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Infinity is over. That’s the motto of this next chapter which is getting unveiled in our musical village of Sakskøbing which will mark its 10th year anniversary this year. The captain of this spaceship is Jeroen Böhm with tons of experience behind him so you know it will be a smooth ride with minimal space turbulence. The release features vast variety of sounds all tied by the same concept and oozes through with a lot of character and artist’s signature sound, from the tight basslines and drums to the well-executed textures that make up this 12” disc. It is a true honor to welcome this talented artistic soul to the family of Sakskøbing, after this synergy has happened the only question remains why didn’t it happen sooner? To tell these who thought infinity is infinite, no, you were wrong all the time. Infinity is over.

The world of discovering Soul music and artists can lead to sheer moments of jubilation. The thought of igniting a long lost sound, reviving the energy of a once exuberant individual . But not every story that's told is filled with joy. Some are peppered along the way with struggles and heartache. Over time artists have battled with over powering label owners, record executives who just don't back what you do. The story of Tommy Hill is one such story. Tommy along with friend and longtime collaborator Ricky Tarbo had a deal with Motown records back in the early 1980's which turned sour very quickly. His release "Flame"/"Super Star Of Love' was dropped pretty quickly with no promotion and record boss Sylvia Rhône calling the shots within the duo questioning skin colour within the group and even trying to get vocals wiped off the release to sabotage it.

This said the single didn't amount to much and nothing else was recorded for Motown records. The duo did record some 4 demo's in LA before Tommy headed to re-record them again in New York circa 1982.

The A side has never been released until now, which is such a crying shame as the quality is so damn good. It's an uptempo boogie cut called "All My Love" which we gave a sexy 45 mix so you get some slamming synth work half way in. Tommy Hill's vocal range is nothing but astonishing. Just check out the 2 step ballad of "Can't Get Over You", which was recorded and released back in 1980 by The James Simpson penetration Band written by Tommy Hill, who went back into the studio 2 years later to give the song much more depth not only within the production but also to his vocal range. Tommy Hill headed back to LA after not securing a record deal and a few years later tried to get this singing career back on track. Like many of the artists who have moved on to a higher place Tommy succumbed to his own mental health issues and took his life. We hope this record does you proud Tommy Hill

For vinyl enthusiasts and music lovers alike, this 7" release is an inspired pairing that bridges generations and genres. The A-side is Rock & Smooth’s masterful blend of soulful production and heartfelt lyricism. The iconic saxophone sample and poignant verses have solidified it as a timeless classic. On the flip we have The Beginning of the End's 1971 “When She Made Me Promise”, a vibrant funk track that exudes a breezy, carefree vibe. Its infectious groove and lively melody have made it a favourite for sampling by various hip-hop artists over the years

Titans of the jungle world collide for the latest Over/Shadow boxset. 4 x OG Black vinyl presented in a stunning de-bossed box set.

Josiah aka JdB is a key creative at the heart of the New Palm crew. Not only does he DJ and produce, but also he is a resident at Gradient Campout and a member of LA's PrintShop collective. He has a sound rooted in dubby drums and cavernous grooves, both of which are evident here. 'Feels Good' is a heavy warm-up sound with sparse chords slowly ramping things up, while 'Surface Area' is icy minimalism with abstract sines and FX. 'Come Over' pulls back to a more liquid dub roller and 'Dante Is Late' is an ambient soundscape with plenty of tape hiss and curious melodies drawing you in deep. Stefan Bitke of Scape has taken care of the mastering so these sound superb.

DJ Trax returns to Over/Shadow with a new solo EP containing 3 perfectly crafted jungle tracks.

Expertly fusing funk with razor sharp breaks and dark undertones, the Collision EP is a must buy for any seasoned DnB / Jungle head!!!

Detroit sisters The Jones Girls were a hugely popular part of Philadelphia's PIR stable throughout the 1970's and 80's.
They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine.
'Night over Egypt' is surely one of their most enduring, evergreen tracks. As popular today with people as it was on it's 1981 release.
A record that truly transcended genre boundaries and touched people from all walks of life and of all taste persuasions, it is a true soul classic. Often imitated yet never bettered! It's no wonder the 12" has always been sought after, sometimes commanding collectors prices on the used vinyl marketplace. The flipside 'Love don't ever say goodbye' is a sultry, Dexter Wansell produced slow-jam that ticks all the right boxes! One for the lovers out there, pure quiet storm business.
This is a fully legit reissue, made in conjunction with Above Board distribution and Sony music, sourced from their vaults using original source material and remastered and repressed to the highest standard for 2018 and featuring all original 1981 PIR label artwork.
Here's your chance to own yet another essential stone cold classic from the archives!

Sounds Over Seas is ready to release its very first LP by label founder Julian Bainbridge. The album covers aspects of the Deep House genre in its classic definition, pushing certain boundaries, whilst maintaining the spirit of the genre through feeling and utilising melodies and rhythm to evoke emotions which go beyond the dance floor. Keeping it raw throughout the nine tracks, each one incorporates different elements of the music spectrum. Implementing jazzy tweaks, minimalistic rhythms, haunting melodies as well as ambience and global sounds in a full dancing and listening experience.

Four years after first playing for Motive Hunter, and coming off his contribution to our ‘Friends Of The Label VA’ in 2024… DJ Hybrid returns with three red-hot Junglist weapons. Closing out the B-side, UKG maestro ODF flips the title track into a slick, complimentary vibe-switch for the garage crew.





d b2. All Over ODF Remix




[d] b2. All Over [ODF Remix]

DJ support: Chris Stussy, Prunk, M-high

Legendary Dutch artist Michel de Hey makes his debut at PIV with an oustanding EP. Two hit originals and two massive remixes from underground maestro S.A.M. and upcoming Dutch House talent Marijn Jansen. A complete package perfect for warm up, peak time or late hour action.

Our 5th artist album comes from the powerhouse that is Nectax!!! Expect high octane jungle fuelled rhythms with shades of footwork and techno.Ollie has been making huge waves in the last few years with releases on Hooversound and his own Stereo 45 label.

2025 Repress
Depth Over Distance presents: doddub.
Only 150 copies available, vinyl only, hand-stamped, all black.
100% Modular one-take jams by Sep.
The world needs more dub.

2025 Repress

Dubs for basements.

Second release in the doddub series.

Only 150 copies available, vinyl only, hand-stamped, all black.

DODDUB2 by Dävid

The world needs more dub.

Celestial Echo (miche & Stu Clark) team up with Divine Disco’s Greg Belson to launch a brand-new 7-inch series spotlighting Detroit’s powerhouse gospel, soul and R&B label — HOB (House of Beauty). Founded in 1956 by Mrs. Carmen Murphy, HOB wasn't just a label — it was a beacon. From the basement of her beauty salon on Detroit’s West Side, she ran one of the most important Black-owned gospel imprints of the 20th century. At a time when both the music industry and the country were stacked against her, Mrs. Murphy built a sanctuary for soul — a Black woman-owned business and creative hub in volatile times.

This inaugural 7-inch kicks off with two in-demand killers:

Side A: Elder Ward & The Ward Singers – "It’ll All Be Over" A fast-paced gospel dancer with a monster groove, killer breaks and heart-wrenching vocal delivery — this one’s a guaranteed floor-filler and rarely surfaces for less than £250 on the collector circuit, if at all. Urgent, uplifting, and impossible to ignore.

Side B: Victory Travelers – "Power Lord" Another holy grail moment — deep, raw, and unshakeably soulful. Rare in its original form, often fetching close to £100, it’s a heavy dose of electrified gospel sure to hit home with fans of deep soul and spiritual funk alike. Fully licensed and remastered, this 7-inch comes housed in a custom Celestial Echo / Divine Disco series sleeve with a faithful reproduction of the HOB label.

2025 Repress

David on the dubs. Hip-shaking dubbed out techno to stretch the night into day, or the other way around.

Only 200 copies available, vinyl only, hand-stamped, all black.

Timely re issue of an Arthur Russell classic on West End Records that puts his unique avant-garde spin on disco. The success of this track led to Larry Levan remixing the song for club play at Paradise Garage. The song has been remastered from original analog tape for 2014 and repressed in conjunction with the rights holders, Verse Music Group.

2023 Repress

This beauty will be available in September. 180 Gramm vinyl only - highly recommended!

Efficient Space charts Ghost Riders’ North American roadmap, crashing into 1973 New York to ignite the unfiltered teen dreams of Dennis Harte.

In the late ’60s, 11-year-old prodigy Dennis Harte was handed a Sears-bought Silvertone 1448, its in-case amplifier primed for street-level incantations. Recruiting two neighbourhood friends, the trio hammered out raw rhythms, drawing in Brooklyn’s wandering bohemians, keen to glimpse a prepubescent Alex Chilton in the making.

Also jamming with his older brothers, Bart and John, a family friend introduced the siblings to budding music exec Carl Edelson, who had spent the better part of two decades hustling through a string of local labels. A father figure of sorts, Edelson backed them immediately, facilitating sessions at the famed A-1 Sound Studios and Sanders Recording Studio and pressing four 7”s on his newly minted Roundtable Records. To maximise his chances of courting major labels, he strategically assigned each release a different artist name - Dennis Harte, Pure Madness, Harte Brothers and the wryly titled Harte Attack.

Dennis’ emotional maturity and sheer talent bleed into the defining ‘Summer’s Over’, penned by Edelson and once recorded by mid-'60s New Jersey garage vocal group The Wouldsmen. Morphing into an unfathomably teenage, blue-eyed soul/psych lament, it aches for a season slipping away forever. Its Harte Attack edition counterpart - the candied ballad ‘Running Thru My Mind’ - delivers unison harmonies and kinetic guitar interplay with a streetwise punch, channeling the spirit of NYC-area icons The Rascals, The Lovin’ Spoonful, and The Youngbloods.

Roaring like the Spencer Davis Group, Pure Madness’ organ-driven bruiser ‘Freedom Rides’ screams of biker gangs, yet its true subject - ’60s civil rights activists the Freedom Riders - looms as another towering theme for an adolescent perspective. Meanwhile, the loose, bluesy ruckus ‘Treat Me Like a Man’ digs back into Edelson’s catalogue, covering the Beatles-inflected Levittown group The Shandels.

Though Dennis later found success touring with Wilson Pickett and now doubles as a piano tuner to the stars, these four snapshots frame ambition on its outer edge - a heartfelt homage to an unbreakable brotherhood.

Dark doom Hardcore from the United States.
A side offer two bloody industrial doomset... and the flip a pretty hard banger !

Limited to 100 copies.

ENJOY !

Over Under marks a significant evolution in Secondo's artistic journey, showcasing a refined balance between the functional and the experimental within house music and techno. The release reflects two decades of musical exploration and innovation, while drawing inspiration from his early production style. Now, fueled by the lessons learned over the years, Secondo returns, synthesizing new ideas from his roots in the ’90s.

Opening with the beatless, kosmische pulse of Occhi Nuovi, Over Under crosses different tempos and moods, shifting from club-ready tracks — like the alien funk of the first single Unlikely Companions and the album’s tense coda Nowhere Man — to the bubbling, mid-tempo step of Slow Space, and deeper, more reflective moments like the modulating jazz moods of the title track and the centerpiece Solar Funk. The album’s progression ebbs and flows, guiding the listener through a carefully crafted narrative. Narrative, it seems, is key to Over Under.

To celebrate the 10th anniversary of Biffy Cyro’s sixth studio album ‘Opposites’, the band are releasing the four EPs from the era ‘Black Chandelier/Biblical’ and ‘Opposite/Victory Over The Sun’ on vinyl for the very first time. These LPs will also be the first 12” to be pressed on sustainable ‘BioVinyl’ material globally by WMG. BioVinyl is an innovative product using bio-based PVC in the production process, without losing any of the acoustic quality of a conventional vinyl record. This release features the singles ‘Opposite’ and ‘Victory Over The Sun’.

TENO - Debut Vinyl Release from Aum Recordings.

Marking a significant milestone, TENO's debut vinyl features four powerful tracks that are sure to captivate techno enthusiasts.

Each track embodies a unique yet straightforward approach, with intricately crafted and delicately nuanced sound design that immerses listeners in a rich sonic narrative.

Elevating the release even further, Japan's renowned DJ Wata Igarashi joins as a remixer, adding depth and refinement to the original compositions.
These story-driven tracks, combined with meticulously detailed soundscapes, unleash their full potential on the dancefloor.

This release is not only a bold new challenge for TENO but also a pivotal step forward for Aum Recordings, signaling its evolution into new realms.

French producer Mryn delivers DOD999: a mesmerising quartet of tracks that seamlessly weave through the house spectrum.

Opening with the tech-tinged Mai Tai, the EP flows into the classic deep house warmth of Talei, before descending into the brooding depths of Just Let You Be. Mexican maestro Sakro closes the journey with a peak-time remix that pushes all the right buttons.

"LOVE TAKE OVER IN DEEP DARK SPACE" ANTHONY & SWAYLO team up to elevate you to a higher level of musical consciousness. Sweeping pads, deep pulsing bass, and acidic flourishes accentuate SWAYLO'S impressively dynamic vocals on this ~11 minute musical journey. Instrumental dub on the flip side

Berlin-based Small Great Things boss Luca Olivotto inaugurates his new sub-label At A Glance imprint this August with his own ‘Over & Out’ EP, comprising four original cuts.

Born and raised in Italy before relocating to Berlin in 2015, Luca Olivotto has since become a staple of the underground House scene in recent years through the establishment of his Small Great Things imprint and accompanying events series Small Great House. Now Luca marks another new chapter in his career with the launch of his new sub label of Small Great Things, At A Glance, kicking off with a project from the man himself.

Title-track ‘Over & Out’ leads with Olivotto offering up a classic slice of House via a Hammond organ bass groove, choppy chords and cinematic strings, underpinned by crisp raw drums and soulful vocal lines.

‘Brace D’ then shifts gears towards a Disco House tinged aesthetic with guitar licks, bell chimes and tension building strings ebbing and flowing amongst fluttering bass notes, airy chords and swinging percussion.

Up next on the B-side is ‘I’m Gonna Stay’, a groove-drive House track fuelled by an amalgamation of intertwined chords and vocals which steadily build towards a jazzy, atmospheric breakdown before the bouncy groove kicks back in to carry out the rest of the composition.

‘World Wide’ then concludes the release on a deeper tip with hazy keys and pad swells floating atop organic percussion, organ tones and a bouncy bass line.

P.E.A.R.L. is back on his own Falling Ethics Records with four lethal cuts of percussive techno. After a short hiatus for the label, a period that was used for launching the new sub label Moral Standards, it's now the second release this year that marks the comeback of the main imprint and the label owner himself. His 'Hand Over Fist' EP brings four pounding techno jams, powerful and drifting at first with a deeper impact coming from the detailed excellence.

After the huge success of the Break from Reality album, DJ Trax gets 2 of his favourite producers to remix a couple of the tracks. Ricky Force goes in hard on Always and Nookie gives Soulfire a Binary State spin. A bonus track by DJ Trax - 'Point to Prove' completes the 12….

Our seventh vinyl chapter at Small Great Things is presented by our residents Quadrakey. The limited vinyl and digital release, titled "Head Over Heels EP," consists of three original tracks and two remixes. This collection seamlessly fuses deep and classic house vibes with contemporary beats, ensuring a fresh dance floor experience.

Starting with the A1 side, 'Head Over Heels' kicks off the journey with a deep house groove complemented by stabs and a robust bassline. Moving to the A2 track, 'Yeah' takes center stage with its infectious groovy bassline, piano chords, and captivating drums. The A3 track, "2 Ways Out," adds a touch of nostalgia with hints of the 80s.

Flipping over to the B side, we come across two remixes. On B1, Luca Olivotto delivers a disco-house dance floor-ready cut, featuring vocals and guitars. B2 presents a fantastic remix from DJ Merci of the track "2 Ways Out," where he reinvents the entire production, crafting a deep house gem.

If you can picture the very furthest, coldest, darkest part of Norway, that's where Mind over MIDI resides. If you want to get an idea of what it's like there, and can do without the frostbite, then this is the perfect solution. 1997 re-issue.

Repress!

Standing firm on a steady driving rhythmic section, Over The Leap symbolizes the awakening of the life on Earth, the arrival of the morning sun. A deep chord brings in the necessary warmth to prepare the ground for the life on earth to emerge, a bright uplifting pad signs in the beginning of a new day as the light surely gains intensity. Steve O Sullivan adds his signature steady sound to the original track. Emphasizing the comfort and warmth of the early hours of a summer day; extending time as if to focus the attention on the beauty of a world not yet awakened but ready to be. Original hovering over, remix going deep into the leap that the world is about to take every single day when the birds sing. Original Behold, Begin will be available as free download, which offer the necessary well deserved space to Heavenchord to fully express his deeper interpretation of it, giving a massive push to the Jazz influences of the track to then introduce to the audience the depth of a reshape that could only come from one of the most profound artists that Dub Techno has in store today. A release aiming to bring together the two principles of life according to ancient Philosophy : ground the feet on the soil, extend to the sky, and come back to being with a deeper focus on the feeling of being alive.

Dieses Produkt wurde ursprünglich als Teil von „Forces Of The Northern Night“ veröffentlicht Die Band beschloss, ein Konzert mit dem Orchester von Offical Norwegian (NRK) zu spielen und aufzunehmen Es war ein großer Erfolg. Rund ein Jahr später spielte die Band mit der gleichen Running Order und dem Wacken Festival das Tschechische Nationalorchester. Dieses Vinyl ist die Aufnahme dieser Show.

INVŌKER just recently appeared on Innervisions' highly anticipated 'Secret Weapons' compilation - now he is back with this four-track EP on Frankey & Sandrino's 'Sum Over Histories Imprint'.

"Sounds Over Seas" is the new label bringing banging beats straight from the depths of the heart. Spearheaded by label head and DJ/Producer Julian Bainbridge, "Sounds Over Seas“ intention is to deliver groovy and dreamy vibes by new and established artists, whilst remaining genuine to its true nature; music not just for the dancefloor.

SOS001 brings all this together, delivering rhythmic and jacking beats on the A-Side and a more dreamy and spacious vibe on the reverse side.

The second part of 'Path Integral' paves the way for six new tracks. Ready to be discovered. Ready to be played out. Ready to hit the zeitgeist and ready to give a set an advanced whiff without sounding pretentious.

Kastil and I-Real have been releasing joint efforts since 2014. The occasional duo have perfected the boisterous techno they hold dear, and showcase their new approach on the gloomy 'Black Birds All Over' and the audacious sounding 'Skandha'.

'Black Birds All Over' is a lurid sounding effort that revolves around a monotonous roar and skillfully places drums and fx sounds that cut across the spectrum like daggers. Canadian duo Orphx delivers an enigmatic version of 'Black Birds All Over' that uses far-away pads to generate a more uncanny mood.

'Skandha' is a piece of nonconformist techno that uses broken drum patterns and eerie fx screams throughout. Order & Devotion owner Kwartz reworks 'Skandha' to a recognizable and powerful dark dancefloor version.

Meaning 'universe' or 'the cosmos' in Greek, Sýmpan is the second full EP from Lazaros, Cologne-based artist and long-time friend of the label.
Dive into the rich, musical universe of Lazaros with this EP - an intricately composed sonic world mostly made up of self-created sounds by the producer from scratch. With previous releases on KX (subdivision of Kompakt) and Nautilus Rising (label of Glasgow's Sub Club), the music of Lazaros is always deeply personal and a mirror of his inner self. From darker club tracks like 'Byzantion' to ambient electronica like 'Cold Faucet', the EP displays the versatility of Lazaros, unfolding yet another chapter in a story that begins with his roots in Greece.

We are proud to present Christian Nielsen's debut release on Noir
Music. Noir and Christian has been friends for many years and
therefore we have been following the Danish talent closely and
waited for the perfect time and the perfect tracks to create his first
release on the label. So....here it is.....
Over and Over' sits right in between tech and techno with those
irresistible vocals that's become Christian's signature. On Speeding'
Mr. Nielsen digs a little deeper and the result is a fantastic techno-
groover which roots back to early Detroit underground. We
recommend you give in and play both.

When Harry met Barney it was a match made in heaven - that's Hary Balk and Barney Duke' Browner. The Duke had worked with Harry since the early sixties on other labels inlcuding American Arts where he wrote Walk On InTo My Heart' for Bobbie Smith. But he really hit his stride at Impact alongside Harry and John Rhys. Eventually the three would make the move to Motown but not before the Duke struck paydirt with his Northern Soul anthem Crying Over You' featured here in its orginal coupling, vocal/instrumental. It was the instrumental that first commanded the dance floor back in the days of the Golden Torch, but today the vocal is king. Whatever your preference we know you'll enjoy our offering couretsy of Harry Balk himself... the first legal reissue in years!

SALES POINTS:
All time Northern Soul Classic - Two fabulous sides
TV advertised and featured in the film Northern Soul

Heavyweight psychedelic improvisers EarthBall are back with their third and most monstrous record to date: ‘Outside Over There’, released on Upset The Rhythm (Nov 7th). Born from the haunted basements of Nanaimo, Canada, the quintet thrives on spontaneity, shaping improvisation into jagged hallucinations and ecstatic eruptions.
Recorded live-off-the-floor in 2024 in Jeremy, Izzy, and Kellen’s basement, and mixed by drummer John Brennan, ‘Outside Over There’ is an album that feels both summoned and inevitable. Each track lands with uncanny purpose, as if uncovered rather than written.
The opener, 100%, features a cameo from comedian and English icon Stewart Lee, who lent his blessing for the band to use a fragment of his stand-up. The album was mastered by John Dieterich (Deerhoof), with liner text contributed by longtime comrade John Olson (Wolf Eyes). Olson describes the album in his unmistakable style:
“This eight-track odyssey unfolds like a dreamscape, where whispered incantations brush against the shadowy fringes of the cosmos, and wild, Cézanne-inspired rock anthems erupt like geysers of color in the midst of a western warm and wet rain storm… culminating in the sprawling eleven minute masterpiece, ‘And The Music Shall Untune The Sky,’ aptly dubbed the Earth Crusher. A creation so utterly deconstructed and intertwined with the pulse of nature itself that if AI was called upon to conceive ‘Outside Over There’ anew, it would just spit back, “F.U. in Tree Font”. An enchanting invitation for even the flat-earthers to join the circle, if only just a little.”
EarthBall’s trajectory has been relentless. Their 2024 album ‘It’s Yours’ was praised by The Quietus as “fully aggressive and fully life-affirming,” and by The Wire as "a boisterous mind-melting album”. The band’s live double set LP ‘Actual Earth Music Vol. 1 & 2’ (2025) captured blistering performances: a performance opening for Wolf Eyes at the Fox Cabaret, and a Café OTO improvised throw-down featuring Chris Corsano and Steve Beresford. These releases on their own confirm them as one of Canada’s most vital experimental exports, not to mention the impressive self-released discography on their Bandcamp. The band’s reach has stretched far beyond their west coast roots with a UK tour May 2024, plus this past June, EarthBall closed Montreal’s Suoni Per Il Popolo Festival alongside Pulitzer Prize-winning composer Raven Chacon. This November they will perform at Le Guess Who? Festival in Utrecht, with a European tour to follow (tour dates below). Outside of EarthBall, each member carries their own torch. Jeremy Van Wyck, founding member of the legendary Shearing Pinx, has toured extensively, released over 100 records, and has been a vital force in the Vancouver and West Coast underground for the past 25 years. He and Isabel Ford (Izzy) play together not only in EarthBall, but also in Psychedelic Dirt, Shearing Pinx, Behaviours, and Crotch.
John Brennan collaborates widely, including recently with Endlings (Raven Chacon and John Dieterich), Evichen (Victoria Shen), Francesco Fonassi, Plan Your Future (with Greg Saunier of Deerhoof), Brennan/Corsano duo and Physics with John Dieterich. Kellen Maclaughlin performs with KVMP and Ora Corgan, while saxophonist Liam Murphy is a west coast staple, playing with the best across Vancouver Island and the mainland. On three of the tracks of ‘Outside Over There’, the band is joined by their comrade Justin Patterson, who also plays with Brennan in the duo Modale. This cross-pollination fuels EarthBall’s sound - a collective improvisation, psychically overdriven, and grinding into bloom.
Outside Over There’ is more than an album though, it is a ritual, a gathering of sound at the forest’s edge; where feedback, saxophone screams, and ecstatic vocals dissolve the boundary between chaos and clarity. EarthBall invite you into their circle, to share in the joyful terror of spontaneous creation. ‘Outside Over There’ will be released on November 7th through Upset The Rhythm digitally and as a limited blue-in-black vinyl LP.

Originally released in 1993 on Big Beat/Atlantic, MC Thick’s The Show Ain’t Over Till the Fatman Swings followed his 1991 underground single “Marrero (What the Fellas Be Yellin)” and marked a defining moment for the Marrero, Louisiana rapper. While early ’90s New Orleans was dominated by bounce, MC Thick stood apart with gritty, street-level storytelling and a raw, unapologetic voice.

Featuring “T.H.I.C.K.” and production work involving T-Ray (Todd Ray), known for his work with Cypress Hill, the album remains an important piece of Southern rap history.

Fully remastered and pressed on black vinyl, this is the first vinyl availability in decades. Housed in a full-color jacket with a printed insert and is limited to 500 copies worldwide.

Heavyweight psychedelic improvisers EarthBall are back with their third and most monstrous record to date: ‘Outside Over There’, released on Upset The Rhythm (Nov 7th). Born from the haunted basements of Nanaimo, Canada, the quintet thrives on spontaneity, shaping improvisation into jagged hallucinations and ecstatic eruptions.
Recorded live-off-the-floor in 2024 in Jeremy, Izzy, and Kellen’s basement, and mixed by drummer John Brennan, ‘Outside Over There’ is an album that feels both summoned and inevitable. Each track lands with uncanny purpose, as if uncovered rather than written.
The opener, 100%, features a cameo from comedian and English icon Stewart Lee, who lent his blessing for the band to use a fragment of his stand-up. The album was mastered by John Dieterich (Deerhoof), with liner text contributed by longtime comrade John Olson (Wolf Eyes). Olson describes the album in his unmistakable style:
“This eight-track odyssey unfolds like a dreamscape, where whispered incantations brush against the shadowy fringes of the cosmos, and wild, Cézanne-inspired rock anthems erupt like geysers of color in the midst of a western warm and wet rain storm… culminating in the sprawling eleven minute masterpiece, ‘And The Music Shall Untune The Sky,’ aptly dubbed the Earth Crusher. A creation so utterly deconstructed and intertwined with the pulse of nature itself that if AI was called upon to conceive ‘Outside Over There’ anew, it would just spit back, “F.U. in Tree Font”. An enchanting invitation for even the flat-earthers to join the circle, if only just a little.”
EarthBall’s trajectory has been relentless. Their 2024 album ‘It’s Yours’ was praised by The Quietus as “fully aggressive and fully life-affirming,” and by The Wire as "a boisterous mind-melting album”. The band’s live double set LP ‘Actual Earth Music Vol. 1 & 2’ (2025) captured blistering performances: a performance opening for Wolf Eyes at the Fox Cabaret, and a Café OTO improvised throw-down featuring Chris Corsano and Steve Beresford. These releases on their own confirm them as one of Canada’s most vital experimental exports, not to mention the impressive self-released discography on their Bandcamp. The band’s reach has stretched far beyond their west coast roots with a UK tour May 2024, plus this past June, EarthBall closed Montreal’s Suoni Per Il Popolo Festival alongside Pulitzer Prize-winning composer Raven Chacon. This November they will perform at Le Guess Who? Festival in Utrecht, with a European tour to follow (tour dates below). Outside of EarthBall, each member carries their own torch. Jeremy Van Wyck, founding member of the legendary Shearing Pinx, has toured extensively, released over 100 records, and has been a vital force in the Vancouver and West Coast underground for the past 25 years. He and Isabel Ford (Izzy) play together not only in EarthBall, but also in Psychedelic Dirt, Shearing Pinx, Behaviours, and Crotch.
John Brennan collaborates widely, including recently with Endlings (Raven Chacon and John Dieterich), Evichen (Victoria Shen), Francesco Fonassi, Plan Your Future (with Greg Saunier of Deerhoof), Brennan/Corsano duo and Physics with John Dieterich. Kellen Maclaughlin performs with KVMP and Ora Corgan, while saxophonist Liam Murphy is a west coast staple, playing with the best across Vancouver Island and the mainland. On three of the tracks of ‘Outside Over There’, the band is joined by their comrade Justin Patterson, who also plays with Brennan in the duo Modale. This cross-pollination fuels EarthBall’s sound - a collective improvisation, psychically overdriven, and grinding into bloom.
Outside Over There’ is more than an album though, it is a ritual, a gathering of sound at the forest’s edge; where feedback, saxophone screams, and ecstatic vocals dissolve the boundary between chaos and clarity. EarthBall invite you into their circle, to share in the joyful terror of spontaneous creation. ‘Outside Over There’ will be released on November 7th through Upset The Rhythm digitally and as a limited blue-in-black vinyl LP.

TOO BAD JIMS - Over The Hill ist eine leidenschaftliche Hommage an den legendären North-Mississippi-Bluesman R.L. Burnside. Das britische Trio aus Brighton - bestehend aus Little Victor, Son Jack Jr. und Nick Simonon (Bruder von Paul Simonon, The Clash) - verbindet rohe Energie, hypnotische Grooves und den unverkennbaren Hill-Country-Sound zu einem zwingenden, rauen und erdigen Blues-Erlebnis. Was einst als spontane Zusammenarbeit zweier vielfach ausgezeichneter US-Musiker begann, entwickelte sich zu einer Band, die den Spirit der Juke Joints aus Nord-Mississippi in die Gegenwart transportiert. Minimalistische E-Gitarren, treibende Bottleneck-Soli und ungeschliffener Gesang formen einen Sound, der "absolutely scorching" (Living Blues Magazine) und "relentlessly upbeat" (Blues Blast Magazine) genannt wurde. Over The Hill erscheint streng limitiert und liefert einen kompromisslosen, unmittelbaren Blues, der gleichermaßen Tradition ehrt und vor roher Spielfreude strotzt. Für alle, die echten, unverfälschten Hill-Country-Blues lieben.

Kolosso, a sacrilegious mix of 808, Tap, Drill, and Bastard Jazz.
Founded in 2023 under the guidance of multi-instrumentalist and producer Davide "Kidd" Angelica (who has previously worked with Inoki,
Deda, Voodoo Sound Club, and others), the group brings together some of the most visionary musicians in Bologna's underground scene.
Their music explores the chaos of contemporary life, intertwining urban sounds and jazz languages in a continuous exploration of new sonic
perspectives and narrative horizons. The result is powerful and powerful live performances, complemented by rich, layered, and meticulously
crafted album productions.
OVER is the conclusion of Phase 1 of the Kolosso project: extensive underground work, in the studio and on stage, seeking a point of collision
between jazz and urban sounds, trap, drill, and grime. Worlds seemingly distant but united by a common drive: to transform the chaos of the
present into language.
OVER is an attempt to go beyond: beyond the patterns of composition, beyond the rules of production. A huge sonic puzzle constructed with
patience, instinct, and perseverance.
OVER is the raw power of a musical collective condensed into an album. A tamed energy, yes, but still radioactive, like uranium: unstable,
dense, alive.
Featuring: DJ Craim, Awon, Lauryyn, Pasquale Mirra
CREDITS
Davide Angelica: compositions, guitar, samples
Salvatore Lauriola: bass
Giuseppe Allotta: drums
Gioacchino Allotta: keyboards, synth
Gabriele Polimeni: trumpet
Federico Califano: alto sax
Matteo Diego Scarcella: tenor sax, flute
Jacopo Trapani: compositions, recordings, mixing
Francesco Brini: mastering

Jaime Fennelly, as Mind Over Mirrors, makes music that pushes the known to the lip of the unknown, where it rocks precariously and in exhilaration. He scrambles the familiar and tweaks the comfortable, not through aggression, but a throbbing estrangement. When placed at a distance, these require longer reaches to grasp. The reward for this effort is an enlarged field of perspective, experience, and also of feeling. This is deeply feeling music to feel deeply.

In all of Jaime’s records—and, arguably, especially in Particles, Peds, & Pores—there’s a seed of the pastoral, some ancient shepherd’s song ringing through nearby hills and groves, but one also yearning to plumb the uncanny and the creative possibilities of disintegration. “Farewell to woods,” the grieving Damon sings in Virgil’s eighth Eclogue. “Let all be ocean now.” Fennelly sounds vast, enveloping wildernesses and the thrilling disquiet of their echoless grandeur. (Maybe Burroughs speaks to the borders of these zones: “Pulsing mineral silence as word dust falls from demagnetized patterns.”) There’s something of the heroic at work here, too, although the hero’s instinct has been suitably tempered—or awed—to know not to fly too close to the sun.

Known for their warm harmonies, live energy, and poetic lyrics, Boy & Bear explore on Tripping Over Time themes such as embracing life's journey and its contradictions: "It's about the subtle lessons of life. Often you don't realise you've gone through something until you've truly experienced it. You keep learning, stumbling forward, and embracing the chaos with a smile. It's optimistic, nostalgic and playful, just like life itself," says frontman Dave Hosking. The record feels like one big celebration of joy, laced with a bittersweet, happy-sad energy. Since their breakthrough with the double-platinum debut Moonfire, Boy & Bear have released multiple #1 albums and earned a reputation as one of Australia's most compelling live acts.

Multi Talented Sheba Q debuts on Over/Shadow with 2 tracks that highlight her unique style and sound. Asterix has been doing the rounds for a while after being made with Nectax and Sovereign projects Margarets vocal skills with Outrage on the buttons.....and to top it all off we have a Dub one Remix!!!!

Arcane and long time friend Humb join forces for “The Coils EP”. A seriously hefty 3 tracker from 2 of the South Wests finest beat manipulators. All killer no filler.......

Foundation. Rock Steady version of the much covered classic. A total beauty!!
Back with another great one from the amazing Joy Landis.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

Die silberfarbene Vinyl-Ausgabe trägt den Titel „Eagles Over Hellfest“. Diese Doppel-LP enthält AUSSCHLIESSLICH das Audio des Auftritts der Band beim Hellfest 2024.

Mixrace return to Over/Shadow with Session1–DM2 + Oak. Part 1 of a 2 part series that showcases the 30 year deep sonic friendship of the production duo made up of DJ Trax and Paradox. Tick ALL of the boxes that you would expect from 2 of the finest producers in Jungle/ DnB.

Heavyweight psychedelic improvisers EarthBall are back with their third and most monstrous record to date: ‘Outside Over There’, released on Upset The Rhythm (Nov 7th). Born from the haunted basements of Nanaimo, Canada, the quintet thrives on spontaneity, shaping improvisation into jagged hallucinations and ecstatic eruptions.
Recorded live-off-the-floor in 2024 in Jeremy, Izzy, and Kellen’s basement, and mixed by drummer John Brennan, ‘Outside Over There’ is an album that feels both summoned and inevitable. Each track lands with uncanny purpose, as if uncovered rather than written.
The opener, 100%, features a cameo from comedian and English icon Stewart Lee, who lent his blessing for the band to use a fragment of his stand-up. The album was mastered by John Dieterich (Deerhoof), with liner text contributed by longtime comrade John Olson (Wolf Eyes). Olson describes the album in his unmistakable style:
“This eight-track odyssey unfolds like a dreamscape, where whispered incantations brush against the shadowy fringes of the cosmos, and wild, Cézanne-inspired rock anthems erupt like geysers of color in the midst of a western warm and wet rain storm… culminating in the sprawling eleven minute masterpiece, ‘And The Music Shall Untune The Sky,’ aptly dubbed the Earth Crusher. A creation so utterly deconstructed and intertwined with the pulse of nature itself that if AI was called upon to conceive ‘Outside Over There’ anew, it would just spit back, “F.U. in Tree Font”. An enchanting invitation for even the flat-earthers to join the circle, if only just a little.”
EarthBall’s trajectory has been relentless. Their 2024 album ‘It’s Yours’ was praised by The Quietus as “fully aggressive and fully life-affirming,” and by The Wire as "a boisterous mind-melting album”. The band’s live double set LP ‘Actual Earth Music Vol. 1 & 2’ (2025) captured blistering performances: a performance opening for Wolf Eyes at the Fox Cabaret, and a Café OTO improvised throw-down featuring Chris Corsano and Steve Beresford. These releases on their own confirm them as one of Canada’s most vital experimental exports, not to mention the impressive self-released discography on their Bandcamp. The band’s reach has stretched far beyond their west coast roots with a UK tour May 2024, plus this past June, EarthBall closed Montreal’s Suoni Per Il Popolo Festival alongside Pulitzer Prize-winning composer Raven Chacon. This November they will perform at Le Guess Who? Festival in Utrecht, with a European tour to follow (tour dates below). Outside of EarthBall, each member carries their own torch. Jeremy Van Wyck, founding member of the legendary Shearing Pinx, has toured extensively, released over 100 records, and has been a vital force in the Vancouver and West Coast underground for the past 25 years. He and Isabel Ford (Izzy) play together not only in EarthBall, but also in Psychedelic Dirt, Shearing Pinx, Behaviours, and Crotch.
John Brennan collaborates widely, including recently with Endlings (Raven Chacon and John Dieterich), Evichen (Victoria Shen), Francesco Fonassi, Plan Your Future (with Greg Saunier of Deerhoof), Brennan/Corsano duo and Physics with John Dieterich. Kellen Maclaughlin performs with KVMP and Ora Corgan, while saxophonist Liam Murphy is a west coast staple, playing with the best across Vancouver Island and the mainland. On three of the tracks of ‘Outside Over There’, the band is joined by their comrade Justin Patterson, who also plays with Brennan in the duo Modale. This cross-pollination fuels EarthBall’s sound - a collective improvisation, psychically overdriven, and grinding into bloom.
Outside Over There’ is more than an album though, it is a ritual, a gathering of sound at the forest’s edge; where feedback, saxophone screams, and ecstatic vocals dissolve the boundary between chaos and clarity. EarthBall invite you into their circle, to share in the joyful terror of spontaneous creation. ‘Outside Over There’ will be released on November 7th through Upset The Rhythm digitally and as a limited blue-in-black vinyl LP.

Unter der Dunkelheit des schwarzen Himmels kehren Public Enemy zurück, um Licht zu spenden: Nach einer fünfjährigen Pause kehren Chuck D & Flavor Flav mit einem neuen Public Enemy-Album auf die Bildfläche zurück und bringen ihre stets aufschlussreichen Kommentare über schroffe und formwandlerische Beats. Von der Eröffnungsdiagnose von "Siick" bis hin zum Wahnsinn der Schulschießereien während "March Madness" ist die rot-schwarz-grüne Maschine zurück, um die Szene aufzuräumen. CD und klassisch schwarze LP! Public Enemy, die einflussreiche amerikanische Hip-Hop-Gruppe, die 1982 in Long Island, New York, gegründet wurde und sich 1985 offiziell gründete. Die Kernmitglieder Chuck D und Flavor Flav sind bekannt für ihre sozialkritischen und oft militant klingenden Texte in Kombination mit einem lauten, Sample-lastigen Sound. Sie gelten als eine der einflussreichsten, kontroversesten und radikalsten Bands ihrer Zeit und schafften in den 90er Jahren den Sprung vom Underground-Hip-Hop über den Alternative in den Mainstream. "Bring The Noise!" - auch 2025 lassen sie es noch krachen!

I was obsessed, am obsessed, by The Groundhogs, so gave C93 a chance to cover their perfect “Sad-Go-Round” from their perfect Solid album. I also loved Black Sabbath, but had listened to them so much that I never wanted to hear them again. So Michael Cashmore’s Perfect Playing of their intro to “Paranoid” was Perfect Way To Wave GoodBye to them, and slip into my visions of LUCIFER Over LONDON, May G+D DAMN him AGAIN. “The Seven Seals…” I wrote whilst sitting at my desk in my Then House in Aubrey Road, London E17 and drinking bottle after bottle of white wine till I collapsed. My cats then were Mao, Rao, and Yao — and Mao had left up for G+D. Even writing this, their names now makes my heart break and my eyes fill up. So I will stop writing them. We all meet again.Remastered from the original tapes by The Bricoleur at Bladud Flies!, and with the original artwork refreshed and reborn by Rob Hopeye, this 12” vinyl picture-disc comes in a full-colour die-cut sleeve, which is printed on both the outside and inside.

This is one of the second group of 4 reissues of the entire back catalogue of C93 on picture-disc and standard vinyl, in the lead-up to the publication of my autobiography at the end of 2026, whilst I also work on many other recording, publishing, and painting projects, and Watch And Pray! Each release in the picture-disc vinyl reissues series is limited to 1,000 copies, and the titles will not be repressed as picture-discs once they have sold out.

After the people asked, The Gallery is finally back open; and what 2 stunning new pieces of Artwork are now on show for everyone to enjoy, and have a lovely, lovely time to…it was worth the wait! You would have heard Harvey, Artwork, Hunnee, Peggy and a few other choice DJ’s showing these beauty’s to the crowds over the last 2 summers…and now you too can own these masterpieces. Be quick before Christies and co make copies unaffordable. Art for all!