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The British progressive rock band Quatermass existed from 1969 until 1971, during those days they released one album, the self-titled Quatermass. The trio, which formed as a power trio with Hammond organ as the main instrument, consisted of bass player and vocalist John Gustafson, keyboardist J. Peter Robinson and Mick Underwood on drums. They keyboard-driven album gained a cult status during the years and received a lot of credits from both critics as prog rock fans. This overlooked masterpiece rocks every moment, sometimes in a funky way and other times in the strength of their heavy sound. The most rock-ish song here is “Black Sheep Of The Family”, later covered by Rainbow on their first album. Progressive parts of the album features surprising time shifts and unique sounds, which gives both lovers of rock as metal the thrills.

The British progressive rock band Quatermass existed from 1969 until 1971, during those days they released one album, the self-titled Quatermass. The trio, which formed as a power trio with Hammond organ as the main instrument, consisted of bass player and vocalist John Gustafson, keyboardist J. Peter Robinson and Mick Underwood on drums. They keyboard-driven album gained a cult status during the years and received a lot of credits from both critics as prog rock fans. This overlooked masterpiece rocks every moment, sometimes in a funky way and other times in the strength of their heavy sound. The most rock-ish song here is “Black Sheep Of The Family”, later covered by Rainbow on their first album. Progressive parts of the album features surprising time shifts and unique sounds, which gives both lovers of rock as metal the thrills.

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
The Lamb Lies Down On Broadway — Genesis' gold-selling sixth studio album!
180-gram 45 RPM 4LP
Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering
Pressed at Quality Record Pressings and RTI
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Genesis' sixth studio album was released as a double album in November 1974 by Charisma Records and is the last to feature original frontman Peter Gabriel. The group's longest album to date, The Lamb Lies Down on Broadway peaked at No. 10 on the U.K. Albums Chart and No. 41 on the Billboard 200 in the U.S..

The album is a concept album and tells the surreal story, devised by Gabriel, of a young Puerto Rican named Rael who embarks on a journey through a series of strange and bizarre events in New York City.

Musically, the album is a departure from the band's previous works, incorporating a wide range of styles including progressive rock, art rock, funk, and jazz fusion. The album features complex rhythms, intricate melodies, and dense layers of instrumentation, showcasing the band's virtuosic musicianship.

The album is notable for its use of storytelling, with each track contributing to the larger narrative of Rael's journey. The lyrics are often cryptic and abstract, and the album's surreal imagery has been interpreted in a variety of ways by listeners and critics.

The Lamb Lies Down On Broadway gained acclaim in the years after its release, reaching gold certification for sales in the U.K. and U.S.. In 1978, Nick Kent wrote for NME that it "had a compelling appeal that often transcended the hoary weightiness of the mammoth concept that held the equally mammoth four sides of vinyl together." In a special edition of Q and Mojo magazines titled Pink Floyd & The Story of Prog Rock, The Lamb ranked at No. 14 in its 40 Cosmic Rock Albums list. The album came third in a list of the 10 best concept albums by Uncut magazine, where it was described as an "impressionistic, intense album" and "pure theatre (in a good way) and still Gabriel's best work." A Rolling Stone poll to rank readers' favourite progressive rock albums of all time placed The Lamb fifth in the list.

The Lamb Lies Down On Broadway is widely regarded as one of Genesis's most important and influential works, inspiring generations of progressive rock musicians.

Oscar Peterson’s trio with Ray Brown and Ed Thigpen is widely regarded as Peterson’s “classic trio,” considered by fans as the most popular and in-demand of his long and storied career (featured on releases such as 1963’s Night Train and 1964’s We Get Requests). Recorded during their creative peak in 1964 (5 years into their collaboration), this previously unheard and unreleased live performance is destined to become a fan favorite from the Oscar Peterson vaults. In his memoir Peterson reflects on the dedication that Ray and Ed brought to the group:

"In addition to our trio rehearsals, therefore, Ray would call his own rehearsals in his or Ed’s room and they would simply practice ‘time.’ They created a flexible and multi-faceted rhythmical language that they could apply to any musical statement I might make and enhance any direction I might choose. In short, they practiced ‘all the possibles.’” - Oscar Peterson

In the summer of 2015, Mac DeMarco released Some Other Ones— a collection of original instrumental recordings DeMarco deemed his “BBQ soundtrack” — as a free digital download exclusively on Bandcamp. It was recorded in just 5 days at his home in Far Rockaway, Queens, about a year after the massive success of his third album, Salad Days, and just weeks before the release of mini-LP Another One. Originally released in conjunction with a barbecue DeMarco hosted to promote Another One and collect food bank donations, Some Other Ones soon gained cult status, now regarded amongst his fans as a key entry in his beloved catalog. Now, almost 10 years later, and following the success of his recent full-length instrumental album Five Easy Hot Dogs, Some Other Ones is finally getting the full release treatment. The album will be available digitally across all streaming platforms for the first time starting November 8th, and on limited edition yellow vinyl starting December 15th. The real heads get down to Some Other Ones!

Repress!

Synergy in motion, London five-piece Ezra Collective are proving themselves as a harmonious tour de force. Their sound nods respectfully to a classic jazz footprint, celebrating the originators whilst simultaneously carving a path solely their own.

Ezra Collective marry the delicate technicalities of jazz musicianship with afrobeat and hip hop, tied together by a sound that's unmistakably London. Their live show is one of dynamic union; the strength of their partnership shines in performances that are commanding yet sensitive, soulful and pertinently groove-laced.

Following a joyous and stunningly cohesive show in May 2016, Boiler Room rightly labelled the group as 'pioneering the new-wave of U.K. jazz'. As the genre enjoys a new lease of life that is gaining momentum across the country, Ezra Collective are adding their own fresh and imaginative face to a style that continues to be 'as entertaining as it is educational' (Trench).

In a year that saw them sell out legendary London venue Ronnie Scott's not once but twice, 2017 also bought with it the release of their genre-bending second EP, Juan Pablo: The Philosopher.

After Ezra Collective took the EP on a successful tour across the U.K and Europe and completely sold out of the vinyl, Juan Pablo: The Philosopher went on to win the accolade of Best Jazz Album at Gilles Peterson's esteemed Worldwide Awards Jan 2018

Referred to as "one of Reggae's quietest superstars" Jackie Mitto aka "The Keyboard King" had a remarkable path in Reggae music, a protege of Sly Stone, he started his career as part of Studio One's in house recording band and later went on to work with artists such as Bob Marley, UB40, Barry White, Peter Tosh and Oscar Peterson. This album was the result of a rare occasion of being on tour in Africa and establishing musical connections with musicians from Ghana, recorded in Accra and mixed in London. Predominantly instrumental, this album is essential to any dub conscientious record collection, as it culminates the career of a Reggae legend whilst under new influences in West Africa resulting in an unmistakably characteristic modern dub sound. Re-issued on vinyl with remixes previously only availably on CD format.

Japanese Jazz legend Tsuyoshi Yamamoto's new album, A Shade Of
Blue, undoubtedly reflects his love of the piano trio, a group configuration that in jazz history began in the 1940s with Nat King Cole and then was developed in the 50s by innovators like Oscar Peterson, Ahmad Jamal, and Bill Evans Yamamoto's highly experienced trio - which has a combined age of 215 years -
features bassist Hiroshi Kagawa and drummer Toshio Osumi.

A Shade Of Blue reveals the three musicians' incredible musical chemistry; listening to the ten tracks they've recorded together, it's as if they breathe, think, and feel as one person; such is the musical empathy between them.

A Shade Of Blue will be released by evosound on MQA-CD, SACD- Hybrid MultiChannel, 180g Double Vinyl LP (audiophile pressing), available on the 27th October 2023.

Doctor Who – Revenge Of The Cybermen was the season 12 finale first broadcast on April 19th, 1975. As with so much television music of the 1960s, ‘70s and ‘80s, the original master tapes of Carey Blyton’s score for Revenge of the Cybermen were not retained. The only surviving copy is a set of four 7”, 7.5ips “composer’s copy” domestic 1/4-inch tape. It is from those digital transfers that this release is taken. Sadly, and to Carey’s obvious and understandable disappointment, the completed music did not meet with the complete approval of the production team, and much of it was not used. Peter Howell of the BBC Radiophonic Workshop added some electronic embellishments and arranged some additional cues for parts two and three but some of that was also left on the proverbial cutting room floor.
For this release, Carey’s original score is presented (and heard here for the first time) as written. This is followed by the additional, alternative, and “enhanced” cues, all of which were also on Carey Blyton’s tapes.
“This is undoubtedly one of the most distinctive, mysterious, misunderstood, and even controversial scores in Doctor Who history, and it delights me to finally bring it, complete, to your ears!” Mark Ayres - compiler and producer

Purple Color Vinyl

We are really proud to introduce a new release on Mawimbi Records: "Mawimbi, Vol. 2”. Its title is a nod to “Mawimbi, Vol. 1”, which was the inaugural release of our record label back in 2015. A new compilation, at last, after a decade of music activism and a handful of EPs and albums which have helped unearth some of today’s talents from the new global music scene (Onipa, Loya, Afriquoi, Raz & Afla). It stays true to the driving principles of our artistic direction: support upcoming artists, e ncourage the breaking down of musical frontiers, help make happen new encounters between electronic music and so-called “afro” music. While these encounters can now be witnessed anywhere in pop music’s current zeitgeist, from Beyoncé to South African’s vibrant amapiano scene, we think there’s still plenty to explore.

“Mawimbi, Vol. 2” truly feels like the culmination of a long path for our record label. Because it includes artists who have been actively contributing to the Mawimbi adventure over the years, and also because it’s another convincing testimony of the fruitfulness of this musical intuition we have so heartily been defending for the last decade. Indeed, the 8 tracks of “Mawimbi, Vol. 2” resist all the usual labels. They sound like they stem more from human encounters and artistic dialogues launched in the moment than attempts to be associated with any music scene in particular. Each of the 8 pieces of this compilation presents in a unique way the search for this cross-pollinating sound.

The compilation opens with a really engaging rework of James Stewart’s classic track “Cotonou” by Lyon-based tropical music enthusiasts Voilaaa, who took Peter Solo’s voodoo soul lines on a trip across the Black Atlantic beginning with a horn-heavy cuban cha-cha-cha before falling into a savory triple time dance. As tireless sonic adventurers, Amsterdam-based duo Umoja have brought back a handful of hits from their numerous trips to Kenya meeting with local benga musicians. “Avana Va” is one of their compelling tunes, featuring Kenyan musician and producer Sidney Simila. This urge to collaborate with musicians from across the African continent is also to be found in Village Cuts’ ever expanding discography. On “Sentima”, they showcase their trademark London funky sound, introducing us to the talents of Congolese guitarist and singer Kissangwa.

Afriquoi’s 2020 hit “Ndeko Solo” is presented in a brand new shape, sprinkled with some French Touch flavours. “Djansa”, by Toulouse-based producers Mr. Boom, rides a distinct South African-inspired groove, while inviting us to a nighttime dance by the Balearic sea. On “Silent Runner”, French producer and musician Ozferti moulds his own musical galaxy where East African scales meet cutting edge global club beats. With “Nabi Kumi”, Anglo-Ghanaian duo Raz & Afla delivers their deepest piece, once again inducing a state of trance with a triple-time beat and an hypnotic kora loop. Closing the compilation, “It's Holy” is a unique collaboration between Tom Excell (Onipa, Nubiyan Twist, David Walters) and Dizraeli, one of the most interesting voices in British rap, which by making connections between broken beat, jazz and african music, illustrates the precious mixture of musical aesthetics that make up the current UK musical landscape.

Little Dreamer is an album by Peter Green, released in 2023. Little Dreamer includes a.o. the following tracks: “Loser Two Times”, “Momma Don'tcha Cry”, “Born Under A Bad Sign”, “I Could Not Ask For More” and more. The album is a Coloured Vinyl, High Quality, Insert blues LP.

mule musiq welcomes british producer jimmy wallace, presenting his debut album “red, yellow, black” - a nine track strong record that partly leaves the dancefloor behind.

since childhood, music has been a strong influence on the 33-year-old artist. his mother, a music teacher, exposed him to classical sounds from an early age.

but it was hearing the electronic tones of the french touch movement, which really ignited his mu-sical journey. a year later he started to dj, acting out his love for four-to-the-floor grooves in local clubs. today you'll find him on the bill with artists like ruf dug, mr scruff, or bradley zero, heating up the dance floors.

as a producer he has already released a handful of stunning eps, including one for sweden’s finest house label studio barnhus, and one for london’s revered rhythm section international imprint.

both feature house tunes with an edge, house tunes with a love for the roots of the genre along-side more reflective, ambient moments. he also runs the label tartan records, where he publishes dancefloor focused white labels.

his music has been championed by titans of the scene such as palms trax, ryan elliott, dj tennis, gilles peterson, dixon, and hunee. axel boman even coined his debut ep as “one of the very best demo emails ever received at label studio barhnus hq”.

an advance praise, that wallace now acknowledges with an album full of deeply crafted music. some tracks lean towards the dancefloor, like the swung sounds of “bubbles”, the hypnotic mael-strom of “good morning”, or the epic, jazzy moments of “labyrinth”.

the theme of nature is evident throughout, with field recordings and environmental sounds he rec-orded on the road, being fused with his own musical ideas.

tracks like “waterfall” and “tokyo street”, draw influence on time spent in asia, whereas "dhq", "by the river", and "by the lake" are inspired by his childhood and hometown in the shropshire country-side. “i’ve been writing ambient and more nature focused material for a few years now without really having a plan for it.

finally, this year after writing the tune “labyrinth” i felt i had a body of work which was both diverse and cohesive enough to bring together on a record. so, the album represents moments of time i have spent in various outdoor spaces around the world, using sound to try and turn these experi-ences into musical format.” wallace discloses.

the result is a mesmerizing long player featuring an evocative, emotional story arc that avoids ste-reotypes and straight party orientated narration. “having written plenty of club music for the past few years, i wanted to show a different side to my sound.

something more intimate, private, experimental which can be listened to away from the party.” he reveals on the meditative, blissful “red, yellow, black” - an album, which has the power to transport listeners to places and spaces new – for inspiration, relaxation, and dancefloor moments off the beaten path

Heavenly Cream 'An Acoustic Tribute To Cream' features Ginger Baker, Cream lyricist the late Pete Brown, Free front man Paul Rodgers, Bernie Marsden, Joe Bonamassa, Bobby Rush, Malcolm Bruce (son of Jack Bruce), Debra Bonham, Maggie Bell and others.

For a band that only existed for two and a half years, the influence and fame of Cream seems to have only grown and grown over the decades.

One of the highlights of this project was the participation of Cream's original drummer Ginger Baker. It turned out, sadly, that these were the last recording sessions he ever did.

Another big plus was getting the great Bobby Rush. The 85 year old blues/ funk master verve and energy is spectacular.

Joe Bonamassa didn't quite realize that we were all- acoustic, but plugged in for his slide work on "Sunshine" to great effect.

The powerful vocals of Deborah Bonham gracefully shook the walls of Abbey Road studios when she came in to lay down a couple of tracks. Her husband Peter Bullick also added to the mix, displaying his guitar finesse with great ease.

Maggie Bell's performances were a welcome reminder that she is still one of the greatest British blues/ soul artists of our time. And multi- instrumentalist and singer Malcolm Bruce, who played on every track, did some magical work that his late father Jack would surely have been very proud of.

If that wasn't enough, the phenomenal voice of Paul Rodgers puts the sweetest icing on this fine collection of tracks with his unmistakable presence.

In 2006 Cream won the Lifetime Achievement Award at the Grammys. Features Joe Bonamassa 3 times Grammy Nominee, Bobby Rush 2 time Grammy Winner, Son Of Jack Bruce, Malcolm Bruce, plays on every track.

Produced by Rob Cass, also producer of Silver Rails, Jack Bruce's final album.

• Following on from the highly successful first two editions
of Dance Masters featuring the classics mixes from
maestros Shep Pettibone and Arthur Baker the spotlight
turns to another remix legend, John Luongo.
• Boston born, John is one of the truly legendary DJ's and
remixers of the Disco era. John got his break at Epic by
overdubbing percussion from salt shakers and spoons
onto a promo and then passing them back the tape. This
resulted in him being flown to New York, and put in a
studio (of his choice) to mix and produce Melba Moore`s
“You Stepped Into My Life”. From this point everything he
touched was a hit. He went onto remix Disco classics by
Jackie Moore – “This Time Baby”, Dan Hartman “Vertigo
/ Relight My Fire” and Patti Labelle “Music Is My Way Of
Life”.

• John, however was not afraid of remixing artists that
didn’t fit into the disco genre and this attitude is borne out
by the tracklisting of this compilation on which Gladys
Knight and The Pips rub shoulders with ZZ Top and Billy
Idol, and Baltimora appears alongside Bill Nelson and ILevel.
• “…if you played this whole thing, just put it on and
didn’t tell anyone it was me, they’d say ‘boy, what a great
group of songs this is!’” - John Luongo
• The collection is housed in a beautiful lift-off-lid box, with
a 16 page booklet featuring foreword by Arthur Baker, an
in-depth essay written by Alexis Petridis (Rock and Pop
reviewer for The Guardian) and complete with rare photos
from John’s personal collection plus a limited signed insert.

• All tracks remastered by Nick Robbins at Sound
Mastering.
• A 43-track 4CD edition is also available, along with a 2LP
vinyl edition featuring 16 highlights.

Nicole Sabouné will release her fourth album "Kismet", a soundtrack that no one ordered or asked for but which fits perfectly with the listener's everyday, miserable or wonderful life. A both powerful and intimate song cycle that is tied together by a recurring melodic theme and whose sonic ideal was taken from the idea that it would be a soundtrack to a Sofia Coppola film. "I wanted it to feel grand but at the same time fragile, I like how Sofia Coppola often succeeds in conveying just that feeling," says Nicole. On the album, where there are also influences from both krautrock and Massive Attack, Nicole Sabouné has written some of the songs herself and others together with Billy Cervin. In addition, Nicklas Stenemo (Kite) and Björn Yttling (Peter Bjorn and John, Lykke Li) figure as songwriters on each song. Jon Bordon has been a co-producer - together with Nicole and Billy - as well as mixing. Nicole Sabouné released her critically acclaimed first full-length "Must Exist" in 2014. The follow-up "Miman" from 2015, inspired by Harry Martinsson's epic "Aniara", was named the best album of the year by Fredrik Strage. In 2021, the Jenny Wilson-produced third album "Attachment Theory" came, which prompted Nöjesguiden to write: "Nicole Sabouné seems to have simply found her way home."

In 2021, Los Angeles trio Gabriels arrived in a whirlwind with the loose-limbed vintage soul jam of ‘Love & Hate In A Different Time’, a song that could have dropped in almost any era. A stone-cold classic, it introduced a band so much more than just the sum of their supremely talented parts.

For the first time, ‘Love & Hate In A Different Time’ is now getting a special 7 Inch release with a previously unreleased live version of ‘Spanish Harlem’ recorded at BBC Maida Vale studios for a Gilles Peterson 6 Music session.

Just a handful of live shows deep, the spotlight swings and lands squarely on vocalist Jacob Lusk. A man who demands attention with a presence and voice of a gospel choir. That rich vocal swoops and soars through the pitches effortlessly matched by an on-stage persona that’s intensely likeable.

A bonafide star by anybody’s reckoning. Two acclaimed EPs deep and yet barely out of second gear, Gabriels have moved beyond mere promise to become one of 2022’s most essential new acts.

Press / PR:

“One of the most spectacular voices you will hear this year... Set to be 2022’s word-of-mouth hit” - The Guardian

“A sound that’s unlike anything else out there” – The Times

SOLD OUT every headline live show in 2021 and 2022 so far in seconds. Gabriels will also support Celeste on her sold out UK tour in the spring of 2022.

Love And Hate In A Different Time was playlisted at 6Music Arielle Free’s TOTW on Radio 1, other supporters included Annie Mac, Nick Grimshaw and Adele Roberts

Syncs with Reebok and Gucci campaigns

Breaking Act - Sunday Times Culture feature

Included in The Guardian’s 2022 Tips

NME Radar feature & NME 100: Essential Emerging Artists For 2022

KCRW’s 2021 Breakthrough Artist

Ones To Watch – The 25 Artists to Watch

Während seiner außergewöhnlichen Karriere, die sich über mehr als sechs Jahrzehnte erstreckte, schuf der weltberühmte italienische Komponist Ennio Morricone mehr als 600 Originalkompositionen und einen einzigartigen und unverwechselbaren Stil, der avantgardistische Lösungen mit feinster Pop-Psych-Attitüde verband.

Zu den Künstlern, die den Maestro sampelten oder sich in ihren Produktionen von ihm inspirieren ließen, gehören: Jay-Z, Flying Lotus, Danger Mouse, Madlib, Mark Knopfler, U2.

Anlässlich des 95. Geburtstags des Maestros (10. November 2023) präsentiert CAM Sugar eine neue Sammlung von wenig bekannten Perlen, die von Morricone komponiert wurden und die 2020 die Morricone Segreto Collection ergänzen: Morricone Segreto Songbook.

Ein Beweis dafür, dass auch einer der berühmtesten Komponisten unserer Zeit noch Geheimnisse zu lüften hat.

Das Morricone Segreto Songbook enthüllt die poppig psychedelischen, düster-kinematografischen und avantgardistischen Klänge, die die ursprüngliche Sammlung kennzeichneten, mit einigen Ausflügen in den Folk-Rock der Zeit, zwischen ergreifenden Balladen und eleganten Chansons.

Diese Anthologie entstand aus dem Wunsch heraus, Morricones Filmmusiken zu erforschen und einige versteckte Perlen zu entdecken, die trotz des innovativen Niveaus der Kompositionen und der Modernität der Orchestrierung mehr oder weniger in Vergessenheit geraten oder in den Hintergrund gedrängt worden sind.

Ab dem 10.11 als 2LP oder 1-CD Digipack verfügbar.

The words "Wolde Senayet" are scrawled in silver ink across a black-and-white image of Peter Tosh on the cover of Best Of 1978 - 1987. these words are an honorific Rastafarian title meaning "Son of Thunder", which does this collection justice. The 14-track compilation is seamless in their quality and are more than representative of Tosh's vision - one that has been adopted and reworked in all sorts of reggae subgenres since his death.

Listen to classics like "Bush Doctor," "Mystic Man," "Oh Bumbo Klaat," "The Day the Dollar Die," and ofcourse the single version of "(You Gotta Walk And) Don't Look Back" with Rolling Stones frontman Mick Jagger.

Best Of 1978 - 1987 is available on vinyl for the first time as a limited edition of 2000 individually numbered copies on silver coloured vinyl. This 2LP is housed in a gatefold sleeve, including a 4-page photo booklet.