Geese veröffentlichen ihr zweites Album '3D Country', den Nachfolger ihres Debüts 'Projector'. Im Sommer 2021 tauchte die Band wie aus dem Nichts auf und obwohl die 5 Jungs aus Brooklyn eigentlich vorhatten, nur ein paar Songs vor dem College zu veröffentlichen, wurde schnell ein Album draus, dass u.a. von der NY Times, Stereogum, Rolling Stone gefeiert wurde und ihnen Auftritte im TV bei Colbert und im Vorprogramm von Jack White einbrachte. '3D Country', von der Band und James Ford (Arctic Monkeys, Depeche Mode, Shame) co-produziert, entpuppt sich als ein abgefahrener, wilder und unvorhersehbarer Ritt, der eine Welt unter die Lupe nimmt, die nicht mehr so ganz die alte zu sein scheint.
Red Dwarf Star emerges as a striking new chapter for Coley Taylor of famous US/CH based MASERATI, a new project that captures a deeply personal arc that spans continents, relationships, and creative reinvention. Working largely alone, Taylor embraced a deliberately stripped-down approach, navigating unfamiliar technology with joyously unpolished determination. Much of the material was recorded in a modest, direct manner that prioritizes feeling over finesse. This DIY ethos is balanced by key collaborations that elevate the record's sonic depth. Drums were recorded in Los Angeles by Kellii Scott, whose distinctive style adds weight and clarity, while contributions from Allen Epley and Jenna Fournier introduce subtle vocal textures that expand the emotional range of the songs. Despite its introspective origins, Red Dwarf Star is not intended to remain a solitary endeavor. What began as a personal outlet is evolving into a fully realised band, with a lineup assembled to bring these songs into a more expansive, dynamic setting. This shift signals not only a new phase for the project, but also a broader artistic trajectory. Taylor is known best for his work with Maserati, a legendary outfit that leans into collaborative, rhythm-driven expanses rooted in krautrock and electronic psych. Through Red Dwarf Star Taylor's lineage of influence is felt, echoing the raw emotional immediacy of `90s alternative, post-hardcore, and the textured atmospheres of jagged dream-pop that bleeds. These are sounds that have lingered in Taylor's creative subconscious for decades, now resurfacing with renewed urgency. For fans of MASERATI, FAILURE, SLOWDIVE, QUICKSAND, SHINER, HUM Black or coloured vinyl LP or CD available
BLUES NOW! The title says it all. Blues in all caps – honest, emphatic, and raw. This collaborative album unites GA-20, one of today’s most celebrated young Blues trios, and Charlie Musselwhite, a legendary statesman of the genre. Musselwhite’s name is synonymous with the Blues, a harmonica virtuoso and esteemed vocalist with a 60-plus year career forged in authenticity and excellence. GA-20 burst onto the scene in 2018, garnering a quick reputation for dynamic live performance, built on a deep respect for the originators and an enduring commitment to carrying the torch forward. Together with BLUES NOW (New West Records), the Grammy award winning Musselwhite and Billboard chart-topping GA-20 shine with a chemistry that blends the spirit of the Blues pioneers with an electrifying modern energy.
With BLUES NOW, the collaboration between GA-20 and Charlie Musselwhite embodies a living musical conversation that spans generations. It is an ongoing dialogue and testament to the enduring spirit of Blues music. It reaffirms its timeless appeal and reminds us that the Blues is a living, breathing art form. It’s also a hell of a good time.
Celebrated drummer, bandleader, and composer Cindy Blackman Santana has been a force to be reckoned with since her 1987 debut album, Arcane, featuring jazz legends Wallace Roney, Joe Henderson, Kenny Garrett, and Buster Williams. Fast forward to 2026, and Cindy commands that same power with her new album, Coherence: a once-in-a-lifetime musical journey combining jazz, rock, fusion, and spirituality, featuring special guests John McLaughlin and Carlos Santana. Buckle up for a masterclass in modern music from one of the most electrifying drummers to ever do it.
Hélas collects 15 songs from the repertoire of NEOBORIS, an infamous Bordeaux/Pau duo highly active in the late ‘90s and early ‘00s. Drawing on direct ounk, wave, rave culture and »Variété Française« influences, Hélas functions as a perfect time capsule of a very specific era and mood: a boy-and-girl duo celebrating their love for boys, in melancholy and beauty.
I met Boris in the early '90s. I was a hardcore raver and sang in various punk bands in Bordeaux. Boris was more romantic and had grown up with New Wave and Goth. He was a natural-born singer-songwriter. We shared a deep passion for Elli et Jacno, Taxi Girl, or Mathematiques Modernes. We started giving wild concerts across our region in the South West of France and gradually playing everywhere all the way to Paris. Boris' untimely death in 2008 was a shock. Today, I still perform Boris' songs everywhere I can because I just want to preserve his spirit. Singing with him then, now, and forever.
Knob twisters Biesmans & Johannes Albert are back at it with another sun-drenched late summer weapon. This time they shine a "Tangerine Beam" straight onto the dancefloor. Expect a cheeky disco spark that might remind you of something at the core, bouncing rhythms, and a melody so infectious you'll catch yourself humming along after the first round. Both playful and relentless, "Tangerine Beam" connects the dots between timeless disco heat and modern club thunder. One spin and you'll know: this beam is unstoppable. For the vinyl fan, there will be an orange 12" even. When life gives you tangerines...
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BLUES NOW! The title says it all. Blues in all caps – honest, emphatic, and raw. This collaborative album unites GA-20, one of today’s most celebrated young Blues trios, and Charlie Musselwhite, a legendary statesman of the genre. Musselwhite’s name is synonymous with the Blues, a harmonica virtuoso and esteemed vocalist with a 60-plus year career forged in authenticity and excellence. GA-20 burst onto the scene in 2018, garnering a quick reputation for dynamic live performance, built on a deep respect for the originators and an enduring commitment to carrying the torch forward. Together with BLUES NOW (New West Records), the Grammy award winning Musselwhite and Billboard chart-topping GA-20 shine with a chemistry that blends the spirit of the Blues pioneers with an electrifying modern energy.
With BLUES NOW, the collaboration between GA-20 and Charlie Musselwhite embodies a living musical conversation that spans generations. It is an ongoing dialogue and testament to the enduring spirit of Blues music. It reaffirms its timeless appeal and reminds us that the Blues is a living, breathing art form. It’s also a hell of a good time.
A cold sermon for warm-blooded sinners, Blasphemy pairs Ras Kass’ razor-edged theology with Apollo Brown’s sepia-toned soul loops—an album that feels like scripture rewritten in graffiti and gunpowder. Brown constructs a chapel out of dust-scratched vinyl: ironclad drums, gospel fragments, horns that sound like they’ve survived too many winters. Over that cathedral of grit, Ras Kass steps in like a rogue prophet, dismantling mythologies with scholar-level precision and West Coast snarl. His verses slice through religion, race, politics, and personal apocalypse—part history lecture, part street-corner sermon, part heretic’s prayer.
Guest appearances—Pharoahe Monch, Royce da 5’9”, Xzibit, and more—arrive like fellow priests of the unholy pulpit, sharpening the album’s edges without stealing its center. Blasphemy isn’t built for passive listening; it demands engagement, rewinds, and maybe even a dictionary. But beneath the intellectual shrapnel is feeling, too: bruised pride, survival-mode clarity, the restless search for truth in a world addicted to lies.
This is boom-bap as moral reckoning. A dusty-fingered gospel for those who don’t trust institutions but still crave meaning. A record that questions everything yet stands solid in its craft—Detroit drums welded to L.A. lyricism, both beating against the sanctimonious and the hypocritical with equal force.
Blasphemy is not here to comfort you. It’s here to wake you up.
Best known as the DJ for multi-platinum band Sugar Ray, American DJ, musician, rapper, singer, record producer and radio personality Craig Anthony Bullock aka DJ Homicide_ has been active for more than three decades. His solo work finds him flipping a wide range of source sounds into his own fat, club-ready joints, all informed by years of working various crowds into party mode. He opens here with 'Se Acado Fl', and brings a light touch to heavy beats that are overlaid with impassioned Spanish vocals that add a florid edge next to the excitable horns. On the backside is Big Syphe'd 'Our Generation Flip' which is soul music welded to a low slung and dusty hip-hop foundation.
Summer doesn't announce itself. It creeps in through cracked windows and lingers on skin long after the sun sets. It asks nothing of you but surrender. The South London DJ and producer, born Wilf Auty, raised in the fields of Devon before migrating to the city's sprawl, has crafted four tracks that move like heat haze off tarmac: shimmering, hypnotic, impossible to rush. This is house music stripped of its impatience. Rolling rhythms push forward with the inevitability of tide. Driving basslines push through the mix like warm air through an open car window. Something that feels like the longest day of the year. That moment when you realise the light's been golden for hours and nobody's checked the time. Wigs' sets at Meanwhile have become the stuff of whispered recommendation: progressive, modern, emotionally intelligent selections that build through patience rather than force. This EP is the studio distillation of that philosophy. Four tracks. No filler. Each one: unfurling. The reward comes for those who wait. The groove reveals itself in layers. The pulse becomes a feeling you can't quite name but recognise immediately, that elastic stretch of a summer evening when time loses its edges.
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ARCA unfolds as a modern parable, where the ancient biblical plagues become subtle echoes of the afflictions we have created. through ten distinct compositions, it explores the human shadows - hope and fear, violence and greed, resentment and perfectionism - that we cast upon the world and upon ourselves, crafting a fragile, fractured existence. each track serves as a mirror reflecting our flaws and contradictions, inviting listeners to confront the quiet turmoil within and around us.
amidst this sonic journey, the music becomes a space for reflection and reckoning, gently urging us to acknowledge these plagues not as distant curses, but as intimate truths. it is an invitation to recognize our own power offering a path toward redemption and renewal in the turbulent landscape we call home.
Originally released by Panjabi MC in 1998 and propelled to worldwide success in 2002, “Mundian To Bach Ke” is widely recognized as one of the most influential Punjabi tracks ever recorded. Featuring the unmistakable vocals of Labh Janjua, the record fused traditional Punjabi bhangra with contemporary hip-hop production, creating a groundbreaking crossover sound that resonated with audiences across continents. Today, it remains a cultural landmark that helped introduce Punjabi music to international audiences and paved the way for the worldwide rise of South Asian artists.
Now, Spanish electronic music heavyweight Dario Nuñez joins forces with Afro House tastemaker Juany Bravo to breathe new life into this timeless anthem. The remix transforms the iconic vocal hook and instantly recognizable melodies into a high-energy Afro House and tribal-infused club weapon, blending modern production with the infectious spirit that made the original a worldwide phenomenon.
Also included on side A is the new remix by Benin-born, Brooklyn-raised DJ and producer, Amémé. Celebrated for his "AMÉMÉ House" sound, he blends deep house, tech, and ancestral African tribal percussions. The remix bridges two very distinct styles, classic South Asian bhangra and modern, spiritual Afro-house energy, all with Panjabi MC's personal blessing.
On side B the classic original version alongside the remix featuring Jay-Z !
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Als eine der prägendsten und einflussreichsten Künstlerinnen unserer Zeit vereint die mehrfache Grammy- und BRIT-Award-Gewinnerin Charli xcx Musik, Mode und Film wie keine andere. Ihr mit Spannung erwartetes neues Album „Music, Fashion, Film“ erscheint am Freitag, den 24. Juli, und führt ihren visionären Mix aus Mainstream und innovativem Underground perfekt fort. Das Meisterwerk enthält bereits gefeierte Tracks wie „SS26“ und „Rock Music“ und besticht durch ein ikonisches Cover von Aidan Zamiri, auf dem Legenden wie John Cale, Marc Jacobs und Martin Scorsese zu sehen sind.
Mellizos & Mixmasters have collaborated on a new track titled “My Life Is A Disco (In The Mix),” which is a reimagining of the Chicago classic “In The Mix” by Mixmasters. The track is a joint effort between the Texas-based twin DJ/producer duo Mellizos and the classic Chicago house outfit and get’s a release on Franky Rizardo’s LTF Records outfit. The track combines the classic Chicago house sound with a modern, high-energy, and deep percussive vibe, intended for dancefloors. Coachella 2026 went off for this one! The vinyl also includes the Mixmasters’ ‘Fast Eddie’ classic mix.
Essential.
b Mellizos & Mixmasters - My Life Is A Disco (In The Mix) Intrumental
b B1 Mellizos & Mixmasters - My Life Is A Disco (In The Mix) Intrumental
b B1 Mellizos & Mixmasters - My Life Is A Disco (In The Mix) Intrumental
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A true disco anthem collides with French electronic elegance as Bon Entendeur reimagine the iconic Boys Town Gang classic Can’t Take My Eyes Off You for a new generation.
Originally released in 1981/82, Boys Town Gang’s explosive hi-NRG reinterpretation of the 1967 Frankie Valli original became one of the defining dance records of the era. The track stormed to No.4 in the UK Singles Chart while dominating dancefloors across Europe and beyond, hitting the top of the charts in countries including France, the Netherlands, Belgium, Spain and Japan.
Decades later, its euphoric energy still feels timeless. Now, Parisian duo Bon Entendeur inject the record with a fresh wave of sophisticated French touch cool. Renowned for their seamless fusion of nu-disco, house, funk and nostalgic pop culture references, the duo have become one of France’s most distinctive electronic exports. Bon Entendeur have built an international following, mastering the art of blending retro emotion with modern electronic production.
Their connection to iconic French musical heritage has become a signature. Following the success of their celebrated collaboration with Jeanne Mas on Toute Première Fois, Bon Entendeur now turn their attention to another record deeply woven into France’s club culture DNA. And it makes perfect sense. Bon Entendeur tap directly into that shared musical memory, delivering a remix that feels both nostalgic and effortlessly contemporary.
The result is a dazzling crossover of generations and styles: disco emotion, uplifting grooves and sleek French electronic sophistication wrapped around one of the most instantly recognisable hooks ever recorded.
French touch meets disco immortality. Et voilà.
a A1 Bon Entendeur Remix Ben Liebrand 12" Edit
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Complete Body Talk ist die definitive Vinyl-Kompilation von Robyns bahnbrechender Body Talk-Trilogie. Persönlich von Robyn kuratiert, vereint dieses 2LP-Set Body Talk Parts 1, 2 und 3 zu einer durchgehenden Sammlung und enthält Fan-Favoriten wie Dancing On My Own, Call Your Girlfriend, Hang With Me und mehr. Gepresst auf Coke-Bottle-Vinyl, befindet sich das Set in einer hochwertigen Hülle mit silbermetallischem, reflektierendem Frontcover. Ein komplettes und ikonisches Package, das eines der einflussreichsten Pop-Albumprojekte der modernen Musik feiert.
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A real cult favorite of the American psychedelic underground, Three blends hypnotic guitars, immersive atmospheres, and deeply melodic songwriting into a rich, transportive listening experience. Drawing from neo-psychedelia, space rock, and dream pop traditions, the album has become a sought-after modern psych classic with enduring appeal among collectors and fans of expansive, guitar-driven music. Originally released in 2012, Three by Flavor Crystals has steadily become a cult favorite within the modern psychedelic underground. Blending hypnotic guitars, immersive atmospheres, motorik rhythms, and deeply melodic songwriting, the album moves seamlessly between neopsychedelia, dream pop, and space rock. With its warm production, shimmering textures, and expansive mood, Three creates a rich and transportive listening experience that continues to resonate far beyond its original release. Over the years, the album has developed a devoted following among collectors and fans of atmospheric, guitar-driven music, earning recognition as an essential modern psych title. This vinyl reissue reintroduces a sought-after underground classic with strong crossover appeal across psychedelic, indie, and dream pop audiences, offering excellent long-term catalogue value for retailers and distributors alike. Recommended For Fans Of The Brian Jonestown Massacre, Spiritualized, Spacemen 3, Mazzy Star, The Black Angels.
With Fuck, Marry, Kill, Tink delivers her most provocative and conceptually sharp body of work to date, firmly reclaiming her position as a premier storyteller in the modern R&B landscape. Moving beyond the diary-entry style of her earlier years, this project utilizes the titular game as a brutal yet honest framework for the complexities of modern intimacy. Tink navigates the chaos of the dating world with a dual-threat precision that few can match, seamlessly blending the grit of her Chicago rap roots with the velvet textures of contemporary soul. Under the executive production of Hitmaka, the album finds its heartbeat in the friction between high-gloss production and raw, unfiltered lyricism.
The album is meticulously structured to mirror the chaotic cycle of urban romance: the adrenaline of fleeting lust, the heavy stakes of long-term commitment, and the inevitable coldness of a bridge burned. In the "Fuck" segment, Tink radiates a lethal confidence, delivering anthems of autonomy and physical desire that demand space in the club and on the charts. As the project transitions into "Marry," she peels back the armor, offering a vulnerable look at the desire for stability and the terrifying leap of faith required to trust a partner. However, it is in the "Kill" section where Tink’s songwriting truly bites; here, she chronicles the aftermath of betrayal and the empowerment that comes from cutting ties, transforming her heartbreak into a weapon of self-preservation.
Ultimately, Fuck, Marry, Kill is a masterclass in "Toxic R&B" that refuses to settle for easy answers. Tink captures the specific anxiety of a generation trying to distinguish between a temporary thrill and a permanent soulmate, all while navigating a world of ghosting and digital infidelity. By leaning into her flaws and her triumphs with equal intensity, she creates a sonic space where listeners feel both seen and vindicated. This isn't just an album about love—it's a survival guide for the heart, narrated by an artist who has seen every side of the game and lived to write the definitive soundtrack for it.
Auckland-based indie-pop outfit Borderline officially plant their flag in the New Zealand music scene with their self-titled project, Borderline. Seamlessly blending the nostalgic warmth of classic indie-rock with the polished, infectious hooks of modern pop, the band delivers a sonic snapshot of youth, ambition, and navigating the fine line between late-night euphoria and introspective vulnerability. Driven by shimmering guitar lines, driving bass rhythms, and anthemic vocals, the project feels both intimately local and ready for a global stage.
Borderline serves as a definitive introduction to the band’s signature sound, trading in sun-drenched, feel-good anthems built for summer road trips alongside high-energy tracks that tackle the fast-paced nature of modern relationships. By balancing cinematic storytelling with irresistible hooks, the up-and-coming band crafts a listening experience that is both fresh and deeply relatable, securing their place as a compelling new voice to watch out of New Zealand.
FLO are leading the modern revival of the British girl group — and doing so at a scale not seen in over two decades. With over half a billion global streams, the trio have delivered the highest-selling tour by a British girl group in more than 20 years, becoming the first since the Spice Girls to reach that milestone. They are also the first British girl group to receive a Grammy nomination in two decades, alongside three MOBO nominations in 2026, cementing their status as both a commercial and cultural force. Rather than simply revisiting the past, FLO are reshaping the possibilities for what a contemporary girl group can be.
Comprised of Renée Downer, Stella Quaresma and Jorja Douglas, FLO’s story is one of intention, craft and deep-rooted connection. The trio had long been aware of one another through theatre school circles, social media and shared creative worlds before coming together as a group in 2019. That early familiarity quickly grew into a sisterhood, shaped behind the scenes through years of studio work, vocal development and trust. Raised by strong single mothers and immersed in performance from a young age, each member brings resilience, emotional intelligence and discipline into the group — qualities that underpin both their sound and their dynamic.
Individually, FLO’s balance comes from contrast. Renée is the group’s compass: composed, business-minded and creatively precise, grounding the trio with clarity and vision. Stella is the spark and the glue — sociable, emotionally intuitive and collaborative — shaped by a childhood between England and Mozambique where music was communal, expressive and felt. Jorja is the fire: outspoken, instinctive and vocally commanding, with a natural ear for harmony and arrangement. Their roles shift and evolve, but together they form a unit built on mutual respect, honesty and shared authorship.
That chemistry is central to FLO’s music. Drawing from classic R&B and soul while pushing it forward through modern production, their sound centres vocal harmony, emotional nuance and storytelling that reflects the realities of young womanhood. FLO reject the idea that strength requires emotional distance; instead, they explore power through vulnerability, confidence and control. From independence and self-worth to intimacy and desire, their writing is direct and unapologetically theirs. As Jorja puts it, FLO are “the brains, the heart and the soul” behind everything they do.
The success of their debut album marked a defining moment — not only for FLO, but for British pop more broadly. It confirmed the appetite for harmony-led, female-fronted groups operating with creative agency, and propelled FLO onto global stages, from sold-out headline tours to major festivals and international television. Along the way they have earned respect from R&B legends and peers alike, performing during Grammy Week for icons including Mariah Carey, Brandy and Chaka Khan, and showcasing their vocal chemistry on NPR’s Tiny Desk — a moment that further underlined the trio’s technical precision and emotional depth.
With their next chapter, Therapy At The Club, FLO expand this emotional honesty into a fully realised creative universe. The concept reimagines the club not just as a place of nightlife, but as a site of release, confession and self-possession — encompassing the moments before, during and after the night out. From mirror affirmations and pre-game chaos, to late-night Uber conversations, dance-floor catharsis and the clarity of the morning after, Therapy At The Club captures how women process desire, heartbreak, confidence and healing in real time, together. It is both fantasy and reality: cinematic, fashion-led and emotionally raw, grounded in sisterhood as a form of survival.
Sonically, the new music leans into dark, euphoric R&B and pop with sharper edges, built on vocal mastery and diaristic storytelling. Lead single “Leak It” sets the tone for the era — playful, charged and unapologetically self-aware — exploring what happens when desire spills over, secrets surface and control is reclaimed. Across the new songs, FLO move fluidly between intimacy and euphoria, turning the club into a space where vulnerability is power and feeling everything is the point.
As a trio built on discipline, joy and deep creative trust, FLO represent a new model for the British girl group: one rooted in authorship, harmony and cultural impact. Balancing softness with strength and ambition with authenticity, they are shaping the future of R&B and pop on their own terms. FLO are not looking backwards — they are setting the standard for what comes next.
“Give Me Joy” is a high-energy, modern rework of “Oil in My Lamp”, taking a familiar, nostalgic hymn/school assembly tune and bringing it into a contemporary context.
It was written specifically for Satellites (the UK’s fastest-growing youth festival) and debuted live to 5,000 young people, where it immediately connected, creating genuine moments of joy, freedom and British childhood nostalgia. That live response sits at the core of the song.
Am 24. Juli 2026 präsentieren wir voller Stolz die Rückkehr eines weiteren Meilensteins der Symphonic-Metal-Geschichte: AVANTASIA –
„The Metal Opera Part II“, neu aufgelegt als Vinyl-Edition zum 25-jährigen Jubiläum.
Das ursprünglich 2002 erschienene Album setzte Tobias Sammets bahnbrechendes AVANTASIA-Konzept fort und erweiterte es,
wodurch sich das Projekt als eine der ambitioniertesten und auf Zusammenarbeit ausgerichteten Kräfte im modernen Metal etablierte.
Mit einer herausragenden Riege an Gastmusikern und -sängern festigte „Part II“ den Ruf von AVANTASIA als echte
Metal-Oper im wahrsten Sinne des Wortes.
Für diese Jubiläumsausgabe erscheint das Album erstmals in seiner endgültigen Vinyl-Form, mit einem eigens von Mika Jussila erstellten Vinyl-Master, das speziell für die hochwertige analoge Wiedergabe optimiert wurde. Die Veröffentlichung erscheint als Premium-Doppel-LP auf 180g schwerem Vinyl in einem eindrucksvollen Gatefold-Cover, das die Größe und Dramatik der Originalproduktion würdigt. Eine lang erwartete Sammleredition – und die ultimative Art, „The Metal Opera Part II“ auf Vinyl zu erleben.
Recorded in Paris with Jean-Yves Messan, Patrick Francfort, and François Corea, leading figures of the African diaspora, Na Bo Ndedi is one of the pinnacles of makossa"s golden age. A classic by Ngallé Jojo, with a unique sound that blends traditional rhythms with modern arrangements, vibrant grooves, and a powerful rhythmic drive. Thirty years later, CelluloïdRecords is reissuingthis essential album in a remastered version. For collectors who know it by heart, and for all those who are finally discovering it.
Beggars Banquet veröffentlicht eine aufwendig überarbeitete 40-Jahre-Jubiläumsausgabe von Discover, dem entscheidenden Durchbruchsalbum von Gene Loves Jezebel aus dem Jahr 1986. Die Neuauflage erscheint als remastertes, erweitertes Doppel-Vinyl mit aktualisiertem Artwork und wurde von Henry Rudkins in den AIR Studios klanglich neu überarbeitet. Damit wird das Album in moderner Qualität neu zugänglich gemacht und zugleich als Schlüsselmoment der Bandgeschichte gewürdigt. Discover gilt als Meilenstein, da es Gene Loves Jezebel erstmals einem internationalen Publikum bekannt machte. Musikalisch vereint es die düsteren Einflüsse der frühen Jahre mit einem klareren, melodischeren Sound und prägnanten Gitarrenstrukturen. Besonders der zentrale Track "Desire (Come and Get It)" steht exemplarisch für diese Weiterentwicklung und wurde zu einem der bekanntesten Songs der Band. Ergänzt wird die Jubiläumsausgabe durch zusätzliche Inhalte: Die Liveaufnahme Glad To Be Alive aus Nottingham (1986) erscheint erstmals seit ihrer Originalveröffentlichung wieder auf Vinyl und zeigt die Band in einer energiegeladenen, raueren Form als im Studio. Parallel dazu werden ausgewählte Liveaufnahmen, darunter "Desire - Live in Nottingham", digital bereitgestellt. Insgesamt positioniert sich die Neuveröffentlichung als umfassende Würdigung eines Albums, das den künstlerischen Höhepunkt und internationalen Durchbruch von Gene Loves Jezebel markiert.
Die international gefeierte und GRAMMY-prämierte Sängerin, Songwriterin und Schauspielerin Miley Cyrus
(Flowers, Party In The U.S.A) veröffentlicht ihre Single „Younger You (From the Hannah Montana 20th
Anniversary Special)” als Teil des großen Jubiläumsprojekts rund um die Kultserie „Hannah Montana“. Der
Song verbindet nostalgische Elemente aus ihrer frühen Karriere mit einem gereiften, genreübergreifenden
Sound und schlägt so eine Brücke zwischen Vergangenheit und Gegenwart.
„Younger You (From the Hannah Montana 20th Anniversary Special)” erzählt von dem Rückblick, persönlichem Wachstum und der Auseinandersetzung mit dem eigenen früheren Ich. Mit der Verbindung aus
Mileys emotionalem Pop und den modernen Country-Einflüssen von Lainey Wilson entsteht ein zeitloser
Track, der sowohl langjährige Fans als auch neue Hörer*innen anspricht.
Younger You (From the Hannah Montana 20th Anniversary Special)” ist erhältlich als 7‘‘ Vinyl
This 45 reissues two Spanish classics-DJ'd, sung, and danced to exhaustion-featuring striking arrangements and rhythms inspired by soul, funk, and rock, pushing flamenco-influenced popular music into previously uncharted territory. The flamenco rock of 'Orgullo' (1974) by Las Grecas will appeal to international listeners already captivated by the Anatolian sound of Baris, Manço, Mogollar_ On the B-side, Paco, Paco, Paco' (1969) by Encarnita Polo is a soul-pop hit with an irresistible syncopated rhythm and killer bass lines. In the final years of Franco's dictatorship, when Spain's popular music was kept on the sidelines of avant-garde and countercultural trends, a number of records emerged that dared to bend and hybridize the country's so-called "national" musical genres (calling it flamenco outright would be imprecise) and infuse them with a dose of modernity. The first 20 seconds of 'Orgullo' (1974) hit with a powerful sonic punch built on ferocious fuzzed-out guitars, distorted keyboards, and thunderous drums that could easily belong in the discography of Led Zeppelin, The Guess Who, or Cream_ until, suddenly, Las Grecas start to sing and Flamenco rock is born. It will undoubtedly resonate with international audiences already drawn to the Anatolian sounds of Bar?? Manço or Mogollar. A few years earlier, in 1969, the brilliant Argentine producer and arranger Adolfo Waitzman had already transformed a harmless light pop tune recorded by a yeyé girl, Encarnita Polo, into a soul-pop hit driven by an irresistible syncopated groove and killer bass lines. The playful 'Paco, Paco, Paco' became a bestselling single in Spain and, more than 50 years later, is still celebrated as a brilliant example of the romance between flamenco-inflected sounds and soul-pop. First-ever single reissue.
Warrant was formed in 1984 in Hollywood, Los Angeles, California, and experienced success from 1989 to 1996 with five albums reaching international sales of over 10 million. The band first came into the national spotlight with their double platinum debut album Dirty Rotten Filthy Stinking Rich (1989) and one of its singles, "Heaven", which reached No. 2 on the Billboard Hot 100. The band's success continued in the early 1990s with the double platinum album Cherry Pie (1990), which provided the hit song of the same name. In 1992, Warrant released their third album the critically acclaimed Dog Eat Dog. The record achieved only moderate commercial success compared with the first two albums, but still sold over 500,000 copies reaching Gold status and charting at No. 25 on the US Billboard charts. The band's fourth album Ultraphobic (produced by a returning Beau Hill) was released in March 1995 and, featured the singles "Family Picnic", " Followed" and the ballad "Stronger Now". Now to celebrate the 30th Anniversary of their fifth album which was released in October of 1996 and the last with Jani Lane. Belly To Belly Vol. 1 has been remastered and repackaged and is available for the first time on strictly limited vinyl LP.
Jane Handcock transforms heartbreak into clarity with her new album, It’s Me Not You. Reframing the familiar breakup phrase, this release explores self-awareness,
accountability, and emotional growth with honesty and depth.
Blending atmospheric production with a steady rhythmic drive, Handcock delivers a dynamic vocal performance that moves from intimate reflection to confident,
resonant moments. The result is a mature, empowering album that captures the complexity of modern relationships.
Highlights include themes of irresistible attraction and A Beautiful Woman, a lover’s anthem that sets the tone for the album’s grown-and-sexy vibe.
Jane Handcock transforms heartbreak into clarity with her new album, It’s Me Not You. Reframing the familiar breakup phrase, this release explores self-awareness,
accountability, and emotional growth with honesty and depth.
Blending atmospheric production with a steady rhythmic drive, Handcock delivers a dynamic vocal performance that moves from intimate reflection to confident,
resonant moments. The result is a mature, empowering album that captures the complexity of modern relationships.
Highlights include themes of irresistible attraction and A Beautiful Woman, a lover’s anthem that sets the tone for the album’s grown-and-sexy vibe.
MADMADMAD’s EP “Overload” is a thrillingly chaotic, genre-warping ride —think Mr Oizo on acid— that fuses fuzzy basslines, jagged guitars, and analog synth delirium into a dancefloor-ready collage of sound. From the Kraftwerk-tinged pulse of “Overload” to the acid-soaked, breakneck energy of “The Way” channeling The Chemical Brothers or Gesaffelstein, the record constantly shape-shifts while maintaining a raw, propulsive core. Tracks like “Mezcal” drift into hypnotic, minimal grooves reminiscent of Aphex Twin, while “Tout le Monde” and “Turn It Up” inject playful, off-kilter funk inspired by Tom Zé, Prince, ESG, and Beck. The title track closes on a high with a gritty, disco-infused groove nodding to early Daft Punk. Across the EP, MADMADMAD embrace disorientation as an artistic statement, drawing inspiration from Dadaism to mirror the overwhelming, information-saturated chaos of modern life.
October London is a chart-topping R&B force, blending classic soul influences with modern appeal to bridge generations of listeners. Backed by multiple Billboard No. 1 hits and major award recognition, he's proven both his artistry and commercial staying power. As he expands into new audiences—from Doggyland to a forthcoming 2026 album and tour—October continues to evolve while honoring the roots of timeless R&B.
"3..2..1..Go! The prompt begins and ends the latest Dorio production, starring Agent Friday & the Perfect Angel. Motion-blurred scenes coalesce in an imagined spy thriller soundtrack, cutting across club pop, neo-acoustic, and textured electronica. In eleven jet-setting tracks, the Texas duo reconfigures classic pop sensibilities and cocktail lounge idioms into a thoroughly modern work. The project’s newest LP marks a confident development in Chad Doriocourt and Rachel Rascoe’s co-songwriting and CD-age experimentation. Dorio’s mission starts now.
Fuzz guitars, monophonic synthesizers, and bouncy drum breaks fuel a tale of covert operations on Agent Friday & the Perfect Angel. The album’s propulsive production cuts across a pristine millennium palette, from Madonna’s 1998 Ray of Light all the way to Gorillaz’s 2010 Plastic Beach. Rising to meet the energy of live audiences, Doriocourt’s dance-oriented production amps up Rascoe’s singsong melodies. It’s music readymade for both recreational and listening formats.
“An upbeat form of bubblegum-pop and hip-hop percussion that recalls the recent neo-psych output of Stones Throw Records.” – Flood Magazine
“Recalling the nostalgic majesty of bands like Wishy, Tennis, and Hovvdy, the skittering hi-hat feels like rain drops hitting the metal roof of an old car, the production insular while somehow vivid and full of imagination… Whatever the instrument, Dorio know how to make quite an impression.” – Consequence
“Summery psych-pop that often infuses their dreamy melodies, kaleidoscopic hooks, and breezy vocals with nostalgic millennium-tinted breakbeats.” – KEXP"
Tiki Nation finds Truckstop Tomahawk charting new territory at the outer edges of modern exotica. Created by Robert Kress—one half of Kava Kon—the album treats tiki not as nostalgia, but as a living, evolving sound world. These tracks roam freely through imagined geographies: remote islands, half-remembered myths, roadside rituals, and sun-bleached dream states where vintage exotica collides with forward-leaning composition.
Rather than simply revisiting mid-century tropes, Tiki Nation recontextualizes them—layering cinematic arrangements, unexpected textures, and playful titles that hint at folklore, travel, and quiet surrealism. The result is music that feels exploratory and unbound, equally suited for deep listening, late-night reverie, or drifting into unfamiliar landscapes with a drink in hand.
The album’s visual centerpiece deepens this atmosphere. The cover art, Pele’s Release, was painted by Catherine Robbins, a self-taught artist and longtime Hawaiʻi Island resident who created the oil painting in her rainforest studio just miles below Kīlauea’s erupting summit. That proximity to raw, elemental power mirrors the album itself—beautiful, mysterious, and quietly volatile.
Tiki Nation stands as a bold statement of intent: exotica untethered from the past, alive in the present, and pointed firmly toward uncharted horizons.
Marking the band's long-awaited recording return, the 7-inch release features the
title track "Pandemonium" alongside the exclusive B-side "Candlelight", available
exclusively on vinyl and omitted from the digital release.
With "Pandemonium", DEATH SS once again channel their unmistakable artistic vision,
transforming apocalyptic imagery, esoteric symbolism and occult references into a striking
metaphor for today's world. Demons, broken seals and the Great Beast become powerful
symbols of war, fanaticism, mass manipulation, collective anger and the profound spiritual
crisis affecting modern society.
As always, DEATH SS invite listeners to explore multiple layers of interpretation beyond the
song's narrative. Beneath its dark imagery lies a reflection on human consciousness and the
urgent need for inner awakening, reinforcing the symbolic and philosophical approach that
has distinguished the band throughout its entire career
Als eine der prägendsten und einflussreichsten Künstlerinnen unserer Zeit vereint die mehrfache Grammy- und BRIT-Award-Gewinnerin Charli xcx Musik, Mode und Film wie keine andere. Ihr mit Spannung erwartetes neues Album „Music, Fashion, Film“ erscheint am Freitag, den 24. Juli, und führt ihren visionären Mix aus Mainstream und innovativem Underground perfekt fort. Das Meisterwerk enthält bereits gefeierte Tracks wie „SS26“ und „Rock Music“ und besticht durch ein ikonisches Cover von Aidan Zamiri, auf dem Legenden wie John Cale, Marc Jacobs und Martin Scorsese zu sehen sind.
Fatboy Slim, Felix Da Housecat and Carola unite on “Funk Drunk” featuring 7KY — a punchy, club-ready collaboration blending big beat energy, electro textures and modern underground house production. Released via Southern Fried Records, the track arrives ahead of a huge summer run for Fatboy Slim, including dates across Ibiza, Brighton, Creamfields and Rock In Rio.
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