Techno Novedades

Trauma Collective returns to shock to your system on their fifth release, which comes courtesy of Spain's Rafael M. Espinosa aka Geistform. The Barcelona-based artist, also known for his exploits under the Univac alias, has crafted a singular style that exists at the interzone of IDM, digital noise and electro and having earned him releases on Pi Electronics, Femur and Hands Productions in recent years.
Espinosa executes four programs in sonic warfare on the Antena EP, all sounding akin to complex bitstream amplification. A multi-level barrage of frequencies play offense on opening cut "Proxima B", which sets the theme for more widescreen pulsations that gash the senses, as heard on the syntax error of "Note Repeat" and building up to a climax on the monochromatic soundstage of "Norc" - a jagged and angular exploration in bass artefacts and static redux.
Since unleashing the austere techno of Birmingham legend Mick Harris (as Monrella) and hometown hero Kwartz on unsuspecting ears, the Madrid-based collective has now ventured into more experimental spheres, as heard on the off-kilter mentalism of ASC's Loop Research and the brooding atmosphere of Makunaimadama's limited cassette release last year. Antena is the logical progression for the label's next chapter, where it continues to push the threshold of electronic music's outer limits.

After this long period of pandemic and staying at home, these tracks represent a glimmer on which to look out and have the hope of soon returning all together to party.

Repress

Following his highly praised Defining Persuasion EP in 2019, rising French producer Hadone presents on Taapion his very first LP "And Then You Were None".

Navigating effortlessly between hard floor techno, IDM, ambient & jungle, the album expresses Hadone's sonic interpretation & perception of time, reflecting on how we use and consume it through our existence. Thanks to this long-playing format, the artist can finally unveil his full potential and delivers a wonderfully mature journey across 2 records.

In this first work by Inigo Kennedy for Utch Elektronics, the experienced British producer, gives us 8 tracks impregnated with complex textures and built in a more moderate BPM than usual. Which indicates a much more contemplative environment, where the melody often becomes melancholic and where in other occasions it takes us to travel to lands as brown as futuristic, where the tracks fit perfectly into our collection of prints and footprints while dividing us an uncertain future. Where the sounds and spectacular musical arrangements cross us and counterbalance our fears and hopes.

Without a doubt this album has a misty, gloomy, brown character. Where the light enters moments; to disappear again. Like the mist that comes into town on a winter morning. This is a melancholic and deep album in which Inigo Kennedy manages to capture his more than two decades as a producer. And where we can meditate, each at his own pace, each of the tracks that compose it and the identity of the sound of Utch Elektronics.

Pornceptual resident The Lady Machine has recently appeared on her Unterwegs Records label, on compilations via Ben Sims' Symbolism and Token, as well as on incendiary mixes for FJAAK's Spandau20 and Bassiani. Active as a vinyl DJ for over 20 years, the Brazilian-born, Berlin-based DJ/producer prepares her first release for Luke Slater's Mote Evolver with 'Magnify EP' this December.

The singer and composer makes his debut on Illegal Alien Records with a fantastic Album titled ‘Mercurio Rosa’ and we are extremely happy to be the platform to release this Masterpiece. ‘Mercurio Rosa’ will be release on a limited double 10′ Vinyl, Cassette Tape edition and Digital format.

2020 reboot for Detroit's legendary Metroplex.

The Label Say "Cologne based producer Bas Grossfeldt has crafted an outstanding release perfectly aligned with Juan Atkin’s brilliant Metroplex aesthetic. As a relatively new name in the scene, Bas Grossfeldt’s music sounds as if it were the results of decades of focused experience in the studio.

With a background in installation, choreography and performance art, Bas Grossfeldt is the artists alias to focus on the musical side of things. His deeply rooted interest in the relation of space and body is also translated into his music. The fusion of spaced-out textures, rhythmical distortions, cold waves of synthesis, and enough modern production prowess ensures a release saturated with innovation and abundant imagination. A rare release for the seminal Detroit label, which also represents Juan Atkins’ interest in the arts world and new, different approaches.

The exchange between the label head and the artist, initially came to life because internationally renown conceptual artist Mischa Kuball, knowing Juan from a joint project, sent him the demo of Bas Grossfeldt. Especially intrigued by the track „Lost In Translation“, Juan and Bas started exchanging, approaching the record as an „art project“ and a classical EP at the same time, for example leading into the cover being made by Bas Grossfeldt/Søren Siebel himself and including numerous hidden references to the sound.

Each track embraces an incredible array of sounds and styles, from soundscapes to mind-bending Techno – all equally as effective for the brain as the dancefloor.

“Lost In Translation” opens the release with a cinematic piece of electronica permeating with frozen emotion and melancholic soul. The beautiful track captures a foggy morning’s haze, the first chill of winter with only a gentle kick-drum keeping the cold from completely taking over. It is also accompanied with a hypnotizing abstract video by film-artist Svenja Voß.

Continuing in a dubby, winter haze is “Lost In Sensation” which floats alongside a sharp, metallic rhythmic arrangement and a gentle, ever-present kick drum. Deep, heavily saturated atmospheric textures sleep underneath the sounds while lucid melodies float in and out.

“Your Orbit” rounds out the release with the most club-ready production. Disorienting melodies and gritty synths capture a dreamlike perception while a tough kick drum and clattering percussion drives the music deeper into undiscovered dancing territories just left of center. "

Stunning debut release from RAFRAM aka Irdial legend Ramjac Corporation and the Toronto legend (& honorary Glaswegian) Raf Reza.
300 copies only, full printed sleeves plus riso insert.

Orphic Apparition is a new label born out of a transatlantic meeting of minds. Facilitated by a long, hedonistic party in one of present-day London’s ‘meanwhile use’ venues Grow Tottenham, Canadian producer Raf Reza and British acid house luminary Paul Chivers spent a precious day in the studio to record a 3 hour straight to DAT session before Reza's return to Canada. The result of this spontaneous yet intuitive collaboration blurs the lines between Chiver’s long-standing Ramjac Corporation alias and Reza’s genre-spanning approach to dub, breaks and house styles. Part of the early 90s rave scene and an important member of the blueprint-setting Irdial label, Ramjac locks heads with the self-professed ‘lazy music guy from Toronto’ to adapt their studio session into five separate mixdowns.

‘In The Grow’ begins with a bouncy, cut-up sounding Errorsmith-esque rhythm, the recurring fright night melody that distinguishes the record coming in all quick and powerful. The A2 ‘Rotten Mix’ offers a more traditional house approach in its composition, with dub FX and a nice DJ friendly outro. On the final uptempo choice the pair opt for a head-scrambling electro take. Choose your fighter! The ‘Swampy Dub’ on the flip really dismantles everything we’ve heard prior, slo-mo drums allowing a much different DJ experience and altering the freaky synthetic propulsion into an almost modern classical sound. A little like Paul Dresher’s eternal ‘Channels Passing’ (tip). Combined with the other edits this version almost becomes a totally different track. The final ‘Rootless Dub’ gives its clues in the title, removing all the tough drum sounds and allowing for an ambient decompression.

Orphic Apparition will return soon.

CAIVA exploded onto the scene last year with her folk, jazz and classical blend of hard-hitting techno on Take Me Higher on Lobster Theremin. Now the just-outside-of-Munich artist follows up one of the singles of the year with a complete body of work exploring high velocity sounds and experiences, and comes complete with two wicked remixes from Parisian producer Trudge and Julian Muller.

‘Vigour’ is an intergalactic, bass-driven jam utilising CAIVAs ghostly, folk-like vocals to haunting effect. A tale of two stories; the majority of the track is destined for the club, whilst the breakdown provides a pop-fuelled moment of contemplation. Emotional and powerful escapism. ‘Take Me Higher’ follows this depth of inspiration with a blend of euphoria and sadness with a high power cut of trance-techno that’s as devastating as it is beautiful.

Julian Muller is first up on remix duties as he takes on ‘Vigour’; a typically arcade-inspired trip through the modern trance-techno sound and the high-speed aesthetic of the nineties, before Trudge closes with an ethereal cut of typically textured rhythms within an anxious soundscape.

A 12” filled to the brim with talent, Schrödinger’s Box have collected three juggernauts of wave tainted electronics for the latest. Dmitry Distant teams up with Norwell for a partnership of serious intent. The pair deliver a trio of blackened tracks, opening with the ghoulish caverns of “Transient State” before the long shadows, acid stains and painful echoes of “Visionary.” The duo venture into brighter territory with the computer funk of “On A Verge of Veil”, crisp beats and bubbling melodies changing the tone. Following Beyond the War, Cute Heels returns to occupy the flip. The Colombian is immediately on it with the swirling mirrors of “Kuriyaki Horizons,” a kick drum offering solid footing in this entrancing piece. An aloof, yet alluring, disco hook takes hold for “Litua”, a low thump keeping time. The finale arrives with the clipped industrial gait of “Determinated In Order.” Marching to a military beat, this work is industrial inspired with Cute Heels keeping a close ear to the pressure release gauge.

"After shining a light on the Garage'n'Breaks of Persian and the Bump'n'House of Brian Bristol, Mysticisms' journeys to a source of love and inspiration, the epicenter of the 90s NYC club music's explosion and development.

Better known as the team behind The African Dream on Eightball Records, they feature on many early 90s NYC who's who of labels including Movin', Strictly Rhythm, Tribal and Oxygen Music Works.

Released as a 12", a 2 x 12" the want of a lot of US labels at the time to mirror the success of Hip Hop saw an attempt to grow House 'projects' from club EPs to being seen as artists via albums.

The EP starts with Opening, with warm keys that serve to show this is not your average 4 tracker, before soon giving way to the deep intensity of Dark Intervals. Tight drums and keys pushing, the vocal samples and swirling atmospherics all yield to a bass calling for loud sound systems.

On the reverse, an immense, spiritual take of NYC music in Innocence And Inspiration. Double bass, swirling arpeggio, tight claps, whistle strings, ridin' jazz fused break-beats and then pure piano cuts through.

To close, Are You With Me My Love?, here included to provide a repost to the grooves that have gone before. A song for sunset and sunrise, with lilting keys, shanty samples, vocal questions and a melancholic horn refrain.

Uncover the Mystery."

For the next chapter of No Signal Records Deluka invites Orbe. After his excellent releases on Axis, Mote Evolver, Token and last one on Non Series, Orbe signed this adventure with 3 amazing works. The EP entitled Post Cycle includes four mesmerizing techno trips. Focused on coherence and hypnotism. Three club oriented original tracks by Orbe on both sides, this EP is completed with one remix, made by Deluka with his personal melodic touch, minimalism percussions and deep sounds.

The second release of Ambushed Recordings is led by the well known dj and producer Steve Parker who has just made a succesful double EP and the young dj and producer Ben Garló who repeats in Ambushed.
This label based in Madrid give you the chance to play two melodic and rhythmic techno tracks by Steve Parker for the main side and two dark and modular tracks by Ben Garló. The result is a complete and powerful record.

For "Spectres", a 6-track split release, Buttechno teams up with DJ SPEEDSICK, a Chicago-based artist, famous for his raw and uncompromising approach to sound. Together they explore sonic and textural possibilities of the extreme forms of dancefloor music employing distinct ways of sound manipulation. Buttechno's side features highly saturated textures being torn out, dissected and sewed back together with a wicked use of spectral processing. On the other side, Dj Speedsick, known for reamping his material with guitar amplifiers and cabinets, puts out tracks that bear unique sonic qualities and transform the usual sense of space and distance. The underwordly sounds and high-speed beats presented on this split go beyond the common bounds of dancefloor music, exposing the spectres that dwell between the genres.

Another release, another gem! Two techno tracks with minimalistic essence of the '90.

Roland SH-101s, TR-808 and TR-909: this is what we need for dance.
Don't miss it! For true lovers!

Wicked new J Albert 12" on LQQK Studio's 369 Records imprint that spans NYC freestyle-esque electro, dubbed out garage and tougher techno. All killer no filler

For Number 6 on his Label Kluentah recrutes this mysterious guy called Kafkactrl who released on Vortex Records before. Six brain-throttling cuts of pure, ice-cold machine funk with melancholic pads and gut-punching basslines.

repressed !

Emotional Rescue reissue 'Into Dark Water', the second album from UK post-industrial ambient pioneers O Yuki Conjugate (OYC).

The willfully obscure OYC formed in Nottingham in 1982 and have had a sporadic career on the outskirts of musical culture ever since. Initially associated with the early 80s post-industrial scene - along with Soviet France and Muslimgauze - OYC quietly forged their own brand of ambient music at a time when it was distinctly unfashionable to do so.

Always reluctant to categorise their sounds, OYC have been variously described as post-industrial, ambient, darkwave, tribal ambient, chill out, electronica and Fourth World. Take your pick.

'Into Dark Water' was recorded in 1986 over four days in an eight-track garage studio in Nottingham. Produced and engineered by John Kaukis, the result was a blend of flutes, percussion, electronics and loops that focused their sound and became for many the definitive OYC album.

Originally released in 1987 on the Leeds-based Final Image label, 'Into Dark Water' quickly sold out and has been highly sought after ever since. The re-issue, featuring a lovingly recreated sleeve, makes a vinyl version of this classic available again for the first time in over 30 years.

More from mystery artist Surrogate, reportedly a veteran Detroit-based techno producer operating under a new alias for the first time in 20 years. As with the publicity-shy artist's recent debut on Misstress Recordings, the four cuts showcased on this EP combine crunchy, distorted and sometimes extremely lo-fi techno and electro beats with dubbed-out electronics, deep space motifs and subtle nods towards vintage rave culture. There's much to admire throughout, from the soul-flecked deep techno crunchiness of 'Poison' and hypnotic, early morning brilliance of 'LX', to the fractured techno minimalism of closing cut 'Moderno'.

ARTSBOX001 split: disc 1

ARTSBOX001 split: disc 4

ARTSBOX001 split: disc 5

Acidcore Pearl.
Crazy tunes twirling the brain !

After a stint of regarded releases on Public Possesion DJ City returns to Cocktail demote Music with Giuda Iscariota.The title might evoke images of the eternal betrayal but DJ City seems fully devoted to his crowd. Fueled by the distant memory of his regular sets at Cocktail, City touches on an array of moods and styles keeping his foot on the pedal. Giuda Iscariota emulates the selection choices of DJ City during his many sets at the party with a no nonsense focus on dance floor drivers while Nattens Tysta Timmar slathers on the queer vibe by sounding like a lost Pet Shop Boys deep cut. On the flip Sophies Theme picks up the pace again with acid laden house grooves and Archeoicae’s head down hands up arp driven frenzy.

4 tracks ranging from Jungle Techno to Darkcore to Jungle, all made on an old Amiga with Octamed by a well-known face in the contemporary Jungle scene

DCLTD presents the debut collaboration between Dubfire and Flug, a fleet-footed two-tracker encapsulating their powerful sonic alchemy. Both residing in Barcelona the pair linked via Bridge48, a music academy which Dubfire is involved with. ‘Rubber’ springs into action via a spider web of murky, brain-spangling synth and whip-like elastic effects and doesn’t relent till the last beat. Deliciously catatonic. ‘Metonoia’ is a whizz fizz trip of crisp drums, heady atmospheric swirls and a low-slow muscular synth that ascends from the techno swamp.

“I’ve been a Flug fan for a long time and actually thought he was a Berlin-based German producer! To my surprise, he not only hails from Argentina, but was living in my adopted city ion Barcelona! Becoming fast friends, we naturally decided to collaborate and the fruits of this labor - and journey - begins here on DCLTD.” – Dubfire

“The music Ali and I made is a perfect union of his style and mine; powerful, percussive and groovy, with minimalistic touches, exuding a hypnotic atmosphere which we naturally created in the various tracks. I’m really happy with the results!” - Flug

Grey Marbled Vinyl

More hot techno tracks on the fifteenth iteration of Reclaim Your City. The trip goes to Paris via Vienna with complimentary pair Eric Fetcher and Arthur Robert taking over for a round of cold-blooded club-busting blends. A full-on hypnotic affair leafing through the darker districts of dubbed-out deep techno, "RYCL.015" eases us in a sunken realm of unquiet oneiric folds and further afield, obscure crannies. Fetcher strikes first with "Arrival" - a pulsating meshwork of distressing signals going pong on the reverbs, as sturdy kick drums and skittish percussions guide the groove onto proper club-ready rails via a clinical 4x4 frame. Then comes Arthur Robert's "Petrichor", an enslaving roller tailored to catch you in its intricate web of sonar-like bleeping and wild, homing hats let loose like hounds on their prey, whilst you progressively lose track of your actual environment to enter a new world of multisensory stimulation and blurred-out abstraction. Flip the record and here is Robert's "Centipede" taking over with an uptempo cascade of heavily delayed machine talk, dust-clogged kicks and surgical 4x4 swing bound to have everyone losing their shit in the basement with shadow-knightly swagger and in-your-face attitude. Fetcher's closing number "Balter" adds a further hip-swaying, breaks-laden, rowdy spin to the overall forward-moving ride, but also some more warmth sound design-wise, which will most certainly find a positive echo in DJs looking for true-school hybrid weaponry - capable to keep the dancing clock ticking in full-swing, without jeopardising the after's chiller vibes. As per usual, RYCL.015 comes adorned with a bespoke piece of artwork, this time courtesy of talented Dutch photographer Joris Graaf, and will be pressed on 180-gram white vinyl for the discerning heads.

Taking in sultry synth-pop gemz, cryptic house numbers and tropical trouser-movers sung in French & Japanese, Marseille based producer/performer Musique Chienne is one of the most colourful & charismatic new artists to join the Acid Waxa stables and her latest EP Acidebout (a clever doggo-related play on words en Francais) sees 4 of her greatest hits to date pressed onto loud-cut vinyl and given the techno/d&b/rave treatment from fellow label dons Roy of The Ravers, Lesinge & Aftawerks.

Following the ‘In Love EP’ 12in, Vertical Cat returns with four tracks of beautiful Deep House bass groove and nostalgic warmth, all unique to the sound of Vertical Cat.

Parole (French/Italian: meaning ‘words’) is a solid sweet roller with morphing distorted funked bassline and achingly beautiful chords

Luna is a hypnotic dive into late night beats, squelch and haunting swirl

Papaver is Dub Techno made with proper groove, almost breakbeat in percussive feel, enriched by luscious, delicate strings

Moss (Electro Origin mix) closes the EP with gentle Electro, subtle acid bass and gorgeous melodies

2022 Repress

Nowadays when you talk about the new generation of techno producers and especially when you talk about "groove"... well, the name David Löhlein comes up. This new EP represents him in full effect!

- vinyl only -

2022 Clear Vinyl Repress

The Next Release In The 303 Series Is Here. These 'unknown' Artists Have Put Their Legendary Roland Tb-303's To Good Use. The Results Speak For Themselves: 4 Driving Acid Bangers. Pressed On Transparent Vinyl.

Stef Mendesidis remixes the sublime "Human Error" from Ø Phase's 2021 "Before This" LP project.

Ghetto Supastar is a song by American rapper Pras, but is also the name of this new 12" from 207737 on the Detroit Techno Records label. It embodies a new sound coming from the celebrated Motor City that draws on everything which went before and adds new perspective, emotion and sound designs. 'Stella' is a lithe and soulful cut with minimal drums and a cosmic atmosphere, while 'Tribal Dance' brings brighter chords and more playful patterns over raw-ass drums. There is plenty of Omar-S's rough hewn drum work in 'Apply Pressure' and elsewhere '8 Mile Boogie' brings a Mediterranean Balearic vibe to the D in superb fashion. An intriguing EP for sure.

Trends come and go as we have seen, unlike many, Brooklyn-born Adam X isn't one to follow trends, but rather set them. Now entering his 30th year of DJing and 25th year running his Sonic Groove label much of the world of dance music has come full circle since Adam started back in 1990. With that said there was no better time to explore his vast back catalog then the present as it's all the more relevant right now.

As many younger contemporary techno djs have taken to the faster, harder, stronger route as of late, this was par for the course back in 1992, where this compilation begins. What we have here is a collection of formative psychedelic acid tracks specifically made for the raves that were happening all over the world at the time.
Many of the tracks here had previously appeared on cutting edge labels such as Direct Drive, Drop Bass Network and Magnetic North, who were all spearheading the sound at the time, we also get two unreleased cuts from the vaults, plus a rare collab with Thomas Heckmann.
Back then the goal was simple- to push the limits of this fresh sound, and see how far they could actually go with their 303s; this music now filling warehouses and clubs worldwide. The eleven tracks on this record undoubtedly take rave-extremity to new heights whilst keeping the integrity (and brutality) of the music intact and the crowd in a frenzy.

Guaranteed to destroy the club as much now as they did in back 1992.

Remastered at Dadub Mastering.

Take It Easy is back with the first solo appearance by Bugsy, party co-owner and DJ. "Love For You" open the EP with some acid vocals vibes. Chicago's master Jamie 3:26 gives his groovy and disco-sample reinterpretation to the track on a2. "Sick "And Tired" on b side gives some dreamy, filter-sweeping reverie to the EP. Dirty Channels are back on the label too with their groovy and powerful house remix of "Sick and Tired"

Changes’ is the second EP from Sydney producer Morgan Huggins, a very spiritual sequel to 2021’s ‘Anzac Bridge Filter’. Co-head of local community, event, radio show & label Lovejoy, Morgan’s production is an extension of the moments he experiences both within music & in his life apart from it.

Morgan created ‘Changes’ in a period of great flux in his life. Moving between cities he’s called home for the majority of his life, out of homes that had great impact on him, and preparing to leave it all behind in pursuit of a journey across Australia, ‘Changes’ embodies a nervous excitement that we all feel in the most momentous occasions of our lives.

Niki Istrefi debuts on SNTS sub label Sacred Court with a 4-Track EP.

Samantha Togni makes her TITDM debut with five uncompromising cuts, exploring the darkest corners of techno and channeling her artistic expression in a flurry of controlled yet innovative directions. This compulsion to work without boundaries isn't new to Samantha, having always leaned toward a 'do it your own way' attitude, leading to Samantha founding Boudica in 2017; a collective aiming to give visibility to women and non binary artists through their events, conference, radio show and podcast.

'Trust The Heat' rattles through the speakers with its bone twitching bass, spilling out from its kickdrums and marching forward at an unnerving pace. The accompanying grooves give way to primal movements and an added layer of welcomed spice. There's no sing-songy samples here, just a vocal phrase with the energy of a megaphone edging through a busy club; guiding dancers to keep moving. 'No Pressure to Fit In' follows up with its spiraling basslines opening and closing, providing the movement against a backdrop of percussive power. Togni brings back the vocal snippets. this time to greater hypnotic effect.

'Sensible Social Lies' sounds like the type of techno you'd expect to hear on a planet from Dune; shapeshifting its way through sand with a heavy onslaught of newly discovered sounds. 'Cockroaches' scales back, remaining functional and still packing a serious punch, before the record comes to a pupil dilating close with 'In Vivo' a melodic, left-leaning piece honoring what makes techno so great, while remaining fiercely contemporary and unique to the artist who created it.

Mysticisms keeps the Dubplate series moving, welcoming one of the seminal Dub producers of all time in Scientist. His unique studio techniques and understanding of rhythm are exalted and present on Step It Up, an enlightening example of his genius and matched with a widescreen remix by label associate DJN4, aka DJ Normal 4, teaming up with fellow Dusseldorf producer AKI AKI, to offer a dreamland breaks-steppers anthem.
The fact that Hopeton Overton Brown aka Scientist is one of the true pioneers of Dub music is undisputed. His productions, first as an apprentice at Studio One, then breaking through whilst teamed at King Tubby's studio, led to Channel One and a series of seminal Dub masterpieces throughout the 1980s, mixing engineer Henry 'Junjo' Lawes' productions with the Roots Radics, alongside vocalists Barrington Levy, Jonny Osbourne and Jah Thomas.

Step It Up precedes, taken from the period of seminal Tubby's work with Bunny Lee and in this instance, with Barry Brown classic vocals and Lee's house band, The Aggravators, backing. As often with Reggae's history, much is disputed, however, this unmistakable Scientist production showcases Brown's high pass filters in effect, the trademark riding 4/4, utilising the 4 track mixing desk to create a joyous bounce.

Working on the license from the outset, Tim Schumacher aka DJN4, waited in the wings to dive in the desk for a modern-day remix. Partnering with up-and-coming producer Aki Vierboom (Phaserboys / Candomble), the Digi-Dance MixX is bass-quaking histrionics, a steppers meets rave culture overdose that will be heard from festivals to dancehalls, a righteous dub-breaks riddim y'all.

Step the Mystery

Hector Oaks and Coco-Paloma bring forth a unique collaboration. Different backgrounds but a shared love for electronic music. With the help of CLUBQU, an innovative Label born in Berlin during the first lockdown, their paths crossed at a music studio in what once was Berlins airport.

As the daughter of an opera singer Coco-Paloma grew up internationally, amidst chaos and music. Her lyrics reflect existentialism and a bittersweet melancholy. Dramatic, yet always a hint of hope.

Defiant of any genre, Hector Oaks daring production breaks boundaries. Showcasing a variety of rhythms, tempos and intensities that converges with Coco-Paloma's poetry, into the future without forgetting lessons of the past.

If there is no tomorrow, why would you act the same?

Hector Oaks and Coco-Paloma bring forth a unique collaboration. Different backgrounds but a shared love for electronic music. With the help of CLUBQU, an innovative Label born in Berlin during the first lockdown, their paths crossed at a music studio in what once was Berlins airport.

As the daughter of an opera singer Coco-Paloma grew up internationally, amidst chaos and music. Her lyrics reflect existentialism and a bittersweet melancholy. Dramatic, yet always a hint of hope.

Defiant of any genre, Hector Oaks daring production breaks boundaries. Showcasing a variety of rhythms, tempos and intensities that converges with Coco-Paloma's poetry, into the future without forgetting lessons of the past.

If there is no tomorrow, why would you act the same?

repressed !

Buckle in for Steel City Dance Discs Vol. 26 with KETTAMA! The G-Town heavyweight ticks all the boxes with this 5-track barrage of head-thumping House and Techno.

Storming modular techno set from MØLLER on the 5th episode of the Vinyl Only limited series of Lost Episodes

Hailing from Columbus, Ohio and bringing some of the Midwestern techno energy that makes scenes in nearby Cleveland, Pittsburgh and Detroit so revered, Shut Off Notice means business from the get-go. The first release on the label is a debut appearance from Rarelife, who knows exactly how to elicit the kind of nerve-shredding tension that makes a deep-in-the-night dancefloor take off. 'ALONE/alone' is a taut, hypnotic workout, which gets remixed into a trippier reverb freakout by FBK. FBK also delivers a remix of 'Endo.' which gets into the realms of Rrose-flavoured psych-out gear, and then Rarelife seals the deal with the edge of the world ambience of 'Solvent Swamp'.

Constructed in the initial chaos of the pandemic, Baby Blue’s dystopian debut LP “End Of Sleep” finds solace in the unearthly home of Planet Euphorique. 7 offerings from the Canadian artiste dive deep into a heightened reflective state; an amalgamation of memories stitched together via looped dissonance and destruction. A contrast of lightness and dark constantly working against each other and at times in harmony; a familiar connection that can be found in complex electronic music and mental states alike. Strap in and be guided through a wormhole of cyber analog journeys, thematic explorations and catastrophic calls to celestial beings.

Ethereal echoes of LSG break in the opening of the record, fleeting cries nodding to ancestry; yet A Rainy Trip To Netherworld Sequence embraces the storm. Knee jerk kick distortions disrupt the angelic hypnosis; reality rolling through the clouds. The sequential energy continues through A2 and A3, driving and rolling viciously with heavy contorted noise infiltrating the low end whilst flickers of melodious song sail unbothered, thriving amongst the destruction. The Spring Is Coming feels like a seasonal change, a melting and defrosting; thawed harmony shining through; textural and flowing with movement, a perfect bridge.
An arguably more delicate chaos emerges on the B side, elongated pads stream endlessly whilst drums cultivate and expand into sudden frisson. Fragile voices begin to gate and sweep in Equal Parts Damaged, lingering and ringing through ear drums whilst glued in rhythmic unison to induce a state of floating, a game of elevated push and pull. Syncopated howls of distortion leads the closing track, Violet summarizing the brilliantly confronting conversations pulsating through the record.

PE016 urges you to join the otherworldly personal journey and sufferings of Baby Blue, a moment to connect with her meditative dreams and struggles; sonic synergy expanding to anyone with the invitation to surrender.

XK025 sees a fresh label debut in the form of Cloudsteppers - a collaboration between Toronto based artists Ciel and Dan Only. Born out of an impromptu jam session at Dan Only's NDG 208 Studio in late 2019, the pair quickly hit it off. Ciel brought her trusty Korg ESX-1 sampler, and alongside Dan Only's arsenal of vintage synths and samplers, they quickly wrote the first two cuts of what would eventually turn into the first Cloudsteppers EP. After getting great feedback from playing them on tour and sharing with friends, the pair wrote the last two cuts when lockdown restrictions loosened during the summer of 2020.

Both artists are instinctively melodically-inclined producers, so for this release they tried to focus more of their attention on the drums and fx, while limiting the amount of melodic parts in each track. Working within those parameters resulted in what is now their debut EP.

Title track, “The Limit”, is a huge undulating cut of 160bpm energy - it shimmies effortlessly between skittish jungle, breakbeat and techno rhythms, centred around a tripped out sample of Manchester’s finest physicist, Brian Cox. “Slinky Bork” brings a distinctly UK Tech House flavour reminiscent of Housey Doingz, Get Fucked and others of the Wiggle/Euka House era - underpinned by a solid 4x4, subtle rhythms and spacey atmospherics abound.

On the flip, “Diva Loops”goes in hard with a pounding kick, warbling bass and some massive clattering drums before breaking out into a playful melodic refrain. Closing things out, “Trigger Happy” is another functional 4x4 club cut full of skippy tech styles and punchy rhythms. A dreamy melody floats along into a tension building crescendo, complete with massive reese-ish bassline. Big!

Marbled Red Vinyl

New Granulart Limited release from label boss Valentin Corujo aka Kessell (Exium, Polegroup), as on previous Limited serie, pressed on clear & solid red mixed vinyl.

Kaizen, Japanese for continuous improvement, we cannot become what we want to be by remaining what we are, everything can and should be improved.

Early feedbacks from Reeko, Shifted, Marcel Dettmann, James Ruskin, Jonas Kopp, Slam, Dimi Angelis, Jeroen Search, Leiras, Arnaud Le Texier, Pulse One, Alderaan, Par Grindvik, Angel Molina, Peter Van Hoesen, Lewis Fautzi, Pfirter, Quail, Mental Resonance, Marcel Heese, Xhei, Hd Substance, Error Etica, Etapp Kyle, The Noisemaker, Eric Fetcher, Tripeo, Kike Pravda, Stephanie Sykes, Kwartz, Truncate, Sleeparchive, Blawan, Substance aka Dj Pete, Allen, W.I.R.E., NX1, Kr!z, Aiken, Samuli Kemppi, Gareth Wild, P.E.A.R.L., Pacou, Developer, Inigo Kennedy, Luke Slater, Alexander Kowalsky, Eric Cloutier, Francois X, DVS1

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....

Pickled People - We all know a few of those, but how many of them were turning out bare bones, stripped & funked out rolling tech-house back in 1996? Not many we reckon! Well, except for the dynamic duo of Terry Francis & Jiten Acharya, ably assisted by the man Bushwacka aka Matthew B on mixdown & engineering duties. This self-titled 12" you have here in your hands is a rare diamond, another set of smooth and acidic jams from London's potent tech-house underground, a rich and rewarding scene, one that is back with a vengeance today with discerning selectors from around the globe tuning into what was making clubs move here in the capital pre-millenium. The beauty of these super rare and expensive to obtain tracks is that they seem to be made with both the DJ and the dancer in mind, meaning - they are fun to mix and blend and drop long arse 10 minutes blend with without ever being boring, AND they are sure as hell fun to dance to in the darkened corners of whatever space you're lucky enough to find yourself in. Not short on the old Funk, this is premier league shit right here, from the dons. Proper subterranean business from that London town. Sure to be in your bag for the next 20 years n'all! 'Pickled People' has been legitimately re-released with the full involvement of Terry Francis & Jiten Acharya for 2019 and remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Black Vinyl Repress

For the third release on De:tuned we proudly present The Kosmik Kommando AKA Mike Dred. Mike hardly needs an introduction; considered as one of the masters of the Roland TB-303 Mike has been releasing records under various aliases since the early 90s. He has recorded for high profile labels such as R&S and Rephlex as well as his own Machine Codes label. Together, with Aphex Twin, Mike was behind the Universal Indicator releases which are among the most collectible and sought after records in techno history.

De:tuned has worked closely with Mike to develop an 8 track project that gives props to the American Psychologist Timothy Leary and his proposed theory of 'The Eight-Circuit Model of Consciousness'. This model describes 8 circuits of information that operate within the human nervous system. Each circuit refers to a different sphere of activity, enhanced by experimentation with a particular substance. Each circuit also represents a higher stage of evolution than the one before it and the higher the circuit, the fewer the people have activated it as the higher four circuits exist for those who migrate to outer space and live extraterrestrially.

The 8 Models are applied to the track titles that present a varied collection integrating acid house, techno, electro and rave culture.

3 of the tracks on offer here were written exclusively for Mike's live performance at the De:tuned 'Meeting of Minds' event in June 2012, which was Mike's first full live show in 3 years.

This 8 track project will be available on limited 180 gr white double vinyl with label and sleeve artwork by Mike himself. Stay Tuned!

If you don't yet know, Flexi is a record store and music label based in Italy and run by Simone and Lorenzo.

Over the years, Flexi have gained both the respect and recognition of the music scene, earned by almost forty years of experience in the world of music and with the support of many DJs, artists and fans

Finally Flexi Cuts returns with a brand new release pressed on a “raw transparent" vinyl called “Velvet Series” no 2 – six quality tracks from six superb artists for an electronic journey that makes you fly over “velvet”.

Selection of the works wasn't easy; the tracks were chosen tryin' to maintain a high quality level, such as the oldest (v. series part 1) which have been so appreciated out there.

The A side opening is by Bologna-based Brine, with “YR Body” that provides a Juno-ish bassline with a catchy vocal and a jazzy mood.

Then we have “Benerice" from Daughters and Sons (aka the master Luca Fronza) who throws us into a beautiful Detroit-inspired analog jam.

This side ends with our very own Sicily man Manuold with fresh Italo-House vibes absolutely made for the dance floor.

On the B side, welcome back the veterans Tengrams (formerly the Piatto brothers from N.O.I.A Records) with the outstanding "Rapid Eye Movement"… travelling across retro-future influences and 808 patterns… under a dystopian-sci-fi movie theme.

B2 track is by the Calma duo who plays with a few elements to build a neverending techno climax...did you recognise the sample?

The last track is a sort of relaxing downtempo sunset closure complete with bells, from the California producer Gloved Hands, a name that speaks for itself.

Repress

Berlin-via-Warsaw high roller of the new generation of techno VTSS aka Martyna Maja returns with a mesmerising 6-track EP titled ‘Borderline Tenderness’, this time from Berlin-Milan label VEYL run by Alex Knoblauch & Maenad Veyl.
Following a tremendously acclaimed collection of releases showcasing her fresh take on dance floor belters through Intrepid Skin, REPITCH, HAVEN and also featuring on KAOS, Monnom Black and Hellcat; this new record expands her horizons to different sides of her odd electronics as in ‘Woah’, while also giving a proper dose of her well-known craft to incorporate hardcore, EBM and acid influences on cheeky techno grooves.
Collaboration with friends and colleagues is key for VTSS in order to evolve. Consequently the EP includes a handful of features from the likes of LSDXOXO, contributing vocals on ‘Goin Nuts’, which is also available as a bonus instrumental version. As well, MOTZ boss Jasmine Azarian appears with spoken word on ‘To Whom All Lovers’ and the blazing ‘MDM508’ with Sonic Groove affiliate Crystal Geometry crown the record of a well-deserved head-bitch in charge.
Cover image taken out of the distinctive world of Tomaso Lisca.

4 weighty trax from the big & bad SE London based produced, Holloway.
Mastered and cut by Jason @ Transition.

Repress

Lonefront puts out his first EP on wax with Kajunga Records. Two raw and hypnotic techno tracks channeled from deep.

“Additive spectra” uses the basics masterfully to draw in the mind and body and transport the spirit to ancient spaces. A deep kick and bass drive through the whole track while the high end remains sparse with a subtly shifting pulse and restrained hi hats keeping the tension alive.

On the B side, “South of Forever” is an even more stripped back, slow burner. Nonstop kick and trance inducing percussion anchor the listener in while resonations and reverberations are twisted and mangled to create a strange evolving space out of darkness.

Lonefront is an artist out of MN by way of the bay area. He produces raw explorative techno tracks and performs live using modular hardware. His stripped back productions shift between the speculative future of progress and the drone of decay. Get in tune with carcasses of factories, a chorus of tongues spouting silent mantras, a silent stream of error-riddled program scripts: the flux and snap of trauma incants the noise beyond language that compels movement, and sets you free.

Mobys neuestes Album Reprise - Remixes ist jetzt verfügbar. Das Doppelalbum enthält persönliche Zitate aller beteiligten Remixer, sowie von Moby selbst. Reprise – Remixes erobert ein Grenzland, in dem elektronische und akustische Klänge aufeinandertreffen. Das Album erscheint am 20. Mai 2022 bei Deutsche Grammophon, pünktlich zum Jubiläum von Mobys erster Scheibe, die 1992 erschien.
Zwölf Künstler:innen – zwölf Stimmen: Bambounou, Biscits, Max Cooper, Efdemin, Anfisa Letyago, Mathame, Planningtorock, Topic, Felsmann + Tiley, Peter Gregson und Christian Löffler kommen auf Reprise

– Remixes zusammen. Und auch Moby selbst ist mit vier Remixes dabei.

INCL. MARCEL DETTMANN INTERPRETATIONS

Adiel's Danza Tribale is set to unleash its ninth release by Tamburi Neri with a double EP featuring four original tracks and four remixes by Berlin techno staple and Berghain resident Marcel Dettmann. Tamburi Neri is comprised of Claudio Brioschi and Andrea Barbieri who previously released together on Optimo Music and Ivan Smagghe's Les Disques De La Mort + a recent album on Worst Records, the latter in collaboration with Japanese vocalist Hiroko.

Ø Phase presents Toru Katsuta - "Phenomena" EP for the third release on his Modwerks imprint.

"I first encountered Toru upon exiting a Tokyo DJ booth one evening. He was waiting patiently to pass me a CD of his work along with a polite, hand-written note. The tracks had a uniqueness and an appealing futuristic feel, and thus a few of them became regular fixtures in my DJ sets" - Ø Phase

It was through this initial exposure that Japanese native Toru Katsuta came also to the attention of Charlie M Duff (AKA Matrixxman) and his music gained further broadcasting

(featuring in various podcasts and DJ performances). This eventually lead to an invitation in 2021 to remix for the also up-and-coming Alarico on Matrixxman's The Grid label.

4 dance floor cuts bookended by 2 sci-fi excursions, "Phenomena" EP represents a long overdue showcase of Mr Katsuta's futuristic sound.

After featuring on the Various Part 2 release in 2020, Keppel returns to Well Street this summer with a full EP of textural perfection. Joining club-focused percussion, dubbed out landscapes and serious sub pressure. Limited pressing!

Mystic Techno Electro bangers by N-Gynn on EYA Records sister label Lonewolf. Not to be missed.

We are leaving an imprint and it is our choice what kind of interference is it. The choice is an art of desires and precaution. The one who dances among fire and clouds will know the way out.

Elmo Sarpaniemi (El Mono) and Roope Karhunen (Kaltstam) met at a local Helsinki radio station in 2005, and linked up soon again in 2018 at an afterparty. Fueled by their mutual passion towards only the best genres ever they squeezed out a blend of goa trance, techno, electro, breakbeats and sort of IDM. This steamy session gave birth to the track, “Positive”.

The other ER original ”2G”, sounds more like traditional goa trance, but still… it hardly is. Clocking the rhythm around 140 bpm like the opening track, it kicks in the club doors with a robust bassline, enchanting the cultured dancer with its peculiar melodies, leaving the purists absolutely cold evicting them for a cigarette. Because who gives an oink about purists, right?

This record is also fortunate enough to be blessed with two spectacular remixes. Neri J’s approach is a more dancefloor friendly, yet aetheric version of “Positive”, but don’t get it twisted. It still possesses something very psychedelic and raw. Ilev Luna wraps up the release nicely with his touch, that sounds like an interpretation of modern techno, but in fact this just could be a journey deep into your psyche. BOOM! This slaps.

Mastered by Gabriel Markus

Cover art by Wezardo

After being heavily supported by Jamie Jones, Fisher, Diplo, Marco Carola on the club scene, accumulating more than 5m global streams and a Beatport #1, the classic 'Somebody To Love' by Italian producer Ben Kim is finally getting vinyl release on Gorgon City's imprint Realm Records.

DJ SUPPORT
The biggest specialist club record of 2021!
Jamie Jones, FISHER, Diplo, Kaskade, Marco Carola, Alesso, Regard, Dombresky

For our first release we've invited our friends CYRK, to contribute to our new project. They are known for their amazing analog live performances, from state of the art Electro, to sophisticated Techno. This EP contains two hypnotic and dubby Techno compositions.

With Carbonisation they've created a shuffling and floating essence, that's perfect to lead you into other spheres. In Recrystalization, sounds move and evolve around a straight pounding beat and burst repeatedly into stunning breaks.

On Top Californian Techno heavyweight Drumcell adds his own touch, by remixing Carbonisation, needless to say, it's a peak time Techno banger. Ravn Jonassen provides the second remix, he adds a more trippy feeling to Recrystalization with some insane synthesizer action.

When Techno was born, it was a save haven for likeminded people, who created their own futuristic statement. A few masterminds have put their focus on groundbreaking new music, that created a journey for all those who where willing to follow them into the dark basements and abandoned Warehouses. Reaching together a higher state of consciousness, while celebrating love and humanity. We think nowadays it's still important to not forget, where Techno came from, it's punk, it's political, it's machine music for human hearts.

180g Red Vinyl 2022 repress

When we started working on the planning of this third chapter of the series, we were looking for an artist with whom there was a special bond, of friendship, affection and respect, but above all young.
We get to the name of FLAWS, an artist who complies with the aforementioned and who is working constantly and meticulously on his productions.

This is how 'Unseen World' was born, a release composed of 5 original tracks, full of strength, mysticism, depth, and faithful to our ideals, a classic groove that blends perfectly with the futuristic proposal of this young English artist.

Our 2 previous editions were absolutely amazing works and with wonderful results, by CRAVO and Albert Chiovenda, in this new installment FLAWS has been up to what we can define as 'elegant sound'

Contrasts have always been very important to ANAØH's philosophy and that is why we once again looked for the Remixers that will participate in the B-side of the physical release to be a mix between young artists who are doing extraordinary things and consecrated artists, unique and whom We owe inspiration, gratitude and respect.
Mark Broom, The Advent, Arthur Robert, Staffan Linzatti, Dig-it are in charge of contributing their wonderful works and particular vision to redesign the original tracks... The result is phenomenal, a balanced release, full of strength, and a special magic based on love that can be created when different generations of talent meet.

Thanks to each of them for believing in the project and making it something wonderful.

On July 22nd Mutant Joe unveils his debut release for Evar, 'Wrong Way Out', an EP that twists rap, electro and breaks out of shape with cool malice.

Since his arrival on the scene with a pair of 2019 releases for UK-based label Natural Sciences, the Brisbane-based producer's output has spanned underground trap,gabber, electro, jungle,breaks and various global club mutations, repackaged and delivered with a unique sense of impending threat and unhinged delight.

Mutant Joe repurposes mechanical SFX, stock horror movie samples, feedbacking hardware and crunching percussion to create a dark and theatrical soundworld. Building on his earlier work with underground trap artists like Freddie Dredd and TRiPPJONES, opener 'Bangin On' sees Joe revisit his love for dirty-south-indebted electro hybrids, combining fizzing bass and steely beats, plus rhymes courtesy of a close friend, Atlanta rapper Apoc Krysis. 'Static Effect' deploys similar Drexciyan influences, its overheating 808s colliding with aquatic machinery and disembodied vocal chops.

'Eyes Without a Face' presents a unique take on some classical rave combinations, with rolling, metallic jungle breaks, footwork-esque kicks and tightly layered, redlining hardware. The pace eases off on the ominous and aptly-named 'The Living Dead', a low slung, off-kilter breakbeat weapon. The EP closes with a pair of remixes: a twisted dungeon-rave tool by Ukrainian D&B specialist Limewax, and a tightly wound, detailed broken techno workout by EVAR regular Wheez-ie.

'Wrong Way Out' offers six wildly different approaches, united by Joe's mastery of gothic-horror sound design and unique ear for soundtracking end-of-night deviance. It's a cross-section of the sound Mutant Joe has so quickly made his own: unclassifiable, unrelenting and darkly euphoric.

Repress

"Work out your own salvation, with fear and trembling"

Two years since the debut record on Secession, Volster returns with the new EP on his self owned imprint. This personal record marks an artist's evolution sonically while still retaining that signature textured sound he's capable of delivering. The remix is classic Setaoc Mass, no-nonsense sharp techno cut ready to shake the club floors as soon as they are ready to open again.

The four-tracker release will land this spring on both vinyl and digital medium with some digital bonus remixes from talented and should be on everyone's watchlist artists, Alarico and Assumption.

The two original cuts on the B side from Jheal Bashta are exploited as raw material by Aiken and Exium to create two outstanding remixes, which are a faithful and genuine reflection of a bygone era. We’re thrilled to welcome Aiken and Exium to Traces Records.

The four Spaniards ready their hydraulic hammers to shake the ground with four cuts of classic 90s techno, melancholic electro and touches of IDM.

Next to this ore body, there is a digi-only track with a suffocating atmosphere and coal-ripping bass line, called “Seismicity”.

repressed !

From Our Garden To Yours, Doof Deep

Surge causes a wave of gridlocked analogue pulses that are bound to wreak havoc. VOLT006 brings four tracks that guarantee outrageous energy levels that will steer dancers into momentary oblivion. Buckle up for a blazing furnace of prime time rave sounds by Swart, REMY-X, Chlär and Julian Muller.

Producer duo Greg Wheeler and Dean Slydell spent a lot of time on the A3 road back in the nineties, which runs from London to Portsmouth. The trax for Molar's third strike date from the same period. House gourmets know their sought after releases from the mid-nineties on UK’s Ferox Records. Molar is very happy to present four diverse tracks that were produced between 1995 and 1998 that have now been carefully remastered for the „A3 EP“.
From the rather cheerful house groover „Changing Places (Edit)" and the deep head nodder "Telling Lies" on the A-side to the technoid, slightly reminiscent of Italian Onirico "First Contact" and the freshening breaky "OpenGL" on the B-side - there is something for everyone on MOL03 again!

Incl. Robert Armani, Van Czar, Samuel L Session, Waffensupermarkt rmxs

Limited to 100 numbered copies. Early support from Cristian Varela, Robert Armani, Van Czar, Richie Hawtin, Joseph Capriati.. We present TPMP our Chinese artist album strengthen with Robert Armani remix alongside Van Czar, a groovy remix by Swedish Samuel L Session and our German label friend Waffensupermarkt.

Cali Lanauze's Opulence label comes correct with the first in a new series of compilations called Sensory. Volume 1 brings together a red hot selection of talents from around the world, with slick house and techno in many forms all represented.

Those contributing include the boss himself plus Chicago legend DJ Sneak, Detroit's Ryan Crosson, French house giant DJ W!ld, Germany's Andre Buljat, Italian born minimalist Cesare vs Disorder, Peruvian duo Deaf Pillow and cult Romanian Kozo.

Kozo steps up first with ‘See A Man About A Horse’, a woozy and deep cut filled with gorgeous pads. The prolific and game changing DJ W!ld then offers a more driving number, with metallic drums and smooth loops getting deep into your psyche. The boss's own ‘SixFourtyTwo’ is a dreamy and pad laced deep house classic, then DJ Sneak comes on strong with his fluttering percussion, deep rooted Chicago drums and sci-fi effects to get you in the groove.

Cesare vs Disorder – ‘Aquele Dia Na Piscina’ is a more tripped out and synthetic affair with brooding pads and crisp kick drums powering things along, before the stripped back afterparty vibe continues with the edgy and eerie ‘Change Your Mind’ from Ryan Crosson, which has cascading drums and drilling bass. Deaf Pillow keep you locked with the ghoulish voices and rugged synths of their ‘Devil's Head’, a paranoid cut with an unsettling atmosphere, and Andre Buljat's ‘Telescope’ rounds things out with the futuristic synth patterns and roaming drums of this deep techno roller.

This is an excellent eight track overview of the brilliantly broad Opulence sound and is jam packed with essential cuts.


Support by: Raresh, Archie Hamilton, Cristi Cons, Tripmastaz, Danny Tenaglia, Joseph Capriati, Stacey Pullen, Dan Ghenacia, Demuir.

DGTL Records - the official label arm of Dutch festival giant DGTL - marks its fifth anniversary in style with brand new album ‘5YRS of DGTL Records’. The 14-track long player is released on April 29th as a 4x 12” vinyl set and drops digitally across 4 separate EP releases between February 18 and April 1.

5YRS of DGTL Records is a perfect reflection of not just of the label itself but also its global event patron: headliners sitting equally alongside local talent and up-and-coming acts.. Holding a great variety of forward-thinking house and techno, the label stays true to the same formula of the festival shows. Over the past five years, DGTL Records has grown into its own as a fully-fledged musical arm of the overall DGTL musical experience, introducing new sounds and acts to an international audience.

For promising Dutch DJ/producers Coloray, Tjade, Nicky Elisabeth and Lucky Done Gone, this will be their first release on DGTL Records, while the likes of Deniro and JP Enfant are already familiar names to label fans, having previously released EPs on the label. All are linked to promising rising international talent such as Jimi Jules, Kino Todo and Terr and to DGTL 'veterans' such as Adriatique, Dax J, Roman Flugel and Frank Wiedemann & Trikk, who have been part of the DGTL family for years.

Once the digital EPs are fully released, '5YRS of DGTL Records' will be available as a very special commemorative 4x12" vinyl release. Presented in a tri-fold cover, the LP will feature artwork by Eric Smilde, who has incorporated the distinctive elements of DGTL festival at the NDSM Docklands into a 3D design. Known for its sustainable ambitions, DGTL continues along that path with this vinyl release, choosing to work with Deepgrooves, the world’s greenest vinyl pressing plant thanks to their innovative and leading working method. The vinyl will be ready on the weekend of DGTL AMS 2022 at the NDSM Docklands and will be available there for the first time.

Following seminal releases on Novi Svijet, Veyl and Live Adult Entertainment, DJ Loser makes his Forbidden Planet debut with “Illusion Hunt” an album of killer rave, trance and techno cuts in his signature style.

Based in Thessaloniki, Greece, Dj Loser has had a significant impact on the international underground scene as a key figure in the modern revival of a darker, more hardcore techno sound. Unsurprisingly, his releases on Live Adult Entertainment are almost impossible to get your hands on.
The album itself features nine tracks which range from jacking trance & techno (e.g. Bad Standard, End of Hypnosis) to hip-hop/dnb inspired cuts (Illusion Hunt) and even ethereal soundscapes (Godknights Stigma, Synethesia Symptom).
This is a release you won’t want to miss.

Repress!

Switching within digital binaries, analogue flux, and all forms of degradation in between, a creature is kickstarted to life, as if awoken with locomotion's full might. Helena Hauff delivers a mix for Tresor's Kern series, lashing together a sound world with a potent barrage of industrial dance music.
Scorched-earth missives attract metals and mining chemicals, leaving little in its wake but aggravated and chaotic experiments of lateral hypotheses in acid brine. Like a hyperloop through this labyrinth, this high-velocity future is both beautiful and evil, glinting embers through low-bit fogged-out clusters. 100 metre-high aluminium pylons vibrate, each captivated by their electrified foundations. There is no place for dust to settle on the floor. Where a loose TB-tribalism knocks switches and pounds upward synaptic shocks, life down there is too rapid. Not to be taken lying down, this is the viable path forward without the shackles of turgid passivity. The eect is no less thrilling than crucial, as it presents an essential DJ of our times.
Settling into swift 150bpm groove, Hauff ploughs through shepherd-tone electro, ghetto bumps, and grizzled techno. A new collaborative track with Morah plays a rough game of meter, with Hauff's signature sound clear as ever ripping apart new dimensions with a brutal disorder over deceptive bass synths. The visceral crunch of the present is no more clear than at the halfway point, a threshold in which the breakneck electro falls apart, with the rabid foam of Nasenbluten's ballsy gabber anthem "Intellectual Killer". Slowly more room to breathe comes into view, the pace drawn down revealing a strange sense of resolution, with expansive synths hinting at a beckoning euphoria. At this moment, Helena Hauff is clearly in full stride, uniquely melding fragile machinations against anarchic human interventions.
Helena Hauff and Morah, Umwelt, Machino, Galaxian and L.F.T. all contribute with five previously unreleased tracks, exclusive to the compilation. Rare titles are also featured, such as the late Curley Schoop’s “Mayhem” under the name Esoterik, “City Of Boom” by DJ Godfather & DJ Starski, Nasenbluten’s “Intellectual Killer“ and "After Dark” produced collaboratively by Andrea Parker and David Morley.

Minimal house supergroup Mandar have been on a roll since they launched Oscillat back in 2014, but this release ranks among their highlights to date. The dream team of Lazare Hoche, Malin Genie and S.A.M originally released "Poisoned Words" as the B side to their String Theory 12" in May 2018, and now they revisit the track with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, finding a singular voice within the context of minimal techno, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.

Originally released in the year 2000, the album represents a pivotal moment in the emergence of the “Birmingham Sound”; a stripped-back sub-genre of Techno, pioneered around this time in the English hub by artists such as Regis, Female, and Surgeon.

Influenced more by Industrial, Music Concrete, and EBM than from the melodic sounds of its Detroit predecessor, Regis later described the music as being made with a fractured pop sensibility which created a sound that may be faceless but by design loses none of the soul of its American counterpart.

Nowhere is this sonic changing of the guard more apparent than in opening track, Washing My Hands, which sets the stage with a vignette of field recordings: arc welders, water boilers and other sounds reminiscent of industrial workshops reframe your senses, placing your mind into a familiar yet unsettling dreamlike space. From this sound- scape emerges a high-pitched, vitreous noise heralding the jarring introduction of Let Them Bleed, the first of several trance-inducing tracks on the album such as Join Us In Paradise, and Guiltless, which layer percussive and sampled loops creating what Peter Sutton (aka Female) described as exotic hypnotics.

This remastered edition of Againstnature also features the additional track, Theme From Streetwalker, previously only available on Volume 6 of the Tresor Compilation series.

A new album of all original music and the first release by Steve Moore (Zombi, Lovelock, etc.) on Pittsburgh Tracks.

A new addition to the label’s extended family, Tracey arrives on Dial with his debut LP, Biostar. Following previous releases on Aus Music, Voyage Direct and Intergraded, ‘Biostar’ pushes the technical and emotional craft of this vital young producer in exciting new directions, submerging listeners in thirteen tracks of sublime electro, ambient experimentation and warm, tonal techno. Based in the Netherlands, Tracey’s music is undoubtedly indebted to a legacy of emotive electronic music, the sort whose stark futurist vision cannot be equalled. Instead he strives and succeeds to create something personal and charismatic from a perhaps familiar palette of sounds. Somewhere between experimentation and understated songwriting, ‘Biostar’ is a worthy edition to Dial’s legacy of unique, artist-led albums. In the tradition of established Dial artists such as Lawrence, Roman Flugel and Efdemin, Tracey’s immediately apparent strength is an almost supernatural ability to conjure affecting and memorable melodies with minimalist intent, often just utilising the raw textures of his machines. From album-opener ‘THRRVL’, Tracey tracks the initially gentle undulations of his studio seemingly waking to life, plotting a neat melodic shuffle on ‘TRR’ and then, by, ‘CCLRT’, something dense, trippy and yearning. From hereon in, ‘Biostar’ plots an intriguing course through hypnotic, clockwork crunch (‘THWRD’), to Drexciyan submersion (‘HDRCSTCS’) and rhythmic experimentation on ‘PHTCPHRK’. Some of the more affecting moments on ‘Biostar’ emerge from it’s more obtuse sections; ‘DTFNK’ deciphers a surprisingly catchy melody among waves of scrambled signals, while the initially skittish ‘DRMRBT’ blossoms into an electro lullaby at 126bpm. By the arrival of wistful closing track ‘CLSTLBNG’, listeners are likely to emerge content from the deepest exploration yet of Tracey’s unique analogue ecosystem.

Acid techno banger... Classic and efficient... Under the bridge...

Zosimos is a vinyl-only label based in Miami, FL.
Second release comes from Feph & Mr. Tron.
Catered to DJs and meant for the club.
Extended DJ tools, Made in USA.
300 copies

black Vinyl

New Maastricht-based label with a release from the mysterious J.S. Zeiter.

Renart, A Young Producer, Is One Of The Proudest Representatives Of The New French Techno Scene.

Known For His Excellent Work In Production, It Is On Stage That He Impresses The Most, With Intense Sets With Textures Worked And Tinged With Trance, Just Like His Lives, True Techno Epics.

Music With Mythological Accents, Renart Connects Several Eps Since 2010, Both At Cracki Records, Versatile, Dawn Records, Or Fragrant Harbor Recently.

Inspired By The Ancient Techno, Renart Romanesque And Traditional Music Sounds Sometimes Oriental, Renart Tells A Story Of Hypnosis And Psyche, Made Of Throbbing Repetitions, Reminiscences Of Happy Mornings Where The Stars Are Dying.

The 3rd release on PROLETARIJAT is about to continue the story about Sev Dah's vision of todays values of techno.
Mental and driving but simple and yet emotional is the concept of PROLETARIJAT003, and Sev Dah did the job on the
A side with "Pledge" - the synth is hypnotising but yet forward going, a true Techno banger thats order is to transform
your reality.
"The Universal Mother" on A2 is an emotional experimental/ambient vision of unity and brotherhood.

B side's "Sloga" is the more simple side of 003 but also the most powerful story that Sev is telling here.

Musical storyteller ´Solee´ takes us on the 4th Future Romance journey with two brandnew tracks called "Sternstunde" and "Exhilaration", both packed with euphoric melodies and some extra drive for the deeper dancefloors.

DJ and producer ´Shall Ocin´, wellknown for his stirring productions on labels like Ellum, Atlant, Drumcode or his own imprint Clash Lion accompanies us as a remixer for this release and turns "Exhilaration" skillful into a true peaktime belter!

Early DJ support by Adam Beyer, Adriatique, Kevin De Vries, Hunter/Game, Edu Imbernon, Fur Coat, James Zabiela, Undercatt, Magdalena, Eelke Kleijn and more...

4 jack trax including a stripped down remix from Jimmy Edgar.

The solid Spanish producer is back. He presents three tracks with his unique style that is clean and repetitive.

- vinyl only -

Mark Du Mosch is a master of electronics. Gracing a glut of labels in a career spanning more than a decade, he arrives at Schrödinger’s Box with a very special release. Presence is a fiver tracker of enviable quality. Set in the canon of warm techno, Du Mosch focuses on melody and texture. “Studio M Uno” is bright and unassuming, “Koriander” both assured and fragile. The tracks on offer feel like the musical accompaniment to a Summer’s day, a time where cares are in the present and future worries do not exist. The unseen complexities of the everyday are an audio focus, the intertwined interplay of drum patterns in “Mrk I Utilities” and the mechanical dawn of the title piece throb with a human pulse. Always present, but never imposed, is the techno composition that brought this dutchman to the attention of so many. This is plain to hear in the diverse threads that are collected to produce the rich and varied closer, “Too Much.”

Land Of Lovers and Hammers is a release that shows the limitless possibilities that an album by an artist with a precise and sufficiently defined musical concept can accommodate.
SOJ always works within an industrial sound context, but his works can be based only on small details that finally lead us back to this countercultural environment, elements of this genre, which later feed on other external nuances.

Infidel Bodies is the record label that publishes this new reference from the head of Soil Records. Its 10 original tracks combine different rhythmic structures with harmonic textures, each of them has a different charisma than the rest, with influences from styles such as dark ambient, techno or experimental electronics, and with quite different composition patterns. To the 10 original tracks must be added 4 versions of WLDV, Unconscious, IV Horsemen and Filmmaker.

Words by Ximo Noguera from Industrial Complexx


credits
All tracks are produced by Yan Broch
Mastered at Red Dungeon (Naples)
Artwork by Threeam
Layout and cassette design by Erminio Granata

Welcome to our new Trix Trax series, a series dedicated to sharing the Techno side of things.This is a huge EP showcasing a very special selection of Techno from the versatile JD Typo.

Welcome to our new Trix Trax series, a series dedicated to sharing the Techno side of things.This is a huge EP showcasing a very special selection of Techno from the versatile JD Typo.

Long awaited hit track “Soap” from Stuttgart’s super talented Rove Ranger is finally coming out on the beautiful colored vinyl accompanied with classy, old school feel track “Fellas R Good” One not to be missed!

One of Drumcode’s most indispensable talents, Tiger Stripes blesses us with another classy two-tracker.

In the last 11 years Mikael Nordgren aka Tiger Stripes has appeared on Adam Beyer’s Drumcode and Truesoul labels a total of eight times. The Swede has a masterful command of his machines and is an inspired sound designer, imbuing his productions with bags of creativity and cross-genre futurism. His last outing on DC ‘Into Isolation’ was a colourful five-piece of super-charged techno, reinforcing the breadth and strength of his studio work. Nine months on, we have another offering to add to the canon.

‘Jack The Garage’ is a fast and furious leader, mixing up jacking dancefloor functionalism with raw and distorted sounds inspired by garage rock bands such as The 13 Floor Elevators and The Stooges. ‘Back in Black’ draws influence from unlikely sources, Nordgren mining latent inspiration from the smooth synthesized sounds of Travis Scott after his daughter introduced him to the hip-hop maestro.

The resulting cut is a slick slice of electro-fuelled techno, with as many sides as a rubik cube, as bass stabs, muffled vocal effects and distorted guitar stabs keep things interesting throughout.