MAJOR REISSUE OF MAKOTO KUBOTA'S SUNSET GANG ALBUMS RECORDED IN THE 70S WITH HARUOMI HOSONO FOR THE SHOWBOAT LABEL AND FEATURING HIS BLEND OF JAPANESE FOLK, BLUES AND R&B WITH HAWAIIAN, OKINAWAN AND NEW ORLEANS INFLUENCES. THE ALBUMS ARE RELEASED IN COLLABORATION WITH MAKOTO KUBOTA AND COME WITH ORIGINAL ARTWORK, REMASTERED BY MAKOTO KUBOTA HIMSELF.
"Sunset Gang" recorded in 1973 for Showboat, was co-produced by Kinji Yoshino (Haruomi Hosono, Akiko Yano, Sachiko Kanenobu) and featuring Hosono, Minako Yoshida and Taeko Ohnuki. The album was released as Kubota had just recorded his classic first solo album, 'Machibouke'. It marks the start of the group's unique sound mixing Japanese music with R&B, Blues and New Orleans influences, a sound that would have a lasting impression on the Japanese music scene. This is the first time the album is released outside of Japan, remastered by Makoto Kubota himself and featuring original artwork with OBI and 4 page insert.
Поиск:oki
Все
- 1: Quiver (Extended) (3:59)
- 2: Ace Degenerate (1:5)
- 3: Strike First (1:07)
- 4: Cobra Guy (Extended) (2:32)
- 5: Slither (1:4)
- 6: The Internet (1:25)
- 7: You're The Champ (1:34)
- 8: Johnny's Story (2:29)
- 9: Web Md (1:10)
- 10: A Badass Name For A Dojo (Extended) (3:30)
- 11: Awake The Snake (2:07)
- 12: Worthy Opponent (2:)
- 13: Furious Hawk / Dark Hawk (2:14)
- 14: The All-Valley Tournament (3:34)
- 15: Snake In The Grass (2:05)
- 16: Stone Vs. Diaz (1:41)
- 17: The Cobra Effect (2:34)
- 18: Snap (1:46)
- 19: I'm A Sensei (1:58)
- 20: It Belongs To Me (3:)
- 21: Miyagi-Do Fix-Up (2:15)
- 22: Miyagi Memories (1:35)
- 23: The Wheel Technique (1:54)
- 24: Like A Dance (3:12)
- 25: Miyagi-Do (1:53)
- 26: Balance (1:03)
- 27: Kan-Geiko (1:04)
- 28: Mall Fight (1:39)
- 29: The Wrong Path (1:58)
- 30: Medal Of Honor (1:24)
- 31: Into The Snake Pit (2:26)
- 32: Miyagi's Tomb (2:43)
- 33: Miyagi Metal (2:16)
- 34: Return To Okinawa (3:20)
- 35: Live Or Die, Man (1:41)
- 36: Crane Technique (3:02)
- 37: Secrets Of Miyagi-Do (2:56)
- 38: Two-Time Champion (1:32)
- 39: Chop Shop (2:02)
- 40: The Right Path (3:00)
- 41: Sam And Robby (Extended) (4:26)
- 42: Final Match (1:48)
- 43: The Cobra And The Mongoose (1:19)
- 44: Time Out (1:35)
- 45: No Mercy (1:14)
- 46: New Champion (1:37)
- 47: I'm Coming For You, Bitch (1:38)
- 48: Hallway Hellscape (3:36)
- 49: Scale The School (0:50)
- 50: Hawk's Prey (1:28)
- 51: Rematch (2:08)
- 52: Fallen Soldier (2:38)
- 53: Carol Of The Cobras (2:17)
- 54: Dojo From Hell (1:50)
- 55: Must Not Lose To Fear (1:45)
- 56: Call Of The Cobra (2:12)
- 57: Duel Of The Snakes (Mega-Edit) (9:58)
- 58: Challenger (3:09)
Mondo and Madison Gate are proud to present the premiere vinyl release of Leo Birenberg and Zach Robinson's incredible score to the Netflix streaming phenomenon COBRA KAI. This 3-disc vinyl set features music from the first 3 seasons of the hit series, curated by the composers into themed collections.
This exclusive retail version comes pressed on red, white, and blue marble discs. Also featuring all new artwork from the incredible Matt Ryan Tobin and liner notes from composers Leo Birenberg, Zach Robinson, star Ralph Macchio, and showrunners Josh Heald, Jon Hurwitz, and Hayden Schlossberg.
Music from the first 3 seasons of the series curated into three collections of music:
Disc 1: COBRA KAI - a curated mix of music scoring the most badass dojo in the Vallely
Disc 2: MIYAGI-DO - curated selections from the music scoring Laruso Family, and its ties to the Miyagi legacy.
Disc 3: FINAL FIGHTS - the music from all three of the explosive season finale episodes.
All of the music has been hand selected, and in many cases expanded from their original form for the most definitive Cobra Kai listening experience available.
'Botany Department' is an analogue voyage made of a cohesive collection of instrumental textures and sounds, an LP full of originality. Rui Maia is a musician and producer of kaleidoscopic ranges. Based in Lisbon, he's also internationally known under the Mirror People cover, having released on labels such as Bear Funk or Permanent Vacation.
More than 40 years after its original release, this limited and numbered facsimile edition of Keith Jarrett’s legendary 10-LP box set “Sun Bear
Concerts” is recreated from original analog sources.
Sun Bear Concerts - documenting five complete solo performances by Keith Jarrett in Japan - counts as a milestone achievement in the history of jazz recording. As Down Beat wrote, on the occasion of the original release, Jarrett’s improvisations are “the inventions of a giant, overpoweringly intimate in the way they can draw a listener in and hold him captive. Jarrett has once more stepped into the cave of his creative consciousness and brought to light music of startling power, majesty and warmth.”
Rich in incident and detail, the music in this beautifully produced, illustrated and presented ten-LP set, first issued in 1978 revealed Jarrett as a player of limitless creativity, unique in his ability to find new forms in the moment, night after night. “These marathons showed Jarrett to be one of the greatest improvisers in jazz,” Ian Carr wrote in his biography of the pianist, “with an apparently inexhaustible flow of rhythmic and melodic ideas, one of the most brilliant pianistic techniques of all, and the ability to project complex and profound feeling.” The present edition is a facsimile of the original LP set, described by the late Haus der Kunst curator Okwui Enwezor as “part of ECM’s declaration of independence from standard packaging of jazz records. Setting itself apart in this way, ECM treated its recordings as works of art by musicians of the highest artistic and conceptual order.”
A work of art by any standards, Sun Bear Concerts brings together solo concerts in November 1976 in Kyoto, Osaka, Nagoya, Tokyo and Sapporo, in recordings made by Japanese engineer Okihiro Sugano and producer Manfred Eicher, who travelled through Japan with Keith Jarrett. The set’s book-form packaging, with design by Barbara Wojirsch, includes photographs by Klaus Knaup, Tadayuki Naitoh and Akira Aimi.
- A1: Sayuri’s Theme
- A2: The Journey To The Hanamachi
- A3: Going To School
- A4: Brush On Silk
- A5: Chiyo’s Prayer
- A6: Becoming A Geisha
- B1: Finding Satsu
- B2: The Chairman’s Waltz
- B3: The Rooftops Of The Hanamachi
- B4: The Garden Meeting
- B5: Dr. Crab’s Prize
- B6: Destiny’s Path
- B7: A New Name...a New Life
- C1: The Fire Scene And The Coming Of War
- C2: As The Water
- C3: Confluence
- C4: A Dream Discarded
- C5: Sayuri’s Theme And End Credits
Memoirs of a Geisha (2005) is the award winning drama film adaptation of the novel of the same name, produced by (a.o.) Steven Spielberg’s Amblin Entertainment. The original score and songs were composed and conducted by John Williams (the Star Wars & Indiana Jones trilogies, Jaws, Close Encounters of the Third Kind, and many more). The album won the Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music and the Grammy Award for Best Score Soundtrack for Visual Media. It was also nominated for the Academy Award for Best Original Score.
Directed by Rob Marshall, the film stars Zhang Ziyi and Ken Watanabe, amongst others. The story revolves around a young girl who is sold by her family to an okiya, a geisha house. Her new family then sends her off to school to become a geisha. The story focuses on her struggle as a geisha to find love, while in the process making a lot of enemies. The film was nominated for and won numerous awards, including nominations for six Academy Awards, and eventually won three: Best Cinematography, Best Art Direction and Best Costume Design.
Available as a 15th anniversary edition of 1000 individually numbered copies on white vinyl. The package includes an insert and the D-side contains an etch.
- A1: Kosei Fukuda - ?? - Enso (4 18)
- A2: Uchi - Zro (6 42)
- A3: Ypy - Circulation (6 44)
- B1: Recent Arts - My Default Emotion (5 43)
- B2: Renick Bell - Organize And Unite (4 09)
- B3: Ma + Kosei Fukuda - ????(????)- Enso No Ma (Furutsuki) (1 30)
- B4: Yvesdemey - The Chosen Home (6 11)
- C1: Tobias - He Turned Into Him (5 52)
- C2: Katsunori Sawa - The Stonewall (5 21)
- C3: Yuji Kondo - Zenith (6 09)
- D1: Rabih Beaini - Circle (8 03)
- D2: Ena - 42 1 (4 36)
- D3: Lemna - Moments In Eternal Recurrence (5 00)
Japanese sound artist and producer Kosei Fukuda’s presents a collaborated vision of the first edition of ENSo¯, a two-day audio-visual event collated around the REITEN label. The ENSo¯ Festival invites its artists and audiences alike to appreciate the merging of the improvisational, with the contemplation of rhythmic cycles, based around the conception of enso¯ – ?? – meaning a hand-drawn circle created by one uninterrupted stroke. Now, with an elongated stretch of time in front of us before the next edition of the festival, the compilation stands to provide a sustained glimpse into the world imagined by Fukuda. Blending spontaneity and gravity alike, the record features an array of idiosyncratic artists set to play ENSo¯, all purveyors of their own shaped sound-worlds.
For the A-side, we have Fukada’s own contribution ‘?? – ENSo¯’; a slice of ambient techno dotted somewhere within a faraway galaxy. Venezuelan noise artist UCHI crafts a fourth-world hymn with tribal percussion on the expansive ‘ZRO’, and Osaka based experimentalist YPY aka Korshiro Hino shapes an elusive polyrhythmic ambience on ‘Circulation’. The B-side presents a colossal improvisational track ‘My Default Emotion’ from Berlin based duo Recent Arts. Formed of Chilean artist Valentina Berthelon and German musician Tobias Freund, the duo are masters in audio-visual experimental performances that both surprise and challenge an audience. Renowned artist, programmer and teacher Renick Bell is noted as a pioneer for live coded performance, conducting mutated rhythms that cut across the landscape of electronic sound. His addition to the compilation is a luminescent IDM piece, titled ‘Organize and Unite’. A polished ambient club track from Fukada and MA titled ‘????(????)’ provides a state of organized tranquility, whilst the track ‘The Chosen Home’ from Belgium artist YvesDeMay, whose move from breakbeat to experimental producer has produced gratifying results for all, is a welcome slice of pensive dub- techno.
The C-side brings us a textured and haunting techno track ‘He Turned Into Him’ with revered German artist Tobias, veteran mainstay with an expert hand in shimmering sound design; Kyoto based 10 Label heads Katsunori Sawa and Yuji Kondo brings sample-heavy rushes of sound, the former with ‘The Stonewall’ and the latter with ‘Zenith’, both multi-faceted in their reference points. The D-Side presents the grainy and expansive ‘Circle’ from Lebanese producer Rabih Beaini, who expertly combines club tropes and avant-gardism in his DJing and music. Hypnotic skeletal beats circulate on the pulsating ‘42.1’ by Tokyo artist ENA. Japanese composer Lemna, the alias of Maiko Okimoto rounds it off with a dreamy noise ambience on ‘Moments In Eternal Recurrence’. Released on vinyl July 24th, the compilation stands as a traversable artefact of the festival, rich in spontaneous beauty.
Yokohama-based producer Foodman - aka 食品まつり or Shokuhin Matsuri - continues his expansive sonic voyage with his new EP Dokutsu, out on 6th March 2020. It follows his 2019 release ODOODO, which was issued on Diplo’s Mad Decent label. Dokutsu is the first release on Highball, a brand new label exporting forward-thinking music from Japan.
Foodman emerged from Japan’s nascent footwork scene, using the genre as a springboard for an escapist exploration into a dazzling array of sounds. He’s since earned the respect of influential fans including Diplo, Benny Blanco, Cashmere Cat and HOMESHAKE, while Pitchfork, Noisey, FACT and Tiny Mix Tapes have included his releases in various ‘best of the year’ lists since 2016.
Opening track Kazunoko sets the tone for what will follow. Its woozy rhythm is evocative of the off-kilter playfulness that’s become a hallmark of Foodman’s uncategorizable artistry. It’s also a sign of his inventiveness that he constantly adds fresh layers to the track without losing sight of its light-hearted, spacious feel.
Another of Foodman’s unorthodox traits is his ability to meld the frenetic with the soothing. Hirake Tobira is a case in point. Its production is hypnotic, while its central motif - endless twists and variations on a vocal sample - is sufficiently insistent to demand attention. Kachikachi reverses the trick with a thrilling rush, stuttering otherwise unobtrusive sounds.
Elsewhere the EP plays on sonics which have echoes of the familiar while remaining alien: the boss fight soundtrack of Oshiro, the clattering percussion that dominates Imo Hori, and the ambient psychedelia of Konomi.
Based in Yokohama, an hour south of Tokyo, Foodman’s multifaceted skills also encompass DJing and painting. His press image, shown above, is a self-portrait. From the stripped-back sketches of his 2012 set Shokuhin (released on Giant Claw’s Orange Milk label) to the richer textures of ODOODO, Foodman has subverted everything from Okinawan folk to J-Pop to D&B/classical fusion into his own otherworldly inventions.
2024 Repress
ODD OKODDO is a Kenyan/German duo consisting of Olith Ratego and Sven Kacirek.
The two artists met in Kenya, about a decade ago, when Sven Kacirek was recording his "Kenya Sessions", an album that put Kacirek on the map of outernational producers. It was reviewed as a "World Music 2.0" (de:bug magazine), whose "fascination endures" (The Wire). Olith Ratego also made an appearance on the "Kenya Sessions”, on the track "Too Good To Be True".
The duo formed the project ODD OKODDO in 2018, with the two musicians joining their various talents which dovetail in perfection. Ratego writes the lyrics and vocal melodies while Kacirek composes, records and produces the arrangements of all nine songs on AUMA. They create a colourful, dynamic sound which is defined by both Ratego’s enormous vocal compass and range of timbres as well as Kacirek’s outstanding skills as a sensitive percussionist.
Olith Ratego sings in a musical style called "dodo", which originates from the shores of Lake Victoria in Kenya, high in pitch and soulfully expressive. He refers to his music as "dodo blues". His lyrics touch upon the topics of politics, family and of course: love. As a skilled luthier, Ratego builds his instruments himself, like the five-stringed Okodo which lends its name to the project.
Sven Kacirek is a multi-instrumentalist who has been commuting between Germany and Kenya for many years now. In the past he has closely collaborated with various international musicians, among them Nils Frahm and Shabaka Hutchings. Kacirek’s sound builds upon a powerful bass marimba which is present throughout the album. It sometimes invokes the sound of a tuned 808 kick-drum. He works with Kenyan an arsenal of percussion instruments as well as household objects and found materials. Kacirek has now settled into a signature sound which has been described as "thrilling and dizzyingly inventive" by the Australian Cyclic Defrost magazine.
The LP comes with a printed inner sleeve with liner notes by Tabu Osusa from the Nairobi based label Ketebul as well as explanations about the song lyrics.
Okinawan talent City1 has been making some serious moves with his unique dark productions as of late and we are honoured to welcome him to the Subaltern family.
* Speak Out feat. Rider Shafique
In the mighty title track City1 delivers a clinical slab of bass science which gravitationally pulls deep into a different dimension. The dreamy yet dark atmosphere and vibrant basslines are graced by the elevating bars of none less than the notorious Rider Shafique - one of bass music’s finest vocalists hailing from Bristol.
* Koroga
Going even darker, City1 opens up another world in this trip of a track. Koroga rides on relentless dark synths and keeps switching up the pace, leading the listener through a maze of eerie sounds - be careful though, the walls are closing in. Dangerous!
* Zee
Zee is just as otherworldly as the first two tracks. With heavy hitting basslines and snappy percussions, City1 delivers yet another absolutely unique roller. Whenever you thought the track had arrived at its peak, it takes another, even wilder turn.
ODD OKODDO is a Kenyan/German duo formed by Olith Ratego and Sven Kacirek. This vinyl single marks their first outing, announcing the album "Auma" which will be ripe and ready in autumn 2019. Olith Ratego performs his immaculate vocals in the musical style called "dodo", which originates from the shores of Lake Victoria in Kenya, high in pitch and soulfully expressive. He himself refers to his music as "dodo blues". As a skilled luthier, Olith Ratego designs and builds his string instruments himself, first of all the five-stringed Okoddo which lends its name to the project. Sven Kacirek is a multi-instrumentalist commuting between Germany and Kenya for many years now. He plays the marimba, percussions and piano, next to producing this project. He has closely collaborated with various international musicians, among them Nils Frahm, Shabaka Hutchings, F.S. Blumm and Marc Ribot. "Okitwoye" is one song of the first ODD OKODDO album "Auma“, it comes in a multi-layered, ambiguous rhythm between three and four. The remix on the B side amplifies the essence of the song. Peter Power is a part of the Voodoohop collective from Brazil and his releases on Multi Culti or Polychrome Sounds fuel the rather slow, organically hypnotic dancefloors. He premiered this remix at the Heliodora festival in Brazil, at sunrise next to a giant waterfall, and it was just perfect.
The Italian Duo Club Paradiso coming from diverse and ever-evolving music backgrounds, they started their collaborative project in 2016. Romagna, Adriatic Riviera, is what they call home and also the primal inspiration behind Club Paradiso. Their first album “Esotica Erotica Psicotica” is out on april 26th on Mondo Groove with Kompakt distribution, follow up to the acclaimed 2017 single Panoramica, and is a wonderful patchwork of colours. Opener Romagna Tropicale transports Riviera to a tropical island, Tuco mixes arpeggiating lines with a western harmonica and a distant spoken, Solo tu with the voice of Francesca Amati is a sensual, slo-mo synth-pop beauty, and Echoes a throbbing deep house number. The B-side opens with Flauto Cosmico, a killer Afro/Cosmic track with a folky flute, Okinawa has the voice of Niconote aka the legendary Nicoletta Magalotti of Violet Eves fame and it’s simply a memorable song with an eastern vibe in the music, La Rabbia Saudita, with a special Daniele Baldelli & Marco Dionigi featuring, is half part Arabic and half part funky, and the closing track, Mirage, is, yes, like a mirage. You can’t miss this.
"In 1978, Nova performed for Obama. Well, kind of: Nova was the band for the Punahou School prom in Honolulu, Hawaii, and a young student named Barack (known then as 'Barry') was in attendance.
Backtrack to 1976, and Nova was the opening band for Donald Byrd at the nearby Blaisdell Arena. The day was Sunday, June 27. The following day, Isaac Hayes would perform on island for the admission price of $1.
Nova, led by singer Checo Tohomaso, was one of several go-to party bands during the golden era of Hawaii funk and soul music in the mid-1970s through early 1980s.
The band's infectious gospel-funk-disco can be heard on their sole release, a self-titled 1980 LP that feels like one big party recorded live in the studio. (Check out the Marvin Gaye-inspired 'I Feel Like Getting Down' on the 2016 'Aloha Got Soul' compilation on Strut Records).
The story is all too familiar, however: funk band releases LP, the music goes dormant in years to follow, and today original copies sell for hundreds online.
Not long after the album's 1980 release, Checo met Marvin Gaye, who was living on Maui (where George Benson also resided). Shortly after, Marvin invited Checo and his counterparts to join his multi-city tour across Europe. Videos of Checo rocking keyboards, percussion and singing background vocals for Marvin Gaye's last European tour can be found online.
Checo, born in Florida yet raised in lush Manoa Valley as well as Okinawa, Japan, now resides in Vancouver, Canada, where he leads the VOC Sweet Soul Gospel Choir and continues to deliver his signature sound: high energy, positive, 'sweet soul' music.
AGS-7010 features two non-stop groovers with a 7' edit by Roger Bong on the A-side. LP reissue in the works!"
Who Do You Go To For Your Very First Session When You Have Just Been Gifted Your Very Own Top-flight 'stradivarius Of Synth Based Studios' Enter 'the Grid' ...mr David Ball: One Man Band Of Pioneering Electro-pop Distorters Soft Cell, Part Time Psychic Tv Personality, Film Soundtrack Composer And All Round Synth Afficionado & Richard Norris: Eclectic Beat-meister & Ambient Dj, Record Producer, Commited Psychedelicist From 'beyond The Wizard's Sleeve'. The 1990's Saw Worldwide Commercial Success As The Grid Scored 10 Uk Chart Hits, Many A Euro Hit Including 1994's International Mega-hit 'swamp Thing' Featuring A Twisted Use Of Sampled Banjos Lifted From The 1970's Okie Shocker Movie 'providence. In 1996 The Grid Went On A Holiday And They Didn't Return Till 2005. In The Initial Week Of The Moog Sound-lab In Early 2015 As The Studio Was Literally Put Together Around Them, Our Abiding Memory Was Their Absolutely Delighted Grins As Each Moog Unit Was Added To The Lab. Dave & Richard Created This Benchmark Album Of Deluxe 'tronic Trax That Showcased Their Prarie Wide Knowledge Of Electronica & Their Ocean Deep Skills As Both Technicians & Original Soundscapers - Kraftwerk-ian Werk-outs, Space Noise Jams, And Slinky Grooves With Subtle Pop-tones.
- A1: Vincent Feit - X04
- A2: Chinaski - Half Life
- B1: Lauer - Okinase
- B2: Massimiliano Pagliara - Forever What
- C1: Benjamin Milz - Electric Current
- C2: Felix Strahd - Puppies
- D1: Orson Wells & Benjamin Milz - Transient Field
- D2: Roman Flügel - Good News From Another Planet
- E2: 10 Rolande Garros - Nickpack
- F1: Bendedikt Frey - Bells
- F2: Fort Romeau - Lost, Again
Some try it with mouth-to-mouth insufflation and cardiac massage. Others with
psychopharmaceuticals or group therapy. Still others with divorce. By going cold turkey. With a new profile pic and a matching hairstyle. Seen it all at Robert Johnson, already endorsed everything - at least as long as it helps: as a lifesaving measure.
But since the year dot, the Offenbach-based club with its affiliated label recommends to all which are undecided or have doubts particularly one thing: Music. And dance.
Every two years, when life newly blossoms during spring, Live At Robert Johnson opens its windows widely, lets new music out and fresh air into the house. The beguiling scent of nature and aviation fuel blends with the scent of sweat and dry ice fog - and causes sundry healing confusion. As soon as the first tone of the Lifesaver Compilation 3 is heard, the swelling grunt of Vincent Feit's 'X04', the scenery of the dancefloor right at the Main river appears before one's eyes.
On Saint Monday Iconoclasts rebel against the age of self-optimization. A crack goes through the parquet of the dance floor (or the dancing party itself). The post-unambiguities era is beginning. The images become blurred. Bass case. Alternative facts. Resonance hole. No reception. And then it's only the queue answering the club emergency hotline. Finally there is a buzz on the line. 'Just drop the images!', it says.
'It's all not that tragic.' This helps.
The Lifesaver 3 Compilation, the yet most comprehensive package of the lifesaver history, sounds like electro, sharp-edged like the vault in a Hague bunker (Lauer), provides data pop with piano crescendo (Fort Romeau), brings the style characteristics of German Schlager music to the breakdance mat (Rolande Garros), lets the bulky lily-of-the-valley bells clang and sends the reverb tails away with the wind (Benedikt Frey). There are several new names to discover: Felix Strahd, Benjamin Milz, Vincent Feit; and of course there a many old acquaintances: Massimiliano Pagliara, Orson Wells, TCB, Chinaski. Roman Flügel brings us 'Good News', however: 'From Another Planet.' And Fort Romeau feels 'Lost, Again', but in such somnambulistically beautiful manner that you want to get lost with him instantly and jointly find the great joy.
Again and again there are mysterious chants. It's not required to decipher the specific words in order to get the message: Salvation is near. Salvation is here:
[)] e1 | Roman Fügel - Chang
- A1: Smith & Mudd - Mhor (Lexx Mix)
- A2: Freshro! - Pacifc State (Phil Mison Mix)
- B1: Okinawa Delays Feat. Satoko Ishimine - Nariyama Ayagu (Max Essa Dub)
- B2: Mudd & Pollard - Far Away (Ron Trent Mix)
- C1: Paraíso -Teu Sorriso (Jex Opolis Remix)
- C2: Bison - Familiar Stranger (Baldelli & Dionigi Remix)
- D1: Jack Cutter (Feat. David Harks) - Serpent Strut (Fingers Deep Mix)
- E1: Paqua - Ruby Running Faker (Emperor Machine Extended Vocal)
- F1: Smith & Mudd - The Surveyor (40 Thieves Remix)
- F2: Bison - Salmon Spungcake
- G1: Smith & Mudd - Nether (Bjørn Torske Extended Mix)
- H1: Paqua - Late Train (Mushrooms Project Remix)
- H2: Zee Erf - Southern Freeez (Sean P's India Navigation Mix)
- I1: Holger Czukay - Music To Be Murdered By
- I2: Leo 'Almunia' Ceccanti - Andromeda Bound
- J1: U-She - Blue Sky (Mudd Mix)
- J2: Statues - River Darkness
10 Years Boxset
In the spring of 2007, musician and producer Paul 'Mudd'
Murphy decided to launch his own label. Named after the house
he grew up in, Claremont 56 would release beautiful music by
friends, associates, collaborators and like-minded musicians.
In the 10 years that have passed since, Claremont 56 has more
than surpassed Murphy's modest expectations. It has built up
a cult following around the world, with listeners responding
positively to the label's combination of magical music, beautiful
artwork, and impeccable packaging.
To mark the label's frst decade, Murphy has put together
a sumptuous vinyl box set of previously unheard material,
produced and presented with the same attention to detail that
listeners have come to expect.
Each copy of Claremont 56: 10 Years contains fve weighty slabs
of wax and a bespoke info sheet, housed in a specially designed,
hand-numbered box with debossed logos on the front and rear.
However impressive the packaging, it's the music that makes
Claremont 56: 10 Years stand out. Featuring a mixture of
unreleased tracks and brand new remixes of vintage label
releases, the highlights come thick and fast.
As you'd expect, some of the most impressive contributions
come from those artists you could describe as legendary',
including Chicago deep house originators Larry Heard and Ron
Trent. Can legend Holger Czukay kindly contributes one of the
standout moments, the eccentric 'Music To Be Murdered By',
from his own unreleased catalogue, while Afro-cosmic pioneer
Daniele Baldelli joins forces with Marco Dionigi to deliver a
typically spacey remix of Bison's 'Familiar Stranger'. There's also
an epic, Afro-tinged dub disco remix of Smith & Mudd's 'Nether'
by Norwegian scene founder Bjorn Torske.
Elsewhere, Good Timin' man Jex Opolis turns an overlooked
track by Paraiso into a samba-boogie killer, Sean P dubs out
Zee Erf's beautiful cover of 'Southern Freeez', and Phil Mison
turns FreshRo's laidback electrofunk cut 'Pacifc State' into a
breezy, Balearic gem. Look out too, for the emotion-rich beauty
of Statues' 'River Darkness' - a track arguably worth the cost
of the box set on its own - and the deep space explorations of
Almunia's Leo Ceccanti.
We could go on, but we're running out of space. Sufce to say,
Claremont 56: 10 Years is a lovingly compiled, curated and
presented celebration of the label's frst decade.
- A1: Bye Bye Session Band - Lily
- A2: Sentimental Hotel - Rie Nakahara
- A3: Bara To Yajyu - Haruomi Hosono
- A4: Why Don't You Move In With Me - Yasuko Agawa
- B1: Jiken Ga Okitara Beru Ga Neru - Pink Lady
- B2: Summer Champion - Yuko Asano
- B3: Dancin' - Junko Ohashi
- B4: Rainbow Paradise - Masayoshi Takanaka
- C1: Uragiri - Mari Natsuki
- C2: Maboroshi No Hito - Miyako Chaki
- C3: Tornado - Minako Yoshida
- C4: Banana - Kay Ishiguro
- D1: Funky Miyo-Chan - Masaaki Hirao
- D2: Yashow Macashow - Ebonee Webb
- D3: Lovin' Mighty Fire - Naoya Matsuoka & Minako Yoshida
Lovin' Mighty Fire' is Howard Williams' third Japanese music compilation for the Ace Records house of labels - this time, for BGP International. Assembled in between his job as a record distributor and his monthly Japan Blues show for NTS radio, the first two have taken a look at the late 50s for a blast of Japanese rockabilly ( Nippon Rock'n'Roll' CDWIKD 313), then the 60s and 70s for a romp in Japanese surf music ( Nippon Guitars CDWIKD 297). Following his retrospective of jazz singer Maki Asakawa for Honest Jon's, this new outing searches for the soul music of Japan, from the early 70s to the early 80s.
Japan has long been known as the final destination for many a collectible soul record. Yet, who suspected that some fine soul grooves were recorded for the domestic market, from ballads, to funk and disco Strangely enough, some of the busiest writers and producers in this field came from a late 60s rock band, Happy End, but on listening to their collaborations, their rhythmic, soulful feel is immediately apparent.
The bluesy funk of Lily, the soul-diva brilliance of Minako Yoshida - represented here in both slow-grind mode and epic disco, the maverick genius of Haruomi Hosono, the lively songstress Yasuko Agawa, and the sultry steaminess of Mari Natsuki, and more. This album finally plants a Japanese flag firmly on the global map of soul.
- A1: Work Song (Unknown Title) Feat. Mr Tonohara
- A2: Hatoma Bushi Feat. Tadashi Haraguchi
- A3: Tsundara Bushi Feat. Tetsuhiro Daiku
- A4: Yonaguni No Mayagwa Feat. Mina Mermoud
- A5: Urafune Yunta Feat. Shigeo Arakaki
- A6: Nagareru Mamani Feat. Keiko Kina
- A7: Tsuku Nu Kaisha Feat. Tetsuhiro Daiku
- B1: Uronsun No Jiraba Feat. Mr Tonohara
- B2: Koi No Hana Feat. Keiko Kina
- B3: Kun Nu Ura Bushi Feat. Hiroji Yokome
- B4: Prayer Song (Uknown Title) Feat. Mrs. Uesedo
- B5: Densa Bushi Feat. Sadako Yokome
On his album Songs from Okinawa, Sven Kacirek explores the traces of a unique traditional music from the famed Pacific islands south of Japan. He recorded a wide range of local musicians - both amateurs and well-known figures - and carefully wove in his own instrumentation: marimba, xylophone, and piano. The result is an album of timeless beauty and quiet elegance. The southern Japanese archipelago of Okinawa has a complex and turbulent history, particularly shaped by the conflicts between Japan and the United States - an aspect thoughtfully outlined in the liner notes by Mina Mermoud. Over the centuries, this layered past has given rise to a rich and distinctive musical culture. During the U.S. military occupation of the islands, Okinawan musicians began blending traditional forms with Western styles. Today, Okinawan music is recognised in Japan as a genre of its own. "I"m fascinated by the sublime simplicity and precision of Okinawan music - from its orchestration to the phrasing of the singing voice," says Kacirek. True to this admiration, he keeps many of the original vocal and instrumental recordings intact, gently adding his marimba or percussion without ever pushing himself into the spotlight.
This compilation is also the story of our parties since the beginning, of happy moments spent inParisian night-clubs, but of periods during when we were slaving away too...his compilation includes unforgettable tracks that flood andstick to your mind for ever!It would have been impossible to set up the compilation without the unconditional support of all the artists...a big THANKS to everybody! » Niko (Dj Okin Akaniko)






















