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Hardcore to speedcore... Industrial crazyness growing more and more till the last track witch offers a pure fury.

LTD 150 copies

Ok, this one is different from the usual standard of re-edits releases on GAMM.

Swedish duo Pomona Dream from Gothenburg is no re-edit outfit but an official artist. The main track 'Blame It On the Groove' is a vocal rare groove jam which is based on Aged In Harmony's highly sought after 'You're A Melody'.

Together with catchy soul/pop vocals from Pomona Dream and tasteful additional production this simply just works...yup it's that good.

To make the case even stronger Pomona Dream got an extra treat on the B-side. 'San Francisco' got an uptempo electronic / hip hop feel that is very modern yet very timeless with its simplistic vocals and synth(ish) melodies.

It's basically a solid song with an edgy production. All in all, this a real nice 7" inch with lots of character. Check check!

Words from the label:

Our imprint marks its five years anniversary this year and to celebrate it’s offering up five special various artist packages across 2019 limited to 250 copies each, featuring material from the likes of Vid, The Mole, Cinthie, Shinichiro Yokota, San Proper, Akiko Kiyama, Com Sin aka Cosmin TRG, Subb-an and more..

Kicking off the third instalment of the series is San Proper’s ‘Your Call’, a robust yet dream house workout fuelled by choppy bass hits, fluttering synth licks and a shuffled analogue drum groove. Barcelona based trio Triad follow with ‘Room N’, a hypnotic house cut fuelled by ethereal chord swells, modulating percussion and vacillating bass tones.

Tokyo’s Iori Wakasa then rounds out the release with ‘Rave In A Village’, as the name would suggest embracing a classic house feel via a winding piano chord, twinkling piano melodies, crunchy drums and mesmeric pads throughout.

This project also sees a new design concept for the imprint from London’s David Surman’s painting installation project ‘Paintings For The Cat Dimension’ which ‘’explores the motif of the cat as emblematic of internet aesthetics, a place where all painting styles and modes now exist non-hierarchically as pure information.’’

Focus on your steps for this 3/4 sample-based tune by Rubini, the psychedelic cactus “San Pedro” will bless you with a magic trip.

April 2017, Osaka, Sakura, the beautiful time of the cherry blossom. We quickly get a warm coffee from the drinks vendor down the street, then off to Kabamix' LMD studio downtown. Time is short, the off-days are counted on tour. As the year before at the SVS label camp in Budapest, we stick to the plan: one track a day. This time we have guests! Marimari, Arihirua and Ryoko epitomize the perfect antipodes to the lonesome samurai on his white horse (Shiroi Uma) we had in mind on our first EP (SVS010). Everything flows, everything is improvised, the music itself is the place where we meet, no much talking about what´s happening, we just carry on doing the thing. The studio of Kabamix, longtime soundengineer of Haruomi Hosono, has built up over many years, it´s a hoard of like-minded people. Gekko No Odoriko translates to 'Moonshine Dancer'. The rhythm, as usual a driving force in our music, is converting every listener unwillingly into a squirrelly moving dancer. Heavy, yes, bassy, yes, yet never isolated drums build the foundation of the beatgrid as well as the arrangement. With an ascending condensation of musical events, the track enfolds it´s physical energy vertically and horizontally. And just as the spacey synth enters the track, Mari Mari has entered the studio, a Korg Prophecy under her arm, straight into the recording cabin, recording 'it'. Vocals by Ryoko aka Mt.Chills and us happy bunch. Holy Water: Visiting the holy mountain near Nara national park, the impossible seemed so simple: capturing water. An old man mumbling on the floor next to the entrance, little volvic bottles making their rounds to this special zone, bamboo growing high all over the place, deers walking close by as if there was no distinction between us living beings.

Here we see San Proper and The Mole make a welcome return to the imprint following solo EP's, this time they join forces with Hreno for a three track EP from the powerhouse trio.
Leading on the package is 'Friendly Tears' which features yet another leading figure in the house scene, Dekmantel regular Tom Trago, as you'd expect from such an impressive array of artists we're treated so soul drenched house driven by swinging organic drums, infectious funk licks and hooky synth lines before the 'Chunkless Mix' strips things back a little, laying focus solely on the 80's tinged synth work, delayed vocal murmurs and
minimalistic percussion.'On The Floor' then rounds out the package, retaining a similar aesthetic with choppy guitar melodies, penetrating bass stabs, crunchy rhythms and resonant arpeggio synths ebbing and flowing dynamically throughout.

Heavy House, Nu Disco style !

'Lam San Ra', arranged by Maft Sai and Chris Menist As a precursor to their forthcoming LP in 2016, the Paradise Bangkok crew let fly with this latest molam disco excursion, that was written on last year's tour !
Spaced out khaen and trippy phin lines fly over the heaviest of grooves, continuing the 21st Century Molam project in fine style.
Side B 'Version' Dub by Nick Manasseh With Nick Manasseh back on dub duties, the tough bass and drums come to the fore, peppered with dashes of echoed out phin and percussion. A next level session for the more discerning dancefloor!

The very best Intraveneuse so far !

180 g 12"

NAISSANCE MUSIK proudly presents ELEPHANTOMS, the second EP, produced by HEAR and SAN PROPER.
Elephants represent past and present, but also part of our future.
They are among the largest and oldest animals on earth - powerful and yet fragile, eternal and yet almost extinct. When you think about music, similar ideas come to mind - of course the power of sound and dance, the energy of the party because of that group-feeling of the herd, but also the fragile aspect of harmony, the quality of family that is so difficult to reach in a formation of individuals, plus that moment when the music adapts to the people, and the people adapt to the music.
Elephants are phantoms in music, they haunt dancers and listeners. But they haunt us in a positive way, to remind us with the idea that we are part of a refreshing and renewing cycle, the circle of life. This is why this elephantism' brings awareness, love and care to your sound-system, think about it and remember.
(the first track Up the Hill' starts the journey and will make you climb the first mountain, then The Groin allows you to copulate and get sexy with your crew through the tune. Macha Moves brings laughter and tears after sex, makes sweat in the late hours but whips up breakfast and morning-glory at the same time, while the last track is a medley of memories, for an Elephantom remembers everything...).
ELEPHANTOMS is the collaboration between HEAR & SAN PROPER, two dedicated musicians who have created this EP in Canada, Lebanon, Holland and Germany in honour of a dying breed which is close to extinction.
This is for the spirit of the elephant.
While you purchase this piece of music, please also look into the right organisation to donate and help these dinosaurs before they will haunt you like phantoms. (Manuel Benguigui)

"New from the west London revivalists - Bearface Records return with an off-kilter house offering.The San Jose EP opens with it's namesake - a raw and rollicking percussive house workout for those heads down, late night moments On the flip is a hazy, sliding Roy Ayers based groove with Brazilian inflections and a gorgeous clipped french-house rhythm track underpinning it." off-kilter house offering. The San Jose EP opens with it's namesake - a raw and rollicking percussive house workout for those heads down, late night moments On the flip is a hazy, sliding Roy Ayers based groove with Brazilian inflections and a gorgeous clipped french-house rhythm track underpinning it." Records return with an off-kilter house offering.

Support so far:
Voyeur, Kito Jempere, Moodymanc, Tronik Youth, Mr. Top Hat & Alfie, Joris Voorn, Carl Craig, Ponchartrain, Joseph Capriati..

yes it's the Amsterdam rockstar, who over the last fifteen years rocked major clubs and festivals to smaller bars and dodgy underground locations all around the world.TIP!

Fortuna Records reissues a double banger by Aris San, the absolute don of the 'Greek Jaffa sound'.

'Boom Pam' was released in 1967 becoming an instant hit nation-wide. The track ignited the 'Greek Craze' which would dominate Israeli taverns for nearly a decade. Replacing bouzoukis with electric guitars, San gave Greek music a psychedelic edge making it popular with the in-crowd of swinging Tel Aviv.

On the flipside, his 1972 tune 'Dam Dam' is an equally infectious, ouzo fueled, dancefloor saga, demonstrating the absolute best of San's unique and influential style.
Limited press as always, do not miss !!!

Awaking from the dreamstate of Gryningen's hazy library inspired 10", we find Aficionado's expert selectors well rested and in the mood for a dance.
Utilising their extensive network of global connections, Moonboots and Boardman enlist Hungarian producer San Laurentino to raise spirits and pulses with a deep and diverse collection of body movers.

Perfectly conjuring the nostalgic melancholy its title suggests, opening track 'First Love' takes us by the hand for one last dance under the stars.
Cinematic pads sweep around a snapping drum pattern as a signorina from Rimini embraces a Basildon boy, seeing out the summer season to the hair raising chords and spine tingling sequences of a San Laurentino's masterpiece.

While that holiday romance might have come to an end, 'Back To The Stars' leads you off in search of new experiences. Emotive pads, undulating bass sounds and celestial keys vie for attention while the solid kick, intricate percussion and lively hats play out a swaying rhythm. Then all of a sudden the track changes tack completely, tripping out to a modular melody and sinuous techno bassline before reaching a soul soothing conclusion.

On the B-side 'Long Way Home' lulls us into a false sense of security via a gentle drumbox bossa, before thick bass stabs and a tough new beat rhythm take control of our bodies. Once again San Laurentino packs the track with atmospheric chords but this time adds delicate guitars and subtle piano, balancing the steely rhythm section with deep emotional resonance.

Closing the EP with unrivalled sophistication, 'Amici' sees San Laurentino drop the tempo and concoct an irresistible low slung groove before expanding our minds with wavering pads, hypnotic chimes and misty synth vox.
The perfect finale to an EP certain to leave you misty eyed on the dancefloor. Officially Aficionado

Arma Label announces its eighth release. San Proper's Pet=Master EP is the second extended play record in a row produced by the label in year 2014.
Series of ecstatic appearances of San Proper at Arma17's major events literally forced the label to choose more in-depth format to publish the artist.
Pet Master is very subtile, contemporary reconstruction of colourful experience of Amsterdam underground veteran. It contains three tracks, each of them is full of energy that San Proper shared over the last fifteen years, "spinning and playing live from major clubs and festivals to smaller bars and dodgy underground locations".

Amsterdam's wild-man San Proper is unleashing his inner beast! The results are being served up on his debut album 'Animal', due out spring 2012. The whole album was mixed by San & Ricardo Villalobos...sounds GREAT! TIP!

After his ace remix for Nicolas Jaar's 'Space Is Only Noise' here on Circus Company, our man Dave Aju is back with an appropriate dose of in-between original music for the fall season.

Tom Flynn marks his first appearance on Exit Strategy, starting off with a strong package of four tracks. Each of them tends towards a slightly different side of his ecstatic and clean production style - making this a very coherent well balanced collection of killers.

Back In Stock!

"The dazzling symphonic album he always threatened to produce" UNCUT 5/5
"A soulful symphonic masterpiece" ROLLING STONE

Originally released in Japan only on CD in 2002, Plush's Fed lives up to the cult-like adulation it has garnered ever since. A stunning symphony of Bacharach-inspired pop, Toussaint-swing andMelody Nelson-era-Gainsbourg, it's an album bound together by Liam Hayes' maverick genius, an uncompromising Brian Wilson-esque quest for sonic perfection. Positively indulgent in every way, this sumptuous record has long deserved to be treated to a deluxe vinyl edition. Lovingly overseen by Hayes and recent collaborator Pat Sansone (Wilco/The Autumn Defense), it will finally be available on the format it should've always been, this Record Store Day 2018. Remastered and presented as a double LP - cut specially at 45rpm - it comes housed in a beautiful gatefold jacket with expanded artwork throughout.

Its expansive, singular vision infamously took years to realise, involving Earth Wind & Fire's horn arranger (the legendary Tom Tom MMLXXXIV) amongst other elite personnel. Recorded with five different engineers (including Steve Albini and John McEntire), Hayes meticulously extracted every ounce of pop from each note. A long list of renowned studio ringers (including soul drummer Morris Jennings) and Chicago regulars (McEntire, Rizzo, Parker) among many others provide playing of demonstrably professional precision. As such, Hayes' complex, meandering melodies are rendered far more coherent and satisfying than they otherwise might have appeared, bringing his epic, anguished pop to a rarely seen level of perfection and depth. This unstinting dedication to the overarching vision was rewarded handsomely - artistically, at least.

However, as might have been expected, his deluxe approach resulted in a bill too steep for any American or European label to ultimately support. It has since seemed unlikely that it would see the light of day on either side of the Atlantic. Yet we were determined not to allow Hayes' lifetime achievement to go unnoticed or let music fans across the world miss out on one of the finest albums of this century.

A wide-eyed opus of stunning intensity, Fed oozes Hayes' impeccable influences without ever becoming overwhelmed by them. Incredibly, it touches upon Blaxploitation soul, Boz Scaggs-soft-rock, hints of jazz and blues, timeless baroque and skewed pop. In one long minute, the stabbing, soulful "So Blind" moves through five different melodic segments, horns shift easily from haunting backdrop to explosive forefront, smoothly giving way to strings as Hayes' voice casts its bewitching spell. The ambitious soul of "Having It All" has been described as the diffident cousin of Marvin Gaye's "Save The Children" whilst the breezy "Greyhound Bus Station" is pure 70s AM Gold, evoking the easy warmth of Jimmy Webb's beloved Land's End period. The sublime resignation of "No Education", a beautifully slow number that begins, "Never read a book in my life/ But I feel just fine" is post-rock ballad heaven. Arriving towards the end, the title track arrives as a majestic suite, moving from a horn-and-guitar-led instrumental via shifting melodies to Hayes' compelling vocal bursts.

An album of such brilliance, Fed can comfortably sit alongside such staggering statement pieces as David Bowie's Young Americans, Randy Newman's 12 Songs or Harry Nilsson's Nilsson Schmilsson. Indeed, for all the sprawling elements that went in - lengthy guitar builds, exploding horn sections, solemn strings, female backup chorus - it is a deeply personal and original record. Employing a distinct "more is more" aesthetic, he demonstrates remarkable restraint in producing an album of such intimacy. "My creation has drowned me," he memorably sings on languid opener "Whose Blues", yet he navigates the shifting styles and ideas with enviable ease.

One of the big classic from Toolbox. Finally repressed with the missing track... Another way to compare the various cuts through the ages for those who are lucky enough to have the older versions ! ENJOY !

Witth jonny Stechinno we sick for the Pumpin Science :)

Mar & Sol presents the new album of the legendary band África Negra,"Alia cu Omali". New songs and some popular classics recorded between Lisbon and S.Tomé.
This album Its a reflection of the old rumba and soukous music that this epic band of São Tomé e Príncipe got us used to. They are an icon and one of the main bands of this island, representing in their music the authenticity and culture of the former Portuguese colony on the equatorial meridian.

It is our mission to expand this culture and here it is the testimony in our series of Luso Afro music which could best represent São Tomé.

After a long time silent, La Luna is back with a 6 track VA featuring artists, Exit 47, Maricopa, Olywok, Mr. Projectile, Inmost and Senoy & Joce. The dreamy artwork was done by Berlin based artist, Heather Marie and will be pressed on 180 gram with a beautiful high quality outer sleeve. We hope you enjoy the sounds ranging from ambient, deep house, IDM and all types of downtempo electronica. Secure your copy and stay tuned for news on LALUNA003

CAVE are kind of beyond time. You might feel like it's been
awhile since you've seen or heard them but when you see
or hear them again, that moment will feel like 'Allways'.
During the making of the last album, 'Threace', CAVE was
in the process of becoming a quintet. They toured the
world afterwards, playing on four continents and eighteen
countries - as close to everywhere as they could get. Then
they took a minute. They recorded it over time, in Chile
and then Chicago. You can hear all of this, the energy of
liveness, the reps, and consolidating expanded possibilities
within their new alignment, the time away, the distance
and the freshness of returning to recorded sounds,
everywhere on 'Allways'.
In the past, much has been made of CAVE's use of
particular compelling tropes but their inspiration comes
from everywhere - Miles, psych, beats, exotica, library
music, rock, punk, the Germans, the New York guys too,
minimalists, the Dead, music from India, everywhere. This
is a bunch of guys playing rock-based music in a way that
pushes them forward from everything they've experienced.
When you listen to the new CAVE you hear guitars - lots of
them - bubbling under, scratching, fanning, locking in and
taking off, soaring on acid-washed wings, with keys that
pump, burr and whoosh in and out of the rhythms.
Half-speed mastering of 'Allways' at Abbey Road has
allowed the activity at all frequencies to present with a
liquid fullness and ripe detail. 'Allways' is a blueprint for
your ears to read and a map for CAVE to follow through
the world.

Franck Roger is back on his imprint Home Ivasion label for a new season with some dope upcoming
House stuff and a brand new record design aswell MOGOLDINO
We keep it funky here with that disco housey drums and stab samples filled with some dope vocal hooks. The track is all about funkyness and happiness here under the sun wich reminds me some good warehosue partys on the west coast. We are good for a real trip on this Mogoldino track :-)= SAN DIEGOFranck is taking us to a dubby - house trip kinda very trippy at the same time wich reminds us some of the old Idjut Boys in the drums and sound designs mixed with this typical West Coast sound from the 90's. The track is a fully rushed bomb for the floor wich has to be played very lood on a heavy sub system.

Nachdem Fuzati Vom Französischen Klub Des Loosers Und Das Pariser Label Modulor Les Tres Jazz Club Mit Obskuren Japanischen Jazz Reissues Ins Leben Gerufen Hatten, Folgt Nun Mit Le Tres Groove Club Ein Neues Label Für Grooveorientierte Reissues. Auch Auf Der Zweiten Lp Honorieren Sie Jack Giordanos Arbeit, Der Sich Mit "boucles Rhytmiques" Unter Dem Pseudonym Jose Pharos Dem Disco Sound Mit Einem Melancholischen Lo-fi-touch Widmet.

On Pedro Vian's second album, the now Amsterdam-based artist opens up a new sonic chapter of his life, running through depths of emotions and feelings, traversing moments of euphoria, fury, serenity, hope and love. Recorded between 2014 and 2018, the self titled LP opens with a melodic flourish, drops down through mournful vocal driven pieces and lands on fast moving synths across a set of 12 deeply personal tracks.

A follow up to Vian's 2016 acclaimed debut album 'Beautiful Things You Left Us For Memories' - supported by Pitchfork, RA, XLR8R, Ransom Note, The Quietus, NTS - this sophomore LP shows the breadth and maturity of Vian's sound, falling in between the cracks of downtempo electronica, ambient and post rock. Pedro discloses: 'I have tried to be sincere, transparent and pure. During the recording process I have avoided artificiality. I do not like the overproduction of music. I like to feel the naturalness and the essence of the beat of the instruments. I like to look inside until I find something real with which to communicate'.

'Pedro Vian' arrives on Vian's own Modern Obscure Music imprint, home to like-minded artists such as Jamal Moss, Gavin Russom, Tevo Howard, Ivy Barkakati, Eterna and Sau Poler. Vian initially cut his teeth in the Barcelona scene, first as part of the duo Aster with JMII on Hivern Discs and Jamal Moss' Mathematics then as a solo producer on his own Modern Obscure Music, MM Discos and Spring Theory.

Following the premiere of their new documentary in London yesterday, BROCKHAMPTON have shared a new single. "J'OUVERT" is the latest offering from their major label debut album IRIDESCENCE out now via Question Everything/RCA Records. The single's accompanying visual is directed by Spencer Ford and was shot entirely with a thermal imaging camera, corresponding with the art direction of the group's forthcoming album. IRIDESCENCE is the first from a trilogy called The Best Years of Our Lives and arrives after the group recently returned home from an expansive European tour, where they spent time recording the album in London's iconic Abbey Road studios, with Australian and North American tours still on the way. Today, September 21st the group are live-streaming their show in Auckland, New Zealand on YouTube, where they will be performing IRIDESCENCE in-full for the first time.

Los Angeles - September 7, 2018 - Billy Idol's 1980's remix collection, Vital Idol, is getting a modern-day upgrade with Vital Idol: Revitalized, set for release on CD and digital by Capitol/UMe on September 28. A 2LP 180-gram black vinyl in addition to a limited edition, color variant will follow on November 16.
More than 30 years after his groundbreaking Vital Idol compilation cemented the vibrancy of the dance-rock remix genre in the second half of the 1980's, Idol's Revitalized collection features 11 brand-new remixes of his most classic and enduring hits. Lending their hands to the Revitalized proceedings are electronic dance luminaries Moby, The Crystal Method and Paul Oakenfold as well as current innovators including Tropkillaz, Shiba San, Juan Maclean, CRAY and RAC, who's remix of 'Dancing With Myself' debuts today.
Vital Idol, initially released in Britain in 1985 and subsequently issued in the United States in 1987, was the first remix record released by a rock superstar. Besides being certified platinum, Vital Idol was accompanied by a version of 'Mony Mony' that reached No. 1 on the Billboard Hot 100 Singles chart, as well as hitting the Top 10 on the U.K. Singles chart.
Highlights found within the grooves of Revitalized include The Crystal Method's percussive, explosive stab at 'Rebel Yell,' CRAY's bass-and-keyboard-blessed 'White Wedding,' Tropkillaz's trop-house framing of 'Eyes Without A Face,' St. Francis Hotel's shimmering stop/start caress of 'Flesh For Fantasy,' and RAC's retro-harmonic, fist-pumping 'Dancing With Myself.'
Meanwhile, the digital version of Revitalized features four additional exclusive remixes, namely the brand new Billy Idol/Steve Stevens Remix of 'Mony Mony,' Paul Oakenfold's Extended Remix of 'One Breath Away,' Moby's 'Half Time Version' of his take on '(Do Not) Stand In The Shadows' and 'Save Me Now (Lost Dog Remix),' reworked by Billy Idol's son, Willem Wolfe with Brandon Rauch and Ed Bedrosian.

One man's vision of Soul music's evolving potential' ROLLING STONE

The Bamboos are one of the highest profile soul / funk acts in Australia, and have been recognised worldwide as masters of reinventing the genre with modern songwriting within classic arrangements & production over the past 10 years. They've clocked up some impressive Spotify hits numbers on along the way: " Wilhelm Scream" (3.5 M), 'On The Sly' (2.8 M), 'Helpless Blues' (1.8 M)"
Mainstay members Lance Ferguson and vocalist Kylie Auldist are also the creative forces behind one of 2016's biggest singles, 'This Girl' by Kungs Vs Cookin' On 3 Burners. Ferguson played on and co-wrote the song (incl that infectious guitar riff and lyrics) which along with Auldist's powerhouse vocals. The remix went on to hit #1 in France, Germany, #2 in the UK, top 20 in Australia and the US and top 30 in 35 countries. It's edging close to half a billion Spotify plays and 300 million Youtube hits.
Having previously collaborated with the likes of Aloe Blacc and Alice Russell, their latest offering 'Night Time People' see's the band call to mind everyone from Martha Reeves to Sharon Jones, The Bamboos deliver two catchy singles that draw together the raw drive of their earliest LPs and their more recent progressive experimentations in the studio. It's a fresh approach that finds the band wholly reenergised.

Belgium's favourite underground house DJ Red D celebrates the 10 year anniversary of his We Play House Recordings label with 6 vinyl samplers containing new tracks and some very wanted gems from the catalogue. Artists featured are San Soda, Fabrice Lig, FCL (featuring Lady Linn), Kiani & His Legion, krewcial, Reggie Dokes, Raoul Lambert & Nacho Marco, Art Of Tones and many more. Voices Near The Hypocentre
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About We Play House Recordings

We Play House Recordings - WPH - is the work of Belgian DJ & producer Red D. Started 10 years ago to release the music of his friend san Soda, the label had (and has) the aim to release house music in all its shapes and forms. WPH's house ethics date back to the days where house was just a name for music that was played in clubs. There is no such thing as tech house, no such thing as deep house or minimal, there is simply (house) music, good or bad.

We Play House Recordings is lovingly led by Red D (real name Bart Van Neste), one of Belgium's leading underground music figures. Be it in his role as DJ, A&R, promoter, music panel host or general nitelife instigator, Red D does things with passion, humor and a healthy dose of keeping-both-feet-firmly-on-the-ground...with a twist...

WPH was started in 2007, so it takes no math genius to know that in 2017 the label is celebrating its 10 years anniversary. Running from the spring till winter 2017 this anniversary will be celebrated with special vinyl releases, a triple CD, a digital compilation, a Spotify playlist and a series of label nights all over Belgium and beyond. True to form the compilation will have WPH classics but also a BIG bunch of new material from core artists of the label like Locked Groove, San Soda, Kiani & His Legion, Fabrice Lig and many more.

A high-speed car chase between a Dodge Charger and a Ford Mustang, with super-cop Bullitt at the wheel, who forces the hitman off the road and into a petrol station, which explodes and incinerates him. Prior to that, harsh clashes of metal, hubcaps flying all over the place, and the chief character Steve McQueen, who grimly changes gears and hurtles through the streets of San Francisco, wheels screaming and rubber burning. That was how Hollywood staged one of the longest and most dramatic car chases, long before the days of the Anti-Blocking-System and Anti-Slide-Control.

Very up-to-date and just as exciting as the screenplay is the music Lalo Schifrin wrote for the film, which embeds the characters, places and events in a musical context. For example, "Bullitt": the metrically angular main theme portrays a mysterious, cool character who sums up a situation with keen alertness and then makes his attack with the speed of lightning.

Initially the music travels through easy-going Latin terrain. But gradually the rhythmic texture changes and takes a rougher path, with clicks, knocks and hammering. Legendary flute lines create a compensatory placidness with airy clouds floating above the sharp mix. A really special track is "Shifting Gears": here you can listen to Schifrin tuning the car, how he manipulates a jammed springy bossa to take on the sound of clean, smooth-running rock.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

IT'S TIME TO PAAAARTY! Why The Universe knows that Tramp is celebrating their 40th trip around the sun in 2018. And what about planet Earth Well... it is as blind as it is in so many other situations. Therefore, it is time to shine the light on Tramp for all of its unremitting efforts. As musical diversity is vanishing, especially in the field of African American music from the 1960s/70s, it is our duty to stop the extinction of threatened species of music in the same way an animal welfare activist would do anything to save a gorilla's life. Tramp Records keeps this beautiful heritage alive, every single day, again and again and again. So we are here wondering why Earth people and especially to those from our beloved home country, why why are you just sitting there, going about your life unaware of this historic event What a pity!

The announcement is especially striking when it comes to the prestigious "Movements" series. Like all its predecessors, this ninth volume contains Rare Groove nuggets recorded between the early 1960s and the late 1970s. The fact that only one of the songs appear anywhere else is a jaw-dropping phenomenon! The chronological track listing starts with two amazing cover versions: "Fever" by Gee Gee Shinn & the Boogie Kings and "I'm A Woman" by Connie Kaye Trio. Bus Brown, Earl Demus and Chuck Finney remain in the same direction although their contributions are slightly jazzier. Chick Willis' gut-wrenching "Sometime Soon" easily rivals James Brown's "It's A Man's World" and the recordings by Australia, J.R. and Joe Akens are beautiful examples of privately produced soul from the 1970s. The latin-soul of "Cho Cho San" by Hummingbird 4 heads the sound in another direction for the next three tunes, highlighted by one more stunning cover version, Oscar Brown Jr.'s "Brother, Where Are You". The album closes with some pre-disco tracks from The Counts, Reunion and Hot Cakes' dance floor bomb cover of "Harlem Shuffle".

Over a hundred great unknown songs have been re-released on the first eight volumes in the "Movements" series, the majority of which can not be found elsewhere, and Vol. 9 is no exception. The work of Germany's tiniest but grooviest record label is still incomprehensibly underestimated. We know you diggers, collectors, mavens, aficionados, fanatics, completists, enthusiasts, and just plain record geeks know what's up and we heartily salute you! Without your support there would be no Tramp Records. But now it's time for a broader cultural shift for good music and a sweeping move to uphold the legacy of the unsung heroes of funk and soul. Therefore, we humbly petition you: in 2018, Don't keep all this glory to yourself! Turn your friends and neighbors on! Thank you!


- the double vinyl LP comes with a full album download code

- deluxe double-gatefold LP with detailed liner notes, label scans & unseen photographs

- all but one song appear on vinyl-LP for the very first-time

This EP shows the musical development of the past 2 years in which KAUW has translated their live sound to studio recordings. It's made with the intention to work well for the club, while all of the live elements such as acoustic drums and bass guitar are on the foreground of the tracks. It's important for the band to show the energy of their live shows in the record. In this way, this EP is a switch from the more funky, live first record (which suggests the electronic side) to this EP which is on the crossroads of live music and produced House music.

The A side featuring 'PITCH' is a bit darker and a real dancefloor killer. Hard synths, deep bass, clear drums and an intense dynamic in which you're taken on a Kauwjourney to which it's unable to stand still. The B side featuring 'Nergens' is more funky, light and sweeter with beautiful synths, funky basslines and groovy drums, inspired by the mix of '90's Disco and House. San Proper's remix takes this funky track to a real Proper-world with beautiful guitar melodies, deeper basses and extravagant vocals.

"Psychedelic Sounds in Japan" is the debut album by the undisputed" kings of the sixties Japanese Garage/Psych scene. Original LP copies of the album trade for hilarious amounts! This reissue restores the offensive lyrics track "Blind Bird,". Sought after worldwide and if you're a fan of tightly written songs, great playing, totally incomprehensible lyrics and a smattering of surprising covers, this ones for you.

Strap yourselves in as Post Pluto takes flight with French duo, RBDP, on their fresh self-titled EP. The record features four tracks of high altitude cruisers, soaring through the elements of acid, deep house, breaks and dubbed out synths. We depart the
troposphere with "Acid R", a mellow and low-end fusion of dubby textures and acidic lines. "Like Dat" follows, with moody pads, percussive grooves and celestial tones. On the flip, "St San" takes the record into an acidic journey of 303 sequences and saturated 707 drum patterns, with a sublime zero-gravity remix by Red Ember Records bossman Ewan Jansen.

**INITIAL 400 LPs CONTAIN A BONUS 7" BY MEL-O-MADNEZZ**

IT'S TIME TO PAAAARTY! Why The Universe knows that Tramp is celebrating their 40th trip around the sun in 2018. And what about planet Earth Well... it is as blind as it is in so many other situations. Therefore, it is time to shine the light on Tramp for all of its unremitting efforts. As musical diversity is vanishing, especially in the field of African American music from the 1960s/70s, it is our duty to stop the extinction of threatened species of music in the same way an animal welfare activist would do anything to save a gorilla's life. Tramp Records keeps this beautiful heritage alive, every single day, again and again and again. So we are here wondering why Earth people and especially to those from our beloved home country, why why are you just sitting there, going about your life unaware of this historic event What a pity!

The announcement is especially striking when it comes to the prestigious "Movements" series. Like all its predecessors, this ninth volume contains Rare Groove nuggets recorded between the early 1960s and the late 1970s. The fact that only one of the songs appear anywhere else is a jaw-dropping phenomenon! The chronological track listing starts with two amazing cover versions: "Fever" by Gee Gee Shinn & the Boogie Kings and "I'm A Woman" by Connie Kaye Trio. Bus Brown, Earl Demus and Chuck Finney remain in the same direction although their contributions are slightly jazzier. Chick Willis' gut-wrenching "Sometime Soon" easily rivals James Brown's "It's A Man's World" and the recordings by Australia, J.R. and Joe Akens are beautiful examples of privately produced soul from the 1970s. The latin-soul of "Cho Cho San" by Hummingbird 4 heads the sound in another direction for the next three tunes, highlighted by one more stunning cover version, Oscar Brown Jr.'s "Brother, Where Are You". The album closes with some pre-disco tracks from the mid-to-late 1970s. Funk 7" collectors will freak out to finally get a chance to listen to Mel-O-Madnezz' superheavy "What You Getting High On" but will certainly also enjoy The Counts, Reunion and Hot Cakes' dance floor bomb cover of "Harlem Shuffle".

Over a hundred great unknown songs have been re-released on the first eight volumes in the "Movements" series, the majority of which can not be found elsewhere, and Vol. 9 is no exception. The work of Germany's tiniest but grooviest record label is still incomprehensibly underestimated. We know you diggers, collectors, mavens, aficionados, fanatics, completists, enthusiasts, and just plain record geeks know what's up and we heartily salute you! Without your support there would be no Tramp Records. But now it's time for a broader cultural shift for good music and a sweeping move to uphold the legacy of the unsung heroes of funk and soul. Therefore, we humbly petition you: in 2018, Don't keep all this glory to yourself! Turn your friends and neighbors on! Thank you!

- initial 400 LPs contain a bonus 7" by Mel-O-Madnezz ("What You Getting High On")

- the double vinyl LP comes with a full album download code

- deluxe double-gatefold LP with detailed liner notes, label scans & unseen photographs

- all but one song appear on vinyl-LP for the very first-time

"After a concert of Kenyan singer Ogoya Nengo in Berlin in 2015 in a pleasant conversation Guillermo Lares told me about his father, Oswaldo Lares, a studied architect who, parallel with his professional activity, began to make field recordings of the traditional and indigenous Venezuelan music from the early 1960s onwards up until today.

His search and fascination for finding the musical roots of his country led Oswaldo Lares to visit the rural villages outside Caracas, investigating the many and varied musical cultures of the region and the complex relationship between Venezuelan folk music and its various origins, including the African (mu´sica afrodescendiente).

The vast amount of music documents in the form of sound recordings, photographs and videos accompanied by notes and studies reflect the scope of this entirely self- taught sound engineer's work and represent a passionate documentary, making his work today one of the most comprehensive and systematic that has ever been assembled by a single person in Venezuela. Oswaldo Lares as an ethnomusicologist remained an amateur in the most direct meaning of the word: amare. Whereas most studied ethnomusicologists travel around the world to explore far away continents and foreign cultures, Oswaldo began to devote much of his spare time to the generally overlooked folk traditions that existed right in his very neighbourhood.

Currently Guillermo Lares has started to promote his father's work through the Achivolares Foundation, turning it into a living archive that preserves an essential part of Venezuelan musical memory. It is a pleasure and honor of our label TAL to support the invaluable work of Oswaldo and Guillermo Lares with this album."

Fleeting Wax introduces Eva Geist to their rooster - a very promising producer and live act. With a nordic feeling of nostalgia Blumareciano depicts the mediterranean sea landscape on a cloudy winter day. Soft beats, braid arpeggiators and thin out vocals build a cinematic scenario of spacious narration, a odyssey vacation thrilled by the new and encouraged by the hope to one day come back home. San Propers Remix takes Blumareciano down to a rusty dirty club and manages to combine techno with the deep vocals of Eva Geist.

The new ef ort from Brazilian label Easytiiger.Easytiiger__001 comprises 4 songs by 4 new acts - Mootron, BRZLN Air, Cacos and San Y Mayo. 'No Rave', a rebellion-track led by drunken synthesizers by Mootron, fl oats between bending arps, sharp leads and echoverb nukes land on a big fat drum kick and bright laser shots hi-hats - no rave! 'Detroit', by the young producer BRZLN Air, contemplates an ode to the whole history on electronic music that made the american city be known for what it is: drums, synths and love, a pure obsession. Cacos brings to life his exquisite dream-lover 'Sarah', a dark & mystic techno combined with elements of obscure chant rhythms - it's Sarah. San Y Mayo closes the 4-song compilation marching from the sea into the jungle - you might know what to expect but it doesn't mean it's there.

This is the sampler of the Affkt new album 'Son of A Thousand Sounds' to be released by Sincopat. It includes collaborations with Upercent, Piek and Sutja Gutierrez.

The Pack contains 12" Vinyl + CD Album
This is the sampler of the Affkt new album 'Son of A Thousand Sounds' to be released by Sincopat. It includes collaborations with Upercent, Piek and Sutja Gutierrez.

A heady 3 course meal (w/16 course bonus digital feast). Derrick Carter dubs up Alexander East's "Jest 4 Me", Mazi takes another swing at Chris Udoh's "Ready for You", David Duriez drops acid on San France Disco's 'Bringing Back Sweat To the Dancefloor"

LIMTED EDITION - 50 Packs
The Pack contains 12" Vinyl + CD Album + Album on USB stick + sticker This is the sampler of the Affkt new album 'Son of A Thousand Sounds' to be released by Sincopat. It includes collaborations with Upercent,Piek and Sutja Gutierrez.

Benedikt Frey heads this latest offering from the Batti Batti label, teaming up with jonas.san for "Girl From Venus", which pair the former's signature raw drums with the latter's outtakes of muted trumpet. Complementing this, Batti Batti's own Owen Jay & Melchior Sultana lay down a typically deep atmospheric houser with a few twists and hidden melodies in the shape of title track "Tribal Roots" and the 12" is further embellished by productions from debutant Lars Behrenroth and Mexican duo Romeo C & Alhan G who have previously been featured on a digital Batti Batti release.

..another one! this time it's SKUDGE SKUDGE SKUDGE VS SAN SAN SAN PROPER PROPER PROPER..... BIG 12"! TIP
Skudge - Silent Running
Swedish duo Skudge ends Dekmantel's compilation the way we expected them to
do: with a fierce jacking and hypnotizing techno monster. Lights off and strobes on please, this is for the heads (do people still say that!)

San Proper - Rattle (Station2Station)
Like the earlier mentioned Juju & Jordash and Makam, San Proper has been involved in Dekmantel's activities from the very beginning as well. It seems that the notorious Dutchmen is getting better with every release. Rattle is an exiling piece of house music, that will shake up dance floors easily.

Poker Flat return with their ninth label compilation featuring no less than 10 new exclusive tracks, uniting some of the brightest talents from their label roster, and also inviting some new names to join their mischievous posse.

Dubsided continue to release bass heavy electro house, and we welcome the follow up EP to Sticky K's previous Dubsided release. 'California EP' is a wonky 4 tracker stacked with all the right elements and surprising hooks.

Check out the mad vocal drops in 4 minutes into 'California', cheeky and a little barmy

A tony senghore remix

Roots dub rarities... Superb !

Special poster on 250gram paper. Postcard with photo taken by Sandrien. Hand-numbered sticker. Shrinwrap

After more than a decade without releasing new music, Amsterdam DJ and producer Sandrien returns with her debut album Compass, released on her own new label, inspi. Created during a stay in Spain, where she finally found the space to create freely again, the album marks a new chapter: no genres, no expectations, just music made purely on feeling. Compass is an album about finding your own path, personally and musically, a cycle of searching and finding, letting go and beginning again. Lead single 'Life' laid the foundation for it all. The visual world of the album is just as personal: photographs Sandrien took around her house formed the basis for its artwork and imagery. With 27 years of experience behind her, Compass proves that mastery doesn't lead to routine, but to exploration. This double LP includes a beautiful double-sided poster featuring two original artworks of ‘Compass’ by Dutch artist Pieter Jan Boterkoek. Releases October 9, 2026 Written and produced by Sandrien Mixed by Julien Chaptal Mastered by Giuseppe Tillieci at Enisslab Artwork by Studio Pieter Jan Boterhoek This album is made with love in Spain, Volkshotel Amsterdam and Groenekan.

In 1990, Pop Will Eat Itself released their third studio album. The British alternative rock band drew on many popular genres of the time, making them their own. Hip hop, industrial rock and alternative dance are all featured on Cure For Sanity.

The band also enjoyed success in the UK Singles Chart, with four singles reaching the top 40.
This album contains 1991 reissue of the album and is now available on a 2LP set for the first time.

Cure For Sanity is available as a limited edition on purple coloured vinyl and includes an insert.

The small print:
• Due to rights restrictions, this item is only available for customers in Europe.

The fifth album from Saint Abdullah & Eomac began as a poem and became a record that refuses to stay in one place. The title arrived in a cab in Paris. Mohammad Mehrabani read it aloud from a list of options. Ian McDonnell said: that's interesting, what does that mean? The answer, it turned out, was the album. Their fifth album When The Sandbox Has No Edge is rooted in hip hop, but its cast tells you how far it travels. Abbas Zahedi, Richie Culver, and Armand Hammer contribute vocals and poetry. Lester St. Louis brings cello. Che Chen of 75 Dollar Bill brings guitar. The producer and sound designer Seraphim contributed textures and sound designs throughout. Samples run deep, from records pulled from charity shops to market stalls on road trips across the UK. Raw fragments were shaped into fully formed compositions, structuring the chaos without flattening it. The sandbox, rendered without an edge.

Argentinian artist Juan Hansen presents his debut album 'Ultrasonido'; twelve tracks spanning indie dance, tech house, and soft melodic house, released on his own newly founded label Ultrasonido, with the second single 'Inside My Mind' coming out via belonging by Innellea.

After his breakthrough Boiler Room appearance in 2019, Juan has been on a relentless quest to push the boundaries, playing major stages around the globe, becoming one of the figureheads of the Argentinian electronic music world. As an exceptional live artist, multi-instrumentalist and vocalist, Juan brings a real sense of groove to the stage, merging two worlds effortlessly: deeply emotional songwriting and direct, dancefloor-focused club tracks. 'Ultrasonido' brings both sides together. The album is a clear evolution of Juan Hansen, presenting a wider range of his sound, which he also presents in his live performances. A journey through the musical world of Juan Hansen.

Across twelve tracks, with contributions from Clér Letiv, Santi Portillo, Franco BA, Rocio Giorgi, Miko Franconi, Brigado Crew and Marley Waters, Juan shifts between club-focused tracks and more intimate, song-driven moments, moving naturally between Spanish and English. It’s a debut album that captures both his roots and the direction he’s evolving toward.

Juan Hansen's story doesn't start on the dancefloor, it starts with acoustic instruments. He built his foundation in the indie and rock scenes of Argentina before crossing into electronic music, a journey that's still audible in every track he makes. After years of building his profile with live performances, mesmerizing audiences from Cosquín Rock and Ultra in Argentina to Watergate in Berlin, Burning Man in the Nevada desert, and Grand Factory in Beirut.

His search is real and visceral; a search for the different, mixing genres without prejudice, with a seriously playful attitude. Positioned within a new generation of artists dedicated to improvising on stage, Juan fuses electronic sounds with analog instruments and organic soundscapes. There's no genre cage. 'Ultrasonido' is his debut album and the launch of his own label, also named Ultrasonido. A long-form statement after years of singles, EPs, and shows around the globe.

Born in São Paulo, Caetano Malta embodies the vibrant creative energy of one of Latin America's most dynamic cities. A singer, songwriter, and multi-instrumentalist, he has spent more than twenty years crafting a distinctive musical universe shaped by Brazil's rich and diverse traditions. Tropicalia, MPB, Afro-Brazilian rhythms, psychedelic folk, and contemporary pop blend seamlessly in his work with effortless elegance.

Over the years, he has become a highly sought-after collaborator. Since 2004, he has performed with numerous leading Brazilian artists, including Lucas Santtana, Bixiga 70, Karina Buhr, and many others. After two decades of international touring, he eventually settled in Paris, where he became the guitarist for Flavia Coelho, Luiza, Guts, among others. As a songwriter, he has also co-written with artists such as Lucas Santtana, Wado, MOMO, Rubinho Jacobina, and Arto Lindsay.

With Eterna Juventude, his long-awaited debut solo album, due for release in autumn 2026, Caetano Malta reaches a new artistic milestone. The record reveals a radiant songwriting style where harmonic sophistication, organic rhythms, and instantly memorable melodies come together naturally. Filled with joyful energy and deep tenderness, Eterna Juventude celebrates imagination, movement, and childhood's unique ability to reinvent the world. It is a remarkably accomplished debut, showcasing an artist whose singular voice and musical identity are already fully formed.

Featuring Defected's very first UK No.1 chart single; the Ibiza classic 'Another Chance' from Roger Sanchez, Dennis Ferrer's anthemic mix of Fish Go Deep's 'The Cure & The Cause', Blaze & Barbara Tucker's huge 'Most Precious Love' and Kings of Tomorrow's 'Fall For You'. Those vocal hits sit perfectly alongside underground cuts from Maya Jane Coles who takes on MK's '4 You', Osunlade's 'Envision', Mr V's NYC classic 'Jus Dance' and the Karizma & DJ Spen's '4 The Love'. For the first time in its 27- year history , Defected compiles its greatest hits, underground anthems and bonafide house music classics into a 5 volume triple vinyl collectors series.

Three decades since Global Underground began defining what a superstar-DJ mix album could sound like, this anniversary release breaks from the format entirely. Instead of just one artist focus, the focus is on the decadal number: here there are 30 artists, 30 new exclusive tracks - and no mixing. Guy J, Rodriguez Jr., Quivver & Dave Seaman and an unexpected Nadia Ali/Frankey & Sandrino pairing headline the tracklist, compiled to represent the current state of the progressive-house lineage. Collector's edition aside, the standard triple-vinyl set on purple, orange and aqua vinyl is the one you wanna own.

Global Underground ist stolz darauf, diese wegweisende Veröffentlichung anlässlich unseres 30-jährigen Jubiläums präsentieren zu dürfen. Dreißig Künstler, dreißig brandneue, exklusive Tracks – zur Feier von dreißig Jahren, in denen wir euch die allerbeste elektronische Musik präsentieren. Auf „THIRTY“ sind einige der dynamischsten Künstler der Dance-Musik vertreten: Guy J, Rodriguez Jr., Quivver & Dave Seaman, Nicky Elisabeth, Yulia Niko, HotLap, Spencer Brown, eine ganz besondere Zusammenarbeit zwischen der legendären Nadia Ali und Frankey & Sandrino sowie viele weitere.

Georg Danzer war eine Lichtgestalt der Austropop Szene. Wie kein anderer hat er mit seinen Songs und Texten ins Schwarze der österreichischen Seele getroffen. Die Anekdoten auf "13 schmutzige Lieder" sind schlüpfrig, verwegen und oftmals herrlich unkorrekt. Danzers lässiger Dialekt macht den Reiz aus, er gibt den schmutzigen Liedern den Charme, der sie so unverwechselbar macht. Am 7. Oktober hätte Georg Danzer seinen 80. Geburtstag gefeiert. Zu diesem Anlass veröffentlicht Sony Music eine Neuauflage seiner "13 schmutzigen Lieder" auf "schmutziger Vinyl" - als Spezialpressung auf Black Dust Vinyl mit Orange & Schwarz. GEORG DANZER - "13 schmutzige Lieder" - ab 2.10.26 auf schmutziger Vinyl erhältlich! Tracklist: New Orleans Alptraum Stomp | Murphy's Law | Sado-Maso | Swinging Prostata | Rosarode Gummihandschuach | Gnädige Frau in Malaga | Eigentlich bin ich ein Schwein | Der imaginäre Vibrator-Walzer vom 22. Juli 1998 | Karibik in Unterhosen | Olle Weiber san G'frassta | A alte Drecksau | Strandbrunzer-Tango | Ballade vom versteckten Tschurifetzen | Ruaf die Zeitansage an | Leck Mich | Ich denk an Sex | Suche nette Partnerin zum Bumsen ... | Kreuzritter | Tanz Erotisch

„Oklahoma Toad“ von 1970 war Dave Frishbergs Debüt als Sänger und Startpunkt seiner gefeierten Karriere als Pianist, Sänger und Songwriter. Die Neuauflage präsentiert erstmals auf Vinyl den vom Künstler freigegebenen Producer’s Mix aller zehn Originaltracks. Eine Bonus-7" ergänzt „Peel Me a Grape“ und den bislang unveröffentlichten Schoolhouse-Rock-Outtake „A World Without Verbs“.

2023 Repress!

Les Disques du Crepuscule presents a new 180 gm vinyl edition of Fidelity, the 1996 studio album by cult Manchester ensemble The Durutti Column.
Limited to just 500 copies, this special double disc edition is pressed on heavyweight 180 gm vinyl and features cover artwork by Crepuscule design director Benoit Hennebert, based on a portrait by Vini Reilly of filmmaker Carol Morley.
Originally released by Crepuscule on CD only in April 1996, Fidelity featured 10 tracks written and performed by Vini Reilly, with occasional guest vocals by Eley Rudge. In addition to Vini’s trademark guitar stylings, the album showcased sleek electronic textures and programmed beats.
This 2019 vinyl re-master features two bonus tracks: My Only Love was originally released in 1995 on a covermount CD with a specialist guitar magazine, while experimental piece The New Fidelity was issued on a Portuguese compilation album from 1992 called Hare, Hunter, Field.

Das dritte Studioalbum von Holy Motors, ,Heaven's Night", verbindet die für die Band typischen westlichen Traumlandschaften mit eingängigen Pop-Melodien und New-Wave-Klängen, die für die estnische Band Neuland darstellen. Bemerkenswert ist vor allem eine neue Sanftheit in den Songs auf ,Heaven's Night", in denen Figuren vorkommen, die sich von den düsteren Sonnenuntergängen und der Outback-Melancholie des 2020 erschienenen Albums ,Horse" lösen. Wie die Band selbst sagt, ist ihr neuer Sound ,süß wie tropfender Honig, traurig wie Sommerregen". Zweifellos ist ,Heaven's Night" das bisher abwechslungsreichste Album von Holy Motors. Vom rasanten Galopp von ,The Last Ones" bis zum poppigen Herzstück ,Hellishly Hot" verleiht ,Heaven's Night" der Welt der Band eine neue Wendung - eine, die etwas weniger gespenstisch und dafür etwas gefährlicher ist.