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With his second release on his own imprint, Introversion dives deep into a shadowy, emotionally charged soundscape. Psychedelic vocals, hypnotic synths, heavy low-end pressure, and driving rhythms come together for a sound that hits hard-both physically and mentally. Berlin-based duo Disguised round off the EP with a banging remix that adds an explosive twist to the journey

Getting You Back to the Game of Life Records’ opening release, ‘Comme des mots’ LP is a journey through diverse sonic textures and energies from label-founder Lil Ronin.

Getting you back to the game of life is the headline of a physical and mental health therapy center. Casually popped in your conscience from an advertising board and let you in a strange place. But what is the game of life?
This label could be that space to get you back, to forget and perhaps find a form of youthful innocence again.

As a first solo project Lil Ronin freely experimented between different influences and genres that present his intimate universes, juggling with abstract, ballad and more dancefloor music, mostly recorded in Parisian suburb Alfortville between 2022 and 2024.

‘Comme des mots’ means ‘like words’ and evokes the ambiguous presence of his voice in the album, hidden in different characters, sometimes raving other times being conscious. Finally becoming a schizophrenic presence guiding you for the trip.

The cover follows the same ambivalence showing a typography with a distinct message that loses its readability in abstraction. The record also includes an insert with a childhood photo of Lil Ronin.

The LP was mastered in Paris by artist and engineer Krikor KOUCHIAN,
(past works for Simo Cell, Maoupa Mazzocchetti, Tolouse Low Trax…);
The design was created by sculptor artist and designer Marie-Mam-Sai BELLIER,
(past works for Erwan Sene’s JUnQ LP - PAN record, Zulu’s Hear The Sound Of My Feet - Association fatale etc.); The handmade drawings are by Vincent BENTOLILA (associated with the ‘Isengard’ label and parties in Brussels) ; The cover was handmade through silk-screen printing by the Lyon-based printer Olivier BRAL (whose past projects include Brigade Cynophile, Ateliers Dénudés, and Megabasse).

"Mixes Of A Lost World", konzipiert und zusammengetragen von Robert Smith, ist eine neue Remix-Sammlung von Tracks aus The Cure's gefeiertem #1 Album "Songs Of A Lost World", das im November 2024 erschien. Das neue Set enthält 16 brandneue Remixe von Künstlern wie Four Tet, Paul Oakenfold, Orbital und vielen anderen. Die Deluxe-Edition enthält zusätzlich Remixe und Reworks von Chino Moreno (Deftones), Mogwai, 65daysofstatic und vielen mehr. Bei den Künstlern handelt es sich um Freunde von Robert, die die Songs in einer atmosphärischen und stimmungsvollen Art und Weise kreiert haben. Sie sind es, die diesem unglaublichen Album ihre Tiefe verleihen. Die meisten von ihnen stammen selbst aus Bands und begeben sich mit ihren Kreationen auf einen neuen Weg der Entdeckung.

"Mixes Of A Lost World", konzipiert und zusammengetragen von Robert Smith, ist eine neue Remix-Sammlung von Tracks aus The Cure's gefeiertem #1 Album "Songs Of A Lost World", das im November 2024 erschien. Das neue Set enthält 16 brandneue Remixe von Künstlern wie Four Tet, Paul Oakenfold, Orbital und vielen anderen. Die Deluxe-Edition enthält zusätzlich Remixe und Reworks von Chino Moreno (Deftones), Mogwai, 65daysofstatic und vielen mehr. Bei den Künstlern handelt es sich um Freunde von Robert, die die Songs in einer atmosphärischen und stimmungsvollen Art und Weise kreiert haben. Sie sind es, die diesem unglaublichen Album ihre Tiefe verleihen. Die meisten von ihnen stammen selbst aus Bands und begeben sich mit ihren Kreationen auf einen neuen Weg der Entdeckung.

Much More delivering six uncompromising cuts from some of the most forward-thinking names in the scene. This is techno in its purest, most powerful form — raw, hypnotic, and emotionally charged.

From peak-time energy to deep mental journeys, each track hits with purpose. No filler. No compromise. Just Techno at its best.

Liner Notes by Martyn Pepperell

A collection of ten hypnotic guitar renditions that dive deeply into the traditional compositional musicality that underpins Harakami’s hallucinatory beatscapes before reconsidering them under a fresh, innovative and engaging new light. River: The Timbre of Guitar #2 Rei Harakami signals a new level of awareness and understanding of both Rei Harakami’s significance and Ayane Shino’s undeniable talent.

VITAL SALES POINTS:

In 1996 Tokyo-based label Sublime Records received a cassette demo from Rei Harakami, a 26-year-old Japanese experimental filmmaker, and musician. Within one year Harakami’s debut LP ‘Unrest’ was released. As the 21st century dawned, Harakami was becoming a critically acclaimed figure, and there was a feeling in Japan that Harakami would be an inevitable successor to such luminaries as Haruomi Hosono and Ryuichi Sakamoto. Sadly Harakami passed away at age 40 in 2011, leaving behind a musical legacy that seemed to deserve more recognition. A fitting tribute now comes from the incredibly gifted classical guitarist Ayane Shino. Continuing her album series ‘The Timbre of Guitar’ (the inaugural release of which was ‘Sakura’ - a cover album of Susumu Yokota's seminal album, released through the Swiss label, Mental Groove Records in 2021), she now presents ‘River ???? : The Timbre of Guitar #2 Rei Harakami’. Ayane has reworked some of Harakami’s standout tracks into an album of tranquil yet complex compositions helping to build a new level of awareness and understanding of Rei Harakami’s significance. A collection of ten hypnotic guitar renditions that dive deeply into the traditional compositional musicality that underpins Harakami’s hallucinatory beatscapes before reconsidering them under a fresh, innovative and engaging new light.

In the years that followed Harakami’s untimely passing, Sublime Records continued to sign and support new artists emerging from Japan’s rich and fertile electronic music scene. This eventually led to a meeting with gifted classical guitarist Ayane Shino in 2020. Although a new name within electronica, Shino’s classical resume is impeccable. She has performed with a range of prestigious orchestras in concert halls and at music festivals across Japan, Europe, and South America while playing classical guitar for numerous animations, movies and television commercials and holding various educational roles. These days, she also hosts the Tokyo Harmonics radio show, which is syndicated through Hyogo prefecture’s Ashiya Radio and TJS Radio in Los Angeles.

During her time completing a masters at Tokyo’s University of the Arts, Shino became fascinated by Brian Eno, Aphex Twin, Oneohtrix Point Never, Steve Reich, and, closer to home, Harakami and Susumu Yokota. ”I found myself in an environment where I was surrounded by fellow students who produced computer music, live electronics, and installations,” she explains. Following her meeting with Sublime, Hideoki Amano, the producer and owner of Musicmine, the parent company of the label, asked Shino if she would be open to transcribing and recording an album of covers of the late, great composer, producer and DJ Susumu Yokota’s music in incorporate into then-upcoming events commemorating the 5th anniversary of his death and reissues of his past works. “Yokota made music with the Roland TB-303 bass synthesizer and samplers, not in a way like a conventional instrumentalist, so I was aware it might be more of a challenge for her,” Amano explains. Fittingly, Shino was up for his suggestion, leading to ‘Sakura: The Timbre Of Guitars #1 Susumu Yokota’. Song by song, Sakura highlighted Shino’s free-flowing playing and prowess at translating electronic music into classical guitar shapes.
After considering Harakami’s background as an instrumentalist, Amano felt revisiting his catalogue should be the next step for Shino. Well-versed in how often classical versions of electronic music tend to fall flat, he asked her to examine Harakami’s songs closely, select the musical phrases suitable for guitar and create arrangements that would sound interesting to music listeners with a deep engagement with ambient, techno and electronica. In Harakami’s discography, Shino discovered “a sense of simplicity, warmth, moisture and a floating sensation.” “I was gripped by his songs, which had an array of sounds that gave me a sense of mystery but also coexisted with a sense of familiarity,” she explained. Moving beyond his official releases, Shino began digging through YouTube to find live recordings, radio appearances and obscure outtakes. Within her mind’s eye, imagining playing his songs on guitar was effortless. On her approach to the album, Ayane explains: “For this album, I succeeded in spinning some exquisite, silk thread like delicate tones, interwoven with human warmth, gentleness and simplicity. And I was also able to rework Rei Harakami's distinctive sound with a floating feel to it and transform it into a very classical guitar sound. I hope many people will be able to receive this group of sounds that I created in this album that I played with all my heart.” A record of limitless innate beauty, ‘River ???? : The Timbre of Guitar #2 Rei Harakami’ is a delicate and thoughtful body of work. A true masterclass in deconstruction and subsequent rebuilding, and an eternal lesson in how the art that we leave behind can outlive us all.

New sounds from the gaullic underground on Violent Cases’ latest release, the first one since many moons. Two long tracks born out of myths and mist to take you on a mental journey.
Side A’s „Chaos Theory“ sets off at 145 bpm. Synth layers and strings over deep bass create the atmosphere. Drama. Then a brilliant incorporation of a classic guitar solo in mid track. Unique.
Side B „Pagan Blade“ is a joint venture with Ciklo and ups the tempo to 160 bpm. Rolling and riding it’s pushing the dance floor while the pagan assassin whispers the rhythm.

You can tell the artists have honed their skills playing live, these tracks will unfold their full potential and deepness on a proper system.

Stunning full sleeve artwork by Darkam. Graphically edited and arranged by TDSIGNZ. Mastered by Stefan ZMK in the low countries.
Each copy includes an artwork poster, artwork sticker and digital download link.

It was quite unexpected to see the very prolific and talended Pieter Kock featuring on Macadam Mambo - which is usualy used to new-comers - as he has released a lot in the past 2 years on very nice labels like RIO, Meakusma or Moonwalk X. But, the demos that he sent were so good that there was no question about doing something. And with a lot of possibilities, to prepare a double album that is now composed of 15 quality tracks for 1h20 of music... What vibes are in here! It’s heavy, loudy, loopy, mental, smokey, and always surprising. Pieter has is very own universe, and is without doubt one of the most interesting electronic musician at the moment.

Should we ask you to give chance to this opus, and tell you you won’t regret it ? We don’t think we need to do so... J

The legendary album „Lento Violento...E Altre Stori“ by Gigi D‘Agostino is now available in an exclusive 4LP edition—a must-have for vinyl enthusiasts and electronic music fans! Originally released in 2007, this groundbreaking album is a milestone in electronic music history, introducing Gigi D’Agostino as the pioneer of the unique „Lento Violento“ style—a fusion of melodic, slow-paced techno beats with powerful, aggressive rhythms.

This special 4LP edition not only preserves the diverse and dynamic tracklist of the original release but also enhances the experience with the unparalleled depth of vinyl sound. A true masterpiece, this album solidifies Gigi D‘Agostino‘s legacy as a visionary and innovator in electronic music. Secure your copy of this exceptional 4LP set and immerse yourself in the signature Lento Violento sound like never before!

BMP Crew introduces a new opus cooked by Luke Seager, a young and promising newcomer hailing from Paris.
We have the honor to host his first vinyl release, after a dope digi pack released on Mari.Te's Tresydos.

On the menu: 4 energy-fueled tracks that we fell in love with instantly and heavily played!
Catchy grooves, square wave B-lines, sizzling hi-hats, haunting chords, wholesome ambiances... Everything necessary to mesmerize sunny dancefloors is in there.

If you're more into dark basements and gritty sounds then the remix by mysterious duo Techline ™ is made for you. Mental!

Emerging from the depths of the Minneapolis underground scene, The Worm is one of the best underground techno duos in the US, composed of midwest stalwarts Naughty Wood and Heckadecimal. Naughty Wood brings decades of experience, including collaborations on Traxx’s esteemed Chicago imprint Nation. The machine wizard known as Hecka- decimal boasts a deep catalog with releases spanning Always Human Tapes and Great Circles. In early 2016, the mysteri- ous tape-duplicator Ryan Wurst received some demos, which soon became The Worm, a very rare and limited cassette on Always Human Tapes. In April of that year, The Worm flew to Denver to perform live at a basement rave co-hosted by Deep Club and Always Human Tapes, at which Traxx also delivered a DJ set. The Worm’s sound was minted in Ryan Scannura’s brain.

Fast forward 8 years, and Ryan S. saw it time for two absolutely mental tracks from the AHT cassette to finally be pressed to wax, together with two other cuts. The A-side kicks off with “12 Days Of Squirm,” a deep, pulsating acid earworm that builds in intensity. “LISA” could almost be an outtake from a lost Nation session. The tune melds haunting melodies with a demented beat, sure to scare off most casual diggers. Deep Club presents two new-old tracks on side B. “808 Verb Talk” is a slimy, wiggly mix in the vein of 12 Days. Finally, “Pytch1” brings the energy down in an extended, slow-burning closer. Eight years and two Ryans later, this collection is finally ready for turntables in living rooms and foggy basements around the world. Only for the most devoted midwest techno warriors!

Define: Global Bass Culture. What initially started out as a remix request from the South African Sneja Recordings label for a tune written by Colombian artist Juan Diego Pedroza a.k.a. Iam JDP ended up as the second limited edition vinyl release on the German underground label Freebreakz.FWD. Embracing influences from Chicago's Footwork x Juke sound as well as UK Bass Music, IDM and other electronic subcultures Sascha Müller and baze.djunkiii deliver a sparse, tense and wildly hypnotic take on the 160 bpm freeform movement, continously fusing and layering intermingling rhythmic patterns with ethereal vocal snippets, Trap- and Drill-infused hi-hats, an ever floating minimalist synth motif and deadly low end attacks for some of the most advanced dancefloors out there. This is crime scene music. Mastered by Frederic Stader.

Returning to his roots in live production, OTON shares the 4-track EP Aurora on his imprint Alliance Club. Following his previous neo-rave stylings on the label, Aurora is the product of hours spent in OTON’s Brussels-based studio, where he worked with a DAW-less setup and a newly acquired tangle of gear. Such tools remained instrumental in crafting the sonically rich textures of Aurora and OTON’s forthcoming album, New Forms Of Silence, drawing from a palette of mental techno, hypnotic tribe, and psy tek. Two tracks from the album—due for release in spring 2025—feature on Aurora, comprising the title track and ‘Voltage Controls’.

Studio, the influential project of Swedish musicians Dan Lissvik and Rasmus Hägg, presents their legendary 2006 debut in remastered form, in partnership with Ghostly International. Available in limited edition "Fog Machine Vinyl", CD, and cassette. "One of the finest pieces of electronic music you'll hear this year.” - The Guardian (2006). Included in year-end best-of write-ups by Pitchfork, FACT Magazine, and Rough Trade. Physical copies have long been out of print for West Coast, and the album has also been notably absent from most streaming services until now.

“Somehow, I knew I wanted to make a conceptual record that, although only imaginary at that point, could represent or define how our city sounded,” says Lissvik of Gothenburg's influence on West Coast. Some called Studio, the project of Swedish musicians Dan Lissvik and Rasmus Hägg, “the missing link between The Cure and Lindstrøm,” Pitchfork heard Durutti Column and Can, as the duo’s story became swept up in a loosely developing scene — adjacent first to the label Service (Jens Lekman, The Whitest Boy Alive) and later Sincerely Yours (The Tough Alliance, jj) — and a precursor to the 2010s boom at the axis of electronic and psychedelic music guided by indie greats like Caribou, Four Tet, and Darkside.

West Coast, their seminal 2006 debut, captured a faraway romanticism of Balearic brushed up against Krautrock, disco, dub, and afrobeat, with pop lyricism lifted from new wave, all made modern by two art school grads in Gothenburg. First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet’s record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music.

Outside of three 7” releases, they’d keep the music to themselves for several more years. In 2005, Hägg remembers, “We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion.” In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early ‘80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points.

“The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound,” says Hägg. “But there’s so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s.” In the afterglow of the record’s 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. “It’s easy to wish we would have done some proper recordings of our own instead,” Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. Lissvik adds, “It serves as a good reminder for me to keep to that decision and promise and to continue exploring and growing

Pure oldschool Tribe... from Sparks and MadMatik. Excellent progressive mental bangers !

DFR presents its fourth release, introducing London-based artist Thomas Wall aka ShadowScience.

This four-track release is a blend of futuristic breaks intertwined with deep atmospheres and mental soundscapes. Haunting textures meet precise, relentless rhythms. With powerful basslines and detailed production, this EP is crafted for the late-night hours and those who revel in dark, immersive spaces.


A standout debut for a promising artist.

Darone Sassounian’s debut album, ‘Synthetic Instincts’ is a full length journey that will allow you to be familiar with Darone Sassounian’s unique ability of sound sculpting. It’s an album that may seem pleasant on the surface, but becomes thought provoking and more revealing the longer you listen. Grounded on reality, the album takes from the world’s political landscape, loss of life and native land, and the trajectory humanity is walking towards. However, there is a sense of hope lingering, for the future may hold brighter days. Transcending borders and limitations, ‘Synthetic Instincts’ is Darone Sassounian’s deepest and most spirited milestone to date. Forward motion with a touch of history meant to move you, whether it is physically, mentally, or emotionally.

Written, Produced, and Mixed by: Antoine Eole (aka In da Woods) Vocals on Tracks A5, B1, B2 by: Alex Catrine Le Thomas de Selve Track B1 contains a sample of: “And Birds Are Still” by Takashi Yoshimatsu Mastered by: Stephan Mathieu at Schwebung Mastering Original Artwork by: Barbara Orsingher Layout by: Riccardo Piovesan Limited Edition of 100 copies transparent In da Woods is the sonic project of Paris and Berlin-based composer and sound designer Antoine Eole, formerly of the electro-rock band Bad Pilot. Known for his work across TV series, documentaries, theater productions, and major ad campaigns (MTV, Disney, Hermès), Antoine blends cinematic soundscapes with the raw edge of experi- mental and future garage music. With Nuit Blanche, Antoine explores atmospheric and bassdriven compositions, featuring the ethereal vocals of Alex Catrine Le
Thomas de Selve

Phooka also known as Francesco Maddalena, is the co-founder of Concrete with Maurizio Cascella and is a respected producer who has released on his own label as well as listing appearances on Diffuse Reality, Warok Music and Blackwater

Remix duty welcomes Sweden's Anthony Linell, the renowned Northern Electronics label boss that features most of his original music, but he can also be found collaborating with Adiel on Danza Tribale, or remixing Tensal to Amotik for example. Under the significant Abdulla Rashim moniker, his tracks have also been released on top projects such as Prologue to Svreca's Semantica.

The second remixer included in the release is Plants Army Revolver, a notable duo from Italy who have released on Shifted's Avian, Mental Modern, Sense Code and HomeMadeZucchero.

The first track is Anthony Linell's remix of "False Flag" that uses a stuttering kick drum to create an abstract vibe and is met haunting tones and metallic percussion.

The "False Flag" original has a patient yet regimented rhythm from a thundering kick and warm, pulsing sub bass to showcase an interesting dystopian aesthetic.

Remixing "The Rug Pull," Plants Army Revolver harness a throwback, looping, tribal sound with dub techno influences and mesmerising hypnotic elements.

Track four sees "The Rug Pull" and its original abstract idea. Using sparse beats with congas and shakers amidst harmonic drones and other shimmering effects, it creates a unique sound tapestry experience.

Cuttin' Grooves series return on TNT Records. Mental and raw reissue of some of the
best tracks from master Todd Terry. Ultra-Rare Old School stuff!

From London to Ibiza via Berlin, inspired by Chigago and Detroit, Ceri finds her truth in proper house music. ‘Can’t Pay My Bills’ EP provides a message of hope during uncertain times. Acknowledged as a “rising selector” by Crack Magazine, producer, label boss and record digger Ceri steps into 2024 with a brand-new EP ‘Can’t Pay My Bills” via her imprint “Find Your Own Records”.

“The title track is inspired by the current economic situation in the world, and also features a positive message that reflects the values and true origins of house music, reinforcing the belief that we can overcome our circumstances and improve our situation” - Ceri


The new four track EP drips with Chicago, New York and Detroit jackin’ house with garage influence, and a sprinkle of ripping UK breakbeat for good measure. The people’s producer D'Julz steps up, on remix duties, contributing not one but two remixes to the label’s ongoing message of artist authenticity and collaboration. The remixes will be vinyl only, and the originals will see a digital release later in the year.

“I have collected D'Julz music for many years, his label started around the same time I started DJing, and it was and still is, one of the few labels that I buy on sight. I know it will always be quality. Something I aspire to do with my label too.”– Ceri

As an artist led label 'Find Your Own Records’ has become a home for genuine house legends Mr G, Fred P, Alex Arnout, and has rightly gained support from Mixmag, Resident Advisor, BBC Radio 1, BB6Music and BBC1Xtra.

Support for the label so far comes from the likes of:

Midland, Ben UFO, Move D, K-HAND, Fumiya Tanaka, Fred P, Paranoid London, Steve O'Sullivan, Tristan Da Cunha, Ryan Elliot, Lakuti, DJ Deep, Kerri Chandler, Chloe Caillet, Fred P, Jeremy Underground, Cici, D’Julz, Chez Damier and more…


As a DJ Ceri has performed marathon sets at Fabric, Corsica Studios, Pikes Ibiza, Thisishaven, and recently made her debut at the legendary Panorama Bar/Berghain. Confidently sharing the booth with club favourites Ryan Elliot, Jeremy Underground, Paranoid London and Objekt it’s certain the next year of live shows will be ones to remember for the UK artist. Inspiring far beyond the dancefloor, Ceri also regularly steps up as a masterclass host / panelist on creativity, mental health, meditation and wellness with renowned platforms Beatport, ADE, RedBull, Point Blank and Native Instruments, earning her a distinctive reputation as a multifaceted artist and
thought leader.

Ceri – ‘Can’t Pay My Bils’ EP is out on Find Your Own Records. Vinyl end of Feb tbc. The remixes re vinyl only. And the originals will be released digitally in the summer.

Lorenzo Fortino, DJ and producer, already owner of the record store Isoma in South Florence and key figure in the Italian underground scene, releases his sixth record on his own label Futop Musica. Staying true to his style of mental music while exploring other facets of sound.

This album is a real journey in which the listener must let himself be transported. Composed of 8 tracks (32 minutes) where modern minimalism, the voice used as an atmospheric instrument and mental melodies mix perfectly to create a soundtrack painted by sounds.
Already played by: Lino Capra Vaccina, Kuniyuki Takahashi, Donato Dozzy.

A1. Album track “Isoma Per Sempre” is a hypnotic deep techno track with an eternal melody dedicated to the producer's own record store.The record continues with “Armonia Solare” (A2) techno loop with an almost irregular progression but that mixes with the drums perfectly. On the B side instead opens “Il Visionario Della Periferia” (B1) with a soft techno mood that slowly rises in a mental growing up where minimalism and psychedelia intersect. The EP closes with “Bangerang” (B2) an ambient piece that unfolds in a hypnotic and positive melody.

Dual Dimension EP marks a milestone for Fides Records releasing its 20th entry in the main catalog. This split EP features labelhead Z.I.P.P.O and eclectic duo Tapefeed, each contributing two tracks to create a unique blend of sounds that capture the essence of techno. 

Side A opens with Tapefeed's "Hellz Bellz" a percussive workout that delivers stripped-down, peak-time energy, perfect for driving dance floors into a frenzy. Following "Surge of Hope" takes listeners on an evolving journey, starting deep and gradually transforming into an energetic yet meditative composition.

On Side B, Z.I.P.P.O's "Satara" stands out as a 909-based techno gem. Its mind-twisting sound design, rolling lead, and mental bleeps take you on a profound auditory voyage, rich with depth and complexity. The Side B concludes with "The Strange Door" a deep techno track that combines tribal rhythms with atmospheric depth.

Vast imbecile mentality of those
Who cannane tell a thistle from a rose This is for the others...

Jesse Rae: anachronist Celtic funk warrior, renegade pioneer of funk, soul & dub (collaborating with Parliament, Funkadelic, Adrian Sherwood, Roger Troutman & the Sugarhill Gang); mad pedestrian-punk-poet, steeped so much in his own mythology he exists not only outside of time but in a universe of his own making; three time runner as an independent electoral candidate for Scottish Parliament, kitted-out as ever in ever in his Scots regal (kilt, helmet and claymore); the original trailblazer of the MTV Age (see 1985 music video ‘Over the Sea’, shot on top of the Brooklyn Bridge - aye, you read that correctly). And that’s just the tip of the iceberg folks. The Real McCoy. Prince of Scotland, king of hearts.

Appearing on wax for the first time, three cuts from the world's first ISDN virtual album, Jesse Rae’s seminal ‘Compression’ (CD) - which first dropped on Echo Beach in 1995. ‘Almost Ma Sel Again’ - a Scottish Burns-Funk classic intercut with a reading of Nigel Tranter’s The Wallace, a breathtaking (de)construction of emotional-electronic-free-funk; as deep as the heart that reaps it. ‘Virtual U’ - a mad cut of downtempo Scot/US G-Funk cum hip-hop interposed with answering machine messages from New Jersey’s own Bernie Worrell. ‘Switch Tae U’ - an orchestral and sublime bit of downtown house music. And of course, joining these three is a re-mastered cut of Jesse Rae’s 1982 cult classic ‘Rusha’ - a tripped out slab of linguistic psychedelia.

There we have it then: real shit indeed! Jesse Rae on Pace Yourself folks. For the already initiated and first timers, welcome to the Caledonian wormhole.

Sure to be an outsider anthem for Scotland @ the Euros this summer. Pace & Luv xo

CMDRPX and RPX16035 present the first various artists in collaboration and unite the two souls that were already traveling on the same vibrations, opening the v.a is an iconic figure from the underground world, @francescofarfaofficial who with his "Soul Engineering" drags you into his world hypnotic, a fusion track that combines his unique style that looks to the future with bleep and acid sounds with a non-invasive groove that encompasses everything and makes the track one of a kind.

Also on side A we find @niki_ilb with his "Acid lover" track which focuses on an IDM sound and which opens the doors to a conceptual acid and Deep style.

@gianluca.pellerano opens the B side with "Stanza di musica", a record projected onto the dancefloor with hypnotic voices, sounds and textures that will drag you towards new musical horizons.
The B2 side was entrusted to @giuseppe__angeloro with his track "Mentalism dance" with a raw sound reminiscent of the 90s, an acid texture and present percussions that make the track evolve in a more introspective direction.

Lastly we find the duo @gianluca.pellerano & @caciotechnology with their "Mango bet" the two combine their styles perfectly the track has an Electro base with a texture projected into the future experimentation in this track is the key word.

Happy listening everyone.

From Chillán, Chile, emerges Marcelo, a genuine talent,
He started in a band, singing and playing bass, now embracing electronic music's element.
His first EP "Got a Pineapple," a very organic and groovy, complete jazzy concept with intricate details, setting the mood smoothly.

"Rolling Out", brings a genuine bass killer, Perfect for the dance floor, a track that delivers thrill and thrillers.

Completing the debut is the legendary Losoul, a Playhouse icon, No introduction needed; his catalog speaks for quality, his talent not gone, minimal touch you can enjoy. Minimal master piece from Gathaspar for second remix very mental like he do always.

Together, they form an excellent combo, continuing our mission,
To print records of quality music, transcending shallow ambition.

For cover the daughters of Carmen Piemonte, Carmen Valbuena Piemponte.

Dustin Zahn & Z.I.P.P.O team up for a brand new EP entitled “Tools for Levitation.” Looking for a party record? Wrong EP. These tracks are designed to bend reality to your will. The record focuses on 4 esoteric Techno tracks with a strong emphasis on sound design, with each track being as heavy as they are mental.



Written during the depths of lock down, the finished results have a darker and more nihilistic approach than one would normally find on their solo productions. Since then, these tracks have been road tested over the years by our close friends and favorite DJs. Now, they’re finally available to the public

Warehouse Find!

Maceo Plex’s taste-making Ellum Audio serves up a sizzling EP from Madben, featuring a remix from men of the moment Brame & Hamo.

Frenchman Madben has a healthy reverence for Jeff Mills and Detroit techno that infuses all his work. He has been mentored by Laurent Garnier and released on a wealth of quality labels from Bedrock to Suara. A resident of the Rex Club in Paris where he puts on his MAAD parties, he is now a regular in the best clubs around Europe where he serves up his always profound sounds, something he does again here.

First up is the fantastic ‘Blooming’, with its old school rave styles and dusty breakbeats. Euphoric chords light up the whole thing and it’s a tune that is sure to get hands in the air. Brame & Hamo are Irish sensations who are based in Berlin and known for big tunes that range from house to techno to disco. After establishing their own label they step out with a remix that is superbly stripped back. On deep rolling drums, sleek synths unfold and take you on a cosmic adventure that is well paced and cinematic.

Madben’s ‘Enjoy Yourself' is well crafted techno with a sense of progression in the ever evolving lead synths. Rumbling drums provide the power below and filtered, whispered vocals are an intriguing detail up top. Last of all, ‘Haze’ is a prickly track with snappy mental drums, off kilter synths that twist and turn and a dark energy that is tinged with industrialism.

This is a fresh techno offering that comes with plenty of new ideas that are all
expertly executed.

The story of this EP dates back to 2021, when we—the whole BMP crew—were attending our annual family gathering at the now-defunct Sarcus festival (R.I.P).



On a late Saturday afternoon, we all gathered under the same tent to watch one of our dear friends perform live. You guessed it: this friend is Malouane. From the first track of the live set, we in the audience exchanged astonished looks. We knew he had been working hard on this live set for months but didn't know anything about it. As the live set unfolded, we kept traveling mentally in a perpetual state of amazement.


By the end of the set, we all had the same idea: to congratulate Malouane and ask for the tracks so we could release an EP that would capture the essence of this live set, allowing us to relive that very special moment.



After a long wait, we are now more than happy to share some selected tracks from the set with you, hoping you will feel the same excitement we felt at the time.
As a cherry on top, besides having four tracks from Malouane, we asked our dear friend Gabriel Belabbas—from Positive Future—to craft an additional remix, giving this EP a deep house edge.



Certified floorfiller!

The Australian act Cutting Room strikes back with a EP extracted from their latest album “5 Years of Pure Energy”, they deliver one of the most modern and mental stimulating planetary electro/breaks sound, akin to AtomTM or Cultivated Electronics label. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany). Includes inmediate digital download.

The Caledonian Dream is a supergroup from Glasgow, Scotland. They bring you the single, "Shot at Glory", a rousing terrace anthem that will surely help the Scotland National Football Team win their Euro 2024 campaign in Germany.

Tired of the dirge that is our sporting national anthem, "Flower of Scotland" by The Corries, and the depressing, negative tone of Scotland's previous official World Cup song, Del Amitri's "Don't Come Home Too Soon", three old friends - John 'Sponi' Murray, Dave Clark & Bruce Jolliffe - made the decision to shake things up with a stomper to get the national blood pumping again. They took to the studio, melded proud lyrics, conquering beats, and tear-jerking pipes to produce what surely should be THEE Scottish football song for AT LEAST the next 200 years - our very own trophy-lifting soundtrack. Now the boys hope the tune will go viral, go mental - so please share it FAR AND WIDE!

'Matriarchy' is a rebirth for the celebrated, multi- faceted artist, as girli further explores her sound and takes the reins with full creative control, truly cementing her place as a cult figure and ambassador for the next gen of LGBTQIA+ music.

girli's passions have always migrated beyond music and she continues to use her platform to ignite conversations around feminism, sexuality, identity and mental health, opening up topics that most have always shied away from. Representation matters more so now than ever, and girli is ready to rewrite the rules.

For the eight release on his label NORD LTD, Shkedul welcomes on board Australian artist JXTPS. The result is a four club-only mental, acid, dystopian techno tracks.

12" Black vinyl limited edition + digital bonus on Bandcamp only. (No repress)