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Various - Spirits of The Black Lodge Vol. 3

5 tracks of pure heat of various styles from members of The Black Lodge global family. A1 is entitled "Atmospheres" from the ever-talented Michigan producer JTC aka Tadd Mullinix Bopside/Nation/Ghostly. A2, entitled "Arreskni" comes from newer Chilean artists MU-GA, a track we released in digital format last year from their debut EP. Finishing off the A-side is Italian super-duo SONS OF TRADERS SOT/Frigio/Black Lodge aka Tans X Mike Tansella Jr. with the acidic cut "Indianapolis" also released last year by BL on tape and digitally from their first full length album entitled "Crollo Nervoso". Side B blasts off with the early Chicago house inspired track "Passion" by prolific Dresden producer SNEAKER Uncanny Valley/Rat Life/Frigio. Closing off the comp is a dirty warehouse banger/burner by e-spirit, a new alias from LA producer DELIVERY LA Club Resource/Valcrond Video.

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Last In: 4 years ago
13,07 €
Oren Ambarchi - Simian Angel

After a trilogy of spectacular explorations of relentlessly driving rhythms – Sagittarian Domain (2012), Quixotism (2014) and Hubris (2016) – Simian Angel finds Oren Ambarchi renewing his focus on his singular approach to the electric guitar, returning in part to the spacious canvases of classic releases like Grapes from the Estate while also following his muse down previously unexplored byways. Reflecting Ambarchi's profound love of Brazilian music – an aspect of his omnivorous musical appetite not immediately apparent in his own work until now – Simian Angel features the remarkable percussive talents of the legendary Cyro Baptista, a key part of the Downtown scene who has collaborated with everyone from John Zorn and Derek Bailey to Robert Palmer and Herbie Hancock. Like the music of Nana Vasconcelos and Airto Moreira, Simian Angel places Baptista's dexterous and rhythmically nuanced handling of traditional Brazilian percussion instruments into an unexpected musical context. On the first side, 'Palm Sugar Candy', Baptista's spare and halting rhythms wind their way through a landscape of gliding electronic tones, gently rising up and momentarily subsiding until the piece's final minutes leave Ambarchi's guitar unaccompanied. While the rich, swirling harmonics of Ambarchi's guitar performance are familiar to listeners from his previous recordings, the subtly wavering, synthetic guitar tone we hear is quite new, coming across at times like an abstracted, splayed-out take on the 80s guitar-synth work of Pat Metheny or Bill Frisell. Equally new is the harmonic complexity of Ambarchi's playing, which leaves behind the minimalist simplicity of much of his previous work for a constantly-shifting play between lush consonance and uneasy dissonance. Beginning with a beautiful passage of unaccompanied percussion dominated by the berimbau, the side-long title piece carries on the first side's exploration of subtle, non-linear dynamic arcs, taking the form of a gently episodic suite, in which distinctive moments, like a lyrical passage of guitar-triggered piano, unexpectedly arise from intervals of drifting tones like dream images suddenly cohering. In the piece's second half, the piano tones becomes increasingly more clipped and synthetic, scattering themselves into aleatoric melodies that call to mind an imaginary collaboration between Albert Marcoeur and David Behrman, grounded all the while by the pulse of Baptista's percussion. Subtle yet complex, fleeting yet emotionally affecting, Simian Angel is an essential chapter in Ambarchi's restlessly exploratory oeuvre. --- Oren Ambarchi - guitars & whatnot Cyro Baptista - percussion & voice Recorded by Randall Dunn, Joerg Hiller, Iuri Oriente and Oren Ambarchi. Edited by Joerg Hiller and Oren Ambarchi at Choose Studios, Berlin. Mixed by Joe Talia and Oren Ambarchi at Good Mixture, Tokyo. Cut by Rashad Becker at D&M, Berlin. Executive Producers: Konrad Sprenger & Dick Wolf. Photography by Traianos Pakioufakis. Design by Lasse Marhaug.

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Last In: 7 years ago
18,45 €
Nick Cave & The Bad Seeds - B-Sides & Rarities: Part II
 
83
also available

2 LP[32,65 €]


Following on from the successful ‘An Idiot Prayer’ live album and livestream event released this year, Nick Cave Productions & BMG announce B-SIDES & RARITIES PART I & II to be released internationally on 22nd October 2021.

B-SIDES & RARITIES PART II was compiled by Nick Cave & Warren Ellis and features 27 tracks from “Dig, Lazarus, Dig!!!” in 2006 to 2019s “Ghosteen”. Also features 19 rare and unreleased tracks including first recordings of ‘Skeleton Tree’, ‘Girl in Amber’, ‘Bright Horses’ and ‘Waiting for You’.

UNRELEASED TRACKS *

pre-order now22.10.2021

expected to be published on 22.10.2021

187,94 €
AMAJIKA - GOT MY MAGIC WORKING

Heavy South African cut, unearthed by Dene from LCT, All about the massive title track ''Got My Magic Working''... Phat bassline, machinegun claps dipped in acid!

The origins of Amajika is a tale of two worlds colliding at the perfect moment and begin in KwaMushu Township outside Durban. Here would be where a young Tu Nokwe would set up a school to help teach other aspiring youngsters like herself in music, dance and acting. This would become known as the Amajika Youth and Children’s Art Project and would be run from the Nokwe home, a common hangout for artists at the time. Some boast 2000+ pupils going through this program while others claim it wasn’t more than a backyard dance group, but for the lucky group of kids that were members in the mid 80s it would be their chance at stardom.

It was during these years that a young aspiring playwright and musician Mbongeni Ngema had come across Tu and her group of gifted youngsters at the Nokwe family home. Although he was touring extensively at the time with the plays Woza Albert and Asinamali, the latter which eventually ended up on broadway, he would spend any time off from the tour with Tu and her dance troop. After being inspired by the American group New Edition, Mbongeni envisioned Amajika as the South African answer and decided to bankroll a studio session.

The session would take place in a private studio in Durban.The release of the first single would follow very shortly. The lead track, Tomati-So is a fun swinging groove over some basic programmed drums. The song is dedicated to Tu Nokwe sings of her unique style and kind heart. On his next tour Mbongeni would take the remaining masters with him to the US and had the track remixed. Although it never materialized in a release States side he did return with the remixed tape and release it in South Africa the following year. Much like Tomato So the song was an ode and would be dedicated to the man who was making all their dreams come true. Got My Magic Working sings of going overseas and being a star on Broadway and TV and the man who is making it all happen. All these true predictions are sung on top of a groovy acid bass by a clearly matured troop of artists.

During these years of working with Amajika, Mbongeni became very impressed with the exceeding talent of one of the members and decided to cast her in his upcoming musical Sarafina. The other children also wanted to be a part of the Broadway show but not everyone would get a role. This would be the end of Amajika as the next years would be dedicated to creating success on the musical stage. The growing kids that formed Amajika became young adults and pursued their own careers after the fact. Tu Nokwe would leave the country to return years later as the wife of Shaka Zulu on the big screen. To this day she is still very active both on stage and screen while Mbongeni is still writing and adding to the South African Musical Theatre catalog.

Fast forward 30 years from the original release to a smokey club where ESA hears Got My Magic Working played by Rush Hours Store’s own Bonnefooi. Instantly he inquires about the track from his homeland and feels it a perfect addition the repertoire of the Afro Synth band he is quietly cooking up. The band’s instrumental take ended up as the B side on a mysterious and limited white label released by Rush Hour in early 2020 but quickly sold out.

Here you have compiled the two title tracks from original Amajika singles along with the instrumental version by ESA’s Afro Synth Band for The complete Amajika experience, past to present.

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Last In: 4 years ago
13,32 €
peachlyfe - Swamplyfe

Non-binary artist and producer peachlyfe emerges from the high-speed, forward-thinking Copenhagen Techno scene; known for their energetic approach to production coupled with an affiliation for peculiar rhythms and a desire to explore the outer reaches of dance music.

‘Creeper’ sets the standard; unveiling as a fast-paced, itchy and foreboding blend of highly charged kickdrums, rolling hats and sticky, palpitating synths. Nene H, a dynamic producer with strong ties to the Danish capital through her residency at one of the cites most loved parties ‘Endurance’, is on hand to remix- turning in a late-night tale that moves amidst the shadows.

The low-slung groove of ‘Trashman’ is as hypnotic as they come; the type of mind-bending composition that leaves you questioning what exactly just happened, bringing the A-side to a gripping close.

Industrial and brooding, ‘Burst’ opens the B-side with a bang, followed by ‘Elemental Friend’, a trance-leaning cut, blended with percussion that strikes down like metallic fists.

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Last In: 3 years ago
11,39 €
Ray Kandinski - Garant

Complet label owner and Berlin based DJ and producer Ray Kandinski has been making serious moves over the last few years, both through his ear for curation and his rich, intricate sound design. Inspired by a pool of influences, including; jungle, footwork and house - Kandinski believes the beauty of dance music can be found in its subtlety and range; which can be heard deeply running throughout his debut EP for Lobster Theremin.

A ray of sunshine shines through sparse breakbeats in opening track ‘95’, before ‘No Love’ follows with a slightly more clubier affair, while still maintaining it's blissful edge through the use of lush and dynamic synth work. ‘Healing’ then closes the A side with it’s minimal grooves, both hypnotic and understated; light refracting from one medium to another in a colourful display of blue and green.

The B side makes its entrance with ‘Zonin’ a choppy house cut with a point to prove, before demonstrating his artistic versatility in ‘The Mack’ blending his way into an electro mutation laced with ravey stabs and punchy drums, combining various influences from around the globe.

Title track ‘Garant’ takes place in a quasi-rainforest beckoned by nature's call. The type of good-natured music that sounds inspired by the evolving world around us; locking us in a groove that could happily last forever.

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Last In: 4 years ago
12,14 €
3WA - Master of Finances EP

A long time coming, we’re excited to welcome Portuguese beat-maker 3WA to the Subaltern family with a selection of some of his best work to date.

Master Of Finances:
The title track and A side of the EP is a unique and relentless heavy artillery roller that is sure to melt off faces when blasted through a big system.

Slimy:
Ever evolving and shifting, the flip side ‘Slimy’ takes the listeners on a weighty journey through different realms of sound. Watch out for the second drop!

Balaclava:
Rounding off the wax, ‘Balaclava’ brings some truly spooky, wonky, clowny vibes to the table, taking you to triplets bass heaven.

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Last In: 4 years ago
10,29 €
Deepak Sharma - Veil of Secrecy

Clear Vinyl

Side A begins with Veil of Secrecy, its darkness bubbling up from the depths of a strong bass groove, loaded with rich textures and quirky shifts. Psyk offers his hypnotic trademark on the remix, a stripped down feeling with skillful changes to provoke the mind.

Side B begins with Deep State, its intensity gripping immediately due to its lavish percussion, off-kilter leads and unrelenting rolling bass driving the masterly arrangement. The Fourth Branch marches an eerie minimalism into bass oblivion with an abundance of lush atmosphere and well timed changes.

We recognize that now is a difficult time in society across the globe and especially to our dance music community where the impact is still unknown, however because of this, we believe it is more important than ever to share a common bond and a love for techno.

Hidden proves again its strength in consistency and quality with another hard-hitting four-track EP by label boss, Deepak Sharma.

The release is tough, gritty, dark and reflective of both the times we live and the artist involved: Deepak Sharma's heavy, rolling and sobering originals are paired with a somber, powerful remix with subtle movements by Psyk.

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Last In: 2 years ago
10,04 €
DAI SAN - SUNDANCE EP

Dai San

SUNDANCE EP

12inchGAMM160
GAMM Recordings
22.10.2021

Japan's Dai San returns with his second EP on GAMM and this time he goes on a jazzy escapade with three cuts ranging from Disco-Jazz, Fusion-Funk and deep Rare Grooves.

The A side begins with Sundance, a peak time Jap-Fusion Disco jam sounding like if it was Azymuth's Jazz Carnival twin sister...a definitive dancer for the jazzier crews.
On the flipside, Dai San goes deeper with a fusion-funk edit and a spaced-out jazz-glide.

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Last In: 4 years ago
11,72 €
Coco Bryce - Cloud Busting / Octopus

Rerpress

3AM Eternal returns with none other than Coco Bryce! He delivers 2 gorgeous tracks: "Cloud Busting" is a super energetic Reese & amen workout with beautiful strings and sparkling synths. The B side "Octopus" is subtle but brings such a huge vibe. Switching between absolutely lush atmospheres and FM clonks. Goosebumps guaranteed!

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Last In: 5 months ago
8,61 €
HONNE - LET’S JUST SAY THE WORLD ENDED A WEEK FROM NOW, WHAT WOULD YOU DO?

HONNE have announced the release of their much-anticipated new album, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ – a record that toasts the start of a new era of music from one of the UK’s most inventive and original outfits.

Releasing on October 22, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ forms HONNE’s third studio album following critically acclaimed LPs, ‘Warm On A Cold Night’ (2016) and ‘Love Me / Love Me Not’ (2018), as well as ‘no song without you’ – a surprise 14-track mixtape released last summer.

Written throughout the course of 2020, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ captures HONNE in limitless full bloom – as songwriters, producers and collaborators. “In the past, we’ve limited ourselves”, HONNE explain. “We might get to a section of a song and things are getting really exciting, but we then pull ourselves back and say, ‘Can we really do that?’. Now, we’ve sidestepped the rules and done whatever we wanted to do.”

This sense of freedom permeates the tracklist, which is defined as much by its eye-catching collaborations – Khalid (‘Three Strikes’), Griff (‘Back On Top’), 88 Rising’s NIKI (‘Coming Home’) – as it is by its musicianship, shimmering pop feel and intelligent song-writing; Sam Smith (‘Back On Top’) and MNEK (‘Easy On Me’) also co-wrote songs on the album.

Bold and ambitious , ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ brings together everything HONNE have worked towards in their career so far, while simultaneously pushing them into broad and exciting new spaces.

pre-order now22.10.2021

expected to be published on 22.10.2021

23,66 €
HONNE - LET’S JUST SAY THE WORLD ENDED A WEEK FROM NOW, WHAT WOULD YOU DO?

HONNE have announced the release of their much-anticipated new album, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ – a record that toasts the start of a new era of music from one of the UK’s most inventive and original outfits.

Releasing on October 22, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ forms HONNE’s third studio album following critically acclaimed LPs, ‘Warm On A Cold Night’ (2016) and ‘Love Me / Love Me Not’ (2018), as well as ‘no song without you’ – a surprise 14-track mixtape released last summer.

Written throughout the course of 2020, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ captures HONNE in limitless full bloom – as songwriters, producers and collaborators. “In the past, we’ve limited ourselves”, HONNE explain. “We might get to a section of a song and things are getting really exciting, but we then pull ourselves back and say, ‘Can we really do that?’. Now, we’ve sidestepped the rules and done whatever we wanted to do.”

This sense of freedom permeates the tracklist, which is defined as much by its eye-catching collaborations – Khalid (‘Three Strikes’), Griff (‘Back On Top’), 88 Rising’s NIKI (‘Coming Home’) – as it is by its musicianship, shimmering pop feel and intelligent song-writing; Sam Smith (‘Back On Top’) and MNEK (‘Easy On Me’) also co-wrote songs on the album.

Bold and ambitious , ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ brings together everything HONNE have worked towards in their career so far, while simultaneously pushing them into broad and exciting new spaces.

out of Stock

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Last In: 4 years ago
27,27 €
EVERY TIME I DIE - RADICAL

Every Time I Die

RADICAL

2x12inch277473
Epitaph Europe
22.10.2021

EVERY TIME I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They've survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. EVERY TIME I DIE makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers. The band's ninth studio album, Radical, is 16 tracks of peak-EVERY TIME I DIE, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that "All This And War" featuring guest vocals by Josh Scogins from The '68 is absolute brutal heaviness is an understatement. It's an addictive punch in the face, you'll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track "Thing With Feathers" featuring Andy Hull from Manchester Orchestra. Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant - and fiercely combative - of the present state of world affairs.

pre-order now22.10.2021

expected to be published on 22.10.2021

26,51 €
PENNYWISE - PENNYWISE

Pennywise

PENNYWISE

12inch264128
Epitaph Europe
22.10.2021

The seminal Epitaph debut, Pennywise self-titled features many of the songs that have gone on to become legends in the band's live show. "Rules," "Homeless" and of course the original version of "Bro Hymn" all appear on this album. Recorded and mixed by Brett Gurewitz at Westbeach Recorders, this album helped to lay the groundwork for what would become one of the greatest punk rock bands of all time. A classic since it's original release in 1991, Pennywise stands as one of the most shredding and fearsome albums in the Epitaph catalog.

pre-order now22.10.2021

expected to be published on 22.10.2021

24,33 €
Clinic - Fantasy Island

Clinic

Fantasy Island

12inchWIGLP486
Domino Records
22.10.2021

On their vibrant and eclectic ninth studio album, Clinic -
the band who wore surgical masks before it was a
matter of urgency - are taking you to ‘Fantasy Island’,
where you will find yourself transported to tropical
climes.
In guitarist / keyboard player Jonathan Hartley’s words:
“Clinic look to a brighter future, Fantasy Island it’s a
very positive album, it’s more about what you can make
happen rather than being defeatist.”
Their last album, 2019’s ‘Wheeltappers and Shunters’,
found the band satirising British culture and wallowing in
sleazy Seventies nostalgia. ‘Fantasy Island’ was
recorded in an old studio on Merseyside during the
summer of 2019, with good vibrations seeping into the
grooves. This time they are embracing “the idea of
looking at the future and the different ways it can unfold,”
with their most electronic and pop record to date. “It’s a
more global, international and outward looking record,”
says Hartley. “Clear blue horizons. The brave new
world!”
The album was mixed last year by Claudius Mittendorfer,
who has worked with Parquet Courts, Neon Indian and
many pop greats.
CD in paper inner wallet into spined capacity outer
wallet.
Standard weight black vinyl into shared printed inner
sleeve and digital download card.

pre-order now22.10.2021

expected to be published on 22.10.2021

27,19 €
Biffy Clyro - Errors in the History of God/Unknown Male

Biffy Clyro will release the surprise new project ‘The Myth of the Happily Ever After’ on October 22nd. The record is a homegrown project that represents a reaction to their #1 album ‘A Celebration of Endings’ and a rapid emotional response to the turmoil of the past year. It is the ying to the yang of ‘A Celebration’, the other-side-of-a-coin, a before-and-after comparison: their early optimism of 2020 having been brought back to earth with a resounding thud. It’s the product of a strange and cruel time in our lives, but one that ultimately reinvigorated Biffy Clyro.

“This is a reaction to ‘A Celebration of Endings’,” says vocalist / guitarist Simon Neil. “This album is a real journey, a collision of every thought and emotion we’ve had over the past eighteen months. There was a real fortitude in ‘A Celebration’ but in this record we’re embracing the vulnerabilities of being a band and being a human in this twisted era of our lives. Even the title is the polar opposite. It’s asking, do we create these narratives in our own minds to give us some security when none of us know what’s waiting for us at the end of the day?”

‘The Myth’ has been launched alongside the new track ‘Unknown Male 01’. In six adventurous minutes, the band explore every facet they’re renowned for, taking in the unguarded emotion of its introduction, a skewed off-kilter breakdown, and a jagged, spiralling riff that builds towards a cataclysmic crescendo. The song reflects on friends who have taken their own lives.

pre-order now22.10.2021

expected to be published on 22.10.2021

18,28 €
Biffy Clyro - The Myth of The Happily Ever After

Biffy Clyro will release the surprise new project ‘The Myth of the Happily Ever After’ on October 22nd. The record is a homegrown project that represents a reaction to their #1 album ‘A Celebration of Endings’ and a rapid emotional response to the turmoil of the past year. It is the ying to the yang of ‘A Celebration’, the other-side-of-a-coin, a before-and-after comparison: their early optimism of 2020 having been brought back to earth with a resounding thud. It’s the product of a strange and cruel time in our lives, but one that ultimately reinvigorated Biffy Clyro.

“This is a reaction to ‘A Celebration of Endings’,” says vocalist / guitarist Simon Neil. “This album is a real journey, a collision of every thought and emotion we’ve had over the past eighteen months. There was a real fortitude in ‘A Celebration’ but in this record we’re embracing the vulnerabilities of being a band and being a human in this twisted era of our lives. Even the title is the polar opposite. It’s asking, do we create these narratives in our own minds to give us some security when none of us know what’s waiting for us at the end of the day?”

Grounded by lockdown, Biffy Clyro recorded ‘The Myth’ in a completely different way to how they approached ‘A Celebrations’. Rather than spending months in Los Angeles, they traded one West Coast for another by recording for just six weeks in their rehearsal room (converted DIY style into a fully functional studio by rhythm section brothers James and Ben Johnston) in a farmhouse closer to their homes.

The trio went in with the intention of completing some unfinished songs from ‘A Celebration’, but instead ‘The Myth’ took over as it started to take shape late in 2020, with everything written and recorded within a ten-mile radius. Traditionally, 90% of Biffy songs have been written in Scotland before the band head to London or Los Angeles for recording, but this represented the first time they’ve ever recorded in their homeland. As Simon jokes, “It’s our first full-on tartan album!”

‘The Myth’ blends experimental flourishes with flashes of old school Biffy. ‘Existed’ is the moment that shaped the record an elegant expression of self-doubt that redefines the sonics of the band’s catalogue of vulnerable slowburners, while ‘DumDum’ is an even bigger departure, having been constructed primarily around soft synths sampled from Simon’s voice. And ‘Slurpy Slurpy Sleep Sleep’ is just as audacious a closer as ‘Cop Syrup’ from ‘A Celebration’. It also represents one of a selection of “easter eggs” or “turns of phrase” that subtly complement and contrast the two records.

At the other extreme, devoted fans will connect with the feral anger of ‘A Hunger In Your Haunt’, the arena-scaled drama of ‘Errors In The History of God’ and the sheer catchiness of ‘Witch’s Cup’.

‘The Myth’ has been launched alongside the new track ‘Unknown Male 01’. In six adventurous minutes, the band explore every facet they’re renowned for, taking in the unguarded emotion of its introduction, a skewed off-kilter breakdown, and a jagged, spiralling riff that builds towards a cataclysmic crescendo. The song reflects on friends who have taken their own lives.

“When you lose people that you love deeply and have been a big part of your life, it can make you question every single thing about your own life,” he says. “Like a lot of creative people, I struggle with dark thoughts. If you’re that way inclined you realise you’re staring at darkness, but you don't want to succumb. Those moments don’t stop. As the song says, ‘The devil never leaves.’ There’s never a day where you wake up thinking, ‘I feel great, it won’t cross me ever again.’”

A recurring concept of the album is the power of personal convictions, which have taken on an almost religious fervour via the echo chambers of social media and news platforms. But that idea has the nuance to rise above contrasting sides of an argument, arguing that greater unity and open-mindedness is the only way forward. Elsewhere, it spans everything from gaslighting to the ultimate devotion of cults and the beautiful failure of a Japanese racehorse.

‘The Myth of the Happily Ever After’ is now available to pre-order here, with ‘Unknown Male 01’ provided as an instant download. It will be released on CD and digital formats, as well as a limited edition red vinyl which is packaged with a must-have bonus CD for fans: full audio of the acclaimed livestream show that Biffy Clyro performed at Glasgow Barrowland in August 2020 to commemorate the release of ‘A Celebration of Endings’.

After headlining Reading and Leeds in August, Biffy Clyro will also play further large-scale outdoor gigs this summer at Cardiff Bay and Glasgow Green. Plans for 2022 are also taking shape, with April’s long sold-out ‘Fingers Crossed’ intimate tour and a huge Saturday night headline set at Download. Please see the band’s official website for a full list of shows and ticket information.

pre-order now22.10.2021

expected to be published on 22.10.2021

34,33 €
HONNE - LET’S JUST SAY THE WORLD ENDED A WEEK FROM NOW, WHAT WOULD YOU DO?

HONNE have announced the release of their much-anticipated new album, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ – a record that toasts the start of a new era of music from one of the UK’s most inventive and original outfits.

Releasing on October 22, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ forms HONNE’s third studio album following critically acclaimed LPs, ‘Warm On A Cold Night’ (2016) and ‘Love Me / Love Me Not’ (2018), as well as ‘no song without you’ – a surprise 14-track mixtape released last summer.

Written throughout the course of 2020, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ captures HONNE in limitless full bloom – as songwriters, producers and collaborators. “In the past, we’ve limited ourselves”, HONNE explain. “We might get to a section of a song and things are getting really exciting, but we then pull ourselves back and say, ‘Can we really do that?’. Now, we’ve sidestepped the rules and done whatever we wanted to do.”

This sense of freedom permeates the tracklist, which is defined as much by its eye-catching collaborations – Khalid (‘Three Strikes’), Griff (‘Back On Top’), 88 Rising’s NIKI (‘Coming Home’) – as it is by its musicianship, shimmering pop feel and intelligent song-writing; Sam Smith (‘Back On Top’) and MNEK (‘Easy On Me’) also co-wrote songs on the album.

Bold and ambitious , ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ brings together everything HONNE have worked towards in their career so far, while simultaneously pushing them into broad and exciting new spaces.

pre-order now22.10.2021

expected to be published on 22.10.2021

23,66 €
HONNE - LET’S JUST SAY THE WORLD ENDED A WEEK FROM NOW, WHAT WOULD YOU DO?

HONNE have announced the release of their much-anticipated new album, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ – a record that toasts the start of a new era of music from one of the UK’s most inventive and original outfits.

Releasing on October 22, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ forms HONNE’s third studio album following critically acclaimed LPs, ‘Warm On A Cold Night’ (2016) and ‘Love Me / Love Me Not’ (2018), as well as ‘no song without you’ – a surprise 14-track mixtape released last summer.

Written throughout the course of 2020, ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ captures HONNE in limitless full bloom – as songwriters, producers and collaborators. “In the past, we’ve limited ourselves”, HONNE explain. “We might get to a section of a song and things are getting really exciting, but we then pull ourselves back and say, ‘Can we really do that?’. Now, we’ve sidestepped the rules and done whatever we wanted to do.”

This sense of freedom permeates the tracklist, which is defined as much by its eye-catching collaborations – Khalid (‘Three Strikes’), Griff (‘Back On Top’), 88 Rising’s NIKI (‘Coming Home’) – as it is by its musicianship, shimmering pop feel and intelligent song-writing; Sam Smith (‘Back On Top’) and MNEK (‘Easy On Me’) also co-wrote songs on the album.

Bold and ambitious , ‘Let’s Just Say The World Ended A Week From Now, What Would You Do?’ brings together everything HONNE have worked towards in their career so far, while simultaneously pushing them into broad and exciting new spaces.

pre-order now22.10.2021

expected to be published on 22.10.2021

27,19 €
Roy Woods - Exis

Roy Woods

Exis

12inch0093624881513
Warner UK
22.10.2021

Roy Woods' Exis EP, originally released in 2015. This 6-track EP features the smash singles “Drama” featuring Drake, and “Get You Good”
Exis (stylized as EXIS) is the debut EP by Canadian recording artist Roy Woods. It was originally released on July 31, 2015, by OVO Sound and Warner Bros. Records. The EP's sole guest appearance comes from Canadian rapper and label-mate Drake. The official cover of Exis contains a picture of a white sketched tree with a blue background (representing "night time") and also the yellow moon. The back cover reveals the track list on one side of the moon

pre-order now22.10.2021

expected to be published on 22.10.2021

27,19 €
Lizard Music - Arizone!

Lizard Music

Arizone!

2x12inchOVLP452
Omnivore Recordings
22.10.2021

First new release from Lizard Music in over two decades Since their hiatus, band members have joined Wilco, become the musical director for Cat Power, been a featured guest on RuPaul’s Drag Race, and worked with artists including Lana Del Rey, Brian Wilson, The Monkees, and more! Available on CD, Digital, and double-LP What Lizard Music says about Arizone! This collection of buzzy, whirly pop songs from a parallel dimension is a testament to Martin Short, Martin Sheen, Sheena Easton, Tina Turner, and Tiny Tim. Arizone! is better than discovering never-before seen discs for a View-Master. Arizone! is the sound of four old friends who spent their formative years playing music, traveling, and learning about the world, reuniting after a 25 year hiatus to compare notes and wound up with a one-way ticket to Arizone! Lizard Music began in Atlantic Highlands, NJ in 1989 when high school friends Mikael Jorgensen and Erik Paparozzi started learning and writing songs with a four-track. They pillaged their parents' record collections and discovered the musical universes of The Beatles, Frank Zappa, Captain Beefheart, XTC, James Brown and The Meters. In the fall of 1990, Lizard Music (named after the book by Daniel Pinkwater) was hired to be the backing band for David Peel and The Lower East Side at the recently-closed Brighton Bar in Long Branch, NJ, which would serve as the unofficial home base for the band for the next five years.

pre-order now22.10.2021

expected to be published on 22.10.2021

36,01 €
Atmosphere - The Family Sign (Repress)

Atmosphere have distinguished themselves from their peers by creating albums encompassing the entire spectrum of human emotion while tethering each piece to a central aural aesthetic. The Family Sign took this philosophy to new realms of solidarity with Slug metaphorically touching on themes of fatherhood, loss, love, disappointment and jubilation, and tailoring them to an

instrumental framework that draws emotion out of the listener, skillfully composed by producer Ant. The Family Sign was evidence that hip-hop wields the ultimate potential to address and convey life’s virtues and shortcomings.

pre-order now22.10.2021

expected to be published on 22.10.2021

34,41 €
EVERY TIME I DIE - RADICAL

Every Time I Die

RADICAL

2x12inch277473
Epitaph Europe
22.10.2021

EVERY TIME I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They've survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. EVERY TIME I DIE makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers. The band's ninth studio album, Radical, is 16 tracks of peak-EVERY TIME I DIE, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that "All This And War" featuring guest vocals by Josh Scogins from The '68 is absolute brutal heaviness is an understatement. It's an addictive punch in the face, you'll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track "Thing With Feathers" featuring Andy Hull from Manchester Orchestra. Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant - and fiercely combative - of the present state of world affairs.

pre-order now22.10.2021

expected to be published on 22.10.2021

26,51 €
COME - DON'T ASK DON'T TELL (EXPANDED EDITION)

In 1994 Come responded to the difficult-second-album stereotype with the hypnotic, intense and emotional masterpiece 'Don't Ask Don't Tell'. Featuring the original line-up of Thalia Zedek, Chris Brokaw, Sean O' Brien and Arthur Johnson, the Boston band broadened their sound by slowing down the tempos and creating a dense urban stream of consciousness that mixes noise, city blues and_ catharsis. The album hits you immediately as one of the greatest dissident records ever made. Lovingly remastered, this expanded edition includes 'Wrong Sides', an additional albums worth of b-sides and unreleased tracks, including the band's very first single 'Car' and their last recorded song, 'Cimarron', featuring this core line-up. These gems showcase the rawness and incredible growth of a band completely in command of their songwriting and at the same time paying homage to some of their punk roots with beautiful renditions of Swell Maps 'Loin Of The Surf' and X's 'Adult Books'. Also Includes new artwork with unearthed photos and fresh liner notes by the band. Dissident from traditional rock this is a band playing music that thematically and structurally seems to pull from old Europa, from Eastern folk and modernist classical music as much as US and UK rock. Dissident from traditional ideas about singing and songwriting Thalia's (ex of Live Skull) presence on songs like 'Yr Reign' and the astonishing closer 'Arrive' isn't the pushy self-aggrandizement of a lead singer but the internal voice of the eternal migrant, someone who knows about survival, hiding, how living between multiple worlds can become its own refuge of distance, its own sanctuary of unbelonging Don't Ask Don't Tell emerged from a period of cohesion, a break from the tight and hectic touring schedule Come had been plunged into after the acclaim accorded 11:11, and you can hear that increased focus in every moment the layers of guitars and feedback are even more precise, the structuring of songs takes on a new openness and ambition, and the whole narrative arc of the record from 'Finish Line' to 'Arrive' is more exquisitely realised and sequenced. "The songs on Don't Ask Don't Tell . . . had a kind of magic we didn't necessarily control ourselves." Chris Brokaw - interview with Neil Kulkarni, 2013. "Devastating, with slow, burning songs that shudder and wince" NY Times

pre-order now22.10.2021

expected to be published on 22.10.2021

27,27 €
Echo & The Bunnymen - Crocodiles

Echo&The Bunnymen

Crocodiles

12inch0190295360894
Rhino US
22.10.2021

Echo & The Bunnymen formed in Liverpool back in 1978, with Ian McCulloch on vocals, Will Sergeant on guitar, bassist Les Pattinson with Pete De Freitas on drums. Their first release came in the form of the single The Pictures On My Wall, with the B-side Read It In Books. Both tracks would appear on their debut album Crocodiles, released in 1980. Released amid the growing wave of post-punk, Crocodiles cemented the band amongst the best around, with the NME at the time describing it as “probably the best album this year by a British band” and featuring amongst many greatest ever debut album lists.

The lead single from the album, Rescue, was produced by Ian Broudie who would later produce more Echo & The Bunnymen material, as well as later forming The Lightning Seeds in 1989. The single would enter the UK charts, with the album breaking into the top 20 and going on to be certified Gold. The original cover was shot by Brian Griffin near Rickmansworth, Hertfordshire. The atmospheric, moody aura of the sleeve sets the tone for quintessential post-punk.

pre-order now22.10.2021

expected to be published on 22.10.2021

31,05 €
Brian Owens & The Royal Five - Sparrow / Cool Cool Water 2x12"

Brian Owens is a soul singer, a writer and a dedicated community activist from Illinois, USA.
At Visions HQ they fell in love with his album” Love came down” from 2019, and in particular with the 2 tracks “Sparrow “and “Cool water“ ( unreleased before on vinyl ).
They got in touch with him and after nice chats and lovely exchanges, they decided to licence these two soul gems and give them a new life on a proper 2x 12” with a new mastering and some great remixes from the likes of Kaidi and Dego, Soul Supreme and Sohan Wilson.
These new versions are wonderful and kept the essence of Brian’s music but what is amazing too is to have the original versions on one side for maximum quality and loudness play. This is music, pure new soul with the respect of tradition of the 70’s soul music that we love.
The first edition with full sleeve designed by Angelo Benedetto is limited to 300 copies only. Collector’s item here, don’t sleep!

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Last In: 4 years ago
20,80 €
SKUDGE - PRESSURE DROP / REALTIME

Skudge's back catalog features some of the finest moments from the 10's. Putting aside the powerful EP's, guest appearances and remixes, the album 'Phantom' initiated a consolidated, and perhaps a more liberated, side of the signature sound of which we are no strangers.

Perhaps the most difficult task in creating something is to follow simple truth's. The adrenaline spiked and dusty tunage from the Stockholm studio, has now been revisited in this new decade and reduced even further.

In this new series from Skudge, the tracks 'Pressure Drop' and 'Realtime' are remodeled and retuned. Not as a reminder of what has been, but more as a result of reaching a different conclusion and expression.

Concentrated on the skeletal parts of the originals. Rebuilt into alternatives that reflect a sifted and interestingly constrained sonic palette. This further shows how Skudge not only inspire the community, but are also inspired by their own history.

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Last In: 3 years ago
9,54 €
TC80 - Lost Station EP

Tc80

Lost Station EP

12inchBAG001
Bag
20.10.2021

Debut release for the UK born, Australia-based warehouse party. After 7 years curating a die-hard following for their gatherings on land, BAG’s first foray into the world of cyberspace charts TC80, who lays out a melancholic yet euphoric four-tracker.

The titular track, the A1 – Lost Station, is a highly functional piece with a signature grit in its bassline to contain a haunted high-end. Floating through the stars, looking down over the pyramids is Prophecy – a breaky number with an ethereal almost marimba-like chime to hurtle out of the Stratosphere.

The B side brings all back down to earth with Vanilla Sky underscoring one of TC80s finest works of the season. Zotra ties it all together, another highly functional tool with the cybernetic backbone to catch terrestrial attention.

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Last In: 23 months ago
11,72 €
Harks & Mudd - Susta (Ron Trent Mix)

Since slipping out on Leng last year, Paul ‘Mudd’ Murphy’s first collaboration with singer/songwriter David Harks, ‘Susta’, has become a much-played modern Balearic classic, with DJs and listeners alike responding to the track’s attractive blend of sun-kissed nu-disco instrumentation, warming melodies and deliciously evocative lead vocals from Jaanika Leino AKA JaneLy. Now the track returns for 2021 in the shape of two superb new remixes from Chicagoan deep house legend Ron Trent, who four years ago delivered similarly ear-catching revisions of Mudd and Pollard’s ‘Far Away’ as part of the 10th anniversary celebrations for Murphy’s Claremont 56 label.



As you’d expect given Trent’s impeccable track record over the last three decades, both revisions are stunning. He begins by eking every last ounce of soul from Leino’s brilliant vocal on a remix that’s warming, deep and luscious. Combining elements of Murphy and Harks’ colourful, synth-heavy original mix – including the lusciously tactile bassline and boogie-style synth flourishes – with his own yearning chords, hand percussion sounds and a shuffling, samba-tinged house beat, Trent re-imagines ‘Susta’ as a future vocal deep house classic. Melodious, musically intricate, infectious and summery, it’s a remix for the ages. It comes accompanied by a Dub Mix that successfully shows off the intricacy of Trent’s production and additional instrumentation while keeping both eyes firmly on the dancefloor. Beginning with effects-laden synth sounds reminiscent of the mid-‘80s proto-house classics by Paul Simpson, Winston Jones and Boyd Jarvis, the mix sees Trent skilfully add selected snippets of Leino’s lead vocal to a backing track rich in delay-laden synthesizer sounds, reverb-rich chords, echoing percussion hits and chords so warming they feel like a late-night, loved-up bear hug for your ears. Like the A-side vocal version, Trent’s dub is breath-taking and spine-tingling in equal measure.

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Last In: 4 years ago
18,28 €
Radio Slave - Acid Dip

Radio Slave

Acid Dip

12inchREKIDS189
Rekids
19.10.2021

Radio Slave returns to his Rekids imprint this October with the perfectly balanced ‘Acid Dip’ single.

The titular track on ‘Acid Dip’ sees Matt ‘Radio Slave’ Edwards in particularly strident form. Riding a broken, stuttered-kick rhythm, ‘Acid Dip’ is a jabbing, insistent slice of UK techno shot through with hardcore and, whilst not skimping on raw power, still maintains the hypnotic nature that inhabits much of Edwards’ work.

On the flip, ‘Armani’ takes off down a dubbed-out, futuristic Italo-infused house workout that, throughout its eleven minutes 28-second span, shows a more dense, layered side to Radio Slave production.

Another triumph of a single from one of modern electronic music’s most consistent talents, Radio Slave’s ‘Acid Dip’, is released 15th October via Rekids.

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Last In: 2 years ago
10,50 €
Javi FRIAS - Sunset Disco EP

Javi Frias has earned a solid reputation as a producer on the international disco scene since he began releasing his edits and reworks back in 2015. However, this year, during confinement, he decided to put editing aside to unleash his creativity and start recording his own productions, playing with synthesizers, electric pianos, syncopated basses and tribal percussion, and the result is this 'Sunset Disco EP'. A collection of songs that take us to a summer sunset on a beach in paradise that represent a huge leap in the career of this artist. The A side begins with 'Give Love', a hedonistic and melancholic disco song, followed by 'Noche Tropical', with Balearic overtones and reminiscences of a Caribbean party. Side B opens with 'Are You Really Fellas?', a funky little number featuring jazzy guitars and smashing bass. 'Dance With Me' brings us back to the field of the emotional and evocative disco. And finally 'Musical Connection', with touches of reggae downtempo perfect to say goodbye to this eternal and warm sunset.

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Last In: 4 years ago
9,71 €
Mike Etten - Love Wash

Mike Etten

Love Wash

12inchDT025
Dull Tools
18.10.2021

Love Wash opens with “Across the Flats” and closes with its title track, both upbeat ballads that build from scorched drones into momentous sprawling pop songs that help ease in and out of the album, which features contributions from co-PC Worship collaborators (LEYA’s Adam Markiewicz on violin and NYC drum shredder Greg Fox).
The second and third tracks “Drive” and “Saints” carry the subtle intensity that opens the album, with unpredictable instrumentation, chord changes and arrangements. This vibe is revisited later in the album on “Dune House” and “Hidden Away”, all of which are sonically rich, unraveling, dark, introspective and powerfully optimistic.
The rest of Love Wash is comprised of catchy, borderline alt-country hits with a twisted Nashville tele vibe (“December Sun”, “New Thing” & “East Side Walk”), featuring pedal steel and vocal contributions from fellow Dougie Poole band members Tristan Shepherd and Francesca Caruso. Love Wash has a natural flow throughout, however the one real outlier is the well placed and hyper paced middle child of the album “Dredging Up Old Blues,” a schitzo-synth-pop Mountain Dew Rock jam that feels like buying trucker speed at a digital gas station in Middle-America.

Love Wash has echoes of a post-Beatles solo record, recorded in the Northwest in the mid-90s; transient in its influences yet tied together with the aesthetic of its approach. Sequenced like the best, most damaged early K / Kill Rock Stars records and driven by fingerpicked acoustic guitar, sweeping drones, euphoric synths, lush vocals and soaring Dead Man leads, Love Wash is a beautifully rich pop record at its core and an ambitious journey of an album that started as bedroom demos and evolved into a layered studio exploration.
-- Justin Frye (PC Worship

pre-order now18.10.2021

expected to be published on 18.10.2021

18,45 €
ALEXNY - Everybody Get Up

Alexny

Everybody Get Up

12inchCARDIOLOGY08
Cardiology
18.10.2021

Constant Sound offshoot Cardiology's latest boundary-blurring re-edit release comes courtesy of Alexny, an Argentinian rising star who has previously released a wealth of music on all manner of digital-only imprints. He hits the ground running with 'Everybody Get Up', sneakily adding new beats, bass and musical touches to a string-drenched old disco jam, before applying the same house-style approach to a hybrid disco/electrofunk cut on 'Get On The Floor'. Over on side B, 'Give It To Me' is a chunkier and more bass-heavy disco-house bumper, while 'Do It You Got It' is a rolling, filter-sporting revision of a particularly spacey, turn-of-the-80s disco workout.

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Last In: 4 years ago
10,04 €
Raven - Mania

Raven

Mania

12inchREKIDS188
Rekids
18.10.2021

Raven returns to Rekids with ‘Mania’ this September.

Born in Canada and now based in Berlin, having spent time in Los Angeles, Chicago, Barcelona, Toronto, and Mexico City and more in between, Raven is a singular artist distilling influences ranging from Techno, Electro, R&B and more into her own genre-spanning, vocal-driven productions. Following her debut EP ‘Flames’ on Rekids in 2020, which picked up support from the likes of Joy Orbison, Deetron, and many more, as well as an appearance on Amelie Lens’ Exhale imprint earlier this year, Berlin-based DJ/producer Raven returns to Radio Slave’s imprint once again with the fierce ‘Mania’ 12”.

With ‘Flames’ featuring five original tracks, Raven narrows her focus on ‘Mania’, turning in two killer techno cuts backed with alternative mixes of each. Leading the A side is ‘Nobody’, a hypnotic late-night affair peppered with emotive vocal hooks and trippy synth leads, followed by the ‘Sudden Urges’ mix, which sees the track stripped of its pulsing 4/4 and replaced with haunting atmospherics, breakbeats, and additional synth work.

On the flip, ‘Cold Sweat’ returns to the club with a dose of speaker-rattling kicks, mind-bending leads, and siren-esque effects before the ‘Comedown Mix’ brings a subtler approach, with electro-flecked drum patterns, dense ambience, and spacious reverberations rounding out a standout second release from Raven for Matt Edwards’ Rekids.

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Last In: 2 years ago
11,13 €
Schneider - Mitternacht 7"

Schneider is a Freiburg based duo that tells those everyday stories everyone has already experienced.

Stories of desire and lost love, a confrontation with short-lived and powerful encounters. Their debut release Mitternacht is a two-track 7“. The name-giving A-side is about the desperate search for some love, accompanied by a distorted bassline, melancholic synths and echo-ringing church bells. The Bside culminates in howls of emotion. The perfect soundtrack for lonesome walks in restless morning hours.

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Last In: 3 years ago
10,71 €
Various - Nervous Records 30 Years (Part 2) 4x12"
 
17
also available

Black Vinyl[33,57 €]


Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

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Last In: 8 months ago
37,77 €
Slacker - What Would I Do With Saturn

Following the release of Twisted Heads comes Slacker’s most complete work to date. The artist's debut LP - What Would I Do With Saturn - arrives on Lobster Theremin on Friday 2nd July and demonstrates Slacker’s killer ear for capturing the cross-sections that exist within UK sound; floating between the artist's drum & bass upbringing and introspective, world-building electronica.

“The main idea was to think 'what would an outside observer to our planet think when looking down at this moment in time, what does the moon think when looking down on us?'” he says. “It was a way of me both building another world whilst also expressing the strife of the world that we were living in. I was lucky enough to be quite secluded in the first lockdown around a lot of nature, but then feeling the isolation ten-fold as I was so far away from civilisation. I think that the album has this schism represented in it with the more classically "nice" tracks standing next to the more aggressive and expressive tracks; it is both an escape and capturing of the world we live in.”

Designed to have inward-gazing and aggressive tracks side by side - to represent the day to day mood swings that only extensive isolation can bring - the record is a tripped-out voyage through rich, flora-drenched ecosystems and Halo ring worlds. A cathartic release to heavy isolation, the album opens with ‘deep in the forest, a sacred pool’ - angelic tones and tranquil chords symbolising a melting in the ocean, the contemplative silence that comes when one puts their head beneath water, shutting out the outside world.

‘As I Fear The Ground Opening’ represents the anxious rush when the bubbles start to rush and your time of total freedom reaches its inevitable end; it’s frantic drum patterns scoring an intense scene, trancey atmospherics enticing you to keep turning the corner. ‘Unturned’ continues down the cinematic route, before the B-side introduces Slacker’s breaks heritage: ‘One Hundred Ideas’ sounding reminiscent of the fire wave of experimental, stripped-back percussion currently championed by the likes of Al Wooton and his TRULE label; green fields, optimism and wicked breaks.

‘My Own Moon’ channels open-the-clubs energy with a percussive melter, before completing the B-side with a call to arms on ‘The New Face of England’; it’s trap-techno energy encapsulating the anger and frustration felt in the face of rising English nationalism.

Staying true to the testament of his most complete work to date, Slacker relentlessly switches up his sonic palette in pursuit of differing - yet uniquely connected - experiences, entering future-electro territory on the C-side; ‘Nothing Is Enough’ giving off Tron Legacy largeness - temporarily paused by the emo-ambience of ‘the myth of visibility’ - before ‘Void Hopping’ crashes back down to earth with that rough-edged, raw aesthetic that has become so synonymous with the Slacker name.

The climatic D-side provides the most mixed bag yet; ‘Prisoner Of War’ opening an unmarked door as we venture further into the UK’s underground; the smells and sights of a packed-out jungle rave being expressed through ripples, blares and vaporous breaks, while the nostalgia inspired ‘Summer Of ‘18’ - featuring Guy Liner - offers a synthy, nu-disco vibe that manages to incorporate the emotional aesthetic that has been built throughout the album.

‘let these waves wash upon’ you draw the curtains as we take a deep breath to venture back into a scary world that lies beyond the door. A world of dreams, fears, love and sadness. Optimism, hopelessness, anxiety and inspiration. The world is opening up, and Slacker’s rise is imminent.

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Last In: 9 months ago
5,67 €
Josi Dias and The Kevin Fingier Collective - Um Brilho Novo / Rua Nova Barão

World Got Soul is the name of the new series from our subsidiary label Fingier Records. As the first release in this series, our Argentinian producer Kevin Fingier has created two killer bombs of Brazilian Soul, Funk and Jazz with the new singer he has signed to the label; the amazing Josi Dias.

The Brazilian singer, based in Argentina, has been singing Bossa Nova and Samba in the most prestigious Jazz clubs in Buenos Aires, and is now joining forces with Kevin Fingier to mix her traditional music with Fingier’s Soul grooves.

On the A side we have ‘Um Brilho Novo’ - a killer Brazilian Funk. You can hear the Raw Funk sound that we've become so accustomed to hearing from The Kevin Fingier Collective band while Josi’s sweet voice sings beautiful Brazilian melodies over the top. It’s like if Elis Regina had asked Dave Hamilton to produce her an early 70’s Soulful track.

And on the B side we have ‘Rua Nova Baräo’, a Jazz-Dance samba killer track. You can certainly hear the Airto Moreira and Flora Purim flavours throughout. Eddie Piller heard this one and said “If you close your eyes you can almost be in Dingwalls or The Wag Club in 1988”

Josi Dias & The Kevin Fingier Collective's new single will be out October 1st and the release is very limited, so get yours before it's too late!

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Last In: 4 years ago
12,06 €
Marc Melià - Veus

Born in Majorca, Marc Melià is a composer/producer, who’s been based in Brussels for over 10 years. First spotted alongside Françoiz Breut, Lonely Drifter Karen or Borja Flames, he released Music for Prophet in 2017. It was issued on Gaspar Claus’s label Les Disques du Festival Permanent, as part of Flavien Berger’s curation.

On that first album, Marc Melià had explored the possibilities of a mythic synth; on Veus, as if sloughing, he applied the process of sound modification to his own voice, until becoming an android. But an android who sings of love and dreams, a sensitive automaton who plays with the tropes of pop music. Through this device, Marc Melià knowingly seeks poetry and beauty within transgenics, in the search of a universe where one can surf though waves of profoundly moving chord patterns, hear voices unconstrained by range limitations, or dance freely, as in zero gravity.

Part of the album has been recorded in Une ferme dans les Vosges, courtesy of Rodolphe Burger. It was recorded with Roméo Poirier, one of the most promising figures of ambient, and the elegant multi-talented Lou Rotzinger. As if progressing in parallel with his own linguistic experience, to add another layer to the sloughing, side A is sung in Catalan, Marc Melià’s mother tongue, and side B in French, his adopted language.

Like an echo to his previous album, Veus opens with an instrumental, “Pulse on a E”, which starts with a sequence created with a single note transposed to its octave, just like “Fata Fou”, the last song on Music for Prophet.

Although the title seems to reference an iconic 80s synth, “DX7” is actually about the seven days of the week. It is a love song, about the temperamental oscillations which make every morning the blank canvas of an unpredictable story. Wednesday, I hate you, Sunday, I love you. With few words and a lot of emotion, a synthetic voice is trying to grow more human each day.

“Dent de Serra” deals with the weight of memory on our relationships, but also with the way we revisit them constantly in order to integrate souvenirs within present relationships. Suddenly, the song stops and enters a new dimension, everything is different, as if what had just happened was now forgotten forever.

Oxytocin (“Oxitocines” in Catalan) is said to be the hormone of love. This song deals in a playful way with the duality between science and faith, between rational and magic, when it comes to sentimental relationships. Love is a universal theme, it is everywhere in the world, and love songs have been written for a very long time. But this particular love song is an ode to an aspect of love that has been less sung about: biology, which makes it possible to feel like you’re floating in space when you fall in love.

“Les étoiles” is a trio with Flavien Berger and Pi Ja Ma. The song is about attraction. What attracts humans to each other, but also the inevitable gravitational attraction. The song is also about accidents, magic moments that take us outside of our daily lives and give us the possibility to imagine a sidereal, infinite love.

“A propos d’une chanson” was born after Marc Melià had dreamed he had written the most beautiful song he’d ever created. When he woke up, he realized that song was actually O Superman by Laurie Anderson.

Aside from these songs, Marc Melià offers a few breaks, instrumental but no less narrative.

“Final d’hivern” conjures these quiet moments between two intense events; sleeping at night between two days; the calm that settles in after a hard winter, right before spring properly starts.

Using a musical language that clearly references Ryuichi Sakamoto, “Romain”, with its theme based on a melancholic chord pattern, could be the soundtrack to a 1970s movie lost in time. Little by little, elements that seem to come from a completely different context find their place, while turning the initial mood into something strange and unexpected.

Finally, “Retorn”, which finishes the album, is a reprise of the theme of “DX7”.

From the chords that make up a song, to the days that make up our lives, existence is but a cycle, and Veus is an exploration of them. Marc Melià keeps on drifting on his personal path, between homage to the past and visions of the future.

pre-order now15.10.2021

expected to be published on 15.10.2021

16,77 €
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