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Adam Lambert war schon immer bestechend gut darin, die Songs anderer Künstler und Künstlerinnen zu interpretieren – von seinen Anfängen bei „American Idol“ über seinen Auftritt bei den Kennedy Centre Honours 2018, wo er Cher mit seiner fast zärtlichen Version ihres Megahits „Believe“ zu Tränen rührte, bis hin zu seiner Rolle als aktueller Sänger von Queen.

Nun geht der Grammy-nominierte Künstler konsequent den nächsten Schritt und kündigt ein ganzes Album ausgesuchter Coversongs an. „High Drama“ erscheint am 24. Februar 2023 und markiert zugleich sein Debüt bei Warner Music. Schon jetzt gibt es zwei Songs daraus zu hören: „Ordinary World“, eine kraftvolle, atmosphärische Balladenversion des Duran-Duran-Hits von 1993, sowie Lamberts wunderschöne Interpretation des Noël-Coward-Klassikers „Mad About The Boy“ aus den 1930er-Jahren. Fans des Musikers werden wissen: Er performte den Song kürzlich bereits im Rahmen der BBC-Show „Strictly Come Dancing“ (siehe unten). Außerdem wird Lamberts Version auch in dem kommenden Film „Mad About The Boy — The Noel Coward Story“ über das Leben des Noël Coward zu hören sein, der kommendes Jahr in die Kinos kommt.

„High Drama“ – der Titel des neuen Albums ist natürlich nicht von ungefähr gewählt, denn der US-Amerikaner liebt die große Geste. Und wir erleben ihn hier mehr denn je als einen Künstler, der sich in seiner eigenen Haut wohlfühlt, der voll und ganz er selbst ist – und jede Minute davon auskostet.

Bei seinem neuen Album übernahm Adam Lambert auch die Rolle des ausführenden Produzenten, die Songs selbst wurden produziert von Tommy English (Kacy Musgraves, Carly Rae Jepsen), Andrew Wells (Halsey, OneRepublic), George Moore und Mark Crew. „High Drama“ nimmt uns mit auf eine Reise durch die moderne Musik, von Klassikern wie Ann Peebles' „I Can't Stand The Rain“ und Bonnie Tylers „Holding Out For A Hero“ bis hin zu Hits jüngeren Datums wie Billie Eilishs „Getting Older“ – hier in einer Glam-inspirierten Version – und einer rockigen Interpretation von Lana Del Reys „West Coast“. Gemeinsam haben alle Songs, dass sie sich durch Adam Lamberts unvergleichliches Gesangstalent auszeichnen.

Aktuell arbeitet Lambert übrigens auch an seinem eigenen Musical, bei dem sich auf eigene Songs von ihm und eine Starbesetzung freuen kann.

Deadpool 2 is a 2018 American superhero film based on the Marvel Comics character Deadpool. It is the sequel to Deadpool (2016) and the eleventh installment overall in the X-Men film series. The film was directed by David Leitch and written by Rhett Reese, Paul Wernick, and Ryan Reynolds, who stars in the title role alongside Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, and Jack Kesy. In the film, Deadpool forms the X-Force to protect a young mutant from the time-traveling soldier Cable.

Bates approached the score with a slight rock sensibility and created an “obvious superhero theme” that he felt fit within the established X-Men franchise. He attempted to write music that stayed out of the way of the film’s comedy and complemented its dialogue, which was a challenge due to the constant changes being made to the film throughout the post-production process. For the score, Bates used a distorted guitar run through a wah-wah pedal, microsynths to add “unique colors”, and a choir.

Deadpool 2 is available as a limited edition of 1000 individually numbered copies on transparent pink coloured vinyl. It is housed in a high-quality sleeve with silverfoil and spot-varnish with embossing on the front cover. Additionally, this release includes a 4-page booklet and fridge magnet of the film’s logo.

Úlfúð stammen aus dem Land des Eises und des Feuers und sind der jüngste Neuzugang in Dark Descents makellosem, sich ständig erweiterndem Roster. Mit ihrer persönlichen Mischung aus Black und Death Metal (mit Betonung auf Ersterem) fängt das Debütalbum Of Existential Distortion die trostlose Weite der vulkanischen Einöde auf einzigartige Weise ein, wie es nur die Isländer können.

Das erste Album von Úlfúð ist bereits Meisterklasse in Sachen Songwriting und zeigt eine atemberaubende Balance aus betörender Atmosphäre, eindringlicher Melodie und tödlicher Gewalt. Für das atemberaubende Artwork wurde der Künstler Bahrull Marta engagiert, während Fotografien von Alma Líf Þorsteinsdóttir das Inlay mit den Visionen der einzelnen Stücke schmücken.

"Wir freuen uns sehr, mit Dark Descent unser erstes Album in voller Länge zu veröffentlichen! Dieses Album kündigt unsere Entität an und verkündet unsere Absicht, euch in unser Ritual der Katharsis und Kakophonie einzutauchen! Wir können es kaum erwarten, unsere Musik mit euch zu teilen. Die Zeit ist reif!"

Úlfúðs, was so viel wie Feindseligkeit oder Feindschaft bedeutet, wurde Anfang 2015 in Reykjavik, Island, gegründet. Die Band hat 2018 ihre Debüt-EP First Sermon selbst veröffentlicht und 2020 ihr Debüt Of Existential Distortion aufgenommen. Eine Veröffentlichung, auf die sich das Warten wirklich lohnt!

Releasing 100% independently, with no label backing, The Reytons have
announced their second album is set for release following their debut
album that rocketed to Number 11 in the Official UK Charts, with over
20,000 sales to date
Setting The Reytons apart from the competition is their fiercely independent
approach to the way they work. Not exactly welcomed with open arms by the
industry from the very start, the band channel their working class grit and
determination to overcome every obstacle thrown at them. Aided by the masses
of loyal fans, no achievement is out of reach.

Producer, singer and instrumentalist Al Jourgensen founded the American industrial metal band Ministry in 1981, which became one of the pioneers in their genre. In 2004, they released their ninth studio album Houses Of The Molé. The musical style of the album is more thrash metal-oriented than previous Ministry-releases. It is noteworthy for being the first Ministry album not to feature bassist and longtime collaborator Paul Barker, but also the first to feature Mike Scaccia on guitar since 1996. The album spawned one single, “No “W””, which features Rey Washam as a guest performer.

Houses Of The Molé is available as a limited edition of 1500 individually numbered copies on gold coloured vinyl, housed in a gatefold sleeve.

A companion to “The Catburgers - Dreamworld Sessions”, this cassette-only release was recorded at The Rocking Horse Studios in Bathgate in Autumn 1986.

The audio is restored from a demo tape owned by journalist Simon Reynolds and contains some of the tracks that made it onto the FELT003.

Ayahuasca: Music for Film, by Luis David Aguilar (1978-1983) compiles works by Luis David Aguilar, one of the most prolific composers of film scores in Peru. It shows the great versatility and avant-garde style that has distinguished his work. Luis David Aguilar (Arequipa, 1950) occupies a fundamental place in the history of film music in Peru, not only because of the prolific nature of his work (which also includes music for television and advertising), but because of the singular, experimental style found in many of his scores. Aguilar's music blends modern academic composition with the use of native instruments, synthesizers, sound collages and a diversity of resources, which identify him as a key figure to understand a period of Peruvian music marked by the imprint of the avant-garde and the use of native sounds, which developed during the late 70's and the early 80's. Aguilar belongs to the so called "Generation of the 70's", along with Peruvian composers such as Walter Casas, Seiji Asato and Aurelio Tello, who were then immersed in the languages of contemporary classical music. But he also shares the spirit of renewal of a generation of musicians who came from the world of jazz and electronic experimentation such as Manongo Mujica and Arturo Ruiz del Pozo. Ayahuasca is an album that collects pieces from 1978 to 1983 and offers an overview of the different musical paths that Aguilar followed during his career as a soundtrack composer. The album opens with music from the film El viento del ayahuasca The Wind of Ayahuasca (1983), by director Nora de Izcue, performed by the National Symphony Orchestra and Choir of Cuba under the baton of Luis David Aguilar, with Chucho Valdés on piano. Recorded at the ICAIC studios (Cuba), it is an ambitious orchestral and vocal composition, in which you can hear the beginning of the famous melody of "Mujer Hilandera" [Female Weaver], popularized by the Amazonian cumbia group Juaneco y su Combo, which serves as an introduction to the sound world of the jungle, a dense and hypnotic atmosphere that, without a doubt, places this work as one of the most important compositions of the author's repertoire. The next track is the music for the documentary Anónimo cotidiano [Anonymous Everyday] (1979), by director Jorge Rey, a unique experimental piece for synthesizers (played by Aguilar), drums and percussion (played by Manongo Mujica), with the addition of various Andean instruments (panpipes, charango, among others). It is a clear example of fusion of sound experimentation and timbres from the Andean world. And finally Los constructores [The Builders] (1978), by director José Carlos Huayhuaca, a salsa which incorporates unusual sounds of tubular bells and prepared pianos. Ayahuasca: Music for Film by Luis David Aguilar (1978-1983) is the second album by Aguilar released by Buh Records, following the celebrated Hombres de Viento/Venas de la Tierra (1978-1982), appeared in 2015. The album is published in vinyl format, in a limited edition of 300 copies, as part of the Essentials Sounds collection. It includes a booklet with notes by Luis David Aguilar. The audio has been remastered from the original reel tapes by Aldo Montalvo. The artwork and design is by About Studio.

• Sony Masterworks is happy to announce the vinyl release of the Netflix live-action series Cowboy Bebop which premiered in November 2021 and is available on Netflix.

• Yoko Kanno and the band SEATBELTS, the artists behind the music in the original anime series of Cowboy Bebop, have returned to bring their signature dynamic, jazzy sound to the Netflix live-action show. The resulting compositions are characters themselves - constant companions to the crew of the Bebop and brimming with just as much personality.

• Cowboy Bebop (Soundtrack from the Netflix Original Series) is a treat for Bebop fans in an additional way - it features over twenty new tracks only available on vinyl! This wide release is pressed on red marble vinyl discs in a gatefold jacket with printed inner sleeves.

• COWBOY BEBOP is an action-packed space Western about three bounty hunters, aka “cowboys,” all trying to outrun the past. As different as they are deadly, Spike Spiegel (John Cho), Jet Black (Mustafa Shakir), and Faye Valentine (Daniella Pineda) form a scrappy, snarky crew ready to hunt down the solar system’s most dangerous criminals — for the right price. But they can only kick and quip their way out of so many scuffles before their pasts finally catch up with them.

• Original anime series director Shinichirō Watanabe is a consultant on the series, and original composer Yoko Kanno returns for the live-action adaptation. The series also stars Alex Hassell and Elena Satine.


• Yoko Kanno is a Japanese composer, arranger and musician best known for her work on the soundtracks of anime films, television series, live-action films, video games, and advertisements. She has written scores for Cowboy Bebop and its live-action adaptation, Darker than Black, Macross Plus, Turn A Gundam, The Vision of Escaflowne, Ghost in the Shell: Stand Alone Complex, Wolf's Rain, Kids on the Slope, Genesis of Aquarion and Terror in Resonance, and has worked with the directors Hirokazu Kore-eda, Yoshiyuki Tomino, Shinichirō Watanabe and Shōji Kawamori. Kanno has also composed music for pop artists Maaya Sakamoto and Kyōko Koizumi. She is also a keyboardist and is the frontwoman for the SEATBELTS, who perform many of Kanno's compositions and soundtracks.

From a young age, La Perla, Callao-born guitarist Oswaldo "Mita" Barreto was a fan of Cuban artists like Celina y Reutilio and Los Compadres, whose records were a staple in the port city homes. He soon learned to distinguish the sound of the Cuban tres on these records (the chordophone from rural areas of Cuba). At the age of 18, he had already mastered the instrument, although he had never seen a Cuban musician play one live until that point. At the beginning of 1969 (according to the record company's archives), his fame led him to record his first 45 RPM singles for the MAG label, which were compiled in an LP by the end of the year entitled "Arecibo", after a song dedicated to the Puerto Rican city of the same name. For these recordings he was accompanied by a group of musician friends, all linked to the tropical music scene in Callao, Peru. The album opens with two Cuban guarachas from the 1950s: 'Mango mangüé' by El Gran Fellove, whose compositions were popularized across the Americas thanks to the voice of Celia Cruz and the Sonora Matancera; and 'El yoyo' by Antonio Sánchez Reyes, another international hit performed by Cortijo y su Combo. Both songs were recorded by Mita in May 1969.

Café Türk, an inimitable Turkish-Swiss band formed in the 1980s, whose genre-bending sonic palette draws from Anatolia, the Caucasus, and western Europe. The group's frantic trajectory connects the Swiss town of Schaffhausen and the Turkish city of Kars, eastern Anatolian city of Turkey with a background story as rich and unexpected as their sound.

Excellent mini-LP filled with tripping electronics by Reykjavik based Johann Omarsson a.k.a. Skurken. Limited to 300 copies.

Mondo, in conjunction with Troll Court / WaterTower Music, is proud to present the premiere vinyl pressing of the latest mix-tape masterpiece curated by writer/director James Gunn ... the soundtrack for his superhero action-adventure film THE SUICIDE SQUAD

Nikki Lane's remarkably dazzling third album Highway Queen, sees the
young Nashville rebel emerge as one of country and rock's most gifted
songwriters.Produced by Lane and fellow singer-songwriter Jonathan
Tyler, and recorded in Denton, Texas and Nashville, Tennessee, Highway
Queen is an emotional tour-de-force
Blending potent lyrics, unbridled blues guitars and vintage Sixties country- pop
swagger, Lane's new music will resonate as easily with Black Keys and Lana Del
Rey fans as those of Neil Young and Tom Petty. Highway Queen starts with the
whiskey-soaked restlessness of € 700,000 Rednecks, a rowdy call to action, and
ends on the profoundly raw Forever Lasts Forever, where Lane belts freely,
mourning a failed marriage, the lighter shade of skin left behind from her wedding
ring. Lane's journey to heartbreak takes exquisite turns. Companion is pure Everly
Brothers' dreaminess ( I would spend a lifetime/ Playing catch you if I can ).
Elsewhere, she goes on a Vegas bender on the rollicking Jackpot, fights last-call
blues ( € Foolish Heart ) and tosses off brazen one- liners at a backroom piano
( Big Mouth ). Lane, a Greenville, South Carolina native, is a unique songwriter
who didn't take the traditional country artist path. Her backwoods roots are
undercut by her chosen career as a fashion entrepreneur (she's the owner of
vintage clothing boutique High Class Hillbilly) who has lived " and been
heartbroken in " Los Angeles, New York and Nashville. So it's no surprise that her
music seamlessly crosses musical genres with lyrics steeped in the doomed
perseverance only a true dark horse romantic knows. Lane's rapid rise in music is
thanks to the fervent critical acclaim of her debut record Walk of Shame and
2014's Dan Auerbach-produced All Or Nothin'. Pressed on Blue Jean Color vinyl.

Dressed in a powder blue suit with the frilly shirt to match, DJ Yoda invites you to be his +1 for ‘Prom Nite’, his new album promising retro Americana full of daydreaming reverie, international megastar guests, trip hop acknowledging the likes of Morcheeba and Nightmares on Wax, and the turntable extraordinaire’s bread and butter of cuts, beats and rhymes.

Certainly no stranger to retro sounds having famously peppered his DJ and AV sets with the unexpected the world over, and his ‘How to Cut n Paste’ mix series going all the way back to the 30s, Yoda’s harp-laden puppy love vibe spreads from the sweet and mellow sound of 2019’s ‘Home Cooking’, an album described as ‘boundary-breaking’ by Mojo upon slotting nicely into the UK’s blooming jazz canon. Think deliciously harmonised doo-wop murmuring ‘Goodnight Sweetheart’ with an eye for dreamboats en route to Makeout Point – on ‘My Energy’, Eva Lazarus takes the form of an earth angel, with Yoda on jukebox cut-ups, taking it back to starry-eyed, clean cut days of wonder (or more recently, Little Mix’s ‘Love Me Like You’).

Beginning enigmatically with the assistance of Hollywood A-lister (and former next-door neighbour) Lily James, ‘Breathe’ demonstrate Yoda’s continued evolution as a musician (not to mention shrewd decision maker), with James’ vocal confidence - a little Lana del Rey to her breathiness - returning on the velvet-smooth ‘Airplane Mode’. It’s a smartly executed soundclash accentuated by LA rapper Choosey, the star of the album’s straightest hip-hop shooter ‘Harder I Rock’. Homeboy Sandman adds some kick to the prom punch with typical wordplay sent down ‘Coconut Grove’, and Liam Bailey is perfectly cast for the darkly cinematic sway of ‘Don’t Even Try It’.

On an album of many talking points, the LP’s crowning glory is opening single ‘Feel Like Home’: featuring the vocal comforts of the House Gospel Choir, it’s your go–to pick-me-up when the chips are down, targeting the hairs on the backs of necks like a softer focus version of Jamie xx’s ‘Loud Places’. Extended into an alternative, equally uplifting form by Beardyman’s ‘Don’t Mean Thing’, summer festival season already has its homecoming anthem.

With tongues wagging, the twists and turns step away from Heartbreak Ridge when O Love tucks into the mouthwatering shopping list funk of ‘Way Home’; and ‘Lesson 1956’, featuring Jamie Cullum and DJ Woody, jauntily pays homage to classic Cut Chemist alchemy, Yoda’s celebrated turntable tomfoolery back in full effect and extending the flavours found in ‘Home Cooking’.

Again maximising the experience and enjoyment gained from recording live instruments and prioritising songs over beats, Yoda continues to progress with a mixture of risk-taking, elite musicianship, nostalgia brought bang up to date, and ultimately, good clean fun capable of stirring your soul, making ‘Prom Nite’ a date to remember.

Magpie artwork supplied by London’s ENDLESS, whose signature style has tagged Liberty and Lagerfeld as but two high profile clients, Yoda again maximises the experience and enjoyment gained from recording live instruments and prioritising songs over beats. His continued progress mixes risk-taking, elite musicianship, nostalgia brought bang up to date, and ultimately, good clean fun capable of stirring your soul, making ‘Prom Nite’ a date to remember.

Featured 7” Vinyl singles:
Feel Like Home (feat. The House Gospel Choir)/ Don’t Mean A Thing (feat. Beardyman)
My Energy (feat. Eva Lazarus)/Lesson 1956 (feat. Jamie Cullum & DJ Woody)

Her Shadow offers dreamy pop music with moonlight melodies, heavenly hooks and Lynchian twists. The ethereal soundscapes come to life in a dream noir universe oozing with catchy choruses, Morricone motifs and vintage sounds interweave with state of the art production. The birth of Her Shadow was inevitable. Old friends, guitarist-songwriter Tomi Henttunen (Royal Lips) and keyboardist-lyricist (Kuolemanlaakso) had a versatile but very different background in making music but a shared obsession with Twin Peaks and Lana Del Rey. The original idea in 2016 was to combine the best of both worlds, and spice up the mix with film noir and dream-like elements – to make music that they love, but had never done before. They recruited the enigmatic singer Anna Carolina (Royal Lips), drummer extraordinaire Toni Ronkainen (Kuolemanlaakso) and producer-engineer Jaani Peuhu (Swallow the Sun, Lord of the Lost etc.), and recorded a four-song demo. They instantly got signed to Svart Records, and started working on their debut album. After five long years of hard work, it is finally ready to be released upon the world. As they say, good things come to those who wait: The Ghost Love Chronicles will be released on November 11, 2022. The album was produced by musical and visual mastermind Henttunen, mixed by Sampsa Väätäinen (Ismo Alanko, Neøv etc.) and mastered by Jaime Gomez Arellano (Ghost, Paradise Lost, Opeth etc.). The songs range from the mellow Motown mood of Fifth Season to the modern pop banger Kinda Love You, from the Morricone-inspired Vigilante to the nightmarish haunted house thriller What Hides in the Dark and from eerie playfulness of White Lane to ghoulishly beautiful Devil Inside. It remains to see, if The Ghost Love Chronicles will grow into a hit album or a cult classic, but it sure has the potential for both. Slip into something comfortable, open the doors of your perception and enter realm of Her Shadow. HER SHADOW Anna Carolina – lead vocals Tomi Henttunen – guitar, bass, keyboards Markus Laakso – keyboards, backing vocals Toni Ronkainen – drums and percussion Harri Hyvönen – live bass Otto Daavitsainen – live guitar

Her Shadow offers dreamy pop music with moonlight melodies, heavenly hooks and Lynchian twists. The ethereal soundscapes come to life in a dream noir universe oozing with catchy choruses, Morricone motifs and vintage sounds interweave with state of the art production. The birth of Her Shadow was inevitable. Old friends, guitarist-songwriter Tomi Henttunen (Royal Lips) and keyboardist-lyricist (Kuolemanlaakso) had a versatile but very different background in making music but a shared obsession with Twin Peaks and Lana Del Rey. The original idea in 2016 was to combine the best of both worlds, and spice up the mix with film noir and dream-like elements – to make music that they love, but had never done before. They recruited the enigmatic singer Anna Carolina (Royal Lips), drummer extraordinaire Toni Ronkainen (Kuolemanlaakso) and producer-engineer Jaani Peuhu (Swallow the Sun, Lord of the Lost etc.), and recorded a four-song demo. They instantly got signed to Svart Records, and started working on their debut album. After five long years of hard work, it is finally ready to be released upon the world. As they say, good things come to those who wait: The Ghost Love Chronicles will be released on November 11, 2022. The album was produced by musical and visual mastermind Henttunen, mixed by Sampsa Väätäinen (Ismo Alanko, Neøv etc.) and mastered by Jaime Gomez Arellano (Ghost, Paradise Lost, Opeth etc.). The songs range from the mellow Motown mood of Fifth Season to the modern pop banger Kinda Love You, from the Morricone-inspired Vigilante to the nightmarish haunted house thriller What Hides in the Dark and from eerie playfulness of White Lane to ghoulishly beautiful Devil Inside. It remains to see, if The Ghost Love Chronicles will grow into a hit album or a cult classic, but it sure has the potential for both. Slip into something comfortable, open the doors of your perception and enter realm of Her Shadow. HER SHADOW Anna Carolina – lead vocals Tomi Henttunen – guitar, bass, keyboards Markus Laakso – keyboards, backing vocals Toni Ronkainen – drums and percussion Harri Hyvönen – live bass Otto Daavitsainen – live guitar

Singer/songwriter, violinist, and producer hunter Maya Killtron releases her sophomore album, Persimmon. A mix of modern boogie, funk, string quartet and yacht rock, the record is a definitive coming–of-a-certain-age for the Toronto native. The eclectic feel-good record came as a result of our collective pandemic upheaval. Tracks “Out Of My Life” and “Do It Again” that were created alongside producer HiFiLo, highlight the frustration with the status quo and a need to break the mold. Killtron keeps to her modern boogie roots with “Night Moves”—a glossy roller-worthy track made with long time collaborator Gil Masuda of Toronto’s Love Touch Records. She simultaneously evolves and returns to her roots as a classically trained violinist and arranger in her self produced track, Persimmon, which features her string quartet, Bowed Arts. Rounding out the record is “Guaranteed,” a co-produced track with UK’s Format-440 and also her tribute to “Reading Rainbow” through the lens of Ryan Farley’s Phil Collins-esque production in Del Rey. With Persimmon, Maya is solidifying her place as an established voice in modern boogie while breaking into new mainstream markets worldwide.

Damian Schwartz makes a welcome return to Pulp for his third full-length album, La Sal De Tu Especie. The 11 track record was written over the last three years as a way of coping with some tough experiences and features remixes
from K15 and Gifted & Blessed. It once again finds the Madrid producer serving up the sort of richly musical house that has always stood him apart.

Schwartz has been away for a while but emerged in the early 2000s with an artful take on house music. As a student of jazz, composition and bass, his intricate grooves have always been embellished with real melodic craftsmanship. In the past, they have come on this label, Esperanza and A Harmless Deed which he co-runs with Jose Cabrera. He has put out two albums before now and also works under the Epiphany alias as a producer and live act. He is a real master of his analog machinery and someone who never fails to bring fresh ideas. This superbly adventurous and widescreen new album proves that once again and shows off diverse influences such as 90s broken beat by acts like Hanna and 4 Hero, the early IDM of LFO and Aphex Twin and the Detroit house and electro styles of greats such as Juan Atkins, Teknotika, Marcellus Pittman and Kyle Hall.

It kicks off with Renacido which is a cinematic synth opener that places you into orbit. La Elipa is expansive and jazzy house with cosmic chord work over the tight, punchy kicks and Lopp then gets physical with broken beat drums and funky bass dancing around each other to uplifting effect. The superb Zwei Danke is another masterclass in off-grid beat programming and soulful machine sounds that captures the essence of early Detroit house.

It is remixed by K15, a vital London beatmaker with credits on labels like Eglo and Wild Oats. His version showcases rugged, lo-fi and dusty drums softened by heart-melting chords and angelic vocal coos.

Schwartz's 'Morro Da Urca' is a suspensory ambient interlude that makes way for the crisp electro-funk and starry-eyed pads of 'Rufo,' then 'Meco' cuts loose
with boogie bass and glistening drums and perc that voyage through a whole eco-system of bright, nebulous synths. 'Mika' is another out of this world house composition with majestic leads and pixelated pads that bring warmth and future soul. There is real electricity in the freeform keys and corrugated drums of Coney Island that will ensure any dance floor takes off.

Final remixer Gabriel Reyes-Whittaker aka GB (Gifted & Blessed) is a composer and sound artist whose music is a constant exploration of the bridge between the technological and the ancestral. He flips 'Loop' into an Afro-future jazz dance with infectious percussion and expressive chords that never rest.

La Sal De Tu Especie is a timeless fusion of jazz freedom and house grooves that takes you into a magical new dimension.

Initial copies / pressing on limited-edition coloured LP edition on blue transparent vinyl. The Milk Teeth mini album compiles singer-songwriter Suki Waterhouse's various non-album singles onto a physical release for the first time. It includes the song "Good Looking," which, in mid-2022, exploded on Tik Tok and hit #1 on the global viral chart. Suki Waterhouse catalogues the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as an actress and model, but you'll really get to know the multi-faceted artist through her music. Growing up in London, Suki gravitated towards music's magnetic pull. She listened to the likes of Alanis Morissette and caught Missy Elliott live as her first concert. Meanwhile, Oasis held a particularly special place in her heart. She initially teased out this facet of her creativity with a series of singles, generating nearly 20 million total streams independently. Nylon hailed her debut "Brutally" as "what a Lana Del Rey deep cut mixed with Joni Mitchell's 'Both Sides, Now' would sound like." In addition to raves from Garage by Vice and Lemonade Magazine, DUJOR put it best, "Suki Waterhouse's music has swagger." Constantly consuming artists of all stripes, she listened to the likes of Sharon Van Etten, Valerie June, Garbage, Frazey Ford, Lou Doillon, and Lucinda Williams. In late 2020, she finally dove into making what would become her full-length debut album, I Can't Let Go Sub Pop Records with producer Brad Cook [Snail Mail, Waxahatchee]. Now, she introduces this chapter with "Moves" and "My Mind." Her first album for Sub Pop, I Can't Let Go, produced by Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee) and released in May of 2022, is a testament to her powers as a singer and songwriter. The Milk Teeth mini album rightly shines a spotlight on her pre-album material, giving these six songs their first physical release.

Jordan Reyes is one of the busiest musicians in experimental music
today, and here he takes a bold turn with the metal-inflected Everything Is
Always, touching on death, Zen and science fiction
Reyes' previous collaborators include ONO, Eli Winter and Robert Stokowy, and
here he brings in a large and expert cast: Steve Hauschildt (Emeralds) at the
mixing board, and Heba Kadry (Slowdive, Big Thief, Alex G, Lower Dens)
mastering, plus instrumentalists including Lia Kohl (Whitney, Steve Gunn), Jon
Mueller (Volcano Choir, Death Blues), Patrick Shiroishi and Sam Wagster (Fruit
Bats, Eli Winter). The result is conceptual yet refined, and distinctively American
Dreams. Pressed on Randomly Colored color vinyl.

Jordan Reyes is one of the busiest musicians in experimental music
today, and here he takes a bold turn with the metal-inflected Everything Is
Always, touching on death, Zen and science fiction
Reyes' previous collaborators include ONO, Eli Winter and Robert Stokowy, and
here he brings in a large and expert cast: Steve Hauschildt (Emeralds) at the
mixing board, and Heba Kadry (Slowdive, Big Thief, Alex G, Lower Dens)
mastering, plus instrumentalists including Lia Kohl (Whitney, Steve Gunn), Jon
Mueller (Volcano Choir, Death Blues), Patrick Shiroishi and Sam Wagster (Fruit
Bats, Eli Winter). The result is conceptual yet refined, and distinctively American
Dreams. Pressed on Randomly Colored color vinyl.

The Decades Collected compilations are part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest names of each decade, combined with forgotten hits and less discovered gems, giving the listener an experience of listening to their favorite tunes while uncovering new musical grounds at the same time.

Various Artists - Tens Collected features Sam Smith “Stay With Me”, Lorde “Royals”, The Weeknd “Starboy”, Dua Lipa “Be The One”, Niall Horan “Slow Hands” and Ellie Goulding “Love Me Like You Do” amongst others.

On his debut album producer and Squama co-founder Martin Brugger hovers through Ambient, (upbeat) Downbeat and unfulfilled build-ups.
Conceptualized as a blank soundtrack, the music was sent to fellow artists who shared their visual and verbal associations which became the source for the artwork and tracktitles, effectively making the album a collective effort.
Evident in all of his recent projects is Brugger's passion for working and thriving within closely set limits.
The only audio sources in the process of making the album were his record player and a Dave Smith Prophet 08 synthesizer. In an antithesis to most sample-based music, Brugger takes the more ephemeral moments of recorded music and uses pitching tools as a magnifying glass to dive deeper into the sound and bare layers that normally remain unheard.

Alice Boman’s second album, available on CD housed in
digisleeve and booklet, and translucent coloured vinyl
housed in single sleeve with printed inners.
 Imbued with an enveloping warmth which radiates from
Boman’s gossamer-light vocals, ‘The Space Between’
ruminates on intimacy and existential angst, her quiet
contemplations cocooned in sympathetic arrangements
created in collaboration with producer Patrik Berger
(Robyn, Lana Del Rey).
 For ‘Feels Like A Dream’, additional vocals were provided
by Perfume Genius, a collaboration that came about via
Instagram and was recorded at a distance.
 “I have been a fan of his for a long time,” Boman explains.
“I love his voice - it’s so special. Initially I wanted us to
harmonise with each other but I love how the song turned
out, with us each having our separate verses, and singing
together at the end.”
 With vocals left largely unadorned throughout, the focus
falls squarely on Boman’s lyrics, which were written from
the deeply personal perspective of someone settled within
a relationship, and learning to be vulnerable with their
partner.
 The album is very much a journey, charting Boman’s
progress from fear (‘Honey’, ‘Maybe’) to the ‘place of
tenderness’ she ultimately arrives at on ‘Space’, the
album’s exquisite closing track. It’s a journey she hopes
listeners will share in, finding comfort in community.
Because, as Boman knows all too well, when life gets too
much, there’s always music.
 For fans of Aldous Harding, Angel Olsen, Sufjan Stevens.

Kehlani is set to release the vinyl product of her latest album ‘blue water road’ on 14th October, which is available to pre-order now. “blue water road is a destination in my mind,” Kehlani explains. “I’m giving everyone access. It’s an emotional journey, a sexual journey, and a spiritual journey.

To me, the album is like a glass house. It's light, transparent, and the sun is shining right through it.” The album includes features from the likes of Justin Bieber, Ambre, thundercat. Kehlani has sold over 90K albums in the UK to date.

The third volume of our "Cumbia Beat" series includes again tracks by the some of the most important bands of the golden age of Peruvian cumbia: Los Diablos Rojos, Los Beta 5, Los Girasoles, Los Ecos, Los Demonios del Mantaro, Los Sander's de Ñaña…
Peruvian cumbia brings together tropical music styles from Colombia and Cuba, Western influences such as 60s beat and psychedelic rock, and mixes them with indigenous melodies from the Amazonian jungle and traditional Andean songs. The result is a unique and vibrant style of music which reverberates with life.

2x LTD CLEAR VINYL
Limitiertes, durchsichtiges Doppelvinyl inklusive Downloadcode!

Grammygewinner RAC veröffentlicht sein lang erwartetes neues Album auf Counter Records!

Aufgenommen in Anjos' Heimstudio in Portland und bei Sessions in L.A., finden sich auf RAC's neuem Album Kollaborationen mit u.a. Rivers Cuomo von Weezer, Vampire Weekends Rostam, MNDR, ST. Lucia, KNA und Joywave. - EGO ist Anjos ambitioniertestes, geschlossenstes und persönlichstes Werk und zeigt deutlich seine organische Weiterentwicklung als Künstler auf. Geboren und aufgewachsen in Portugal, lernte Anjos in seiner Jugend Klavier und Gitarre und spielte in lokalen Bands. Später zog er in die USA, um Musikbusiness am Greenville College in Illinois zu studieren, bevor er sich in Portland, Oregon, niederließ. Anjos gründete RAC im Schlafzimmer seines Studentenwohnheims und gewann fortan ein stetig wachsendes Publikum für sich, wodurch offizielle Remix-Aufträge für u.a. Lana del Rey, Yeah Yeah Yeahs, Ellie Goulding, Foster The People, Phoenix, Imagine Dragons, Two Door Cinema Club und The Shins enstanden. Seine erste Grammy-Nominierung erhielt Anjos schon 2016 für seinen Remix von ODESZAs - Say My Name und bei den diesjährigen Verleihungen gewann er mit seinem Remix für Bob Moses' - Tearing Me Up .

Mit seinem ersten Song, - Hollywood , begann RAC 2012 eigenes Material zu veröffentlichen und unterstrich mit seinem Debütalbum - Strangers von 2014 seinen Qualitäten als Songwriter. Darauf enthalten waren die Singles - Let Go mit Kele von Bloc Party und MNDR sowie - Cheap Sunglasses mit Matthew Koma. Außerdem absolvierte er bereits gefeierte Auftritte auf den weltbekannten Festivals Coachella, Electric Zoo und Lollapalooza.

FIRST PRESSING ON WHITE VINYL*Regenerator is the fifth full-length from the Rochester, New York-based trio King Buffalo.

Written and recorded by the band with mixing and engineering by guitarist/vocalist Sean McVay and mastering by Bernie Matthews, the seven-song outing is the third in King Buffalo’s stated ‘pandemic trilogy,’ following 2021’s The Burden of Restlessness and
Acheron.

Both of those albums – like 2018’s Longing to Be the Mountain, 2016’s
debut, Orion, and the various EPs and other offerings they’ve made over the last eight years – made bold declarations about who King Buffalo are as a band, and Regenerator is no different. As McVay, bassist/synthesist Dan Reynolds and drummer Scott Donaldson continue to explore the outer reaches of modern psychedelic
music, melding progressive rhythms, drifting atmospheres and
accompanying surges of electricity, this new collection only further establishes them as one of the brightest lights shining in underground rock today.
As the third of three, Regenerator inherently ties together the previous two LPs, and as the band unfold the leadoff title-track across nine and halfminutes, it becomes clear just how truly they have marked out their own sonic presence.

The later melodic highlight “Mammoth” – with McVay’s most confident vocal performance yet – shimmers with hope that somehow doesn’t come across as desperate; on “Hours”, the group engages classic space rock, and the closing “Firmament” acts as a summary
for all three albums, marking the final installment of this trilogy as the
essential cornerstone of King Buffalo's work to date.

Regenerator is available on 180.gr white vinyl (including download) and CD.

With their ability to move seamlessly from the triangle to the donkey jaw, cymbals to Chinese gong, vibraphone to wind machine, percussionists are undoubtedly the most atypical members of the classical orchestra. Paul Changarnier, Nicolas Cousin and Alexandre Esperet are a case in point. Having set their sights on the marimba - Latin American xylophone, cousin of the African balafon - they decided to use it as the main vehicle for their artistic dreams. With the label No Format, they embarked on a project which would see them taking on pop hits of the kind that are produced in mega studios on the other side of the Atlantic and dazzle with a thousand lights and special effects. But they wanted to do it without leaving France or their beloved instruments. They wanted to make pop without machines, guitars, bass or synths. They ended up finding a hitherto unknown instrumental formula that belongs to them and them only, one conceived as the perfect fit for the voices from the well-known French artists that were called upon to interpret the songs. Camille, with her extraordinary energy, makes Rihanna"s "Don"t Stop the Music" waltz in a new organic mode; Blick Bassy redecorates Ariana Grande"s "One Last Time" in the colours of Bassa; Malik Djoudi envelopes Frank Ocean"s "Super Rich Kids" with a subtle ethereal texture; Camélia Jordana made her mark on this bonanza of reinvention by slowing down the tempo of "Dance Monkey"; The voice of Sandra Nkaké, imbued Lana del Rey"s "Video Games" with a solemn and sublime mystery. Like an old love that"s rediscovered with new eyes, an air that comes back from far away but could have been born today, somehow familiar but never seen before. Déjà vu but never heard until now. Déjà Vu: the name of this magnificent, unprecedented experience, this unidentifiable flying platter.

Repressed , please note price increase, all orders have been cancelled, please re-order! Pre-Revolution Psychedelic Rock from Iran: 1972 - 1979

Now-Again Records is proud to present Back from the Brink, the only legitimately licensed collection of the godfather of Iranian psychedelic rock, Kourosh Yaghmaei. Known within the Iranian diaspora simply by his first name, Kourosh’s Pre-Revolution recordings were thought lost after Islamic fundamentalists took control of Iran. They weren’t: Kourosh had protected them – along with key ephemera from the 70’s. Their collection here - spread over two CDs, a 3-LP and a 4x7” box set - bolstered by Kourosh’s first person recollections of Iran’s 70s rock scene and its death after the Revolution, tells the story of an immensely talented artist’s desire to persevere in the face of terrible adversity.
Kourosh Yaghmaei and his brothers Kamran and Kambiz were amongst the few inspired Iranian musicians determined to change Tehran’s musical landscape in the late 60’s and early 70’s. The trio, armed with rented, second-hand instruments and records by The Ventures, The Kinks, The Doors, merged Western garage rock, psychedelia and Iranian folkloric music to create a sound unlike anything that came before them. Later, inspired by the unlikely duo of Elton John and James Taylor, Kourosh’s music took a sophisticated turn, and he churned out funky, progressive rock that is as imminently enjoyable as it is impossible to categorize.
His star on the rise was knocked off course by the Revolution, and its backdrop of Islamic fundamentalists burning record companies and harassing musicians. But while most Pre-Revolution musicians – including his brothers – fled Iran in 1979, Kourosh stayed, loyal to the country of his birth. He has suffered a performance and recording ban for twenty-two out of the last thirty-two years. Yet he remains stoic and resolved to continue bolstering Iranian musical tradition.
Kourosh still lives in Tehran and is pleased that his story – and his glorious 70s recordings – will finally spread the world over.

Für eine Band, die mehr als ein Jahrzehnt damit verbracht hat, den modernen Metal neu zu definieren, scheint für While She Sleeps das Beste noch bevorzustehen, denn 2022 werden sie auf einigen der größten Sommerfestivals der Welt spielen, in den USA und Australien unterwegs sein und im Herbst eine große

Europatournee mit Parkway Drive absolvieren. Mit ’SLEEPS SOCIETY (SPECIAL EDITION)’ erweitert die Band das erfolgreiche Sleeps Society-Album um drei neue Tracks sowie eine akustische Neubearbeitung von ’YOU ARE ALL YOU NEED’ und ’SYSTEMATIC’ mit Gastgesang von Rou Reynolds von Enter Shikari. Und die Tracks sind nicht einfach nur ”Add-Ons” - sie sind komplett in das Tracklisting des Albums integriert - was ein völlig neues Hörerlebnis
für die Fans schafft!

Für eine Band, die mehr als ein Jahrzehnt damit verbracht hat, den modernen Metal neu zu definieren, scheint für While She Sleeps das Beste noch bevorzustehen, denn 2022 werden sie auf einigen der größten Sommerfestivals der Welt spielen, in den USA und Australien unterwegs sein und im Herbst eine große

Europatournee mit Parkway Drive absolvieren. Mit ’SLEEPS SOCIETY (SPECIAL EDITION)’ erweitert die Band das erfolgreiche Sleeps Society-Album um drei neue Tracks sowie eine akustische Neubearbeitung von ’YOU ARE ALL YOU NEED’ und ’SYSTEMATIC’ mit Gastgesang von Rou Reynolds von Enter Shikari. Und die Tracks sind nicht einfach nur ”Add-Ons” - sie sind komplett in das Tracklisting des Albums integriert - was ein völlig neues Hörerlebnis
für die Fans schafft!

Black 2LP

Some bands play it safe when it comes to taking their next steps. But then, While She Sleeps have never been “some band”. The Sheffield quintet have made a career out of confounding expectations, be it through their dizzying blend of crushing metal, guttural hardcore and arena-worthy hooks, or the way they’ve carried themselves over an explosive, 15-year career'‘SLEEPS SOCIETY (Special Edition)’ sees the band expand the Sleeps Society album with 3 new tracks as well as one acoustic reworking of ‘YOU ARE ALL YOU NEED’ and ‘SYSTEMATIC’ getting guest vocals from Rou Reynolds of Enter Shikari. The original album recorded with producer Carl Bown, ‘SLEEPS SOCIETY’ promises to be another defiant step forwards, The album also sees some unexpected guests including Simon Neil from Biffy Clyro and Deryck Whibley from Sum 41!

LTD Black Marble 2LP

Some bands play it safe when it comes to taking their next steps. But then, While She Sleeps have never been “some band”. The Sheffield quintet have made a career out of confounding expectations, be it through their dizzying blend of crushing metal, guttural hardcore and arena-worthy hooks, or the way they’ve carried themselves over an explosive, 15-year career'‘SLEEPS SOCIETY (Special Edition)’ sees the band expand the Sleeps Society album with 3 new tracks as well as one acoustic reworking of ‘YOU ARE ALL YOU NEED’ and ‘SYSTEMATIC’ getting guest vocals from Rou Reynolds of Enter Shikari. The original album recorded with producer Carl Bown, ‘SLEEPS SOCIETY’ promises to be another defiant step forwards, The album also sees some unexpected guests including Simon Neil from Biffy Clyro and Deryck Whibley from Sum 41!

LTD Pink Edge Glow 2LP
Some bands play it safe when it comes to taking their next steps. But then, While She Sleeps have never been “some band”. The Sheffield quintet have made a career out of confounding expectations, be it through their dizzying blend of crushing metal, guttural hardcore and arena-worthy hooks, or the way they’ve carried themselves over an explosive, 15-year career'‘SLEEPS SOCIETY (Special Edition)’ sees the band expand the Sleeps Society album with 3 new tracks as well as one acoustic reworking of ‘YOU ARE ALL YOU NEED’ and ‘SYSTEMATIC’ getting guest vocals from Rou Reynolds of Enter Shikari. The original album recorded with producer Carl Bown, ‘SLEEPS SOCIETY’ promises to be another defiant step forwards, The album also sees some unexpected guests including Simon Neil from Biffy Clyro and Deryck Whibley from Sum 41!

2LP Gatefold (featuring liner notes). Limited Edition. Artwork by Meeuw.

A collection of personal recordings made on various synthesisers between 1989 and 2017, by Telesoniek Atelier. Huge Tip on this one!

Early feedback:

"Fascinating improvs. I loved 'Gruesse'. " Suzanne Ciani (Atmospheric)

"Beautiful music with real subtlety and depth” Anthony Child (Surgeon, Transcendence Orchestra)

"Lovely, pure synth music." Mark Pritchard (Warp Records)

"Chateuroux is mighty... A proper zoner. Flung on earth." John T. Gast

"This is a great release by Telesoniek Atelier - a musician unknown to me before now. I've been thoroughly enjoying playing this double vinyl release since i got it. Both discs are filled with amazing music that moves between abstract electronic experiments to melodic, DMT bent sounding, classical contemporary music and futuristic soundtracks from non-existing Sci Fi movies you'll wish you could see. It time-warps you from here to there then freezes the moment. It all sounds like its been taken straight from the ancient room .. you know, that one where the spirits of the great teachers live. This is very focused, unpretentious and highly emotive music . A wonderful and dreamy sound garden coming from what I imagine to be a beautiful mind . These discs will be camping out on my turntables for a while."
Tako Reyenga (Music From Memory)

"A deep sense of the symphonic permeates this record. While synthesizers form the basis of its sound, Hans Kulk shapes their timbre into uncanny acoustics and weaves them together like an orchestra. Just when you think you have understood what is happening, another layer reveals itself. Yet it keeps a floating sense of lightness throughout. A truly rewarding listening experience."
Hainbach

After 20 years of a restful sleep, the legendary Icelandic house label has been resurrected. Three deep cuts exhibiting what is in store for the year 2022.

It begins with "Can Ride", a neo-disco anthem from former resident Justin Simmons. Nifty groove with an acid-bassline - topped with all the razzle and dazzle that is needed to get the dancefloor moving.

The flipside starts with a proper minimal percussion-driven groove from Kate & Joan, a side-project of Dole & Kom from the renowned label BCC music. The Detroit-influenced dub house anthem will, without a doubt, be a useful tool for any DJs to get the crowd going.

The second cut on the B-side is from a Reykjavik-based beatmakers Oh Mama. Its wild style sample-based approach caught the label's attention and the result is a worthy debut vinyl release. Hypnotic, sexy and groovy - with a big and dirty bassline.

DJ Feedback

Raresh:
"Super thanks for this! Will play again the Kate & Joan track, so nice to hear it remastered! Much love from Bucharest."

Roger Gerressen:
"Great quality as always :) thanks for sharing."

Andrei Tripmastaz:
"The tribe is my fave"

Rick Hopkins:
"Once again thank you for the promo. Love it. All 3 cuts essential for any discerning lover of sounds from the deep!"

Andy Green:
"Thanks for sharing - this is a sweet versatile VA EP. The Kate & Joan track chugs sweetly along underneath the skippy percussion. Good tool to bridge house and techno vibes. I'm especially fond of the Laugardalur track Oh Mama with its wobbly, slightly sinister bassline that still works at both ends of the pitch fader."

Ben Btndk:
"Oh yes!! That B1 has been on my wish-list for ages!!"

Dotan Bibi:
"Really good house vibes over here! My favorite is the A2 thanks a lot for sending."

Die mit Spannung herbeigesehnte 2. Staffel der Gen-Z Dramaserie „Euphoria“ kehrt zurück. Dabei wurde nicht nur auf weitere Abenteuer der ProtagonistInnen Rue und Jules gewartet, sondern auch auf neue Songs. Bereits der Soundtrack der ersten Staffel wurde mit einem EMMY ausgezeichnet und beweist, wie akkurat der Soundtrack die Emotionalität der Serie verkörpert. Insgesamt 15 Songs finden sich auf dem Soundtrack der 2. Staffel. Darunter 2 Songs, bei denen Schauspielerin Zendaya selbst als InterpetIn auftritt, sowie die
Single-Auskopplungen der KünstlerInnen Tove Lo „How Long“ und Lana Del Rey „Watercolor Eyes“. Der Soundtrack ist sowohl auf CD, wie auch als farbige (Translucent Orange) Vinyl erhältlich.

Belgian instrumentalists Glass Museum have found the perfect balance between piano and drums, where jazz and electronics collide, uniting the surgical precision of the best contemporary jazz, à la Gogo Penguin and Badbadnotgood, with the electronic influences of Jon Hopkins or Floating Points.

In motion since 2016, the duo consisting of keyboardist Antoine Flipo and drummer Martin Grégoire, have a rich history written around a powerful connection to duality. From the initial impact of the 'Deux' EP in 2018, to the synthetic and organic textures of the critically acclaimed 2020 album 'Reykjavik', Glass Museum has found its balance in symmetry.

Released 29th April via the groove-obsessed Sdban Ultra label, 'Reflet' was born out of a desire for freedom, a wish to innovate and travel differently. This new piece stands out as an artistic climax crafted at the crossroads of time and genres, an electronic proposition wrought by two brave hearts, tempered by the organic reflections delivered through computer free melodies. An album which places the human at the core of its compositions and in order to return to a more instinctive and instantaneous means of creation, the duo retreated to a secret location in one of the most remote parts of the Ardennes. It's there, in the shade of spruces, that the album was first born.

Extremely cinematographic, 'Reflet' delivers a panoramic view point: jazz, breakbeat, minimal techno and deep house, collide on neo classical grounds. From the dynamic instrumentation of album opener 'Caillebotis' to the absorbing oscillations of 'Shiitake' and grand gestures of the album title track, 'Reflet' is an odyssey running through troubled times, an ode to night time, to life, dreams and to all rhythms that convey emotions beyond words. Like its immersive creative process, the album offers a counterpoint and, above all, endless perspectives. Elsewhere, the pulsing, melodic 'Auburn' and entrancing electronic textures of 'Opal Sequences' continue the exploration before the strutting 'Kendama' showcases the electronic sensibilities that are buried within their productions.

Shining as a true instrumental tour de force, 'Reflet' also takes inspiration from the progress of the Ohme Collective. At the crossroads of art disciplines, science, new technologies and societal challenges, this creative community draws the future of visual arts and created the album artwork for this resolutely futuristic album.

Having initially won the opportunity to perform at the Dour Festival, Tournai back in 2016, Glass Museum have picked up a series of awards and distinctions back home in their homeland and they now find themselves dining at the top table of Europe's contemporary music scene. The international music scene opened itself to the band once again in 2019, with the duo performing at Elb Jazz in Hamburg, the legendary Ancienne Belgique in Brussels and the Iceland Airwaves Festival, Reykjavik.

In 2020, Glass Museum distinguished themselves by remixing a track for electronic artist, Rone. Having recently received a César Award for his soundtrack to the Jacques Audiard film, Les Olympiades, the French producer called on the Brussels duo's know-how - a mark of confidence which once again underlines the international reach of Glass Museum. Germany, Iceland, Turkey, Romania, Greece, France or Czech Republic have already approved Glass Museum's singular recipe.