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While the Swedish progressive metal / rock pioneers and innovators Pain of Salvation continue to challenge and bend stylistic boundaries with their frontline albums (Most recently: PANTHER, 2020), InsideOutMusic continues to re-work the group’s comprehensive and ground-breaking back-catalogue: The classic 2004 concept album “BE” and the exceptional 2004 acoustic live album 12:5 are consequently now made available for the first time ever on vinyl. Both releases come as Gatefold Double-LP’s on 180g. vinyl with insert sheet and full album on bonus CD, making them essential items for any Pain of Salvation fan and collector, as well as a special discovery for open-minded progressive music fans looking for the true gems within the genre. And watch out for even more Pain of Salvation output coming soon…

Bunny Lee's tiptop productions reissued in finest quality by Dub Store Records.

Former Missouri disc jockey, Don Woody teamed up with a friend to write
a dozen rock ‘n’ roll songs to pitch to the record companies.
One was picked up by Little Brenda Lee and opened a door for Don with Decca
Records. Don’s clever way with words is evident on the recordings of “BirdDog” and “Barking Up the Wrong Tree” cut at Decca, while his more recent
coupling on Arco should consolidate his elevated position with the hep set.
YOU’RE BARKING UP THE WRONG TREE

Protoge of the great Jimmy Skinner, Arkansas-born Roy Moss befriended
young Elvis Presley who managed to get him an audition for the popular
Louisiana Hay Ride radio show.
The Skinner connection scored a recording contract for Roy with the Mercury
people in 1955 and his resulting brace of singles, recorded in Nashville with
Music City’s finest, has certainly impressed the rockabilly crowd

Consolidated, the political dance/industrial music band from the early 90ties joined again for a studio session in San Francisco last summer, resulting in a new album. 'We're Already There'. The first release on Consolidated's own label 'The End Of Records'. What else to expect, the new recordings are an innovating mix of industrial, to hip-hop, to rock and funk with mixtures of live instruments and electronics. Topped with left political activism and politically radical lyrics address issues such as America, Covid and ecocide with song The Flood, demand *'Free Music, Stop America'* with Musica Sin Frontieras & welcome guest vocalist GRETA THUNBERG on the track The 'ol Mass Extinction Blues. The album starts in 'traditional Consolidatedgroove' with the song 'Capitalism A.F.', a mix of beats, industrial sounds and hiphop. Followed by funkypop songs, danceable industrial jams, techno beats, reggae and blues influences plus a remarkable noise track. Main musicians are Adam Sherburne (guitar/vocals) and Mark Pistel (synths/beats) backed by Lynn Farmer (Meat Beat Manifesto) on drums, who replaces the original drummer Phil Steir. The complete album is recorded, mixed and mastered by Mark Pistel at 'Room 5' in San Francisco. The cover shows art paintings from Ayelet Hay (front) and William Kendall (back). On 'We're Already There' Consolidated plays more music than ever. "I have zero interest in being in a band, especially my own_" "I had to develop a different way to be involved with music for aesthetic and mental health reasons_" "FREE MUSIC! is not to the detriment of artists, it's literally the end of artists-as anyone perceives them in the last 500 years" -Adam Sherburne - Consolidated are known for their live performances, in which a microphone is passed among audience members to discuss, rebut, argue or elaborate on song topics. Consolidated: Adam Sherburne & Mark Pistel.

Hedvig Mollestad Thomassen - guitar/Ellen Brekken - bass/Ivar Loe Bjornstad - drums. Only nine months after her momentous debut solo album Ekhidna, the guitarist is back fronting her trio. With their previous album, Smells Funny, this explosive and expansive trio experienced a breakthrough of sorts, having gone from strength to strength through five albums since their 2011 debut Shoot!, gathering respect from both rock and jazz camps, sharing big stages with the likes of John McLaughlin and Black Sabbath, and being equally comfortable on jazz and rock stages. Hedvig enforced this breakthrough with Ekhidna, appearing on both jazz and rock best of 2020 lists, like coming in third in Prog's "Album of the Year" poll. She was included in Downbeat's "25 for the future" and received heaps of international attention and great reviews.With the hypnotic title track, the spacious ballad Four Candles and generally a more varied mood, Ding Dong. You're Dead. is the trio's most dynamic album to date. That said there's still enough solid and creative riffing here to satisfy the headbangers, as well as the jazzheads, as they further explore the free and open landscapes most notably started with their Black Stabat Mater album and continued with Smells Funny. As Nate Chinen wrote about "Black Stabat Mater" in JazzTimes: Her trio, which has Ellen Brekken on bass and Ivar Loe Bjornstad on drums, caught my ear then with its audacious style references: the loose swagger of early Black Sabbath; the density and prowl of peak Led Zeppelin; the expeditionary urge of Jimi Hendrix; the incantatory fervor of John McLaughlin. As recent performances have shown, online and in the flesh, this trio radiates confidence and have become a surefire hit on the Norwegian live scene. Hedvig first picked up her mother's acoustic guitar at ten, before discovering a whole new world through her father's jazz and rock record collection as a teenager. She was given her first electric guitar and amplifier as a confirmation present. Hedvig met Ellen and Ivar at the Music Academy in Oslo and asked them to join her after she received the Young Jazz Talent of the Year award at Molde International Jazzfestival in 2009. They have stayed together since, and all previous albums have been released on Rune Grammofon to wide international acclaim.

Hedvig Mollestad Thomassen - guitar/Ellen Brekken - bass/Ivar Loe Bjornstad - drums. Only nine months after her momentous debut solo album Ekhidna, the guitarist is back fronting her trio. With their previous album, Smells Funny, this explosive and expansive trio experienced a breakthrough of sorts, having gone from strength to strength through five albums since their 2011 debut Shoot!, gathering respect from both rock and jazz camps, sharing big stages with the likes of John McLaughlin and Black Sabbath, and being equally comfortable on jazz and rock stages. Hedvig enforced this breakthrough with Ekhidna, appearing on both jazz and rock best of 2020 lists, like coming in third in Prog's "Album of the Year" poll. She was included in Downbeat's "25 for the future" and received heaps of international attention and great reviews.With the hypnotic title track, the spacious ballad Four Candles and generally a more varied mood, Ding Dong. You're Dead. is the trio's most dynamic album to date. That said there's still enough solid and creative riffing here to satisfy the headbangers, as well as the jazzheads, as they further explore the free and open landscapes most notably started with their Black Stabat Mater album and continued with Smells Funny. As Nate Chinen wrote about "Black Stabat Mater" in JazzTimes: Her trio, which has Ellen Brekken on bass and Ivar Loe Bjornstad on drums, caught my ear then with its audacious style references: the loose swagger of early Black Sabbath; the density and prowl of peak Led Zeppelin; the expeditionary urge of Jimi Hendrix; the incantatory fervor of John McLaughlin. As recent performances have shown, online and in the flesh, this trio radiates confidence and have become a surefire hit on the Norwegian live scene. Hedvig first picked up her mother's acoustic guitar at ten, before discovering a whole new world through her father's jazz and rock record collection as a teenager. She was given her first electric guitar and amplifier as a confirmation present. Hedvig met Ellen and Ivar at the Music Academy in Oslo and asked them to join her after she received the Young Jazz Talent of the Year award at Molde International Jazzfestival in 2009. They have stayed together since, and all previous albums have been released on Rune Grammofon to wide international acclaim.

A Day To Remember return with news of their widely-anticipated new album, You’re Welcome. Set for release on March 5th 2021, You’re Welcome marks the platinum-selling US band’s first album for Fueled By Ramen/Parlophone.

A Day To Remember vocalist Jeremy McKinnon commented on the forthcoming collection noting, “It’s finally here—almost! To all our fans around the world, we want to say, ‘Thank you!’ You’ve waited patiently, and we can’t wait for you to hear this. There’s a lot of detail in everything we do from the mixes to the artwork, because it all tells a story. We’re here now and very happy to present You’re Welcome.”

Jesse James rides again! Rejoining the Soul Junction label to bring you his previously unreleased original version of the song “(The Girl In) Clinton Park”

The song is more widely known through the version recorded by the group Masterplan in 1974 as part of their trilogy of 45 releases on the West Coast Fos-Glo label, with this particular release being later picked up and released on The East Coast Delite label.

The story behind Jess’s solo version began 3 years earlier when following his first spell with the 20th Century label Jesse found himself without a label feeling a little disillusioned with major labels but undeterred in his own ability he decided to finance and record his own masters. Hence on 29th of April 1971, Jesse entered the Searra Sound Studio in Berkley C.A under the direction of producer and friend Willie Hoskins (Wilhos Productions, and the man who gave the world the Natural Four on Boola, Boola and ABC, prior to them joining Curtis Mayfield at Curtom). Jesse recorded a five song session, with one particular song being the Stanley Lippett composition “(The Girl In) Clinton Park”. Lippett who prior to becoming part of the Wilhos Productions team sang with the early 60’s group The Five Brooks before recording two very sought after Northern Soul 45’s “The Stran” and “Outta Sight Loving” for Dick Vance’s Out Of Site Label. Stanley later joined Marvin Holmes & The Uptights Band. It had been Marvin Holmes (he of Brown Door Records fame) who introduced Stanley to Willie Hoskins with Stanley subsequently joining Boola Boola Records and Wilhos Productions. Stanley repaid Marvin for this introduction by composing a song based on Marvin’s 3 year daughter, she being the actual girl from Clinton Park!

Returning to Jesse James, two other songs from this session, a cover version of Etta James “At Last” and “I Know I’ll Never Find Another” did gain a release at the time on the Zay label.

We’ve known about Jesse’s version of this song for many years now but the tape was nowhere to be found and even without hearing it, just knowing the song and that Jesse was a great singer I always promised him that one day I’d put it out. But if there is some good to come out of this pandemic then it was during Jesse’s lock down in Richmond and while browsing through his possessions he luckily found the missing tape, bingo we’re in business!

For this release we have coupled “(The Girl In) Clinton Park” with Jesse’s oh so soulful cover version of the Terry Callier/Larry Wade composition “ Just As Long As We’re In Love” (also recorded by Callier himself and The Mighty Dells), previously issued by Soul Junction on Jesse’s 2012 album “Let Me Show You” (SJLP 5005), enjoy.

Repress

We are proud to present this new record of Antigone. Throughout these three tracks, the artist attracts us in his technological and futuristic universe, an immersion in the spirit of this sound architect...

Gatefold black 2LP+CD & LP großes-Booklet, 180 g

Delicate Sound Of Thunder encapsulates a band at their best. Alongside the classic live album and full concert film (restored and re-edited from the original 35mm film and enhanced with 5.1 surround sound), included in The Later Years box set, all stand-alone editions feature 24-page photo booklets, with the 4-disc box edition including a 40-page photo booklet, tour poster and postcards. The 3-LP 180-gram vinyl set includes 9 songs not included on the 1988 release of the album, while the 2-CD includes 8 tracks more than its original release.

In 1987, Pink Floyd made a triumphant resurgence. The legendary British band, formed in 1967, had suffered the loss of two co-founders: keyboardist / vocalist Richard Wright, who left after sessions for The Wall in 1979, and bass player and lyricist Roger Waters, who had left to go solo in 1985, soon after the 1983 album The Final Cut. The gauntlet was thus laid down for guitarist/singer David Gilmour and drummer Nick Mason, who proceeded to create the multi-platinum A Momentary Lapse Of Reason album, a global chart smash, which also saw the return of Richard Wright to the fold.

Originally released in September 1987, A Momentary Lapse Of Reason was quickly embraced by fans worldwide, who flocked to attend the live tour dates, which started within days of the album’s release. The tour played to more than 4.25 million fans over more than two years, and, as a celebration of the enduring talent and global appeal of David, Nick and Richard was unsurpassed at the time.

Filmed at Long Island’s Nassau Coliseum in August 1988 and directed by Wayne Isham, the 2020 release of the Grammy Award nominated Delicate Sound Of Thunder is sourced directly from over 100 cans of original 35mm negatives, painstakingly restored and transferred to 4K, and completely re-edited by Benny Trickett from the restored and upgraded footage, under the creative direction of Aubrey Powell/Hipgnosis. Similarly, the sound was completely remixed from the original multitrack tapes by longtime Pink Floyd engineer Andy Jackson with David Gilmour, assisted by Damon Iddins.

Pink Floyd’s stellar supporting cast for the live dates included: Jon Carin (Keyboards, Vocals), Tim Renwick (Guitars, Vocals), Guy Pratt (Bass, Vocals), Gary Wallis (Percussion), Scott Page (Saxophones, Guitar), Margret Taylor (Backing Vocals), Rachel Fury (Backing Vocals) and Durga McBroom (Backing Vocals).

Technical credits include: Film Producers: Curt Marvis and Carl Wyant; Director of Photography: Marc Reshovsky; Lighting Designer: Marc Brickman, with conceptual footage directed by Storm Thorgerson, except ‘Money’ directed by Storm Thorgerson, Barry Chattington and Peter Medak. Animation on 'Time' was by Ian Emes.

Repress

When you find DJ Sotofett and Telephones on remix duties for the mighty Joan Bibiloni it's sure to be a treat. For the 22nd installment in the Saft series, two of Bibiloni's greatest numbers from "Born" (1989), are re-imagined for the occasion.

Sotofett opens up the A-side with an extended version of Bibiloni's "El Sur". Clocking in just under twelve minutes, the so-called "mastermix" is a version in the vein of the extended disco singles from the era of the original. Sotofett's supernatural dancefloor touch centers around Bibiloni's guitar-licks that gently slide along and communicate with the other elements of the original. This is a version to close a night with - or better yet - to close a summer set just before sundown.

The B-side contains a reworked version of "Sa Fosca" by another Norwegian artist: Telephones. "Telephones Coastal Dub", is another lengthy endeavor. The ten (and something) minutes long venture keeps in line with the Mallorcan character of the Bibiloni sound, while giving it a subtle touch of dancefloor, complete with the signature lead of the original as the focal point. The extensive intro and the balance between breeziness and firmness is sharply done and will make sure that the version can find its way into numerous settings.

“You’re trouble” is an avant-garde electronic pop album about questioning and locating a sense of self in a disorienting, breaking environment of dissolving certainity which grows increasingly chaotic, about dysmorphic dissatisfaction, becoming disillusioned and alienated. It seeks to juxtapose beauty, serenity and vigour with instability, ugliness, chaos and crisis, expressing itself fluidly without genre or otherwise boundaries. A kind of sinister, anxious but still forward-pushing and at times positive and hot-blooded empowering energy can be felt that wants to urge the listener not to give up but to try and take courage and take control of the troubles and fears in their life. The tone is sometimes reflective, sometimes confronting. The album navigates fairly abstract musical territory, cathartic abrasiveness, heavy and unrelenting sounds of post-club music and noise fused with stretches of pop music, never settling down or resting for long, constantly breaking up and re-assembling itself. Between chaos and form, it’s finding relief in imperfection and the in-between. As such the music is ambivalent and is equal parts some kind of crisis club music as well as introspective reflection.
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This 10th anniversary release of Spaven's 5ive on vinyl for the first time celebrates one of the UK's most phenomenally talented drummers. With roots in the UK club and hip-hop scenes, Richard Spaven brings a fresh approach to the instrument that's at once modern and traditional.

Combining machine-like accuracy with jazz-influenced improvisational sensibilities, Spaven's drumming landed him gigs with vastly varied artists such as Guru, Flying Lotus, The Cinematic Orchestra and jazz/hip-hop vocalist Jose James. His brilliance is evident beyond his world-class performance abilities as he's equally impressive in production and compositional territories.

Spaven's signature drum sound often sees him combine high-pitched, crisp snares, round jazzy toms and small punchy bass drums. His cymbal choices are a sonic contrast of dry, lower-pitched hi-hats, rides and crashes.

Altogether, the drummer's tone could be described as a nod to the past while keeping an ear to the future.

Spaven's 5ive is released as a limited clear vinyl edition for Record Store Day 2020.

Posthuman makes his Food Music debut with the infectious “You’re Mine”.

The Frank DeWulf-esque stabs and swagger from this tune have already had many "ID?” requests from people since airing on Rinse FM and a DJmag social media video over the last few weeks and months. Posthuman has taken his sound to a fresh area which is complimented by remixes by none other than Luke Vibert, with an ice-cool swung-groove, Black Girl/White Girl with a full on pounding Techno workout and on the digital package, newcomers Mac & Ward do the big room House thing to perfection! In addition we’ve included “Find Me On The Edge of Town”.. an acid-kissed piece of Techno which sits the cherry ontop of an awesome release for us on Food.

Hell Yeah call upon their merry crew of grown up groove makers to revisit key tracks from Quiroga's widely acclaimed Passages album, with Whodamanny, Jazz N Palms, A Vision of Panorama and My Friend Dario all stepping up.

The original album was noted as Piccadilly Records' Best Balearic Album of 2019 and a year on is still providing solace for us in these strange times. First to add his own spin to it is Periodica associate Whodamanny from Naples, whose magical take on 'Martinica Feelings' made it onto the excellent recent Buena Onda compilation, which is out now. It is a big hearted vocal reinterpretation filled with stomping kicks and twisted synths that bring the funk next to withering sci-fi effects and happy piano chords.

Then, up steps man of the moment Jazz N Palms, a resident at the cult Ibiza venue Pikes and regular at London's Ronnie Scotts. He has recently started his own self titled label and here offers a mad Latin jazz take on 'Africa Addio' that brims with energy and sunshines. The busy percussion will make you move your ass and the whole thing has a sexy 70s vibe.

Saint Petersbourg's very own balearic legend A Vision of Panorama is hailed as the king of the modern balearic sound thanks to EPs on labels like Omena. He takes care of 'The Zoist' with sentimental melodies and sunset grooves to die for. His arching pads speak to the soul and melt the heart.

Last of all, Hell Yeah's very own discovery My Friend Dario (who soon has an EP coming on NuNorthern Soul, recently remixed Calm and Gallo) tackles 'Chiaia Sunset'. The result is a laidback and cathartic track that slowly unfolds on tumbling drums and wooden hits as synths leave vapour trails high up in the clear blue sky above.

These are four more high class remixes that will keep the summer vibes alive long into Autumn.