On Wild Pink’s third album (and first for Royal Mountain
Records), ‘A Billion Little Lights’, John Ross explores the
dichotomy of finally achieving emotional security - of
accepting the love and peace he deprived himself of in his
twenties - while also feeling existentially smaller and more
directionless than ever before.
Produced by Grammy-winning producer David Greenbaum
(U2, Beck, Jenny Lewis), the album is a two-pronged
triumph: an extraordinary reflection on the human
condition presented through the sharpest, grandest and
most captivating songs Wild Pink have ever composed.
“A steady and unstoppable rush of grand melodies and
rippling synths” - The FADER
“The Brooklyn band... thrives on a combination of rock
extroversion and frontman John Ross’ hard-won and
tenuous new optimism” - Pitchfork (8.1)
“‘A Billion Little Lights’ is his most ambitious and overall
best work” - Uproxx
“Glimmers like the stars over a vast heartland expanse” -
Stereogum
“Soaring, atmospheric indie rock” - BrooklynVegan
“One of rock’s tiny masterpieces” - Billboard
“Whatever vaguely ‘80s heartland motorik + classic rock
quality has made The War on Drugs an amphitheater
band, Wild Pink has it, too.” - Paste
Online - Features in Pitchfork, NPR All Songs Considered,
Stereogum, The FADER, MTV, Billboard, Paste, Uproxx,
Consequence of Sound, The Line Of Best Fit, BrooklynVegan.
Search:rm 2
Wild Pink’s last album, 2018’s Yolk In The Fur, concluded with a song about the strange sense of relief that comes with “letting go of youth.” Frontman John Ross, then in his early thirties, was singing from a place of newfound comfort and wisdom, but it ended with a repetition of the line, “I don’t know what happens next.” The song, titled “All Some Frenchman’s Joke”, is a beautifully concise rendering of a universal milestone: leveling up from the wide-eyed naivety and self-destructive routines of our youth, only to realize that we’re as unprepared for the future as we were for the past. On Wild Pink’s third album and first for Royal Mountain Records, A Billion Little Lights, Ross explores that dichotomy of finally achieving emotional security—of accepting the love and peace he deprived himself of in his twenties—while also feeling existentially smaller and more directionless than ever before. The record is a two-pronged triumph: an extraordinary reflection on the human condition presented through the sharpest, grandest, and most captivating songs Wild Pink have ever composed. The band, which is rounded out by bassist T.C. Brownell and drummer Dan Keegan, formed in New York City in 2015 and put out a handful of EP’s before releasing their critically acclaimed self-titled debut in 2017. It was a sophisticated showing for a band’s first album, but it was the striking maturation of Yolk In The Fur that established Wild Pink’s unique sound: a glistening variety of pastoral indie-rock akin to The War On Drugs, Death Cab For Cutie, and Kurt Vile, but informed by classic American rock poets like Bruce Springsteen and Tom Petty.
Tribal Trueby / Truccy Trickserei. Pure Freude, pure Energie. Rainer Trueby und Corrado Bucci kommen gelenk und glücklich aus dem warmen tropischen Jungle. Der hat sie zu allerhand Musikfarben wie World Music, Afrodelic, Balearic und Latin angeregt, und indem sie noch ein clever gesetzten jazzigen Mittelteil einbauen, bekommt das Dickicht einen großartigen Kahlschlag mit Sonnenbeflutung.
„Für mich der beste typische Rainer Trueby seit den Trüby Trio Hits „Donaueschingen“ oder Galicia“ (Michael Reinboth)
Todsicherer Tanz. Mit Sahnehäubchen oben drauf vom Pariser, heute in Brighton lebendem Laroye, der einen pulsierenden perkussiven House Jam abliefert.
Rainer Trueby hatte gerade die wundervolle „Soulgliding“ für BBE kompiliert, und nun bereitet er sich und uns auf ein neues Kapitel (Vol. 6) seiner legendären „Glücklich“ Compilation vor, die im Sommer 2021 auf Compost rauskommt.
Tracklisting
Side A
“Kenyatta“ (Original Mix) (8:02)
Side B
“Kenyatta” (Laroye Afro Balearic Mix) (7:43)
0.9999...//READ THAT SEQUENCE LIKE A MANTRA After their successful collaboration on “<3”, AtomTM and X1N are back, this time presenting the 4 track EP “0.9”. It contains both the opening and closing tracks of “<3” as well as their corresponding mutations. While “0.9 (Almost a Unit)” was remixed by Esplendor Geométrico, “Almost a Unit (0.9)” got reworked by Peter van Hoesen. “Both renditions contribute amplified iterations of inherent attributes of <3” as X1N eloquently states. On a side note it may be mentioned that in mathematics, the expression “0.999..” is considered being identical to 1. Meditating over that very fact may tell you a lot about our current reality. #HardCodePop //////////////////////////////////////////////////////////////////// PROXIMITY IS DESTINY DREAMS AS SEARCH ENGINES X
Signed to Parisian label N F rmat! (home to Oumou Sangar , Blick Bassy & M lissa Laveaux), Soweto-based 4 piece band Urban Village present their debut album, ‘Udondolo’.
Marrying the day-to-day experiences of black South Africans with ebullient elements from traditional Zulu music, Urban Village is the alias of four experimental musicians all born & raised in the township of Soweto at the tail end of apartheid.
Urban Village release music under a name which specifically references the blend of cultures, music & rites which were assimilated into the now 1 million strong population of Soweto, when black South Africans from multiple provinces were brought to the area during the establishment of apartheid, under strict segregation from Johannesburg’s white suburbs.
Born for the most part in the last years of apartheid, whilst growing up the band plunged happily into house and dance music that turned the page of a heavy past. Guitarist Lerato came across older Zulu musicians and their style of maskandi playing. Lerato has since mixed styles from homelands and rural areas, sharpened in club jam sessions (where he went on to meet Tubatsi and form Urban Village) during which spoken word, hip-hop and jazz rub shoulders freely.
‘Udondolo’ - partially recorded at legendary Downtown Studios in the heart of Johannesburg and at Figure of 8 studios in the leafy suburbs of Randburg, - is a journey through all the colours of Soweto. This is where it draws its consistency, strength & identity. That of Soweto itself - a dormitory town designed to
monitor those who were sent there, it has become a laboratory of music where the hopes of an entire people resonate, even today.
- A1: Palia Itia (Old Willow Tree)
- A2: Echasa Ton Anthropo Mou (I Lost My Loved One)
- A3: Ta Goumara Ki Apidia (Berries And Pears)
- A4: I Efchi Tou Xenitemenou (Immigrant’s Wish)
- A5: Dirminitsa (The Bride’s Dance)
- B1: Miroloi Tis Xenitias (Lament For The Missing Ones)
- B2: Argyrokastritikos Choros Syngathistos (Argyrokast-Ron Dance)
- B3: Pitsirika Katergara (Femme Fatale)
- B4: Gi Ayta Ta Erima Lefta (For The Sake Of The Dam-Ned Money)
- B5: Delvino Kai Tsamouria (Delvino And Tsamouria)
(LP + 12 page booklet) This ancient psychedelic folk with jazzy improvisations from the North West of Greece is unique and will touch your soul so deeply that epirotika aficionados always remember the place and the moment when they got to know this hypnotic and mes-merising music. In a similar way to the music of Alice Coltrane or Mulatu Astatke, it can take you out of the here and now - the pure beauty of the magical epirotika sound can make your mind drift off to otherworldly places.
- A1: Vassilis Vassiliadis - Tsiftetelli 1969
- A2: Stelios Kazantzidis & Litsa Diamandi - Den Sou Eleipe Tipota (You Had It All) (You Had It All)
- A3: Stratos Dionisiou - Allaxe Koritsi Mou Myalo (Change Your Mind Girl!) (Change Your Mind Girl!)
- A4: Vassilis Vassiliadis/Dimitris Xanthakis & Litsa Diamandi - Nkount Bai (Goodbye) (Goodbye)
- A5: Michalis Menidiatis - Ena Tefariki
- B1: Panagiotis Michalopoulos - Anastenazo Kaigontai (I Sigh Everything Is Burning) (I Sigh Everything Is Burning)
- B2: Podromos Tsaousakis & Litsa Diamandi - Ti Thes Kai Pas Stis Magises (Why Do You Visit The Witches) (Why Do You Visit The Witches)
- B3: Katy Grey - Dos Mou Tin Kardia Mou Piso (Give Me Back My Heart) (Give Me Back My Heart)
- B4: Vangelis Perpiniadis & Ria Norma - Naxera Pios Pire Ti Chara Mou (I Wish I Knew Who Stole My Happiness) (I Wish I Knew Who Stole My Happiness)
- B5: Ria Norma & Vangelis Perpiniadis - Konta Mou Irthes Pali (You Have Returned To Me) (You Have Returned To Me)
- C1: Stratos Dionisiou - Tsiftetelli Pechnidiariko (Flirting Belly Dance) (Flirting Belly Dance)
- C2: Vangelis Perpiniadis - Ego Den Eimai San Tous Beatles (I'm Not Like The Beatles) (I'm Not Like The Beatles)
- C3: Vassilis Vassiliadis - Solo Tsiftetelli '72
- C4: Manos Papadakis/Babis Tsetinis & Litsa Diamandi - Mavros Kapnos (Black Smoke) (Black Smoke)
- C5: Charoula Lambraki & Vassilis Tsitsanis - Andra Mou Paraponiari (Man, You Grumble Too Much) (Man, You Grumble Too Much)
- D1: Panos Gavalas & Sofia Kollitiri - Tha Fygo Kai Tha Me Zitas (I Will Leave, & You Will Search For Me) (I Will Leave, & You Will Search For Me)
- D2: Sofia Kollitiri - Ego Pono Ki Esy Gelas (I Suffer While You're Having A Good Time) (I Suffer While You're Having A Good Time)
- D3: Charoula Lambraki & Theodoros Sinaidis - Kai Na Fygis Tha Gyrisis (You Will Come Back) (You Will Come Back)
- D4: Giota Lydia - Nacha Ekato Kardies (I Wish I Had Hundred Hearts) (I Wish I Had Hundred Hearts)
- D5: Stelios Kazantzidis & Litsa Diamandi - Efige Efige (She Left She Left) (She Left She Left)
Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the 60s and early 70s that sets every dance floor on fire!
These 20 carefully selected songs serve as an introduction to this mind-blowing music for the non-aficionado, as it is the first album of its kind to be released outside of Greece or the Greek migrant communities. The extended and illustrated liner notes take you back to the heyday of Greek pop music and put this cultural movement into an historical perspective.
- 01: Cuore Nero - Samurai
- 02: S.u.b.u.r.r.a. - Manfredi &Amp; Cinaglia
- 03: S.u.b.u.r.r.a. Theme Song
- 04: Fiore Dell&Apos;Infame - Angelica &Amp; Nadia
- 05: La Giostra - Anacleti&Apos;S Groove
- 06: É Ora Di Andare - Spadino
- 07: Scivola Via - Aureliano
- 08: Su Di Me - Cinaglia
- 09: É Ora Di Andare (F.f. Rmx)
- 10: Overture
Netflix's acclaimed series Suburra: Blood on Rome (available in over 190 countries) focuses on the deep connections between politics and organised crime in the Italian capital. The soundtrack to the third and final season was written, produced and performed by Roman rapper and songwriter PIOTTA, whose "7 Vizi Capitale" was already the theme song for seasons 1 and 2. His music beautifully complements the gripping plot and the characters' journey, capturing the atmosphere of a side of Rome unknown to many. The vinyl LP contains 10 previously unreleased tracks, including 2 instrumentals and a remix; the CD features 3 bonus tracks.
With 9 albums under his belt, Tommaso Zanello, also known as PIOTTA, is one of the pioneers of Italian hip hop. Active on the Roman rap scene since the mid-90s, he earned national fame with his award-winning single "Supercafone" (1998), which was later used by Sky Japan as a theme song for the Italian football championship. He can boast collaborations with hip hop legend Afrika Bambaataa and English musician Captain Sensible and has toured the United States with the Vans Warped Tour.
No FTR is the new work of Daniel Monaco released by Dutch label 339 Records in collaboration with Logical Records from Spain.
No FTR is short No Future: Daniel Monaco wants to represent a trip into an obscure place where time never existed.
No FTR is a maxi single Dark Italo concept including a remix from Slow Motion label boss Franz Scala pioneer of the new Italian Wave a true creator and Italo Master.
No FTR will be out on December the 20th 2020 in limited 12 inch vinyl edition
2022 Repress
Raster presents »Il Quadro di Troisi«, a project by Andrea Noce (Eva Geist) and Donato Scaramuzzi (Donato Dozzy). The record is a colorful ode of an Italian scented vision, overflowing of details and profound intensity. The contemporary world condition, the pandemic in Italy and around the world define »Il Quadro di Troisi« as a unique and right-on-time release.
This record is a enigmatic collaboration between the two Italian natives Andrea Noce and Donato Scaramuzzi. Andrea Noce takes lead on the vocals, with Donato Scaramuzzi carving the dreamlike soundscapes of the record. The record was born with a correspondence between the two artists about the late actor and director Massimo Troisi, and this exchange soon became an inspirational source of identification. Andrea Noce’s lyrics are sensitive and multi-faceted, they perfectly cling to the musical phrases and flow like a filmic monologue from the oeuvre of that very Troisi.
In a highly creative and confident manner, entire decades of national music history are comprehended and transformed into the here and now. The record takes its cue from the italo-disco, synth pop tradition corroborated by the contribution of artists such as the legendary Twilight Music co-founder, Paolo Micioni, as well as Stefano Di Trapani who wrote »L’ipotesi«. With »Il Quadro di Troisi«, Noce and Scaramuzzi prove their eclecticism, and passion for their home country.
»Il Quadro di Troisi« is a collaboration between Raster and the Milan-based festival Terraforma. With this release, the first with a purely Italian focus on the label, Raster celebrates its long standing relation with Italy and the Italian audience, encapsulated in the label's project ›Electric Campfire‹ held in Rome for ten years. Terraforma is an international experimental and sustainable music festival taking place since 2014 in the park of Villa Arconati, where Dozzy has been invited at every edition in different forms, DJing, live performing both in solo and with Voices from the Lake (together with Neel).
After our last release with Dub Keyboarder Ao Inoue from Dry&Heavy Tokio/Japan we now are super proud to announce;
Our next Ep coming up in November is done by TURMSPRINGER + 2 heavy weights Producers. QUENUM labelhead of Cadenza delivered an superb minimal 80´s sounding remix and we could convince no further then Neil Fraser aka MAD PROFESSOR to join the Mole Audio Project He´s done a few “versions” on his old smokey dusty console which will come out within the next few month , Keep your ears open for this !
Landscapes of dystopian worlds, both emotive and driving,
unveil new forms of life here as Nightdrive’s “Miracles” LP
travels through the far east regions of house and techno with
this 10-track release. As this marks “Rough Cuts 02” for Too
Rough 4 Radio, “Miracles” is as much a transcendent force
of ethereal tunes as it is effective for any dance§oor. What
you’ll uncover across this release from this St. Petersburg
based producer is a traversing blend through IDM, Deep
House, DnB, and Techno through the lens of lush,
atmospheric soundscapes




















