Search:s to s

Really very exciting to introduce this new project by Dadada & Eden Burns.
Together they offer their first collaborative outing with „Your Gonna Lose Vol 1“ that contains fabulous (dance)music
mixxed up w/ some fun, social studies.

Talking with the Taxman About Poetry is the third album by Billy Bragg, originally released in September 1986.

This long overdue vinyl reissue comes in a gatefold sleeve and was remastered by John Webber at Air Studios using high-resolution transfers made from master tapes in Billy's archives. There will also be a limited edition run of coloured vinyl albums.

For Talking with the Taxman About Poetry, Bragg embraced a more fully realised band sound with the help of special guests Kirsty MacColl and Johnny Marr and production courtesy of John Porter (Roxy Music, The Smiths) and Kenny Jones. ‘Taxman…’ was his first top ten album and gave the world some of his most enduring songs in ‘Greetings To The New Brunette’ (his first top 40 hit), live favourite “Levi Stubbs’ Tears” about a victim of domestic abuse taking comfort in the music of the Four Tops, and classic workers’ anthem “There Is Power in a Union”.

Other Plans is the fifth full-length album by Swedish composer, producer, and vocalist Daniella Ljungsberg, and her third release on ORTHODOX. Returning to her early training in Baroque and Renaissance music, Ljungsberg reimagines these formative influences through the electroacoustic language she has developed over the years. Across seven tracks, harpsichord, double bass, bassoon, and trombone intertwine with modular synthesis, field recordings, and digital processing, moving between intimate songwriting and minimalist composition. Swedish folk echoes, Baroque sensibilities, and meticulous sound design dissolve into a singular musical landscape shaped by memory, nostalgia, and imagination. Created in a time of uncertainty and disorientation, Other Plans carries a delicate tension between melancholy and hope, transforming the act of looking back into a means of moving forward.

LA producer/vocalist Sweet Love Under Tyranny arrives with her self-titled EP (à La Carte Records, 11/6) — four tracks, nineteen minutes of nocturnal dance music built on coldwave and Italo pulled through new romantic melodrama. Co-produced with Matia Simovich (Inhalt) at Infinite Power Studios, mastered by Josh Bonati. The reference points span the pop confidence of Stacey Q and early Madonna, the airtight vocal architecture of Yazoo, and the coldwave romance running through the artist's own history as co-writer on Kontravoid's "Maskerade" (~200k Spotify streams since 2021's "Faceless" LP). Her voice cuts from aching falsetto to guttural growl over synth lines placed with the precision of someone thinking hard about where a chorus should sit in a mix. Post-punkcom: "a nocturne of neon-kissed bliss, a siren's serenade whispered through the haze of LA's twilight pulse." Pressed as a limited single-sided 12" in two variants (black-in-clear; clear).

Australian psychedelic rock band Druid Fluids return with Pareidolia, an ambitious second album exploring perception, superstition and the human instinct to find meaning in patterns, whether real or imagined.

Written and recorded in Adelaide at songwriter and producer Jamie Andrew’s home studio, Pareidolia unfolds across ten expansive and immersive tracks that push the possibilities of psychedelic music. Released by Australia's Third Eye Stimuli Records, the album arrives as a 2LP vinyl exclusive that includes a D-Side with bonus tracks taken from the recording sessions.

Psych-rock and melodic pop collide with krautrock rhythms, cinematic dreamscapes, classically inspired arrangements and experimental production. No two songs inhabit quite the same world, and the album never lingers in one room for long.

Influenced by the inventive songwriting of The Beatles, The Beach Boys and Frank Zappa, the atmospheric sophistication of AIR and contemporary psychedelia from Tame Impala, King Gizzard and Melody’s Echo Chamber, Druid Fluids balance vintage warmth with a distinctly modern sense of possibility.

Pareidolia is hypnotic, intimate and surreal. Melodies twist and reform, rhythms circle back upon themselves and subtle motifs appear like half-recognised symbols. Its labyrinthine passages and dream-logic imagery invite listeners into an immersive space where clarity and confusion remain in constant negotiation.

Pareidolia follows the band’s acclaimed 2023 debut, Then, Now, Again & Again, whose first vinyl pressing sold out worldwide. Since then, Druid Fluids have toured Europe and shared stages with The Brian Jonestown Massacre, Wolfmother, Psychedelic Porn Crumpets, The Murlocs and Amyl and the Sniffers.

Immersive, melodic and wonderfully unpredictable, Pareidolia is a psychedelic masterpiece that rewards repeat listening, revealing new details and hidden connections with every spin.

feeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania. A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive “self-suciency” and materialism. Slocum’s meandering introspection playfully harmonizes against Kinsler’s hooks, walls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework.

The choice of the title “Unwanted” creates a striking contrast with the elaborate variant designation of the pressing and immediately distinguishes the LP as a physical release; Arising Empire is handling the release, keeping Thrown in the label’s roster.

Musically, “Unwanted” continues the uncompromising direction Thrown already showcased with their 2026 singles: advance releases such as “critic” and “rehearsed” highlight the concise, hard-hitting song structures defined by distinctive riffs, forceful breakdowns and intense choruses. On the LP, Thrown brings these approaches together into a cohesive sequence of tracks that combine immediate aggression with catchy songwriting moments. The “Unwanted” LP on White Grey Blue Splatter vinyl thus rounds out the band’s current chapter of recorded output and underscores Thrown’s profile within the metal scene, while the singles already preview the album’s sonic character.

The choice of the title “Unwanted” creates a striking contrast with the elaborate variant designation of the pressing and immediately distinguishes the LP as a physical release; Arising Empire is handling the release, keeping Thrown in the label’s roster.

Musically, “Unwanted” continues the uncompromising direction Thrown already showcased with their 2026 singles: advance releases such as “critic” and “rehearsed” highlight the concise, hard-hitting song structures defined by distinctive riffs, forceful breakdowns and intense choruses. On the LP, Thrown brings these approaches together into a cohesive sequence of tracks that combine immediate aggression with catchy songwriting moments. The “Unwanted” LP on White Grey Blue Splatter vinyl thus rounds out the band’s current chapter of recorded output and underscores Thrown’s profile within the metal scene, while the singles already preview the album’s sonic character.

The choice of the title “Unwanted” creates a striking contrast with the elaborate variant designation of the pressing and immediately distinguishes the LP as a physical release; Arising Empire is handling the release, keeping Thrown in the label’s roster.

Musically, “Unwanted” continues the uncompromising direction Thrown already showcased with their 2026 singles: advance releases such as “critic” and “rehearsed” highlight the concise, hard-hitting song structures defined by distinctive riffs, forceful breakdowns and intense choruses. On the LP, Thrown brings these approaches together into a cohesive sequence of tracks that combine immediate aggression with catchy songwriting moments. The “Unwanted” LP on White Grey Blue Splatter vinyl thus rounds out the band’s current chapter of recorded output and underscores Thrown’s profile within the metal scene, while the singles already preview the album’s sonic character.

The choice of the title “Unwanted” creates a striking contrast with the elaborate variant designation of the pressing and immediately distinguishes the LP as a physical release; Arising Empire is handling the release, keeping Thrown in the label’s roster.

Musically, “Unwanted” continues the uncompromising direction Thrown already showcased with their 2026 singles: advance releases such as “critic” and “rehearsed” highlight the concise, hard-hitting song structures defined by distinctive riffs, forceful breakdowns and intense choruses. On the LP, Thrown brings these approaches together into a cohesive sequence of tracks that combine immediate aggression with catchy songwriting moments. The “Unwanted” LP on White Grey Blue Splatter vinyl thus rounds out the band’s current chapter of recorded output and underscores Thrown’s profile within the metal scene, while the singles already preview the album’s sonic character.

"John Beltran joins forces with Ireland’s Intrinsic Rhythm for a masterclass in emotional Detroit Techno with his "Roots EP" featuring a deep & soulful remix from Fireground.

Few names command the same reverence in electronic music as John Beltran. Since pioneering the more melodic, ambient-soaked textures of Detroit techno in the 1990s and 00s, the Michigan producer has spent over three decades crafting electronic music with an unmistakable human soul.
For his latest outing, Beltran links up with Irish imprint Intrinsic Rhythm for a physical and digital release after previously providing a remix for IR004 . The A1 "My Faith In You" is a perfect distillation of his signature sound: lush, cinematic chord progressions, propulsive rhythm arrangements, and that deep-running emotive warmth that makes his catalog timeless and this continues on the A2 with "Gratiot" a timeless piece of Deep Detroit Techno with a shuffling groove and precise tones and textures.

Sharpening the edge of the package is a stellar remix from dynamic Italian duo Fireground. Known for their driving, soulful and rich sound on labels like Tresor and Ilian Tape, Fireground adds a deeper more textured version of "Gratiot" and reconstructs it into a sun drenched musically rich remix. Together, the release forms a beautiful bridge between the two artists. "

With World Beats Vol. 3, Lello Di Franco recruits a powerhouse team of remixers known for their dancefloor instinct—featuring Gerd Janson, Johannes Albert, Ben Hixon, and Gerd. Together, they preserve the cosmopolitan, percussive pulse of the original tracks while elevating them into peak-time club anthems. This masterfully crafted remix EP breathes new life into the project through diverse yet seamlessly cohesive interpretations. A must-listen for lovers of sophisticated house, nu-disco, and forward-thinking global sounds.

Chicago Edit/Remix genius RAHAAN produces three SUPER DOPE REMIXES available here on one 12” - cut SUPER LOUD!

Evasion and Conman return to our label with their brand new album "Shadow Circuit", refining their unique style. The release moves through cinematic soundscapes, blurring the lines between jungle and dnb, with intricate rhythms and deep low-end engineered with surgical precision.

Welcome to a new series of various artist EP’s titled ‘Sistema Sprezzatura’

We are always working hard in the background on the art of making difficult actions, complex skills, or highly curated choices appear completely natural, unforced, and spontaneous… do we pull it off we aren’t sure.. hopefully you can be the judges.

On this first EP the A- side features a new project ‘Sprezzatura' Hailing from Little Italy, Norton Street in Sydney (just a short Vespa ride from the Sicilian Coastline). Sprezzatura serves up Italo disco originals, edits and deep, carefully curated party sets built for long nights and discerning dance floors. The name is Italian, the postcode isn’t. The sound lands somewhere between sleek synths, driving basslines and just the right amount of drama. Expect strong espresso, stronger basslines and the firm belief that Sicily is less a place than a state of mind.’

And on the B -side Boxcar and the Space Jockeys return after their last well received release on Sosilly Edits with some tasteful psych rock reworks.

For 3+ years Razor-N-Tape has held their quarterly A Joyful Noise event in the Sound Room at Public Records. Conceived as a hearkening back to an early 2000s era of NYC nightlife, it is a club night that includes both DJs and live music. Led by JKriv as musical director and bassist, the live band is a collective of luminary NYC talent including singer Brandon Markell Holmes, guitarist Peter Matson, flutist/singer Domenica and percussionist Olatunji Ojore (Underground System), trumpeter Carter Yasutake (Midnight Magic), keyboardist Jason Lindner (Donny McCaslin/David Bowie's Blackstar), drummer Jim Orso (Hot Chip/Holy Ghost!) and saxophonist Stuart Bogie (Antibalas/Arcade Fire). Merging club sensibilities with jazz, funk and afrobeat pedigree, the A Joyful Noise repertoire includes live-interpreted renditions of J’s music and remixes, features by Razor-N-Tape artists, and original works. This album is a document of this special event, capturing all the live energy, moments of dazzling ensemble interplay, and features by artists Adi Oasis, Toribio and Cor.Ece.

And the Glass Handed Kites is the fourth album by Danish quartet Mew and marked a highlight in their career. It has won several music prizes in Denmark, including four Danish Music Awards. Gaffa named And the Glass Handed Kites the best Danish album of 2005. Mew also won the 2005 MTV Europe Music Award for Best Danish Act. Pitchfork Media ranked the single "The Zookeeper's Boy" #92 on its list of top 100 tracks of 2006.

This reissue is the expanded edition on vinyl containing 10 bonus tracks, including the Mogwai remix of “Why Are You Looking Grave”, “Dark Design (red version)”, “Animals Of Many Kinds”, the unreleased song “Wherefore Are You Not There”, and many more.

And the Glass Handed Kites is available as a limited edition of 1500 individually numbered copies on white vinyl and includes a 12-page booklet.

Menace II Society is a 1993 American hood film and the directorial debut of the Hughes brothers. The movie was a huge box office success and featured an impressive cast, including Tyrin Turner, Jada Pinkett Smith, Larenz Tate and Samuel L. Jackson. Upon its release it received critical acclaim for its gritty portrayal of urban violence and its powerful underlying messages.

The soundtrack was equally impressive and perfectly captured the state of hip-hop in 1993 with essential artists like Pete Rock & C.L. Smooth, Boogie Down Productions, MC EIht and DJ Quik. It was an instant hip hop classic and peaked at number 1 on the Billboard Top R&B/Hip-Hop Albums and at number 11 on the Billboard 200.

The soundtrack of Menace II Society is available on black vinyl and includes an insert.

Simply great release! Ackermann delivers four deep, effectively produced house tracks, closed out by a driving Jon Dasilva & Skyskrapa remix. Across the record the production stays deep, controlled and effective, made for the hours when a floor wants to move without being pushed. Support by Ryan Elliot, Radio Slave, Groove Armada or Richard Dorfmeister

Red Vinyl. Swiss quintet Sunday, June present " Cinema ", their second album, recorded at the legendary Chapel Studios in Lincolnshire, England. Produced by Andy Savours (My Bloody Valentine, Arctic Monkeys, The Killers), " Cinema " is a luminous record with deep emotional layers, traversing psychedelic rock, dream pop, and indie rock, an album steeped in nostalgia, self-discovery, the redemptive power of beauty, and the profound joy of playing together. " Cinema " moves in the space where memory and desire blur into one. Drawing its central metaphor from the moving image, the album frames love, nostalgic, imagined, never quite realized, as a succession of interior scenes, each a fragment of an unfinished film.

Swiss quintet Sunday, June present " Cinema ", their second album, recorded at the legendary Chapel Studios in Lincolnshire, England. Produced by Andy Savours (My Bloody Valentine, Arctic Monkeys, The Killers), " Cinema " is a luminous record with deep emotional layers, traversing psychedelic rock, dream pop, and indie rock, an album steeped in nostalgia, self-discovery, the redemptive power of beauty, and the profound joy of playing together. " Cinema " moves in the space where memory and desire blur into one. Drawing its central metaphor from the moving image, the album frames love, nostalgic, imagined, never quite realized, as a succession of interior scenes, each a fragment of an unfinished film.

At 23, daine has spent the last few years drifting between scenes faster than the internet could fully name them: digicore, emo revivalism, hyperpop, bloghouse nostalgia. But "In Endless Awe & Agony", her debut album arriving this November, feels less like another pivot than a consolidation - the point where all those fragments collapse into something strangely singular.

Der Mann, der das Cello zum Singen brachte: Legendäre Aufnahmen von Pablo Casals auf Vinyl Anlässlich seines bevorstehenden 150. Geburtstags am 29. Dezember rückt diese kuratierte Auswahl den katalanischen Musiker in den Mittelpunkt, der das Cello in ein angesehenes Soloinstrument verwandelte. Die Aufnahmen stammen aus seiner Blütezeit: Casals’ charakteristischer warmer Ton und seine ausdrucksstarke Intonation führen durch prägende Interpretationen – von seinen wegweisenden Einspielungen der Solosuiten von Bach bis hin zu virtuosen Miniaturen wie Rimsky-Korsakows Hummelflug. Mit intimen Kammermusikwerken sowie großem orchestralem Repertoire bietet diese Vinyl ein eindrucksvolles Zeugnis eines musikalischen Denkers, der die Kunst des Streicherspiels neu prägte und das Cello wahrhaft zum Singen brachte.

In ,An Iris Crackled Like Eyelids" erkundet Jules Négrier zwei Sätze, zwei innere Momente, die durch die schwebende Zeit eines ,knisternden" Augenlids voneinander getrennt sind. Der erste Satz beginnt, wie eine Geschichte endet - mit einem Ausbruch roher Emotionen -, um dann in eine weite Fläche harmonischer Divergenzen zu münden. Der zweite Satz führt erneut eine Verflechtung aus Rhythmen, Verdrehungen, Abwärts- und Aufwärtsbewegungen ein, um einen paradoxen Raum zu offenbaren, der sich in der Zeit einer ungelösten Beruhigung entfaltet. Indem er auf inspirierte und komplexe Weise Klänge offenlegt, die zugleich durchscheinend und gewunden sind, komponiert Jules Négrier eine geheimnisvolle Musik - eine Musik, die aus den Qualen elektronischer Materie schöpft, aus Formen und Werden, die allmählich in den Bereichen der Einfachheit Fuß fassen. In ,All Solids Melt Into Aether" verwebt Maria W Horn Akkorde, die mit einer bis an ihre Grenzen getriebenen Orgel erzeugt wurden, mit den unerbittlichen Texturen computergenerierter Klänge. Zwischen der extremen, kalten Präzision der elektronischen Töne und der Instabilität der warmen Orgelakkorde, die Druckschwankungen ausgesetzt sind, entfaltet sich ein stilles Drama, aus dem eine komplexe Welt entsteht, die aus harmonischen Zuständen besteht, welche von ihrer Entstehung bis zu ihrem Zusammenbruch eine kraftvolle und ergreifende Metapher hervorrufen und Bilder eines ewigen, urzeitlichen Kampfes heraufbeschwören. Dieser Kampf ist derjenige, der in jedem Augenblick zwischen zwei gegensätzlichen Energien stattfindet: Die eine bildet das Verlangen nach einem stabilen Zustand, sucht ein zerbrechliches Gleichgewicht - eine Energie, die unerbittlich durch die Kräfte der Entropie und des Chaos eingeschränkt und widerlegt wird. In dieser Hinsicht liefert Maria W. Horn mit ,All Solids Melt Into Aether" ein Werk von suggestiver und introspektiver Kraft, das wahrhaft faszinierend ist.

Kampana brings you two reworks from Aroop Roy's essential DJ Weapons series, on 7" for the first time. 'Cross the Tracks' brings a bumping house groove to the funk classic.
'Spooky' reimagines the soul hit with brand new bass, guitar and rolling drums, creating a magical dancefloor moment.

Die großen Eurodance-Hits der 90er gibt es jetzt auch auf Vinyl! Mit der „90s Eurodance Collection“ erscheint die beliebte Compilation-Serie erstmals im klassischen VinylFormat und bringt das unverwechselbare Feeling der 90er zurück auf den Plattenteller.

Mit dabei sind einige der größten Namen dieser Ära: Ace of Base, Rednex, Gigi D‘Agostino und Whigfield sorgen für jede Menge Dancefloor-Nostalgie und unvergessliche Melodien. Ob treibende Beats, große Refrains oder die typischen Sounds der 90er – diese Vinyl-Compilation versammelt die Hits einer Zeit, in der Eurodance die Charts und Clubs eroberte.

„90s Eurodance Collection“ auf Vinyl – die großen 90er-Hits, jetzt im kultigen Vinyl-Format! Für alle Fans von Eurodance, 90s-Nostalgie und dem ganz besonderen Sound einer legendären Dekade.

On Rent Due, Chattanooga’s BbyMutha turns the pressure, exhaustion and absurdity of everyday life into a distinctly Southern rap record that could only come from her world. Raw, funny, confrontational and deeply personal, the album finds Bbymutha operating completely outside of the conventions of mainstream rap, filtering Southern tradition through the DIY spirit and fractured energy of the internet underground.

Across 15 tracks, Rent Due pairs heavy low-end and stripped-back drums with eerie, spacious production that draws from the darker lineage of Memphis and Southern rap without ever becoming nostalgic. BbyMutha's unmistakable delivery sits at the center of it all: deadpan one moment and explosive the next, moving effortlessly between money problems, motherhood, relationships, sex, frustration and survival with the same unfiltered humor that has defined her music from the beginning.

Production comes largely from Rock Floyd alongside Foisey, Paris Aden, Vile and Popstar Benny, while Lisha G, Vayda and Fly Anakin make guest appearances throughout the record.

Originally released digitally in April 2026, Rent Due captures BbyMutha at her most focused while retaining everything that has made her one of the most singular voices to emerge from the American underground: uncompromising, unpredictable and completely herself. Now available on limited edition vinyl!

“Let It Be Known” sits at a pivotal moment in Spice 1’s catalog — bridging the raw street energy of his independent Bay Area beginnings with the darker, more polished sound that would define West Coast gangsta rap in the early ’90s. This release captures the foundation of what made him one of the most respected voices to come out of the Bay Area scene.

Raised between Hayward and Oakland, Spice 1 helped shape the sound and attitude of West Coast rap during a period when the Bay was developing its own identity alongside Los Angeles. His delivery combined cold realism, street storytelling, and paranoia-laced lyricism in a way that influenced an entire generation of rappers across Northern California and beyond. At a time when gangsta rap was becoming national, Spice brought a distinctly Bay Area perspective — darker, more introspective, and rooted in the realities of East Bay street life.

This reissue highlights an important chapter in that evolution, featuring early versions of songs that would later become staples of his catalog. Tracks like “Ghetto Thang,” “187 Proof,” and “In My Neighborhood” reveal how Spice’s sound was already fully formed from the beginning. For collectors and longtime fans, Let It Be Known offers a rare look at the raw blueprint behind one of the defining voices of ’90s West Coast hip-hop.

* very limited edition
GRANULAR POLYPHONIES SHOOTING THROUGH LIKE BOLTS

For over ten years, Brussels-originals ladr ache have dipped their toes and vocal chords in all matter of
musical mischief as only they know how. With éclats z, their latest recorded offering, new canons arise
that belong to no place or genre. Between the layers of chant, other voices turn up in old tongues and
secret languages, gliding alongside pipes and electronic warps, pulsing in time with the granularity of
choice. Recorded over two years in different times and spaces, the living textures that emerge are sonic
libations as much as modern lullabies, inhabiting zones of ancient passages and timeless exploration.

‘Better Over Time’ represents a major next chapter
for BigX. Built around the idea that every action
has a result, the project explores what happens
after you get everything you wanted, including the
pressure, sacrifice and unexpected consequences
that can come with success.

The team is building a connected creative world
around the music, with the intention of creating
one album, one story and one film. The broader
campaign is expected to include cinematic
performance content, a connected short film and
music video narrative, physical product, retail
activations and immersive fan experiences

‘ROSEBUD’ is the tenth album from Current Joys,
the solo project of Surf Curse drummer Nick
Rattigan - and his boldest reinvention yet.
Written during a difficult period and reworked
alongside producer never goodbye (Danny
Dwyer), the record transforms a set of strippedback slowcore songs into a maximalist collage of
nu metal, screamo, electronica, hip-hop, powerpop, emo and darkwave.
Big anthemic hooks shouted through layers of
static, punk chord progressions chewed up by
digital manipulation and moments of striking
tenderness underneath the noise.
It’s also a milestone: ‘ROSEBUD’ is the first album
Rattigan is self-releasing, via his own imprint They
Are Evil, after years on Secretly Canadian - a
return to the artistic freedom of his early
Bandcamp days.

Another slice of disco house goodness from the cheeky chopper, re-editing some bonafide dancefloor classics - limited to only 200 copies!

Gilbert O’Sullivan kehrt mit *On The Record* zurück, einem neuen Studioalbum eines der beständigsten
Songwriter Großbritanniens.
Mit einer Karriere, die sich über sechs Jahrzehnte erstreckt, und Klassikern wie „Alone Again (Naturally)“,
„Clair“ und „Get Down“ bleibt Gilbert eine einzigartige Stimme im britischen Songwriting. Geschätzt von
Künstlern wie Paul Weller und Tim Burgess, begeistern sein Witz, seine Wärme und sein melodisches
Handwerk nach wie vor ein Publikum aus alten und neuen Fans.
Auf *On The Record*, das Gilbert gemeinsam mit Andy Wright (Simple Minds, Eurythmics, Jeff Beck)
produziert hat, beweist er erneut sein Gespür für tiefgründige Texte, eingängige Melodien und den unaufdringlichen Humor, der seine bemerkenswerte Laufbahn prägt. Zu den Höhepunkten zählen das soulige „It’s
Me“ mit seinem unverkennbaren 70er-Jahre-Flair und Anklängen an Steely Dan, das Duett „Is That You?“
mit Andrea Corr (The Corrs) sowie das augenzwinkernd-autobiografische „Growing Old Disgracefully“, in
dem Gilbert scherzt, dass „unanständiges Altern weitaus besser ist, als brav und gesund zu bleiben“. Das
von Tony Hoffer (Air, Beck, Belle and Sebastian) abgemischte Album verbindet Intimität mit einer opulenten, zeitlosen Produktion und rückt Gilberts Stimme und Songwriting in den Mittelpunkt.
Mehr als 55 Jahre nach seinem Debütalbum *Himself* veröffentlicht, ist *On The Record* ein weiterer
Beweis für Gilbert O’Sullivans anhaltende Kreativität. Ehrlich, melodisch und unverkennbar eigenständig,
schlägt das Album ein willkommenes neues Kapitel in einer der markantesten Songwriter-Karrieren der
britischen Popmusik auf.

Sie ist Grammy-prämierte Produzentin, Songwriterin und Musikerin, hat mit Tyler, The Creator, CASISDEAD, Skream und Skrillex zusammengearbeitet und weltweit Millionen Tonträger verkauft. Heute meldet
sich La Roux nach langem Warten zurück: Ihr viertes Album „Old Flames“ erscheint am 6. November.
Mit der neuen Single „Cabin Fever“ gibt sie einen ersten Einblick in die Geschichte, die sich auf dem Album
entfaltet.
Von La Roux selbst komponiert, geschrieben, produziert und arrangiert, ist das Album das selbstbewusste
Statement einer Künstlerin, die aus Offenheit und Fantasie Kraft schöpft. Auf „Old Flames“ setzt sie
sich mit dem Ende einer 17-jährigen Beziehung auseinander, mit dem Schmerz einer verbotenen Liebe, der
Einsamkeit der Sucht und dem Ringen darum, Sexualität und Identität unter den kritischen Blicken der
Öffentlichkeit miteinander in Einklang zu bringen. Ihre Inspirationsquellen reichen von David Lynch und
„Donnie Darko“ über All Saints und Mariah Carey bis hin zu ihrem Jeep und sommerlichem Regen. „Old
Flames“ ist nostalgisch, zieht tief in seine eigene Welt hinein, blickt zugleich nach vorn – und ist durch und
durch La Roux.