quête:mr l
Ebo Taylor is a legendary guitarist, composer, arranger and producer from Accra, Ghana. A leading light of Ghanaian music since the 1960's, Taylor is still touring and recording, and at the age of 80 will be releasing a brand new studio album on Mr Bongo in 2018.
For this album, Ebo joined forces with 12-piece band 'The Pelikans' — from the Cape Coast region of Ghana — led by Bessa Simmona, with rhythm guitarist Fifi Orleans Lindsay. A genuine 'holy-grail' of Ghanaian music and one of Ebo's most saught-after.
The album was released on the small Abookyi label. Named after a nightclub they played in called PELIKANS, and sung in English and Fante, this was the first album where Ebo sang on tracks, such as the classic 'Come Along', on which he also plays keyboard. This song clearly defined a new direction in highlife and has become a Ghanaian funk anthem. 'Come Along' formed the basis of Sadat X's 'Remember That' hip hop jam from 2011.
This official Mr Bongo re-issue is packaged in our new & improved heavyweight 'tip-on' sleeves, printed in Japan, pressed on high quality vinyl, with label designs and artwork as per the original release. Ebo's forthcoming new studio album, 'MIND YOUR OWN BUSINESS' is set for release in spring 2018, on Mr Bongo.
Introducing Mr. Eff. Part myth, part man. Dragging by the arm to safety through digital swamps and haunted houses, The Parallel stands as a singular vision of Miltonian proportions. Small vignettes and passing scenes give way to grandiose and beautiful moments, from the wave-sleaze of Midnight Predator to the pre-credits Suicide-tribute of H E A R T T H R O B, The Parallel works as much for drive time as it does for drifting off to a far off land that is both wonderful and strange. Not to be ignored. Art by Eric. A Lee.
- A1: Elbernita "Twinkie" Clark - Awake O Zion
- A2: Dee Edwards - Put Your Love On The Line
- A3: Anubis - Ecology
- B1: Guy Cuevas - Ebony Game
- B2: Kiru Stars (Julius Kang'ethe) - Family Planning (Julius Kang'ethe)
- B3: Teaspoon & The Waves - Oh Yeh Soweto
- C1: Leny Andrade - Nao Adianta
- C2: Rosa Maria - Samba Maneiro
- C3: Tom & Dito - Obrigado Corcovado
- C4: Inezita Barroso - Maracatu Elegante
- C5: Joao Diaz - Capoeira
- C6: The Equatics - Merry Go Round
- D1: Elias Rahbani & His Orchestra - Liza... Liza
- D2: The Beaters - Harari
This instalment follows on from our acclaimed 'Volume One' - Lauren Laverne's 'Compilation Of The Week', supported by the likes of Disclosure, Jeremy Underground, Horsemeat Disco, Hunee and Laurent Garnier. 'Volume Two' picks up where the last one left off — with a touch more soul and disco — records we've been spinning in our DJ sets and on the radio show of the same name, that inspired this series.
We opened a new record shop in the centre of Brighton late in 2016 - 13 years after the mighty London store closed it's door. Now situated on the ground floor of our Gloucester Yard home the shop is open every Saturday to sell records that we love, some of which you'll hear on the radio shows, and on this album.
It's been a resounding success and we've been able to host sunny instore events and Facebook Live broadcasts with guests including Nick The Record, Dimensions Festival family Debora Ipekel, Flamingods, Slugabed, The Physics House Band and Remi Kolawole & Sensible J.
In 2017 and beyond, we will be releasing more of our official reissues including lesser-known essentials from Brazil, such as Gal Costa's 'India', Robson Jorge & Lincoln Olivetti, Burnier & Cartier alongside 1980's Mexican psychedelia from Luis Perez. We've been digging deep, and will share another edition of our 'The Original Sound of...' series, this time across the border from Mali to neighbouring Burkina Faso. As ever, you'll hear these first, on our radio shows.
There will be more 'Mr Bongo Presents' events - we brought Alain Mion & Cortex to the Jazz Cafe in London in 2017 - and we've highly anticipated slots at Bestival and Lost Village festivals, plus a return to RAPPCATS in Los Angeles, more guest shows on Worldwide FM and NTS Radio and, of course, the continuation
of our own radio shows.
Compiled by David 'Mr Bongo' Buttle and Gareth Stephens,
plus a few personal favourites from Gary Johnson, Ville Marttila and Graham Luckhurst.
Secret Operations enter the new year with 'Heavy traffic'. A heavy roller from Sweden's finest Seba teaming up with San Franciscos finest Method One. Heavy bassline, steppy beat, and chopping amen breaks is what this track is all about. The flipside 'Mr. downstairs' is more laidback, and draws the memories back to the Good Looking days, back in 96-98 era. Watch out for secops 016. This time Seba collaborates with Finnish Producer/DJ Physics. It's already got support from Storm on her Ministry of sound show
With a career that spans over two decades Manchester DJ Andy Carthy aka Mr. Scruff needs little introduction. He is regularly cited as a source of inspiration for many of the world's up and coming artists through his eclectic approach to both DJing and creating music. We are proud to say Andy has always been a keen supporter of the output on Gondwana Records, so when we re-issued one of his favourite records The Swimmer by Phil France it seemed an appropriate time to ask for a couple of remixes. The results of which are two wonderfully unique dance floor friendly takes on the track, Joy of Brass.
Sound does not usually come from a single source. Emotions usually do not come from a single source. The way we perceive is by filtering. Within this complex process there are many difficulties to overcome and many discoveries to make. How long is the club inside of you - after you have been inside of him How do Love, Soup and Beer choices affect your daily life And what do an Island and an Airport have in common By morphing real life situations into musical phantasies Mr. Tophat tries to find answers to these and many other questions. Along the way there is darkness but also fun and hope.
Alleviated Records is proud to present another edition of the Larry Heard presents Mr. White sessions. These 2 selections, produced and mixed by Larry Heard somehow both evolved into otherworldly Future-House concepts as they took shape. First up, ''Virtual Emotion'' (main & dub versions) features Mr. White vocals over an ''Electro-Funk'' flavored percolating Deep-House track. Then ''Supernova'' (main & dub versions) features Mr. White vocals taking us to a Darker, almost ''Tech-Rocky'' mood off-world adventure. The two very different flavors should make this 12'' one that can be played in many settings!! As always with Alleviated Records releases, created to be timeless so that you can enjoy it for many years to come. This special vinyl 12'' will be another great addition to any collection! ENJOY! And thanks for your continued support!!
A post-Tropicalia masterpiece from one of the movements key figures and true legends of Brazilian music, Gal Costa. Features a stellar line up of musicians including Gilberto Gil, Arthur Verocai, Dominguinhos, Rogério Duprat and Tenorio Jr. amongst others.
Replica original gatefold including the cover that was banned by the Brazilian military government in 1973 during the brutal dictatorship.
'India' includes the incredible 'Pontos De Luz' as sampled by Kaytranada on 'Lite Spots' - one of our favourite Brazilian songs of all time. A wonderful album from start to finish, touching on MPB, folk, jazz, funk and rock with strong Tropicalia and Nordestino influences throughout.
A record that we have long been wanting to reissue! Licensed courtesy of Universal Music Group Limited.
PP SERIE is here to combine music by label artists & friends showcasing a broad spectrum of Audio Entertainment. "SERIE A" features: trance inducing collage, pop build up, homage to the almost forgotten communication medium Telefon and a heavy acid tool.
Artists included: Tambien, Rhode & Brown, Mr. Tophat & Obalski
- Messy Love
- Baobab Tree
- I Will Keep You
- Spirit Reflection
- Entranced
- Super Nova Lovers
- Stay A While
- Lo Mas Dulce
- Into Oya!
- Windwaves
'Spirit Reflection' is the third album LP from Los Angeles singer-songwriter
Gaby Hernandez. Blissful layers of instrumentation, electronics, vocal harmonies and folkloric percussion intertwine with west coast feel to create aunique, beautiful and multi-layered album.
The album features a stellar line-up of LA talent, jazz star Kamasi Washington, Stuart Howard (AKA Lapalux), Kelis and Gaslamp killer collaborator Dexter Story, plus Ninja Tune, Plug Research and Soul Jazz artist Carlos Niño, Miguel Atwood-Ferguson and Gabriel Reyes-Whittaker all accompany Gaby, with stunning results. Even before Spirit Reflection had been finished, the demo mixes caught the ear and gained support from Gilles Peterson, Lefto, Toshio Matsuura (U.F.O.) and JRocc (Beat Junkies). Born, raised and based in Los Angeles and of Chilean descent, Gaby Hernandez has been writing and recording since 2001. She was a founding member of the 'creative music ensemble' Build An Ark alongside others including Carlos Niño, Dexter Story and Dwight Trible.
Gaby was the only vocalist on Teebs' debut Brainfeeder release Ardour. She made major contributions to AmmonContact's Ninja Tune releases New Birth and With Voices, plus The Life Force Trio's Plug Research album Living Room. She was also the vocalist on Dimlite's Outernational Duet - released as part of his highly acclaimed Sonar Kollektiv longplayer This Is Embracing.
Hernandez was invited by Mia Doi Todd to sing on the Jonathan Wilson produced song Canto de Iemanja, which was included on Todd's City Zen record Cosmic Ocean Ship and the Red Hot + Rio 2 compilation, which also featured Beck, Seu Jorge, Aloe Blacc, David Byrne and Madlib. Among her main musical comrades is the prolific multi-instrumentalist, composer and producer Dexter Story, for whom Hernandez sang on the track Water Bearer from his LP Seasons, on Kindred Spirits. David and Graham from Mr Bongo met Gaby and Carlos Nino at the end of their hugely successful Arthur Verocai album launch and rare record sale at the RAPPCATS venue in LA. Gaby and Carlos passed us a copy of 'Spirit Reflection'.and we put it on the deck. It immediately grabbed us and we couldn't stop listening to it. When we got back to the UK we got in contact straight away and signed the album. We're very proud to be releasing it'... ...this is a future classic, an 'album' in the truest sense of the word. Brilliant.' says Graham.
Are you ready to be where metaphysical borders with the dark Check the bag: water, food, flashlight, gloves, something else Go along with Mr. Cloudy in the outskirts, where every rustle to take into attention, where the barking of dogs like a beacon in the night. Sparkling from the frost luminous ice, or raw cold, with the smells of leaves and rain out all night. Mr. Cloudy - Outskirts on Skala Records, heavy ambient / drone, dub techno.
- A1: Dusty Paths
- A2: Chamber
- A3: Diamonds
- A4: Forget The Combat
- A5: Cessation
- A6: Covers
- B1: Reduction
- B2: Minos
- B3: Swells
- B4: Horror Without You
- B5: Thruway
- C1: Navigations
- C2: Mapnelle
- C3: Pericles
- C3: Insolence
- C4: Consulates (Demo)
- D1: No Strategy
- D2: Revolting
- D3: Catalog
- D4: Things She Wears
- D5: Coercion
- E1: Epics
- E2: Geometry Of Romance
- E3: Efface (Version)
- E4: Baroccoco
- F1: Hawk
- F2: Logics
- F3: Conics
- F4: Scythe
- F5: Accrue
Medical Records proudly presents a special limited edition of all 3 "Forgotten Tracks, Sketches and Unfinished Work 2002-2004" by Martial Canterel as a triple gatefold set. Volume I was released previously in 2013, and Volume II and III are simultaneously being released by Medical Records as standalones. Sean McBride has been producing work under the Martial Canterel moniker dating back to 2002 as well as working as half of Xeno And Oaklander. These tracks capture the allure and depth of Sean's early work exploring rhythms and perfectly crafted pop songs using a very early incarnation of limited instrumentation. Fans of Martial Canterel's early work (think "Austerton" and "Sister Age") will be instantly elated. This is the first time these tracks have been released on vinyl and have been remastered for this release by Martin Bowes at the Cage, UK. Contains special bonus insert with lyrics. Fans of early Martial Canterel as well as other cold wave icons such as A Blaze Color, Snowy Red, and the like will need this collection. Presented on high-quality 180gram classic vinyl in a triple gatefold pack.
Italian brothers Mr. Bizz are making their fire debut on Codex with amazing Core EP. Having solid release profile on the strongest Tech labels like Transmit, Alleanza, Bitten, Terminal M, Funkin Deep Records they have delivered three brilliant tracks Core, Red Code and Hide Me. Top class production techno masterpieces which ones we are very proud to press on Codex' wax. The release has been powered by nasty & brutal sound of french rising star ( Wex 10 ). Quentin was already well known by his tracks and remixes on Riot Recordings, Naked Lunch, DSR Digital, Remain Records, Respekt Recordings and more and we are also very happy to have this tallent on board of our label.
So this is another great Codex release submitting all colours of Techno.
Superfreq kicks off the New Year with Stand Up, the first single of three from Mr.C's forthcoming album Incidents. How Mr.C has found time to present an acid masterclass while touring the world, throwing events & running a label is testament to his passion. Stand Up is a politically motivated rebellious song that takes issue with the way nightclubs the world over have been closed down due to the financial greed of property developers at the expense of our beloved dance music community. This track is a call for the dance music community to stand up & unite against the continued aggressive affront on electronic dance music culture.
From Mr.C's electro, ska & acid inspired radio mix, to his Club Dub, to Jay Haze's slow acid house, to Tripwire's modern take on acid, to Omid 16B's retro acid house, the single really does show why acid house is back with a vengeance with Superfreq leading the field.
Time to welcome an international champion of all things cosmic to Wrong Era, Slow Motion's international facing sister label. With releases on Clone and Viexlexx to name but two, Mr Pauli is one of the disco underground's favourite tastemakers and he doesn't disappoint with four slamming tracks of sublime synthesized funk.
Bruno Patchworks' Hovart is one of the top producers of today's groove music scene. After playing as a bassist and guitarist for various bands, he started producing in the mid-nineties and has kept on mixing today's technologies with the raw spirits of House, Electronic, Disco, Funk, Soul, Reggae & Jazz music's golden years since then.
Following the trail of success left by his various projects as Patchworks, and under many aliases, he's proved his musical ubiquity and unexpectedly stroke in various genres. Many House music diggers would indeed remember that before Favorite Recordings was launched in 2006, Patchworks produced many deep-house tracks on various labels.
On this new EP, he's back as Mr President with 2 new banging titles brilliantly mixing House music atmosphere, with Soul and Disco vibes. He's also teaming up again with Sabba MG on vocals, following to their great Give My Love' efforts, released on EDR Records 3 years ago. As Going to a Go Go' is a fully exclusive work reminiscent of the early House music scene from New-Jersey or Chicago, the nice Disco flavors of Night Time' also come to announce Mr President's upcoming new album in 2017.
Krishnanda is an album in the truest sense of the word - a spiritual, psychedelic Brazilian masterpiece from start to fnish - celebrated by everyone from Seu Jorge and Kassin to Floatng Points, Madlib and DJ Nuts. These days, originals change hands for thousands of dollars. Pedro dos Santos, born in Rio in 1919, was a percussionist virtuoso, composer and inventor of instru-
ments that apparently included oddites such as the 'Tamba' (electrifed bamboo drum) and the mouth berimbau whistle. Nicknamed Perdo 'Sorongo' afer the rhythm he invented, that features throughout 'Krishnanda'. A highly spiritual man who was regarded as a philosopher by many. He worked with greats including Baden Powell, Elis Regina, Maria Bethany, Elza Soares, Sebastão Tapajós, Roberto Ribeiro, Milton Nascimento, Clara Nunes, Paul Simon and Arthur Verocai, playing on
his legendary self-ttled LP. In the same vein as Verocai and his self-ttled LP, 'Krishnanda' was Pedro's chance to shine with his own, and only, solo recording. Krishnanda was produced by Hélcio Milito, the drummer of Tamba Trio, and arranged by conductor Joppa Lins, and originally released in 1968 on CBS (Brasil). Musically, the album touches folk, samba,
afro-brazilian and psychedelia plus added efects, with a lyrical depth and diversity to match; themes including morality, percepton, existence and ego. Despite the genius of the record and the infuence that it had on musicians at the tme of release, it
disappeared into obscurity. We frst discovered the record around 2003, through a friend Julio Dui. Around that tme Brazilian funk and bossa was the favour of the day, so didn't catch our ear immediately, however it contnued improve with age and now we consider it to be one of the best albums ever made, regardless of genre or origin.
- A1: Neno Exporta Som - Deixa A Tristeza
- A2: Alipio Martins - Piranha
- A3: Lemos & Debétio - Morro Do Barraco Sem Água
- A4: Barbosa - Seara De Ocala
- A5: Dave Pike Set - Mathar
- B1: ?Lantei Lamprey - Fish & Funjee (Komi Ke Kenam)
- B2: Buari - Karam Bani
- B3: ?The Rwenzori's - Handsome Boy (E Wara) Pt. 1 & 2
- C1: Mavis John - Use My Body
- C2: Big Youth - Mammy Hot Daddy Cool
- C3: Tappa Zukie - Freak
- D1: ?Connie Laverne - Can't Live Without You
- D2: ?Alex Rodrigues - El Mercado
- D3: Cortex - Chanson D'un Jour D'hiver
- D4: King James Version - He's Forever (Amen)
The first instalment in our new 'Mr Bongo Record Club' compilation series - a selection of favourites, recent discoveries and sought after obscurities, which form the basis of our DJ sets and our radio show of the same name. Including cuts by Claudia, Cortex, Dave Pike Set, Fruko, Neno Exporta Som, Connie Laverne, Barbosa and more. The original concept for 'Mr Bongo Record Club' was a radio show that allowed us to air our treasured record collections, recorded and broadcast once a
month. We wanted to create an outlet free from any genre or BPM restrictions, not constrained by the need to beat-mix every record, a space where we could play latest finds alongside favourites. The only self-imposed rule being that
it had to be played from vinyl. We have always DJ'd across-the-board, but playing in an eclectic way hasn't
always been easy. Recently DJ's such as MCDE, Floating Points, Nick The Record, Leon Vynehall, Four Tet, Jeremy Underground, Antal (Rush Hour), Sassy J and Young Marco - to name a few - have opened things up with very diverse sets to
younger audiences; Brazilian samba-rock, next to modern soul, highlife, disco, boogie, jazz, house, techno and beyond.
We're seeing a rare groove like sensibility. A shift towards the attitude of legendary club nights hosted by the likes of Mr Scruff and Gilles Peterson, where you could hear house, hip hop, Turkish funk, boogie, jazz, dub and Latin
back to back. At the same time it isn't a nostalgic or retro movement, people have a progressive attitude and a thirst for new-old music. It is a vibrant and exciting time - we are proud to be a part of it.
Double A-side from the legendary Brazilian disco-jazz-funk masters Banda Black Rio. Both cuts come from their brilliant 'Maria Fumaça' LP; an essential LP in our opinion, and one that we were delighted to be able to reissue in 2016.
Regularly played by the likes of Gilles Peterson and Theo Parrish.
Tight, tough drum grooves, funk bass, horns, guitars and keys feature on both tracks.
Cut loud and proud at 45rpm - as always - for 7'.
Official reissue of the ultimate Brazilian classic: Arthur Verocai - Arthur Verocai. Comes in a gatefold sleeve, 180 gram vinyl, remastered audio and a printed innersleeve. BIG TIP
Originally released in 1972, the self-titled album by Arthur Verocai became one of the most sought after releases from Brazil to date. The last copy on ebay went over 5000 USD. The entire album is a true masterpiece, containing funk flavorings, a touch of folk, jazz style soloing, 20 piece string arrangements, the blending of electronics and keyboards with organic sounds, and superb soundtrack style music. !
Mr Tophat, an enigmatic Swedish house head who's awkward grooves and unconventional arrangements has heads nodding across the universe. From Another Dimension EP was inspired by his addiction to the club tracks that Music For Freaks originally released, with Rob Mello's No Ears Dub version of Discorobot in his top 10 tracks of all time. Here, Mr Tophat generously serves up 3 of his textbook trips down the rabbit hole. This is entertainment for the freakiest of people. Aliens From Another Dimension is a squeeky adventure in sound, navigating the inner workings of Mr Tophats imagination and penchant for Sci-Fi. Prophet Funk is a chugging, progressive slice of hip house surrealism. Its quirky call and response melodies and gawky vocals are straight out of an episode of the Twilight Zone. New Release Information Message To The Stars is a love song to the multiverse and the stars that reside within her. A funky breakbeat is underpinned by discordant melodies and lead lines that resonate with the head and the hear
Banda Black Rio's 'Maria Fumaca' is one of the strongest Brazilian samba-disco-funk-soul-fusion albums of all time.
Banda Black Rio were formed in 1976 by the late Oberdan Magalhães in Rio de Janeiro. They revolutionised 'black instrumental music' at the time with their Brazilian re-interpretation of soul, jazz, funk and disco grooves, inspired by the likes of Tim Maia and reminiscent of Kool & The Gang and Earth, Wind & Fire during their most on-point period of the 1970's. 'Maria Fumaca' is the groups first album, originally released by Atlantic in 1977, a record that bought the group worldwide fame.
The title track is a real stand-out for us and a long term firm favourite. 'Miss Cheryll', more of a disco/AOR jam, was released by RCA UK in 1980 as the track become popular within several London scenes.
Ebo Taylor is one of Ghana's fnest producer/arrangers. Taylor was heavily infuental in the unique sound that emerged from the country in the 70's; a combinaton of traditonal Ghanaian with Af-
ro-beat, jazz, and funk rhythms.
He worked with bands including Stargazers Band, Broadway Dance Band, Black Star Highlife Band (with Teddy Osei and Sol Amarfo who later joined Osibisa), Apagya Show Band and fellow musicians C.K. Mann, Gyedu-Blay Ambolley and the legendary Pat Thomas.
2016 see's Ebo celebrate his 80th birthday - stll touring! - and we are very proud to release two of his stand-out, classic albums - MY LOVE AND MUSIC and TWER NYAME, following on from the EBO TAYLORand CONFLICT re-issues.
MY LOVE AND MUSIC was originally released in 1975 on Gapophone Records, George Prah's label, hailing from Ghana. Only available in very limited quantty (reportedly 500 copies) due to the musical.
Formed by MGM A&R man Michael Viner in 1972 to supplement the soundtrack to the virtually anonymous B-Movie flm The Thing With Two Heads, 'The IBB' went from a loose studio collectve to
an instrumental pop covers consortum, interpretng classics of the day in their own inimitable percus-sive fashion.
B-Movie soundtracks, The Beatles, drummers gone bad, Frank Zappa, Kool Herc... These albums have a remarkable story behind them which is detailed in the exclusive insert included in the boxset, writen by Angus Batey.
The IBB's cover of the 'Apache' track - originally made famous by The Shadows - has become simply legendary in the worlds of hip hop and dance music. The track was a staple of Kool Herc and Grand-master Flash in the 70s as they invented the art of Djing at Bronx block partes, leading to its logical status as one of the most sampled tracks of all tme and a hip hop and breakers anthem that has stood the test of tme. It is stll revered as THE break of all original breaks, with the rhythms of the LP it was frst found on helping to coin the term 'breakbeat'.
Apache has been sampled by Missy Elliot, Coldcut, Will Smith, Goldie, Jurassic 5, Moby, Run DMC, Sugarhill Gang, Beaste Boys and Massive Atack among many others.
Junior Disprol is best known as MC for Dead Residents and also from the now defunct Fleapit, along with a multitude of guest spots over the years with such artists as British Hip Hop luminaries Aspects and Sir Beans OBE. Mr (a/k/a DJ) Rumage is 1/3rd of the mighty Numskullz and nowadays half of production duo The Aroma along with fellow Numskull Rola, who deal with all sonic elements on this release and is co-founder of Ruztik Records. Between them they've delivered a hard hitting yet laid back track with Junior Disprol on top form over the crisp, dark soundscape carved out by Mr Rumage. For the turntablism fans the chorus scratching will get you asking 'how did they do that!'.
There is no current intention of Invasion becoming a track from any forthcoming album so this is the only way to get it. We've included the Instrumental Version on the flip for good measure. AE Productions like to deliver a high quality product and this is no exception, presented in a full colour card sleeve which showcases some eye catching artwork by Kaiju Blue.
The G man returns to his Phoenix G home with a somewhat special album release.
Where the usual MR.G sound is still present on this 2x12'' LP, Night On The Town showcases G's more adventurous works and exposes some of his more exotic infuences.
African Rhythm sections, hints to EBM and low tempo chugs make this album very actual yet unique. Night On The Town will be available on 2X12'' and will get a digital release a while later.
MR G's forthcoming effort on the Phoenix G imprint is somewhat of a dark one. With crazy amounts of white noise processed as hats and some of the fattest kicks you'll ever hear, this is definitely one of those acey warehouse releases that will fit perfect in the modern trend of raw but touching house.
Straight up Dubby, Techy and Deephouse with beautiful pads and one shots. Bossebollen is a true spooky house anthem with well placed one shot vocals. On the flip we find the more Techy track Time is now and the amazing reprise of Guidance which is a beatless string journey filled with short vocal cuts.
Nologo is back with 2 essential, tried and tested underground club tracks. Orlando B serves up Side A with 'Dark World', an epic, slow burning, dark-house journey. 'Dark World' begins completely stripped back before the main hook, an eerie hypnotic vocal is introduced. Funky percussive elements creep in which drive the piece forward and a deep minor pad heightens the tension setting the tone for the rest of the track. The energy builds gradually with the addition of a 303 bass line peaking just before the end, taking the listener on a dark hypnotic trip.
On the flip, is none other than house & techno legend MR G who uses the Dark World vocal but takes it somewhere new providing his own unique and distinctive flavour. Mr G's Rum Remix is a dark and twisted peak-time banger, the high energy from the off set perfectly complementing the slower vibe of the original. Plenty of sub and twisted synth action keeps the momentum high and the dark stab he uses punctuates the vocal nicely giving it a raw edge. 'Dark World' is an essential addition to the record bag for darker dancefloors.
Dj Deep: I love this, your remix is super Funky and Dark at the same time!!! Dope! Tom (Panorama Bar): Ufff nice and dark.....another Mr G gem.To be served with the Rum Rush
- A1: Pega A Voga Cabeludo
- A2: Canastra Real
- A3: Módulo Lunar
- A4: Volksvolkswagen Blue
- A5: Tão Longe De Mim
- A6: Carolina, Carol Bela
- B1: Feitiço
- B2: Planador
- B3: Espiral
- B4: Gotham City
- B5: Momento B/8
- B6: Que Maravilha
LP[27,10 €]
Rare and highly sought after in its original format, Os Brazoes self-titled album was originally released on RGE Discos in 1969. It is a psychedelic masterpiece that fuses samba, r'n'b and rock 'n' roll influences using fuzz guitars, synths, percussion, lush vocals and effects.
Os Brazoes formed in Rio de Janeiro in the late 1960's. They backed Gal Costa during her Tropicalia period, yet apparently never recorded in the studio with her. Miguel de Deus, the bands front man, recorded the highly sought after 'Black Soul Brothers' LP in 1977, which became an important record in the 'Black Rio' movement. Mr Bongo released the title track from that LP, on the 'Brazilian Beats: Brooklyn' compilation in 2006 and recently as part of their Brazil 45's re-issue series.
'Os Brazoes' features covers of Gilberto Gil's 'Pega a Voga, Cabeludo' and Jorge Ben and Toquinho's 'Carolina, Carol Bela'
The Mr Bongo LP reissue is manufactured in Japan, presented in a super high quality card sleeve with replica original artwork. The CD is presented in a 4-page digi-pack.
- A1: Kiburi
- A2: When The Bed Breaks Down, I'll Meet You In The Spring
- A3: Sing, Sing, Sing
- A4: Pipeline
- A5: Wipeout
- A6: Hang Down Your Head Tom Dooley, Your Tie's Caught In Your Zipper
- B1: Topsy Part I, Topsy Part Ii, Topsy Pa] 1 | Topsy Part I, Topsy Part Ii, Topsy Part Iii
- B2: Sharp Nine
- B3: (I Can't Get No) Satisfaction
- B4: Got The Sun In The Morning And The Daughter At Night
- B5: Ohkey Dokey
Character has many forms. Musical interests too.
Mr. Mau shows his deeper side in this very diverse EP, translated in three brilliant tracks.
Inspired by many other artists, he managed combine the hardware and software into a must have EP for people who want to experience the essence of the style of life that's called techno: a broad way of interpretation and translating feelings into music.
For this special EP, Mau invited one of the most underestimated, yet well-known and very respected artists of Portugal: michaelangelo, the man behind Labrynth Records.
What many describe as a Aphex Twin like touch to it, "Black" is a piece of patience, feelings and excitement captured in an instrumental track that is strongly recommended to be played in a laid-back modus, but also can be used as a DJ tool in darker sets.
michaelangelo takes "Black" to a whole other level. Well-known for his very atmospheric dark drones inspired techno, m surprises again with his creative approach with swirling glitches and an in your face off-beat kick. A must have in your collection!
Are you more into the minimal side of techno With a twisted side to it Than "Lion" is the track for you!
The subtile power of the TR-909 machine combined with atmospheric dark touched stabs and leads.
"Walking" is definitely one of the more deeper tracks of this album.
With it's lounge like jazzy feel to it, Mau manages to capture the beauty of electronic music that doesn't leave anyone untouched.
Belgium, not the first place you'd think of when it comes to Latin or Afro funk. Yet one of the greatest records to blend both styles came from the small northern European country, masterminded by Nico Gomez and his Afro Percussion Inc.
Ritual was originally released in 1971 on the Dutch label Omega International (Gomez was born in Holland before moving to Belgium in the late 40s) and is being reissued by Mr Bongo in 2013, bringing its blazing funk grooves to both new ears and those already tuned in to this masterpiece's legacy.
Across its 11 tracks Ritual delivers the kind of production, arrangement and musicianship that rightfully belong in a dictionary next to the definition of professional. Gomez' band was tight and they knew it, showing it off on their covers of Perez Prado's 'Caballo Negro' and 'Lupita' by injecting the originals with a deep funk that blends both Afro and Latin influences. On 'Samba De Una Nota So' and 'El Condor Pasa', another pair of covers, they switch to soulful downtempo with mesmerising ease. The title cut remains one of the album's highlights, a devastating dancefloor groove with horns to match that has aged beautifully and was heavily sampled by Liquid People for 'The Dragon'. 'Pa! Pa! Pa! Pa!' adds touches of rock with fuzzy guitars for one of the album's headier experiences.
Mr. G continues his legacy with a hard hitting 12' which entirely covers the broad spectrum of true house music. While the A1 track starts out a little sinister it still evolves into a lush ambiance. This sourishly vibe changes continue throughout the release. Another top notch MR.G effort which shouldnt be missed.
okuz Recordings presents 'Fifty Five' a release that displays a wide variety of drum and bass styles by various artists around the globe! Expect the freshes beats from Fokuz residents Command Strange, DJ Clart, Incident, talented newcomers like Soligen, Type-2, Joakuim and rising stars Hybrid Minds, Paul SG, PennyGiles & Mr Joseph.
For the a side of the second part of the vinyl series Mr Joseph & PennyGiles provide us with a soulful roller called 'Give you my heart'. Smooth vibes, heavy delayed trumpet samples and organ cuts make this one a real beauty!
On the flip Command Strange takes things up a notch with 'Time Shift'. Straight up club material right here! A deep bassline, energetic stabs and a catchy lead will definitely turn some heads proving his tunes are an excellent addition to every record bag.
- A1: Medley
- A2: Asafo Beesuon
- A3: Obaa Yaa Aye Me Bone
- A4: Kolomashie
- A5: Dofo Bi Akyerew
- A6: Ankwasema
- A7: Aboa Akonkoran
- B1: Highlife Medley
- B2: Beebi A Odo Wo
- B3: Tsie M'afotusem
- B4: Ebusua Ape Adze Aye Me
- B5: Yebeyi Wo Aye
- B6: Do Me Ma Mondo Wo Bi
* Vinyl LP includes MP3 download for all tracks on the CD version *
C.K. Mann made his name as a virtuous guitar player in Ghana when he played with Moses Kweku Oppong in the Kakaikus Guitar Band in the early 60s. He then became the leader of the band Ocean's Strings until 1966. In 1968, he enjoyed a hit with the single 'Edina Benya'.
Mann was known for blending authentic African music with European influences. He was inspired by Latin American music and created a style all of his own. He became known as the 'King of Highlife' in Ghana in the 70's, when he released the record 'Nimpa Rebre' featuring vocals from Pat Thomas and Kofi Yankwon.
Funky Highlife came out of the Essiebons label run by Dick Essilfe Bondzie. According to Dick, this album could have been a massive hit in Ghana but the vinyl factories ran out of stock because of Ghana's economic downturn, so the demand for the record could not be met. The album is a fusion of highlife and soul. The best-known track 'Asafo beesuon' is a multi-layered, drum heavy, funk medley and is over 13 minutes long.
After two years of consistently pushing cutting edge fresh talent on CD as well as in tandem with a series of well-received free digital releases (all still available at (absysrec) Absys Records are proud to present our very first vinyl release. Mastered to crisp perfection by LXC, this three-track vinyl continues to mine the deep, cutting edge atmospheric vein with an Eastern European twist that people have come to expect from us as a label, and with all the variety that has characterised our various CD compilation releases over the years.
- A1: Did You Give The World Some Love Today,Baby
- A2: I Wish I Knew
- A3: Grey Rain Of Sweden
- A4: Waiting At The Station
- A5: Don't
- A6: Daisies
- B1: You Never Come Closer
- B2: Whispering Pine
- B3: I'm Pushing You Out
- B4: Won't You Take Me To The Theatre
- B5: Beatmaker
- B6: Bath
Originally released on EMI Sweden, original copies of this album still change hands in excess of $500.
This was Doris' jazz album though it contains more than a hint of Joni Mitchell, Led Zepellin and the like. Backed by her husband Lukas Lindholm on bass she was able to lay down some seriously funky bass lines on tracks like Don't and Beatmaker. On You Never Come Closer, an experimental track that was way ahead of its time, Janne Carlsson unleashes a fearsome sound on drums helped by Bernot Egerladh on organ.
It is a great honor for us to welcome such a living legend, a pioneer from the Chicago House scene: Mr K' Alexi Shelby !
At the age of 12 he was already moving in the right circles, befriending Frankie Knuckles and Ron Hardy whilst frequenting the famous Warehouse. His upbringing in Chicago in the 70s and 80s meant that he was exposed to a range of genres and different styles of music including Stevie Wonder, Prince, Curtis Mayfield and David Huff. These same names would prove to be the roots of his influences.
Warehouse Find!
Nikola Gala, Philipp's Federation, Mr Morning and Vincenzo with brand new and exclusive tracks.
Find Your Own Records recently launched with a sold out first release; Ceri's 'Life Holstee E.P.' which included a timeless Fred P Reshape. Fusing the sounds of Berlin, Detroit, Chicago and London, the release was supported by everyone from Midland, Move D, Ben UFO and Fumiya Tanaka, to Steve O'Sullivan.
The second release, the 'I Need You To Make Me Sweat' E.P. also draws inspiration from the classic sounds of Chicago and Detroit, and features none other than a remix from bona fide Dance Music Legend, Mr. G.
The title track 'Need You' is a Juno bassline driven, classic sounding 'proper' deep house track, raising in energy as it peaks, with vocal snippets and modulated analogue drums building throughout.
Mr. G has taken Ceri's title track, 'Need You', and twisted it into a harder, faster 'Jaded Dub', capturing a dark and driving energy, tantalising and adding to the drum grooves with his trademark swinging rides and industrial synths, adding his infamous MPC swing to the vocal snippets, and building the tension throughout, as the one and only G can.
The B side 'Sweat', draws inspiration from 80's and 90's house with a modern dark twist, mixing variating funky drum machine rhythms, classic house vocal samples and pulsing sub-bass to.
The first release was quickly repressed, but there will be no repress on 002, so grab it now before it sells out...
Early support comes from K-HAND, Ryan Elliot, Paranoid London and many more.
Originally released in Canada in 2006, and worldwide by 2007, Patrick Watson's breakthrough album has sold over 100,000 copies. Winner of Canada's Polaris Prize in 2007, it has received critical praise across the globe and continues to sell as the band's profile increases. Features the single The Great Escape.' A six-panel digipak with accordion foldout, the album is now available via original label Secret City Records.
Deluxe gatefold 2LP edition with bonus track Interference From the Sky'. MP3 download included.
There was always something sexy about Purgatory. No one wants to hang out in Hell, but was Heaven ever really that appealing either How does that Talking Head song go Heaven is a place where nothing ever happens...' Close to Paradise is one of those rare gems of an album that can stand as a gateway to wherever you want it to take you.
Taking influence from 1960's Thai funk - their name literally translates to "Engine Fly" in Thai - Khruangbin's debut
A fantastic afro-beat album from a Fela Anikulapo Kuti disciple and Kalakuta Republic member. A sublime spiritual and political session recorded in 1979 at the Emi studio in Lagos (Nigeria). Arranged and self-produced, this second Kingsley Bucknor's album, hopelessly obscure and impossible to find ranks alongside the best afro-beat album in history!
.
At the age of 19, King Bucknor Jr, also known as the Black Isaiah of Africa, released his second album backed by a 16 band members called The Afrodisk' and 10 background singers .
Two long and hypnotic grooves with all the afro -beat ingredients, fluid and complex drums patterns, strong horns, female voices on chorus, strong lyrics, beautiful keys and horns solos .
Essential for all the afro collectors and music lovers.
2x12" Special Edition[43,07 €]
Palto Flats & WRWTFWW Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
- A1: War Inna Dub Source:war Inna Babylon Rhythm
- A2: Vampire Dub Source:vampire Rhythm
- A3: Curly Dub Source:curly Locks Rhythm
- A4: Words Dub Source:words Rhythm
- A5: Judgement Dub Source:judgement Day Rhythm
- A6: Praising Dub Dub Source:thanks And Praise Rhythm
- B1: Fixing Dub Source:mr Fix It Rhythm
- B2: Every Trick Dubwise Source:every Trick In The Book Rhythm
- B3: Promoting Dub Source:everybody Need Promotion Rhythm
- B4: A Heavenly Dub Source:heaven Less Rhythm
- B5: M16 Dub Style Source:m16 Rhythm
- B6: A Real Rocking Dub Source:real Rock Rhythm
- B7: A Drifting Wood Source:drifting Rhythm
2025 Repress
What Two Great Producers Other Then Lee Perry And Bunny Lee Would Be Best Suited For A Dub Soundclash.
Both Producers Were Integral At The Birth Of Dub Music And Would Share Many Rhythms And Sessions, Their Musical Paths Would Cross All Through Their Careers.
It Was In Fact Bunny Lee's Rhythm That Provided The Back Drop To Lee Perry's 'shocks Of Mighty Cut.
Jobs Were Passed From One To The Other, Bunny Lee Taking Over Lee Perry's Position At Wirl Records.
Yes Two Producers Whose Paths Always Seemed To Cross As It Does With This Release.
We Have Selected Some Of Lee Perry's Rhythms, Side One Of This Set, Against Some Bunny Lee Rhythm On Side Two.you Can Hear The Distinctive Sound Of Lee Perry's Black Ark Studio With His Echo-plex Giving His Trademark Whirling Sound Against Bunny Lee's Rhythms Cut At Many Different Studios.
The Winner Of The Soundclash We Will Leave That Decision Up To You The Listener.....
But In This Dub Session There Is No Loser...
All Killer ..no Filler...enjoy...
The Mighty Diamonds are one of the most famous vocal groups to come out of the Jamaican Reggae scene.
Their perfect harmonies ride over the wholesome and Garveyite influenced lyrics to such great effect that they will always evoke memories of that time and place, but also like all great music never seems to date.
The Mighty Diamonds consist of Donald ‘Tappy’ Shaw (lead vocals) Fitzroy ‘Bunny’ Simpson and Lloyd ‘Judge’ Ferguson providing those fantastic harmonies.
They began their recording career working with producers Stranger Cole and Rupie Edwards but found their breakthrough success with producer Joseph ‘Joe Joe’ Hookim at the legendary Channel One Studios recording ‘Hey Girl’ and covering two foreign tunes namely ‘Country Living’ (The Stylistics) and ‘Stoned Out of Mind’ (The Chi-lites) which suited their vocal styles perfectly.
The vocal group also cut tracks with other famous producers of the time Joe Gibbs ,Gussie Clarke and Mr.Tappa Zukie of which we focus this release on.On listening, these tunes work perfectly with harmonies weaving together and lifting the songs to another level.
The group also leave some room for a history lesson in the shape of ‘Morgan the Pirate’ and the thought provoking ‘Do You Want to Spend Your Time Wasting Time’.
Well waste no more and enjoy this set by one of Jamaica’s finest vocal groups….
Repress
Slam have started a sub division of their Soma Records label called Soma Track Series which see's the duo going back to their Chicago-inspired roots and to kick things off their Techno bomb 'Make You Move' and 'Take You There (feat. Mr V)' appear on the first physical release of the series.
- A1: T.beckford - Don't Have A Ticket Don't Worry
- A2: Daniel Johnson - Come On My People
- A3: Lloyd Clarke Love Me Or Leave Me
- A4: T.beckford - Seven Long Years
- A5: The Tenor Twins - Hit You Like You Feel It
- A6: T.beckford - Daphne
- A7: Frank Cosmo On Your Knees
- A8: T.beckford - Grudgeful People
- B1: T.beckford - Flip Flip And Fly
- B2: Daniel Johnson - Brother Nathan
- B3: Basil Gabiddon - Streets Of Glory
- B4: T.beckford - Bajan Girl
- B5: Shenley & Annette - Now You're Gone
- B6: T.beckford - Mr Downpressor
- B7: T.beckford - Boiler Man
- B8: T.beckford - Ungrateful People
- A1: Reuters
- A2: Field Day For The Sundays
- A3: Three Girl Rhumba
- A4: Ex Lion Tamer
- A5: Lowdown
- A6: Start To Move
- A7: Brazil
- A8: It's So Obvious
- A9: Surgeon's Girl
- A10: Pink Flag
- B1: The Commercial
- B2: Straight Line
- B3: 106 Beats That
- B4: Mr. Suit
- B5: Strange
- B6: Fragile
- B7: Mannequin
- B8: Different To Me
- B9: Champs
- B10: Feeling Called Love
- B11: 1 2 X U
2024 Repress
Alleviated Records is proud to present a remastered re-issue of the second installment of the ''LooseFingers'' EP series. This EP, produced by Larry Heard contains 3 selections; on the 'A' Side; ''When Summer Comes'' If you enjoyed tunes like ''What About This Love'' Mr. Fingers, you'll like this great dance-song with a summer feel that should provide a great musical backdrop to any summer event. On the 'B' side ''Acid-Bounce'' an acid-track.. which should be a surprise to many since Larry has not really done a lot of ''tracky'' things in recent years. It should be fun for DJ's to get creative with too! ''Transmission X'' is another acid-style track that DJ's and dancers alike will probably enjoy!!!. DON'T MISS IT!!!
Soldier is Iggy Pop's fourth solo studio album, released in
1980. For the album Iggy collaborated with ex-Sex Pistols bassist Glen Matlock.
David Bowie and Simple Minds provide backing vocals on 'Play It Safe'. Videos were made for the songs 'Loco Mosquito', 'Knocking 'Em Down (In the City)' and 'Dog Food'.
- Number One Ft. Richie Havens & Son Little
- Easy Tiger
- Live In The Moment
- Feel It Still
- Rich Friends
- Keep On
- So Young
- Mr Lonely Feat. Fat Lip
- Tidal Wave
- Noise Pollution (Version A, Vocal Up Mix 1.3) Feat. Mary Elizabeth Winstead & Zoe Manville
Well, we're two full months into 2017 and the world continues to burn like an avalanche of flaming biohazard material sliding down a mountain of used needles into a canyon full of rat feces. But hey, it's not all bad: Portugal. The Man has a new album coming out called Woodstock.
PTM's last album came out over three years ago—a long gap for a band who've dropped roughly an album a year since 2006. And in true, prolific band fashion, they've spent almost every minute since 2013 working on an album called Gloomin + Doomin. They created a shit-ton of individual songs, but as a whole, none of them hung together in a way that felt right. Then John Gourley, PTM's lead singer, made a trip home to Wasilla, Alaska, (Home of Portugal. The Man's biggest fan, Sarah Palin) and two things happened that completely changed the album's trajectory.
First, John got some parental tough love from his old man, who called John on the proverbial carpet or dogsled or whatever you put people on when you want to yell at them in Alaska. What's taking so long to finish the album' John's dad said. Isn't that what bands do Write songs and then put them out' Like fathers and unlicensed therapists tend to do, John's dad cut him deep. The whole thing started John thinking about why the band seemed to be stuck on a musical elliptical machine from hell and, more importantly, about how to get off of it.
Second, fate stuck its wiener in John's ear again when he found his dad's ticket stub from the original 1969 Woodstock music festival. It seems like a small thing, but talking to his dad about Woodstock '69 knocked something loose in John's head. He realized that, in the same tradition of bands from that era, Portugal. The Man needed to speak out about the world crumbling around them. With these two ideas converging, the band made a seemingly bat-shit-crazy decision: they took all of the work they had done for the three years prior and they threw it out.
It wasn't easy and there was the constant threat that the band's record label might have them killed, but the totally insane decision paid off. With new, full-on, musical boners, the band went back to the studio—working with John Hill (In The Mountain In The Cloud), Danger Mouse (Evil Friends), Mike D (Everything Cool), and longtime collaborator Casey Bates (The one consistent producer since the first record). In this new-found creative territory, the album that became Woodstock rolled out naturally from there.
Remember that mountain of burning needles we were talking about Good. Because Woodstock is an album (Including the new single Feel It Still') that—with optimism and heart—points at the giant pile and says, Hey, this pile is fucked up!' And if you think that pile is fucked up too, you owe it to yourself—hell, to all of us—to get out there and do something about it.
Erstmalige Nachpressung des Album-Klassikers von 1984! Produziert von Prince Jammy mit der Hi-Times Band und deren Bandleader Earl 'Chinna' Smith im Channel One Studio, am Mischpult saß als Toningenieur Soldgie Hamilton. Mit Half Pints größten Hits: "Mr Landlord", "Puchie Lou", "You Lick Me First", "One Big Ghetto". Half Pint (bürgerlich Lindon Roberts) wurde in 1983 schlagartig bekannt, als er den Song "Winsome" veröffentlichte, der von den Rolling Stones als "Too Rude" gecovert wurde. Riddim Info: A1 = Get A Lick, A2 = Letter From Zion, A4 = Every Tongue Shall Tell, B1 = Hypocrites, B4 = Dub Organizer. Gehört in jede Reggae Sammlung!
Superb Gatefold printed sleeve...
Conceptual inside brain travel...
To express the mental acid sounds to check...
First track announces the style with a long Break intro... mental tune... Superb ambiances... very Cinetic and good to mix.
Second track goes 128 BPM acid progressive techno... Excellent Dj tool at a rare speed... flirting with the Trance.
Last track of the A side grow the speed up to 150 BPM with a long break intro tunring after a while more/less 4/4... The sound is very acid and industrial. A big tune !
B side goes up to 160 BPM : Minimal acid sound.
...And finishes in a dark 170 BPM progressive acid track. Mentalcore aera starts here....
Second record opens with a 146 BPM techno mental acid stabilizer. Deep.
Second track is mentalcore big acid overdrive dancefloor pearl from Mr Gasmask !
Last Track of C side from Emetic is a Hardcore splendid exciting tune... maybe the best of this record. Quiet minimal and banging at 170 BPM it reminds the A*Symetric Spivey style:)
... Last side, opens with Minus Polaris and a pure mental acid grower
Last tune of this jewel is from Scandal Orchestra, a Hardcore frontier Hardtek acid track in the classic french good vibe style... Enjoy !
Das Aufeinandertreffen der zwei großen DeeJays aus dem Jahre 1984 wurde als Vinyl neu aufgelegt. Mit dem Gütesiegel Channel One, Roots Radics und Henry 'Junjo' Lawes hatten beide Künstler die Gelegenheit auf jeweils fünf Tracks und schwergewichtigen Riddims ('Prison Oval Rock', 'Lecturer', 'Fever', 'Stars', 'Rougher Yet') ihre Fähigkeiten nachhaltig zu demonstrieren!
A lot can happen in ten years.
Rewind back to Gateshead in 2008 - the producer Smoove is round his friend and keyboard player - Mike Porter's house. Together they are working on tracks for his project and all of a sudden they hear a heavenly voice from the neighbour. Transfixed by the vocals that are caressing their ears they go and investigate to find a youthful John Turrell doing his thing at a practice with a local band he played with when he wasn't teaching carpentry at the local college. Together they woo him with their Geordie charms and the initial line up of 'Smoove & Turrell' is born. The group instantly gel and soon after have penned the killer track 'I Can't Give You Up'...
Flash forward to 2019 and the carpentry community looks on with jealousy as the group has gone from strength to strength. Signed to the independent label Jalapeno Records they are now five albums deep and they have achieved multiple radio-playlisted singles, won awards, toured with the likes of Chic, gained sync success across the world and continue to wow venues in all continents with their thrilling live shows on the regular.
All of this in an age where attention spans are shorter than ever and there is more access to music than ever. This is certainly an achievement worth celebrating. Doubly so in fact as not only is it their ten year anniversary collection but also it is the 300th official release on Jalapeno Records so it only seems right that the occasion gets commemorated properly - a double gatefold LP with brass coloured vinyl somehow seems appropriate...
Comprising of 18 tracks taken from all five of their studio albums as well as two new barnstorming tunes exclusive to this release - it's a veritable feast of northern funk gems from start to finish. Favourites from their deep catalogue including 'Slow Down', 'Beggarman', 'In Deep', 'Have Love' and 'You Could've Been A Lady' are all present and correct, lining up next to the two newbies which also hold their own.
"But what about the new tracks!" we hear you cry - well Smoove's solo rework of The Spencer Davis Group - I'm A Man is the stuff of legend with physical copies changing hands for huge sums (if you are lucky enough to be able to locate one in the first place!). The track has long been a staple of S&T live sets but they've never laid it down in a studio recording... That is until now. It's a monster of a tune and the perfect way to kick proceedings off on this record.
That's not all though, as the lads also serve up the aptly reflective 'Give it Back'. It's signature Smoove & Turrell stuff - full of soul with deep and heartfelt lyricism. Turrell's chorus refrain "We love the ones who give it back" is typically honest and true of a band that prides themselves on community. Proper canny that. Proper canny.
- A1: Rehab
- A2: You Know I'm No Good
- A3: Me & Mr Jones
- A4: Just Friends
- A5: Back To Black
- A6: Love Is A Losing Game
- B1: Tears Dry On Their Own
- B2: Wake Up Alone
- B3: Some Unholy War
- B4: He Can Only Hold Her
- B5: Addicted
- C1: Valerie (Bonus Album)
- C2: Cupid
- C3: Monkey Man
- C4: Some Unholy War
- D1: Hey Little Rich Girl
- D2: You're Wondering Now
- D3: To Know Him Is To Love Him
- D4: Love Is A Losing Game (Original Demo)
2022 Repress
As the dust begins to settle on one of his most significant and pivotal bodies of work to date - the critically acclaimed techno-focused 'Grow' released by Craig Richards on The Nothing Special - Calibre returns to his own label Signature for another fathomless LP exploration. Laced and spaced with the precision balance of sounds, speeds and styles he's known for, and predominantly characterised by his own lyrics and vocal textures, 'Deep' once again reminds us of Calibre's singular status as an artist whose creations transcend time, tempo and territory. Ranging from one of his most in-demand dubs 'No One Gets You' to poignant yearning introspection of tracks such as 'Better Than Me' and the rolling, jazzy broken beat summer serenade 'Lit', 'Deep' is yet another accomplished, alluring and truly unique pieces of work from one of electronic music's most consistent and prolific artists.
Kavinsky (1968 - 1986)
Rest in peace.
Kavinsky died in 1986 in a car accident, at the wheel of his Testarossa. He reappeared in the skin of a zombie in 2005, for the release of his first EP " Teddy boy " on Record Makers.
Teddy Boy marks the entry of Kavinsky on the French electronic stage. "Testarossa Autodrive" makes the unanimity and forges the artistic print of the artist, Mr Oizo / Quentin Dupieux will make a remix. It follows this EP which Kavinsky will enter into the "French Touch" and will begin to be known, in particular with the amateurs of the worlds.
- A1: See & Blind, Hear & Deaf
- A2: Treasure Beach (Feat Wayne Francis & Yelfris Valde)
- A3: Too Much Ginger (Feat Miles Brett)
- B2: Maroon Strategies
- C1: Nyabinghi Warriors
- C2: The Sorrell Sweet
- C3: Decide What You Choose (Feat Nadine Charles, Sarina Leah & Mr Mensah)
- D1: The Rockers Rebel Step
- D2: It's All For Us (Feat Nadine Charles, Yelfris Valdes, Ray Carless, Mr Mensah & Miles Brett)
- D3: Don't Put Your Hat Where Your Hand Can't Reach (Feat Wayne Francis)
Neuauflage des Albumklassikers von 1980, aufgenommen im Channel One Studio und abgemischt in King Tubbys Studio von Scientist. Der Produzent Henry 'Junjo' Lawes engagierte folgende Musiker: Bass: Errol 'Flabba' Holt, Drums: Santa Davis, Sly Dunbar, Style Scott, Guitar: Sowell, Bingy Bunny, Melodica: Jimmy Becker, Organ/Piano: Ansel Collins, Steely, Gladstone Anderson, Percussion: Bongo Herman, Sky Juice, Sticky Thompson, Saxophone: Headley Bennett, Trombone: Val Bennett, Trumpet: Bobby Ellis
Das Soloalbum des Black Uhuru-Gründungsmitglieds von 1982 im Originalcover als LP neu aufgelegt! Der Longplayer wurde mit den Roots Radics und dem Bläsersatz von Dean Fraser & Nambo Robinson im Channel One Studio von Soldgie und Scientist aufgenommen und abgemischt, als Produzent zeichnete Henry 'Junjo' Lawes verantwortlich.
Judy Pollak's late 70s LP is extremely rare and charming peace of music. Not just a Soul and Funk LP, sprinklings of folkiness in Judy's vocal make this a fairly unique and fantastic listen, no wonder it can hit $1000 when it comes up for sale. Recorded in 1977 at PAC 3 Studio, Dearborn, Michigan, where bands such as Al Hudson, Floaters, C.J. & Co and many more recorded. Judy used to hang out on the music scene and was introduced to the band via a mutual friend and Sax player Charlie Gabriel. 33 1/3 who were from Detroit got together with Judy who was living Living between Southfield, Michigan and North Carolina at the time and this LP is the result. Enjoy.
- A1: Delroy Wilson - Cool Operator
- A2: Leroy Smart - Mr Smart
- A3: Ken Boothe - I'm Not For Sale
- A4: Dillenger - Babylon Yard
- A5: Delroy Wilson - Better Must Coome
- A6: Dillenger - Leggo Violence
- A7: Leroy Smart - Mr Rich Man
- B1: Delroy Wilson - (Mash Up Illiteracy) Mash It Up (Mash Up Illiteracy)
- B2: Ken Boothe - You're No Good
- B3: Leroy Smart - God Helps The Man
- B4: Delroy Wilson - Can I Change Your Mind
- B5: Dillenger - Answer Me Question
- B6: Leroy Smart - Pride & Ambition
- B7: Delroy Wilson - You Must Believe Me
2022 Repress
The legendary gig that Joe Strummer, singer from the Punk Rock band 'The Clash' attended and inspired his writing their classic 'White Man In Hammersmith Palais' took place on the 05th June 1977.
At the Hammersmith Palais venue on Shepherd's Bush Road W6, London during the height of Punk Mania. The full line up for the show were all Jamaican artists Dillinger, Leroy Smart, Delroy Wilson (all the first time from Jamaica) and Ken Boothe.
'Ken Boothe for UK pop reggae' who had already scored some hits with 'Everything I own' and 'Crying Over You' in 1974. Joe Strummer was expecting Roots, Rock, Reggae but the Sound System this evening 'Admiral Ken Sound' was playing 'Four Tops all night' as in soul and northern soul that were staple crowd pleasers at the time to warm up the audience, but in Joe's eyes the music should have reflected more Jamaican roots based music. The song also deals with bigger issues of black and white unity, but some people including the Punk Rockers.
'They're all too busy fighting, for a good place under the lighting'. Joe Strummer himself was looking for fun. 'I'm the Whiteman in the Palais....Just Looking for Fun'
The artwork supplied by Punk Artist MAL-ONE has used the two posters that were made for this gig, the reggae promoters 'Star Promotions' poster, that contained a picture of Ken Boothe and the venue's own poster that used text to announce it's line up for that evenings performance. Alongside these lost relics he has also combined the groups own poster for the 'White Man In Hammersmith Palais' single that incorporated the use of rifle target sights, perhaps enhancing the air of violence contained in the songs message.
MAL-ONE has collaged these together joining the two stories as indeed the song lyrics reflected. People often forget that the songs release was in fact as year after the actual gig, we have tied this release to the 40th anniversary of the song's release. Joe Strummer was one of the few voices from the Punk Era that used his lyrics as a weapon to tell the events that were happening around him and their relevance to those times.
The song itsel a Clash Classic and also a Punk Anthem, released on the 16th June 1978. We have compiled this album with songs by these artists, most of which you would have heard that night. As a post script to this story when the Hammersmith Palais sadly closed its doors for the last time after 82 years' service in 1999, the owners thought it fitting to present Joe Strummer with a sign from the venue's entrance. Mr Strummer's understated reply 'I guess I'll have to send a man with a van round to pick it up'.
Hope you Enjoy the set....
- A1: State Of The Nation
- A2: 3030
- A3: The Fantabulous Rap Extravaganza
- A4: Things You Can Do
- B1: Positive Contact
- B2: St Catherine St
- B3: Virus
- B4: Upgrade (A Baymar College Course)
- B5: New Coke
- C1: Mastermind
- C2: National Movie Review
- C3: Madness
- C4: Meet Cleofis Randolph The Patriarch
- C5: Time Keeps On Slipping
- C6: The News (A Wholly Owned Subidiary Of Microsoft Inc)
- D1: Turbulence (Remix)
- D2: The Fantabulous Rap Extravaganza (Part Ii)
- D3: Battlesong
- D4: Love Story
- D5: Memory Loss
- D6: The Assman A+O Speaks
The super group Deltron 3030 is composed of producer Dan the Automator, rapper Del tha Funkee Homosapien and DJ Kid Koala and sometimes features guest artists who also take on varying futuristic pseudonyms. Originally released in 2000 on the now-defunct 75ARK record label, this hip hop concept album was released the same year as the Gorillaz' first 12" and is on a similar plane. Following the release of Deltron 3030, all three members participated in the Gorillaz' self-titled debut album. With Del aka Deltron Zero on vocals, Dan the Automator aka The Cantankerous Captain Aptos on production, and Kid Koala aka Skiznoid the Boy Wonder on turntables, this album takes the listener on a paranoid journey set in a dystopian year 3030 dealing with viruses, the apocalypse, an oppressive government, and a war waged against a huge company called the Corporate Bank of Time that rules the universe, all to the well-crafted and consistent musical backing of the Automator. Appearances by Damon Albarn (The Gorillaz, Blur), Prince Paul, Peanut Butter Wolf, DJ Money Mark, Paul Barman, Mark Bell (Bjork, production), Sean Lennon, and Mr. Lif compliment Del's vocal style and add the right amount of flavor to this classic period piece.
- A1: Foreword Tyler, The Creator Feat. Rex Orange County
- A2: Where This Flower Blooms Tyler, The Creator Feat. Frank Ocean
- A3: Sometimes... Tyler, The Creator
- A4: See You Again Tyler, The Creator Feat. Kali Uchis
- B1: Who Dat Boy Tyler, The Creator Feat. A$Ap Rocky
- B2: Pothole Tyler, The Creator Feat. Jaden Smith
- B3: Garden Shed Tyler, The Creator Feat. Estelle
- C1: Boredom Tyler, The Creator Feat. Rex Orange County And Anna Of The North
- C2: I Ain't Got Time! Tyler, The Creator
- C3: 911 / Mr. Lonely, 911/ Outstanding/ Mr. Lonely Tyler, The Creator Feat. Frank Ocean And Steve Lacy
- D1: Droppin' Seeds Tyler, The Creator Feat. Lil' Wayne
- D2: November Tyler, The Creator
- D3: Glitter Tyler, The Creator
- D4: Enjoy Right Now, Today Tyler, The Creator
repress
Mono Junk's cult label DUM Records is back with a new five track Various Artists EP that again packs a vital punch. He appears himself along with some fellow legends of the scene.
First up, Morpholgy is a consistent performer who has continued to serve up quality electro since 2009 and here serves up a hot new piece. 'Vector Plant' is busy and industrial, slick and metallic as it unfolds and burrows deep into your veins. Then comes the A2, Irwin Berg featuring Freestyle Man (aka Finnish Moodmusic boss Sasse aka Klas Lindblad) with a track made in 1995 and never released before. This pair worked together and made a cult electro record for Sähkö Recordigs in 1998 and this one is just as impactful. It is frosty and frazzled, slow motion but high impact and full of distorted lines and heavy drums.
Next is Mr Velcro Fastener who were the first kings of electro to come out of Finland and between 1999 and 2006 were famous all over the world. Their brand new cut 'Almost There' is a deep one that is riddled with bleeping melodies and has smeared chords bringing a sci-fi feel. Then it is Mono Junk's turn to dive into the vaults with an unreleased track from 2005. 'Feeling or Destroy' is a physical number with crashing hits and snaking, gurgling bass that is dark and dystopian. Last of all comes Irwin Berg with Mono Junk as New York City Survivors. Says the DUM boss, Our unreleased track here was made after the New York City Survivors - Static Light CD 2002' and it is a turbo charged track with screwed up grinding bass, icy hi hat rhythms and menace in its grooves.
- A1: Theme Of Art Of Fighting 2 (Title)
- A2: I Chose This One (Player Select)
- A3: The Horse And Me (Ryo Sakazaki Bgm)
- A4: Ferrari Man (Robert Start Demo)
- A5: Swing The House (Robert Garcia Bgm)
- A6: Gang (Jack Turner Bgm)
- A7: Chinese Old Man -Neo Asian Mix- (Lee Pai Long Bgm)
- B1: The Pumpkin And The Clown (King Bgm)
- B2: Towards Glory (Mickey Start Demo)
- B3: Prelude To Glory (Mickey Rogers Bgm)
- B4: Bonus Game (Bonus M.e. ~ Bonus Select)
- B5: Acquisition (Bonus Success) ~ Again, In The Next Chance (Bonus Failure)
- B6: Initiation To The Super Special Moves (Old Temple ~ Old Factory)
- B7: Nature (Energy Enhancement Screen) ~ 100-Man Kumite
- B8: Next Stage (Movement Map Screen)
- C1: Mustang Man (John Crawley Bgm)
- C2: The Way Of The Shinobi (Eiji Kisaragi Bgm)
- C3: Foghorn (Temjin Bgm)
- C4: Diet (Yuri Sakazaki Bgm)
- C5: Master (Takuma Sakazaki Bgm)
- C6: Blue Moon Factory -Oh Oh Big Mix- (Mr.big Bgm)
- D1: Commissioner (Geese Taking Demo)
- D2: Huh Geese (Geese Appearance Demo)
- D3: A Kiss For Geese -Cyber Edit- (Geese Howard Bgm)
- D4: Towards "Fatal Fury" (Geese Escape Demo)
- D5: Let's Meet In "Fatal Fury" (Geese Epilogue)
- D6: Bright, Enjoyable (Ryo, Robert, Yuri, Temjin Ending)
- D7: Ambition (Jack, Big Ending)
- D8: Here Is A New Medicine (Lee Ending)
- D9: A New... (Mickey, John Ending)
- D10: The Way Of Fighting (Kisaragi Ending)
- D11: Hope (King, Takuma Ending)
- D12: Too Long!! (Staff Roll)
- D13: Continue ~ Game Over
Japanese Edition[20,38 €]
Beautiful and highly collectible item: 2xColored LP (Orange / Translucent) + Booklet + Gatefold. Both CDs and 2LP contains download code. Official licence with SNK.
The soundtrack for the sequel to SNK's classic fighting franchise, ART OF FIGHTING 2, is now available on vinyl! Featuring 34 breathtaking NEO GEO tracks across 2-LPs and CD, take the ART OF FIGHTING 2 soundtrack for a spin and relive the classic days of SNK music.
- A1: P Lion - Happy Children
- A2: Duke Lake - Do You
- A3: 50 & 50 Brothers - Red Man
- A4: Anthony's Games - Sunshine Love
- A5: Flexi Cowboys - Domination
- A6: Jimmy & Suzy - Come Back
- A7: Spy 71 - Take Me...mr Love
- A8: Koto - Dragon's Legend
- B1: Valerie Dore - The Night
- B2: Radiorama - Vampires
- B3: Brian Ice - Talking To The Night
- B4: Scotch - Pictures
- B5: One System - Life Is Very Short
- B6: Dario Diviacchi - Waiting For Heaven
- B7: Arm - Number One
- B8: Ken Laszlo - Hey Hey Guy
Der legendäre Italo Boot Mix ist zurück !!
ZYX Italo Disco Boot Mix Vol. 1 knüpft an die großen Zeiten dieser Kult-Serie an. Zuerst gibt es die beiden Mixe als CD, einige Wochen später veröffentlichen wir die Boot-Mixe für alle Vinyl-Liebhaber als LP.
Auf Vol. 1 vertreten sind P. Lion, Duke Lake, Koto, Valerie Dore, Radiorama uvm.
- A1: Dakota
- A2: The Bartender & The Thief
- A3: Just Looking
- A4: Have A Nice Day
- A5: Local Boy In The Photograph
- B1: Maybe Tomorrow
- B2: Superman
- B3: Pick A Part That's New
- B4: My Own Worst Enemy
- B5: I Wouldn't Believe Your Radio
- C1: You're My Star
- C2: Mr Writer
- C3: Step On My Old Size Nines
- C4: Devil
- C5: It Means Nothing
- D1: A Thousand Trees
- D2: Vegas Two Times
- D3: Traffic
- D4: More Life In A Tramps Vest
- D5: Handbags & Gladrags
Usm Are Pleased To Announce The Vinyl Reissue Of Stereophonics' decade In The Sun: Best Of'.
This 2lp Hasn't Been Available Since Its Original Release In 2008, When It Debuted At #2 In The Chart. Across Formats, This Release Has Sold 1.4 Million Copies To Date And Features Hit Singles 'dakota', 'have A Nice Day' And 'maybe Tomorrow'. The Release Will Have A Gatefold Sleeve With Printed Inner Bags And Will Contain A Digital Download Card.
Barry Brown one of reggaes vastly overlooked talents. His militant conscious style has over time lost none of its appeal. Truly one of the sweetest roots vocalists to come out of Jamaica.
Born in 1962, Kingston, Jamaica, he cut his musical teeth working under producer Bunny Lee. Their first release was a track called ‘Girl You’re Always on my Mind’, although a minor hit, Bunny Lee saw his potential and was rewarded with his 1979 cut ‘Step it up Youthman’ which became a hit and has become a roots classic, leading to an album of the same name. The late 70’s was a great period in Barry Brown’s career and its from this period that we have culled this set of tracks. Straight from the master tapes some of his finest moments and some unreleased gems that we believe should be heard. A great set from his timeless 'Trying Youthman' a tail of struggling times in the heart of Kingston Jamaica.
His rastafarian inspired chants 'Stop Them Jah Jah','Give Thanx and Praise','Natty Rootsman' and 'Lead Us Jah’ work alongside socially charged cuts as 'Politician', 'Big Big Pollution' and 'Mr Money Man'. As with all his tales and inspired lyrics they are put across in such a tuneful way that like all the best songs that carry a message can be remembered also through the strength of the song.
As with many of his artists Bunny Lee encouraged him to go into self-production, and after a time spent with producer Linval Thompson ‘Separation’, and Sugar Minott ‘Things & Time’, he did just that and produced his first release ‘Cool Pon Your Corner’ in 1980 followed in 1981 by ‘Problems Get You Down’.
We hope this release will find a place in your collection and remind us of the talent of Mr Barry Brown. If somewhat overlooked, but certainly now not forgotten. Let’s celebrate with the man and go to the blues one more time....
- A1: The Boomin' System
- A2: Around The Way Girl
- A3: Eat Em Up L Chill
- A4: Mr Good Bar
- A5: Murdergram (Live At Ropmania)
- A6: Cheesy Rat Blues
- A7: Farmers Blud (Our Anthem) (Our Anthem)
- B1: Mama Said Knock You Out
- B2: Milky Cereal
- B3: Jingling Baby (Remixed But Still Jingling) (Remixed But Still Jingling)
- B4: To Da Break Of Dawn
- B5: 6 Minutes Of Pleasure
- B6: Illegal Search
- B7: The Power Of God
Limited Edition 300 vinyl copies 140 grams for "RSD 2019".
The Italian TRJ Records with "Work Out !" wants to show the intention to preserve vinyl and record stores having produced analog master
for "Soul Clap" that will be released for the "Record Store Day 2019". The Work Out ! with "Soul Clap" explore Jazz, Funk and Soul looking
for the roots of the past, trying to build something delight.
For their sixth release London based record label and clubnight Snap, Crackle & Pop return with another slice of the post punk and kraut influenced electro/techno sounds that are coming to define the label. The latest release comes from Niv Ast and it serves as a follow up to his appearence on this summers Relish compilation. The EP leads with an ice cold slab of post punk swagger in the form of Quebec / Makolet which gets the remix treatment from previous collaborators Khidja, the Romanian duo strip the percussion back for the dancefloor and tease out the track's darker side with more than a hint of acidic malevolence. For the B-Side Disco Monroe offers a nostalgic slice of pitched down French Electro undoubtedly influence by the Djs recent residencies in Paris. Optimo Music's Mr TC rounds off the EP with his unmistakably left field vision to give the track a dark tropical re-imagining.
- A1: Here Come De Fuzz
- A2: Ballad For Bobby
- A3: Mr. M
- A4: The Hugger
- A5: Cosmetics
- A6: Chox
- A7: Five/Four Opus
- A8: Hot Flash
- A9: The Zeroids
- A10: Sun Country
- A11: Mistoso
- A12: Moog Rock
- A13: Finale
- B1: Percussion Chatter - Intro To Main Title From Across 110Th Street
- B2: Top Of The Heap - Title Song
- B3: Top Of The Heap - Percussion Fanfare
- B4: Top Of The Heap - Suspense
- B5: The Bold Ones - Melodic
- B6: The Bold Ones - Agitato
- B7: Top Of The Heap - Car Chase
- B8: Angry Astronaut - From Top Of The Heap
- B9: Better Days From Man & Boy
Previously Unreleased Cinematic Jazz-Funk for Film & Television by Arranger/Composer J.J. Johnson
21 tracks featuring music from Across 110th Street, Top Of The Heap, The Fuzz Brothers, The Bold Ones.Funky Moog modulations, car chases, moody library cues and a righteous soul sister preaching universal truths all revealed in these recently discovered recordings.Masterful arranging and lush orchestration by one of the giants of the Jazz & Soul/Funk Genres.Cut direct to vinyl from the reference tapes.
After a long time silent, La Luna is back with a 6 track VA featuring artists, Exit 47, Maricopa, Olywok, Mr. Projectile, Inmost and Senoy & Joce. The dreamy artwork was done by Berlin based artist, Heather Marie and will be pressed on 180 gram with a beautiful high quality outer sleeve. We hope you enjoy the sounds ranging from ambient, deep house, IDM and all types of downtempo electronica. Secure your copy and stay tuned for news on LALUNA003
- A1: Roots Manuva & Doug Wimbish - Spit Bits
- A2: Sherwood & Pinch (Ft. Daddy Freddy & Dubiterian) - One Law For The Rich
- A3: Horace Andy - Mr Bassie (Play Rub A Dub)
- A4: Neyssatou & Likkle Mai - War
- B1: Lee 'Scratch' Perry - African Starship
- B2: Denise Sherwood - Ghost Heart
- B3: Higher Authorities - Neptune Version*
- B4: Sherwood & Pinch Ft. Lsk - Fake Days
- B5: Congo Natty - Uk All Stars In Dub
- C1: Mark Stewart - Favour
- C2: Lsk And Adrian Sherwood - The Way Of The World
- C3: Gary Lucas With Arkell & Hargreaves - Toby's Place
- C4: Nisennenmondai - A' - Live In Dub (Edit)
- D1: African Head Charge - Flim
- D2: Los Gaiteros De San Jacinto - Fuego De Cumbia / Dub De Sangre Pura (Dub Mix)
- D3: Little Axe - Deep River (The Payback Mix)
- D4: Ghetto Priest Ft. Junior Delgado & 2 Bad Card - Slave State
- D5: Coldcut Ft. Roots Manuva - Beat Your Chest
Vol. 8[25,42 €]
Fortsetzung Der Legendären On-u Sound Compilationreihe Mit Neuen Adrian Sherwood-produktionen, Einzigartigen Mixes Und Unveröffentlichten Tracks Von U.a. Roots Manuva, Lee "scratch" Perry, Coldcut, Gary Lucas (captain Beefheart's Magic Band), Mark Stewart Und Horace Andy. "pay It All Back" Startete 1984, Die Letzte Ausgabe Erschien 1996. Die Tracks Sind Wie Üblich Durch Spezielle Effekte Im Piratensender-style Miteinander Verknüpft. 15 Von 18 Tracks Sind Unveröffentlicht, Ein Track Befindet Sich Exklusiv Auf Den Physischen Formaten, Die Beide Zusätzlich Ein Umfangreiches Booklet Mit Detailierten Illustrationen Und Kommentaren Zum On U Sound-katalog Enthalten.
- A1: Candyman, Yeyo Pã©Rez - Burn Di Chalice (The Bang Riddim)
- A2: Gappy Ranks - We Got Each Other (Di Land Riddim)
- A3: Spectacular - Seat Tight (Modern Times Riddim)
- A4: Alerta Kamarada - Canto Infinito -Mujer- (So Deep Riddim)
- B1: Sistah Maryhane, Alerta Kamarada, Franco Verã³N - Showdown (The Bang Riddim)
- B2: Pipo Ti, Mr. Karty - More Culture (West Town Riddim)
- B3: Luciano, Polyfamous - My Youths (Modern Times Riddim)
- B4: Brother Wildman - Same Question (So Deep Riddim)
- C1: Polyfamous, Maga Lion, Julio Beltrã¡N - Champion (The Bang Riddim)
- C2: Luciano, Emeterians - Take Me There (Di Land Riddim)
- C3: Morodo, Mikey General - Tell The Truth (West Town Riddim)
- C4: Yeyo Pã©Rez - Tiempo Sin Fin (So Deep Riddim)
- D1: Hugh Mikes, Pipo Ti - Man A Real Ras (The Bang Riddim)
- D2: Utah Bassum - ¿Qu㩠Fue De?
Double Vinyl Lp 16 Tracks
The Bang Riddim, Di Land Riddim, So Deep Riddim, Modern Times Riddim, West Town Riddim...
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[{] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
Munich based Slam City Jams kicks off 2019 with their 5th release. Label heads Rhode & Brown gather four of their favorite artists from around the world to remix last year's successful 'Wave 100 EP'. With remixes by Bell Towers (Public Possession), Mr. Ho (Klasse Wrecks), C.K (Regelbau) and Bostro Pesopeo (Permanent Vacation).
- A1: Intro (Unreleased)
- A2: Analisi 91 - Disco Magic
- A3: Drums Music Show - Samedi Soir
- A4: Fango - Manila Sound
- A5: Gianfracasso Ensemble - Music On My Mind
- A6: I Mappet - You And Me
- A7: Olga Melchionda - Mare & Amore
- B1: Jam Session - Taboga Pt. 1
- B2: Dublefas - I Am Here
- B3: T.n.t. - Mr. Sam
- B4: Balthaazar - Me Ne Frego
- B5: Olga Melchionda - Disco Magic (Unreleased Version)
- B6: Antonella Forte - Quattro Lune
- C1: I Mappet - I Am Here
- C2: Analisi 91 - Disco Magic (Unreleased)
- C3: Gianfracasso Ensemble - Top 2
- C4: Oe Spitfire Nicosia & Industria Musicale - Acqua Di Limone
- C5: Jam Session - Taboga Pt. 2
- C6: Zauber - S.o.s
- D1: I Mappet - You And Me (Unreleased)
- D2: Balthaazar - Nato Stanco
- D3: Olga Melchionda - Mare & Amore (Instrumental)
- D4: Antonella Forte - Quattro Lune (Instrumental)
- D5: Gialma 3 - La Fioraia Di Via Po
- D6: 25 Interlude
Mondo Groove Präsentiert In Zusammenarbeit Mit I-robots Von Opilec Records Eine Großartige Doppel-lp Compilation Mit Groovigen Italo Disco Funky Boogie Diamanten Von Drums Records, Dem Italienischen Label Aus Turin, Das Viele Schwer Zu Findende Singles Aus Den 70er Und Frühen 80er Jahren Veröffentlicht Hat.
Alle Melodien Wurden Von Original-masterbändern Übernommen. Einige Sind Bisher Unveröffentlicht.
Samo Records is very pleased to introduce the debut EP from Russian Chandeliers, a new project by Julian Grefe (Pink Skull) and Fringe Society (formerly known as Quell). Berliners by way of Philly and Athens (Greece), respectively, the studiomates have perfectly fused the best bits of their signature styles to create a record that's equally suited for headphones and dancefloors.
"Worm In Worm Out" (A1) kicks things off with a chunky, chuggy rhythm that indeed worms its way into your brain, sprinkling vaguely psychedelic echoes throughout.
"Stay In Seattle" (A2) is a slow-burning charmer that layers bleeps and sizzles over a dark and mesmerizing bassline.
Zombies in Miami put a slightly spooky, frantic spin on "Stay In Seattle" for their mix (B1), turning the moody paranoia into a deliciously foreboding frenzy.
MR TC's take on "Worm In Worm Out" (B2) ups the psychedelia, tones down the bass, and gently hypnotizes you into the best kind of euphoric haze.
"Kosmonauten Aceed" (B3) is an immediately captivating slice of industrial-laced acid with just the perfect amount of krautrock drizzled in.
- A1: Entering
- A2: Nu Stompin' Ground (Feat. Bartek Krolik)
- A3: Lil' Child
- A4: Wishing You
- B1: Dni Zamieniam (Feat. Mrozu)
- B2: Draka (Feat. Vito Bambino)
- B3: Stopy (Feat. Olga Stopinska)
- B4: Believe / Rise The Roof (Feat. Sean Palmer)
- C1: Late Summer (Feat. Ania Szarmach)
- C2: Love Lab (Feat. Natalia Przybysz)
- C3: Love Break
- C4: Love Unconditional
- D1: Gry I Zabawy (Feat. Muzykoterapia)
- D2: Egobuster
- D3: Passage Y
- D4: When The World Ended (Feat. Mr.are.dot)
Envee is well known producer not only in Poland.
He is releasing music since 2001.
You may know him from remixes for Compost, Jazz & Milk, Sonar Kollektiv, Wah Wah 45, GAMM and many more.
Now he is back with first album since 2008!
Come on journey from ambient, broken beat, dub to swing, spoken word or some hip-hop.
16 unreleased tracks on two vinyl records with poster inside. Only 300 copies worldwide!
Hound Gawd! Records Freut Sich, Die Veröffentlichung Des Selbstbetitelten Debütalbums Von J.d. Hangover, Am 11. Januar 2019 Bekannt Zu Geben. »es Ist Urtümlich, Viszeral Und Gefährlich, Es Knurrt, Brodelt Und Tyrannisiert«, Beschreibt Das »dancing About Architecture Magazine« Die Aufnahmen.
Nach Einer Reihe Von Bodenerschütternden Auftritten In Europa Und Großbritannien Mit Seelenverwandten Wie Boss Hog, The Scientists, Public Image Ltd. Und Alejandro Escovedo, Rückten Sie In Den Fokus Von Hound Gawd! Records. Das Ergebnis Ist, Dass Die "j.d. Hangover Ep" Nun Auf Gutem, Hartem, Ehrlichem Vinyl Erhältlich Ist.
Diese Aufnahmen Sei Fans Von The Gun Club, Suicide, Boss Hog, Gallon Drunk And Lightnin' Hopkins Wärmstens Ans Herz Gelegt.
Returning to Giallo Disco after a 2 year absence is the mighty Ketsueki Sakuru. Trademark arps and low-motion rhythms collide this time with the sleaze of a different era. Taking cues from the book of the same name by Chuck Palahniuk the Snuff EP imagines itself as the video game remake directed by Hidetaka Suehiro. Carrying itself with the confidence of a gigalo, not even wearing a smile, the Snuff EP lurks in dark drones, distorted snares, new beat grime and retrosynth moods. Art by Eric A Lee. Mastered by Brassica. Limited to 200 Copies.
Big news on the Apparel Tronic side. We're here to celebrate another step forward of our newest label introducing the 7th release on the catalogue & 2nd on vinyl, by an artist we really admire and we're delighted to have on board with us: Julian Habib aka Inkswel, on this project with his alias 'That Dude Inkswel'. The man himself created an 8 tracks LP which truly represents our spirit of experimentation, this time round steering towards a more jazzy influenced hip-hop, shaped up staying true to the sound we love. 'The Sound' LP features dope collaborations such as the Detroit vocalist and multi-instrumentalist Brownstudy singing on the opening and title track, the amazing progressive artist Maia Von Lekow giving her voice for B1 track 'Mother' alongside Mista Monk, the superb Han Litz's flute and Trujillo on Kellin' it & also Divine Species on 'Galaxies' and Mr. Shem rapping on A3 track 'Dedicated to Mr. Schem'. This work is a bold and captivating selection of different styles belonging to the same soul orchestrated by Inkswel and his musical mastermind, listening to 'The Sound' is like jumping on a caravan for a journey where every track is a different stop: crunching beats, deep bass lines, psychedelic melodies. The ingredients for this amazing recipe are all coming from different parts of the planet, a place that Inskwel seem to have written on his palms seen his capability of bringing different music influences under the same roof, where he finally invited Apparel Tronic to hang for a bit.
racks such as 'Snooker Club' and 'Viejos' delve into more caliginous, IDM territory. The result is a rich and varied collection that demonstrates Apparel Music's unwavering ability to continue to keep listeners guessing.
- A1: The Capital
- A2: Mission (Feat. Inja)
- A3: Spheres (Feat. Keeno & Pippa Violets)
- B1: The Edge (Feat. Lakeway & Degs)
- B2: Slingshot
- B3: Doin' It For Time (Feat. Kwam)
- B4: Fever
- C1: Triple Duppy Demon (Feat. Hugh Hardie & Truthos Mufasa)
- C2: Dismissed
- C3: Darkest Night
- C4: Notorious (Feat. Sense Mc)
- D1: Virgo
- D2: Shards (Feat. Mr. Porter)
- D3: Amulet
Following his incredible debut album 'Talisman', Whiney has stepped back into the lab to cook all manner of big, beefy dancefloor beasts. The 'Waystone' LP boasts his most widespread set of influences yet with drum & bass fusions of trip-hop, grime, UK hip hop and ambient across 14 outstanding tracks.
Album highlights include the tumbling jungle rumbler 'The Capital' that scatters down with snappy amens in a perfect storm. Plus the unmissable 'Triple Duppy Demon'; a menacing tribal stalker rearing its head in a display of raw beats and bars from Manchester's own Levelz crew member Truthos Mufasa, alongside a production pairing with Hugh Hardie.
'Waystone' also sees the triumphant return of the dream-team-supreme! Hospital's wordsmith Inja joins forces with Whiney on 'Mission'. This certified heater is a grisly tirade of dancefloor chaos, a worthy successor to fan favourites 'Flashlight' and 'She Just Wanna Dance'.
Of course Whiney's second long-player is also packed with showstopping solo productions such as 'Dismissed', 'Slingshot' and half-time triphop switch up 'Darkest Night'
Continually illustrating his diversity, Elliot Projects Frazer Campbell finally puts some of his funkier sample heavy tracks onto wax for Counterfeit SOUL. Volume 2 sports four unforgettable dance floor swingers with his signature swing & groove. Recently he released another timeless collab on Mosaic with Steve O Sullivan so no suprise that these are also stacked with driving percussion, huge chords & smooth elating strings. This is a must for all bags ! Daytime, night time ....anytime! Volume 1 is floating around on limited TP's so keep your eyes peeled for that one.
LP,180g, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART
Veteran library musician Alan Parker recorded with session vocalist Madeline Bell for his Themes International Music label and the result was 1976's The Voice of Soul.
The sensational uptempo dancer 'That's What Friends Are For' is probably the most well known track on the record, and is a big hit on the rare groove scene, but it is by no means an anomaly. The Voice of Soul is essentially a perfect, sophisticated soul album with heaps of swagger and sass from beginning to end.
Its once generic-sounding title is now deservedly defnitive.
And the whole LP oozes sex. It oozes sex so much that it could have soundtracked a period porn flm. Indeed, parts of it did. 'Love Is All' and 'You've Got What It Takes' both featured on the infamously banned Pretty Peaches from the same year.
As is usual with library records, The Voice of Soul was hard to get even when it was frst released. It's next to impossible now. So here's your opportunity to own what is in our opinion one of the fnest rare soul LPs of the late 70s, and a superb example of Madeline Bell's superlative vocal talents.
But that's not the whole story. As well as pitching the record as 'a varied selection of modern female vocal features which are equally suitable for background or radio programme usage', the original release notes go on to explain that 'the corresponding backing tracks are issued on TIM 1022 The Sound of Soul. Therefore it is possible to edit from vocal to instrumental version and vica versa where commentary or scene changes occur.'
So yes, all of the backing tracks from The Voice of Soul were released as The Sound of Soul, and we couldn't re-issue one without re-issuing the other.
As with all ten re-issues, the audio for The Voice of Soul comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.
- A1: The Intro (Feat. Mr Brown)
- A2: Still
- A3: Honey Dip
- A4: Breathe (One)
- A5: Mirrors
- A6: Breathe (Two)
- A7: The Outro
- A8: Honey Dip (Remix)
- B1: All I Do
- B2: West Coast
- B3: Down With Clowns
- B4: Firmer Funk Boogie
- B5: Both Hands Free
- B6: Waiting Forever (Feat. Kristoffer Eikrem & Tarjei Kjerland Lienig)
- B7: Radioactive/Dirtyhans Beat
- B8: Supreme Jazzblaster
- B9: Kiss Me
2nd Reissue
Fredfades & Ivan Ave's debut release
This time on black vinyl
300 copies
For fans of J Dilla, MNDSGN, Madlib, Yogisoul
Contains 17 tracks produced by Fredfades using the SP-1200 and MPC 2000XL. The A-side is all vocal tracks by the Norwegian lyrical genius Ivan Ave who is widely known for his projects with MNDSGN (Stones Throw). The B-side is a mesh of Fredfades instrumentals.
The Afro National Band Was Formed In Freetown, Sierra Leone In 1972. Their Inspirational Leader, Sulay Abu Bakarr Accompanied By His Wife Patricia And Ayo Roy Macauley Split From The Sabanoh Jazz Band To Form Their New Group. They Skillfully Merged Highlife And Jazz Sounds With A Deep Knowledge Of West African Sounds. Growing To Become One Of The Premiere Bands To Emerge From Sierra Leone They Not Only Defined The Sound Of The Country For A Generation But Also Crafted Some Of The Country's Most Popular And Memorable Songs (for Example Sonjo Which Is Included On This Collection).
The Band Toured Extensively Throughout Africa And Europe In The 70s (working With The Giant Of Sierra Leone Music Akie Deen In The Process). Towards The End Of The 70s The Band Departed Sierra Leone, Sulay And His Wife Moving To Maryland In The Us And Other Members Moving To London.
Our Collection Focuses On Possibly Not The Best Known Songs Of The Band But The Tracks Which Have The Rhythms To Move The Dance Floor. We Open With The Foot Tapping "jokenge" And Its Driving Shuffle Beat, Swirling Organ And Percussive Guitar Lines. "push Am Forward" Takes A Afro-psychadelic Turn With Its Hypnotic Rhythms And Driving Distorted Guitar. "mr Who You Be" Is A Cover Of The Fela Kuti Track, Doing It Fine Justice. "gowa" Highlights The Vocal Prowess Of The Band, As Dose The Ever Popular "sonjo" (the Version Featured Here Is A Rare Alternate Recording).
"money Palava" Opens Up Side Two With Its Infectious Highlife Beat And Hooky Vocals. "money Nor Bataya" Highlights The Bands First Use Of Synthesizers. "mother In Law" Sweeps Up Back To Free Town 1973 With Its Clever Vocal. "set My Soul On Fire" Is A Bonus Track Which Brings In The International Flavour Of The Band.
The Afro National Band Continues In Various Guises To This Day, With Sulay And Patricia Acting As The Proud And Talismanic Figures For A Whole Generation Of Sierra Leonean Music.
- A1: Don Drummond & The Skatalites - Rain Or Shine
- A2: The Gaylads - Morning Sun
- A3: Delroy Wilson - Just Because Of You
- A4: Alton Ellis - Sunday Coming
- B1: Jackie Opel - I Am What I Am
- B2: Peter Tosh - I Am The Toughest
- B3: Delroy Wilson - Get Ready
- B4: Mr. Foundation - Timo-Oh
- B5: Roland Alphonso & The Soul Brothers - Provocation
- C1: Leroy & Rocky - Love Me Girl
- C2: Slim & Delroy - Look Who Is Back Again
- C3: The Skatalites - Spread Satin
- C4: Barrington Spence - Contemplating Mind
- D1: Ernest Ranglin - Psychedelic Rock
- D2: Bob Marley & The Wailers - Destiny
- D3: Roland Alphonso - Reggae In The Grass
- D4: Zoot Simms - We Can Talk It Over
- D5: Jackie Mittoo - Hi Jack
Studio One Freedom Sounds Is The New Collection From Soul Jazz/studio One Focussing On The Intense Period In The Second Half Of The 1960s When Studio One's Vast And Unbeatable Output Of Ska, Soul, Rock Steady And Reggae Made It Literally One Of The Hottest Musical Empires In The World.
During This Highly Successful Period, Clement 'sir Coxsone' Dodd Released Hundreds And Hundreds Of Superlative Singles Seemingly On An Almost Daily Basis, In The Process Making Huge Stars Out Of Jamaican Singers Such As Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel And Many More.
Powered By The Finest In-house Musicians Working In Jamaica, Whether It Was The Skatalites, Jackie Mittoo's Soul Brothers, The Sounds Dimension Or The Soul Vendors, Studio One Functioned As Hit Factory On The Scale Of Motown In The Usa, Shaping And Defining Reggae Music For Decades To Come.
Singlehandedly Studio One's Founder Clement Dodd Was Able To Create The Most Successful Vertically-integrated Record Company That Jamaica Had Ever Known With Pressing Plant, Printers, Studio, Shops, And Sound Systems All Running At Once, With Over 50 Employees And Hundreds Of Artists Working With Studio One During This Time.
Studio One Freedom Sounds Tells The Story Of Studio One In The 1960s With A Stunning Set Of Ska, Soul, Rock Steady And Reggae Killer Tunes As Well As Informative Sleevenotes And Track-by-track Info By Noel Hawks. The Album Is Released As Heavyweight Double Vinyl (+ Free Download Code), Deluxe Cd And Digital Album.
- A1: Mr Brown In Town
- A2: Mr Brown Dub
- A3: Trendsetter
- A4: Trendsettting Dub
- B1: Your Shadow Is Black
- B2: Your Shadow Is Dub
- B3: Dead Meat
- B4: Dead Meat Dub
- C1: Dub At Abbey Road
- C2: Abbey Road Version
- C3: Bumpy Road Of Life
- C4: Bumpy Dub
- C5: Captain Perry
- D1: Captain Dub
- D2: Killing Dancehall Softly
- D3: Killing Version
- D4: Solid State Communication
- D5: Solid State Dub
At 83 Years Of Age, Lee Scratch Perry Is Proud To Present To The World His Next Full Length Solo Album (with Dub Versions) , Continuing His Inimitable Roots Reggae Legacy.
Lee's Brief For The Album, Was To Blend The Vintage And The Obscure, During The Sessions Lee Referred To The Sound And 'black' And Wanted Space, Light And Darkness In The Songs And Their Respective Dub Versions.
The Result Sees Lee Having Mixed Up An Analogue Concoction Of Ultra-rare Effects, Sonic Wizardry And Deep Heavy Roots Rhythms.
Over 2017 and 2018, Lee Scratch Perry re united with Producer and Mixer Daniel Boyle, to start work on their second Solo album project for Lee.
Picking up where their last efforts ''Back on the Controls'' left off. Lee wanted to continue the raw analogue sound they had cultivated together over multiple past releases, and take it to the next level with new effects devices to create another sonic signature.
They entered the studio in 2017, to begin to put together ideas for the tracks, which were then taken to RAK studios in London with their ever changing Rolling Lion All Stars session band; to lay down the rhythm versions.
Using strictly vintage analogue equipment, they employed Neuman valve and RCA Ribbon microphones, and RAK's early model vintage API desk to record, the 'sound' for the album was sculpted in these sessions. Vintage, but punchy, which was then blended with Lee's choice of super rare and custom analogue effects. Ursa Major Space Station and Stargate delays and reverbs, old choruses, Plate and spring reverbs, and tape delays were used to create a tight vintage feel but retaining the rawness of the 'Low Fi' roots sound Lee was aiming for.
With the music coming together, the vocal sessions were held in Abbey Road studio 3, again using vintage RCA ribbon mics, over driving their EMI TG console and Fairchild compressors to create a pleasantly distorted Lo Fi vocal sound.
Lee and Daniel then returned to Daniels Rolling Lion Studio, to mix and Dub the album, live, on the mixing console.
'Rolling Lion All Stars' Musicians: Vocals: Lee 'Scratch' Perry Drums: Ed West Bass & Guitar: Hughie Izachaar Keys: Robbie Lynn Additional Keys: Calvin Bennion Percussion: Daniel Boyle Kete Drum: Mathias Liengme Hurdy Gurdy: Brian McCoy Horn Section: Rory Sadler, Robert Landen Melodica: Puraman Backing Vocals :
- A1: Arnold Albury & The Casuals - That's A Bet
- A2: You & I - Make Time
- A3: The Standing Ovation - Cgo
- A4: Combo Guarajeo - Alamo
- A5: Willie Johnson - Lay It On Me
- A6: Mark Mciver - Soul Thing
- A7: Dayton Sidewinders - Go Ahead On
- B1: Thee Midniters - Chicano Power
- B2: The Hitchikers - Mr Fortune (Feat The Mighty Pope)
- B3: John Fitch & Associates - Romantic Attitude
- B4: Living Color - Plastic People (Vocal)
- B5: Black Earth Plus - How Can You Say You Love Me (Part 1)
- B6: Sloan Bey - Look At Your Brother
"Perlman's got beats and it ain't no secret." - The Beastie Boys
This lyric might have slid right by you while you were listening to Ill Communication, but the Beastie Boys were not playing when they said that. Robert Perlman, a native New Yorker, was way ahead of the curve and would stockpile an arsenal of heavy duty vinyl way before the 45 record craze took over. This compilation of over a dozen tracks represents a taste of the fruits of his hard work uncovering these often overlooked gems.
Including some personal notes from the artists you can find on this compilation.
Batida is to release his new album "Dois" via Soundway Records.
Strands of Afro-House, Kuduro, Benga, Semba, samples from old Angolan movies and Afrobeat tracks, African MCs and musicians from all over the world are all deftly mixed together by Pedro Coquenão.
Inspired by the multicultural hotbed of his home city of Lisbon and trips to Nairobi and Luanda, 'Dois' was predominately produced in his own garage-studio over a two-year period.
In 2012 Batida's explosive self-titled debut came out on Soundway Records. Mixing the syncopated rhythms of Kuduro with elements of 1970s Semba and Congolese-influenced guitar licks, Pedro Coquenão won fans for an album that "demanded movement" (The Line of Best Fit) and "gave a view of the old and new, the West and Africa." (The Guardian)
Much of the remix and sampling spirit from the first record remains but 'Dois' also features live instrumentation along with a host of different guests.
English, Portuguese, Quimbundo and Zulu languages all feature on 'Luxo' with Spoek Mathambo (South Africa) & his crew contributing the lyrics together with Angolan MC Sacerdote and a guitar riff by Duncan Lloyd (Maximo Park). On 'Céu' Coquenão pushes things in a deeper direction, dis-assembling and reforming elements of the Francois & The Atlas Mountains studio sessions of the track 'Les Plus Beaux' .
His widely acclaimed live show, featuring dancers, MC's, visuals and live electronics has seen him perform at Africa Express and on the Ten Cities project, live on the Boiler Room and all across Europe at some of the biggest festivals.
Since the late 80s, Mudhoney - the Seattle-based foursome
whose muck-crusted version of rock, shot through with caustic
wit and battened down by a ferocious low end - has been a
high-pH tonic against the ludicrous and the insipid. Thirty years
later, the world is experiencing a particularly high-water
moment for both those ideals. Just in time, vocalist Mark Arm,
guitarist Steve Turner, bassist Guy Maddison and drummer Dan
Peters are back with 'Digital Garbage', a barbed-wire-trimmed
collection of sonic brickbats.
Arm's raw yawp and his bandmates' long-honed chemistry
make 'Digital Garbage' an ideal release valve for the 2018
pressure cooker. 'My sense of humor is dark, and these are
dark times,' says Arm. 'I suppose it's only getting darker.'
'I would've really just loved to write songs about just hanging
out on the beach, and going on a nice vacation,' says Arm.
'But, you know, that probably doesn't make for great rock.'
Mudhoney, however, know what does make great rock - and
the riffs and fury of 'Digital Garbage' will stand the test of time,
even if the particulars fade away. 'I've tried to keep things
somewhat universal, so that this album doesn't just seem like
of this time - hopefully some of this stuff will go away,' Arm
laughs. 'You don't want to say in the future, 'Hey, those lyrics
are still relevant. Great!''
Mudhoney will be touring Europe in 2018.
CD in die-cut gatefold digipak with custom dust sleeve. LP in
die-cut gatefold jacket with custom dust sleeve and digital
download coupon. Cassette in four-panel J-card in clear case.
Digital download album.
- A1: Ain't No Pleasing You
- A2: Rabbit
- A3: Gertcha
- A4: Margate
- A5: The Sideboard Song
- A6: Where Am I Gonna Find Ya
- A7: London Girls
- B1: There In Your Eyes
- B2: Snooker Loopy
- B3: I'm Going Back
- B4: The Diddlum Song (Diddle-Umma-Day)
- B5: Poor Old Mr Woogie
- B6: That's What I Like
- Chas & Dave - Gold brings together the Greatest Hits of Chas & Dave.
- 180G Heavyweight Gold Vinyl with Original Artwork housing the Very Best of Chas & Dave.
-Classic Tracks including Rabbit, Ain't No Pleasing You, Gertcha, Margate, Snooker Loopy, London Girls, The Sideboard Song (Got My Beer In The Sideboard Here) plus many more..
(Got My Beer In The Sideboard Here)
Here's Another Huubaat Nugget That We Are Very Excited About To Release. "momentum" Includes A Collection Of Previously Unreleased Or Digtial-only Available Works Incl. The Collaboration Effort With Flako. The Vinyl Comes With A Lovely Soft-touch Sleeve.
"beatnicks Tape": All Tracks Produced By Hubert Daviz In April/may 2008. The Original Release "beatnicks Tape #01" Included 13 Tracks. These Tracks Have Been Released For Free Download In Summer 2008 On The Cologne Based Record Label Up My Alley. The Work On This Beat Tape Started As An Attempt Of Getting Familiar With One's First Own Equipment. Original Text From The Back Cover: "lots Of Vinyl, 1 Mpc2500, 1 Microkorg, Hands On."
"damage Is Done": All Tracks Produced By Flako & Hubert Daviz Between December 2007 & June 2008. Unreleased Beat Tape From The Joint Collaboration With Flako (going By The Name Of "damage Is Done"). The Original Version Was Completed By Flako On June 21, 2008 And Included 8 Tracks. "woop, Wooop.."
Originally from West Yorkshire, but now resident in Manchester, composer, bassist and producer Phil France is probably best known as a key collaborator alongside Jason Swinscoe in the Cinematic Orchestra, where he co-wrote, arranged and produced on classic albums including Everyday, Man With The Movie Camera, Ma Fleur and also the triple award winning soundtrack for The Crimson Wing nature documentary. In 2013 France released his debut solo album, The Swimmer (GOND016), an emotive, epic record influenced by the great second wave of film composers including John Carpenter and Vangelis, as well as minimalist composers such as Steve Reich and Philip Glass
Five years later, France presents the follow up, the enigmatically titled, Circle, which again represents a very personal journey for the artist. For France the album is an extension of work he began on The Swimmer. A process he has described as: " blocks of sound containing intricate minimal arpeggiated patterns and electronic textures that develop and shift in subtle, original and melodic ways. The trancelike quality, mood and electronic character of title track Circle led France to think of the circular patterns which eventually became a potent concept for the album. "Ideas and fashions repeat themselves in cycles. Events are said to travel 'full circle' and this is important to me because it represents my own recent personal and musical journey after 15 years touring as bassist and composer with The Cinematic Orchestra. I consider circles to be a strong symbol of unity, strength and inclusiveness and ultimately I've aspired to make something beautiful with those values at its heart".
The album opens with the title track, Circle, built on a minimal looped pattern with melodic embellishment and shifting additional harmonic textures. Bells was developed from the arpeggiator and offers a nod to the melodicism and atmosphere of French electronic music. The Jackal features an idea originally developed for The Crimson Wing score but which finally bears fruit here. Cathedrals features an improvised intro, Philip Glass inspired organ and vocal textures inspired by the work of Colin Stetson. Finally, the album ends with a reprise of Circle this time featuring layered pianos. But it isn't the conclusion of the journey, for France: "The Circle is infinite - During the process of making this record, I have been constantly reminded that nothing ever stays the same and that all is in constant flux. The challenge for me is always to respond positively, be aware of and seize the opportunity for progression constant change provides" And it is that sense of movement and flow, but also calm and beauty that permeates Circle and make it such a worthy successor to The Swimmer.
Opening with a Gasmask Live extract, this RSF will keep on digging the mental tribe sound as it always did....
The Gasmask is just a perfect brain swinger : long flanged acid style in the Curley SOM.
Skelle then comes with another Live track, swinging deep bass playing with your nerves :)
The flip opens with a Misspic pumpin mental tune, sweet groove at the Tribe Funk frontier, very Spirally inspired.
Bart finished the job with a dry kicker, totally old school is the DSP style...
Rsf Confirms its post-Dsp direction and bring on the future of the tribe brain dance sound !
Greatest Hits Was A Major Triumph For Kravitz And A Worldwide Top 10 Chart Performer, Reaching No. 2 In The U.s. And No. 1 In Austria, Italy, And Other Countries. This Compilation Showcases The Many Strengths Inherent In The Grooves Of Kravitz's First Five Albums — 1989's Let Love Rule, 1991's Mama Said, 1993's Are You Gonna Go My Way, 1995's Circus, And 1998's 5 — By Assembling 15 Of The Best Tracks From The First Stage Of His Celebrated Career.- this Greatest Hits Collection Features Early Kravitz Classics And Also Sports A Pair Of Exceptional Non-album Tracks, Including The Previously Unreleased Mid-tempo Version Of again,' Which Reached No. 4 On The Billboard Hot 100 Singles Chart. The Album Also Boasts Kravitz's Incendiary Cover Of The Guess Who's All-time Rock Classic american Woman,' Which Initially Had Been Featured In The Hit 1999 Film, Austin Powers: The Spy Who Shagged Me, And Was Eventually Added To A Cd Re-release Of 5.
- the Core Tracks On Greatest Hits All Serve To Illuminate Kravitz's Own Considerable Talents As A Multifaceted Singer, Songwriter, Producer And Guitar Player.
- A1: Orgue Electronique - Die Liebe Ist Die Groste Kraft
- A2: Kassen - ...Und Der Schnee Geduldig
- A3: Mr. Clavio - Keine Gnade Fur Die Sechste
- A4: Dj Technician Vs. Kneves - Schleichen Heist Uberleben
- B1: Swm - Bombenteppich
- B2: Leviathan - Der Tag Des Urteils
- B3: Legowelt - Von Paulus Symphonie In D Mineur
- B4: Schmerzlabor - Die Truppen Marschieren
Even darker and more extreme than #1, with a.o. Legowelt, Kassen, Schmerzlabor, Nimoy, Technician, etc.
Favorite Recordings presents this new official album reissue of State of Emmergency by French band The Fizz: A real underrated, complete and intriguing album, originally released in 1986 as a private-press LP and quite hard to find in good conditions nowadays.
The Fizz is mostly the result of Patrick Jouanneau, a French musician, composer and producer who's still active today. He remembers: In the early 80's I had a recording studio allowing me to easily fulfil my desire to create songs. It was then that I began to compose and write songs, in French or in English in this case. State Of Emergency (spelling on the LP is a mistake), is born from a fierce will on my part, and the other four have followed, but it was not easy, the musicians, you have to get them out of bed! I have to say that Richard Larozé, the pianist, was a very strong guy with harmonies, and has somewhat changed my first version, much more oriented in Soul and R&B.'
And when asked about his main influences, Patrick says: It's always difficult for me to speak about influences, out of respect, and humility especially, but they nourished us and nourished this project, Stevie Wonder, Al Jarreau, Earth, Wind & Fire, and so on, were and still are important to me and this was the case for the entire FIZZ group.'
At the end, State of Emmergency by The Fizz is a very interesting and brilliant album with great inspiration in melodies and compositions. And who knows, listening to the title "A So Called Being", it could even have inspired a certain King of Pop'...
- A1: Daniel Forestal Et Sa Guitare - Ces P'tits Je T'aime
- A2: Casimir Létang - Travail Z'enfants! Chantez Après!
- A3: Cyril Diaz Et Son Orchestre - Feeling Happy
- A4: Georges Tinedor Et Manuela Pioche - Collié Et Zanno
- A5: Henri Debs Quintet - Douce Kombass
- A6: Joseph Lacides - Mr. Morin
- B1: Geno Exilie - Lan Misè
- B2: Dolor Et Les Diables Du Rythme - Salvana
- B3: Sydney Lérémon Et Ses Amis Du Calvaire Baie- Mahault - You You Matayango
- B4: Raymond Cicault Et Son Orchestre Volcan - À Mon Ami Lucien Jolibois
- B5: Orchestre Esperanza Et Jean Leroy - Ou Pas Bel
- B6: Henri Debs Sextet Et Paul Blamar - Moin Çé On Maléré
- C1: Le Ry-Co Jazz - Si I Bon Di I Bon
- C2: Remy Mondey - Meringue Mondey
- C3: Henri Guedon Et Les Contesta - Van Van
- C4: Les Shupa Shupa D'haiti - Batterie Shupa
- D1: Paul Blamar Et Vélo - Lovency
- D2: Eric Virgal - Stanislas
- D3: Les Aiglons - Les Aiglons Ka Satisfait
- D4: Tutus De La Guyane - Nanao Nanao
- D5: Guy Conquette - Assez Fait Cancan
* After nearly 10 years, KFA returns to vinyl. As a label, KFA was widely loved for its ability to shift styles and genres, always hitting slightly off center, to produce such off kileter classics as the original 'Truffle Shuffle', a jungle anthem that gets a much deserved remix on this EP. New Signee Scartat brings the pain with monstrously heavy beats in 'Role Model', which KF Digital man of the moment Bucksta keeps it slightly mellower with 'Killer Sound', leaving Luna-C & Mr Arthur to bring the dancehall vibes with 'Judgement'.
- A1: The Hell Raisers - Syd Dale
- A2: The Eyelash - Johnny Hawksworth
- A3: Walk In A Nightmare - Syd Dale
- A4: Beat Street - Johnny Hawksworth
- A5: Walk And Talk - Syd Dale
- A6: Big Bass Guitar - Bill Martin / Phil Coulter
- A7: Mr. Chestertons Dog - Bill Martin / Phil Coulter
- A8: Mods & Rockers - Bill Martin / Phil Coulter
- A9: L.s.d. - Bill Martin / Phil Coulter
- B1: Stand By - David Lindup
- B2: Take A Goosie Gander - Syd Dale
- B3: Juggernaut - David Lindup
- B4: Grand Prix - Johnny Pearson
- B5: Veiled Threat - David Lindup
- B6: Sixth Sense - David Lindup
- B7: Funky Flight - Keith Mansfield
- B8: Raver - Alan Hawkshaw
- B9: The Washington Affair - Syd Dale
Way back in 1967, an animated superhero cartoon was released into the world. It was created by Grantray-Lawrence Animation and was based on a web-spinning, crime fighting blue and red dressed character that had originated in1962, in Marvel Comics by Stan Lee and Steve Ditko. This amazing series (that we're not allowed to mention the name of for legal reasons) ran on ABC TV in the USA, then Canada, then a few years later started to spread its web further, running here in the UK throughout summer holidays, after school and possibly early mornings at weekends in the late 1970s. The series then got released on VHS video (and probably Betamax too) in the mid 1980s and still continues to spin its animated magic around the world through further broadcasts, YouTube and DVDs.
The series was notoriously low budget, with animated errors everywhere and numerous scenes, sequences and backgrounds being re-used all the time, often across the same episode. Even a certain spider logo on a costume would appear with six legs, then eight legs later on, then back to six again in the same show.
Series One opened with a newly written spider theme, a classic, hooky song all about doing whatever spiders can, and had, as Big George (RIP) once pointed out to me, a set of session singers falling slightly out of time with the backing track after the first verse. Series One also featured background music by jobbing composers Bob Harris and Ray Ellis but these cues and master tapes are now believed to be lost.
After Series One the company Grantray-Lawrence went bankrupt, so the amazing spider series (that we're not allowed to mention for legal reasons) was taken on by producer Steve Krantz. He brought in new talent, including animation director Ralph Bakshi who later went on to turn a Robert Crumb strip cartoon into the feature Fritz The Cat. Krantz also slashed the already cripplingly small spider budget, and brought in the idea of using economic library music. Here, thanks possibly to an independent sync agent (it has been suggested that a company called Music Sound Track Services may have been the one) production turned to the KPM catalogue. This was one of the few really established library catalogues around at the time with a modern edge, it was full of fabulous, modern dramatic music tracks - often all on the same LP. But more importantly all the tracks were far longer than the one minute musical cuts that many of the fledgling USA library companies were issuing at the time. Not only would this KPM music be efficient, affordable and very easy to use, it would also mean syndication worldwide would not be held up by any future musical issues. Krantz produced two amazing spider series (that we're not allowed to mention for legal reasons), and both were smothered with KPM music. In fact barely a spider second goes by without music playing in either the background or foreground.
For many years I - and many nostalgic others - have been thinking about putting this vinyl album together. For many enthusiasts this really is formative music - a junior foray into hip swinging crime jazz and esoteric musical grooviness. I've also read on line accounts by DJs from WFMU on the trail of original spider master tapes, and there's even a whole forum dedicated to Spidey-Jazz'. Then recently I was looking at an old spider tracklist and realized that several of my favourite KPM cues were there including Syd Dale's Hell Raisers' and Walk And Talk', both from one of the most elusive and desirable KPM albums of all time (yes, you just try and find yourself a copy of KPM 1002 right now), so I decided to push on and get the album made.
So, what features on this Spider-Jazz Lp Well it's music from the amazing TV series we are not allowed to mention for legal reasons, BUT, not music from Series One. No, but it is all from Series Two and Series Three. From looking at archival cue sheets, over 50 tracks from various early KPM 1000 series albums were used across episodes. I've distilled this down into one exciting and enthralling LP, and if this works a further Spider Jazz album may well swing in to production. If you're interested (and I'm sure you may well be) cues here came from KPM1001, KPM1002, KPM1015, KPM1017, KPM1018 and KPM1043 and were composed by master library composers of the era - Dale, Hawkshaw, Hawksworth, Mansfield etc.
And if you are listening over there in the USA, you may well recognize many of the cues here not just from the amazing TV series (that we're not allowed to mention for legal reasons) but also from classic 1960s and 1970s NFL highlight shows that we are allowed to mention.
Bluestaeb's Evolution From A Beatmaker To A Producer Is His Sophmore Album everything Is Always A Process'.
He Is One Of The Key Figures Of A New Generation Of Up And Coming Hiphop Beatmakers, Who Have Emancipated From Genre Thinking And Instead Merge Old School Aesthetics With A New School Attitude And Organic Instrumentation.
Everything Is Always A Process Re-iterates Bluestaeb's Overall Approach To Life (and Thinking), But Also Has Direct Reference To The Making Of The Album Itself, Which Began With Moving From Berlin To Paris In 2015 In The Search Of New Influences And A New Creative Environment.
Created Between 2015 And Early 2018, Eiaap Embodies The Process Of This Transition - As Well As Collaboration With Instrumentalists And Vocalists From All Over The World And Recording In Different Studios In Paris, London & Berlin.
"meeting All Those Musicians And Trying Out New Ways Of Producing By Using Real Analogue Synths, Rhodes, Drums And Percussion Etc. Made It Possible To Overcome The Creative Boundaries Of A Home Studio With Just A Midi Keyboard" / Bluestaeb
Influenced By Madlib's "shades Of Blue" And Trained In African Drum Techniques Such As Djembé And Daruka, Bluestaeb Had Been Crafting His Own Beats Since His Teenage Years And Gradually Found His Sound Identity Through Experimenting With Hiphop And Jazz - First To Be Heard By A Broader Music Community In 2013, When He Released His Debut Album "1991 Extraterrestrial" (radio Juicy). Since Then The Prolific Young Artist Has Released Numerous Solo And Collaboration Projects ("b.l.u.e. Friday" In 2015 And - sidekicks With S. Fidelity In 2016). In 2016, He Produced Collaborative Album "lit - Lost In Translation With Rapper Juju Rogers, A Keen Manifesto Against Racism, Xenophobia And The Rise Of Anti-heroes Such As Donald Trump.
Today, Bluestaeb Lives And Works In Paris And Berlin And Is Set To
Release His Third Solo Album everything Is Always A Process', A
Smooth Neo Soul-induced Epic Featuring Artists Such As Noah Slee, Harleighblu And Melodiesinfonie, Via Jakarta Records In 2018.
Second EP of the label Lowlife Cartel. An all star, six-track release from sixl key artists in various genres, from cutting edge techno to leftfield house, confirmes the versatility of Lowlife Cartel.
The EP begins with "Butt Dub Pregost", dubby downtempo atmospheric track, by one of most innovative and versatile artist of the last years: Buttechno (Rassvet records, Collapsing Market..)."Out For A Walk" by Fmy (Too Rough 4 Radio) is a leftfield house track, face covered and steps muffled through a deadening blizzard of tape saturation and white noisey envelops that find a balance between deepening the sense of immersion and a retained rhythm. "Unusual Mondai", hypnotic track by Sammy T Thompson, an alias of S.Olbricht (UIQ, Opal Tapes..), fits with an introspective melody and atmosphere.
"Mr Hodge Appreciation Society" is a quintessential Machine Woman (Ninja Tune, Peder Mannerfelt, Where to Now) club track, spanning sexy house and bold techno.
"Celestial Body" by PRESENTE oscillates between jungle and drone like a futuristic comet.
"Y'alll" by the rising producer Voyd, is a abstract house piece. Setting skittish drums and altered vox sample, smothered against a grey-ish canvas of blurry, washed-out pads.
Raw and indisputable quality of production.
Written Largely In New York Between Summer 2016 And Winter 2017, 'god's Favorite Customer' Reflects On The Experience Of Being Caught Between The Vertigo Of Heartbreak And The Manic Throes Of Freedom.
It Reveals A Bitter Sweetness And Directness In Tillman's Songwriting, Without Sacrificing Any Of His Wit Or Taste For The Absurd.
These Are Songs That Demand To Know Either Real Love Or What Comes After And As The Album Progresses, That Entreaty Leads To Discovering The Latter's True Stakes.
LP Format Includes Digital Download Code.
After the success of Gti008 8ball is back with another jungle excursion, although this time they have gone for the more smoother side of the genre. On the flip side is a complete reworking from the house legend that is MR G. After pumping the parts through his MPC, MR G has put a hard breaky house dub together, which should hit the mark with a lot of people.
8Ball's sound has been picking up momentum over the last year with a sell out cassette, vinyl EP and plenty of plays on soundcloud and other digital outlets.
Following the release of Baba Commandant's debut album "Juguya" in 2014 on the mighty Sublime Frequencies label, Mawimbi is proud to present Wasso, one of the best cut from the
album in brand new mixing shape alongsides killer electronic remixes from the likes of Mawimbi signee Loya and Mr. Boom.
A rather eccentric and mysterious character from the Ouagadougou underground scene, Baba Commandant started out as a traditional Bobo dancer, before engaging in a rich musical career and joining Burkinabé star Victor Démé as one of his touring musicians. Influenced by the likes of Fela Kuti, King Sunny Adé and Moussa Doumbia, Baba Commandant plays dozo n'goni, an instrument associated with traditional Donso hunters, bridging the gaps between different generations and strata of Burkinabé society. Recorded at the notorious Ouaga Jungle Studios, "Wasso" is a prime example of the band's unpolished and raw sounds, merging Mandinka blues, dub and Nigerian afrobeat with a punk feel. The A-side also features a remix by Mawimbi signee Loya, whose leftfield reinterpretation moves at
a much higher pace with epic modular synth motifs and subtle organic layers of sounds. The B-side of the record is made of two DJ-friendly remixes with impressive mixing work from Toulouse-based producer Mr. Boom. Stripping the original track down to its most lively elements, both mixes are perfect club-ready weapons for tropical-minded and house DJs alike.
Optimo Music is thrilled to release the new album from Jacob Yates. Not only is he one of our all-time favourite artists from Glasgow, but he is one of our favourite artists from anywhere. Criminally unknown except to a few who have been long transfixed by his recordings and performances, we hope this release will open a few more ears to his wondrous musical world.
The Hare, The Moon, The Drone' is the third album from Jacob Yates. This recording finds the band exploring dark hawthorn hedged lanes, moors and suburban, new build estates. There's something more earthy about the songs but the menace and darkness remains. Musically there is a big shift on this album, a field recording of a folk band from a dark, pine filled glen. The opener, The Car sets the scene for the rural side of the album, dank and stone cold. The tracks then shift through the woods, people turn into animals, we pass a sunlit glade, do you hear a love song Cassie Ezeji closes the side sweetly lamenting in Gaelic as the snow falls.
Side two is a more urban affair opening with despair in a bedroom in Belgium, we visit a faith healer and drop in on your lonely mother. Lovatt recounts the story of a karaoke addicted murderer before we finally go home to our new build just outside of town where the pylons tower over Michael and his sister Rachel. It's a journey you can go on, looking out of the window of the bus, glimpses of lives glide by, cards on seats promise to help you. Ding! It's time to get off.
- A1: The Glory Days 3:31
- A2: Mr. Huph Will See You Now 1:34
- A3: Adventure Calling 2:22
- A4: Bob Vs. The Omnidroid 2:52
- A5: Lava In The Afternoon 1:29
- A6: Life's Incredible Again 1:23
- A7: Off To Work 1:58
- A8: New And Improved 2:15
- A9: Kronos Unveiled 3:15
- A10: Marital Rescue 2:19
- A11: Missile Lock 2:07
- A12: Lithe Or Death 3:24
- B1: 100 Mile Dash 3:07
- B2: A Whole Family Of Supers 3:27
- B3: Escaping Nomanisan 1:45
- B4: Road Trip! 2:27
- B5: Saving Metroville 5:02
- B6: The New Babysitter 3:25
- B7: The Incredits
- A1: Gee Gee Shinn & Boogie Kings - Fever
- A2: Connie Kaye Trio - I'm A Woman
- A3: Bus Brown - Mr. L.b.j
- A4: Earl Demus Band - Her Spare
- A5: Chuck Finney Combo - I Want A Man Like You
- B1: Chick Willis - Sometimes Soon
- B2: Australia - Wide Awake
- B3: J.r. - Any Time Now
- B4: Joe Akens - Nice
- C1: Hummingbird 4 - Cho Cho San
- C2: Evangeline Made - Burnt Flesh
- C3: Dario & The Inferno - Brother, Where Are You
- C4: Swoop - Upside Down
- D1: You - You Got It
- D2: Hot Cakes - Harlem Shuffle Theme
- D3: Reunion - When The Well Runs Dry
- D4: The Counts - Get Up, Get Dancin
2x LP + 7"[22,65 €]
IT'S TIME TO PAAAARTY! Why The Universe knows that Tramp is celebrating their 40th trip around the sun in 2018. And what about planet Earth Well... it is as blind as it is in so many other situations. Therefore, it is time to shine the light on Tramp for all of its unremitting efforts. As musical diversity is vanishing, especially in the field of African American music from the 1960s/70s, it is our duty to stop the extinction of threatened species of music in the same way an animal welfare activist would do anything to save a gorilla's life. Tramp Records keeps this beautiful heritage alive, every single day, again and again and again. So we are here wondering why Earth people and especially to those from our beloved home country, why why are you just sitting there, going about your life unaware of this historic event What a pity!
The announcement is especially striking when it comes to the prestigious "Movements" series. Like all its predecessors, this ninth volume contains Rare Groove nuggets recorded between the early 1960s and the late 1970s. The fact that only one of the songs appear anywhere else is a jaw-dropping phenomenon! The chronological track listing starts with two amazing cover versions: "Fever" by Gee Gee Shinn & the Boogie Kings and "I'm A Woman" by Connie Kaye Trio. Bus Brown, Earl Demus and Chuck Finney remain in the same direction although their contributions are slightly jazzier. Chick Willis' gut-wrenching "Sometime Soon" easily rivals James Brown's "It's A Man's World" and the recordings by Australia, J.R. and Joe Akens are beautiful examples of privately produced soul from the 1970s. The latin-soul of "Cho Cho San" by Hummingbird 4 heads the sound in another direction for the next three tunes, highlighted by one more stunning cover version, Oscar Brown Jr.'s "Brother, Where Are You". The album closes with some pre-disco tracks from The Counts, Reunion and Hot Cakes' dance floor bomb cover of "Harlem Shuffle".
Over a hundred great unknown songs have been re-released on the first eight volumes in the "Movements" series, the majority of which can not be found elsewhere, and Vol. 9 is no exception. The work of Germany's tiniest but grooviest record label is still incomprehensibly underestimated. We know you diggers, collectors, mavens, aficionados, fanatics, completists, enthusiasts, and just plain record geeks know what's up and we heartily salute you! Without your support there would be no Tramp Records. But now it's time for a broader cultural shift for good music and a sweeping move to uphold the legacy of the unsung heroes of funk and soul. Therefore, we humbly petition you: in 2018, Don't keep all this glory to yourself! Turn your friends and neighbors on! Thank you!
- the double vinyl LP comes with a full album download code
- deluxe double-gatefold LP with detailed liner notes, label scans & unseen photographs
- all but one song appear on vinyl-LP for the very first-time
- A1: Vernon Harrell - Slick Chick
- A2: Earl (Connelly) King - Every Whicha Kinda Way
- A3: Little Marie Allen - Humdinger
- A4: Teddy (Mr Bear) Mcrae - Hi' Fi' Baby
- A5: The Nightriders - Lookin' For My Baby
- A6: Little Luther - Steppin' High
- A7: Earl King - Darling Honey Angel Child
- A8: Lillian Vines And The Dynamics - I Dreamed About My Baby Last Night
- B1: Paul Perryman - Keep A'calling
- B2: Mike Robinson - Lula
- B3: Harold Jackson And The Jackson Brothers - Freedom Riders
- B4: The Drivers - Mr Astronaut
- B5: Gloria Irving - I Need A Man
- B6: Rudy Lambert - Jamboree
- B7: Jeanette B. Washington - Medicine Man
- B8: Rose Mitchell - Baby Please Don't Go
This unique set brings together a treasure trove of R&B rarities enshrined by the $3,000 Lookin' For My Baby', recorded by The Nightriders in 1959 for Juggy Murray's Sue imprint.
Murray had co-founded Sue Records two years earlier with fellow New Yorker Bobby Robinson whose Fire label provides us with the equally compelling Keep A'Calling' by Paul Perryman (side 1, track 1), a snip at only $300!
The set bursts into life with Vernon Harrell's hot dance ticket Slick Chick', currently commanding a cool $400 on its original Lescay label. Northern Soul fans will be interested to know that Harrell co-wrote Seven Days Too Long' with J R Bailey (aka Chuck Wood) and Sweet Sweet Lovin'' for The Platters.
Mike Robinson ( Lula') also has a tenuous Northern Soul connection, he was originally in Bobby Thomas' Vibranaires before joining the Orioles alongside the legendary Sonny Til.
BOTH Earl King's make the playlist: Earl Connelly' with his hard Every Whicha Kinda Way' and the New Orleans native Earl King with Darling Honey Angel Child', an early prototype of the standard Come On'.
Look out too for rare soul sweetheart Baby Washington, Medicine Man'.
A Collection to Treasure...
Inside Out is a brand-new series that invites DJs and producers to blur the boundaries between traditional artist albums and mix compilations. Coming from Aus Music label head and DJ-Kicks curator Will Saul, the concept encourages artists to showcase their own music and or the music of those in their own individual circles. The mix will be release digitally and on CD, while a selection of the tracks will also be available on double gatefold vinyl.
Each instalment will feature 100% new and unreleased music. It is a chance for artists to take sole creative charge, A&R as they see fit and then commission brand new music specifically for the cause. Depending on who is at the helm, Inside Out will take different forms: producers may wish to represent their own sound with only music they have made themselves or with close collaborators, while DJs and label heads may wish to reflect the sounds and scenes that surround them. The results will be a window into an artist's world that works as a coherent mix, but also as a treasure trove of fresh new music that steps outside the usual lines of a dance album.
The idea stems from Will Saul's own approach in the club, which often finds him seeking out brand new and unheard music to play for the first time. That feeling of taking people into the unknown is one that reminds him of the energy and excitement of his early days as a dancer.
For Will's mix he enlists an array of artists who he's worked with over the years, many of whom have released on one of his labels in that time. These include the likes of Lone, Pearson Sound, Move D, Gerd, Youandewan, Martyn, Falty DL, Dauwd, Appleblim and Marquis Hawkes.
"Non semper erit aestas!" - wie Erasmus einst zu sagen pflegte, es wird nicht immer Sommer sein. Aber wir sprechen hier über Sommer mit einem s : Summers Sons! Ein aufstrebendes Hip Hop Duo bestehend aus den Brüdern Turt (Rap) und Slim. (Beats) aus London/Bristol. Charlie Tappin, der mit Turt auf Twit Ones letztem Album Hay Luv' vertreten war, steuert Keys und Vocals bei. Slim. hat bereits Beats über Brownswood Recordings, Benoffee Pies und KO-OP veröffentlicht.
A quartet of heavy reworks. Reginald Omas Mamode IV truly does what he does best, bringing a percussive, low-slung funk to one of the most ethereal and beautiful pieces of soul on the album, Sunshine. Glenn Astro, elevates Bossa B to a jostling, bouncing shuffler that eventually turns around and heads skyward with uplifting chords and irresistible bass.
Deoke heads into the darker regions of the original for his huge remix of Bossa B. Finally the ever exceptional Mr Beatnick simply took the stereo track for Kalimba 2 and edited it into a mind-opening dub. Handling bass and harmonics as only he can, a true highlight of this high quality remix package.
The word 'Icosahedrite' refers to the geometric figure icosahedron, and arises from the idea that the EP is an amalgam of electronic music styles with many other aspects of traditional musical genres, like jazz or blues. Metaphorically, those genres act as the multiple sides of an imaginary icosahedron. Something complex yet solid that sits outside of the conventional emerges as the final result. A1 'Phason Jazz' - This is a track where conventional jazz structures converge with electronica, and the influences Eduardo gets from Miles Davis and John Coltrane shine themselves. Twisted keyboards patterns mixed with delays and deafening effects form a place to get lost, and eventually repetition becomes hypnotism and turns into an automatic trance. B1 ' Mr Dewey D' - Mr Dewey D is referring again to Miles, and his first and second surnames.This song is much more influenced by Dark Comedy (aka Kenny Larkin) and all the records that he throws out on the french label 'Poussez' titled 'FunkFaker: Music Saves My Soul' Blues breath tirelessly in this composition where there is not much time for an objective analysis and where everything finally leads to an insane ending. B2 'Rhythmic Soundscapes ' - This track is, I guess, the most conventional part of the EP, Nonetheless, it retains special qualities. Floating pianos with delays are combined with bass sounds that go back and forth, forming a musical piece with techno sensibilities that I hope will give opportunities to the most daring DJs.


















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