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Dj Koze, Roman Flügel, Robag Wruhme - Amygdala (Remixes)

2023 Repress

Bronky Frumu Rehand Despite all the collaborations on last year's Amygdala by Pampa cult leader DJ Koze, there was still one recurring comment from the public: The album still had DJ Koze's trademark stamp all over it. That is why have been taking the proper steps to rectify this problem, offering a remix series, to further disassociate DJ Koze from this otherwise respectable assortment of songs. Here is the second installment. First up is Roman Flügel, co-founder of the legendary label powerhouse Ongaku/Klang/Playhouse, not to mention his more recent releases on Clone and Live At Robert Johnson. We have no idea what kind of app he used, but somehow he transformed the title track 'Amygdala' from a laid-back, wind-chiming electro-pop number into a clock-working tech-house fairy tale. Roman wisely and tastefully retains the original guest spot from Milosh (of the duo Rhye), offering a grittier backdrop for his lulling vocal delivery. Next comes Robag Whrume, who is no stranger to any Pampa fan, having released an album and a mix CD with us, aside from his countless other works. Here he has taken the pleasant puffiness of DJ Koze's 'Nices Wölkchen' and incubated it in a deep house cocoon. The witch-shifted voice of guest singer Apparat is given a new life, hovering amidst a mesmerizing mechanical groove. As always, there's nothing formulaic about Robag's formula as he serves up little moments of magic.

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10,88

Ültimo hace: 12 Meses
Tocchitek - Tocchitek

Tocchitek

Tocchitek

12inchFMT02
F.M.T.
08.09.2023

With a full color sleeve, bringing happyness and pleasure, a bloody visual from Pescalux...

The music is a pure Hardtek/tribe old school hardfloor mental banger, in the vein of Psychospores... I love that stuff, lost between hardtek and hardcore, brutal, leaving lots of space to the Deejay... reverbless, not acid, and defenitly efficient built around the kick choice... to be dancefloor at max !

BIG

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12,82

Ültimo hace: 2 Años
John Fahey - PROOFS AND REFUTATIONS

Recorded in 1995 and 1996, mostly in John Fahey"s room at a Salem, Oregon boardinghouse, the performances on Proofs and Refutations prefigure the ornery turn of the page that marked Fahey"s final years, drawing another enigmatic rabbit from his seemingly bottomless musical hat. Cloaked in the language of dogma - what is he proving? refuting? - this is Fahey dancing a jig in the Duchampian gap, jester cap bells a-jingling. True believers? He"s got something for you: an uncompromising vision that you can sneer at ("guy can"t play anymore and refuses to concede!") or embrace as evidence of his genius ("the reinventor does it again!"). Skeptics? He"s there with you, too: sending up the fallacy of certitudes altogether. Institutions, systems, accepted wisdoms. Heroes. Alternative facts, indeed. Right out of the gate, Fahey re-materializes before us, somewhere between Oracle of Delphi and Clown Prince at Olympus. Mounting a thundering dialectic from on high, "All the Rains" resembles nothing else in his extensive discography - betraying roots in everything from Dada to Episcopal liturgical chant - and contains nary a plucked guitar note. You can"t fool him! When the lap steel of yore appears on "F for Fake," it serves more as soundbed for an extended sequence of vocal improvisations, running the gamut from wordless Bashoian caterwauling to free-form (but decidedly fake) Tuvan, even revealing a burnished falsetto in the process. Fahey takes on a different kind of provocation in the two acoustic guitar-based tracks closing Side 1 - "Morning" parts 1 and 2 - the first of 4 recordings in this session that have him wrestling with the ghost of Skip James, perhaps Fahey"s effort to wrench the "bitter, hateful old creep" (his words) back into the grave. Anchoring Side 2 is the two-part "Evening, Not Night," the second half of his extended cathexis on James (and the latter"s avowed castration complex - another story for another day, perhaps). Bit of a chill in the air - where"s the impish Fahey from earlier? Unmistakably working through some psychic wounds here, we might think: the unheimlich rendered in glistening viscera. Or is he playing with our notions of authenticity, of his reputation as troubadour of raw emotional states, a pilgrim of the ominous, the simmering unconscious? These cards are kept decidedly close to the vest. The opening and closing pieces again feature Fahey"s guitar as drone soundbed - employing distortion, oscillation, and an altogether absurd quotient of reverb to create texture and harmonics that are - if we wanna go there - not dissimilar to the sustained tonic clusters of Tibetan singing bowls, the hurdy gurdy, Hindustani classical music, or La Monte freaking Young. Portions of this material appeared on obscure late "90s vinyl in the 7" or double-78 rpm format, but as a "session" it has lain dormant more than a quarter century now. Taken together, we can now see these tracks as secret blueprints to latter-day Fahey provocations, several years prior to records like 1997"s City of Refuge and Womblife.

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debe ser publicado en 08.09.2023

26,85
EVERYONE ASKED ABOUT YOU - PAPER AIRPLANES, PAPER HEARTS LP 2x12"

Queer tweemo from the pop fringe of Little Rock, Arkansas's thriving '90s DIY scene. Paper Airplanes, Paper Hearts gathers Everyone Asked About You's complete recorded works, including the Let's Be Enemies LP and their two and a half 7"s released between 1997-2000. Remastered from the original DATs for maximum nostalgic crunch, this deluxe 2xLP is housed in a gatefold tip on sleeve and includes a 20-page book crammed with flyers, photos, lyrics, and an extensive essay on this crucial missing link between midwest emo and the Moog synthesizer.

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28,78

Ültimo hace: 2 Años
EVERYONE ASKED ABOUT YOU - PAPER AIRPLANES, PAPER HEARTS

Queer tweemo from the pop fringe of Little Rock, Arkansas's thriving '90s DIY scene. Paper Airplanes, Paper Hearts gathers Everyone Asked About You's complete recorded works, including the Let's Be Enemies LP and their two and a half 7"s released between 1997-2000. Remastered from the original DATs for maximum nostalgic crunch, this deluxe 2xLP is housed in a gatefold tip on sleeve and includes a 20-page book crammed with flyers, photos, lyrics, and an extensive essay on this crucial missing link between midwest emo and the Moog synthesizer.

Reservar08.09.2023

debe ser publicado en 08.09.2023

35,92
EVERYONE ASKED ABOUT YOU - PAPER AIRPLANES, PAPER HEARTS

Queer tweemo from the pop fringe of Little Rock, Arkansas's thriving '90s DIY scene. Paper Airplanes, Paper Hearts gathers Everyone Asked About You's complete recorded works, including the Let's Be Enemies LP and their two and a half 7"s released between 1997-2000. Remastered from the original DATs for maximum nostalgic crunch, this deluxe 2xLP is housed in a gatefold tip on sleeve and includes a 20-page book crammed with flyers, photos, lyrics, and an extensive essay on this crucial missing link between midwest emo and the Moog synthesizer.

Reservar08.09.2023

debe ser publicado en 08.09.2023

15,08
THE VASELINES - THE WAY OF THE VASELINES - A COMPLETE HISTORY P 2x12"

The Vaselines have long been celebrated by musicians and music enthusiasts across genres and across the globe, including super-fan Kurt Cobain. Emerging in the mid-eighties under the wing of The Pastels' Stephen McRobbie, The Vaselines came to define the sly wit and irresistible pop hooks of the era's Scottish indie scene. Sub Pop's remastered reintroduction of The Way of The Vaselines is an opportunity for those already familiar with the Scottish band's brief career to delve deeper into their body of work, while those new to their music can experience firsthand why so many hold them in such high regard. Originally mastered from a cassette tape (and since remastered on much better equipment in the new millennium), The Way of The Vaselines compiles the band's two EPs (Son of a Gun and Dying for It) and their sole LP release (Dum-Dum). This 2023 edition is the first ever vinyl release of The Way of The Vaselines, which originally came out on CD in 1992.

Reservar08.09.2023

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30,46
THE VASELINES - THE WAY OF THE VASELINES - A COMPLETE HISTORY P 2x12"

The Vaselines have long been celebrated by musicians and music enthusiasts across genres and across the globe, including super-fan Kurt Cobain. Emerging in the mid-eighties under the wing of The Pastels' Stephen McRobbie, The Vaselines came to define the sly wit and irresistible pop hooks of the era's Scottish indie scene. Sub Pop's remastered reintroduction of The Way of The Vaselines is an opportunity for those already familiar with the Scottish band's brief career to delve deeper into their body of work, while those new to their music can experience firsthand why so many hold them in such high regard. Originally mastered from a cassette tape (and since remastered on much better equipment in the new millennium), The Way of The Vaselines compiles the band's two EPs (Son of a Gun and Dying for It) and their sole LP release (Dum-Dum). This 2023 edition is the first ever vinyl release of The Way of The Vaselines, which originally came out on CD in 1992.

Reservar08.09.2023

debe ser publicado en 08.09.2023

32,56
SHACKLETON / WACLAW ZIMPEL - IN THE CELL OF DREAMS

Following on from their critically acclaimed debut album, the second album from Shackleton / Zimpel represents the culmination of the ecstatic trance urge that has underlined both artists work since they embarked on their singular yet somehow parallel paths. The duo, consisting of electronic music maverick Sam Shackleton and visionary avant folk virtuoso Waclaw Zimpel, sees them link up with one of Indian Carnatic music"s greatest emerging young vocal talents, Siddhartha Belmannu, to bring an album which is equal parts both a meditative exercise and an urge to transcendence whilst thematising both the acceptance of our mortality and the joyous celebration of living.

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21,64

Ültimo hace: 2 Años
Anjimile - The King LP

Anjimile

The King LP

12inch4AD0575LP
4AD
08.09.2023

Today, Anjimile Chithambo, better known as Anjimile, announces his new album, The King, out September 8th, his first full-length since 2020’s breakthrough Giver Taker. To herald the announcement, he shares lead single, ‘The King’, accompanied by a visualiser by Daniela Yohannes, whose striking painting takes centre stage on the album cover.

Highlighting the artistic shift from Giver Taker to now, ‘The King’ opens with a lofty, melodic choir, an intro that belies the song’s motives. Suddenly, sinister arpeggios interrupt the reverie, and the voices grow darkly serious. Deeply steeped in the confusion, grief, and rage of being Black in America, ‘The King’ pushes back against the tired adage, “what doesn’t kill you makes you stronger,” hissing, “What don ’t kill you almost killed you// What don’t fill you//pains you// drains you.”

“If Giver Taker was an album of prayers, The King is an album of curses.” In his second album, Anjimile continues exploring what it means to be a Black trans person in America. The brutally honest reflection of 2020’s deadly summer is less reminiscent of the pink cloud of early sobriety and more rooted in the reality of seeing brutality with clear eyes. Drawing from influences ranging from religion, Phillip Glass, and lived experiences, the album is a grand step forward for Anjimile. Nearly every sound you hear on The King comes from two instruments: an acoustic guitar and Anjimile’s own voice. Other than a few beautiful contributions from Justine
Bowe, Brad Allen Williams, Sam Gendel, and James Krivchenia (Big Thief), the album is the result of a year in LA working intimately with Grammy and Juno winner Shawn Everett.

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31,89
Astrud Gilberto With Stanley Turrentine - Gilberto With Turrrentine

Gilberto With Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine. It features performances recorded in 1971, originally released at CTI Records by Creed Taylor. The album can be described as a blend of jazz, pop, and tropicalia. It was arranged by Eumir Deodato and features appearances by A-list jazz performers including Airto Moreira, Ron Carter, Sam Brown, Hubert Laws, and Toots Thielemans.

Astrud Gilberto gained international fame in the mid-1960s following her recording of the famous bossa nova song "The Girl from Ipanema", while Stanley Turrentine was known for his distinctive work as a jazz musician and his earthy blues style.

Gilberto With Turrentine is available as a limited edition of 1500 individually numbered copies on translucent green coloured vinyl, housed in a gatefold sleeve.

Reservar08.09.2023

debe ser publicado en 08.09.2023

40,55
Ghostface Killah - Bulletproof Wallets  LP 2x12"

Ghostface Killah reunites with his partner in rhyme Raekwon to bring fans Bulletproof Wallets, which continues Ghost’s winning streak of delivering front to back classic material. Filled with the usual Ghost slang, bass heavy production, Bulletproof Wallets dropped not long after Supreme Clientele without skipping a beat. The fun Ghost & Rae are having on this record is beyond apparent. Bulletproof Wallets is almost like a party album, hit singles and street bangers. “Never Be the Same Again” (with Carl Thomas & Raekwon) and “Ghost Showers” play alongside “Maxine” and “The Forrest” all working off each others energy. Other stand outs like “Walking through the Darkness”, “The Hilton” all bang through the speakers and continues to add to Ghost’s undeniable catalog. On some groundbreaking production from The RZA, Alchemist, Carlos 6 July Broady and Mathmatics, Ghostface shines and the chemistry between Rae and Ghost is incredible!

Reservar08.09.2023

debe ser publicado en 08.09.2023

37,77
CRAVE - INNER WAR DELIRIUM LP

For over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III. Working under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and "Inner War Delirium" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres. Mangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore. The relationship between dark and light, death and rebirth, is at the heart of "Inner War Delirium", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw noise. Katsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.

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21,22

Ültimo hace: 2 Años
Rampue - Bubblebath Trance LP

A long-in-the-works project of ours, here comes A Tribe Called Kotori's first foray into full-length territories, as the immensely talented Rampue takes us on a melancholy-riddled ride across his phantasmatic mindscapes. A true sound explorer, deftly steering his ship down the junction of electronica, abstract and balearic-infused prog house, the Berlin-based vibist has us transfixed and elevated throughout the twelve cuts that form the backbone to this lushly textured promenade in sound - at times understatedly euphoric, at others rivetingly exotic.

Of the creative process that lead to 'Bubblebath Trance', Rampue explains "It all started and ended in the same moment: my cherished feline companion, my laptop awash with an unintended bath, and alas, a dearth of backups. The resultant calamity, an echo of chaotic tranquility." Under the generous layer of irony lies some unaltered truth about Rampue's debut long-player for A Tribe Called Kotori: this sense of serenity that goes with stepping into this warm and bubbling primitive chaos of sorts infuses the listening experience far and wide. Distantly emulating the "euphonious strains" of iconic PS1 video games soundtracks from his youth days, the album has us surfing a constant paradox of emotions, wistful but not abandoning itself to sorrow, dynamic yet suspended in some sort of mind-expanding stasis. As if you were looking at the world beneath you in exploded view, conscious of all thing, slowly moving up the many layers of our atmosphere towards uncharted skies.

A paragon of Rampue's most poignant take on classic electronica tropes, 'Harmonie' blazes with a poetic fire that engulfs about everything in its wake. Just figure yourself riding a chocobo across the sand-covered expanse of North Corel (toasting to the FFVII nerds here) as this blasts out in the distance. From this trancey bubblebath emerge lots of musical shades and nuances, from the nicely dubbed-out, brass-heavy coastal jazz of 'Schattenschranz' to the choppy, trip-hop-adjacent future electronics of 'Inside', via the exuberantly joyous mess of faux-organic number 'Tripomatic' and cinematic charisma of 'Ich hasse Sonne' high-flying orchestrations.

Connecting the dots between that trance-indebted ebullience and further downtempo-friendly attraction, 'Verfahren' perhaps encompasses best what 'Bubblebath Trance' is about: gracefully walking the tightrope in-limbo nostalgia-soaked inner movements and a powerful outward thrust, burning to let the feelings ooze out from the shell that holds them.Clad in purely 90s-compatible breaksy motion, 'Salz' is another attempt to reconcile emotional and physical dissonance, like kneading all states - solid, liquid and vaporous - into an impossible mega-vibe of its own; malleable, strong and enveloping in equal measure. Borrowing from two-step and UK garage, 'Take Away' is a definite high in Rampue's master unfolding of musical twists and turns, summoning a Boarder Community-esque atmosphere and clashing it alongside floor-ready footwork motifs to fascinating effect.

An ode to his studio companion, 'Buchla Trip' finds Rampue's exploring his machinic friend's quirky yet soulful array of electronic potentialities - making it sound like a conversation you'd have with R2-D2 in the heart of a Sandcrawler, whereas 'Kajal' beams us up to a fragmented headspace, halfway altered PC-Pop and arps-loaded electronica on amphetamines. Effusive and transporting, the title-track 'Bubblebath Trance' could well figure as the album's no.1 medley in essence: a bountiful lucid dream of dancing forms, colours and sentiments to wrap your head around, confidently drifting from a liminal state of consciousness down the rapids of one's troubled inner workings.

Rounding off the package, the languid ambient finale of 'Die Leiden des hungrigen Fruehstuecks' rubber-stamps the feeling that 'Bubblebath Trance' belongs to that rare category of albums. The ones that mint their own alphabet aside from typical norms and expectations, teaching you the ropes of their new language as it unreels between your ears - real and unreal, elusive to any other meaning than the one your guts and brains will be inclined to give it to, in real time. A crystal-pure object if you will, that shall not reveal its secrets, even after a thousand listens and just as many wowing moments.

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18,45

Ültimo hace: 2 Años
Anjimile - The King LP

Anjimile

The King LP

12inchADLPE40575
4AD
08.09.2023

Today, Anjimile Chithambo, better known as Anjimile, announces his new album, The King, out September 8th, his first full-length since 2020’s breakthrough Giver Taker. To herald the announcement, he shares lead single, ‘The King’, accompanied by a visualiser by Daniela Yohannes, whose striking painting takes centre stage on the album cover.

Highlighting the artistic shift from Giver Taker to now, ‘The King’ opens with a lofty, melodic choir, an intro that belies the song’s motives. Suddenly, sinister arpeggios interrupt the reverie, and the voices grow darkly serious. Deeply steeped in the confusion, grief, and rage of being Black in America, ‘The King’ pushes back against the tired adage, “what doesn’t kill you makes you stronger,” hissing, “What don ’t kill you almost killed you// What don’t fill you//pains you// drains you.”

“If Giver Taker was an album of prayers, The King is an album of curses.” In his second album, Anjimile continues exploring what it means to be a Black trans person in America. The brutally honest reflection of 2020’s deadly summer is less reminiscent of the pink cloud of early sobriety and more rooted in the reality of seeing brutality with clear eyes. Drawing from influences ranging from religion, Phillip Glass, and lived experiences, the album is a grand step forward for Anjimile. Nearly every sound you hear on The King comes from two instruments: an acoustic guitar and Anjimile’s own voice. Other than a few beautiful contributions from Justine
Bowe, Brad Allen Williams, Sam Gendel, and James Krivchenia (Big Thief), the album is the result of a year in LA working intimately with Grammy and Juno winner Shawn Everett.

Reservar08.09.2023

debe ser publicado en 08.09.2023

31,89
THE BRIAN JONESTOWN MASSACRE - THANK GOD FOR MENTAL ILLNESS

ENG 180 grm classic black vinyl, 2023 repress. At the risk of further labouring a rather obvious point, with Thank God for Mental Illness, their third collection of absolutely stunning music in 1996, the Brian Jonestown Massacre parallels the prolific and effortless brilliance of the Rolling Stones at their fevered late-1960s peak; the sheer scope of their achievements is stunning - rarely are bands quite so productive, or quite so consistently amazing. Thank God is the BJM's down-and-dirty country-blues outing, all 12-odd tracks supposedly recorded on a single July day at a cost of just $17.36 The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Since 1995 The Brian Jonestown Massacre has released numerous albums, first for Bomp! Records, the label which gave them their start, and later for TVT and Tee Pee. BJM has been essential in the development of the modern U.S. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club. Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

Reservar08.09.2023

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28,99
VEIK - FROM MADNESS TO NOMADNESS

Reissue of Veik's `From Madness To Nomadness' EP out now. Limited to 300 copies on 10" black in clear vinyl. Originally released on cassette in 2016, `From Madness to Nomadness' is the debut EP from Caen, France-based group Veik and is now being reissued on vinyl for the first time, with a limited 10" release courtesy of Fuzz Club Records. Introducing listeners to the trio's motorik, synthesised post-punk, the EP is a compilation of four tracks taken from a two-day recording session in the summer of 2016, recorded and mixed by Hugo Lamy of fellow Caen experimental duo Glass. The cover and the title of the EP are openly inspired by the `Telepathic Music' works by the French conceptual artist Robert Filiou, outlining the band's multi-disciplinary approach to music from the off. At the time drummer/vocalist Boris Collet told a local media outlet that "we wish to assume links with other artistic disciplines like photography". Concerning the reference to Robert Filiou, he added: "It is not so much the visual aspect that is important as the philosophy and the vision of the economy that he develops. The result should not be pompous or falsely intellectualizing. It is just that it seems relevant to build bridges between different fields (artistic or not). Bringing a bit of philosophy, architecture, images, sociology or geography into music can't hurt. It's not pretending to be anything else than what it is, it's still music, but I think there is a gesture and an intention to assume, no matter how you qualify it (creative, political, reflective). You have to allow yourself to do it."

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debe ser publicado en 08.09.2023

20,13
MOONWALKS - WESTERN MYSTERY TRADITION

180g ultra clear vinyl, download card included. Western Mystery Tradition' is the third studio album from Detroit, MI via Brooklyn, NY outfit Moonwalks and is due for via Fuzz Club. A departure from the band's DIY psych-rock roots to a more mature and polished sound, the album was produced by Mattiel's Jonah Swilley and recorded in May 2019 at Detroit's acclaimed (and rumored haunted) Masonic Temple with Bill Skibbe (Jack White, The Kills) in a lodge belonging to the Free Masons' Detroit chapter. "Western Mystery Tradition was conceived in the winter of 2019 amidst a polar vortex in Detroit, Michigan", Moonwalks recall of the record's origins: "At the time and in between touring, we lived together in a house on the west side that lacked a working stove and had no power in half of the building. The band - trapped indoors due to temperatures in the negatives and massive amounts of snow - drew inspiration from our isolated state amidst a bleak Michigan winter." Moonwalks consists of Kerrigan Pearce (drums), Jacob Dean (guitar), and Kate Gutwald (bass). Originating in Detroit's DIY scene, the trio started out playing in warehouses and makeshift venues across the city. Since then, they've gone on to tour extensively throughout North America and Europe supporting acts like The Murlocs, Metric, Julian Casablancas & The Voidz, Thee Oh Sees, The Liminanas, and The Mystery Lights to name a few

Reservar08.09.2023

debe ser publicado en 08.09.2023

26,85
Ede & Deckert feat. Sargland - Immer

Ede&Deckertfeat.Sargland

Immer

7"-VinylRB123-7
Running Back
08.09.2023

The lines between off-centre synth songs and catchy hits have always and forever been ultra-thin. With Immer the proof of the pudding is in the eating. Ede & Deckert managed to turn a red wine and post punk melancholy fueled jam session into a haunting alternative dance jam. While their instrumental sits neatly between the dark wave of Eleven Pond and the British Electric Foundation, it is the voice of the German singer with the mysterious name Sargland. One could think it is possibly an anagram? Called in for spontaneous vocal work, the repetitiveness and heartfelt expression of lovelorn of his tone and lyrics are quite simply irresistible and dichotomic. Whether it’s lover’s grief or delight, Immer works its magic in every way and for everyone.

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10,04

Ültimo hace: 15 Meses
Slaid Cleaves - Together Through The Dark

Producer Scrappy Jud Newcomb and Cleaves teamed up for the third time in early 2022 between Covid surges to record a new batch of songs, Slaid's first in five years.

Familiar themes of struggle and resilience will be a surprise to no one. As Scrappy puts it, "This album speaks to the hopeful, the hard working, the battered, confused, and the sad. But above all to the believers in the city of freedom that we heard in the stories of our youth and all those FM radio hits."

The first single, "Through the Dark," was co- written with Slaid's long- time collaborator and life- long friend, Rod Picott ("Broke Down," "Take Home Pay").

Slaid describes it simply as "a song about offering comfort in hard times."
Joseph Hudak of Rolling Stone calls Cleaves "a master storyteller, one influenced not by the shine of pop-culture but by the dirt of real life."

"More than 20 years into his career, Slaid Cleaves just keeps getting better . . .

There are few contemporaries that compare. He's become a master craftsman on the order of Guy Clark and John Prine." - Austin Chronicle

Reservar08.09.2023

debe ser publicado en 08.09.2023

27,31
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