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The legendary Belgian label Antler is coming back to life! Pioneering in the 80' and 90's and an absolute spearhead in the world of post-punk, cold and new wave, EBM, electro...

a series of albums and compilations from the extensive Antler archives are now being released again. The first compilation 'Early Years Vol. 1” was received with great enthusiasm and flew out the door. Now there is already Vol. 2 with again carefully chosen gems from the rich Antler archives with early recordings of influential bands such as The Scabs, Arbeid Adelt!, Nacht und Nebel, A Split Second, Neon Judgment... a fascinating sample of the Belgian alternative scene in the 1980s.

Das Album ist nachdenklicher, ruhiger und wenn man es so will auch erwachsener. Die Musik wurde übermüdet und gestresst im stillen Kämmerlein geschrieben, als die Kids endlich im Bett waren. Die Texte unter dem Eindruck wochenlanger Selbstisolation. Da war einfach kein Platz mehr für überschwängliche Wut. Dafür aber für Melancholie ("Denken & Danken"), ein Lächeln ("Gesichtsmuskelzerrung") oder Selbstreflektion ("Ernährungsberatung")

MidnightRoba is Roba El-Essawy, the voice of UK trio Attica Blues. Golden Seams marks Roba's return to music, this time both as vocalist and producer. Recorded during lockdown of 2020, Golden Seams features artists Jason Moran, Ben Williams, Edward Wakili-Hick, Junius Paul, David Mrakpor, Robert Mitchell, Tony Nwachukwu, Artyom Manukyan, Bubby Lewis, Mike King, Alec Harper, Dezron Douglas and Tommaso Cappellato. The album's foundation is firmly inspired by jazz, but in a style of her own. From electronic tracks such as Safe With Me, Self Doubt and Shelter Within, to the ballads Don't Let This Change, Reminded and jazz ballad Be Still, to the spiritual Bitter Boy (ft Jason Moran) and the classical title track Golden Seams.

The album was supported by Gilles Petterson on both BBC Radio 6 (as a feature artist) and Worldwide FM and by Kevin Le Gendre on BBC Radio 3's J to Z; by Tony Minvielle, Anne Frankenstein and China Moses on Jazz FM, where Don't Let This Change featured as Track of the Week, as well as by Kev Beadle, Alexander Nut, Leanne Wright, Charlie Dark, etc on NTS, Totally Wired Radio and Worldwide FM.

These are gifted soloists and seasoned ensemble players who bring clarity to each arrangement, fire, and dynamism to every solo exchange.”– David R. Adler, JazzTimes. For fans of Art Blakey & The Jazz Messengers, Horace Silver, Miles Davis, George Coleman, Wynton Marsalis

Pittsburgh Downtempo hits its pinnacle with the 7th full length from THE LAST TEN SECONDS OF LIFE. Over the past decade, TLTSOL have cemented themselves as the undisputed kings of the Downtempo/Deathcore crossover movement. NO NAME GRAVES is the first full length to show the true power of the line up we saw in 2022's 'Disquisition On an Execution' EP, which featured new members Tyler Beam (vocals), Andrew Petway (Bass) and Dylan Potts (drums). Featuring production by Grant McFarland & Carson Slovak (Rivers of Nihil, Signs of The Swarm) and artwork by Caelan Stokkermans (The Acacia Strain, Lorna Shore) & guest vocal appearances by Ricky Myers of Suffocation, Ben Mason of Bound in Fear and Devin Swank of Sanguisugabogg,

Fast sechs Jahre nach seiner letzten Solo-Veröffentlichung meldet sich 21 Savage mit seinem lang erwarteten neuen Studioalbum "American Dream" zurück. Das Album, das zwei Wochen in Folge auf Platz 1 der Billboard Top 200 Charts stand, setzt die Trap-Tradition des Rappers fort, fügt aber einige neue Elemente hinzu, darunter R&B auf dem Track "prove it" mit Summer Walker und Pop auf der Doja Cat-Kollaboration "n.h.i.e." Mit Featurings von Metro Boomin', The Weeknd, Young Thug, Travis Scott, Lil Durk und anderen fehlt es aber auch nicht an Hip-Hop-Elementen.

Fast sechs Jahre nach seiner letzten Solo-Veröffentlichung meldet sich 21 Savage mit seinem lang erwarteten neuen Studioalbum "American Dream" zurück. Das Album, das zwei Wochen in Folge auf Platz 1 der Billboard Top 200 Charts stand, setzt die Trap-Tradition des Rappers fort, fügt aber einige neue Elemente hinzu, darunter R&B auf dem Track "prove it" mit Summer Walker und Pop auf der Doja Cat-Kollaboration "n.h.i.e." Mit Featurings von Metro Boomin', The Weeknd, Young Thug, Travis Scott, Lil Durk und anderen fehlt es aber auch nicht an Hip-Hop-Elementen

For sheer uncompromising musicianship and their historical impact, few bands have reached such a significant and impressive reputation as one of Sweden’s most prominent heavy metal band Silver Mountain. Out of print for nearly 15 years, SILVER MOUNTAIN's now legendary debut Shakin' Brains will at long last see a worldwide reissue on all formats. REGAIN CLASSICS is proud to present this historic SILVER MOUNTAIN legendary debut album, Shakin' Brains, on CD and vinyl LP formats

Construction worker cum Country singer Corey Baum leads his populist two-step quartet Croy & The Boys through another set of insightful, catchy odes to the plights of capitalism and gentrification

His unorthodox approach adds a touch of playfulness to the Mozart & Gershwin pieces performed while upholding Corea's obvious reverence for their music. His joyous fusion sets the tone for the musicians and the audience, creating a truly captivating and boundary- pushing experience. The recording captures the essence of Corea's musical vision, his appreciation for classical traditions, and his undeniable genius as a performer and improviser.

It stands as a testament to his lasting influence and his eternal quest to push the boundaries of music. Through his work as a composer and a performer, he sought to bridge the gap between genres, embracing the universality and enduring power of classical music.

Corea realized this ambition fully during this live performance as was eager to release the recording as an album that would inspire jazz and classical music lovers equally.

Recorded in Oslo in September 1970, Afric Pepperbird was released on New Year's Day in 1971. Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signalled the arrival of four Norwegian improvisers - Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen - at the fledgling ECM label. It was the start of a lifelong association with each of the musicians, whose influence was soon to reach far beyond the borders of their homeland. In extended passages on Afric Pepperbird, with Christensen and Andersen stretching out, it's quite often Rypdal effectively holding the centre with taut chords. Everybody is roaring here, with Garbarek deep into his free jazz vocabulary. "Garbarek should be heard," wrote reviewer Joe Klee in DownBeat. "I would venture that not since Django Reinhardt has there been a European jazz musician so original and forward-looking as this young Norwegian."

Daniel Romano returns with his first new music since the release of the massive, singular, La Luna in those long ago days of autumn 2022 (an impossibly long time in this famously prolific artist's career) - Too Hot To Sleep is simultaneously a transcendent document of the spirit, and a swaggering, street level blast of power-pop and Stone's derived rock 'n' roll; a surprisingly direct shout down of the corrupt politicians and techno fascists that police our bodies, pollute our world, assault our connections; a reason and occasion to dance, to sweat together at one of The Outfit's legendary live shows wherein everything comes faster than the next, no breaks, no outside, there is only now, there is only all of us here together, alive

Tekno speeing up with a serious kick, hard Tek sound !
Trancy space at some points too :)

Nach der limitierten 10" EP von 2013, die dicht gefolgt von einer mindestens genauso zauberhaften 7" ("Traumhaft") erschien, enthüllt das Schweizer Duo KLAUS JOHANN GROBE endlich das komplette Album "Im Sinne der Zeit". In der kurzen Zeit ihrer Existenz haben die beiden Mitglieder Sevi Landolt (Orgel, Synthies, Gesang) und Daniel Bachmann (Schlagzeug, Gesang) einen einzigartigen Sound gebraut, der sich zu gleichen Teilen auf Krautrock, Post-Punk, brasilianische Grooves und einem Dancefloor-Selbstbewusstsein stützt, dass den Hörer quasi anfleht, sich zu bewegen. Die beiden haben das fast schon unheimliche Talent, in ein und dem gleichen Songs die Geister von NEU!, BOB JAMES, MARCOS VALLE, SHUGGIE OTIS und STEREOLAB heraufzubeschwören. Es ist ein Album, das danach verlangt, immer und immer wieder umgedreht und gespielt zu werden. "Im Sinne der Zeit" ist ein herrliches Werk, die Art von Album, die so klingt und sich so anfühlt, als würde es auf den Grooves schweben und dabei zwischen jazzigen, funkigen Rhythmen und absichtlich mechanischen Grooves pendeln, die mit dem Puls eines elektronischen Herzens zucken. Besonders seltsam ist es, dass die Melodien niemals anders als warm und umarmend klingen, obwohl das Duo nur auf Deutsch singt. Die Tanzfläche ruft! Vom pulsierenden Opener "Between The Buttons" bis zum roboterartigen Two Step von "Koffer" nimmt das Duo niemals den Fuß vom Gas. Während sich das Ganze ein wenig abkühlt, fühlen sich die Grooves noch warm an und finden ihren Höhepunkt in den beiden letzten Tracks des Albums: dem ungeheuerlich eingängigen Rausschmeißer "Regen raus" und dem allerletzten Track "Vergangenes", der den Hörer an der Hand ins Taxi nach Hause führt.

50th Anniversary reissue with gatefold sleeve + bonus tracks as DL. A hugely influential album cited as the embryo for punk, grunge and beyond. A thinking man's rumination on alienation, the album is a game of two halves; side one tackling the thermo nuclear threat while side two traces riches to rags alienation in everyday London. First of a trio of ground-breaking albums that steered the band from the Blues into a heavier, more prog-based sound and a true reflection of their much-praised live sound.

Bringing to life intensely personal memories of her native County Derry and the
people, places, and customs she holds closest to her heart, Cara reveals a new
found freedom to express herself within the tiniest of details and life's larger
mysteries, leaving a profound impression.
Originally written for entirely personal reasons and without an intention to be
shared publicly, Cara's collection of poetry didn't resist the pull to be set to music
for very long. However, allowing the process of writing and recording to unfold
unconstrained by time and pressure has resulted in the finished album exceeding
expectations.
Comprising ten tracks, "Coming Home" was produced and recorded under the
expert guidance of long time musical partner Sam Lakeman and its sonic
character was brought to life with mixing by multi- Grammy winning producer/
engineer Kevin Killen, known for his work with music legends such as Kate Bush,
David Bowie, U2 and Peter Gabriel. The album marks a return to the singersongwriter style she and Sam first explored on her first solo recordings over 23
years ago, sitting within an original and contemporary soundscape. Significantly,
this is also the first of Cara's releases comprised entirely of original material.
Hailing from an exceptionally strong cultural background in the North of Ireland
and with a profound connection to her home- place and people, Cara's "Coming
Home" succeeds in distilling her reflections and feelings into compelling and
highly emotive pieces.
* Press/Publicity/Highlights:

Over atmospheric instrumentation expanded by cinematic structure and pacing, Pearlty presents Knifeplay somewhere between dream-pop influenced shoegaze and lofty slowcore, never fully committing to one or the other in its insistence on creating an immersive, organic world. Originally released in 2019, Knifeplay’s vivid debut Pearlty documents songwriter Tj Strohmer’s expressions of early adulthood in what he describes as “the journey from innocence to experience.” Written during a time of immense inspiration, Strohmer was able to peel himself away from detached nihilism, uncovering the physicality and therapeutic powers of songwriting. Newly emboldened by this discovery and the talented community surrounding him, Strohmer channeled this revelation into his work, taking Knifeplay from a bedroom experiment that merely wrote songs to a more substantial project with a purpose. Pearlty’s various climactic passages, like those heard on the impressionist album opener “Tears”, envelop listeners in textured walls of distorted guitar and noisy breakdowns, a distinct hallmark of shoegaze – but Knifeplay’s compositions go far beyond such conventions. Also featured are downtempo compositions – such as the tribute track “Angel” – that call on a range of influences, from grunge to lofi pop, all the way back to slowcore. Layers of Strohmer’s falsetto lilt adorn the songs with another dimension of sentimentality, while rounding out the sonic vastness of the group’s emotionally enrapturing style, lending impressive depth to the band’s debut full-length.

"Pearlty" by Knifeplay includes the following tracks: "Feel U", "Mirage", "Held My Hand", "Lemonhead" and more.

Straight From the Republic of Bashkortostan (!), the Excellent Dj Producer Apollon Telefax (Who Was Already in the Band Arash & Quasar for Their Last Release on Mellah - One of Our Sub-Label), Is Back This Time on Skylax Records Alone. "Fantasia Planet" Is a Captivating Journey Into the Realm of Balearic-Inspired Melodies and Italo Disco Vibes. This Ep, Meticulously Crafted by the Talented Electronic Artist, Showcases a Fusion of Leftfield House and Disco That Will Transport You to Euphoric Soundscapes. the Mesmerizing Opening, "Mbira," Sets the Tone With Its Intricate Rhythms and Ethereal Melodies. "Not Wet Wipes" Follows Suit, Captivating Listeners With Its Infectious Groove and Hypnotic Basslines. as You Delve Deeper Into the Ep, "Macarena" Unveils a Blend of Nostalgic Sounds and Contemporary Beats, Igniting a Dancefloor Frenzy. the Titular Track, "Fantasia Planet," Takes You on a Cosmic Voyage With Its Cosmic Arpeggios and Pulsating Synths, Creating an Otherworldly Atmosphere. "Sex on Astrakhan Fur Coat" Seduces Your Senses With Its Seductive Melodies and Sensuous Rhythms, Offering an Irresistible Invitation to the Dancefloor. Concluding the Journey, "Moodoom" Embraces a Darker and Mysterious Tone, Immersing Listeners in a Captivating Blend of Intricate Percussion and Haunting Melodies. Apollon Telefax Is a Versatile Musician, Multi-Instrumentalist, Dj, and Illustrator. With an Extensive Collection of Vintage Synthesizers and Drum Machines From the 80s, Pavel Masterfully Combines Elements From Various Musical Traditions, Infusing Them With His Own Unique Touch. His Dedication to Remixes and Constant Exploration of Rare Vinyl Records Ensures a Constant Flow of Intriguing and Innovative Compositions. Experience the Magic of Apollon Telefax's "Fantasia Planet" Ep and Let the Irresistible Rhythms and Captivating Melodies Transport You to a World of Boundless Musical Enchantment. Unveil the Secrets of This Extraordinary Release, Where the Past Meets the Present in a Harmonious Embrace of Sound and Creativity....

One of the most respected British bands in the mid 80's post punk era, Sad Lovers & Giants played highly atmospheric music made of melancholic melodies and epic guitar riffs. An overtly romantic attitude that slowly developed towards an even more open (pop) sound approach. Originally released in 1987 on Midnight records »Mirror Test«, the band's third studio effort, arrived as the fruit of an updated line up and a clear step in such direction. A very harmonious collection of songs, some of which are still recognized among the best in the band's entire catalog.

Renowned techno maestro Mike Dehnert drops his latest 4-track EP on Syncrophone Records. As the needle meets the groove, expect nothing short of electronic mastery, a testament to Dehnert's unwavering commitment to pushing the boundaries of techno This one comes in a limited oxblood-colored vinyl edition EP, a collector's gem…

Experiences Limited, now 3XL, with a new LP from Exael on a highly atmospheric ambient jungle tip, deploying 30 mins of percussive spasms seeping into smoked-out zoners - highly tipped if yr into anything from Lee Gamble to Malibu.

Clearing their cache of stray bullets, Exael returns with a gyring plunge into percussive wormholes and low-lit mood enhancers .The tracks are broadly cleft along schisms of dark/light and demonic/angelic, switching from restive propellers to more sublime sensations in a fine testament to their practice - making for prob our favourite Exael release thus far.

On the “darker” side, they commit the convulsive, fractious footwork pulses and warped tones of ‘Circle (Squishy Mix)’ in a sort of parallel to 33EMYBW’s insectoid rhythms and combustion systems, while ‘Ice That melts The Tips’ trades in rapid, ice-skating thizz and ‘Ghoul Search (Demonic Attachment Mix)’ fires up the junglist particle accelerator for a proper gauntlet of hyper techstep dynamics.

The contrast is epitomised by ’Composure’, arranging flinty breaks on a luscious waterbed of floating pads, before ‘Eidolon’ renders a sort of airborne dembow pressure in the vicinity of Ben Bondy & special guest dj’s xphresh works. ‘L-theanine’ closes the session on a fine tread inside emo ambient styles and flurries on the same spectrum between DJ Lostboi and Teresa Winter, complete with a reverberating, half-buried vocal.

During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist percussion; steeped in aggression and audacity, it’s an awesome disc that rebuffs punk’s easy cliches and refuses to be categorized. This reissue also includes the ‘Pre’ EP and the tracks from the legendary No New York compilation.

The track 'Abyadh Aswad' is a manifestation of Ali's self-described Middle Eastern beats with Southeast Asian twists, specifically influenced by Indonesia. It offers tropical cruising vibes and tranquil melodies, incorporating Arabic lyrics and repetitive desert-like riffs. Floating melodies and background vocals inject a psychedelic element into the track. The lyrics themselves translate to 'Black and white in one vision.'

On the B-side, there is an instrumental track titled 'White Stallion.' It's a simply cinematic funk track with psychedelic elements and hypnotic repetitive riffs. This track aims to capture the adventurous landscape of Indonesia through music, offering a flat, chill, and contemplative vibe that would suit a cinematic soundtrack.

For the 15th anniversary of this timeless classic, !K7 Records are re-issuing Tosca’s seminal album ‘No Hassle’ in an audiophile 3LP format.

Multi-instrumentalists Richard Dorfmeister and Rupert Huber have been friends since their Vienna schooldays. Richard later became half of the globally acclaimed DJ-producer duo Kruder and Dorfmeister, while Rupert worked in piano composition and sound-art installation. ‘No Hassle’ is Tosca’s fifth studio album.

A luxurious tapestry of analogue and digital sounds, submerged samples and live instruments, it evolves and expands into an hour-long ambient symphony. The title reflects not only the duo’s laidback approach to making music but their whole philosophy of life.

‘No Hassle’ is all about contemplation and concentration. While recent Tosca releases like J.A.C. (2005) and the remix collection Souvenirs (2006) were a move towards classic song structures and club-friendly grooves, their latest is a much more introspective journey into inner space.

This record is to be listened to as a moment spent in Laura Lippie's studio-living room with her good friend Martin Vital. This is like a delusional spontaneous and improvised exercice with a special sens of lightess. Created through nights and days of the winter of 2022, La Noce Des Éléments offers 6 singular songs of their complicity mingling both folk, rock and psychedelic electronic or some interspace of spoken word or poetry.

First compiled as a double CD in 2002, Moon's Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-Super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness. Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)"). Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung folk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant" to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance's oft-quoted couplet: "Pay your respects to the vultures / For they are your future." The album's final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shivering rhythm into an imploding burial hymn. "North" oscillates bleakly, a ghost in the machine murmuring opaque prophecy ("This black dog has no owner / This black dog has no odour"), while "Magnetic North" is its inverse, a guided meditation of gently flickering software and surreal chakra poetics ("Red rose filling the skull / Yellow cube in the lower pelvis / Silver moon crescent below the navel"). The suite fades to grey with a traditional English carol ("Christmas Is Now Drawing Near"), rendered like an executioner's song by Rose McDowall's doomed, beautiful voice. The Dais box set includes the entirety of the rare Moon's Milk Bonus Disc CD-R / 2019 Threshold Archives Copal CD, which includes three collaborations with Thighpaulsandra. This material is as rich and intoxicating as the previous four phases, ranging from electro-acoustic singing bowl rituals ("Copal") to dissonant electronic recitations of visionary Angus MacLise poetry ("The Coppice Meat") to ominous classical melancholia ("Bankside"). Once again, Coil confirm the vastness of their confounding, infinite alchemy, explored and refined across decades of experimentation - both sonic and bodily. From postindustrial to post-everything, theirs is an art untethered, in the wilds of its own design.

From 1984, Nat King Cool’s stunning in-demand one-off single release ‘Checking Out’ sounds like a blend of MFSB’s ‘Mysteries of the World’ meets UK brit-funk complete with very cool flip-side instrumental. Originally released on the tiny Tai Wan label, this track sounds fresh!

For the first chapter of its discography, Exxtra Beats join forces with well known artists Paradise City Breakers. The EP is composed by 4 tracks.

Sweet Sound and Harmonies and This Was Intense are solid hypnotic peak time anthems with old school influences . Howerdose will bring you into more dark amotsphere, while Empateia will guide you through a mellow and heavenly trip.

Prince Harry is back ! A sweet dancefloor rockn'r'oll party time sound !

The Treasure team keep digging and uncovered another pair of gems. More reworked classic tracks from F.R. for today’s more select dancefloors.

Continuer à danser.

The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack works of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express ('Theme From The Watcher).

Everything released on ATA is written and guided by the label heads Neil Innes and Pete Williams, who frequently dip their toes in the Library pond while working on other projects. These occasional one-off tracks have accumulated over the past few years and have now found a home on the first volume of an ongoing series : The Library Archive

Ranging from heavy big band brass (Whack, Slap & Blow, Kaye Okay) to evocative thriller soundtrack (Midnight Heist, Wiretap, The Needlenose) via introspective ethereal soundscapes (Nuclear Wind, Siren's Sea) these 11 tracks faithfully recreate the feel of the Library music catalogues of the 60s and 70s.

None More Records are very proud to present 'Fictions', the third album, and debut LP for the label from Twospeak. Twospeak are band leader and saxophonist Ronan Perrett's bold and dynamic four-piece that draw inspiration equally from the world of contemporary jazz, bands like The Bad Plus and ADHD, the early 1970's Canterbury Scene of Soft Machine and Caravan, Hot Rats-era Zappa and Deerhoof-esque indie rock, putting this all together in a heady brew and sounding uniquely themselves.

Fictions is a huge step forward for the band, building on Twoism and Reflector, taking the band to new heights. Each song on their new album is based on a piece of non-musical art which include paintings, sculpture, literature and film. Each track is named after and aims to capture the character and mood of its original inspiration.

Randy Rice mixed accoustic singer-songwriter songs with electrifying acid guitar in his marvellous privately pressed double album from 1974.

Offered here in a much needed reissue so you do not have to spend over a grand for an original copy.

Housed in it's original minimalist hand made artwork with the little upgrade twist of silk-screen printing.

· First ever vinyl reissue of ultra rare privately pressed double LP!

· Remastered sound!

· Reproductions of the two original inserts!

· Plus a new one with liner notes by Randy Rice himself sharing his memories of the recording!

I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone Else. They express the thoughts and frustrations, hopes and fears of a young man coming of age in a world that was full of upheaval and transformation. I was a product of that period in America we call the sixties—those years between the assassination of President John F. Kennedy in November 1963 and the resignation of President Richard Nixon in August 1974. In fact, this record was released that same month Nixon resigned. Over the next five years, I toured the country as an acoustic artist performing at clubs, coffeehouses and colleges. During that time, I watched the idealism and social consciousness of the sixties slowly fade away. In its place emerged a cynicism and materialism that still seems to be with us so many years later. More than anything else, I think To Anyone Who Ever Laughed at Someone Else is a time capsule that speaks to us from a past era. A period when, above all other things, we asked questions. We questioned our country, we questioned our faith, we questioned the very purpose of life itself. I am very excited to bring those questions and these songs to a new generation on a new continent. Special thanks to my friends Jordi Segura of Wah Wah Records who took the initiative to release this 50th Anniversary Re-issue of To Anyone Who Ever Laughed at Someone Else and Michel Veenstra Klinkhamer, who introduced us.

A1.Hello
A2. Mr. Dumpty, Before The Fall
A3.The Song
A4.Mrs.Bitch
A5.Students From Marian Catholic High School
A6.Will You Still Love Me When You're Twenty-One
A7.To Anyone Who's Ever Laughed At Someone Else
B1.The Other Day
B2.SPQR Part 1 - I Wish That Fly Would Land So I Could Swat Him
B3.SPQR Part 2 - Sorry
B4.SPQR Part 3 - My Last Question
B5.SPQR Part 4 - Gosh, Darn, Golly Gee, or Those Canadians Can Sure Tell It Like It Is
B6.SPQR Part 5 - All American Girl
B7.SPQR Part 6 - Let Me Grow
C1.For Me, For You
C2.The New Testament, Or A Good Samaritan Will Never Jew You · Matthew: Love Means Never
Having To Say You're Happy
C3.The New Testament, Or A Good Samaritan Will Never Jew You · Mark: Jesus Was A Capricorn, But
Then So Am I
C4.The New Testament, Or A Good Samaritan Will Never Jew You · Luke: Morning Meditation
C5.The New Testament, Or A Good Samaritan Will Never Jew You · John: Mother Mary, Let Me Be
C6.The New Testament, Or A Good Samaritan Will Never Jew You · Fred: Post-Mortem Dirge
D1.Everyday People Revisited
D2.Filler Song
Out Of Here
D5.The Continuing Story Of A Square Peg In A Round Hole Part 3: Footnote To The Preceding Nineteen Songs, And Is It Really Necessary
D6.The Continuing Story Of A Square Peg In A Round Hole Part 4: I Hope I Always See You
Smiling
D7.The Continuing Story Of A Square Peg In A Round Hole Part 5: My Song
D3.The Continuing Story Of A Square Peg In A Round Hole Part 1: The Ballad Of Uthage
D4. The Continuing Story Of A Square Peg In A Round Hole Part 2: I Think It's Time For Me To Get

Endlich wieder ein Lebenszeichen der legendären Indie-Rock-Band Grandaddy aus Kalifornien. Im Februar 2024 wird ihr brandneues Studioalbum „Blu
Wav“ via Dangerbird Records erscheinen. Kürzlich feierten Grandaddy ihr Schaffen mit einer Reihe von Wiederveröffentlichungen zum 20-jährigen
Bestehen, darunter das hochgelobte Sumday Twunny-Boxset, das von Pitchfork als „Best New Reissue“ ausgezeichnet wurde. Auf Wunsch der Familie
seines Freundes und Psychedelic-Pop-Kollegen Mark Linkous steuerte Lytle auch Gesang zu einem posthumen Sparklehorse-Album bei. Grandaddy
haben fünf offizielle LPs veröffentlicht, zuletzt 2017 das Album „Last Place“. Zu den Mitgliedern von Grandaddy gehören Jason Lytle, Aaron Burtch,
Jim Fairchild, Tim Dryden und der 2017 verstorbene Kevin Garcia.

Band Of Nowhere is a new constellation project by Juanjo Sánchez, together with other collaborators with whom he had previously worked. It is worth mentioning Bob Drake on drums, former member of the legendary formation Thinking Plague (also on Hail, 5UU's, The Science Group) who has also mastered the project from their studio in the Midi-Pyrénées and also to mention the guitarist Jordi Cabayol (Camino al Desván) both Juanjo and Jordi began their career in a significant band of Barcelona of the early eighties, such as Entr'acte.



The becoming of Juanjo Sánchez would take him to other latitudes as a member of Alondra Satori and without losing the lighthouse of his city, he would collaborate with other outstanding musicians such as Quicu Samsó (Koniec, Macromassa).



The fluidity and chromaticism of his previous album Gonza Magilla is still perceived in here, but in a much more electrified way with guitars that are sometimes expansive, other times exuberant wrapped up with contagious synthesizer modulations and very marked rhythms. The production and especially the arrangements are fantastic with those special presences of synthesizers that are not common around here.



Its original improvisation and experimentation is skilfully adjusted by Juanjo Sánchez, giving a much more playful result with unexpected combinations, very much in continuity with a certain European Art Rock such as Aksak Maboul, Etron Fou, Zamla,The Work or the mischievous resonances of The League of Gentlemen; all this mapping the sound transit, to an unpredictable and vibrant non-place.



Housed in it's original hand made artwork with the little upgrade twist of silk-screen printing textured grey cardboard and including a insert colour with photos and text provided by Juanjo Sánchez.



Housed in it's original hand made artwork with the little upgrade twist of silk-screen printing in Plastic clear cover and including a insert colour with photos and text provided by Juanjo Sánchez.

Javier Hernando

a1 Calling All Beginners
a2 Fleeing To the Poles
a3 Ashes
a4 Rouler ma Bosse
a5 Sunday Machinery
b1 lucid Dreams
b2 Twisted Maze
b3 Rolla Bolla
b4 Chinese Forecast

Second single of remixes coming out of Fabrice Lig's album "The Mental Bandwidth" by Plaid, Cinthie and Truncate