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Die experimentelle LP Krazy Karl von NNAMDI aus dem Jahr 2020 wurde von dem Looney Tunes und Merrie Melodies Komponisten Carl Stalling inspiriert. Eine fast komplett instrumentale Reihe von surrealen, jazzigen, cartoonhaften Drehungen und Wendungen, die daran erinnern sollen, wie es ist "wenn dein Gehirn versucht deinen Schädel zu verlassen, du es aber immer wieder in deine Nase zurückstößt". Es ist eine weitere Reizüberflutung von einem Künstler, der zu erfinderisch ist, um ignoriert zu werden. Nicht als Streaming verfügbar und ursprünglich in einer kleinen Auflage von 300 LPs veröffentlicht, die sofort ausverkauft waren. Hier die 2025 Nachpressung.

Red vinyl. Released in 1982, III Wishes marked a new chapter for Shooting Star, as it was their first album without founding keyboardist Bill Guffey. Despite the lineup change, the band continued to refine their signature blend of melodic rock and soaring instrumentation, further establishing themselves in the AOR scene. With Van McLain, Gary West, Charles Waltz, Ron Verlin, and Steve Thomas still leading the charge, III Wishes showcased powerful hooks, tight musicianship, and the band's signature violin-infused rock sound. While it didn't achieve mainstream superstardom, the album reaffirmed Shooting Star's underrated brilliance and commitment to delivering heartfelt, high-energy rock.

Red/Black splatter vinyl. Released in 1982, III Wishes marked a new chapter for Shooting Star, as it was their first album without founding keyboardist Bill Guffey. Despite the lineup change, the band continued to refine their signature blend of melodic rock and soaring instrumentation, further establishing themselves in the AOR scene. With Van McLain, Gary West, Charles Waltz, Ron Verlin, and Steve Thomas still leading the charge, III Wishes showcased powerful hooks, tight musicianship, and the band's signature violin-infused rock sound. While it didn't achieve mainstream superstardom, the album reaffirmed Shooting Star's underrated brilliance and commitment to delivering heartfelt, high-energy rock.

Clear marble vinyl. Hailing from Kansas City, Missouri, Shooting Star made history as the first American band signed to Virgin Records. Their 1980 self-titled debut, produced by Gus Dudgeon (renowned for his work with Elton John), showcased a powerful blend of melodic rock, soaring harmonies, and violin-infused arrangements. Recorded in England in 1979, the album gained national attention with AOR radio staples like "You Got What I Need," "Bring It On," and "Tonight." However, it was "Last Chance" that truly stood out_later praised by AllMusic as "one of the finest songs ever." With a lineup featuring Van McLain, Gary West, Charles Waltz, Bill Guffey, Ron Verlin, and Steve Thomas, Shooting Star blended classic rock with orchestral textures, crafting a unique and memorable sound. Though they never reached mainstream superstardom, their debut album remains a hidden gem of heartland rock, capturing the energy and ambition of a band on the rise.

Clear Vinyl. Hailing from Kansas City, Missouri, Shooting Star made history as the first American band signed to Virgin Records. Their 1980 self-titled debut, produced by Gus Dudgeon (renowned for his work with Elton John), showcased a powerful blend of melodic rock, soaring harmonies, and violin-infused arrangements. Recorded in England in 1979, the album gained national attention with AOR radio staples like "You Got What I Need," "Bring It On," and "Tonight." However, it was "Last Chance" that truly stood out_later praised by AllMusic as "one of the finest songs ever." With a lineup featuring Van McLain, Gary West, Charles Waltz, Bill Guffey, Ron Verlin, and Steve Thomas, Shooting Star blended classic rock with orchestral textures, crafting a unique and memorable sound. Though they never reached mainstream superstardom, their debut album remains a hidden gem of heartland rock, capturing the energy and ambition of a band on the rise.

Electronic pioneer Sasha links up with Artche for dramatic new single 'Hold On', Artche also provides his own version of the track.

Last Night on Earth founder Sasha sits in his own world after more than 30 years of innovation as a DJ and producer. His meticulously crafted sounds have constantly redefined the underground, and with this label, he has spearheaded the melodic movement with his own music and careful A&R of exceptional contemporary talents. This latest release finds him working again with Newcastle-based producer and vocalist Artche, who has already collaborated to great effect with the likes of Franky Wah and Cristoph on Eric Prydz's Pryda Presents and also released solo on SHÈN Recordings. His mix of deep house and techno has won fans like Pete Tong and Lane B, and he asserts his skills once more here. Says Artche of his return to LNOE.

The fantastic 'Hold On' is a dramatic ride lit up with sweeping, spine-tingling synths. It has a grand architecture and widescreen atmosphere with profound melodies and moody bass rolling down below. Angelic vocal sounds shimmer amongst the epic chords and the whole sophisticated track makes an inescapably emotional impact. The Artche Mix works the drums into airy, dusty broken beats that bring a different vibe while the original vocals and lush synths remain in place and tugging at the heartstrings.

AFTER ALMOST A YEAR OF LIFE, SUPER PLASTIC RECORDS PRESENTS ITS FIRST LP OF SEVERAL ARTISTS. WE WANTED TO DO SOMETHING A BIT SPECIAL SO THAT OUR PRESENTATION ON VINYL RECORD WOULD BE REMEMBERED FOR THE EFFORT AND LOVE PUT INTO THIS PROJECT.
THAT'S WHY WE HAVE PRODUCED A 12 IN A FULL COLOUR GATEFOLD CASE, WITH THE INSIDE DEDICATED TO THE ARTISTS WITH PHOTOS, COVERS OF THE DIGITALLY RELEASED TRACKS AND A SHORT SUMMARY OF THE HISTORY OF SOUTHERN BREAK BEAT. WE HAVE ALSO INCLUDED A BOOKLET WITH STICKERS OF THE ARTISTS LOGOS, WHICH IS SO FASHIONABLE AT THE MOMENT.
EVERYTHING WILL BE SHRINK-WRAPPED SO THAT IT REACHES THE CUSTOMER WITH GOOD PROTECTION.
THE 12' 45 RPM DISC IS LOADED WITH 6 TRACKS, THREE MELODIC TRACKS FOR PIANO LOVERS, SUNG TRACKS WITHOUT LACKING THAT PISTERO TOUCH.
THE OTHER THREE TRACKS ARE A BIT MORE ELECTRONIC, WITH STRONG BASSES AND STRONG BASES.

Auf Lullaby stellt der norwegische Trompeter Mathias Eick sein frisch eingespieltes Quartett vor und
präsentiert ein Programm, das dessen improvisatorische Qualitäten in den Vordergrund stellt. Mit den
ECM-Vertrauten Kristjan Randalu und Ole Morten Vågan an Klavier und Bass sowie Neuzugang Hans
Hulbækmo am Schlagzeug werden zutiefst melodische Linien erörtert, welche die Musiker elegant zwischen den Harmonien fließen lassen, um gemeinsam aus den Formen heraus Schwung aufzubauen. Eicks
unmittelbar erkennbares, weiches Horn-Timbre steht oft in markanter Gegenüberstellung zu Randalus abwechselnd lyrischen und ausladenden Tastenerkundungen, die sich über eine treibende, immer einnehmende
Rhythmusgruppe erheben. Das Album wurde im Rainbow Studio in Oslo aufgenommen.

Julia Hülsmann erweitert ihr Quartett mit einer frischen norwegischen Stimme am Horn und präsentiert
ein Programm gruppeneigener Stücke, die im Quartett- und Quintettgefüge nachdenklich und kreativ ausgelotet werden. Wie auf den vorherigen Alben steuert jedes Quartettmitglied Musik zur Session bei, wobei
die Bandleaderin selbst für die Hälfte des Programms verantwortlich ist. Saxophonist Uli Kempendorffs
Einführung in Julias Trio auf Not Far From Here (2019) brachte bereits eine neue Dimension in das
Zusammenspiel der Gruppe – dieses Gefühl wird durch die Ergänzung um die norwegische Trompeterin
Hildegunn Øiseth, die sich der Band auf der Trompete und dem Ziegenhorn für fünf Stücke anschließt, um
ein Mehrfaches verstärkt und ausgebaut. Fesselnder Lyrismus und spielerische rhythmische und melodische
Kniffe durchdringen Under The Surface – ein weiteres Juwel in Julia Hülsmanns zunehmend beeindruckendem ECM-Werk.

Auf Taking Turns, vor einem Jahrzehnt im New Yorker Avatar Studio aufgenommen, trifft der dänische
Gitarrist Jakob Bro auf eine generationenübergreifende Gruppe eigenständigster Improvisatoren. Lee Konitz,
Andrew Cyrille, Bill Frisell, Jason Moran und Thomas Morgan injizieren ihre besonderen Energien in eine
Session, die die Konventionen der „All-Star“-Band umgeht und den Schwerpunkt auf Teamwork legt. Bros
raumgreifende Musik provoziert innovative Erwiderungen der Musiker: ein atmosphärischer Impuls oder
Fragmente dezenter Melodien eröffnen neue Wege, die auf elegante Weise gemeinsam erkundet werden.
Im Kontext der Aufnahme meinte Jakob Bro: „In meinen Kompositionen geht es darum, ein Gefühl oder
einen Eindruck einzufangen, das zu skizzieren und es dann während der Aufnahme zu entfalten“.

An der Seite von John Coltrane und Archie Shepp hatte Altsaxofonist Marion Brown ab 1965 bei Impulse!
Records zur Speerspitze der avantgardistischen ”New Wave in Jazz” gehört. Von einer vollkommen anderen
Seite - sehr entspannt, meditativ und melodienselig - zeigte sich Brown dagegen 1975 auf ”Vista”, seinem
vierten und zugleich letzten Album für das Label.

World Why Web is KABAAL aka Jakob Warmenbol’s first solo album. It is the hallucinated and brilliant fruit of a long journey of exploring a more adventurous setup for improvised drum performance. Reinventing the work with sensor equipped drum kits, KABAAL playfully improvises songs with samples ranging from car engines, to Paul Dunmall’s bagpipes, Ligeti’s harpsichord piece Hungarian Rock, or a Chinese television series from the seventies. You get it : just about anything as long as it isn’t drums! This innovative approach allows him to create dialogs between instinctive and awesome drumming and improvised digital poetry. As if Autechre was meeting and merging with Zach Hill and Tony Allen at the same time. It also extends and changes the functionality of the drum kit, making it a tool to create odd melodies and landscapes of atonal synths and distorted noise.

Pioneering electronic harpist Lara Somogyi and award-winning pianist/composer Jean-Michel Blais present their new album, désert. The album emerged from a serendipitous encounter at Lara’s remote studio amidst the serene expanse of Joshua Tree. Entirely improvised, it captures the natural, organic interaction between the two artists, reflecting both their intuitive musical connection and the true essence of the moment in which they recorded it. Inspired by the passage from dawn to dusk, their improvisation distilled into eleven tracks – mirroring a journey from illumination to obscurity, from simplicity to intricacy, and from strangers to kindred spirits. Melodies convey transcendence and harmonies channel synchronicity – weaving an unforeseen, timeless narrative.

Unter Federführung des neuen Labelpartners RPM-ROAR steht am 14.03.2025 nun die Veröffentlichung des 3. Albums mit dem verheißungsvollen Titel "Resurrection" an. Auf 10 Tracks bieten BLACK & DAMNED wieder eine einzigartige Mischung aus melodischem Power Metal und düster stimmungsvollen Klängen.
Brachiale Gitarrenriffs, intensive Rhythmen, kombiniert mit den für die Band charakteristischen, eingängigen Gesangslinien - ein Sturm aus Kraft und Emotionen. Erneut sind Daniel Galmarini und Sven Vöhri als Gäste vertreten. Der fantastische Albumsound entstand erstmals unter der Regie von Stefan Leibing (Ex-PrimalFear).

Experience the dramatic pulse of Italian crime cinema with the first-ever vinyl reissue of Bruno Nicolai’s iconic soundtrack for "L’Onorata Famiglia (Uccidere È Cosa Nostra)", the 1973 masterpiece directed by Tonino Ricci.

Renowned for his prolific work in Italian film scores, Nicolai blends atmospheric jazz-rock, brooding fusion, and haunting melodies to perfectly capture the tension and intrigue of the era’s mafia-centric storytelling.

This long-overdue release brings new life to the score with Luca Barcellona meticulous restoration of the original artwork, preserving its bold, cinematic aesthetic, along with vinyl mastering handled by Davide "Bassi Maestro" Bassi, lending his mastering expertise, ensuring the music resonates with modern audiophiles while maintaining its vintage warmth.

Whether you’re a collector of Italian soundtracks, a fan of dramatic jazz-rock fusion, or an appreciator of timeless cinematic artistry, this vinyl is a must-have for your collection. Dive into the world of suspense and style that defines "L’Onorata Famiglia", limited to 500 copies!

©℗ 1973 – Beat Records Company. Reissued by Holy Basil Records under license by Beat Records.

Brand new double LP on orange vinyl limited to 300 copies worldwide from Tyla (The Dogs D’amour) featuring the latest single ‘Cadillac Man’ - 'It’s becoming a bit of a cliche these days to say 'I dreamt this idea, song, story film book etc' But that's exactly what I did with the song 'Cadillac Man' the lyrics and the video idea and the melody as it was just after noon I jumped out of bed and scribbled the lyrics an picked up my trusty black Gibson J200 the guitar I've written nearly every song on since the day I bought it brand new in 1991. It was then I realised id dreamt the chords too!' I was 62 years old when I began writing and recording this album in the Autum of 2023 and I'm lookin' at 64 this July. I sent some of the songs to Simon (Hanson) who slapped on the drums then I sent them to Jamie Turnbull ('In Vino Veritas' / Tyla’s Dogs D'amour producer) knowing he was a great guitarist, but I didn't know just how good! This is the first album I have ever done that you can and even I do, play air guitar too! The songs flowed and i seemed to have captured most if not every human emotion in a Genie's lamp which I am now putting in your trusty hands and ears and eyes and soul. I beg you pop the cork, and I can guarantee that some if not all of your wishes will come true.' 'Gilding the Lily' Is the album I've been trying to write wanting to write, all my life.'

Best known as a founder member of Submotion Orchestra, as well as
Matthew Halsall's pianist for many years & lately keyboardist for Portico
Quartet, Taz Modi now returns with his long-awaited second solo album - the
haunting and elegant 'Involuntary Memories' on Sehnsucht Records
Recorded across the country on a number of different pianos, the album builds upon
the eclectic nature of his debut 'Reclaimed Goods' by aiming to bring as wide a range
of expression into post-classical piano music as possible, whilst also melding subtle
electronic influences

K L P S has garnered a reputation for their immersive soundscapes and heavy
riffs, blending elements of post-metal and sludge to create a unique auditory
experience
Fans can expect a collection of tracks that not only showcase the band's signature
style but also push the limits of their musical exploration.
This new album promises to be a compelling journey through sound, reflecting the
band's evolution and artistic growth. Each track is crafted with intention, aiming to
resonate with listeners on various emotional levels. The self-titled album serves as a
testament to K L P S's commitment to authenticity and creativity in their music.

Recorded in Tilburg between February and April 2023 at Catacomben Studios
De Droom sees Noctambulist diving deeper into post-punk and shoegaze
influences while retaining the fierceness of their debut record Elegieen
What sets De Droom apart from the first record is that the writing was done with the
entire band on board whereas full song ideas used to be presented by a few
members. The songs this time around are just that, songs
While De Droom is not a concept album most songs reflect on the beauty of a
mediocre co-habitual existence while also struggling with the seemingly impossible
dream of homeownership. The album cover features a bedroom of a derelict villa,
reflecting the themes of hope, failure and heartbreak present on the album.

Showcasing whip-smart spikiness remains, and a gorgeous weirdness
matched by very few others, it's easy to see why wonk pop 7-piece KEG are
one of the most talked about bands of 2024
Soon they'll be THE band of 2025.
Their forthcoming debut album Fun's Over represents the culmination of KEG's initial
forays into life, and as such leaps all over--from the melodic to the demented with all
the enthusiasm of a very lively bean salad. Sharp angling guitarwork that would be at
home both on a Fugazi or a Wilco record. Cascading synths and drums, pepperings of
trombone and lyrics which invite you into a baffled man's brain full of joy and anxiety.
Contrary to the previous releases the album takes its time, allowing Keg to showcase
the orchestral leanings of the band, melding textures and battering- ram rhythms,
whilst all the time managing to hone their carefully manipulated balance of chaos and
order.

Fifteen years after releasing two exceptional postpunk-meets-shoegazemeets-dream pop albums on Caroline Records, New York-based outfit
Springhouse (Mitch Friedland, Larry Heinemann, Jack Rabid) reconvened to
record a third album, From Now to OK, co-released on CD with Independent
Project Records in 2008
Now appearing for the very first time on vinyl, the record captures the three piece
exploring a more acoustic, folk rock- indebted sound: still showing their trademark
flair for dreamy melodic textures, the ever Anglophile Springhouse can be heard
embracing the late 60s influence of Nick Drake and The Beatles. This newlyexpanded edition of From Now to OK comes with a bonus CD of previously unreleased
demos and live recordings. Preserved in a beautiful package from master designer
Bruce Licher, this custom-cut metallic ink jacket is sure to be a collector's highlight.

Members went on to Sinkane, and Pompeii, This Morning. Originally recorded in the
summer of 2005 out west, while on tour, by Vince Tennant. The recording had been
shelved and unreleased. In 2023, Expert Work Records reached out to Sweetheart and
got the recording re-mastered. It will be released on limited vinyl and digital.
This is also a companion piece/ record with EW018 (Sweetheart- The Process of
Making Us Well). We highly suggest getting both records.
Sweetheart's "The Unbearable Tightness Of Being" is one of those records you should
put on your radar as soon as possible. A rediscovered artifact from 2005, the album is
a sonic panorama that intricately incorporates post- hardcore, noise rock, punk,
screamo, and indie elements into an innovative and complex sonic landscape. The
guitars, wielded with finesse, serve as the driving force behind Sweetheart's sonic
assault. From the opening chords to the closing refrains, they deliver a relentless
barrage of riffs that defy predictability. The interplay between the two guitarists
manifests as a dynamic dialogue - a musical conversation that seamlessly transitions
from chaotic dissonance to moments of clarity. Catchy, intricate, and hypnotic chord
progressions unfold, evoking the spirit of At The Drive-In and Fugazi while carving a
distinct sonic identity.
However, it's not merely about sonic assault; Sweetheart infuses the album with a
nuanced approach to melody. Amidst the aggressive riffage, this material treats
listeners with moments of harmonic beauty and unexpected melodic twists. Themes,
leads, melodies, and harmonies intermingle, creating a rich auditory experience that
transcends the boundaries of conventional post-hardcore.
The production quality of this long- lost gem further accentuates its brilliance.
Recorded in 2005 but kept in the shadows due to financial constraints and a desire for
perfection, the album has now found its moment in the sun. Expert Work's decision to
release the LP in 2024 has allowed audiences to appreciate the intelligent
craftsmanship that went into its creation.
"The Unbearable Tightness Of Being" is more than a musical journey; it's a sonic
exploration transcending all the possible sonic boundaries. Sweetheart's commitment
to experimentation and honesty, as emphasized by band members reflecting on their
creative process, is palpable. The act of listening, treated as a discipline, is evident in
the careful construction of each track - a result of repetitive practice, internalization,
and an unwavering dedication to their craft. In the grander narrative of the album's
release, the band's reflections on the passage of time and the meaning of their work
imbue the music with a poignant depth.
"The Unbearable Tightness Of Being" is a mandatory addition to any record collection.
It's not just a revival of the early 2000s scene; it's a sheer example of Sweetheart's
enduring brilliance and a celebration of a significant part of their musical legacy.

MLP - Repress, 300 copies on frosted clear vinyl. Starting out as a recording project between Angus Lord, Claudia Serfaty and Stephanie Hughes, the germ of what would eventually become the Stroppies was formed around a kitchen table in Melbourne in early 2016. The initial idea was to create open ended music, collaged quickly and haphazardly together on a Tascam 4 track Portastudio that drew on stream of consciousness creativity and a DIY attitude. The desire to move beyond the pre programmed drum patterns available on their Casio Keyboard led to the addition of Rory Heane on drums and a more conventional band dynamic. In Late 2016, Alex Macfarlane recorded the band in their lounge room direct to 4 track, capturing 7 songs that would become their 2017 self titled cassette tape debut. The songs were bounced back and forth from tape machine to computer to tape machine to computer again. In keeping with the bands initial aesthetic, dubs were laid over a 4 month period incrementally on different devices. They make modest, idiosyncratic pop songs that reward with repeated listening.

Limited white vinyl ! RIYL: Guided by Voices, Pavement, Terry, The Chills, The Clean, The Verlaines. Whoosh is The Stroppies first proper debut album and breezes along with boundless energy, a refrained pop strut, infectious grooves and the sort of jangling guitar melodies that sound like a prime-era Flying Nun band. The Melbourne-based band formed together around a kitchen table in 2016 with a heavy focus around the essence of collaboration and a DIY ethos. After a home recorded cassette release "Whoosh" is their proper studio debut. It's a record that possesses all the spunk and gusto of a young band hurtling forward yet also knowing when to take their foot off the accelerator. It's an album that simultaneously feels young and fresh but wise beyond its years by combining taut post-punk rhythms, indie jangle, seamless melody and sugary pop.

2025 marks the triumphant return of Sitaro, the iconic track that once lit up dancefloors worldwide. Originally released in 2007 and championed by the likes of Carl Cox—earning its place on Carl Cox Ultimate (Universal Music)—Sitaro is back with a fresh 2K25 Edition on Move Recordings, the newly minted sublabel of Diki Records.

The Belgian techno duo End-Jy & Dimitri Andreas, known for their heavyweight releases on Lupp, Intec, Terminal M, Music Man, and Systematic, deliver an updated version of this melodic anthem. The remastered original brims with Sitaro's signature sound: hypnotic sitar riffs, emotive atmospheres, and a groove that’s as irresistible as ever—a true dancefloor odyssey packed with intensity and raw emotion.

And for the remix? Who better than Dimitri Andreas himself. With an illustrious career spanning decades and releases on Systematic, Music Man, Kling Klong, and Token, Andreas takes Sitaro to new heights. His remix is a masterclass in contemporary melodic techno, drawing comparisons to the work of Guy J, Sébastien Léger, and Roy Rosenfeld. Expect driving Latin-inspired percussion, lush synths, and dreamy soundscapes that seamlessly blend piano-laden breakdowns with deep, pulsating grooves.
The result is a stunning reinterpretation—eclectic yet cohesive, powerful yet delicate. Dimitri Andreas once again proves why he remains a pivotal figure in the global techno landscape.
Press play, and let the journey begin.

Early support from Adriatique (Afterlife), Nick Varon (Sudbeat), Raw Main (Lost Miracle), Dclviii Ofc (Cod3qr), Alex Neri (Wildflower)…

Français

End-Jy - Sitaro (2K25 Edition) featuring Dimitri Andreas Remix

2025 marque le retour triomphal de Sitaro, le morceau emblématique qui a illuminé les pistes de danse du monde entier. Initialement sorti en 2007 et soutenu par des DJ comme Carl Cox—qui l’a même inclus dans Carl Cox Ultimate (Universal Music)—Sitaro fait son grand retour avec une toute nouvelle édition 2K25 sur Move Recordings, la nouvelle subdivision de Diki Records.

Le duo techno belge End-Jy & Dimitri Andreas, connu pour leurs sorties majeures sur Lupp, Intec, Terminal M, Music Man et Systematic, propose une version actualisée de cet hymne mélodique. L’original remasterisé regorge de la sonorité signature de Sitaro : des riffs hypnotiques de sitar, des atmosphères émotionnelles, et un groove aussi irrésistible que jamais—une véritable odyssée sur la piste de danse, remplie d’intensité et d’émotion brute.

Et pour le remix ? Qui de mieux que Dimitri Andreas lui-même ? Avec une carrière illustre qui s’étend sur plusieurs décennies et des productions sur Systematic, Music Man, Kling Klong et Token, Andreas emmène Sitaro vers de nouveaux sommets. Son remix est une véritable masterclass de techno mélodique contemporaine, qui rappelle le travail de Guy J, Sébastien Léger et Roy Rosenfeld. Attendez-vous à des percussions latines entraînantes, des synthés luxuriants et des paysages sonores oniriques qui fusionnent parfaitement des breakdowns pianistiques avec des grooves profonds et pulsants.

Le résultat est une réinterprétation impressionnante—éclectique mais cohérente, puissante mais délicate. Dimitri Andreas prouve une fois de plus pourquoi il reste une figure incontournable du paysage techno mondial.
Appuyez sur play et laissez le voyage commencer.

Support de Adriatique (Afterlife), Nick Varon (Sudbeat), Raw Main (Lost Miracle), Dclviii Ofc (Cod3qr), Alex Neri (Wildflower)…

After forming a friendship with Japanese hip-hop talent DJ Motive, Hell Yeah is releasing his previously CD-only album Sunset Sunrise. After initially being released as a promo to support the 7 inch lead single 'Sunrise,' it now comes on 2 x 12 inch for the first time with fresh mastering by Justin Drake. DJ Motive hails from Gifu, a small and charming city 30 minutes from Nagoya. From there he has built up a cult following for his blend of Latin, jazz and hip-hop beats over a number of albums and EPs in the last 20 years. He is also the producer behind the DeadBundy outfit that was previously remixed by countryman Calm on this label's Calm Reworks EP back in 2020. Thanks to a link from Calm, Hell Yeah founder Marco first hooked up with Motive in the pre-Covid days, twice playing his Alffo event in Gifu and hanging out to chat music. One of the many things that came up was a CD of Sunset Sunrise which has remained on firm rotation on Marco's stereo ever since and is a worldly trip into sample-heavy sounds, indie rock, hip-hop and jazz. Opener 'Sunrise' ft. Deadbundy & Chemical Codex opens with drums that lap like gentle waves on a beach as thoughtful strings and filtered vocals add to the sense of bliss. From there, DJ Motive lays down lazy broken beats and twinkling melodies that take your head above the clouds amongst lush pads and nostalgic samples. 'Chill On A Lotus' sounds like a damaged old tape as vocals, chords and strings all get smudged and smeared into a heavenly ambient soundscape, and there are plenty of loose mixes of dusty drums and jazzy keys, 'Howling 2 You' is a fusion of jazz drums and Balearic energy that slowly sweeps you off your feet and 'Walker' has squelch synth bass and heat damaged keys.

This escapist trip carries on through more broken beats and yacht rock, inquisitive jazz interludes and sunset grooves that all come with a heavy sense of inward reflection. The fragments of vocal are like half-remembered dreams, and the hooks remind of a forgotten lover while the louche beats move things forward with subtle optimism. Sunset Sunrise takes you through a full day in the life of DJ Motive and it makes for a vibrant collage of sound that reveals something new with every listen.

The emerging Uruguayan label Eviterno Records marks its entrance into the scene with a dynamic debut split EP named “Vendiendo Uruguay por un Vintén” featuring two of the country’s most esmteemed producers, Stonem and Elías Sternin. Known for consistently delivering top-tier productions in recent years, they maintains their reputation with this impressive release.

Stonem on the A side is offering two meticulously crafted tracks rooted in groovy and functional tech house, perfect for the dancefloor. The journey begins with Banana Afair, a track whose resonant basslines are guaranteed to energize any crowd. Following this, Jolgorio takes a more cerebral turn, seamlessly blending acid sequences and intricate drum patterns while preserving the rhythmic groove, a testament to Stonem's alignment with the distinct Uruguayan sound.

On the B-side, Sternin continues the sonic exploration with Quema Madera, a hypnotic and acid-infused piece driven by commanding basslines—an essential tool for any DJ's arsenal. The release culminates with Acúfenos, where Sternin masterfully incorporates melodic elements while retaining his signature intensity, making it an ideal choice for an emotionally charged set closer.

This debut release from Eviterno Records stands as a bold statement, offering a compelling blend of groove, depth, and functional power, making it a must-have for any DJ and vynil enthusiasts.

Artwork by Clara Bonavita & Rina.
Master by Rob Smalls

Uhlmann Johnson Wilkes is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet & New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser/arranger/producers' impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterful results. I n these 11 instrumental songs, the trio explores a spacious lyrical curiosity that could b e described as a jazz-informed take o n progressive electro-acoustic chamber music.

Conceived during two live shows at ETA and a session at Uhlmann's house in Los Angeles, the album maintains a focus on beauty, melody, and rhythm as the pieces unfold, with the trio pushing their instruments and highly-dialed effects to sculpt otherworldly sounds with the collective sensibility o f a rhythm section. The ethos of these instant compositions is arrangement-minded improvisation that showcases the mournful beauty of Uhlmann's fingerpicked electric guitar, the hybrid rhythm-lead of Wilkes' bass chording, and the textural harmonic worldbuilding of Johnson's effect-laden alto saxophone.

2 cuts of timeless deep cosmic house from the MIQUIFAYE MUSIC "WITH YOU I'M BORN AGAIN (SPACE N TONE REWERK)" is ANTHONY's remix of the BILLY PRESTON/SYREETA classic. Re-imagined and reworked for the dancers and DJs. Vocal mix on the A-side and "InstruDUB" mix on the flip. Jazzy, cosmic house. Lush and melodic. vault. As always, ANTHONY demonstrates his unique ability to craft expressive musical environments that are as cerebral as they are physical, and guaranteed to take listeners on a journey.

A side is a full side tune in the vein of Whiston Road Hardfloor spirit ! At the end of the side you'll get a kicking perfect locked groove.

The flip bring 2 Melly's bangers...

A western tradition !

She’s out of this world…

Maltese musician & producer Joon’s galactic debut arrives on our shores fully formed a decade after she first set sail. 12 cuts of uniquely addictive Synthesized Pop twist & turn on the rocky waters of life.

Her story begins after a life-changing car crash on the streets of Malta many moons ago. She was lucky to walk away in one piece. “That car crash was a wake-up call,” she says. “It made me realize how precious life is & I started living the life I felt was worth living.” Inspired to finally pursue her love of music full time, she began collecting instruments. Starting with a Stylophone& a vintage rhythm box, she started documenting ideas. Returning home to Malta after a few years in London, she only met one other woman making electronic music on the island. Driven by the desire to make music possible & accessible for the next generation, Joon co-founded the Malta Sound Women’s Network.

Ten years later, she sends us messages in a bottle from across the Mediterranean Sea. Armed with a Moog & her ethereal voice, she transmits hope & joy from a bedroom somewhere between Sicily & North Africa. Her music is right at home alongside outsider pioneers like Fever Ray, Grimes, Laurie Anderson & Molly Nilsson. Dream Again glides across heavy rhythms & eclectic electro. Telling stories of alienation with a throbbing heartbeat & space-age melodies, she lets us into her ultra-vivid world where anything is possible. Produced by Johnny Jewel, the album shines bright like comet orbiting the label’s dark sky, a much-needed vision of light on the horizon.

“Even if I’m sad or heartbroken, I remain optimistic. I want to grow old with no regrets.”

It’s time to Dream Again…

This re-issue of the Cocteau Twins' 1993 album has been remastered by Robin Guthrie and is pressed onto high quality 140g vinyl . Cocteau Twins vocalist Elizabeth Fraser, guitarist Robin Guthrie, and bassist Simon Raymonde formed in Grangemouth, Scotland in the late 70s. The brainchild of Guthrie and original bassist Will Heggie, by 1981 they had added Fraser and the following year signed to 4AD, one of the most illustrious of the indie labels. With Raymonde replacing Heggie in 1983, the trio went on to create some of the most unique and otherworldly music of the 80s, built around Guthrie's chiming guitar and Fraser's unmistakable soprano. By the early 90s, the group had just released their most successful album, the commercial Heaven or Las Vegas, but the relationship with 4AD was coming to an end. Mercury imprint Fontana was going through something of a purple patch, signing former underground bands, and by 1992, Cocteau Twins had joined The Fall and the House Of Love. The group's debut album for Fontana, Four-Calendar Cafe, was released in October 1993. Its gossamer melodies and largely upbeat pop bely the turmoil the group were going through. Barney Hoskyns, writing in Mojo, said that Four-Calendar Caf was "the most poignant, heartrending Cocteaus record of all, an album of naked confession and raw beauty . . . Sadness never sounded so luscious." Simon Raymonde agreed: "I think in time people will realise what a great album Four-Calendar Caf is. Because I think it's beautiful." Led by the single Evangeline, the reached No 13 in the UK album chart and is much-loved by fans.

Introducing Obi Trackz, a new record label which debuts with Pelle’s “Momentum EP” featuring a remix by Michelle.

Momentum EP features three tracks that reflect Pelle’s signature style, balancing house and techno with a raw, yet refined edge. The tracks are characterized by acid-tinged sequences, textured basslines, and intricate drum work, offering a dynamic range of moods. The A side exhibits the more psychedelic and mysterious direction, where twisted melodies meet bouncing bass patterns.

The B side includes a remix by Michelle, the producer from Uruguay known for her contributions to My Own Jupiter and Cabaret Records. Her interpretation takes Pelle’s ideas into a more raw and atmospheric territory, combining layered soundscapes with rhythmically complex structures. The B side shows the outspoken side of the record, with broken drums on the remix and sweeping synths and a dark vocal flip on “Aesoning”.

With Momentum EP, Pelle explores the intersection of past and present dance music, carving a distinctive sound that feels rooted yet contemporary. This release marks an exciting beginning for Obi Trackz, setting the tone for future releases.

Blend Mishkin & Soul Sugar - Theory of Mind
Cultural Collaboration Sparks New Sound:
Athens and Paris Unite for Soulful Jazz-Reggae Fusion Album.

A collaboration between two creative musical minds, Blend Mishkin from Athens meets Parisian Soul Sugar to co-create a genre-bending album titled “Theory of Mind”
This album features nine compositions which uniquely fuse vibes of jazz, soul, reggae, afro-beat and even some 70’s b-movie soundtrack all brought to life through the warm tones of vintage keyboard instruments such as the Hammond Organ, Clavinet and Fender Rhodes electric piano, played by virtuoso keyboardist Soul Sugar aka Guillaume Metenier paired with flawless orchestration, arrangements and production by Blend Mishkin.

Soul Sugar, a disciple of jazz master Dr. Lonnie Smith on the Hammond organ, known for his
intricate reggae-jazz masterful improvisation, brings a distinctive mellowness and complexity to the album. His use of the Hammond organ, Clavinet and Fender Rhodes electric piano adds a layer of depth and authenticity that transports listeners back to the golden age of soul and reggae. Blend Mishkin, a versatile artist, who has mixed and moved across reggae, dub, soul, as well as world music, introduces elements of funk and reggae rhythms to the mix. His production techniques, combined with the rich, analog sound of the vintage instruments, creates a sonic landscape that is both timeless and inspired.

Guest vocalists are featured in four out of nine tracks. Greek-French funk powerhouse Georges Perin delivers a heavy soul tune called “I Miss Those Days” , Fae Simon from London lays a velvety vocal on an old school steppers groove, Thaliah from Athens brings her smokey jazz flavour with “Moonlit Letter” and Jeffrey Diop from Senegal adds the perfect chant in “Big Boss in a Small Town”.

The recording sessions, split between Athens and Paris, were as much about cultural exchange as they were about musical experimentation. The result is a collection of tracks that resonate with the energy of live performance, while also echoing the rich musical background of both artists.
"We wanted to create something that felt organic and real," says Guillaume. "Using these incredible vintage instruments allowed us to tap into a sound that feels both timeless and brand new."
Blend adds, "This album is about mixing our roots, our sounds, and our experiences. It's a celebrationof music that transcends borders and eras."

“Theory of Mind” it's a cross-cultural journey. The project emerges from the vibrant, sun-soaked melodies of Athens with the sophisticated, urban grooves of Paris, resulting in a sound that is both nostalgic and refreshingly modern.

“Form itself, even if completely abstract... has its own inner sound.”
— Wassily Kandinsky

We are thrilled to announce the release of Objection To Form, a protean dispatch from the fringes of 1980s-inspired wave and raw, rugged electro. Driven by arcane machines and imbued with a melancholic urban atmosphere, Objection To Form offers a warped, modern-day response to the sonic landscapes forged by the likes of Chris & Cosey, Shoc Corridor, The Normal, and Cabaret Voltaire.

Spanning eleven tracks, Objection To Form explores electro-tinged wave that resonates with today’s creative pulse. From the lo-fi machine sounds of Alpha Sequenz’s Dawn Lines and the rugged jams of Fiume’s Haïti Market Daze, to the implacable Electro cadenza delivered by Le Syndicat Electronique, the compilation unfolds like a fragmented narrative. L.F.T.’s Inside I Was Screaming, a cavernous, electro-wave anthem featuring the mythical British band The Children Of Leir, adds a deeply resonant dimension, while the relentless drive of Beau Wanzer’s The Johnnie’s Secret Sauce underscores the compilation's protean spirit.

Objection To Form delivers a forward-looking sonic experience—a space where experimentation meets timeless resonance.