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Elvis Presley, 'The King Of Rock and Roll' with his Christmas Classics & Gospel Greats. This album
includes.o. the following Christmas tracks: “Santa Claus Is Back In Town”, “O Little Town Of
Bethlehem”, “Blue Christmas" and some of his gospel greatest "(There'll Be Peace In The Valley (For
Me)”, “It Is No Secret (what God Can Do)” and more. Limited Edition on Green Leaves coloured vinyl.

Frank’s Christmas Greetings features Frank Sinatra performing a number of holiday standards. The
songs are lush and gentle,underscoring the warmth in Sinatra’s voice. These 20 wonderful season’s
greetings from “Ol’ Blue Eyes” make a worthwhile album addition to any Sinatra or Christmas music
collection. Frank's Christmas Greetings includes a.o. the following tracks: “Jingle Bells”, “Mistletoe
And Holly”, “O Little Town Of Bethelehem”, “Adeste Fideles” and more. Limited edition on coloured
"surprise" vinyl.

The Sworn Liars sind zurück von den Untoten mit einem Herz voller Severe Optimism. 12 neue tracks der süfisanten Mischung aus feinstem Knochenstaub und unheiligem Creep Weirdo Garage Rock. Spannend wie Sex mit Till Lindemann, krank, kurz und schaurig aber etwas um sich daran festzuhalten. Kommt auf nettem farbigen Vinyl mit Gedichtsbeiblatt, Sticker und einem verstörenden Poster fürs Kinderzimmer.

Classic black vinyl plus bonus 7"-single with two exclusive tracks! Babydoll is the fifth Rat Columns album and, following 2021's Pacific Kiss, the second to be released on Tough Love. The recordings took place in Perth, Western Australia, partially by engineer Jason Hayles in a 1960's office building that formerly housed the secretarial pool of a successful mattress company, and partially by DW in an industrial unit, and feature the ensemble cast of Taylah McLean, Chris Grunwaldt, Scott Payne, Richard Ingham, Cohen Bourgault and, of course, DW himself. It was then mixed and mastered in Melbourne by Mikey Young and Joseph Carra, respectively. Babydoll seems to mark a return to a murkier, dirgier Rat Columns format. Distortion is fetishized again and many small amplifiers were tortured in the album's production. Tempos have drifted down and the lyrical concerns move ever inward, in an inverse bloom. The mood is dour, introspective, circular, the songs long, and short attention spans are neglected. 'Cerulean Blue' churns through a crystalline memoryscape, homaging low-brow grunge auto-fiction and a partial history of mid-period rave. 'Life In The Jungle' is a fever dream of imperialist wartime fantasy projection. 'Heavenly Assault' attempts a crushing density amid visions of transcendent devotion. 'Virtual Sweden' takes us ever northwards into the frosted tip of Scandinavian détente. 'Babydoll', like 'Cerulean Blue', homages a primarily imagined low-cosmopolitan world of alt-lit digi-poets, bedroom fantasists, underwater prisons for gorgeous, gorgeous girls. 'Bees Make Honey' lets more sophisticated music machines into the conversation, and marks the first use of vocal tuning software on a Rat Columns album, albeit in an avant-amateurist fashion. 'Jane, I Live For You' enters the space-ballad race, dreaming of synthetic folk-rockers, leaning on sampler keybeds in the half-light. 'December' is yet another tribute to fallen Stars, mansions on the hill, winter skin in cashmere sweaters, truth in education, love, faith, (im)purity. In all these respects, it is a classic Rat Columns record. Because all Rat Columns records are classic records.

Initial Code presents his first EP, - Iteration Of A Dream - released on Brussels based label X/Y/Secret. All tracks are promising to be a thrilling exploration of groovy, loopy, and mental techno, featuring a remix by Raar. The remix pushes the original track into a deeper, more fast-paced universe, with an unique sound design and an abundance of energy. This EP is a true timeless tool that everyone should add to their collection.

Limited to 300 copies, this 2x12" double vinyl VA is the third physical release of the industrial techno label, Askorn Records. Including 8 tracks ranging from dark and tortured slow beats to hard and industrial techno bangers, this release brings together 9 producers from Belgium, UK, Poland, Australia and France: Twan, Dahryl, Mickey Nox, Tripped, 14anger, Draugr, Hel.IV, Ogmah and Hatelove.

A1: Twan & Dahryl - Ammunition
Pure industrial techno banger. 142bpm bomb full of fast rolling drums and screaming synths, this collaboration between
Belgium based artist TWAN and Dahryl from United Kingdom, is a furious dancefloor destroyer.

A2: Mickey Nox - Switching Horsepower
Classic industrial hammer by Mickey Nox from Australia. A crazy 4-4 techno track with his famous stomping kick, strange FX sounds, chopped with some glitchy voices. Sounds like an unstoppable engine.

B1: Tripped - Fat Load
Tripped demonstrates the perfect mix between hardcore and techno into this track, using his famous and indescribable style. Industrial hardcore and destroyed 909 gabber kickdrums, scary synths, amen breaks and terror atmosphere.

B2: 14anger - Bachman
Heavily distorted bass-line, overdrived kickdrum, an acid break and some electrical noises: Bachman is the latest 14anger
banging track. This raw industrial techno track definitely brings some oldschool rave vibes to this project.

C1: Draugr - Discipline
A dark and groovy track by Draugr. He brings his famous threatening atmospheres, spooky bass and catchy drums on
this one. Crunchy kickdrum, radar noises and a perfectly chosen speech about order and discipline.

C2: Hel.IV - Brave & Thick
Hard, dark and punchy as usual, let's introduce Hel.IV from Paris. Deep and hard kickdrum with catchy drums patterns
surrounded by a screaming distorted vocal sample, and an epic and menacing synth.

D1: Ogmah - No Feelings, Pure Wrath
New harsh and scary bomb by Askorn's founder, Ogmah. A slashing and industrial beast with some shrill highs drums,
creaky and industrial FX sounds, and a long break with scary vocals about sins.

D2: Hatelove - Snakebyte
A slow and dark track with a deep as hell atmosphere, produced by the one and only Hatelove from Poland. Full of filters
automations, psycho and spooky noises, banging drums and crazy sound design. Angering af.

The artwork is an engraving by the artist Daniel Girault from Brittany in France. This is the result of a dark and disturbing
abstract design engraved on a hard metal surface, made by cutting grooves into it with differents sharp tools. After being
drowned into an acid bath, this metal plate is finally pressed with black ink on a thick paper sheet.

Vinyl re-issue. All tracks recorded at Cobra Studios, Berlin in 2017, the majority of the songs co-written by Tess & Anton.

Berlin's Hello Pity release their forthcoming debut album "Naked" on
limited edition Crystal Clear vinyl and digitally via Duchess Box Records
on Friday 13th October
The Berlin post punk band Hello Pity have been collaborating this year with acts
such as The KVB and Anika on remixes of tracks such as An Idea Of Guilt and
Ms45 which appear on the album.
Naked was recorded in Berlin at the studio of Leonard Kaage, the guitarist from
The Underground Youth.
Hello Pity are masters of atmosphere and Naked gives us a dystopian love album
which complete with twisted elements of hate.
The band - Colin (vocal, guitar), Gael, (vocal, guitar), Jonas (bass) and Max
(drums) - have been performing around berlin at 8MM, Loophole scene since
2019 and performed two shows at Synasthesie Festival before coming to the
attention of Duchess Records.

DRA is happy to announce another Shape Vinyl in their upcoming Shape
Vinyl Series
We're excited to offer this adorable collectors items of NYHC Hardcore Kings
Madball!
Hardcore Lives and Doc Marten Stomp are taken from the album "Hardcore
Lives", an unapologetic, furious and fiercely catchy cluster of tracks from the
kings of NY Hardcore.
Issued Under Licence From Nuclear Blast!!
Shaped picture disc, limited to 500 copies worldwide - one time press!

The Chills reissue their celebrated early singles compilation, this 24-track expanded version of Kaleidoscope World gathers together tracks from the ‘Dunedin Double’ compilation, live recordings, Doledrums’ single and the band’s seminal ‘Pink Frost’. The collection also contains ‘The Lost EP’, with early takes on their groundbreaking ‘Submarine Bells’ album, alongside the aching ‘I Love My Leather Jacket’, perfectly illustrating the rollercoaster ride of Martin Phillipps and The Chills as portrayed in the award film The Triumph And The Tragedy Of Martin Phillipps. “Singer/guitarist Martin Phillipps’ group was at the forefront of the extraordinary little guitar-pop scene in New Zealand in the early ’80s.. Kaleidoscope World is the major document of their early era.” Pitchfork. Part of the 80’s extraordinarily vibrant and innovative independent music scene in New Zealand, The Chills became flag bearers, taking the Dunedin sound, as championed by the Flying Nun label, to the world. Long recognised as one of New Zealand's most influential bands, Kaleidoscope World is a definitive artifact from Martin Phillipps’ groundbreaking project.

The Undisputed Kings of Garage Rock! **Timely repress of their classic singles compilation on 2 CDs or 3 LPs with new gatefold sleeve! – please note unavoidable price hike! A retrospective compilation of singles released on a multitude of different labels throughout the 90′s. Featured tracks are ‘(We Hate The Fuckin’) NME’ ‘My Dear Watson’ & ‘Every Bit Of Me’. A fitting tribute to one of the greatest bands ever. Thee Headcoats were mainly Billy Childish (Git/Vox) Bruce Brand (Drums) and Johnny Johnson (bass), they formed in 1989 after Billy’s previous band Thee Mighty Caesers gave up the ghost. By 1992 they had already released something like 6 albums and 15 singles one of which was catalogue number Damgood1, a split single with Thee Headcoatees. During the ’90′s I must have seen them 60 times, I even went over to Japan with them in 1993. There was something really natural about them, no bullshit. We did the ‘We hate The Fuckin’ NME’ single after journalist Johnny Cigarettes walked out of their gig in Archway after insisting that he should get in for free as he was from the NME and then reviewing Thee Headcoatees by saying there were no girls in the band (he'd left before they came onstage!!). Lots more releases followed including the great ‘In Tweed We Trust’ album. Thee Headcoats carried on touring and releasing records in every corner of the world until mid 2000 when they called it a day

We first fell in love with Antwerp’s BRORLAB with an urgently abrasive EP which ranked amongst our faves of 2020. Fast forward to 2023 and they are back with a totally out of control 12” of modern fuckwave. The A side is seven new songs of their trademark dadaist electronic punk, full of fuzz guitars and sharp nasty beats, with a vocalist that fits perfectly the Honey Bane - Chitose vocal range and smart attitude. The B side brings bang back to life the 8 tracks from their criminally obscure debut EP, which will make any lover of ear-damaging noise smile with pleasure. All in all an aberrant slice of psychedelic gabber infused punk for the end of time

Limited repress of the post-hardcore quartets debut album """"Feel Something""""

Music and emotion share a timeless physiological, psychological, and spiritual bond. A chord, a melody, or a lyric can lift spirits and inspire. Movements achieve that sort of reaction on their full-length debut, Feel Something Fearless Records. In the sessions, their signature style crystallized and coalesced. Bolstered by intricate instrumentation and explosive vocal delivery, these 11 tracks signify the musicians' evolution and bring emotion to life in each note.

"

Funk The System! The recipe is simple: Dig deep, listen to your heart, record everything you got on a dusty old desktop computer, leave it to simmer for the time of a pandemic, and if it's still fresh, serve it up on the finest plate of black wax! This collaboration started in Dusseldorf in the year 2018. Locked up for a week in the Flanger Studios, Wolf Muller and Credit 00 recorded everything: from the jaw harp to smartphone apps, chopping up GDR Jazz breaks and squeezing the Funk out of every synthesizer and drum machine at hand. You will hear the open mindedness towards all sorts of musical influences from the first note. Each of the five tracks showcases a wild mix of flavours: Disco Reggae, B-Girl Breakbeats, Protest Folk, Subway Funk, Tabla Rhythms, you name it... they'll take it and shake it! It is obvious these two got sonically socialized and educated by the multiculturalism of Hip-Hop in their early days. After the first Recording Session, the tracks fermented for some time until they were cracked open again. This time in Leipzig at Credit 00's Westend Workshop. That's also where Rizmi from Birmingham joined the team and lent her voice to the title track. She reinterpreted the lyrics of the obscure German 1980s Workers' Rock Song, that Wolf digged out for the Intro Skit of ,,Funk The System". A long time in the making, Rat Life is very happy to finally publish this EP!

Die französisch-irische Alternative-Rock-Metal-Band MOLYBARON ist bekannt für ihren energiegeladenen, harten Sound, der Elemente aus Alt-Rock, Hard Rock und modernem Metal zu einem eklektischen, dynamischen Klangerlebnis verschmelzen lässt. MOLYBARON liefern eine intensiv rohe, originelle musikalische Signatur, welche Fans aller Genres anspricht. Mit "SOMETHING OMINOUS" verschieben MOLYBARON die Grenzen und präsentieren eine einzigartige Mischung aus tiefem Groove, stampfendem Metal und Heavy Rock. Songs voller Charakter, die durch eine donnernde Rhythmussektion, krachende Bässe unter riffgeladenen Gitarren und chilligen Synthies vermittelt werden. Tracks mit eingängigen Refrains, die durch nachdenklich stimmende Texte geprägt sind, nehmen den Hörer mit auf eine Reise voller Überraschungen und neuer Entdeckungen. Das Album ist ein Beweis für MOLYBARONs außergewöhnliches musikalisches Können, das mühelos durch ein breites Spektrum an Emotionen und Musikstilen navigiert und ein wahrhaft eindringliches Erlebnis schafft. Jeder Track ist akribisch ausgearbeitet und geht nahtlos von stampfenden Hymnen zu introspektiven Balladen über. Der unverkennbare Sound von MOLYBARON wird sich tief einprägen. Die Texte von "SOMETHING OMINOUS" befassen sich mit tiefgründigen und manchmal provokanten Themen und erforschen die Komplexität der menschlichen Erfahrung in der heutigen Zeit. Sie ziehen sich wie ein roter Faden durch die 10 bewusst knapp gehaltenen Songs und kommen direkt auf den Punkt, sind aber aktueller denn je: Alterung, Verfall und die Erosion der Gesellschaft. Das Album nähert sich dem akuten Bewusstsein für den Lauf der Zeit, wenn wir älter werden - dem nachklingenden Bedauern über kostbare Zeit, die mit unwichtigen Dingen und Beziehungen verbracht wurde, der Erwartung, die zu verlieren, die man liebt, und der Angst, alt und allein zu sein. Darüber hinaus geht es um den aktuellen Zustand der Politik - die Absprachen zwischen Staat, Medien und großen Unternehmen; die Manipulation der Öffentlichkeit, die systematische Zensur von Andersdenkenden und unabhängigem Journalismus. Dieses Album ist nicht einfach nur Musik; es ist berauschend und macht süchtig und hungrig nach mehr. "SOMETHING OMINOUS" ist ein Muss für Deine Sammlung.

MAW Records release the next tracks in line from the Maw Lost Tapes digging saga by Masters At Work.

This release entails the story of a special studio session by one of the NY House Pioneers who brought you 'The Music's Got Me' by Visual along with his partner Timmy Regisford back in 1982. His name is Boyd Jarvis (RIP), a keyboard genius, also one of the early creators of this unique sound. Masters At Work had only a few rare sessions in the early 90s with Boyd and the outcome are some of these stunning outtakes on 'Boyd's Jam' produced by MAW. Driven by the Zipper sound and swinging house KD beats in MAW style, the Boyd bassline carries the tune in the pocket groove with LV chords bringing atmosphere and mood. Then comes the Boyd magic with his organ solo ripping through the hypnotic groove.

This one is classic Masters At Work taken from the early 91-92 sessions, it's as authentic as can be.

Nantes-based Tom Ferreira (Fasme) joins AF with his first and highly anticipated album titled 'Bloom'. Well known in underground circles for an impressive live PA, Tom delivery 9-tracks (recorded live) where he deploys his entire arsenal of analog synths. 'Bloom' immerses us in a 303-powered world, crunchy machine drums with big emotive melodies, rushing piano motifs and swirling chords. This album will make you understand why Bicep (Ninja Tune) put Fasme on the exit ramp two years ago. Design comes by Acid Hazel (Berlin). You already know what to do.

Sampha announces the full details of his highly-anticipated, sophomore album LAHAI, out October 20th on Young. Taken from his paternal grandfather’s name, which is also Sampha’s middle name, LAHAI revels in the awe and magic of our existence, synthesizing the exquisite chaos that one experiences confronting the cycle of life and the beyondness. Spanning 14-tracks, with contributions from some of Sampha’s closest friends, peers and collaborators including: Yaeji, Léa Sen, Sheila Maurice Grey (Kokoroko), Ibeyi, Morgan Simpson (Black Midi), Yussef Dayes, Laura Groves and Kwake Bass, LAHAI, in contrast to Process, is a communal affair seeing Sampha explore the many ways in which we as humans connect to each other, and to something bigger than ourselves. On the album’s latest single “Only,” premiering today via a new music video directed by Dexter Navy in collaboration with Sampha, which follows the recent “Spirit 2.0,” we meet a newly energized Sampha, as he spits melodically over a fragmented hip-hop hued beat with co-production from El Guincho.

Not unlike its maker, LAHAI defies clear categorization. Spanning jazz, soul, rap, dance, jungle and west African music, LAHAI sees Sampha elevating his production and vocal ambition to great new heights. A notable singer, songwriter and producer, it’s no wonder that artists like Kendrick Lamar, Stormzy, Travis Scott and previously, Drake, Solange, Frank Ocean, Beyoncé, Lil Wayne and Alicia Keys have all tapped the artist for his inimitable voice plus songwriting and production contributions to their music. His work expands across multiple disciplines, with previous creative partnerships including the fashion designer Grace Wales Bonner, the Shy Light zine with Durimel (who also shot the LAHAI artwork) his Process film with director Kahlil Joseph, and most recently creative director Jonny Lu, with whom Sampha worked to create the LAHAI album artwork and logo.

If Process, Sampha’s 2017 Mercury-Prize-winning debut album, was an artist figuring out his own place in the world, engulfed in the shadows of grief and loss, LAHAI is an exercise in the radical acceptance and joy in the human condition, and the beauty in the journey itself. Welcome to Sampha’s next musical chapter: LAHAI.

Part 2 of Khidja's debut LP Transmissions.

5 fresh tracks written & produced by Andrei Rusu and Florentin Tudor

Mastered by maestro Enrico Mercaldi

Artwork by our heros at &Talmor

IULY.B joins the Modvlar Project also on the release section.

For MOD003 he delivers three original tracks plus a remix by Nobodi.

The three releases Traffic Jam, Vital Expansion and Crystal Cave totally reflect Iuly's style - cutting, hypnotic, percussive. All the three tracks are perfectly suited for the dancefloor and for DJ sets. Iuliy's talent and attention to detail shine through in the melodic part, a great complement to these three bangers.

Closing the project is Nobodi with a remix of Traffic Jam. Delicate and respectful of the original track, it increases, as much as possible, the dancefloor orientation of the record with a killer bass line.

Louis Cole ist ein Singer-Songwriter und unverschämt talentierter Multiinstrumentalist mit einem ausgeprägten DIY-Ethos aus Los Angeles, Kalifornien. Er ist auf der Mission, tiefe Gefühle durch Musik zu erzeugen und ist das Aushängeschild einer allgemein dem Jazz nahestehenden Szene in L.A., zu der Genevieve Artadi (mit der Cole 2009 die Alt-Pop/ Elektrofunk-Band KNOWER gründete), Sam Gendel, Sam Wilkes, Jacob Mann, Thundercat-Keyboarder Dennis Hamm, Pedro Martins und viele mehr gehören. Sein neues Album, „Quality Over Opinion“, erscheint Mitte Oktober 2022 auf Brainfeeder Records.
Die 20 Tracks des Albums wurden von ihm selbst in seinem bescheidenen Heimstudio geschrieben, eingespielt und produziert, aber Louis lud eine Handvoll enger Freund*innen ein, ihren Beitrag zu leisten, u.a. Genevieve Artadi, den Saxophonisten Sam Gendel, den Pianisten Chris Fishman, Nate Wood von der Band Kneebody, Marlon Mackey und den Gitarristen Kurt Rosenwinkel. Louis' Hauptinstrument ist das Schlagzeug, und er hat einen Hintergrund im Jazz, obwohl die Musik, die er schreibt, wenig Ähnlichkeit mit Jazz im reinen oder klassischen Sinne hat. Dementsprechend gehören zu Coles Maßstäben für „Quality Over Opinion“ neben Jazz-Ikonen wie Miles Davis, der schwedischen Experimental-Metal-Band mit einem ausgeprägten Hang zu Jazz, Meshuggah, Morten Lauridsen und Super Mario Kart auch grenzüberschreitende Komponisten wie Gustav Mahler und György Ligeti. Coles verrückte Musikalität ist kein Geheimnis - seit einem Jahrzehnt lädt er Performance-Videos auf Youtube hoch und hat sich so eine treue Fangemeinde aufgebaut, die sowohl sein Handwerk als auch seinen ausgefallenen Stil zu schätzen weiß. Schlagzeug, Bass, Tasten... er hat eine sehr strenge Einstellung zum Üben und zur Perfektionierung seiner Kunst. Thundercat beschreibt ihn als „einen der größten Musiker von Los Angeles“ und lud ihn Anfang des Jahres ein, auf seiner jüngsten Japan-Tour Schlagzeug zu spielen. Die beiden haben häufig zusammen geschrieben, unter anderem auf Thundercats Liebeserklärung an Cole, „I Love Louis Cole“, aus seinem Grammy-gekröntem Album, „It Is What It Is“, auf „Bus In The Streets“ und „Jameel's Space Ride“ (aus Thundercats 2017er Werk, „Drunk“) und „Tunnels In The Air“ für Louis' 2018er Album, „Time“. Auch Flying Lotus hat seine Bewunderung für Louis zum Ausdruck gebracht und ihn während der Arbeit an seinem 2019er Album, „Flamagra“ als „super inspirierend“ bezeichnet. Im vergangenen Jahr begann Louis seine bisher größte Zusammenarbeit mit dem Grammy-prämierten Metropole Orkest, unter der Leitung von Jules Buckley, für eine Reihe einzigartiger Konzerte in den Niederlanden, die 2023 fortgesetzt werden, bevor er im Oktober dieses Jahres mit seiner Big Band durch die USA touren wird.

Quantize Recordings proudly present a special 12-inch release from the master John Morales, as he remakes two of Curtis Hairston’s biggest tracks ‘I Want Your Lovin’ and ‘I Want You All Tonight’, to bring that mid ‘80s brilliance to the modern dancefloor.

Master of the boogie sound, Hairston had many a hit both as a solo artist and as part of the legendary BB&Q Band. Mid-tempo groovers, laced with funk-fuelled basslines, cosmic synths and strutting guitars, tied together with Hairston’s luscious vocals, ‘I Want Your Lovin’ and ‘I Want You All Tonight’ are shining examples of boogie at it’s best.

Fast forward to 2023 and the masterful John Morales, who originally mixed ‘I Want You (All Tonight)’ alongside Sergio Munzibai, unlocks the vaults to the multitracks, creating four brand new mixes. Teaming up with one of the original writers and producer of both tracks Greg Radford to replay and reconstruct elements that have been lost over time. The result, a wondrously weighty vocal and dub mix of each of these certified classics that retain all that disco-channelling greatness whilst adding an extra punch and brightness that will rock any modern dance floor they’re put before.

The next release on Deepology special series by Adam Antine 'Autumn Falls' EP. Four tracks of quality deep electronics with mystic moods and hypnotic grooves inspired by Autumn melancholy and memories of the past summer.

Sophie Lloyd returns to Luke Solomon’s imprint alongside the effervescent singer songwriter Amy Douglas for a wax release of ‘Sweet Love’, an anthemic disco release bursting with sensuality. The pair are well known to Classic fans; Sophie for her debut release, ‘Calling Out’ with Detroit trio Dames Brown, and her subsequent release ‘Angels By My Side’ which received a soulful remix package from Floorplan.

Additionally, nostalgic house vocals from Brooklyn’s Amy Douglas have appeared on tracks from Luke Solomon’s ‘Love. Hope. Happiness’ to Horse Meat Disco’s ‘Message To The People’, also featuring the Dames. For the Love Hangover mix of ‘Sweet Love’, a slow, intoxicating intro erupts in a burst of energy as Amy’s vocals and Sophie’s production come together for an ambitious, driving composition.

The vinyl also features a remix from the label boss himself; Luke Solomon’s Always Love Revision of this modern disco anthem ups the ante, adding huge swathes of energy to the previously sensual record. Similarly, the Sweet Lovin’ Mix capitalises on the raucous finale from the original Love Hangover Mix.

Repress!

Here's some revisions of early tracks which I started whilst living in Bristol, before moving to Berlin. You can clearly hear decades of the city's influence, mad to think you'd see DJ Die bouncing around Stokes Croft on the rego, or spot Daddy G picking up some fish at the local market on my walk into work each day. Such an inspiring city that's always on the move. Shouts to the 'diff don DJ Guy on the version.

Singer-songwriter Dora Morelenbaum is one of the stunning voices at the forefront of Brazil’s exciting new musical wave. Her sublime 'Vento De Beirada' EP takes you on a trip into the sensuous sounds of Dora's world. On first hearing her music, we were reminded of the transformational moment when we first discovered the Brazilian singer-songwriter, Joyce. The music is completely new to you, yet instantly familiar, like rediscovering a past love.

Dora is a member of the Brazilian Latin-Grammy-winning superstar quartet Bala Desejo; a trailblazing light opening up Brazilian music to a whole new audience outside of the country. 'Vento De Beirada' EP showcases a different sound to the riotous, joyful, avant-garde Tropicália sound of Bala Desejo. This solo set takes a more dream-like, downbeat, MPB stance. It is firmly contemporary, yet you can also trace the lines of influence back to idols such as Gal Costa and Maria Bethânia.

The EP is comprised of four tracks that have already garnered critical acclaim following their digital release. It starts with the tender and gentle 'Japão', which was inspired by the melodies of the legendary Japanese composer, Ryuichi Sakamoto. Sakamoto once collaborated with Dora's musician parents, Paula and Jaques Morelenbaum, when she was young. 'Dó a Dó' is drenched in lush, sweeping strings that were arranged by her father himself, and is co-written by Dora and Tom Veloso of the band, Dônica. There’s further collaboration on the EP, including production from one of the lynchpins and stars of the current Rio scene, Ana Frango Elétrico. Fellow Bala Desejo band member, Lucas Nunes, contributes towards the production, writing, and guitar with Guilherme Lírio also on production, guitar, and bass. Whilst Bala Desejo’s Zé Ibarra penned the song 'Vento De Beirada' with Lucas and Victor Vasconcellos.

The four-track EP has been cut to 12" and mastered for vinyl by Joker (Liam McLean). With crystalline beauty and a breezy sense of ease and serenity, sounding classic yet contemporary. This release serves as the perfect introduction to an extraordinary talent.

This release has a mythical status as it was only released on a white label back in the day and for the past 30 years it was assumed that the release was by Liquid Aliens. But now the internet has been set straight after all these years, these two tracks were actually created by DJ Phantasy himself, who had a habit of changing his catalogue numbers around on his label back in the day, possibly helping to fuel the rumour that they were made by Liquid Aliens.

Recorded at Jack Smooth’s studio with Alex release as the engineer, the original pressing has been going to crazy money on Discogs. But now is your chance to own a copy at a small fraction of the price.

Released in a high quality gloss Liquid Wax housebag and white inner sleeve. Available on either red, white or blue 180g heavyweight vinyl.
LIMITED PRESSING.

Following Laksa’s mind-bending Body Score EP, Jurango joins the re:lax family for their second outing. Enchanting yet explosive, Isle of Crass EP explores driving rhythms, deep textures and heady atmospheres across four high-tempo tracks. The release sees the Bristolian entering new territory, drawing inspiration from Rian Treanor, Djrum and the pulsating energy of Singeli and Nyege Nyege Tapes.

Mike Salta & Mortale release their debut album ‘Moloko Island’ on Music For Dreams label. Moloko Island is a getaway where good vibes can float freely. An island where only fantasy set the limits.

It is a collection of tracks, some of which have already been buzzing around the balearic / downtempo scene for a while now. The Album includes the infectious ‘Hey Moloko’ which was picked up by Hot Chip for their splendid Late Night Tales compilation, and the gamers amongst you may have noticed it in the most recent Playstation – Gran Turismo 7 soundtrack. Outro track ‘Bye Moloko’ is a brand new Re-edit of this classic.

The music of Mike Salta aka Gert Nygaard flaunts an eclectic palette, collecting strands from New Orleans funk, 80’s italo disco or Brazilian tropicalia and transforming them into rich and sun-drenched dance music.

The album is produced in collaboration with long-time studio partner Mortale, and is a sumptuous piece of chillout to call on the summer. A full-bodied groove of an album to transport you and soundtrack those sunny days & balmy evenings. Moloko Island concludes a voyage and reconcile an era where electronics and acoustics have been explored and united in the unique sound and vibe Mike Salta and Mortale has strived to unfold

Maw Records are proud to present the masters At Work Remixes of the Kenlou classic “Moonshine”

Masters At Work are in top form, ready to fill dance floors,clubs & festivals in 2022. Kenny Dope & Louie Vega met at the Kay-Dee headquarters for a few days and jammed together.

Moonshine being one of the tracks they put up in the studio to createnew fresh versionswith a Maw TwistAce beats, programmimng in excellence by Kenny Dope, layered withLouie Vega Keyboards, Synths & Baselines.

The two once again set it off with a bang !!!

Los Caneyes was the first ever solo project from Cuban funk master Juan Pablo Torres and now Future Rootz - in collaboration with Canal Sounds and EGREM - is serving up a first-ever vinyl release of his early singles 'No Estabas No estabas Tu' and 'Oye Ven Y Baila Mi Son' on 7". These two superbly funky Afro-Cuban tracks were recorded in 1973 by this influential musical innovator. The first is a flame-hot and percussion-laden groove that is loose-limbed and sure to get those bones shaking and the second is similar - pure Latin heat for the floor.

These two tracks from Mike Bandoni and Chip Wickham have been a long time coming. These two stable mates from the 'Craig Charles Fantasy Funk Band' have been discussing a collaboration for years and now; it's finally in the bag! Mike brings his trademark killer funky Drums (Recorded by the legendary Malcolm Catto), Percussion, Rhodes, Bass and vintage Guitar vibes to the party whilst Chip delivers some sublime and highly complimentary work on sax and flute. Infinity Pool sounds like a long lost Bobbi Humphrey meets Bob James composition with the flute taking centre stage underpinned by what can only be described as mammoth funk grooves on every other instrument. A true modern Jazz Funk classic with just a fraction more Funk than Jazz! Get It! is a cool number with a phenomenally infectious groove and a hook that stays in the brain for days! Think early Kool & The Gang. You'll be humming these hooks day and night! Chip again raises the bar further with some sublime flute and ...

Liquid Love is taken from the 2015 BBE released album of Roy’s unreleased material, Virgin Ubiquity II, and is a wicked mid-tempo track where Roy’s vibraphone complements an amazing female vocal arrangement to create harmonies and melody over a tough as you like breakbeat, bass line and keyboard riff. Coming from the 2004 initial release in the Virgin Ubiquity series of unreleased Roy Ayer’s tracks, What’s The T? is a more uptempo, bassline driven slab of dance floor funk. Augmented by a horn section and a huge female vocal from Merry Clayton over a hi-hat drumbeat, What’s The T? is Roy Ayers and his musicians playing Roy’s arrangements to perfection.

Releasing on BBE Music’s ALIM imprint, Liquid Love/What’s The T? 7″ vinyl single issue is two musical moments in time now presented as a moment in history in the year we celebrate the excellent career and legacy of Roy Ayers as a touring musician. This is Roy at his best as musician, arranger and artist, grab this now.

Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus. The music ended up in several of her films as well as being performed in her hot live shows.

Discographically at the time only a few tracks were released on 7″ and 12″ singles that are now cult collector’s items for fetishists and weird DJs.

At last, Cinedelic has gotten their hands on the original masters, unearthing some unreleased ones as well, producing a luxurious gatefold LP.

This is part two. From the original master tapes. Unmissable!

Known for being part of the INNA DE YARD family for almost 20 years, Jamaican singer extraordinaire DERAJAH is a major figure in Kingston music scene. He is the bridge between the old and new generations, passing the knowledge from the elders to the youths. We are delighted to present his latest effort in collaboration with A-class studio band The 18th Parallel: ‘PROSPERITY’. A showcase album of 6 songs with dub versions produced between Geneva, Switzerland and Kingston, Jamaica. With the expert touch of mixing maestro Westfinga, the 11 tracks of ‘Prosperity’ are sonic masterpieces, timeless and innovative.

In between the raw and brutal sound of 80’s Jamaican rub a dub and today’s sophisticated and polished modern sound. Derajah's raw and emotive vocals paint vivid pictures of struggle and resilience, carrying a profound message of social consciousness and resistance against oppressive forces, while The 18th Parallel's ultra-solid riddims create a rich tapestry of sound that will transport you to the heart of roots reggae. With its impeccable production quality, ‘Prosperity’ captures the essence of reggae's golden era.

This groundbreaking album is a testament to the enduring power of music to inspire, uplift, and ignite change.

The story towards the creation of this album also needs to be shared. As Fruits Records members were in Jamaica on tour and to record their first projects, they crossed Derajah paths a couple times without getting a chance to work together. But this was enough to set a strong foundation to a relationship that goes way beyond the musical side only. A few years after this meeting, one phone call only was enough to start the process. The rest is pure magic! Spontaneity, trust and loyalty became the guidelines for the creation of this gem, which stand out of time and space, and aim to carry on its path anyone seeking for knowledge, love and prosperity.

2xLP, 180g Vinyl. Zehn Jahre ist es her, dass ANE BRUN ihr erstes Jahrzehnt als Künstlerin mit der Veröffentlichung von SONGS 2003-13, einem karriereumfassenden Doppelalbum, markierte. Jetzt, wo ihr internationaler Ruf floriert, gibt SONGS 2013-23 der angesehenen, mit Platin ausgezeichneten und mit mehrfachen norwegischen und schwedischen Grammy-Auszeichnungen geehrten norwegischen Singer-Songwriterin die Möglichkeit, ihr zweites Jahrzehnt als Künstlerin zu feiern und gleichzeitig die fortlaufende, faszinierende Entwicklung ihres einzigartigen, fesselnden Talents zu illustrieren. Die Sammlung vereint Tracks des extrovertierten "When I'm Free" von 2015 und der Zwillingsveröffentlichungen der Pandemie-Ära, dem reich strukturierten "After The Great Storm" von 2020 und dem zerbrechlicheren, intimeren "How Beauty Holds The Hand Of Sorrow", und bietet mit dem brandneuen Song "Hand In The Fire" auch einen möglichen Hinweis auf Bruns nächste Schritte. Wie seine Vorgänger wird das Album von ihrem eigenen Label Balloon Ranger veröffentlicht und verkörpert Bruns Mischung aus kühnen, erhebenden Gefühlen und tröstlichen, melancholischen Melodien, vorgetragen von einer der einfühlsamsten Stimmen unserer Zeit.

CAMOUFLAGE COLOURED VINYL


Zeer gelimiteerde gesigneerde versie (100 stuks). Big2 (Twan van Steenhoven) is rapper en producer en is tevens de helft van de populairste hiphopact van Nederland; The Opposites. Op zijn nieuwste plaat is de transformatie naar zijn leven als pas geworden vader te horen. Voor het eerst rapt Big2 over zijn zoontje, die voor het album als grote inspiratiebron heeft gediend. ‘New Life’ bevat hits met Big2’s keiharde onmiskenbare sound en persoonlijke tracks met een nieuw geluid evenals klassieke hip-hop tracks op échte kenmerkende Big2 beats. Met gastbijdrages van o.a. Josylvio, Winne, Sticks & Antoon mag deze klassieker niet ontbreken in je platenkast.. Eerder verschenen al de tracks 'Denk Er Niet Meer Over Na', 'Vogelvrij' feat. Josylvio en Sticks en het meest recente 'Life Goes On'.

So This Is Christmas is a compilation of Coloured Vinyl, Limited Edition 13 christmas tracks released as LP on 26 Nov 2021. So This Is Christmas includes a.o. the following tracks: “De Staat - Let It Snow”, “Miss Montreal - Being Alone At Christmas”, “Elske De Wall - Last Christmas, One Last Time”, “Pete Philly - Have Yourself A Merry Little Christmas” and more.

Alle 13 Goed! is a compilation of Coloured Vinyl, Limited Edition 13 pop tracks released as LP on 17 Dec 2021. Alle 13 Goed! includes a.o. the following tracks: “Snelle & Maan - Blijven Slapen”, “Antoon - Hyperventilatie”, “Savine - 25”, “Charleon - Her Name” and more.

New Life is an album by Big2, released in 2021. New Life includes a.o. the following tracks: “Hoofd Heet Hart Koud”, “Ruimteschip”, “Dansen Met Mij (big2 & Antoon)”, “Kleine Man” and more.

The hip-hop album is available in the following configurations:

LP, Coloured Vinyl