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The Sufi Dub Brothers are back! Viktor Marek and Ashraf Sharif Khan combine South Asian classical music, dub and electronic beats to create a psychedelic soundtrack between dancefloor and inner space.

In these shaky times we find ourselves in, A Relaxed Blur invites us to take deep breath in and switch to positive vibes. Dive into a world of serene soundscapes, where deep space reverbs and expansive echoes float freely, creating a sense of calm disorientation. Drawing from a blend of dub, psychill, and psychedelic electronic textures, this album guides you through atmospheric journeys that range from smooth, laid-back grooves to vast, hypnotic sound waves. Each track drifts between the tranquil and the transcendental, blurring the line between relaxation and introspection.

Candy Pink ltd 270 copies.
Printed sleeve with a little comics by ExpExp with inserts !

A first tune with a lost in the forest intro ^^
4 bangers of Hardtek, the pure Tribe kick and its round and round way... Small little structures for a sweet dancefloor moment and a peaceful banger feeling... ^^

Es sind acht Jahre vergangen, seit Montreals The Barr Brothers ein Album veröffentlicht haben. In dieser Zeit hat das Leben sie - persönlich wie beruflich - in neue Richtungen geführt und ihre Art, gemeinsam Musik zu machen, verändert. Ihr viertes Studioalbum Let it Hiss ist nicht einfach nur eine neue Sammlung von Songs. Es ist ein Dokument der Transformation. Die Entstehung dieses Albums markierte einen Wendepunkt: eine Phase der Reflexion, eine Auseinandersetzung mit Verletzlichkeit und eine Wiederverbindung zwischen den beiden Brüdern, die seit über drei Jahrzehnten Seite an Seite Musik machen.,Im Jahr 2022 standen wir an einem Wendepunkt", sagt Brad Barr, Gitarrist, Sänger und Haupt-Songwriter der Band. ,Es war klar, dass sich etwas ändern musste. Die wahre Geschichte dieses Albums ist die Geschichte dieser Veränderung - und von allem, was danach kam.",Let it Hiss ist das, was passiert, wenn man aufhört, so zu tun, als wäre alles in Ordnung - und endlich wirklich hinhört", sagt Andrew.Das Album beginnt im Kleinen: eine winzige mexikanische Gitarre, der sanfte Puls eines Klaviers, ein minimalistischer Rhythmus - und eine Stimme, die sowohl Hingabe als auch Stärke vermittelt. ,Take it from me", singt Brad - nicht als Befehl, sondern als Geständnis. Schon ab diesem ersten Moment lädt das Album in einen Raum ein, in dem Makel nicht herausgeschnitten, sondern verstärkt und gefeiert werden. Es ist ein kraftvoller Einstieg in ein Album, das auf Ehrlichkeit, Wiederentdeckung und Vertrauen beruht.Für die Brüder wurde das Aufnehmen zu einem Spiegel. Der Prozess begann nicht mit Klang - er begann mit Wahrheit. Sie setzten sich nicht nur mit kreativen Blockaden auseinander, sondern auch mit persönlichen: alten Mustern, unausgesprochenen Spannungen, Trauer, Wachstum. Durch all das fanden sie wieder zu einem Rhythmus - nicht durch Perfektion, sondern durch Erlaubnis.Brad und Andrew machen schon Musik zusammen, seit sie Kinder sind - zuerst in der sich ständig wandelnden Rockband The Slip, später als The Barr Brothers, wo sie amerikanische Roots-Musik mit experimentellen Klangtexturen zu etwas ganz Eigenem verbanden. Ihr Ruf für musikalische Raffinesse und emotionale Tiefe brachte ihnen weltweit Fans - und Anerkennung von musikalischen Größen.Der Titel des Albums ist zugleich ein Leitbild. ,Es fühlte sich einfach richtig an", sagt Andrew. ,Das Rauschen drin zu lassen. Das Unbehagen, die Unvollkommenheit, den Kampf. Wir haben aufgehört, alles sauber machen zu wollen. Und genau da fing die Musik wieder an zu atmen. Und Spaß zu machen."Tatsächlich steht Let it Hiss stärker als frühere Alben der Barr Brothers für eine freudvolle Ungezwungenheit - hörbar etwa im Roadtrip-Hymnus "Run Right Into It" (mit Elizabeth Powell von Land of Talk) oder im verspielten Garagenband-Reggae von "She Doesn't Sleep With the Covers On". Doch das Album lässt die intime Erzählweise, die das Markenzeichen der Barr Brothers ist, keineswegs hinter sich: "English Harbour" ist eine wunderschöne Folk-Hymne, bereichert durch die Harmonien von Jim James (My Morning Jacket), während "Moonbeam" eine opulente Soul-Serenade mit Streichern ist - veredelt durch den frankophonen Gastgesang der quebecischen Artpop-Künstlerin Klô Pelgag.Die Songs auf Let it Hiss besitzen eine zeitlose Qualität - besonders spürbar in Stücken wie "Naturally", das leise an die Ära klassischer Songschreiber erinnert, in der Melodie und Botschaft untrennbar miteinander verbunden waren. Es ist Musik, die dem Hörer vertraut und sich nach und nach entfaltet - mit Arrangements, die Zurückhaltung und Ambition in Einklang bringen. Im Zentrum steht vielleicht der Song "Owning Up to Everyone", der den Geist des Albums im Kleinen einfängt. ,Dieser Song hat etwas in uns aufgebrochen", sagt Andrew. ,Er fühlte sich wie ein Durchbruch an."Doch all die musikalische Freiheit und emotionale Aufwühlung, die sich durch Let it Hiss zieht, bereitet nicht auf den letzten Song vor: "Upsetter", ein schweißgetränkter, punkgetriebener Rock'n'Soul-Explosion, gekrönt von einem absolut wahnsinnigen Gitarrensolo. Es ist schlicht der wildeste Song, den die Barrs je aufgenommen haben - ein Song, der die Let it Hiss-Philosophie so weit ins Rote treibt, dass er den VU-Meter fast sprengt. ,Ich dachte mir: ,Na ja, der wird es eh nicht aufs Album schaffen`, weil er vielleicht für viele unserer Hörer unerwartet kommt", gibt Brad zu. ,Aber ich glaube, unsere Hörer schätzen es, wenn wir einfach wir selbst sind - und dazu gehört eben auch sowas."Brad und Andrew produzierten Let it Hiss selbst, hauptsächlich zu zweit in ihrem Studio in Montreal. Um die rohe Direktheit und Komplexität des Albums einzufangen, arbeiteten sie mit Mix-Ingenieur Jon Low (The National, Taylor Swift, Bon Iver). Sie luden enge Freunde aus ihrer musikalischen Community ein, ihre Stimmen, Instrumente und Texturen beizusteuern, wenn es die Songs verlangten - Kollaborationen, die sich weniger wie Features, sondern mehr wie natürliche Erweiterungen der Musik anfühlen. Viele dieser Beziehungen entstanden über Jahre gemeinsamer Bühnen, langer Nächte im Studio und einer gemeinsamen Hingabe an das Handwerk. So ist Let it Hiss zugleich das persönlichste und das kollaborativste Album, das sie je gemacht haben.Let it Hiss will nichts auflösen - es will offenlegen. Es lädt die Hörer ein, genau hinzuhören - auf das Rauschen, das Gewicht, das Staunen. Während die Barr Brothers ihren Weg fortsetzen, ist eines klar: Sie haben einander wiedergefunden - und darüber auch ihre Musik.And the rest is hiss-tory

The Scunthorpian partners-in-crime Rupert and Henry Stansall, mythologized in wanted posters as Ruen Brothers, are back in the saddle with their fourth studio album: Awooo. Titled after the lycanthropic howling chorus of their melancholic track “Sitting at the Station,” Awooo finds the duo on the road again, full of ruminative wanderlust and exploring sprawling, dark deserts, carrying with only their songbook of western-inspired folklore. The meditative, building desire of “The Cabin on the Hill,” the pensive yearning etched inside “Poison Down the Wire,“ and a tasteful reimagining of the tried-and-true traditional “Mama Don’t” that could easily pass as an original, all exhibit the creative growth that these young troubadours have established over their decade-long career. This limited first edition pressing of Awooo is pressed on frosted shadow color vinyl and is limited to 800 copies worldwide.

The Scunthorpian partners-in-crime Rupert and Henry Stansall, mythologized in wanted posters as Ruen Brothers, are back in the saddle with their fourth studio album: Awooo. Titled after the lycanthropic howling chorus of their melancholic track “Sitting at the Station,” Awooo finds the duo on the road again, full of ruminative wanderlust and exploring sprawling, dark deserts, carrying with only their songbook of western-inspired folklore. The meditative, building desire of “The Cabin on the Hill,” the pensive yearning etched inside “Poison Down the Wire,“ and a tasteful reimagining of the tried-and-true traditional “Mama Don’t” that could easily pass as an original, all exhibit the creative growth that these young troubadours have established over their decade-long career. This limited indie exclusive pressing of Awooo is pressed on frosted shadow color vinyl and is autographed by both Henry and Rupert Stansall and is limited to 200 copies worldwide.

Stone classic Bullwackies (as excursioned by Rhythm & Sound for Burial Mix), sensationally featuring two unreleased dubs, newly extracted from the master reels. Both are equally unmissable but quite different, with contrasting effects: the second dub adds ninety seconds, including whip-dem spring reverb. Drawn from the Selective Showcase LP, the vocal mix is more open and dubwise than the Sing & Shout LP offering, with less keyboards.
Asked whether it should be mash or march, after some pondering Bullwackies replied: "That's a good question.'

Bebert's bangers ! Massive dancefloor Hardfloor Tribe sound. A wall climber, a teeth washer, a full energy party time moment !
4 tunes, 4 dancefloor killers !

After a long moment with no Bebert Borthers release...
This Pumpin party cruiser navigate from 150 to 180 BPM.
The global ambiance is stellar, as the name of the label could suggest... with a South-Side accent :)

Welcome to the first instalment of a new collaboration between The Reflex’ DISCOLIDAYS label and Because Music in Paris, remixing gems from the Zagora catalogue.

Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood. Unearthing the multitrack for obscure cuts, The Reflex shifts the focus on the great studio musicians involved in these recordings (Wally Badarou amongst others) and delivers stunning revisions of ‘Harlem Bound’, a
131bpm jazz-funk disco powerhouse cut (1977) and ‘Dancin’ The Mambo’, a 122bpm Chic-esque meets early piano House monster laced with that unmistakable French sound, originally released in 1980.

Both first time-ever remixes from the stems, released on 180g vinyl with custom artwork on card sleeve designed by Al Kent / Million Dollar Disco.

Three more releases will follow, to complete the 4 x 12” vinyl and digital package spread over several months in 2024.

Local Philadelphia singing sensations Al and Tyrone Chestnut self produced the classic 12" single "Sweet Little Rita” mixed in New York in 1983
by the highly regarded Steve Goldman, who was the chief engineer for Mighty M productions and whose mixes for Kashif, Evelyn Champagne King, Melba Moore, George Benson and others, became radio staples. Like most Street Level releases,
"Sweet Little Rita" was recorded inPhiladelphia, mixed in New York, and originally released in Canada. Presented here is the original 12" version plus bonus instrumental version.

Die GRAMMY®-nominierten und mehrfach mit Platin ausgezeichneten Jonas Brothers sind zurück mit
ihrem 7. Studioalbum ”Greetings From Your Hometown” und feiern ihr 20-jähriges Jubiläum. Nach 26
Hits in den Billboard Hot 100, drei aufeinanderfolgende Platz 1 Debüts in den Billboard 200, Milliarden von
Streams und einem Stern auf dem Hollywood Walk of Fame, ist es das erste Album in 2 Jahren mit neuen
Hits, unter anderem mitgeschrieben von GRAMMY®-nominierten Songwriter und häufigen Kollaborateur
Justin Tranter, der auch für den Sommerhit „Love Me To Heaven” verantwortlich ist

Nach drei triumphalen, ausverkauften Konzerten im legendären Londoner Hammersmith Apollo im vergangenen Jahr haben die Teskey Brothers ihr neues Album „Live At The Hammersmith Apollo“ angekündigt –
es erscheint am Freitag, den 11. Juli, und ist ab sofort vorbestellbar. Das Live-Album ist eine umfassende
Erweiterung des umfangreichen und beliebten Katalogs der Band und enthält Songs aus ihrem dritten Album „The Winding Way“, das auf Platz 1 der ARIA-Charts landete, ein kraftvolles Cover von Otis Reddings
„Try A Little Tenderness“ (ab heute überall erhältlich) und erstmals auf Vinyl/CD einen ihrer frühen Hits,
„Forever You and Me“ (über 150 Millionen Streams).
„Live At The Hammersmith Apollo“ wird im Anschluss an ihren Auftritt im Londoner Alexandra Palace
vor über 10.000 Fans (dem bisher größten Auftritt) am Donnerstag, den 10. Juli 2025, veröffentlicht.
Ganz im Sinne der Liebe der Band zum Analogen wurde „Live At The Hammersmith Apollo“ vollständig
auf Band aufgenommen, genau wie Livealben von Bruce Springsteen (’75), David Bowie (Ziggy Stardust ’73) und zahllosen anderen im selben Raum aufgenommen worden wären. Der in London ansässige
Produzent/Toningenieur Declan Gaffney wurde mit der technischen Seite beauftragt, nachdem er zuvor
Livealben für U2 und die Rolling Stones produziert und gemischt hatte.

CHARLY RECORDS present the first ever reissue of the sought-after Gospel treasure Crying In The Street by Robert Sims and his Seven Brothers.
Originally released circa 1969 by Lelan Rogers on his Nashville based House Of The Fox imprint. The title track ‘Crying In The Streets’ is a Gospel anthem penned by Sam Matter, Kerry Porter and Ted Harris as a response to the assassination of Martin Luther King. It was recorded contemporaneously by Baton Rouge deep soul vocalist George Perkins who scored a regional hit when it was picked up by Lelan Rogers for his Silver Fox subsidiary. The song was covered to great effect by Buckwheat Zydeco, featuring Ry Cooder, and appears on the 2005 benefit album for Hurricane Katrina.
This is a forgotten gem, atmospheric and beautifully produced. It is a passionate, life-affirming record that resonates today just as much as it did over 50 years ago.
A Gospel Experience.

Die Doobie Brothers kehren mit ihrem neuen Studioalbum „Walk This Road“ zurück. Auf diesem 10-Track-Album vereinen sich Michael McDonald, Patrick Simmons, Tom Johnston und John McFee und bringen ihren einzigartigen Sound zurück. Alle drei Songwriter arbeiteten eng mit Produzent John Shanks zusammen, um ein Werk zu schaffen, das den typischen Doobie-Brothers-Sound perfekt einfängt.

a a1. WALK THIS ROAD – featuring Mavis Staples 3:37
b a2. ANGELS AND MERCY 3:48
c a3. CALL ME [3:38]
[d] a4. LEARN TO LET GO [4:18]
[e] a5. STATE OF GRACE [4:01]
[f] b1. HERE TO STAY [3:56]
[g] b2. IT AIN’T THE KIND THAT LASTS [3:47]
[h] b3. NEW ORLEANS [3:50]
[i] b4. SPEED OF PAIN [3:34]
[4:17]

2LP silk screened + insert

Before Guaracha UFO propelled Meridian Brothers onto the international stage, Eblis Álvarez was already shaping his singular sonic universe in the shadows. Released only on CD in between 2009 and 2012 via local label La Distritofónica, Meridian Brothers VI and VII never had wide distribution or media exposure. Yet, these albums represent a crucial phase in the band’s evolution, capturing the energy of Bogotá’s experimental cumbia scene at the time.

On VI, Álvarez crafts a hallucinatory patchwork of cumbia and vallenato, using his guitar as the guiding thread before layering other instruments on top. VII pushes experimentation even further with a custom-built sampling algorithm, generating unpredictable loops and grooves. These two albums laid the foundation for the radical fusion and irreverent spirit that would later define Meridian Brothers.

Now reissued on vinyl for the first time, these historic recordings offer a raw and fascinating glimpse into the origins of one of Latin America’s most forward-thinking musical projects

2LP silk screened + insert

Before Guaracha UFO propelled Meridian Brothers onto the international stage, Eblis Álvarez was already shaping his singular sonic universe in the shadows. Released only on CD in between 2009 and 2012 via local label La Distritofónica, Meridian Brothers VI and VII never had wide distribution or media exposure. Yet, these albums represent a crucial phase in the band’s evolution, capturing the energy of Bogotá’s experimental cumbia scene at the time.

On VI, Álvarez crafts a hallucinatory patchwork of cumbia and vallenato, using his guitar as the guiding thread before layering other instruments on top. VII pushes experimentation even further with a custom-built sampling algorithm, generating unpredictable loops and grooves. These two albums laid the foundation for the radical fusion and irreverent spirit that would later define Meridian Brothers.

Now reissued on vinyl for the first time, these historic recordings offer a raw and fascinating glimpse into the origins of one of Latin America’s most forward-thinking musical projects.

Collecting Orders for 2025 Repress

Focused Daily Positivity Practice

'I Choose You' 3 Winans Brothers Feat. Karen Clark Sheard remixed By Louie Vega is the very reason house music is known around the world as A SPIRITUAL THING! House and Gospel have shared a dance floor from the very start thanks to pioneers like Louie Vega who harness the joy and inspiration of Gospel with the motivational energy of House. Never was this more evident than in the 1st project Louie Vega and 3 Winans Brothers Featuring The Clark Sisters came together for in 2015, DANCE which was a world renowned sensation and the catalyst for 'I Choose You'.

'I Choose You' is the result of a combined 20+Grammy Award Winning artists THE WINANS BROTHERS & KAREN CLARK including our very own Louie Vega's Grammy win bringing forth music that not only stands out but is an undeniably exceptional sound that will undoubtedly reaching past the top of the charts to blaze a path for music that celebrates being thankful for the life we are given! The 3 Winans Brothers, Bebe, Marvin and Carvin, have come together yet again with their love for writing, singing, and performing music with 'I Choose You'. Karen Clark Sheard having laid down new vocals produced by Bebe Winans himself coupled with the additional Winans soulful vocals completely enhance the reaffirming message 'I CHOOSE YOU... the POWER of HIS Love, I could NEVER deny it'.

Louie Vega has once again delivered the ultimate composition and arrangements to complement the beauty that lives in the message of 'I Choose You' and brilliantly elevates the powerful voices of the Winans and Karen Clark Sheard that bring that very deep sentiment of hope and light forward. For music with a message as enlightened as the one in 'I Choose You' Louie enlisted Axel Tosca of Elements of Life band, the Cuban born pianist with an intense passion to bring any keyboard to life who transfers that energy into this exceptional piece. Every single harmony, each key, all seamlessly aligned with in various mixes with engineer Yas Inoue of Vega Records on the boards so that 'I Choose You' can be enjoyed by those looking to fuel packed dance floor or their own individual playlists. The icing on the cake are the new vocals by Karen Clark Sheard, where she is testifying and ad-libbing powerful messages to the world! 'I Choose You' 3 Winans Brothers Feat. Karen Clark Sheard remixed by Louie Vega drop at all vinyl outlets ....AND be on the look out for future performance dates in your country and city.... this message is going world wide!

David Lowery (Cracker, Camper Van Beethoven) to release his new 28-track solo album. "Fathers, Sons and Brothers" is David"s musical autobiography, celebrating his youth, family, friends and the highs and lows of his lengthy 40-year career in the music business. The album combines three of David"s previously online-only released autobiographical solo albums "In The Shadow of the Bull", "Leaving Key Member Clause", and "Vending Machine", and also includes four new previously unreleased songs, as well as four newly re-recorded tracks: He"s been writing songs about people on the fringe for damn near a lifetime. 40+ years of detailing the idiosyncrasies of outcasts, losers, freaks and outliers in society in his two acclaimed, if not totally different, bands - Cracker and Camper Van Beethoven.

One of the world’s best-selling albums, Dire Straits’ Brothers In Arms, celebrates its 40th anniversary with a 1LP pressing. Re-issued in this configuration for the first time since 1985, the single-sleeve 1LP mirrors the original pressing where tracks ‘So Far Away’,’Money For Nothing’, ‘Your Latest Trick’ and ‘Why Worry’ were abridged to fit the vinyl format. Brothers In Arms spent 14 non-consecutive weeks at Number 1 in the UK Albums Chart and is the 8th best-selling album in UK chart history.

One of the world’s best-selling albums, Dire Straits’ Brothers In Arms, celebrates its 40th anniversary with a 1LP pressing. Re-issued in this configuration for the first time since 1985, the single-sleeve 1LP mirrors the original pressing where tracks ‘So Far Away’,’Money For Nothing’, ‘Your Latest Trick’ and ‘Why Worry’ were abridged to fit the vinyl format. Brothers In Arms spent 14 non-consecutive weeks at Number 1 in the UK Albums Chart and is the 8th best-selling album in UK chart history.

First-time vinyl reissue of cult UK dance classic.

One of the cult acts of the heyday of London clubland in the early 1990s, the Ballistic Brothers consisted of later-X-Press 2 members Ashley, Rocky and Diesel, alongside David Hill and Uschi Clansen. After the success of underground smash ‘Blacker’ and ‘vs. Eccentric Afros Vol. 1’, The Ballistic Brothers returned with the second volume of their sampledelic good times with ‘Vol. 2’. The group came armed with years of dance floor expertise, and record making acumen, and delivered a further 8 tracks of good time funky grooves.

The opener ‘Delancey Street…The Theme’ paid tribute to their Camden-based record label and was an immediate anthem, while ‘Goodvibes…Goodnight’ was an irresistible mash-up. Elsewhere are jazz, funk, reggae influences and images of the streets of New York.

A vital snapshot of a very unique place in time, specially remastered for this Acid Jazz release, set in a spined sleeve for the first time, with a beautiful expansion of the original artwork

THE CHESTNUT BROTHERS

IZIPHO SOUL is thrilled to announce that the soulful gospel anthem TRAVELIN’ ON is coming your way on a 7” single - for the first time!

There are not enough superlatives to describe this transcendent piece of music - it’s significance within the U.K. modern soul scene should not be overlooked; cited by many as the track they want played at their funeral - a morbid request? Certainly not, more like a song that has resonated in hearts and minds, seen as a celebration and empowerment of travelin’ to a better place

Presented on vinyl are both the radio edit and LP version, which is cut at 33RPM for a full six and a half minutes of heavenly bliss.

"After more than 20 years, Band Of Brothers is still considered one of HBO's most important series. Produced by Steven Spielberg and Tom Hanks, the series has won major awards such as the Golden Globe for Best Miniseries and the Emmy Award for Outstanding Miniseries. Band Of Brothers is a war drama miniseries based on historian Stephen E. Ambrose's 1992 non-fiction same titled book. It follows the story of Easy Company of the U.S. Army 101st Airborne Division and their mission in World War II Europe, from Operation Overlord to V-J Day. The score, composed by the late Michael Kamen, is credited as one of the essential elements in creating the realistic atmosphere of the series. Kamen was best known for scoring movies such as Die Hard, Lethal Weapon and X-Men, and received an Academy Award nomination for both Don Juan DeMarco and Robin Hood: Prince Of Thieves. Revisit the Band Of Brothers score with this deluxe reissue on white coloured vinyl, available as a limited edition of 1500 individually numbered copies. The 2LP is housed in a sleeve finished with linen laminate and includes a 4-page booklet with a large cast picture on the inside."