"Music collectors have the chance to rediscover a lost gem from the golden age of psychedelic rock. This Half-Speed Mastered Edition offers the ultimate listening experience of the Texan band"s legendary 1967 debut-and only-album. Originally pressed by the International Artists label, Power Plant has gained mythic status among fans of the genre, often fetching up to $2,000 for an original pressing. But this exclusive reissue surpasses even the most sought-after versions, delivering a superlative experience that uncovers astonishing stereo details never before heard. Recorded at the height of the Texas psych-rock explosion, Power Plant stands as the only album on the International Artists label to rival the cult-like fascination surrounding the 13th Floor Elevators. Fronted by George Kinney, The Golden Dawn crafted a sound both haunting and transcendental, blending poetic lyrics, distorted guitars, and dreamlike vocals. Fans old and new will be transported back to the heart of the 1967 psych revolution, reliving this masterpiece as it was meant to be heard.
Unreleased extras from the critically-acclaimed 'Memorial Waterslides' album sessions. "These songs are outsiders: when working on the overall listen of the Waterslides album we found they didn't fit in with the journey we'd envisioned through it, but put together on a single like this they work like magnets - polar opposites joined." MEMORIALS - Verity Susman (Electrelane) and Matthew Simms (Wire). A simmering cascade of sound, pressed on neon orange vinyl. Two exclusive tracks that extend their esoteric musical palette, a journey through psychedelic rock, far-out folk and wild analogue electronics. "A work of inspired joy." The Wire" - 500 copies pressed on neon orange for ww RSD 2025
Magnificent rumblings of The Dream Syndicate from the mid 80s featuring demos for the 'Out Of The Grey' album, unreleased songs from the era and the band live in New York delivering spine tingling takes on the album's title track and '50 In A 25 Zone'. This collection of much sought after rarities has never been pressed to vinyl before. "Paisley Underground Godfathers." Paste - 1500 RSD 2025 copies worldwide
Following the departure of Wire's drummer Robert Grey in 1990 WIR had risen phoenix like from the ashes of the acclaimed UK post-punk band after and were created to fulfil the final phase of Wire's Mute Records contract. With a more sequence based sound, WIR saw the band breaking all their own rules by creating a new sparse electronic music with Graham Lewis singing most of the vocals and even cannibalising their own catalogue by sometimes sampling their own older material. WIR was, however, not a long-term project and besides completing their only album, The First Letter, their only other activities were a very small number of gigs and two multi-artist "conceptual happenings" under the name I Saw You. One of these was in Clapham in April 1992 on election night and the other in Vienna in Feb 1993. On that Vienna trip, in addition to playing the gig, the band recorded a radio session for the Austrian national broadcaster ORF which was organised by Peter Rehberg - later the person behind MEGO & sadly no longer with us. This was released in 1996 by Touch on CD and consisted of two long tracks with a running time of almost 25 minutes. Once the short run of CDs had sold out, the rights technically fell to the band, and pinkflag released it - digital only - in 2007 and now released on vinyl for the first time. The remastered 2025 vinyl / CD / digital edition adds a newly recorded, Taylor Swift style re-recording of what is undoubtedly WIR's most pop moment, the dark brooding shadows of So and Slow. The version released here is based on how the band played it live, so, inspite of being instantly recognisable, it does not follow the arrangement of any previously released version.
"The Lost EP" is back on vinyl for the first time in almost four decades, a cornerstone of New Zealand's 'Dunedin Sound' of the 1980s. Faithfully restored with original artwork and insert, the EP is pressed on single yellow vinyl, still running at 45rpm and features six tracks of sublime pop from the pen of The Chills' mainstay Martin Phillipps. "The songwriter that helped kick off indie rock as we know it." NPR. Originally released in 1985, after the master tapes had been mislaid for 12 months, "The "Lost" EP' is the perfect mix of Phillipps' pop sensibilities and his often-dark lyrics. Doffing a cap to dream pop, garage punk, psychedelic whimsey and old school indie along the way, it's a band truly finding themselves. "Even at his most cynical, the tone of Phillipps' voice and the major-chord bounce of the music makes him sound in love with the world." The Guardian. 1000 copies worldwide
OVERVIEW We're delighted to announce the release of all Orange Goblin's Rise Above Records releases on vinyl, most of which will be for the first time. First is their landmark 1997 debut album, Frequencies From Planet Ten. Goblin singer Ben Ward recalls the album. "Frequencies from Planet Ten is the sound of Orange Goblin trying to establish ourselves and experimenting with an array of different influences. It was an exciting time for us as we were just finding our feet as a band. We were young and the UK stoner /doom scene was just coming to fruition so it was great to be a part of that. I think the songs still sound strong and relevant, which is why we still include a lot of this material in our live set to this day and a lot of the newer OG fans can discover where it all started. Its great that the album is finally getting a release on vinyl. Deluxe vinyl edition of ORANGE GOBLIN's debut album released for the very first time on vinyl from the original masters. British Doom/Stoner Metal legends. Features never before seen pictures & exclusive liner notes from singer BEN WARD. Hi quality 180gm vinyl. Gatefold sleeve with full colour insert. Includes bonus 7 single in picture sleeve. Tracklist: A. Aquatic Fanatic (originally released on a split 7" with Electric Wizard) / B. Sarumans Wish (Demo version)
Sex Mask ist eine dreiköpfige Post-Punk/Alternative-Rock-Band aus Melbourne, Australien, deren Musik als Mischung aus introspektiven Texten und innovativen Sounds im Kontext absurden Punks beschrieben wird. Mit Singles wie "TV Movie", "How To Be Cool At Parties" und "Birds" hat sich die Band eine wachsende Hörerschaft aufgebaut, und trat mit Fcukers, BIG SPECIAL und Fat White Family live auf. Derzeit läuft ihre erste UK Tournee mit Auftritten bei Dot To Dot, Great Escape, Get Together sowie einer erste Headliner-Show in London. Parallel erscheint eine limitierte 7"-Single mit ihrem 2022er Indie-Hit "How To Be Cool At Parties" sowie dem bislang unveröffentlichten Track "Circe" samt Faltposter.
Regina Spektor's 2006 break-out album is available on limited edition Yellow Flame vinyl. As the follow-up to 2004’s Soviet Kitsch, which was recorded live to tape, Begin to Hope sees Spektor’s first collaboration with producer David Kahne. She broadens her palette and expands her sonic vision with synth keyboards, drum machines, electronic loops, and layered vocal harmonies. The result is a trailblazing pop record. Includes “Fidelity”, “Better”, “On the Radio”, “Samson,”
Regina Spektor's 2009 follow-up to Begin to Hope, available on limited edition Velum Clear vinyl. On Far, Spektor invites four esteemed producers, Jeff Lynne, Mike Elizondo, David Kahne, and Garret "Jacknife" Lee, to collaborate on intricate and adventurous soundscapes for her songs. Includes “Two Birds”, “Eet, “Laughing With", “Dance Anthem of the 80’s,” and more
Regina Spektor’s 2016 album is available on limited edition Black Clouds double vinyl LP. Remember Us To Life is Spektor’s first collaboration with producer Leo Abrahams. Recorded in Los Angeles at The Village Studios, it lives in a world ranging from expansive orchestral and string arrangements to electronic and moody tracks. Includes “Bleeding Heart”, “Older and Taller”, “Grand Hotel”, “Small Bill$” and more.
Regina Spektor’s 2012 album is available on limited edition Translucent Red vinyl. What We Saw From The Cheap Seats sees Spektor reunited with production partner Mike Elizondo. Sonically, the album is warm and full of live performances from Spektor on piano and vocals and Elizondo on acoustic and electric bass. Together, they flesh out lush arrangements so that each song lives in a world of its own. Includes “Don’t Leave Me (Ne Me Quitte Pas), “All The Rowboats”, “How,” and more.
Founding work of minimalism, Music with Changing Parts is a piece with free instrumentation.The musicians choose which part to play among the 8 staves of the score. At each indicated cue, the musicians can change part, which produces an abrupt change of instrumentation. While the music is based on a melodic material limited to a few notes that are repeated in patterns that expand or contract, the changes in orchestration refresh the listening experience by producing sonic contrasts. These techniques at work
in Music with Changing Parts , written in 1970, will lead Philip Glass to renew his language and move from the monochromatic works that precede it to more dramatic works such as music in 12 parts and especially the opera Einstein on the Beach. When Philip Glass began rehearsing the piece, he was surprised to hear long notes when everything was written in eighth notes. After making sure that none of the musicians were playing held notes, he realized that the fact that the same notes were played by all the instruments in the ensemble produced, through a psycho-acoustic effect, a harmonic substrate of resonant frequencies. He then decided to add to
the score the possibility of playing long notes to reinforce this effect
Grails - the experimental rock institution who have cultivated a quarter-century career out of crate-plunging cultural curiosities - returns a mere two years after the lauded Anches En Maat with their most personal and emotionally resonant album to date. While the band still revel in rearranging bizarre and obscure sources into something often revelatory and surreal, Miracle Music does so with an ascendant melodic power that feels hallowed. The Miracle Music lineup includes cofounders Emil Amos (Om, Holy Sons, Lilacs & Champagne) and Alex Hall (Lilacs & Champagne), alongside returning members, AE Paterra (Zombi, Majeure), Jesse Bates, and Ilyas Ahmed. Produced by Amos, Miracle Music reunites the group with recording engineer Jason Powers and his Type Foundry studio in Portland, Oregon, where the earliest Grails records were made more than two decades ago. Replete with acoustic and electric guitars, synths, woodwinds, brass, samples, percussion - and featuring horn arrangements by Kelly Pratt (David Byrne, M. Ward) - Miracle Music unveils an exquisite new horizon for Grails. Creatively tireless as ever, Grails balance the boundary-pushing claustrophobia of early Industrial music with the airy melodies of Classical compositions to craft the heavy mood that is Miracle Music. In a catalog defined by mercurial departures, this is Grails' most sentimental and high-minded trip yet.
Grails - the experimental rock institution who have cultivated a quarter-century career out of crate-plunging cultural curiosities - returns a mere two years after the lauded Anches En Maat with their most personal and emotionally resonant album to date. While the band still revel in rearranging bizarre and obscure sources into something often revelatory and surreal, Miracle Music does so with an ascendant melodic power that feels hallowed. The Miracle Music lineup includes cofounders Emil Amos (Om, Holy Sons, Lilacs & Champagne) and Alex Hall (Lilacs & Champagne), alongside returning members, AE Paterra (Zombi, Majeure), Jesse Bates, and Ilyas Ahmed. Produced by Amos, Miracle Music reunites the group with recording engineer Jason Powers and his Type Foundry studio in Portland, Oregon, where the earliest Grails records were made more than two decades ago. Replete with acoustic and electric guitars, synths, woodwinds, brass, samples, percussion - and featuring horn arrangements by Kelly Pratt (David Byrne, M. Ward) - Miracle Music unveils an exquisite new horizon for Grails. Creatively tireless as ever, Grails balance the boundary-pushing claustrophobia of early Industrial music with the airy melodies of Classical compositions to craft the heavy mood that is Miracle Music. In a catalog defined by mercurial departures, this is Grails' most sentimental and high-minded trip yet.
Album was released in three versions: classic with black vinyl, limited edition with solid green vinyl (hand numbered 100 copies) and special Japan edition (with OBI and transparent green vinyl). All versions have 180g vinyl.
Ljóstillífun is the latest album by musician/sound artist Pan Thorarensen. The album is inspired by Iceland's flóra, its plant kingdom, and the country's mysterious natural landscapes. The title, Ljóstillífun, translates to Photosynthesis in English.
Pan extensively incorporated field recordings of nature using specialized microphones during the album's production. He combined these with various handcrafted electronic instruments, synthesizers, and sound design techniques to create a truly unique sonic environment.
"The music will guide the listener into a meditative state, immersing them in Iceland's flóra, stillness, and the breathtaking beauty of its nature."
For this project, Pan collaborated with several esteemed artists, including:
• Italian composer and guitarist Eraldo Bernocchi
• Venetian ambient producer and composer Gigi Masin
• Portland-based sound designer and field recordist Patricia Wolf
• Japanese ambient artist Moshimoss
• Berlin-based Japanese violinist Hoshiko Yamane (Tangerine Dream)
Beyond his solo work, Pan has composed music for short films and documentaries and has released numerous albums under various stage names. One of his projects is the ambient trio Stereo Hypnosis, in which he collaborates with his father, Óskar Thorarensen, and composer/guitarist Þorkell Atlason.
For the past 16 years, Pan has traveled the world exhibiting his art and performing at numerous music festivals. Throughout these journeys, he has formed deep connections with musicians, visual artists, agents, journalists, and event organizers.
A key figure in Iceland's electronic music scene, Pan is widely respected for his artistic contributions. Fifteen years ago, he founded and has since organized Extreme Chill, an annual electronic music festival that attracts both local and international electronic music enthusiasts, drawing them into the ethereal embrace of Iceland's natural beauty.
The album is released by the renowned Polish independent label U Know Me Records, which celebrates its 15th anniversary this year. After more than 125 releases this is the very first one without Polish artists involved in the recordings. UKM starts a new chapter...
Album was released in three versions: classic with black vinyl, limited edition with solid green vinyl (hand numbered 100 copies) and special Japan edition (with OBI and transparent green vinyl). All versions have 180g vinyl.
Ljóstillífun is the latest album by musician/sound artist Pan Thorarensen. The album is inspired by Iceland's flóra, its plant kingdom, and the country's mysterious natural landscapes. The title, Ljóstillífun, translates to Photosynthesis in English.
Pan extensively incorporated field recordings of nature using specialized microphones during the album's production. He combined these with various handcrafted electronic instruments, synthesizers, and sound design techniques to create a truly unique sonic environment.
"The music will guide the listener into a meditative state, immersing them in Iceland's flóra, stillness, and the breathtaking beauty of its nature."
For this project, Pan collaborated with several esteemed artists, including:
• Italian composer and guitarist Eraldo Bernocchi
• Venetian ambient producer and composer Gigi Masin
• Portland-based sound designer and field recordist Patricia Wolf
• Japanese ambient artist Moshimoss
• Berlin-based Japanese violinist Hoshiko Yamane (Tangerine Dream)
Beyond his solo work, Pan has composed music for short films and documentaries and has released numerous albums under various stage names. One of his projects is the ambient trio Stereo Hypnosis, in which he collaborates with his father, Óskar Thorarensen, and composer/guitarist Þorkell Atlason.
For the past 16 years, Pan has traveled the world exhibiting his art and performing at numerous music festivals. Throughout these journeys, he has formed deep connections with musicians, visual artists, agents, journalists, and event organizers.
A key figure in Iceland's electronic music scene, Pan is widely respected for his artistic contributions. Fifteen years ago, he founded and has since organized Extreme Chill, an annual electronic music festival that attracts both local and international electronic music enthusiasts, drawing them into the ethereal embrace of Iceland's natural beauty.
The album is released by the renowned Polish independent label U Know Me Records, which celebrates its 15th anniversary this year. After more than 125 releases this is the very first one without Polish artists involved in the recordings. UKM starts a new chapter...
Album was released in three versions: classic with black vinyl, limited edition with solid green vinyl (hand numbered 100 copies) and special Japan edition (with OBI and transparent green vinyl). All versions have 180g vinyl.
Ljóstillífun is the latest album by musician/sound artist Pan Thorarensen. The album is inspired by Iceland's flóra, its plant kingdom, and the country's mysterious natural landscapes. The title, Ljóstillífun, translates to Photosynthesis in English.
Pan extensively incorporated field recordings of nature using specialized microphones during the album's production. He combined these with various handcrafted electronic instruments, synthesizers, and sound design techniques to create a truly unique sonic environment.
"The music will guide the listener into a meditative state, immersing them in Iceland's flóra, stillness, and the breathtaking beauty of its nature."
For this project, Pan collaborated with several esteemed artists, including:
• Italian composer and guitarist Eraldo Bernocchi
• Venetian ambient producer and composer Gigi Masin
• Portland-based sound designer and field recordist Patricia Wolf
• Japanese ambient artist Moshimoss
• Berlin-based Japanese violinist Hoshiko Yamane (Tangerine Dream)
Beyond his solo work, Pan has composed music for short films and documentaries and has released numerous albums under various stage names. One of his projects is the ambient trio Stereo Hypnosis, in which he collaborates with his father, Óskar Thorarensen, and composer/guitarist Þorkell Atlason.
For the past 16 years, Pan has traveled the world exhibiting his art and performing at numerous music festivals. Throughout these journeys, he has formed deep connections with musicians, visual artists, agents, journalists, and event organizers.
A key figure in Iceland's electronic music scene, Pan is widely respected for his artistic contributions. Fifteen years ago, he founded and has since organized Extreme Chill, an annual electronic music festival that attracts both local and international electronic music enthusiasts, drawing them into the ethereal embrace of Iceland's natural beauty.
The album is released by the renowned Polish independent label U Know Me Records, which celebrates its 15th anniversary this year. After more than 125 releases this is the very first one without Polish artists involved in the recordings. UKM starts a new chapter...
TÖRZS, Hungary's premier instrumental post-rock band, return with the understated sonic beauty of `Menedèk', their first new music in six years. Loosely translating as `Refuge', `Menedèk' sees the freshly bolstered trio in their element; finding shelter, comfort and joy in the act of creative collaboration whilst the storm of day to day life weathers ever on. A steadfast and admirable mission statement centred on staying true to themselves in the moment, being open to growth and documenting this process as honestly as possible has led to TÖRZS building a reputation as one of Hungary's most exciting musical collectives. Three stunning albums of organic and perfectly composed contemplation, as well as the band's transcendental live shows alongside acts including contemporaries We Lost The Sea, Oh Hiroshima, Föllakzoid and more have placed TÖRZS at the forefront of a post-rock movement that prizes the shared experience of band and listener above all else. The band's previous full-length release, 2019's `Tükor', was recorded live at Aggteleki Cseppkobarlang, a UNESCO World Heritage protected cave system, 500 metres below the Aggteleki National Park. Embracing the cave's utterly unique natural reverb almost as a fourth member led to `Tükor' receiving critical acclaim, with TÖRZS were subsequently nominated for the HEMI Music Awards 2022 and invited to perform at the likes of Moscow Music Week (2020), The Budapest Showcase Hub (2021) and 2024's Changeover Festival in Belgrade, Serbia. Whilst the intervening years have seen unprecedented change on a global scale, TÖRZS too found themselves in a state of flux. The band returned to the more traditional studio setting in 2023, working alongside long-time producer György Ligeti, in order to faithfully capture the intimate energy of songs meticulously crafted together in their small rehearsal space, a far cry from 2019's subterranean setting. However, having spent countless hours writing, orchestrating and recording the pieces that have become `Menedèk', the band's founding drummer Zsombor Lehoczky stepped away from the band and music as a whole. Where this might have been catastrophic for any other band, remaining members Soma Balázs and Dániel Nyitray soon found a connection with Tamás Szijártó, who approached TÖRZS' music with the same openness to creativity in the moment; not `performing' as such, but simply working together to produce breathtaking, musical escapism away from the daily humdrum. The album's themes of shelter, refuge and support resound clearly on lead single `Otthon'. Meaning `At Home' in Hungarian, `Otthon' serves as a de facto introduction to the record. The song's lilting groove, soaring yet soft guitar palette and the band's signature delicate dynamism all combine to invite the listener to reflect; not steering one way or another yet inviting us to close our eyes and join the flow. Elsewhere, the pounding, chiming `Levegovétel' proves TÖRZS are still staying true to their mission statement of documenting the inevitable process of change. Here the band embrace elements of post-rock's harsher, heavier side with a cacophony of driving half-time drums and distorted, open-chord guitars yet still provide brief havens of space for themselves, the song and the listener alike to breathe before the euphoric swell rises anew. Whilst TÖRZS' previous full-length effort was a spectacular collision of the band's tight-knit existence and the (literal) echo chamber of the world outside, `Menedèk' is introspective, understated and refreshingly brave in its honesty. TÖRZS have opened the doors to their inner sanctum, their rehearsal space, their songwriting process, their friendship; inviting us to live in it with them, to revel in the moment together. FOR FANS OF Godspeed You! Black Emperor, Explosions In The Sky, This Will Destroy You, Caspian, MONO, Sigur Rós
TÖRZS, Hungary's premier instrumental post-rock band, return with the understated sonic beauty of `Menedèk', their first new music in six years. Loosely translating as `Refuge', `Menedèk' sees the freshly bolstered trio in their element; finding shelter, comfort and joy in the act of creative collaboration whilst the storm of day to day life weathers ever on. A steadfast and admirable mission statement centred on staying true to themselves in the moment, being open to growth and documenting this process as honestly as possible has led to TÖRZS building a reputation as one of Hungary's most exciting musical collectives. Three stunning albums of organic and perfectly composed contemplation, as well as the band's transcendental live shows alongside acts including contemporaries We Lost The Sea, Oh Hiroshima, Föllakzoid and more have placed TÖRZS at the forefront of a post-rock movement that prizes the shared experience of band and listener above all else. The band's previous full-length release, 2019's `Tükor', was recorded live at Aggteleki Cseppkobarlang, a UNESCO World Heritage protected cave system, 500 metres below the Aggteleki National Park. Embracing the cave's utterly unique natural reverb almost as a fourth member led to `Tükor' receiving critical acclaim, with TÖRZS were subsequently nominated for the HEMI Music Awards 2022 and invited to perform at the likes of Moscow Music Week (2020), The Budapest Showcase Hub (2021) and 2024's Changeover Festival in Belgrade, Serbia. Whilst the intervening years have seen unprecedented change on a global scale, TÖRZS too found themselves in a state of flux. The band returned to the more traditional studio setting in 2023, working alongside long-time producer György Ligeti, in order to faithfully capture the intimate energy of songs meticulously crafted together in their small rehearsal space, a far cry from 2019's subterranean setting. However, having spent countless hours writing, orchestrating and recording the pieces that have become `Menedèk', the band's founding drummer Zsombor Lehoczky stepped away from the band and music as a whole. Where this might have been catastrophic for any other band, remaining members Soma Balázs and Dániel Nyitray soon found a connection with Tamás Szijártó, who approached TÖRZS' music with the same openness to creativity in the moment; not `performing' as such, but simply working together to produce breathtaking, musical escapism away from the daily humdrum. The album's themes of shelter, refuge and support resound clearly on lead single `Otthon'. Meaning `At Home' in Hungarian, `Otthon' serves as a de facto introduction to the record. The song's lilting groove, soaring yet soft guitar palette and the band's signature delicate dynamism all combine to invite the listener to reflect; not steering one way or another yet inviting us to close our eyes and join the flow. Elsewhere, the pounding, chiming `Levegovétel' proves TÖRZS are still staying true to their mission statement of documenting the inevitable process of change. Here the band embrace elements of post-rock's harsher, heavier side with a cacophony of driving half-time drums and distorted, open-chord guitars yet still provide brief havens of space for themselves, the song and the listener alike to breathe before the euphoric swell rises anew. Whilst TÖRZS' previous full-length effort was a spectacular collision of the band's tight-knit existence and the (literal) echo chamber of the world outside, `Menedèk' is introspective, understated and refreshingly brave in its honesty. TÖRZS have opened the doors to their inner sanctum, their rehearsal space, their songwriting process, their friendship; inviting us to live in it with them, to revel in the moment together. FOR FANS OF Godspeed You! Black Emperor, Explosions In The Sky, This Will Destroy You, Caspian, MONO, Sigur Rós
MIKE’s music carries age beyond his years. Born in New Jersey, he moved to London with his mother before eventually settling in The Bronx for the remainder of his teenage years. Renaissance Man was recorded between the two cities that shaped him, with both regions leaving a distinct mark on his sound. In London, he was immersed in grime and the music of King Krule, while in The Bronx, he gravitated toward the influences of Earl Sweatshirt and MF DOOM.Through his mixtapes Winter New York, Longest Day, Shortest Night, May God Bless Your Hustle, and his EP By The Water, he has made a definitive statement on the state of youth in New York. The releases turned heads outside of MIKE’s immediate community in the city, earning praise from The FADER, The New Yorker, and being selected as Best New Music by Pitchfork.MIKE raps over characteristically lo-fi, and soulfully hazy, self produced beats. Themes about the depression and anxiety that accompany being young and African American abound throughout his music, but a muted sense of hopefulness and certainty that he is moving towards ultimate triumph is the motor quietly propelling things forward.Renaissance Man follows his critically acclaimed Lex Records release, Black Soap
"Kunst zu kreieren ist für mich ein ständiger Kampf den Fokus zu behalten; denn wir leben in einer Zeit voller Unterbrechung und Zerrüttung, äußert sich die Tune-Yards Sängerin Merrill Garbus über ihr sechstes Album "Better Dreaming". Mit einer klaren Haltung zu Antifaschismus, Befreiung und Anderssein präsentiert das neue Album einige der eingängigsten und funkigsten Pop-Momente von Tune-Yards bisher - und ja, tanzen kann man dazu auch. Die Songs entstanden für Garbus und ihren Bandkollegen und Partner Nate Brenner mit ungewöhnlicher Leichtigkeit - sie ließen die Musik einfach fließen und folgten jeder kreativen Spur, die sich ergab. Nach der Isolation in der Pandemie und der langen Pause von Tourneen und Live-Shows war das Bedürfnis, sich von Musik bewegen zu lassen, stärker denn je. Auch die einzigartige Erfahrung, ein menschliches Wesen heranwachsen zu sehen, prägte den Entstehungsprozess. Ihr gemeinsames Kind, heute drei Jahre alt, ist auf dem Song "Limelight" zu hören - ein Song, der aus gemeinsamen Tanzmomenten zur Musik von George Clinton entstand. Die Songs wurden als Duo aufgenommen und basieren - mit einer Ausnahme - auf Merrills Drum-Loops und Rhythmusstrukturen, ähnlich wie auf ihren frühen Alben_Ç»"Bird-Brains"_Ç»und_Ç»"W H O K I L L". Der Opener_Ç»"Heartbreak"_Ç»baut riesige Vokalharmonien um einen druckvollen Beat aus Klicks, Pops, Samples und gedubbten Snares. Garbus besingt darin Herzschmerz als Antrieb, als Herausforderung - Zeilen wie "Watch me survive another heartbreak"_Ç»wirken wie ein Aufruf zum Weitermachen. Das treibende_Ç»"How Big is the Rainbow"_Ç»setzt auf Four-on-the-Floor-Rhythmus und versprüht Disco-House-Energie - mit der Atmosphäre eines queeren Club-Hits voller Strobo und Intensität. "Better Dreaming"_Ç»ist ein kraftvolles Manifest für Selbstliebe, kollektives Handeln, Befreiung auf der Tanzfläche sowie die Hoffnung auf eine bessere Zukunft. Angesichts der Herausforderungen und Unsicherheiten der Gegenwart stellt sich Tune-Yards die Frage: Wie viel echte Energie und Freude lassen sich durch Musik überhaupt transportieren? Mit seinem mitreißenden, lebensbejahenden Art-Pop für eine Welt im Umbruch macht_Ç»"Better Dreaming"_Ç»genau das.
"Kunst zu kreieren ist für mich ein ständiger Kampf den Fokus zu behalten; denn wir leben in einer Zeit voller Unterbrechung und Zerrüttung, äußert sich die Tune-Yards Sängerin Merrill Garbus über ihr sechstes Album "Better Dreaming". Mit einer klaren Haltung zu Antifaschismus, Befreiung und Anderssein präsentiert das neue Album einige der eingängigsten und funkigsten Pop-Momente von Tune-Yards bisher - und ja, tanzen kann man dazu auch. Die Songs entstanden für Garbus und ihren Bandkollegen und Partner Nate Brenner mit ungewöhnlicher Leichtigkeit - sie ließen die Musik einfach fließen und folgten jeder kreativen Spur, die sich ergab. Nach der Isolation in der Pandemie und der langen Pause von Tourneen und Live-Shows war das Bedürfnis, sich von Musik bewegen zu lassen, stärker denn je. Auch die einzigartige Erfahrung, ein menschliches Wesen heranwachsen zu sehen, prägte den Entstehungsprozess. Ihr gemeinsames Kind, heute drei Jahre alt, ist auf dem Song "Limelight" zu hören - ein Song, der aus gemeinsamen Tanzmomenten zur Musik von George Clinton entstand. Die Songs wurden als Duo aufgenommen und basieren - mit einer Ausnahme - auf Merrills Drum-Loops und Rhythmusstrukturen, ähnlich wie auf ihren frühen Alben_Ç»"Bird-Brains"_Ç»und_Ç»"W H O K I L L". Der Opener_Ç»"Heartbreak"_Ç»baut riesige Vokalharmonien um einen druckvollen Beat aus Klicks, Pops, Samples und gedubbten Snares. Garbus besingt darin Herzschmerz als Antrieb, als Herausforderung - Zeilen wie "Watch me survive another heartbreak"_Ç»wirken wie ein Aufruf zum Weitermachen. Das treibende_Ç»"How Big is the Rainbow"_Ç»setzt auf Four-on-the-Floor-Rhythmus und versprüht Disco-House-Energie - mit der Atmosphäre eines queeren Club-Hits voller Strobo und Intensität. "Better Dreaming"_Ç»ist ein kraftvolles Manifest für Selbstliebe, kollektives Handeln, Befreiung auf der Tanzfläche sowie die Hoffnung auf eine bessere Zukunft. Angesichts der Herausforderungen und Unsicherheiten der Gegenwart stellt sich Tune-Yards die Frage: Wie viel echte Energie und Freude lassen sich durch Musik überhaupt transportieren? Mit seinem mitreißenden, lebensbejahenden Art-Pop für eine Welt im Umbruch macht_Ç»"Better Dreaming"_Ç»genau das.
"Music was his passion. His life, his love_ his all." Book-ended by the two parts that make up the album's centrepiece, "Opus Imperfectus", Maestro is Magic Pie's long-awaited 6th studio album, years in the making... "Maestro! Where did you go? People ask and I need to know." Does life imitate art, or is it the other way around? Magic Pie is a Norwegian progressive rock band formed in 2001, known for their intricate compositions, symphonic arrangements, and blend of vintage and modern influences. Highly regarded in the international prog community, Magic Pie's music explores themes of introspection, existentialism, and human emotion. Drawing inspiration from bands like Dream Theater, Genesis, Pink Floyd, Kansas, Deep Purple, Yes and many more - their music incorporates complex time signatures, lush keyboards, and dynamic guitar work, mixing elements of symphonic rock, jazz, and even folk. Fronted by the charismatic Icelandic singer and lyricist Eirikur Hauksson and "maestro-mind" & composer Kim Stenberg, Magic Pie continues to strive for higher & bigger musical conquests. "Follow your vision, fulfill your dream".
Tarja Turunen is a Finnish singer-songwriter and one of the most iconic voices in symphonic metal. She blends her classically trained soprano with metal and rock influences, creating a unique style. Since launching her solo career, Tarja has released critically acclaimed albums spanning genres from symphonic metal to classical and Christmas music. Her powerful live performances, theatrical stage presence, and global fanbase solidify her as a pioneering artist in modern music.
THE PRODUCT
The “Circus Life” concert was an unforgettable live experience, recorded with 16 musicians in a unique “In the Round” format at the circus in Bucharest. Tarja was joined by talented vocalists, including her brother Toni, and a mix of musicians from various stages of her career.
The concert captured the joy and camaraderie among the performers, with Tarja opting for a minimalistic approach to her wardrobe to prioritize the music. The whole experience, marked by togetherness and spontaneity, became a cherished memory before the world shut down in 2020. The setlist spans her career, featuring greatest hits such as “I Walk Alone”, “Until My Last Breath” and “Innocence”, as well as fan favorites like “Victim Of Ritual” and “Demons In You”, showcasing her evolution as an artist.
The show was originally included as bonus content in the strictly limited and sold-out Mediabook and Box Set of Tarja’s 2022 “Best Of: Living The Dream” release. It is now made available stand-alone as “Ltd. 2CD+Blu-ray Digipak”, featuring the 2-hour live show as audio and video, “Ltd. Black 3LP Gatefold”, including a LP-sized booklet and Blu-ray softcase.
Legendary Latin jazz percussionist Poncho Sanchez returns with his 31st recording, Live at The Belly Up Tavern. Recorded at the iconic venue in Solana Beach, California, this electrifying live album captures the raw energy and passion that have defined Sanchez’s storied career.
A GRAMMY Award winner for Latin Soul (Best Latin Album, 1999), Sanchez has spent decades honoring and expanding the Latin jazz tradition. With a discography that includes classics like Soul of the Conga, Latin Spirits, Out of Sight!, and Psychedelic Blues, his music bridges Afro-Cuban rhythms, hard bop, and soul, bringing the spirit of legends like Dizzy Gillespie and Chano Pozo to a new generation.
Following his tribute album Chano y Dizzy! and the dynamic Live in Hollywood, Sanchez once again delivers a masterful live performance, full of infectious grooves, rich storytelling, and blazing solos. Live at The Belly Up Tavern is a must-have for jazz lovers and fans of high-energy, soulful Latin music.
15th Anniversary Edition. Lime Green Vinyl. When Dinosaur Jr. reunited, more than 20 years after their formation and legendary dissolution, the worry was that these guys were just flogging the back catalog, taking the old show on the road as a marketing gimmick. But the 2007 release of Beyond gave a hearty Marshall-driven "F**K YOU!" answer to those inquiring ears. Restoring the sound established by the unassailable hat-trick gambit of their first three albums -- Dinosaur, You're Living All Over Me, and Bug -- Beyond continued the band's march into rock greatness by making old ears smile and new ears bleed afresh. And then came Farm, the 9th full length record by the original line-up: J Mascis, Lou Barlow, and Murph. If Beyond was Dinosaur Jr.'s return to form, Farm is proof that Dinosaur Jr. could (and still do, to this day!) deliver timeless, exhilarating rock music. Farm encompasses Dinosaur Jr.'s signature palette: soaring and distorted guitar, unshakable hooks, honey-rich melodies. At times wholly 70's guitar-epic, at times perfect for sitting by a babbling brook with Joni and Neil, these songs get into your head and stay there, bouncing happily around. The ear-catching "Plans" is nearly seven minutes of classic whipped-topping rock dessert, while "I Don't Wanna Go There" is a meat-and-potatoes main dish, mixing unapologetic lead guitar with straight-ahead delivery a la James Gang or Humble Pie. This expanded deluxe edition of Farm features four songs never pressed to vinyl and never given worldwide release:"Houses", "Whenever You're Ready" (The Zombies Cover), "Creepies" (Instrumental), and "Show". "Whenever You're Ready", a cover of classic pop-rockers The Zombies, is impossibly good for a hidden gem; Murph stomps in with a sledgehammer to the kit, J and Lou layer low-end and fuzz like two halves of one brain, and right when things feel biggest, airy and colossal, there's J with a lightning bolt of a guitar solo. Pure electricity and melody like only he can make. Recorded in J Mascis' Bisquiteen studio in Amherst, Massachusetts, Farm was produced by Mascis himself, and delivers the singular, unique energy of one of America's greatest living rock bands.
Two Times Juno awards listed and 2 times Polaris price listed, Canadian Soul Star Tanika Charles unleash the new album "Reason To Stay that drops on May 16 via independent soul label Record Kicks. Reasons To Stay is Tanika Charles' fourth full-length album, and her most introspective to date. Where her songs have typically touched on romantic love and heartache, the core love and loss of this record is family focused. It has taken years for Tanika to be able to publicly reflect on the childhood trauma and family breakup that occurred during her teens. The majority of the album was composed by Tanika with the tight knit team of Scott McCannell (Lydia Persaud, Henry Nozuka), Kyla Charter (Aysanabee) and Chino de Villa (Jessie Reyez). Kelly Finnigan of the Monophonics joined in to mix the bulk of the project and apply some trademark analogue grit to Tanika's sheen. Guests include Quebec-based Soulful singer/songwriter Clerel on the last track "Win", as well as Toronto soul artists Aphrose and Claire Davis providing additional vocals. "I love this album. I love singing these songs. I love that it's made me step outside of my comfort zone. It's forced me to face the root causes of my own insecurities that I carry to this day. Why am I striving so hard to seek validation, and why take it so personally when it doesn't come? That distortion has prevented me from celebrating my own successes at times. This album is me trying to change that." "I love the conversations that have begun with these songs. It's about childhood trauma, but it's not a victim story. I'm doing well, despite the baggage I carry. I want others to be able to carry theirs too." In the last few years, Canadian Soul/R&B powerhouse Tanika Charles has transformed from an emerging solo artist to a commanding performer and bandleader, cementing her status as a staple in the Canadian soul scene. Her previous studio albums - "Soul Run" (2017), "The Gumption" (2019), and "Papillon De Nuit" (2022) - have propelled her to international acclaim, earning her two JUNO nominations, two Polaris Prize listings, and a growing global fanbase. Extensive touring across North America and Europe has further solidified her reputation, with standout performances at festivals such as Trans Musicales in France, Fusion Festival in Germany, Mostly Funk & Soul Festival and Jazz Festival in the UK, Holy Groove Festival in Switzerland, and Canarias Jazz Festival in Spain. She has also shared the stage Estelle, Mayer Hawthorne, Haitus Kayote, Lauryn Hill, Bedouin Soundclash and Macy Gray. Tanika's meteoric rise and undeniable artistry have been widely championed by outlets such as KCRW, KEXP, BBC6 Music, Exclaim!, CBC Music, Uncut Mag, PopMatters, Albumism .. further solidifying her position as a global soul sensation.
Ein Album zum Schlafen und Wachen, zum Gehen und Fahren, zum Jagen und Fischen, zum Herumlungern vor einer Raststätte in der verwunschenen Tundra. In Fahrstühlen okay, zum Abendessen nicht so toll. Auf Caveman Wakes Up, dem neuen Album von Friendship und ihrem zweiten für Merge Records, wird die historisch weit gefasste Definition von Country-Musik noch weiter gefasst. Shambolische Gitarren werden durch Flötenpads ausgeglichen, trübe Poesie trifft auf eine Motown-Rhythmusgruppe, ein Song über Jerry Garcia und die First Lady Betty Ford wird mit einem Schlagzeugsolo ausgeblendet, als käme Talk Talk aus einem schmuddeligen Keller in Philadelphia und würde von James Tate gespielt. Der zerklüftete Bariton des Songwriters Dan Wriggins schneidet durch elf düstere, wirbelnde Country-Rock-Songs mit tiefgründiger lyrischer Substanz und Aufrichtigkeit. Wie ein Wecker, der am Rande eines Traums eingebaut ist, gehört "Caveman Wakes Up" gleichermaßen zum bewussten und zum unterbewussten Verstand, voller Hintergründe, durchdrungen von Referenzen und Experimenten, beiläufig und als düstere Warnung vorgetragen und vor allem der kreativen Seele der Musik gewidmet. Im Laufe der Jahre hat sich diese Hingabe ausgezahlt. Friendship ist zu einer Art umgekehrter Supergroup geworden, in der die Band selbst und jedes einzelne Mitglied im Zentrum einer zunehmend prominenten Szene junger Folk- und Country-Musiker und Songwriter steht. Der Schlagzeuger Michael Cormier O'Leary leitet das Instrumentalkollektiv Hour und betreibt zusammen mit dem Bassisten Jon Samuels das Label Dear Life Records, das Freunde und Kollegen beherbergt, die Friendship zu einem wichtigen Einfluss zählen, darunter MJ Lenderman, Florry, und Fust. (Samuels spielt auch die Leadgitarre bei MJ Lenderman and the Wind). Die Band 2nd Grade des Gitarristen Peter Gill ist ebenfalls aktiv und macht zahlreiche Aufnahmen. Wriggins begann mit dem Schreiben der Songs von "Caveman Wakes Up" auf einer verstimmten klassischen Gitarre von Lenderman und beendete es auf einem kaum gestimmten Klavier in einer Wohnung, die er mit G DeGroot von Sadurn teilte. Im Sommer 2023 hatte Wriggins gerade den Iowa Writers' Workshop verlassen, wo seine Liebe zur Poesie und sein Misstrauen gegenüber der akademischen Poesiewelt gleichzeitig wuchsen. Eine Beziehung ging in die Brüche, und Wriggins übernachtete mehrere Wochen in North Carolina im Haus von Lenderman und Karly Hartzman (von Wednesday ), wo er die ersten Demos von "Resident Evil", "All Over the World" und "Love Vape" aufnahm. Wriggins kehrte nach Philadelphia zurück, und die Band machte sich an die Arbeit, um neue Ideen zu entwickeln. Schließlich nahmen sie das Album in fünf Tagen mit Tontechniker Jeff Ziegler (Mary Lattimore, War On Drugs) auf, den Gesang mit Bradford Kreiger, dem Techniker von Love the Stranger. Orgel, Geige (Jason Calhoun) und Flöte (Adelyn Strei) wurden von Lucas Knapp in einer Kirche in West Philadelphia aufgenommen. Textlich bewegt sich "Caveman Wakes Up" auf vertrautem Friendship Terrain - das Heilige wird profaniert und das Profane geheiligt. "Caveman Wakes Up" zeigt Friendships besonderes Genie für visionäre Arrangements, die über Generationen hinweg dem Folk-Rock-Kanon von Neil Young, Joni Mitchell und Emmylou Harris ebenso verpflichtet sind wie Indie-Größen wie Yo La Tengo und den Merge-Labelkollegen Lambchop oder Zeitgenossen wie Lomelda und ML Buch. Mehrere der Songs verwenden Fade-Outs, die im Text von "Love Vape" scherzhaft erwähnt werden, und es gibt andere Elemente, die von Motown und 70er-Jahre-Balladen übernommen wurden: festgefahrene Schlagzeugmuster, Bassintervalle, gefühlvolle Streicherarrangements. Jede Referenz wird über das Genre hinausgeschoben, verwirbelt und wiederholt, zu etwas Neuem, das eindeutig zum Friendship-Sound gehört. Bei "Free Association", "Artex" und "Wildwood in January" ist der Groove so festgelegt, dass andere Klänge nahtlos kommen und gehen können: Mellotron-Flächen, Klavierwirbel und -stiche und klare Gitarrenmelodien, wimmelnde Texturen, die sich als Einheit tarnen. "Caveman Wakes Up" das bisher am weitesten fortgeschrittene Werk von Friendship, ein weiterer Beweis für die Hingabe und Sorgfalt der Band.
Mit ihrem siebten Studioalbum katapultiert die Berliner Band Kadavar ihren Sound in neue Dimensionen. Inspiriert von einem Zitat ihres Bassisten Simon 'Dragon' Bouteloup, „Ich will einfach nur ein Sound sein“, schaffen sie ein Manifest für Freiheit, Transformation und radikale Präsenz. Keine Konzepte, keine Grenzen: Das Album ist ein musikalisches Ritual des Übergangs, das sich nahtlos zwischen Rockhymnen, Balladen und epischen Momenten bewegt - immer voller Schwung und Veränderung.
Unterstützt von Produzent Max Rieger und begleitet von Gitarrist Jascha Kreft zelebrieren Kadavar die ewige Verwandlung des „Ewigen Jetzt“. Ein Soundtrack für die Widersprüche der Zeit, der alles hinter sich lässt, was nicht Musik ist - kraftvoll, verletzlich und immer bereit für einen Neuanfang. Es ist ein Liebesbrief an den Moment, an Berlin und an das Leben selbst - voller Liebe, Verlust, Narben und dem bittersüßen Gefühl der Vergänglichkeit. Kadavar laden uns ein, loszulassen und eins zu werden: mit der Musik, mit dem Jetzt, mit dem Klang.
Die aus der estnischen Metalszene stammende Band PRIDIAN wird ihr Debütalbum "Venetian Dark" über Century Media Re-cords veröffentlichen. Ihr moderner, energiegeladener und atmosphärischer Metalcore mit futuristischem Einschlag erinnert an Genre-Größen wie Northlane, Spiritbox und Architects. Beim Songwriting legen PRIDIAN den Schwerpunkt auf cineastisches Storytelling und ein starkes narratives Konzept in ihren Texten, ihrer Musik und ihren visuellen Elementen. "Wir wollen Songs schreiben, nicht nur instrumentenbasierte Musik. Wir könnten technische Sachen schreiben, weil wir alle unsere Instrumente beherrschen, aber gute Songs, interessante Strukturen und gute Geschichten sind wichtiger."Der Albumtitel "Venetian Dark" wurde von einer Farbe inspiriert, die sich in Jörgs Kopf festsetzte und sich langsam zu ihrer end-gültigen Form mit den allgemeinen Themen des Albums entwickelte. Das Album wurde komplett von PRIDIAN geschrieben und produziert, die viel individuelle und gemeinschaftliche Arbeit in die Entwicklung der Tracks gesteckt haben. Tracks wie "Out For Blood", "DINY" und "Void Resonance" vereinen chaotische, energiegeladene Riffs mit EDM-artigen Synthies, krachenden Break-downs und atmosphärischen Elementen. PRIDIAN schöpft aus dem Metalcore der 2010er-Ära, dem Djent und dem von Deftones inspirierten Post-Hardcore und lässt sogar eine Korn-ähnliche Nu-Metal-Kante erkennen, vor allem beim schweren, aber ein-gängigen "Darker Tides". Das Zwischenspiel "Synthetic Salvation" unterstreicht den kühnen Ansatz der Band, wie Laur erklärt: "Einige Tracks sind mehr Produktion als Song... das ist kein Metal, aber das ist mir egal. Es ist uns egal, was andere sagen." Abgemischt von Matt Thomas (Kingdom Of Giants, Invent Animate), bietet "Venetian Dark" eine hochmoderne Produktion in Be-zug auf Ausgewogenheit und Modernität. Venetian Dark" ist als Standard CD Jewelcase, als limitierte transparent blau-schwarz marmorierte LP, sowie als digitales Album erhältlich.
The Blind Spot returns with a reissue digging deep into the Italian underground.
Long-awaited and finally here—Max Trebbi’s Multi Delay EP was originally released in 1997 on Stik Records and resurfaces after 28 years, bringing back the hypnotic and raw energy of the late '90s. A solid 3-tracker ready to ignite any dark and proggy dancefloor.
Limited copies, no repress... don't sleep!
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2005's Naturally was a pivotal moment in the history of soul music. It was the first Daptone album tracked at the renowned "House of Soul", a recording studio handbuilt by Sharon and the rest of the Daptone family in a two story rental in Bushwick, Brooklyn. The album has gone on to sell over 200,000 records, with hit singles "How Long Do I Have To Wait?" and "This Land is Your Land" streaming in the hundreds of millions- staggering figures for a wholly independent release.
Up to this point Sharon Jones & the Dap-Kings had yet to reach an audience outside of dingy, hole-in-the-wall clubs, dive bars, and underground DJ parties, attended by only the most in-the-know. This was the scene where the band began to flourish, developing the sound that would forever alter the musical landscape and set a lofty new bar for what could be considered real-deal soul music. It made Daptone a household name and opened doors for countless musicians and record labels to come. Naturally sparked a renaissance that is still vibrating today- a testament to Sharon Jones' legacy as the undisputed, reigning Queen of Heavyweight Soul.
Wallace & Gromit: Vengeance Most Fowl is a stop-motion animated Netflix film released in 2024. It was directed by Nick Park, creator of Wallace & Gromit,
and met with critical acclaim. The movie received two BAFTA awards and was also nominated for an Academy Award.
The music was of the film was composed by Emmy nominated composer Lorne Balfe (known for his work on The Dark Knight, Iron Man, The Lego Batman Movie and
Sherlock Holmes) and by BAFTA-nominated composer Julian Nott (known for his previous work on Wallace & Gromit).
Wallace & Gromit: Vengeance Most Fowl is available as a limited edition of 750 numbered copies on orange
coloured vinyl and includes a 4-page booklet with an exclusive drawing by director and creator Nick Park.
Rama Parwata and Adam Halliwell unite together with their love of the freer sides of jazz and improvised music, alla Peter Brötzmann and Ganelin Trio to the more funk laden music of Bitches Brew and Herbie Hancock"s Mwandishi. It"s when musicians find a synergy together, be it through sound conversations, be it through mouth conversation s, or be it through the love of what other musicians have said before them, then they can go forth and collaborate freely. As is the case for this duo. Rama and Adam play from different worlds but find a synergy amongst the humanity of sound.
On June 13th 2024, Joakim, along with six guest musicians performed Terry Riley"s renowned piece "In C" at a sold-out Philharmonie de Paris. This is the recording of their live performance. The guest musicians were Amosphere, Apollo Noir, Canblaster, Narumi Herisson, Joseph Schiano di Lombo, and Frederic Soulard.
Dynamic, multi-limbed house outfit Girls of the Internet have collaborated with Athens of the North for a special, limited edition two track tour 12", with the remaining few copies now available. Sampling a mystery gem from the AOTN catalog, Girls of the Internet create a proper party record with A side 'Somewhere Someone'. Smiles on faces all round this summer. On the B, James Alexander Bright's 'Your Love' (from '24's amazing LP 'Cool Cool' Dynamic, multi-limbed house outfit Girls of the Internet have collaborated with Athens of the North for a special, limited edition two track tour 12", with the remaining few copies now available. Sampling a mystery gem from the AOTN catalog, Girls of the Internet create a proper party record with A side 'Somewhere Someone'. Smiles on faces all round this summer. On the B, James Alexander Bright's 'Your Love' (from '24's amazing 'Cool Cool' album) gets flipped into Gospel-tinged house track 'Where Is Your Love', a song that's been going down a storm on ts 'Your Love' (from '24's amazing 'Cool Cool' albumheir recent tour together.
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Mit ihrem siebten Studioalbum katapultiert die Berliner Band Kadavar ihren Sound in neue Dimensionen. Inspiriert von einem Zitat ihres Bassisten Simon 'Dragon' Bouteloup, „Ich will einfach nur ein Sound sein“, schaffen sie ein Manifest für Freiheit, Transformation und radikale Präsenz. Keine Konzepte, keine Grenzen: Das Album ist ein musikalisches Ritual des Übergangs, das sich nahtlos zwischen Rockhymnen, Balladen und epischen Momenten bewegt - immer voller Schwung und Veränderung.
Unterstützt von Produzent Max Rieger und begleitet von Gitarrist Jascha Kreft zelebrieren Kadavar die ewige Verwandlung des „Ewigen Jetzt“. Ein Soundtrack für die Widersprüche der Zeit, der alles hinter sich lässt, was nicht Musik ist - kraftvoll, verletzlich und immer bereit für einen Neuanfang. Es ist ein Liebesbrief an den Moment, an Berlin und an das Leben selbst - voller Liebe, Verlust, Narben und dem bittersüßen Gefühl der Vergänglichkeit. Kadavar laden uns ein, loszulassen und eins zu werden: mit der Musik, mit dem Jetzt, mit dem Klang.
