist Trus'Me. Will & Held use analogue equipment to get their unique sound and say their recording process and focus is on "organic" composition and flow. Experimental, cavernous and non-conformist are words that are conjured up when hearing their take on techno; it's a refreshing and compelling listen.
Trus'Me, the long time house and techno innovator take's a more direct approach with dubbed out chords, fat bass and the original's stunning pianos all coming together in hypnotic and heartfelt fashion. Spinning Plates offer our debut 12" only on 180gram vinyl. Cut and mastered at Curved, London.

For our second release in our catalogue we are proud to present a neoteric collaboration between two artists that have blended their respective musical styles to forge a three track extended play that thoroughly underlines our notion of proposing forward thinking aesthetics On one side we have Wrong Assessment, a young Milanese artist that combines gritty synth lines with rumbling drum patterns, whilst on the other we have M_Rec boss Max_M, a well known and experienced purveyor of the genre that delivers his undeniable touch and contribution to the EP, locking down a solid conception of their take on Techno This three-tracker dictates a path that takes you from the spacey synths you nd on the A side's 'Toe Tag' where the two artists join forces, to the truly captive nature of Max_M's 'Nose Out' all the way to Wrong Assessment's 'Scaphoid' that sums up the three tracks with a dashing rhythm through a percussive use of synthesis.

hammer grooviges technophunkteil !!!

It's time to celebrate, nothing less than 50 releases spread along 17 years of existence. For this very reason we have planned this awesome remixes pack, split in two EP's based in the limited clear vinyl PATTERN SERIES originals and with an amazing digital release including all original cuts of the series not available digitally until now.

The first EP comes with remakes by the hands of Silent Servant, Kanding Ray and Cassegrain.

Silent Servant provides an always dark, always monotonous, always semi industrial and stripped down rework of Color, a wonderful mixing tool. While Kanding Ray ads floating pads and flanging sequences taking the original Form to cosmic new age territories. Cassegrain focuses on the beat content of Texture, making an almost strictly percussive workout aimed straight to the dancefloor.

The second EP features Shlomo's modern approach to Textures, rolling subbass, shuffled grooves, micro drones and lush pads comprise the equation. Maestro Donato Dozzy approaches Color in an old school way, vintage grooves, acid lines and rude sound mixed with resonant sweeps and sci-fi paraphernalia. Chevel offers his own personal view on Form, mixing pads and atmospheres with 80's flavored melodies and weird beats ending in industrial madness, a very unique version.

Made during his travels in Paris, London and Antwerp, the 20 year old Siwei presents the first outing on his own namesake imprint in the form of a three-part series. Each part showcasing his love for endless fidgeting with his modular rack and combining these cinematic and eerie soundscapes with off-kilter drum patterns.

LTD. REPRESS

Leipzig Technoschmiede (Institut für Zukunfts Subktutan &
Leshrac als Arti¦cial Paradise, Tsorn, Templeton, ICS,
Zidane) im Schulterschluss mit Staub Resident Irakli. Ravy
trippy Zeitreise durch die Technogenres.

They have been called, amongst other things, "the best live band in Britain." Their music has graced everything from The Sopranos to The Simpsons, and celebrity fans include Irvine Welsh and the world's biggest selling author, Stephen King. They are undoubtedly the greatest American act the UK ever did produce, and their heady combination of techno and C&W, alongside a proclivity for rock 'n' roll decadence and an acute social conscience means that they are effectively a unique entity in modern music. Exile on Coldharbour Lane is the debut album by Alabama 3, originally released in 1997. The name and cover are references to Exile on Main St. by The Rolling Stones and Coldharbour Lane a major street in Brixton, South London best known for containing several after-hours clubs. Upon its release, the album received favourable reviews, including an 8.9 review from Pitchfork Media. The song "Sister Rosetta" was featured in the film "Barnyard". "Woke Up This Morning" is best known as the opening theme music for the television series, The Sopranos, which used the "Chosen One Mix" of that song.

Arnaud Rebotini (aka Black Strobe), Pionier der französischen Electroszene, feiert mit seiner brandneuen EP ein kraftvolles Comeback. Die 6 Tracks zwischen EBM, Techno und Electronica oszillieren zwischen intensiver Energie und introspektiver Ruhe, spielen mit Kontrasten, wechseln zwischen Licht und Schatten. Sorgfältig ausgearbeitet und mit reichen Texturen durchdrungen bietet sie ein eindringliches und erhebendes Klangerlebnis.

LIMITED COLOURED deejay.de EDITION
Early support by Simina Grigoriu, Bebetta, Alec Troniq, Homebase, Rich Vom Dorf, Nico Pusch, Martin Dacar, Mojito, Dembowski, Richie Hawtin and many more !

Nice new swinging dancefloor release by our homies Arts & Leni and their friends Rauschhaus from Kiel.

Indulge in a delicious audiophile preview with this Appetizer 12" from the upcoming 2024 compilation by Swiss DJ Princess P. This musical amuse-bouche offers a taste of her eclectic sound, in anticipation of her full, richly curated collection.

Swiss DJ Princess P, known for her eclectic sound, has been a dynamic presence in the electronic scene since the 90s. From her early days exploring house music to working at Plattfon Records, she's honed a genre-defying style. Her sets, a blend of savory house with indie and techno, are renowned at clubs and festivals alike, showcasing her deep musical knowledge and innovative spirit.

Half Speed Cutting and mastering by Sidney Meyer @ EBS Berlin Studios (formerly Deutsche Grammophon).

Liner notes by Kirk Degiorgio

Bambi OFS is Cédric Dambrain, composer, electronic musician and virtual instruments designer based in Brussels, Belgium. Dambrain’s approach to music is motivated by an exploration of perception thresholds, psychoacoustics, and the physiological impact of sound.

This diversity of themes is matched by his wide range of production styles, which include electroacoustic computer music, compositions for ensembles, noise, sound installations and, more recently, club-oriented polyrythmic explorations.

Dambrain has also been composing extensively for performance artists and music theatre.Spanning four tracks of intricate and ever-shifting rythmic progressions, Bambi OFS’ debut EP YAKKA frames a tense and glittering ethnofictional world, combining kaleidoscopic percussive textures with a precisely economical aesthetic.

Extending on Cédric’s exploration of sound.space.perception as a unified phenomenon in his sound installations and noise projects, the record artwork features a photography shot by ethnomusicologist Judith Becker during a Bebuten ceremony in Bali: the picture evokes her inquiry in the trance phenomenon, in which she demonstrates that our ability to enjoy trance and its healing virtues is inversely proportional to our sense of separatedness from the rest of the world.

Meshing together numerous influences, and reflecting on the self/other dichotomy, YAKKA is a playful invitation to reconsider our identification processes.

Bestial Mouth's creations in the last two years, the INSHROUDSS EP and the RESURRECTEDINBLACK LP, are the phoenix cries of the project's rebirth under the guiding hand of vocalist Lynette Cerezo, melding noise and darkwave pop into a theatre of skin-shredding catharsis that brings the project’s post-punk roots to new levels of club-ready destruction—equal parts intensity and accessibility.

THOUSANDNEEDLES pierces that veil with warped reimaginings of both releases, from a diverse selection of artists in the dark underground. Each brings their own unique twist, whether it's to a dance ritual of pounding EBM and industrialized techno, fog-shrouded darkwave dives, cosmic washes of synthpop bliss, or soul-smashing noise dredged from a sewer cathedral. Dance through the pain, and make new paths of your scars.

In this post-industrial, post-enlightenment religion of ourselves, we have manifested a serpent of consumerism which now coils back upon us. It seduces us with our own bait as we betray the better instincts of our nature and the future of our own world. We throw ourselves out of our own garden. We poison ourselves to the edges of an endless sleep.

Animated Violence Mild was written throughout 2018, at Blanck Mass’ studio outside of Edinburgh. These eight tracks are the diary of a year of work steeped in honing craft, self-discovery, and grief - the latter of which reared its head at the final hurdle of producing this record and created a whole separate narrative: grief, both for what I have lost personally, but also in a global sense, for what we as a species have lost and handed over to our blood-sucking counterpart, consumerism, only to be ravaged by it.

I believe that many of us have willfully allowed our survival instinct to become engulfed by the snake we birthed. Animated — brought to life by humankind. Violent — insurmountable and wild beyond our control. Mild — delicious.

Birthed from Arizona’s regaled Ascetic House collective, Body of Light is a dark synth-pop outfit comprised of young brothers Andrew and Alexander Jarson. What began as a vehicle for their exploration of noise and sound during their early teens has evolved into an established production over the last decade, as Body of Light continues to carve out their own style of complex, structured, and moving dancefloor electronics.

Their music is not only individually personal, but drawn from experiences shared between the two brothers – and calls on elements of new wave, freestyle, goth, and techno to create timeless and singular tracks without fear of trend or passing fashion.

On their third album Time to Kill, Body of Light refines their brand of cold and driving synth pop with a bold pallet of sounds and a focus on uncharted technique and purpose. Like the pale digital stare of the modern devices surrounding our daily lives, the album weaves stories of love and obsession in an era of technical bondage and fleeting exhilaration. Written over a period of intense and profound change, Time to Kill stands as a startling reminder of how important our existence truly is. Haunting keys, swelling pads, and punching rhythms score their work as Alex Jarson presents an alluring and romantic dialogue with confident projection. The title single “Time to Kill” kicks off the album with a merciless signature beat, complimented by distorted sample patterns against an infectious, moving bass groove

Boreal Massif is the collaborative effort of Pessimist and Loop Faction, and here they present their debut full-length LP, We All Have An Impact.

Focusing on the destruction of the natural world and our ecosystems, We All Have An Impact shows there can be more to electronic music than a shallow and empty narrative. Built from field recordings and a deep reservoir of trip-hop / drum & bass influences (think B12's Electro-Soma, vintage Mo Wax records...), Boreal Massif's raw, unpolished anarcho-electronics offer a blueprint for the next generation of new age music.

Double Tape-Cassette

[a] A1 Broken English Club- TAPE • 1 - A/B [90min. Mix]
[b] B1 Katatonic Silentio- TAPE • 2 - A/B [90min. Mix]

Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone quickly follows-up Baroo (March 2019) with a double-LP album of recent works, including the final section of “Fujiken”, his epic journey through southeast Asian field recordings and street cassette culture. On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, digitally shattered into unimagined patterns and gestures, either through the MAX programming language or (in the case of “Kikanbou”) by generating live loops within an Elektron Octatrack sampler.

The title track is the first recorded release from Stone’s ongoing collaboration with the Japanese vocalist Akaihirume. Elsewhere new influences come from rock (the slow drum break of “Bia Bia”), disco (the Nile Rodgers-esque guitar riff “Kikanbou”) and hip hop (the frenetic percussion loop of “Han Yan”). Their diversity only adds to Stone’s borderless musical vision, a world where rhythm becomes atmosphere, song becomes beat, and pop becomes art.

Distopic Utopia Records will serve as a platform for multidisciplinary artists, DAR aka BROHN aka Brohn Smith - a DJ, producer, remixer and designer who was a former partner in No19 music - and DULUM aka Dave Roberts - a DJ, producer and mixing engineer - who alchemise all manners of experimental techno. Their productions infuse an interpretation of heavy rock inspired techno with subsonic grooves and industrial cinematic scores. After years of playing major festivals and clubs globally and more recently forward-thinking spaces in Paris and Berlin including installation experiments and runway shows, they are celebrated for their infinitely evolving and infectious style.

This vinyl includes a free downloadcode were customers get the whole digital release for free via Facebook !!
Name is program: its Techno & its Raw. Great teamwork from Coyu (Suara, Great Stuff, Material, Skint) and Ramiro Lopez (Cecille Numbers, Sincopat). This NM2 makes you clap !

Die Extreme Metaller CRAVING um Sänger/Gitarrist Ivan Chertov, Gitarrist Jonas Papmeier und Drummer Wanja "Nechtan" Gröger präsentiert ihr 4. Album "Call Of The Sirens". Es ist ein Album, das vom Leben der Band, der Welt an sich und der Gesellschaft, in der wir leben, inspiriert wurde.

"Call Of The Sirens" ist der vierte Teil des Vermächtnisses von CRAVING - einer epischen Extreme Metal Band aus Deutschland.
Nach dem erfolgreichen Album "By The Storm" setzt die Band ihr Konzept aus melodischem Black und Death Metal mit einer Portion traditionellem Heavy Metal fort und ist bereit, die Bühnen dieser Welt zu erobern.
Freut euch auf 8 eingängige, auf den Punkt gebrachte Songs und zwei Coverversionen als Bonus auf der CD Version des Albums: "Shum" von der ukrainischen Elektro-Folk-Band Go_A und "El Diablo" von der griechischen Sängerin Elena Tsagrinou.
Die Texte des Albums sind in vier verschiedenen Sprachen verfasst: Deutsch, Englisch, Russisch und Ukrainisch.

At the forefront of dance music for over a decade, Brighton’s James Connolly has left an indelible mark as a progressive producer; under the name L-Vis 1990, and as his alias Dance System.

Dance System boils dance music down to its core elements and the result is infectious club tools that offer something more; character that will standout in any set. Under this alias, Connolly has released on Clone and Jimmy Edgar’s Ultramajic labels.

“When Night Slugs boss L-Vis 1990, aka James Connolly, slips on his Dance System alias, the mission is simple: slamming—but pointedly simple and unfussy—tracks that get your ass on the dancefloor.” - VICE

Following a five-year hiatus, Connolly is excited to return to Dance System, with the Wind Em Up EP, released in April on Modeselektor’s lauded Monkeytown Records. In today’s serious techno world, and against the current political landscape, Dance System is the playful breath of fresh air we all want and need.

Indeed, on title track Wind Em Up, Dance System is playfully calling out for other DJs to do exactly that; wind up the crowd with the unexpected UK garage breaks that bring colour to the driving beat and guitar lick. Heeez Baaad takes a single hypnotic loop and pushes it to its absolute limit, the only break coming when the track slows down to a halt, before slamming straight back into the action. Bringing in the horns on That That Sh**, the off–kilter horn loop is unsettling, but driven along by the low-end tom groove. Body closes out the Wind Em Up EP with an uplifting piano chord, before dropping you into minimal bassline and drum groove that’s just impossible to argue with on the dancefloor.

In the Twigs is a brand new Berlin-based physical and digital record label. The first release (RABBIT001) from the label comes in the form of a 12” vinyl record, with full colour artwork and a fold-out poster, on coloured vinyl as well as digital download. RABBIT001 is available now from all good vinyl record stores and major digital platforms.

The A side, entitled “Hairclip”, produced by the Darker Than Red collective, is a hard- hitting techno track, drowned in moody, industrial atmospheres and metallic sound effects, topped off with clips of a telephone conversation and voice samples, and tells the story of an extremely drunk and angry woman on the verge of a breakup with a boyfriend she hates. It is extremely unusual - perhaps unique - to have a “story” running through a techno track, but it's executed extremely well.

The B side is a dub remix of the first track, generated after decades of listening to Joe Gibbs and Scientist. Whilst techno will never match the rhythmic complexity of those giants of analogue Dub, all the love of the sound have been used to include big reverberated and delayed kick drums and dub snares which totally characterise this track, in addition to the industrial ambience from the original. It also features some unique sound effects from Berlin, such as real trains and ambulances, as well as general city noises.

Remixes by DJ Krust and Gabe Gurnsey of The Condemned and Katal – tracks taken from Das Koolies’ debut EP and album.

There are two versions of the vinyl edition: classic 140g black record or limited (Universe Edition) 140g black + 7" black vinyl with two bonus tracks.


WE ARE THE BIOBOTS is an album by Michal Baj (DJ Eprom), who has ties to Silesia. It will be released on 21th January 2026, by the legendary Polish label JuNouMi Records (est. 2002). WE ARE THE BIOBOTS is an album that not only talks about technological progress, but also touches on the digitization of human consciousness in the 21st century. Although it discusses the dangers of AI development, no artificial intelligence was used in its creation.

The album features legendary hip hop DJs, including the art of scratching. The album will feature the most outstanding DJs from Poland, England, the USA, and Japan. Thanks to this, the album has a chance to gain a broader, international context. Eprom's professional experience to date has allowed him to bring together such a wide range of artists and bring them together on the album, including:

DJ D-Styles – a legend of scratching from the USA. A pioneer of the genre. Member of groups such as The Beat Junkies and Invisibl Skratch Piklz, creator of many scratching techniques still used today.
DJ Prime Cuts – founder of the legendary Scratch Perverts from London, multiple world champion and creator of unique scratching techniques.
DJ Flip Flop, Prolifix – representatives of the DJ community from the US coast.
DJ Tigerstyle – a leading representative of the DJ community in England, multiple world champion in scratching.
DJ IQ – the most successful scratching champion in the world.
DJ Miyajima – the unrivaled master and creator of the Japanese school of scratching.
DJ Melo-d – co-founder of The Beat Junkies collective, multiple DJ champion hosting a legendary show on Radio HOT 97 in the US.
DJ Ben, Krootki – co-founders of the Modulators group from Poland, World Champions in scratching.
Daniel Drumz – Polish DJ and music producer known worldwide.
Mr Krime – pioneer of DJing and turntablism in Poland.


Michal Baj is a multi-talented musician, artist, and music producer born in Jastrzebie-Zdroj, as well as the owner of the analog Eprom Sounds Studio, where tracks based on mixing and mastering are produced and gain worldwide recognition.

The inspiration for the album is Eprom's connection to Silesia. His work at the KWK Borynia mine, surrounded by heavy equipment and mining technology, became a direct inspiration for creating a musical story about people, machines, as well as the directions of technological development and the impact they have on society.

The album is released by JuNouMi Records, a label specializing in vinyl records, founded in 2002. Your wax supplier.

He's back and in full effect. Rhys Llewellyn aka DRMCNT finally drops his long awaited 'RX-Bounces' set on the ever wonderful Wrong Speed Records and it doesn't disappoint from beginning to end. Armed with his minimal Roland / Yamaha set up he gets to work making some seriously jumpy electronic jams that put a whole heap of producers out there to shame. From the get-go you're in. 'Negative Response' is a clipped electro breaker in the 430 West mode while 'Brudenel Dreams' starts one way then flips completely the other with a very clever bass drum and hi-hat riddim. Seriously good. Seriously fun for all. 'Galdem' takes the action a bit deeper with its submerged drums and off kilter beats while 'Reality In Zero' adds some solar sci-fi on top of its oriental percussion. Watch those bins with the Hardflooresque 'Hummdinger', check the chopped up breaks on 'True Supplier', get inside the nagging bassline on 'Uncase' and then let it all drift away with the closing 'Tea And The Tree'. It's all here. It's all amazing. One of the best electronic albums of the year hands down. You need this - Chris Summers, Rough Trade Records

After the success of last year’s Mixbone EP, we once again invite four dance music experimentalists to remix Eric Copeland. Where 2017’s Goofballs was the first album recorded in its entirety in Eric’s current home of Palma de Mallorca, Spain, and the result of countless hours spent working in the studio, last fall’s Trogg Modal Vol. 1 pushed his ‘Freakbeat 4/4’ agenda even further, with a sense of humor that bubbles over and out through the speakers. Rife with chunky percussive layers and tweaked loopy vocals, these frenzied, self-described “rippers” are practically designed to be remixed. Parris (Trilogy Tapes, Hemlock) and RAMZi (RVNG, 12th Isle) both take on the singsongy rhythms of “Heads.” Parris’ take pares down the track, giving it room to glisten and expand, while RAMZi’s paddles along in a characteristically murky, laid-back manner. Lokier (Days Of Being Wild, Spirits) goes in for the jugular with an acidic rework of “321 Contact,” repurposing vocal samples as spooky EBM. Closing out the record is Gerry Read (Aus, Accidental Jnr), who pits the heavy stomp of “Electric Mud” against whizzing frequencies. Newfangled interpretations of tracks that were already out there to begin with.

We're absolutely delighted to announce the reissue of Ouroborindra on the Ghost Box Records label.

Ouroborindra was first released in 2005 on CD-R, and now re-issued on CD and, for the first time, on Vinyl. Eric Zann was an alias for the more experimental work of Jim Jupp, aka Belbury Poly and Ghost Box co-founder.

Inspired by early 20th century cosmic horror fiction, Ouroborindra sets out to conjure up it's own awe inspiring and chilling imagery. It's drone music with melodic elements, stitched together with synthesizers, samples, found sound and effects.

Another exceptional reissue from the consistently excellent Ghost Box.

Drop us a line now to order these.

Fat Freddy’s Drop are set to release their fourth studio album, ‘BAYS’, on October 23rd 2015. Following the worldwide success of ‘Blackbird’ in 2013, the NewZealand based seven-piece are back with ‘BAYS’, a 9-track LP recorded at the band’s BAYS Studio in Kilbirnie, Wellington a former 1950s HMV vinyl pressing plant. The predominantly studio written album draws on the lexicon of genres that have come to epitomize the bands’ sound. Opening with the slow burn funk of ‘Wairunga Blues’ the album journeys through a hybrid of reggae, jazz with techno rhythms underpinning Freddy’s signature horns and Joe Dukie’s soulful and introspective vocal, arriving finally on the crooked blues jam of ‘Novak’.
The album exudes a confidence of a band truly comfortable in their skin. “It’s been a more creative process writing this album in the studio rather than recording songs which have been well roadtested”, Freddy’s vocalist Joe Dukie said. Internationally, Fat Freddy’s Drop reputation continues to soar. Blackbird has sold over 200,000 album copies worldwide with the UK, US and Germany becoming the bands strongest markets. This success is reflected by recent live highlights including sold out gigs at London’s 10,000 capacity Alexandra Palace and 3x Sydney Opera House shows. The BAYS album tour will start in October in Australia and roll out worldwide into 2016.

Theatre Of Cruelty is a tribute to the French poet, novelist, actor and playwright Antonin Artaud (1896-1948), a critic of conformity and an enemy of convention, he was a true "punk" before his time. Artaud was once a member of the Surrealists, before being definitively excluded by André Breton for political reasons. The Marseille-born Antonin Artaud, trapped by his own madness, left behind an incandescent literary oeuvre of unparalleled verbal and symbolic power.

He redefined the true role of the Theatre (of Cruelty), infused vibrant emotions, visionary philosophical reflection, indomitable verve and savage discourse into each of his texts. His taste for laudanum, cocaine and heroin did not help his psychiatric disorders, but the lucidity with which he described his mental illness and tried to contain his visible delusions through art therapy allowed him to experiment in the madhouse, leading to an atheistic form of Ecstatic Passion. His experience of shamanism among the Tarahumara Indians of Mexico in 1936 (under the influence of peyote) and the multiple electric shocks to which he was subjected throughout his life did not succeed in attenuating the force of his writing, nor the subversive content of his discourses. His ethical and aesthetic stances have made him one of the greatest iconoclasts of the 20th century. Never has a writer documented and witnessed so well the situation of a person suffering from deep depression, depersonalisation and behavioural disorders.

Rereading his complete works during the pandemic, Pedro decided to revive his HIV+ power-noise project and compose a new uncompromising album to pay homage to this immense provocative genius (whom he had already sampled on his first album 20 years ago!). Most of his instrumentals were recorded while in seclusion and only with old Korg synthesizers, industrial sequences and shredded tapes.

A number of artists have collaborated on this album who have meant a lot to Pedro in his last years, and who have also adored the character of Antonin Artaud, such as Marc Hurtado, member of the cult band Etant Donnés, Marc Caro, director and director of films such as Delicatessen, or Alien: Resurrection, guitarist Alice Botté, Phil Von, member of Von Magnet, Emmanuel Hubaut from Tétines Noires and Barkosina from Years Of Denial.

All words & lyrics written by Antonin Artaud
All music written, recorded, mixed & produced by Pedro Peñas Robles

Artwork : original drawing and poetry by ANTONIN ARTAUD
Design : Mimusa

*** vinyl only ***
First release of the bavarian based Label "U6-Schallplatten" ---only on Vinyl---. (limited clear Vinyl)
This banger from Ill-Boy Phil with the beautiful voice of Jana comes out with some fresh remixes by: Mass Digital, Djoker, Rob Makzem and Tobias Grindinger. hope you enjoy....
Supported / Played: Slam (Soma), Dubfire, Richie Hawtin, Robert Grand, Laurent N, Mojito, Brendon Collins, Kiko Martinez and many many more....

Legendary Canadian EDM / Freestyle artists In-Dex return after their huge success with their sold out 2021 Brazilian only 12" vinyl "No Science for Love" with a very limited white vinyl 12", a brand new track "I'll Never Walk Away"

4 tracks, 3 exclusive to this record, including a special dub mix of "No Science for Love" and a special mix of their 1988 hit "Give Me a Sign".

Produced by Brazil's Decho Wanlu, fans of early Depeche Mode will love this. In-Dex were formed in 1987 & had three hits between '89 & '91 and reformed in 2021. Lead vocalist & songwriter Rupert Gayle is a 1994 Juno award winner for best R&B album recorded in Canada. By 2008 he had written four #1 songs in Canada for other artists. In 1993 he founded Beat Factory Productions & signed Dream Warriors to Island Records in the UK.

This limited edition, collectable 12" is much sought- after in Germany, Finland, Canada, USA & Brazil where the radio version has had many streams on the internet. The other 3 tracks will not be available to stream or download.

Tracks: I'll Never Walk Away (Radio Version) / I'll Never Walk Away (Dub Mix) / Give Me a Sign (Special Mix) / No Science for Love (Dub Mix)

Jack Pattern is back with a long overdue slab of industrial strength psychedelicmind bangers! Kosmische Kueche is a 5 track EP due for release on Cosmic Pint Glass this summer and features 2 rare remix appearances. Wax Stag's remix delivers a beautiful and intricate take on Ufundab and Dane//Close comes inwith a rampant and mutant work up of Paolo Santoz. It's been 4 years since Jack Pattern’s last EP. If this was a loaf of bread in the oven, it would have turned to charcoal and burned the bakery to the ground. As you'll hear, it's started to crystallise into another lifeform, taking on sounds from Industrial Slowmo Techno to Mutant Trip Hop this release is the LSD side of EBM. Kosmische Kueche will be released late August on limited edition vinyl - an edition of 220 x 3 colour screen printed sleeves with thermochromic ink and an edition of 80 x 1 colour screen printed sleeves. Both editions will be pressed to black 12" vinyl with stickers.

Celebrated techno producer, sound artist and one half of ORKA, Jens L. Thomsen announces groundbreaking EP ÆÐR, landing 15th December via Kervið. ÆÐR (meaning ‘vein’ in English) is a uniquely atmospheric two-track EP, exploring modernity and post-war freedom through a Faroese lens. Commissioned for Eysturoyartunnil, a 12km subsea tunnel - the largest of its kind - in Jens’ native Faroe Islands, a structural marvel with striking art that has both a voice and aesthetic identity of its own. The EP currently lives as a live audio installation, broadcast around the clock on FM radio for anyone travelling through the tunnel. This is the first time a soundscape has been permanently installed and broadcast via this kind of technical solution allowing the sound to become part of the experience of the space itself. As one half of revered techno duo, ORKA, twice nominated for the Nordic Council Music Prize, who recently released their sixth album, All At Once, and an integral part of Yann Tiersen’s live band, Thomsen has already made a significant impact in electronic music. ÆÐR is an expansion of his work as a composer, which includes several site-specific soundscapes, including NORD which was commissioned by the Southbank Centre and installed across the entire fifth floor of the Royal Festival Hall in London.
On ÆÐR, Thomsen brings his talent for one-of-a-kind environmental sonic experiences to a wider audience. A paean to human endeavour and the developmental history of humanity, the tunnel is at once progressive and ancient: a liminal setting where late-modern and pre-modern longings somehow seem to rub off on each other. These intersecting ideas are translated into a striking soundscape of dark drones, creeping frequencies, bleeping ambience, groaning masses of sound, and pulsating echoes from the hidden world beneath us. The underworld that we somehow are able to move through temporarily in our car under the sea, giving the tunnel and the islands a voice of their own, while exploring the parallels between the tunnel and Faroese society today.
This uniquely immersive and compelling work, previously existing only as a transitory experience for users of the Eysturoyartunnil, is now available on vinyl for the first time to be considered and enjoyed in all its fascinating detail. A thought-provoking and groundbreaking piece from one of Europe’s most exceptional composers and sound artists today

The incredible posthumous solo album from Front Line Assembly-member Jeremy Inkel Hijacker is an album that celebrates Jeremy Inkel's life. It's an album of hard-hitting EBM and techno grooves and industrial dancefloor experiments. But it's also an album about late-night work. It's about life on the road and life in back-stages, about life in small towns and love in big towns. Hijacker shows its influences: acid techno looms large, as does early WaxTrax dancefloor 12" records. Fans of Stephan Bodzin will hear his unique style in the mix, and repeat listens will bring out deeper doses of Deadmau5, The KLF, and, of course, the modern sound of Front Line Assembly, which Jeremy had such a hand in shaping.

The infusion of electronic music into the score ultimately expanded into the inclusion of 11 remixes on the album, and it was an amalgam of inspirations which brought that idea to fruition. Both composers have worked extensively with electronic music, including their work on the celebrated, techno-infused Run Lola Run soundtrack.

Different strokes for different folks. The celebrative 11-track 'xoxo' compilation, originally pressed as a 3xLP, is now also available as three separate EPs. On EP 1, Legowelt lures you in with Bos Ochtend Mist, before Aurora Halal's deep chords on Spiral send you ascending. Antenna's Break Flute shifts the pace and prints a ghostly image on your retina, and SFV Acid rolls the credits with UrbanFury128, a groover that goes down smooth.

Local Action and Lena Raine present Reknowing — a multi-disciplinary series of remixes and reinterpretations of the BAFTA-nominated composer’s landmark debut album Oneknowing.
A multiple-award winning composer, Raine is best known for the soundtrack to 2018’s video game Celeste, a break-out indie success story that tackles themes of anxiety, self-examination, depression and more. Considered one of the great modern game soundtracks, it was recently named one of the best of thelast 20 years by Pitchfork. Since Celeste, Raine has rapidly expanded her CV, working on both independent (in-development painting adventure Chicory) andmajor soundtracks alike (she composed the music for Minecraft’s recent Nether Update release), while also releasing Oneknowing, her 2019 debut LP that Noisey described as “taking her soundtrack sensibility into luscious new realms, positioning her as one of the most exciting modern composers.” A year on from Oneknowing, we present Reknowing - a companion piece that sees the album re-interpreted by a carefully selected international group of artists, composers and soundtrackers. Three of electronic music’s finest current artists feature in Yamaneko, Ziúr and breakout techno star Anastasia Kristensen, as does one of video game’s most respected modern composers in Yasunori Nishiki (best known for his work on Octopath Traveller and the recent Final Fantasy 7 remake). Elsewhere, Finnish composer Jukio Kallio, who contributed to Raine’s Celeste soundtrack, emergent TV and film soundtracker D’Anthoni Wooten and the mysterious lycopene complete the package, offering seven unique takes on one of music’s most exciting creatives.

Lex-Or returns to Fill-Lex Records with their first solo album, songs that mark the end of a stage. The album is composed of two parts:

Futuro, songs composed between 2019-2020 a critical look towards an end that sends us every day to deal with our own fears and insecurities. It is not dance music, it’s music from the bowels.

Pasado, songs composed in a previous period, from a live in his studio in 2014 with the song “Paisajes Cerebrales”, to some songs that go from 2015-18, being closer to the dance floor and its rhythmic patterns, becoming a dark and decadent techno.

Last year Sacred Bones released the groundbreaking album Sounds of the Unborn which was made by using biosonic MIDI technology to translate Luca Yupanqui’s in utero movements into sound. With the help of her parents, Psychic Ills bassist Elizabeth Hart and Lee Scratch Perry collaborator Iván Diaz Mathé, Luca’s prenatal essence was captured in audio. They designed a ritual, a kind of joint meditation for the three of them, with the MIDI devices hooked to Elizabeth’s stomach, transcribing its vibrations

into Iván’s synthesizers. They let the free-form meditations flow without much interference, just falling deeper into trance and feeling the unity. After five hour-long sessions, the shape of an album began to emerge. Elizabeth and Iván then edited and mixed the results of the sessions, respecting the sounds as they were produced, trying to intervene as little as possible, allowing Luca’s message to exist in its raw form.

The soundtrack features music from the show 360, choreographed by Mehdi Kerkouche.

In 360, French choreographer Mehdi Kerkouche breaks away from traditional choreographic codes to harness the immersive energy of a live concert, heightened by Lucie Antunes’ electronic score and set within Emmanuelle Favre’s grand scenography. Standing all around a circular stage, the audience becomes an integral part of the experience. Through a series of vibrant tableaux, eight dancers deliver a striking portrait of contemporary youth, in search of a voice and representation.

Conceived as a collective driving force, the original soundtrack composed by Lucie Antunes plays a central role in the 360 experience. At the crossroads of electronic music, live energy and percussive writing, the score envelops the space, interacts with the dancers’ bodies and propels movement into a continuous dynamic. More than an accompaniment, it acts as a unifying force, creating a vibrant tension between pulses, textures and silences, and transforming listening into a sensory and celebratory experience.

360 will be performed on March 9, 10 and 11 at the Élysée Montmartre in Paris.

Darf man sich so hart über Männer lustig machen? Man darf! FRECH parodiert toxisch männliches Verhalten ohne Rücksicht auf Verluste, denn sie haben nur das verdient. Mit der besten Freundin, die zum Glück "Kleptomanin" ist, werden "ALPHA FEMINSTEN" mit lackierten Fingernägeln enttarnt, Fuckboys "Chlamydien" gewünscht und ein Gottesdienst für die "f0dseunsere" abgehalten, in dem dafür gebetet wird, dass Männer endlich guten Sex geben und zielsicher die Clit finden. FRECH ist ein poppiges Technogeballer mit schallernden Hardstylekicks, fickenden Bässen und einer Stimme, die sich zwischen engelsgleich und asozial aggressiv bewegt.

Cassette + DL

“Introducing artist Mateo Hurtado from Zurich/Switzerland. A composer who develops his works from modular Synth obtaining a wrap-around finish. As a result of a melodic complexity, this release maintains an introductory beginning with slow and marked rhythms. An evolution that gradually increases the tension without leaving behind the initial modular enveloping melodies. ”

“Sound Expression Against World Pressure”

Since the release of mau5ville: Level 1, the project has gained over 40M streams globally. The multiple JUNO award-winning and Grammy nominated, deadmau5, has enjoyed international platinum -certified chart success, seven critically acclaimed albums and is one of the most respected electronic music producers today.

New mixtape on Re:Ni & Laksa's Re:Lax imprint from MJK whose three deck sets and b2b's with the likes of Verraco have been joining the dots between grime and techno

In May 2021, for an exceptional residence on the Haunted Lighthouse of Tévennec, Molécule signs a new, mystical project straight out of the shadows. Faithful to his artistic dogma, the artist has entirely composed this album located in Tévennec's lair, at the gates of hell.

An Electronic and Ambient sound manifesto, stuffed with soundfield recordings: a rift towards the beyond.

the very latest in 'techno couture'. One colour only, Black with white print.

Size: S

Shirt info:
EARTHPOSITIVE EP18
Unisex Heavy Jersey T-shirt
Jersey 5.6 oz / 190 g
100% Combed Organic Cotton

the very latest in 'techno couture'. One colour only, Black with white print.

Size: M

Shirt info:
EARTHPOSITIVE EP18
Unisex Heavy Jersey T-shirt
Jersey 5.6 oz / 190 g
100% Combed Organic Cotton

the very latest in 'techno couture'. One colour only, Black with white print.

Size: XL

Shirt info:
EARTHPOSITIVE EP18
Unisex Heavy Jersey T-shirt
Jersey 5.6 oz / 190 g
100% Combed Organic Cotton

the very latest in 'techno couture'. One colour only, Black with white print.

Size: XXL

Shirt info:
EARTHPOSITIVE EP18
Unisex Heavy Jersey T-shirt
Jersey 5.6 oz / 190 g
100% Combed Organic Cotton

Synthesizer Evolution: From Analogue to Digital (and Back) author Oli Freke returns with a new volume in his Synthesizer Evolution A6 zine series. The first two volumes (Vintage Synths and Drum Machines & Samplers) focused on vintage electronic instruments from the 1970s and 1980s. Volume three moves into the 21st century, showcasing a selection of the most interesting, impactful, and—arguably—best synthesizers of the past two decades.

The synths in this book celebrate the vast range of sonic possibilities now available to musicians and producers. From analogue wonders to extraordinary digital creations, from tightly designed monosynths to open-ended polyphonic beasts, each one is more marvellous than the last!

Holuzam's third release features a fearless long-time sound activist: Ondness is one of many aliases of Bruno Silva. You may know him from Sabre (with Carlos Nascimento) or solo as Serpente; under the Ondness alias he’s been putting out music on Where To Now?, Seagrave or Sucata Tapes (a sister label from Discrepant). “Not Really Now Not Any More” is a beautiful resilient piece, mastering the fine line between album and mixtape.

Both the title and the contents of “Not Really Now Not Any More” have been inspired by the idea that we are constantly floating around unfinished ideas. The title is taken from a graffiti that inspired Alan Garner to write “Red Shift” (Mark Fisher wrote about it in his book/essay “The Weird And the Eerie”). The typo and the idea around “not really now not any more” serves this album perfectly well.

During its ten tracks, Ondness is constantly going back and forth on the way he explores soundscapes and how they can pair up with their own resolution. Nothing in “Not Really Now Not Any More” is really finished but also it isn’t unfinished. It’s a subtle idealization of the importance of accepting how things are. “Torre” starts and ends the album as two different songs sharing the similarities – not only the title – that encapsulate the whole essence of “Not Really Now Not Any More”.

“Esquina, Espera” points out this whole idea of never-ending construction, it’s dub-ska-industrial- techno perfectly crafted to make the listener feel the freakish anxiety that we have to be everywhere right now. It’s pop-up music, constantly moving and fading away, reappearing with a new idea and then leaving it out in the open. It tells the listener about how it lacks ideas because it contains too many ideas.

Those ‘too many ideas’ make this a perfectly fit record for 2019. Music that is everywhere and nowhere. But it's not loud or trying to show off. It lets the listener peel its skin and find the magnificent sci-fi extravaganza that “Not Really Now Not Any More” inspires. Going nowhere being somewhere. Do you feel me?

The collaborative debut of American minimal techno pioneer Troy Pierce and Colombian audiovisual artist Natalia Escobar aka Poison Arrow was conceived in reverse: first they created a collection of shadowy surrealist videos, then wrote music inspired by them. This inverted process proved remarkably fruitful. Shatter is a simmering, slow-burn noir odyssey inspired by the Greek myth of Echo and Narcissus, traversing subtle shades of sleepwalker dub, metallic lament, broken beats, and erotic negative space. It's an effectively unsettling evocation of the legend's core theme: “There is nothing more complex than a shattered heart, or a heart that can't love.”

Considering their shared background trafficking in darkened dance floor modes, what's most striking about Pierce with Arrow's partnership is its rhythmic restraint. The album's 10 tracks seethe and shudder between glamor and gloom, with only occasional dread-steeped metronomes mapping the malaise to a grid. They speak of pursuing a “spatial approach” with this project, which manifests in the music's immersive design and patient execution, each mangled clang and rippling pool of bass allowed to reverberate

its full flickering waveform.

Plunge deeper into the deranged world of PORTRAYAL OF GUILT with DEVIL MUSIC, the latest EP from the Austin- based trio. In the wake of releasing two full-length records in 2021 - We Are Always Alone and CHRISTFUCKER - they followed up 2022 with a year of relentless touring. In the middle of their frantic schedule, the band took time to craft the five new songs that would make up Devil Music with Viva Studios’ Matt Michel (Majority Rule) in Virginia. They then took their creative vision to the next level with Ben Greenberg (Uniform), by tracking alternate versions of each song with orchestral arrangements in place of the three piece’s standard instrumentation.

Re:ni kicks off the tape series of her and Laksa's new label re:lax.

Peru's soul classic “CARINITO” covered by Japanese cumbia band REAL THING! Plus, a jungle version is also included!
This cumbia, blending passion and sweetness, is a true killer tune beloved not only by bands across South America but worldwide, reinterpreted
countless times in different styles.