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Various - Golden Chart Hits Of The 60s & 70s Vol. 2

Mit „Golden Chart Hits Of The 60s & 70s Vol. 2“ erscheint eine sorgfältig zusammengestellte Vinyl-Compilation, die die größten Chart-Hits zweier legendärer Musikjahrzehnte vereint. Diese Schallplatte lässt den unverwechselbaren Sound der 60er und 70er Jahre wieder aufleben – voller Nostalgie, Lebensgefühl und zeitloser Melodien.

Die Auswahl reicht von mitreißendem Rock über eingängigen Pop bis hin zu unvergesslichen Evergreens. Mit legendären Künstlern wie Status Quo, Rainbow, Blondie, The Rubettes und Secret Service bietet diese Compilation eine abwechslungsreiche Mischung aus internationalen Klassikern, die Musikgeschichte geschrieben haben.

Das warme, authentische Klangbild der Vinyl-Pressung sorgt für ein besonderes Hörerlebnis und macht diese Zusammenstellung zu einem echten Highlight für Liebhaber analoger Musik

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18,28
The Gaslight - Hard Times Are Coming, Hard Times Are Her (7")

The earliest foundations of the Detroit Harmony group ‘The Gaslight’ came when future lead singer Oliver “Butch” Cheatham via an introduction by his sister Jackie joined a group known as ‘The Young Sirs’ who recorded, “There’s Something The Matter (With Your Heart/African Love” for Magic City during 1969. The group included Oliver’s future brother -in-law Allen Cocker (Jackie’s future husband).

Oliver and Allen went on to form a new vocal quartet with Curtis “Kippy” Anderson and Michael Eatmon. Under the group name of ‘The Gaslight’ they signed to Uptight Productions Incorporated, a local production company founded by local businessmen Marvin Figgins and Arnold Wright. The Gaslight were the only vocal harmony group signed to Uptight Productions and as such, it was they who made the most recordings across two label imprints Grand Junction and Black Rock. The Gaslight’s first single “I Can’t Tell A Lie/Here’s Missing You” was released on Grand Junction (GJ1001) in 1970, For the groups second single Figgin’s placed them under the guidance of legendary producer/songwriter, the late George McGregor under whom they recording “Drifting Away/If You See Her” Grand Junction (GJ1002) released in 1971 For their next release Figgin’s switched the group to his Black Rock label to record “Out Of My Hand/I’m Only A Man” Black Rock (2002) under the pseudonym of Butch & The Newport’s With “Butch” being Oliver’s nickname. A later, second release of “I’m Only A Man” but with a different flip side “I’m Gonna Get You” came out on Grand Junction (GJ1100) in 1973 with the performing artist credits reverting back to ‘The Gaslight’.

Upon leaving Uptight Production’s the group found a new home when George McCregor took them to a new fledgling label T.E.A.I (an abbreviation for “Tellin’ Everybody About It”) owned by ‘The Dramatics’ Road Manager Charles Underwood. ‘The Gaslight’s’ first and only release for T.E.A.I, was the mellifluous 1975 double sider “Just Because Of You/It’s Just Like Magic”. Underwood had precured a working relationship with Polydor Records who picked the release up for national distribution three months later. As good as the record was due to poor promotion it failed to make any notable noise and eventually sank with the group soon after breaking up.

During Soul Junction’s later dealings with the late Oliver Cheatham, respected UK Collector Andy Rix mentioned he owned a three track acetate containing the two mentioned T.E.A.I/Polydor tracks plus a third unissued dance track “Hard Times” which through a licensing deal with Charles Underwood Soul Junction now present to you on a three track 45, released under its full title “Hard Times Are Coming, Hard Times Are Here” backed with a previously unissued mix of “Just Because Of You” alongside the issued 45 version of “It’s Just Like Magic”.

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18,07
DOUG CARN - The Best Of Doug Carn (2x12")

This album brings together key tracks from Doug Carn recorded for Black Jazz Records in the 1970s.

Doug Carn is one of the most-important (and least-recognised) forces in the creation of the canon of 'deep and spiritual jazz music' - full of powerfully emotive intensity, consciously-uplifting lyricism and addictively beautiful melodies.

All of his LPs during this period have since achieved cult classic status including 'Infant Eyes', 'Adam's Apple', 'Spirit of the New Land' and 'Revelation'.

Aside from his songwriting and keyboard skills, many of the tracks here feature the stunning and powerful 5-octave range vocals of Jean Carn (later Carne), his wife at the time.

Musicians featured on this album include Alphonse Mouzon, Charles Tolliver, Henry Franklin, Michael Carvin, Walter Booker, Ronnie Laws and others. Aside from Carn’s compositions there are also striking interpretations of music by Lee Morgan, Miles Davis, John Coltrane, McCoy Tyner, Bobby Hutcherson and Wayne Shorter.

Black Jazz became one of the defining labels of independent and conscious jazz music in the 1970s alongside other important labels such as Strata-East and Tribe Records. As well as this Best of Doug Carn release, Soul Jazz Records are also releasing a Best of Black Jazz Records collection at the same time.

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28,99
MAREEN - Upside Down / Smooth Operater (7")

"AVEX REGGAE SYSTEM" is a series of gems of reggae covers of classic AOR and pop songs that were in heavy rotation on dance floors and FM radio from the late 70s to the early 90s. This is the fifth 7-inch single cut project from the series!

"Upside Down" is an 80's dance classic by Diana Ross, produced by Nile Rodgers and Bernard Edwards, who were flying by the seat of their pants at the time, and features Mareen's cute vocals and electric sitar tones, just like the original. The cover features Mareen's cute vocals, electric sitar and a bouncy shuffle beat." Smooth Operater" was released in 1984 and was one of Sade's early hits that made her a worldwide sensation, and it was a longtime seller in Japan at the time, playing in cafes and bars.

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27,52
LISA GRANT - Break out / Missing You (7")

"AVEX REGGAE SYSTEM" is a series of gems of reggae covers of classic AOR and pop songs that were in heavy rotation on dance floors and FM radio from the late 70s to the early 90s. This is the sixth 7-inch single cut from the series!

"Break Out" is a cover of Swing Out Sister's early hit number released in 1986, with its lively melody and positive vocals, and the steel drum sounds are arranged like a cool summer breeze running through the track. "Missing You" was written by Lionel Richie and sung by Diana Ross and released in 1984. The song is covered with a shuffle beat.

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27,52
Various - The Hidden Way Out EP

This journey officially debuts with a Various Artists EP that perfectly embodies our sonic research, transcending musical genres and form to focus on pure feeling and connect to a timeless energy.

Opening the EP is Dismal with Holocryptic Woods, a 'psychedelic jungle' progressing vortex that challenges perception. Following is Little Sea with Jaguaro, a journey that evokes the golden-age aesthetic of progressive trance, balancing hypnotic structures and organic references to nature.

On the B side, Rambal Cochet presents Unreal Engine, a dark ritual at 135 BPM where Memphis rap meets acid spirals and neon atmospheres. Closing the VA, Electrodynamique delivers Ezo, an immersive electro trance dedication to the magic festivals’ nights feelings, rounding out the mosaic of identities of this project.

Surrender to the flow.

Expédié27.04.2026

L'article est déjà en route pour nous et devrait être expédié de 27.04.2026.

12,19
SARaMAGO - The Blackbox EP

Broadcasting from the Portuguese interior, SARaMAGO returns to Carpet & Snares with four more cuts of deep and streamlined technoid house. ‘Flowing’ matches a jacking beat to addictive 90s organs and acidic accents, while the moody, metallic ‘Inner Peace’ evokes the classic UK techno of Stasis or Luke Slater. On the flip, the pulsing bassline and robot vocoders of ‘The Blackbox’ evoke Belgian body music, but housed in a contemporary groove. Saramago closes out the EP with the quirky electro-funk banger ‘Smile’, which is sure to raise exactly that on the dancefloor.

pré-commande28.04.2026

il devrait être publié sur 28.04.2026

14,71
Rotor Militia - Exit Human LP 2x12"

Diffuse Reality presents Rotor Militia - Exit Human A double LP on vinyl, also available in digital format. Eight tracks that will flood your heart, mind, and soul with emotion. Robust and powerful Techno built on off-beats, broken rhythms, and industrial sounds, layered with celestial textures and atmospheres. A constant interplay of immersive drums drives the energy throughout the record. Without a doubt, a very special vinyl, a timeless piece. Prepare yourself for a journey with no return!

pré-commande28.04.2026

il devrait être publié sur 28.04.2026

35,50
Various - Parallel Sequences

VA – Parallel Sequences continues MixCult Records’ tradition of curating forward-thinking soundscapes for refined dancefloors. This four-track compilation brings together the finely tuned craftsmanship of Kirill Matveev, Genning, Overt, and Dawn Gab — producers with surgical precision and a deep understanding of space, groove, and sonic narrative. Together, they present a multi-faceted EP rooted in dub techno and tech house, designed with intention and built to navigate a wide emotional range throughout the night.

A1. Kirill Matveev – Never Losing That Track (Overt Remix) is a masterclass in momentum. It rises patiently yet confidently — perfect for steering the atmosphere toward something uplifting, with each element unfolding with deliberate purpose.

A2. Genning – Parallel shifts the energy into shadowy territory. Deep, dubby, and melancholic, it acts as a reset moment — cooling the air while preserving depth, tension, and forward motion.

On the flip, B1. Dawn Gab – Call Of The Wind moves between melodic phrases and swinging percussive patterns, offering a graceful push-and-pull that feels fluid, textured, and inviting.

Finally, B2. Genning & Kirill Matveev – Blueberry brings the release to its emotional peak with bright, expressive energy. Melodic and high-spirited, it is engineered precisely for a euphoric moment on the floor.

This EP is a toolkit for thoughtful selectors — designed to glide through introspection, propulsion, and release with clarity and finesse. Whether opening a night, shaping the arc, or closing with warmth, Parallel Sequences delivers depth, agility, and emotional charge in perfect balance.

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14,24
Geoglyph - Hidden Frequencies

Geoglyph is the new duo project by Alohn and Khey Mysterio, a convergence of two deeply singular practices into a single subterranean signal. Their debut album arrives as the eighth reference on Organic Signs, not as a collection of tracks but as a carved artifact: six inscriptions pressed into vinyl, mapping a sonic territory where time, rhythm and texture are no longer linear, but layered like geological memory.

Through Geoglyph, Alohn and Khey Mysterio convey a message from below, or beyond. A pulse engraved from forgotten times in the basement of reality, reactivated by abyssal basses, vibrating layers and fractured textures. Exhumed from the subterranean strata where psychedelic dub, mineral techno and fractal dubstep fuse into raw energy, their music becomes a point of contact: every beat, every silence, every oscillation acting as a coordinate toward another perception. What unfolds is not simply sound design, but an invocation, rhythms as sigils, timbre as gnosis, signals that seem to arrive already charged with intention.

Across the album, Alohn’s guitar notes fall like cascades through the mix, dissolving at times into controlled feedback and crystallizing into melodic fragments that hover between tension and release. These organic gestures are interwoven with Khey Mysterio’s dense low-end architectures and rhythmic frameworks, creating a constantly shifting terrain: from weightless transmissions and ritualistic voices to moments of overwhelming propulsion where the music suddenly breaks open with tectonic force. The record moves fluidly between meditative suspension and explosive motion, never settling into a single state for long.

A strong undercurrent of what has come to be known as “druidstep” runs through the album, a term coined within the 95 Open Tabs universe to describe a form of dubstep untethered from genre convention, rooted instead in bass as ritual, in groove as invocation. Here it meets dub-techno pulse, psychedelic echoes and high-velocity 4×4 pressure, drawing subtle influence from underground bass cultures without ever becoming referential. The result is a body of work that feels both ancient and forward-leaning, cyclical rather than linear: a living geoglyph that reveals different meanings depending on how (and where) it is read.

As the final movement accelerates into its closing phase, the album releases its energy outward, with frequencies stretched toward their limits, leaving behind the trace of a completed ceremony. In this sense, Geoglyph’s debut stands as a defining moment within the Organic Signs continuum: a record that unfolds rather than explains, offering an experience to be entered, absorbed, and carried. With this release, the label continues to explore new sonic spaces, evolving and expanding while giving deeper meaning to its own essence. A message from beneath the surface, waiting for those willing to tune in.

Más de este género

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16,77
Various - Losh Label 002

Various

Losh Label 002

exclLOSH002
LOSH Label
28.04.2026

Losh is a series of parties held at the magical Chapala lake in Ajijic and Guadalajara, Mexico, aimed at preserving the essence of underground sound and its culture. The event has hosted performances by artists such as Satoshi Tomiie, Shonky, Priku, Arapu, Markus Nikolai and more. Now, Losh is exploring new horizons with the launch of its own vinyl label. The music for this second release features tracks by Tomodachi Club owner and Real Gang founder Miller, Head Honcho of Vatos Locos Héctor, Perlon legend Dandy Jack and one of Losh Team member James Both.

Expédié28.04.2026

L'article est déjà en route pour nous et devrait être expédié de 28.04.2026.

12,56
Kosmik 3 - Shokolokobangoshay LP

Shokolokobangoshay was a collaboration between three members of Pogo Ltd. The three of us felt we were crazier than the other members of Pogo Ltd. and decided to work together on the Kosmik 3 album. Robo was worked in the graphics department of NTA Benin. He was an amazing artist, a crazy guy, he was extremely creative, he invented a musical notation language that only he understood. He was amazing, he took me to his place in Asaba and showed me his compositions, he must have had over 500 songs.

Emman Osagie was my floor manager when I was a producer at NTA (Nigerian Television Authority) Benin. We were all on the same wavelength. He was a member of Severe 7, and heavily involved in the Bini music scene working with Ehi Duncan and others. we really enjoyed making Shokolobangoshay, it’s a river of influences, a bit of this, a bit of that, but it is really our thing. The musical ideas we were playing with at the time.

Emmanuel Ogosi. 3rd March 2026.

This record is why I went into reissuing records with Odion. The feeling to sharing records that went under the radar when they were initially released, with a greater audience. Shokolokobangoshay is uniquely Nigerian in a very personal way, it makes references to the societal and political ills that plague us in Africa. It’s title, Shokolokobangoshay, references a play song, kids in Lagos and western Nigerian sing when they play in the streets. Most Nigerians can relate. The music references afro beat, country music, reggae without falling firmly on any side. This is one for the ages. Amazing production, I personally love this record for the free spirit, creativity and excellent song selection. We had to licence it, we just had to. Limited repress only 500 copies.

It is also excellently produced. Big up to all involved, from the Vinyl Rip (James Law, Fidgit Studio, South Africa), to the master production by DJ Simbad (Cape Town, SA) and the cover restoration by Angelo Mitchell (SA). I am so happy to be doing it with the boys in the motherland. Peace and appreciation to all. Special dedication to Mother Tongue for creating a great pressing. Please file under Afro.
Blessings,

Temitope Kogbe, Odion Livingstone

pré-commande28.04.2026

il devrait être publié sur 28.04.2026

24,16
Bluetrain aka Steve O Sullivan - Rolling Riddim LP
 
3
également disponible

Blue Marbled Vinyl[11,72 €]

Splatter Vinyl[11,72 €]


Steve O’Sullivan returns under his Bluetrain alias, channeling the essence of dub into groovy,
endlessly cycling patterns shaped by submerged chords and tectonic low-end pressure. The influence of Mike Ink’s monolithic Studio One era is unmistakable, where reduction becomes
propulsion and each delay-trail etches its own pulse into the haze. Limited colourec vinyl.

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11,72
Bluetrain aka Steve O Sullivan - Rolling Riddim LP
 
3
également disponible

Black Vinyl[11,72 €]

Blue Marbled Vinyl[11,72 €]


Steve O’Sullivan returns under his Bluetrain alias, channeling the essence of dub into groovy,
endlessly cycling patterns shaped by submerged chords and tectonic low-end pressure. The influence of Mike Ink’s monolithic Studio One era is unmistakable, where reduction becomes
propulsion and each delay-trail etches its own pulse into the haze. Limited colourec vinyl.

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11,72
Skatman, Tal Fussman - TPX02

Skatman, Tal Fussman

TPX02

12inchTPX02
Time Passages
07.04.2026

2026 Repress

Two formidable producers deliver an absolute weapon of a release, each taking charge of one side of the vinyl.

Already on his second release with the Time Passages family, Tal Fussman needs no introduction.
For Skatman, this marks his first appearance on the label, though he has been on the radar of the label boss for quite some time.
His music is hypnotic, subtle, and deeply rooted in the dance floor — perfectly aligned with the timeless aesthetic of Time Passages X.

As sublabel of Time Passages, TPX continues its strictly limited approach: only 300 copies, untitled, and with no digital release.
Two tracks that speak louder than words.

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13,87
Kappen & Latence, Ennio Tyson - Phase 1

Fossils in Transit dropping their first EP with diverse club focused features. The label
wants to express their love for timeless pieces and extrapolating it to their own vision.
Brussel based duo Kappen & Latence showing their musical spectrum on the A-side. On
the B-side Ennio Tyson debutes his take on timelessness.
A1 is a warm and slowly building track guiding the listeners through a blissful state. This
percussion driven piece sets the perfect mood for sunrises/sunsets. In A2 the rebellious
nature is defined by punk vocals, an acid bassline and crunchy percussion. Produced for
dark clubs and peak-time slots. B1 ventures into a bass-heavy realm where scattered
perc-like vocals and stabby synths create an ominous atmosphere. Keeping the body in
check while the mind wanders. Closing the EP on B2 with an off-the-wall minimal tech
house roller. Balancing a steady energy level to keep a tight grip on the dancefloor.

pré-commande29.04.2026

il devrait être publié sur 29.04.2026

14,08
Makz - TSR004 (incl Ferro Remix)

After years of shaping his sound, Makz steps forward with his debut EP. No big statements, just four tracks that speak for themselves.

On the A side, Clubmate sets things in motion with a steady drive. Execution Style follows up with heavy drums and a rolling bassline that keeps pushing forward.

On the flip, Ferro brings his own take on Clubmate. His DDC Tornado remix pulls the track into a deeper, more hypnotic space, made for those later hours.

B2, 926813, is a small nod to The Set Crew. Light in name, but the track itself carries real weight.

No gimmicks, no extras. Just honest house music, built for the floor.

pré-commande29.04.2026

il devrait être publié sur 29.04.2026

14,08
Ghettomania & Kakoona - Ghetomania vs Kakoona Records

We are happy to present our french friends from Kakoona Records for a split Vinyl full of talented artists and
veterans like Manu Kenton & Marco Remus.

pré-commande29.04.2026

il devrait être publié sur 29.04.2026

13,66
Vitess - Reframed LP 2x12"

Vitess

Reframed LP 2x12"

2x12inchRFLP004
Retrofutura
07.04.2026

Reframed is Vitess’ third album, released on his own label Retro Futura, and marks a new turning point in his artistic journey. Unlike his previous albums — the first fully exploring the Retro aesthetic, the second embodying the Futura — Reframed brings these two worlds together within a single, coherent yet eclectic body of work. The album opens with sounds inspired by 90s progressive music and gradually moves toward more futuristic textures. This album format gives Vitess complete freedom: the freedom to build a full, living musical experience, introducing for the first time a strong instrumental dimension — most notably through the use of live drums — and allowing each track to interact with others, transform, or mirror one another, while maintaining a clear narrative thread that guides the listener throughout.

The title Reframed directly reflects this approach. The album is built around tracks conceived as Recto / Verso, offering a form of double listening experience. On the one hand, electronic, club-oriented and progressive versions, designed for energy and dancefloor movement; on the other hand, more introspective, pop and instrumental counterparts, created for listening and storytelling. Starting from the same musical foundation — a vocal sample, a percussion element, or a melody — Vitess develops two distinct interpretations of the same track, generating contrasting yet deeply connected sonic worlds. This method, central to his creative process, highlights his ability to explore a single detail in depth and let a micro-element lead him toward radically different sonic dimensions, while ensuring coherence and a strong identity across the album.

For Reframed, Vitess also collaborates for the first time with other artists: Stupid Flash, ATOEM, and Lucile, selected for their ability to enrich his universe and push it toward new aesthetics. These collaborations recreate a sense of collective energy reminiscent of his early days playing in bands, while remaining true to the essence of the Vitess project: a primarily solitary approach rooted in exploration, experimentation, and embracing the unexpected paths each idea can take.

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23,49
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