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Way back in 1998, following five years DJing and organising free parties as part of Sheffield's Smokescreen Soundsystem, Andy Riley and Laurence Ritchie joined forces in the studio as Inland Knights. They went on to deliver a huge amount of high-grade UK house music, but it was on this EP - here reissued for the first time in remastered form - that they first showcased their distinctively chunky, DIY-influenced sound. Check first the squelch-and-bump of soul-flecked late-night roller 'Mud Substance', before getting your ears around the dubby bass, hypnotic beats and spacey licks of 'Souldoubt'. 'Deep In' is a strutting, energetic affair full of raw analogue bass and mind-mangling effects, while 'Spent Up' is a tougher and looser slab of deep house funk.

Pleased As Punch presents four tracks from the many shades of house. Groove P featuring Adeva's 'Hold On Honey' opens with a steady groove and bass he's known for, while vocals from Adeva carry you through the track. A2 follows with Saison's 'Keep My Mind'; a deeper, tougher sound they sometimes bring. Fresco Edits' 'You Are the One' adds classic disco flavour that brings warmth to the EP, while Capri's 'Sax Thing' closes with raw, sax-driven energy. Simple, solid tracks made to resonate.

legwork Barcelona launches its inaugural release, thoughtfully titled in Catalan: ‘PEUS I ÀNIMA’, dedicated to the global spirit of dance music.
All 4 cuts come from a live set recorded in 2025 at a legwork party. They were then postproduced and re-jammed in 2026 to create this 12" built strictly for the floor. This creative process is intended to continue in future EPs.

Across the tracks, the signal mutates while always keeping that raw energy alive. The whole concept comes from a deeply personal mix of self-doubt, determination, friendship, and a pure passion for music and dancing.

Solid, no-nonsense material.

Mastered by Johanz Westerman
Artwork & design by PEBE Studio

Luis Malon returns to Overthink Records with a 4-track EP.

Four cuts rooted in his distinctive, functional sound.

Driven by raw drum machines, acidic lines and precise sequencing, the release moves between techno and electro with a direct, dancefloor-focused approach — tight, hypnotic and built for late hours.

For Metro Beirut’s latest release, Cem Mo steps forward with his debut vinyl EP, a record that bridges the roots of Chicago and Detroit house with his own deep and textured approach to groove.

Born in Ankara and having taken piano lessons at an early age, Cem drifted from classical into jazz, re-teaching himself harmony and improvisation before finding his way into production. After moving to Amsterdam in 2016, the city’s community and music scene expanded his horizon, shaping a sound that treats producing like improvising, with curiosity for grain, color, and repetition, where subtle shifts make all the difference. Along the way, Cem has released on Handy Records and Rhythm Section, while his project Nowhere People has appeared on Artisjok Records.

This EP brings together a tight circle of artists who deepen its character. Saxophonist Moritz Schuster, known for his work across electronic music and past work with Cem and Malik Kassim, formerly known as Retromigration, delivers a striking, free-flowing performance charged with raw intensity. On “The Hard Way”, Franco Corica joins Cem for a deep, soulful, jazz-leaning moment that feels both reflective and quietly defiant. Finally, longtime friend Malik pulls up with a dancefloor remix that preserves Cem’s melodic sensibility while adding his own loose, resulting in a circular dialogue between two artists who’ve grown side by side.

Artwork: Shahd Issa

Inner City Sound Archives returns with its second chapter — digging deeper into the forgotten vaults of New York’s underground disco culture.

This new volume brings to light another cache of mysterious acetate recordings: no titles, no credits, just cryptic handwriting, tape hiss, and the unmistakable pulse of a bygone era. Painstakingly transferred and fully remastered through analog processes, these raw and extended cuts preserve the full emotional weight of the original sessions — dusty, physical, and made to move bodies in the dark.

These are tracks that once passed hand-to-hand among a tight circle of selectors, whispered about and played just once or twice at legendary loft parties between 1978 and 1983. Then, silence. Until now. Once championed in the shadows by the likes of Larry Levan, Francis Grasso, Steve D’Acquisto, but also by more elusive selectors like Bobby Guttadaro, Michael Cappello, Roy Thode, and Mark Paul Simon — these grooves return to tell their story, the way they were meant to be heard. Each piece is a sonic time capsule — hypnotic, unpolished, and intimate. Pressed loud and with care, for those who still believe in the ritual of vinyl.

Next up on the Humanoid series is a debut release from an extremely talented new producer hailing from Newcastle, UK. Mas has delivered 3 tracks of raw machine music with depth and precision, sure to establish him as a force to be reckoned with on the electronic music scene.

The fifth release on L.I.T.S. (Lost In The Swirls) Records cracks open the Swirl People's archive of Raoul & Dimitri, delivering four cuts pulled from different moments in time and locked firmly on the dancefloor.
"Just A Dub Suckah" lands in its unreleased version, with the vocal pushed upfront for a rawer, more upfront hit than the 2004 Amenti release. "This Tiiime", a long-running underground favorite, finally drops officially. On the flip, "Izit Reel" makes its first-ever appearance - an unreleased weapon capturing the off-kilter swing and playful tension that define Swirl Peepz. Closing the record is "Cooper Went Down", first released in 2001 on French imprint FFWD.
Four tracks, no distractions: Party Tricks is Swirl Peepz at their most direct.

'Brooklyn-based pianist and composer Eva Novoa presents Eva Novoa Solo (I), her first solo piano recording and seventh album with 577 Records. Recorded at the legendary Sear Sound Studios in Manhattan, the album captures Novoa alone in the studio, embracing the artistic challenge of vulnerability, introspection, and creative freedom that defines the solo piano format.
'After several years working primarily within piano trio settings and other ensemble configurations, Novoa turned inward, embarking on a deeply personal sonic journey. Solo (I) marks a pivotal moment in her artistic evolution and establishes the foundation for a new series of solo recordings.
'An active and respected member of New York’s experimental and creative music community, Novoa prepared extensively for this session through months of solo performances - mostly in Brooklyn - leading up to the recording. These included a standout solo concert at the Brooklyn edition of the New York Forward Festival, where her approach to the solo format fully crystallized.
'On Solo (I), Novoa expands the traditional piano vocabulary. While the grand piano remains her primary instrument, she also performs on Fender Rhodes and electric harpsichord (the latter to be explored further in upcoming volumes), incorporating Chinese gongs, additional percussion, vocals, and even whistling on select tracks. The result is an intensely intimate and sonorous experience - raw, cinematic, and emotionally charged.
'Eva Novoa Solo (I) is the first installment in a planned trilogy of solo recordings. Across six original pieces, Novoa approaches the solo piano format with boldness, rhythmic fire, and fearless energy. Her percussive use of the instrument, expansive dynamic range, and deep command of tone transform the piano into both an emotional soundscape and a cinematic narrative.
'Recorded in Fall 2024, Eva Novoa Solo (I) captures an intimate session and deeply emotive music shaped by mature technical mastery and a highly compositional approach. Novoa dazzles on piano, Fender Rhodes, electric harpsichord, Chinese gongs, vocals, and whistle, revealing an expansive and deeply personal sonic universe.
'Originally from Barcelona, Spain, Eva Novoa has cultivated her distinctive musical voice since childhood. Now firmly rooted in New York, she has performed internationally and collaborated with some of the most adventurous voices in jazz and beyond.'

A unique collaboration between Industrial Breakbeat pioneers Meat Beat Manifesto (Jack Dangers) and the undisputed king of Japanese noise, Merzbow (Masami Akita). "We may not speak the same language, but in the vortex of sound, there's a raw, primal understanding that transcends words. Noise can be art, a visual representation could maybe be Jackson Pollock's No 5, a plexus of chaos redefining what music can and could be. Pushing boundaries with Masami wasn't just a musical adventure, it was a masterclass in sonic anarchy"
(Jack Dangers, January 2024). 'Extinct' sees the duo take listeners on a transcendental journey, focusing on the dismantling of beat and structure and recycling the result through layers of beautifully crafted noise and feedback loops, giving birth to new rhythms buried deep in the dirt. The 20 minute opener 'FLAKKA' takes constantly evolving breakbeats which are gradually broken down over time, driven through a filter of harsh noise, destroying the old to give birth to the new. Raw and unforgiving, the track is a behemoth that blends mutant forms of broken beats and hints of dub, creating rhythmic noise of the highest calibre in the process. 'Burner' takes the record to its ultimate conclusion, the initial drum beat broken down so that it is barely recognisable. Pulsating distortion and high end audio fragments bleed into each other as the track lumbers forth and destroys everything in its path before slowly unravelling, degrading and falling apart. A harrowing yet somewhat cathartic trip through walls of harsh industrial noise and audio degradation, 'Extinct' is a masterful pairing of artists who have delivered something truly unique yet totally relevant. Don't sleep on this one! (Todd Robinson / Subunit) Composed, recorded and produced November 2023 - January 2024 by Jack Dangers and Masami Akita.

London-based musician, composer, and NTS resident Kit Grill presents his extraordinary new album 'Andøya', inspired by a solo residency on the eponymous Norwegian island, a profoundly dramatic territory situated in the Vesterålen archipelago, inside the Arctic circle.

With evocative, sonorous ambient, drone, minimalism, experimentalism, and modern classical music, Grill captures the environmental essence of a remarkable region; an isolated Nordic landscape of small coastline villages, raw peatlands and sublime mountain ranges, surrounded by wide, open views of the Arctic ocean.

Drawn from his experience on solitary excursions around the island - hiking, exploring, and encountering the locals - 'Andøya' is a beautifully stark, stirring exploration of acoustic phenomena, seclusion in nature, and the expressive power of unique landscapes. For Grill, the trip entailed a surreal day-night cycle, and his experience has had far-reaching, existential implications, both for his practice and his perspective:

"On the 8th January 2025 I travelled to the Norwegian island of Andøya, in the Arctic Circle for a three week solo residency. Surrounded by sea, snow, and mountains, I lived in isolation and travelled around the island each day documenting the landscape. At 10am, the background light of the sun beneath the horizon would light the day and in the 4 hour window of light, I would hike into the mountains and explore the wilderness. It was a profound experience that changed the way I thought about sound, solitude, and what it means to be alone in nature."

"Since returning, I created a body of music informed by that time to try and capture the vastness and unpredictability of the Arctic landscape. The album moves through the sensory extremes: ice cracking, storms forming and fading, the rumble of tectonic plates, waves crashing, harsh winds, trudging through snow, and the sharpness of freezing air. The album aims to reflect both the landscape itself and the shifting emotions that came with living in isolation and the Arctic environment. The music and photography serve as a recorded diary of my time there, documenting the experience."

Blue Vinyl

After a three year hiatus, the rap trident known as Death At The Derby is back with another full LP, this time entirely produced by Toronto based producer Finn. An 11 track project, “Capitano” is themed behind some of the games most respected & legendary captains to rock the honorary armband.

Inspired by their previous 2020 release “Ballon D’Or”, this latest LP is both the first official drop, yet second installment to their newest series entitled Club & Country. With the third & final season of their celebrates derby series around the way, this record is the next phase in their wave of worldwide work.

Cuts provided by their resident DJ, DJ Dubplates, the project is both a rare & raw blend of potent underground production, cultured sound bites, top flight lyricism & love for the beautiful game. Whether El Salvador, Romania, North Ireland or Argentina, the roster is monster. Centered around a tracklist aligned by the player’s actual jersey numbers, this collection of stars shine bright as any constellation.

Eine Sammlung von 21 Titeln mit Klassikern aus „Mister Rogers’ Neighborhood“.• Gepresst auf opaken gelben Vinyl.• Begleittext von dem mit einem Oscar und einem Grammy ausgezeichneten Regisseur Morgan Neville und dem Fernsehkritiker Robert Bianco aus Pittsburgh.„Mister Rogers’ Neighborhood“ feierte vor über fünf Jahrzehnten seine Fernsehpremiere. Auch wenn es manchen noch wie gestern vorkommt, als die Sendung brandneu war, ist es doch herzerwärmend zu wissen, wie sehr sie Teil des Lebens unzähliger Kinder und Erwachsener war, die die Sendung über die Jahrzehnte hinweg erlebt und daraus gelernt haben.Obwohl seine Popularität nie nachließ, hat der 2018 erschienene Dokumentarfilm „Won’t You Be My Neighbor?“ des Oscar- und Grammy-Preisträgers Morgan Neville unsere Liebe zu Fred Rogers neu entfacht und ihn einer neuen Generation vorgestellt. Mit dem bevorstehenden Kinostart von „A Beautiful Day In The Neighborhood“ (mit Tom Hanks als Fred Rogers) im November werden der geliebte Mister Rogers und seine Nachbarschaft wieder einmal im Mittelpunkt der Herzen, Gedanken und Ohren aller stehen.„It’s Such A Good Feeling: The Best Of Mister Rogers“ versammelt 21 Lieder des beliebten Moderators (begleitet von seinem langjährigen Partner und Pianisten Johnny Costa, Carl McViker am Bass und dem Percussionisten Bobby Rawsthorne). Neben Klassikern wie „Won’t You Be My Neighbor“, „You Are Special“ und dem Titelsong enthält diese Veröffentlichung auch fünf bisher unveröffentlichte Titel, darunter den ursprünglichen Schlusssong der Sendung, „Tomorrow“.Diese LP ist auf opaken gelben Vinyl gepresst und die Verpackung enthält Fotos, eine Einleitung von Neville sowie einen Essay des Fernsehkritikers aus Pittsburgh (und langjährigen Mitarbeiters von USA Today) Robert Bianco. Also, steigt in den Trolley zum Land Of Make Believe, denn es ist wirklich so ein gutes Gefühl.

A legendary chapter of hard rock history comes to a thunderous conclusion with The Final Ride, the ultimate live release from Lynch Mob, capturing the band’s final run on stage with uncompromising power, precision and attitude. Available on CD/DVD, Blu-ray and LP, The Final Ride delivers a fully immersive live experience, meticulously recorded, mixed and mastered by Chuck Alkazian at Pearl Sound Studios, ensuring outstanding sonic clarity while preserving the raw intensity and immediacy of a true Lynch Mob performance. The setlist is a powerful career-spanning journey, combining cornerstone Lynch Mob classics with three iconic Dokken-era songs that remain inseparable from George Lynch’s legacy. Explosive performances of “Lightning Strikes Again,” “It’s Not Love,” and “Paris Is Burning” ignite the crowd and serve as a direct bridge between past and present, while Lynch Mob anthems such as “River of Love,” “No Good,” “Hell Child,” “Let the Music Be Your Master,” “Street Fighting Man,” and the timeless closer “Wicked Sensation” showcase the band at full force. At the heart of The Final Ride stands George Lynch, whose unmistakable guitar tone, phrasing and musical authority continue to define generations of hard rock and metal guitarists. He is backed by a formidable lineup featuring Gabriel Colon (vocals), Jaron Gulino (bass) and Jimmy D’Anda (drums), delivering a tight, aggressive and emotionally charged performance worthy of the band’s legacy. The Final Ride is more than a live album—it is a farewell, a celebration and a definitive statement. Captured with premium production values and released across multiple physical formats, it stands as an essential document for fans, collectors and anyone who has followed the enduring impact of George Lynch and Lynch Mob on hard rock history. The final curtain falls—but the fire still burns.

With their debut album "Invictus," Stairway To Violet open the door to a world where cinematic rock meets emotional storytelling, atmospheric sounds, and uncompromising honesty. The album is a cinematic experience—a soundtrack for life's darkest and brightest moments. In 13 intense songs (plus two exclusive piano versions), "Invictus" tells of inner struggles, abysses, ecstasies, and the courage to rise again even from the most fragile moments. The band combines epic soundscapes with modern rock-to-metal dynamics, powerful vocals, and an aesthetic depth that immediately resonates and gets under your skin. "Invictus" leads through drug-induced euphoria and psychedelic distortion ("Love Death & Pixiedust," "Come Spirit Come"), through destructive passion ("Paranoia," "My Heart's Cut Open"), and through the wild, raw primal force of humanity ("Animal," "It Thrills It Kills"). The song "Unholy War" bears its title because there is nothing sacred about war. "Parade Of Stars" leads deep into the universe amidst the sounds of the planets, to a humble search for the source. "Invictus" means "unconquered." The term represents the motivation to forge a new place in life and not be defined by past trauma.

Nashville Pussy’s second album High As Hell reissued on vinyl for the first time via Svart Records Nashville Pussy is an American rock band from Atlanta, Georgia formed in 1996. Their blend of southern hard rock with tongue-in-cheek lyrics about all the rock’n’roll clichés have delighted audiences around the world for three decades and the band is still active to this day. Their sophomore album High As Hell was originally released on TVT Records back in 2000 and is now getting its first reissue treatment on vinyl via Svart Records. The album is a raw, high-energy fusion of AC/DC-style hard rock, Motörhead, and Lynyrd Skynyrd, delivering a non-stop, guitar-driven sound with praised guitar work by Ruyter Suys. Nashville Pussy stepped up their game with High As Hell by catchier riffs and solid songwriting, offering a loud, unapologetic, and ferocious 40-minute ride.

Nashville Pussy’s second album High As Hell reissued on vinyl for the first time via Svart Records Nashville Pussy is an American rock band from Atlanta, Georgia formed in 1996. Their blend of southern hard rock with tongue-in-cheek lyrics about all the rock’n’roll clichés have delighted audiences around the world for three decades and the band is still active to this day. Their sophomore album High As Hell was originally released on TVT Records back in 2000 and is now getting its first reissue treatment on vinyl via Svart Records. The album is a raw, high-energy fusion of AC/DC-style hard rock, Motörhead, and Lynyrd Skynyrd, delivering a non-stop, guitar-driven sound with praised guitar work by Ruyter Suys. Nashville Pussy stepped up their game with High As Hell by catchier riffs and solid songwriting, offering a loud, unapologetic, and ferocious 40-minute ride.

Roots & Wings marks the electrifying debut of 20-year-old blues-rock sensation Amani Burnham, who has captivated millions on social media with his raw talent and magnetic presence. Released on the acclaimed Blind Pig Records, this 12-track collection showcases Amani's remarkable guitar work—played uniquely with his right-hand thumb rather than a pick—alongside soulful vocals and introspective songwriting. From the turbo-charged instrumental "Fastlane" to the deeply personal title track reflecting on his Ethiopian roots, the album crackles with groovy blues-rock riffs, cosmic solos, and stinging vibrato. Recorded at the renowned Carriage House Studios with a classic power-trio setup, Roots & Wings honors the legacy of blues-rock giants while heralding a bold new voice for a new generation.

Moods & Grooves Records proudly announces Turn-A-Round, the long-awaited return of D. Wynn & The R-Tyme Production. Marking his first release since 2002 on KMS Records, D. Wynn reconnects with the deeply soulful Detroit sound that defined his earlier work—timeless, emotive, and built for the dancefloor.

At the center of the release is “Love Ain’t Easy”, a heartfelt, soul-driven track featuring vocals from Record Time favorite Lavell Williams. The song carries special significance as Williams’ final known musical recording prior to his passing in 2018, giving the record both emotional weight and historical importance. The EP also includes “Use Me (U Turn Remix)”, a fresh take on R-Tyme’s most recognized work—previously reimagined by Carl Craig—alongside “Funk N The Drums,” a raw, percussion-heavy cut driven by deep funk and rhythmic intensity.

A foundational figure in Detroit’s electronic music movement, D. Wynn was instrumental in shaping the culture as part of the legendary Music Institute era, alongside pioneers such as Derrick May, Alton Miller, and Chez Damier. As one half of R-Tyme with Derrick May, he helped deliver seminal recordings including “Use Me” and “Illusion/R-Theme” on Transmat, leaving a lasting imprint on the global electronic music landscape.

This is more than a comeback. It’s a continuation of a legacy.

The wait is finally over…With their new longplayer “Unseen Horror Scenes”, Mexican electro- industrial icons Hocico return with a new descent into the abyss… On this new studio assault, Erk Aicrag and Racso Agroyam dissect the digital age’s paranoia, addiction, betrayal and spiritual decay with surgical aggression. No escape, pure confrontation. Track by track, “Unseen Horror Scenes” drags listeners through algorithmic madness (“Brainrot”), online cowardice (“The Screen”), scorched-earth rage (“Hey Tú!” feat. Rafael Reyes of Prayers) and the smoldering ruins of a “Fallen Paradise.” From the opening attack “Dark Paradigm” to the apocalyptic closer “Echoes of the End,” the album pulses with hyperkinetic drum & bass injections, punishing industrial beats, razor-edged EBM sequences and Erk’s unmistakable, venom-drenched vocals. It’s raw, furious and thematically disturbingly accurate for our times. Hocico openly critique modern decay - yet they also amplify it, distort it, and make you dance inside it.

The title Dillema refers to a state of tension, choice, and duality mirroring the track’s layered structure and driving push-and-pull energy. Shinedoe intentionally chose the alternative spelling “Dillema” simply because she liked how it looked better visually. The unconventional spelling became part of the track’s identity and attitude, reinforcing its independent and uncompromising character.

Dillema (Original – 2004)
Timeless Detroit-inspired techno, built on tension, groove, and raw momentum.

Dillema (Gregor Tresher Remix)
A driving techhouse interpretation, blending hypnotic rhythms with a sleek, modern edge.

Dillema (Alexander Kowalski – Pressure Point Remix)
A powerful, high impact techno version built for peak-time intensity.

With these new versions, Dillema once again proves its timeless relevance, reintroduced for a new generation while remaining deeply rooted in its original spirit.

Shinedoe is a driving force in the global techno scene for nearly three decades, known for her hypnotic grooves and uncompromising vision. Through MTM, she continues to push the boundaries of electronic music, releasing tracks that ignite dancefloors and evolve the genre.

Mit The House Session setzt die renommierte Electronic Music Anthology von Wagram ihre stilprägende Reise durch die elektronische Clubkultur fort. Nach erfolgreichen Ausgaben zu Deep House und Techno widmet sich diese Edition dem Herzstück elektronischer Musik: House Music. Kuratiert vom französischen Electronic-Aushängeschild FG Radio versammelt die Compilation zeitlose Klassiker, moderne Favoriten und inspirierende Genre-Perlen. Mit dabei sind zentrale Namen wie George Morel, Cassius, Motor City Drum Ensemble, Mézigue, Moloko, Soha, Bob Sinclar, DJ Gregory, Joe Smooth und St Germain - Artists, die House in unterschiedlichen Epochen maßgeblich geprägt und weltweit auf die Dancefloors gebracht haben. Zwischen funkigen Grooves, soulful Vocals, pumpenden Basslines und eleganten French-Touch-Momenten entfaltet The House Session ein breites Spektrum an Sounds, das sowohl Sammler als auch DJs anspricht. Eine hochwertige Anthologie, die den Spirit von House Music - warm, energiegeladen und zutiefst euphorisierend - perfekt einfängt.







g 7Cheek - Venus (Sunshine People) DJ Gregory Remix







g b3 Cheek - Venus (Sunshine People) [DJ Gregory Remix]







[g] b3 | Cheek - Venus (Sunshine People) [DJ Gregory Remix]

Shit Robot and DFA are psyched to rerelease 2015 anthem "Where It's At", a collaboration with the singer/comedian/television star Reggie Watts. Reggie Watts' vocal performance runs the gamut of Chicago dance music history - from the gloom and melodrama of iconic label Wax Trax, to the jubilant choruses of Frankie Knuckles' house anthems. But let's not de-emphasize the solid instrumentation provided by Mr. Marcus 'Shit Robot' Lambkin - we've got that classic DFA bassline, claps, and bleeps and bloops aplenty - mixed and manipulated by none other than our own James Murphy. The flip features a remix by London producer Johnny Aux, who turns the track into a staticy, stripped down, raw Deep House banger, with hissing glimmers of icy cymbals peeking through the smog.

Unearthed from the original DAT at Strange Weather Studios in South London, Get Fucked's Unearthed Stash traces a chronological journey through the legendary group's earliest recording sessions, from the raw chaos of their 1999 debut album to the more refined dub house explorations that led into their second LP.

Sourced from the best surviving master DATs this collection brings together remastered classics, lost versions and previously unreleased edits, offering unfiltered look into one of the UK underground's most fearless creative period.

Each track has been carefully remastered to preserve the saturated punch, tape grit and raw energy of the original sessions, while expanding definition for modern sound systems.

Pressed on 180g heavyweight black vinyl, Unearthed Stash is strictly for collectors and true heads preserving the energy and attitude that made Get Fucked pioneers of the London underground sound. A raw document of a lost era, revived.

Archival Gold. From The Source. Unearthed at Last.

One of electronic music’s most sought-after names, producer and DJ KETTAMA today announces the release of his long-awaited debut album, Archangel, out 3rd of October. The announcement arrives in tandem with new single “Sort It Out” featuring Clouds, and a landmark moment in his career: his biggest ever London headline show, taking over Brixton Academy on Saturday, October 4th, followed by an expansive tour across Europe, North America, and Australia.



A decade in the making, Archangel is the definitive statement from KETTAMA (Evan Cambell), the Galway-born, London-based artist. The 15-track project is a powerful blend of hard-house energy, trance-inflected euphoria, hip-hop sample-based attitude, and unmistakable emotional depth—sonic signatures that have placed KETTAMA at the cutting edge of contemporary dance music.



The album showcases a curated roster of collaborators who reflect KETTAMA’s reach and relevance across today’s underground and mainstream scenes, including Interplanetary Criminal, Fred again.., Clouds, Prospa, DJ HEARTSTRING, Shady Nasty, SØLV and seantommy. Their contributions amplify the project's scope, offering a multi-sided view into KETTAMA’s musical universe.



Among its early singles, the Interplanetary Criminal collaboration “Yosemite” is a high-velocity anthem marrying speed-garage grit with ecstatic rave melodies, while his track “Air Maxes” with Fred again.. And Shady Nasty blends introspective vocal sampling with wide-eyed club emotion. On “If U Want My Heart” with DJ HEARTSTRING featuring KLP, the ensemble channels high-energy trance, breakbeats, and vocal euphoria into a soaring anthem that fuses emotional intensity with peak-time club energy. Meanwhile, his collaboration with Clouds, released today, “Sort It Out” dives headfirst into industrial-techno territory, conjuring a dark, cathartic energy destined for warehouse euphoria. And reigning as one of the undeniable anthems of the summer so far, “It Get’s Better (Forever Mix)” delivers euphoric waves of uplifting synths and relentless rhythm, bringing an irresistible surge of energy that’s become synonymous with this summer’s club moments.



Archangel has already found a home on the world’s biggest stages and radio airwaves, with early support from key tastemakers including Jack Saunders, Danny Howard, Sarah Story, and Tim Sweeney. Simultaneously, a grassroots groundswell continues to bloom across social platforms—where viral snippets and show footage capture the visceral reaction of a fast-growing, global fanbase.



This year, KETTAMA has elevated his status to a full-blown festival phenomenon, performing at major stages including Coachella, Glastonbury, Creamfields, Portola, Seismic, and ARC Festival, to name a few. In June, he played to 20,000 people in Belfast for a b2b with Chris Stussy—one of the UK’s largest DJ events in recent memory—and is currently mid-way through a 16-week Ibiza residency at Amnesia, playing every Monday night throughout summer. Full list of upcoming live dates can be found below.



Perhaps the clearest signal of his surging popularity is the jaw-dropping response to his upcoming Boiler Room live set, with over 15,000 fans signing up to attend— the set’s release is now highly anticipated as a time capsule moment in a breakout year for the artist.



KETTAMA’s rise to prominence has been anything but conventional. Eschewing the traditional gatekeepers of the industry, KETTAMA cultivated an underground following through the likes of SoundCloud and TikTok, where raw uploads, bootlegs, and viral edits generated a tidal wave of grassroots momentum. Over the years, these platforms became launching pads for a fiercely loyal global community, drawn to his unfiltered energy and boundary-pushing sound. This subversive path to recognition has made him not just a fixture of the scene but a symbol of how new-generation artists can forge success on their own terms.



From his humble roots in the Irish underground to the world stage KETTAMA is now pushing the limits of what a next-gen DJ-producer can achieve. With Archangel, he fuses the sound of his native ‘G-Town’ with a futuristic vision that’s unapologetically global—marking a creative milestone that cements his place among electronic music’s most compelling voices.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is a Limited Edition EP (100 on Pink Marbled vinyl). New life and an expanded treatment for the magical Free Disco - You Are My Sculpture with the Original 2010 Heterosexual Mix + the Zion Heat Version (an obscure raw unreleased demo from that period that will light up all the dancefloors on the planet) + 2 special Balearic Remixes by label boss Manu Archeo.

Brown Spirits are a super-heavy psychedelic three-piece band who play raw energetic super-charged psych rock heavily influenced by krautrock, freejazz and deep funk music from the 1970s that gives them a truly unique and highly addictive sound. The group record and mix their own music to ¼-
inch analogue tape at home maintaining a strictly DIY-ethic.

Brown Spirits are Tim Wold, Agostino Soldati and Ash Buscombe. The group are from the suburbs of Melbourne, Australia, home to an ever-growing
music scene that includes Amyl and the Sniffers, King Gizzard and The Lizard Wizard, Surprise Chef, Tropical Fuck Storm and more.
The group have already released two superb critically-acclaimed album on Soul Jazz Records – ‘Cosmic Seeds’ and Solitary Transmissions’.
Soul Jazz Records are releasing three new albums from the Australian group on one day. All three albums are super-limited one-off special coloured
vinyl pressings of just 500 copies each that will all be deleted on the day of release.

These three albums were originally released (between 2017-2020) in long-deleted very short run-editions - either self-released in Australia or on an
indie German psych label. No copies of Brown Spirits #2 or Brown Spirits #3 are currently available anywhere in the world. Both of Brown Spirits two
earlier releases for Soul Jazz Records are also sold out on vinyl and these three super-limited special edition LPs will also sell out.

Two Piers proudly announces the upcoming release of Bridges Towards Open Spaces: Circadian Rhythms 1967–2025.

This new collection brings together a wide range of artists and styles, weaving immersive sonic landscapes that explore a connection between natural cycles and the rhythms within.

Featuring artists such as Brian Eno, Moebius, Roedelius, Meat Beat Manifesto, Fun Boy Three, Daniel Avery, and Spectrum, the compilation moves fluidly between shimmering ambient textures and raw, straight-ahead garage rock.

Bridges Towards Open Spaces: Circadian Rhythms 1967–2025 follows in the footsteps of Two Piers acclaimed previous releases, Night Train: Transcontinental Landscapes 1968–2019 and Music for the Stars: Celestial Music 1960–1979, continuing the label’s exploration of expansive, time-spanning musical journeys.

“I wanted once again to shape a compilation around a time period, this collection is a nod to my days behind the counter of a record shop, the people I met and the styles of music that was played and I was introduced to. Some are from that time, some are of the style/feeling, that I can associate & with the friends I met there; from the early shift to the late shifts as the tempo rose throughout the day and the neons of London started to buzz”

The album will be available on Limited Vinyl and CD in May, arriving just in time for the longer, warmer days and the shifting light of the Seasons Sun.

Marvin Gaye always dreamed of being a smooth crooner, “sitting on a stool, possibly behind a piano,” delivering velvety songs like Nat King Cole. But Motown had other plans. Pushed between raw R&B and polished pop, Gaye fought to find his own voice, eventually rising to become one of the greatest soul singers in history.

Motown Records released the first Marvin Gaye record in 1961 "(I'm Afraid) The Masquerade Is Over", a single intended for (radio) promotion from the singer's debut album. This was followed up by the officially released "Let Your Conscience Be Your Guide" a week later. Gaye scored his first real hit with "Stubborn Kind of Fellow" in 1962, which he had co-written himself, joking about his alleged stubbornness. He found his own unique style with the single released at the end of the year: "Hitch Hike". The foundations were now laid for an enormous series of chart successes: "Pride And Joy", "Can I Get A Witness", "How Sweet It Is (To Be Loved By You)" and "Ain't That Peculiar" are all Motown classics from 1963-1965 which are still being regularly played today after all these years. The duets he recorded with Kim Weston ("It Takes Two"), especially Tammi Terrell and Diana Ross were certainly at least as good.

He scored his biggest ever hit with "I Heard It Through The Grapevine" in 1968. "What's Going On" from the same titled album became a number 1 hit in the USA. The album was received as a masterpiece and is regarded as one of the most important records in pop history. In 1973, the artistically and commercially very successful, "Let's Get It On" album was mainly a musical ode to Marvin's love for his new muse Janis Hunter. His journey continued after a turbulent relationship, addiction and a dramatic creative rebirth in Belgium, where he crafted the global hit “Sexual Healing in 1982.

Marvin Gaye left behind timeless hits, groundbreaking albums, and a legacy that shaped the sound of modern soul. His story, from ambition to artistry, from struggle to brilliance, remains as powerful as the music he created.

Music On Vinyl proudly presents a special coloured vinyl edition of the Marvin Gaye Collected album which is available as a limited edition of 10.000 individually numbered copies on white (LP1) and silver coloured vinyl (LP2) and includes a booklet with liner notes.

Aggressive Measures by Dutch death metal veterans Sinister is a relentless assault of brutal riffs, blast beats, and guttural vocals. Released in the late 1990s, the album showcases the band’s uncompromising style, combining technical precision with raw aggression. Dark atmospheres and crushing songwriting make it a standout in classic European death metal. Now reissued as Ltd. Edition Vinyl. Pressed on Black Red orange Splatter Vinyl in a sleeve.

SUN DONT SHINE (formerly EYE AM) is a powerful convergence of four iconic musicians who have shaped the landscape of hard rock and heavy metal. Comprising Kenny Hickey (vocals/guitar, ex-Type O Negative/Silvertomb), Kirk Windstein (guitar/vocals, Crowbar/Down), Johnny Kelly (drums, ex-Type O Negative/Silvertomb), and Todd Strange (bass, ex-Crowbar/Down), the band offers a raw, unfiltered sound that rejects the overly polished, embracing instead the heavy atmosphere of their origins. From Birth to Death is a 2026 masterpiece produced by Duane Simoneaux and recorded at OCD Studios. The album delivers earth-shaking riffs, bleak atmosphere, and a "next level up" in songwriting - darker, heavier, and more versatile than their previous singles.

Blue w/ black splatter vinyl. SUN DONT SHINE (formerly EYE AM) is a powerful convergence of four iconic musicians who have shaped the landscape of hard rock and heavy metal. Comprising Kenny Hickey (vocals/guitar, ex-Type O Negative/Silvertomb), Kirk Windstein (guitar/vocals, Crowbar/Down), Johnny Kelly (drums, ex-Type O Negative/Silvertomb), and Todd Strange (bass, ex-Crowbar/Down), the band offers a raw, unfiltered sound that rejects the overly polished, embracing instead the heavy atmosphere of their origins. From Birth to Death is a 2026 masterpiece produced by Duane Simoneaux and recorded at OCD Studios. The album delivers earth-shaking riffs, bleak atmosphere, and a "next level up" in songwriting - darker, heavier, and more versatile than their previous singles.

Neon pink vinyl. Their first new music since 2019, 'Killing The Buzz' sees The Black Wizards entering a new era, with their first release via Hassle Records. Signalling a bold step forward in sound, they shift towards a raw, garage-driven sound, built around direct arrangements, live energy and a strong sense of urgency. The Porto-based trio lay down a striking first impression on the single: Joana Brito's wiry, spitfire vocals volley off José Gomes' gravelly replies, over a chugging, serpentine groove propelled by Helena Peixoto's restless percussion. "Do you print yourself out pretty to look better in banners?" Brito questions archly, referencing the political signage that dots the streets of their home country, Portugal. Speaking on the track, Brito comments: "Killing the Buzz came out pretty funny & sarcastic, while talking about a real subject. The song is about being fed up with people in power positions, be it economical, political or social."

The Charmer, Toadies first full-length studio album in nearly a decade, also happens to be one of the last records recorded by famed engineer Steve Albini (Nirvana, Pixies, PJ Harvey) before his death in 2024. The raw, guitar-driven collection places the platinum-selling band firmly back in the Alternative Rock pantheon that sparked their early success, while sounding right at home with the dozens of younger contemporary rock bands they've influenced.

DYING VICTIMS PRODUCTIONS in conspiracy with DE PANKRAKER RECORDS is proud to present SHEWOLFF’s highly anticipated debut mini-album, We’re All Gonna Fukking Die, on CD and 12” vinyl formats. Hailing from Belgium, SHEWOLFF emerged from the underground as a solo-project of K. Von Shewolff, which eventually formed into the solid three-piece band it is today. They find their origins in raw, punk-driven blackness galore, faithfully returning to the old-school spirit of making music by modest and primitive means. A five-song digital-only demo was released in 2023 - songs which contain absolute fury towards the known and long-overdue established order, existential live-or-die sentiment, and a small tribute paid to the old-school believers who came before them. Now, SHEWOLFF blend all that together on the debut mini-album We’re All Gonna Fukking Die.

With six new tracks pushing towards a final and inevitable end, this bleakly titled record is actually invigorating and inspiring: railing against the dying of the light with a paradoxically dark metalpunk sound, familiar in its stomping swagger but exuding cantankerous charisma that’s all their own. The aesthetic signposts are planted firmly in the ground – think Hellhammer, pre-Viking Bathory, Darkthrone’s record-nerd era, early Midnight, the almighty Venom, or even labelmates like KARLOFF, HELLCRASH, and Germany’s LUCIFUGE – but SHEWOLFF manage to stir some diabolical little twists into the bubbling brew, with K. Von Shewolff’s vocals in particular imparting a femininity that’s fierce, frightening, and fucking going for the throat.

Stern Records is proud to announce the first-time reissue of the self-perpetuating plunderphonic classic, Right Into The Sun by Pol Maló.

Originally released on CD-R in 1999 by Cha-Bashira Records Tokyo under the alias "Orange Head," this new 2xLP edition features fully remastered audio and new cover art by Pol. The release also includes a special riso print edition of the original artwork.

Recorded using 3-6 portable record players, plus one MD player on tracks 2 and 4. All records used were melted, warped or broken by briefly placing them on a gas heater. The records were randomly altered this way to allow the styluses to find and stay in their own loops themselves on the wavy record surfaces. No samplers or editing - live aleatoric playback recordings only.

Raw, cacophonous kinetic sound!

Pol's thoughts on the making of the album:

"Difficult to say what it was that made me interested in making music or actually audio art. In comparison, making visual art had always been there for me. But meeting several now generally known musicians as a student certainly left a very deep impact on me. While doing a DIY label and later kind of music store too, I became fascinated in accidental music, experimental sounds and all kinds of improvisations and bricolages. I think I wanted to try to make sound pieces from scratch, with the bare minimum and resulting in a way in found music. Rhythm and repetition seemed to go well with random audio coming from broken things. This way, I thought, I could create new meaning out of something existing by letting it come apart and back together again anew almost by itself. The album "Right into the Sun", I feel, can be listened to and read on various levels and I hope playback of it in all kinds of environments now will add to the original "spark" of it."

Formed by "Fast" Eddie Clarke (formerly of Motorhead) and Pete Way (formerly of UFO), the band delivered a raw, energetic sound driven by powerful guitar riffs and melodic hooks. With standout tracks like "Say What You Will" and "Easy Livin'," Fastway received praise for its straightforward rock appeal and infectious energy. Lead vocalist Dave King's dynamic voice adds a gritty edge to the album's heavy rhythms and bluesy influences. Fastway was a commercial success, helping the band gain a strong following and cementing their place in the hard rock and metal landscape. For fans of classic rock and early heavy metal, Fastway is a must-listen, delivering a high-energy experience from start to finish. Fastway is available on black vinyl.

Obsessed With You The Early Years' is an official release of the early X-Ray Spex demo recordings which would evolve into the celebrated pioneering 'Germ Free Adolescents' album. Also includes early versions of classic Punk pioneering debut single tracks 'Oh Bondage, Up Yours!' and 'I Am A Cliché’.

Recorded in 1977, the majority of these recordings feature original saxophonist Lora Logic and capture the raw instinctive power of the band who seemed to arrive fully formed despite their youth. The iconic vocal stylings of Poly Styrene immortalised here are even more visceral than what was recorded for the final product and further indicate just how much inspiration they lent Bikini Kill's Kathleen Hanna and the Riot Grrrls that followed. Elsewhere, an early take on 'Germ Free Adolescence' has subtle electronic influences that hint at a potential future the band didn't hang around long enough to fulfil.

This fascinating document is released in various limited edition vinyl formats. 'Day-Glo' orange or 'Day-Glo' pink vinyl with laser die-cut outer sleeve and 'Day-Glo' inserts. The sleeve design is based on original Poly Styrene artwork and brand new sleeve notes from Paul Dean and Lora Logic also feature. Also available on Compact Disc and Digital.

Bruiser Wolf’s razor-sharp wit meets Harry Fraud’s luxury street sound on Made By Dope, a collaboration that feels both raw and refined. Fraud laces the project with his signature hazy loops, velvet drums, and smoked-out soul, giving Bruiser the perfect canvas to deliver his off-kilter flows, animated storytelling, and punchline-heavy bars. The result is a record that balances Detroit energy with high-end production polish. Now available on vinyl, Made By Dope is pressed for collectors and connoisseurs alike, bringing the album’s textured sonics to life in full analog warmth. From the cinematic instrumentals to Bruiser’s unmistakable voice cutting through each groove, this physical edition captures the chemistry of two distinct styles meeting at their sharpest point. A must have for fans of the Wolf, and the Wave alike.