Under the motto «We become more from what is left, deliver else than just the now, build sound stories for the then», Sediments is the new label and sonic adventure launched by Estrato Aurora and d_o_ppelgaenger, partners in the electronic duo Pajaro Dune.
d_o_ppelgaenger || aka David Ortolà || is a pianist, composer, electronic music producer, teacher and scholar specializing in contemporary music and electroacoustic composition and performance. As a solo artist, he has composed multiple electronic, ambient and techno works, modular scores as Grooves #1 (2017) and Déjà vu (2024), unique musical events such as Efímeras for 20 Pianos (2011), compositions for piano and electronics as well as his latest release Live at Perpendicular (2024).
Live at Perpendicular 2024 is Sediment's inaugural offering. Recorded May 25, 2024 by d_o_ppelgaenger at Perpendicular Festival in the woods of Cuenca, Spain, this album is both an ambient live set and a sound journey inspired in the Doppelgänger archetype from the early gothic novel.
d_o_ppelgaenger's signature chiaroscuro medley of styles and ideas relies on narrative sound design, using both electronic production, classical instrumentation, field recording and generative synthesis. His music challenges the boundaries between acoustic and electronic sound calling on a wide range of oft-conflicting aesthetics: from early music to soundtrack atmospheres or disruptive avant-garde trends. This album explores the liminal terrain between divergent languages, trying to create perceptional experiences in search of empathy between the known and the misunderstood or the unheard-from.
|| We
become more from what is left,
deliver else than just the now,
build sound stories for the then. ||
Flower Storm returns with Seh, the third chapter in its unfolding mythos. If Yek was the first winds and Do the deepening of the spell, Seh is where the storm fully takes shape--five slabs of sonic metal, smithed in rhythm and ritual. Sepehr and Kasra V continue their excavation of Iranian folklore through contemporary club mutations, where thunderous percussion and hypnotic cycles push deeper into a space where myth becomes motion. The rhythms continue forward, but the past lingers in the echoes--deities flicker between pulsing machine sequences, time loops and fractures, and tension builds like an incantation. Trance-inducing polyrhythms collide with shadowy textures and melodies stretch and distort like time folding in on itself; the storm rages on. When it rains, it pours.
"Bushwick Kindergarten" An EP that encapsulates the gritty charm of the European underground house scene. Dive into Side A with Andrade's pulsating beats, kicking off with "Kubernetes" and following up with "Content Security Policy," a track to secure your sonic journey.
Side B features Dragosh's hypnotic "One Way," culminating in Fabrizio Siano's soul-stirring "Control Your Emotions," a track that does exactly what it promises.
This is more than just a vinyl; it’s a passport to the raw energy world of minimal house. Are you ready to groove?
South Londons’ indomitable Medlar delivers an ambitious new album
The long-time underground favourite has collaborated with the likes of Dele Sosimi, Rebekah Reid, Deevoenay, Finn Peters, Sam Virdie, Afla Sackey and Arnau Obiols on an album that finds him taking his production to new levels.
From roots playing illegal raves in the South West to building up a cultured catalogue that bounces between house and garage, Medlar has long been part of the underground conversation. He has dropped a previous album and many innovative remixes and edits for the likes of Billy Cobham and Shirley Lites, worked in the studio and on stage with Afro legend Dele Sosimi and most recently released an album under his own name that collected myriad different sonic sketches from the past 15 years.
Islands is an altogether different proposition that comes after establishing himself as a mix engineer and producer of other people's music. In that time, Medlar has honed his skills, learnt new tricks and grown more able to express himself in sound. The result is an album that explores a more electronic palette inspired by '80s fusion sounds whilst maintaining a loose, organic flow through his use of live instrumentation. “The idea for the LP was for a collection of music which could sit alone as club tracks, but would work equally well as part of a whole. The name Islands came from this, as there's some connecting ideas but the tracks sit independently in their own little sonic worlds. I took a lot of inspiration from early 80’s electronic music produced during early years of MIDI technology… proto house, jazz fusion, electronic disco and experimental ambient. I wanted to juxtapose some of these methods with more contemporary production and make something that's ultimately quite fun!” says Medlar of the record which could easily soundtrack a summer road trip.
Across 11 tracks, he blends old-school techniques like a fusion of live instruments, FM synthesis and MIDI triggered vocal samples with more contemporary touches such as punchy, club-friendly drums and dub inspired, speaker-wobbling low end. The result is less reliant on samples than his previous works and makes for a perfect blend of retro authenticity and future freshness.
First Terrace are thrilled to present the new album Lucid Dreams from the prolific Japanese artist Chihei Hatakeyama on January 23rd 2024.
Renowned ambient composer Chihei Hatakeyama is set to release his latest album, Lucid Dreams, an evocative sonic exploration that invites listeners to drift between the waking world and the dreamscape, to experience “dreams you are aware that you are dreaming”.
Known for his deep atmospheric textures and minimalist approach to sound, Hatakeyama’s new project expands on his signature style and with the help of collaborators Cucina Povera and LA based multi-instrumentalist Nailah Hunter charts new emotional territories.
Chihei expands on the concept of the album, sharing that “For the past two years or so, I have suffered from insomnia at times such as when the seasons change, and at those times all I can think about is wanting to sleep. However, when I'm in that state and I go through repeated light sleep, I can experience a state of "Lucid dreams" where I can't tell whether I'm dreaming or not, and am aware that I am dreaming. One aspect of this album is that it was inspired by that state of light sleep.”
“With that in mind, the theme of this album is the sense of time in a dream, situations that suddenly change unlike the flow of time in real life, surprises and nostalgia - I wanted to create an album that depicts those dream states.”
With a career spanning over two decades, Chihei Hatakeyama has gained an international following for his ability to consistently release music that enchants and rewards listeners. In Lucid Dreams, Hatakeyama continues to explore themes of nature, lucidity and calm, offering listeners an auditory escape from the hustle and noise of everyday life.
Tracks like “End of Summer” guide the listener blissfully through a five minute daydream, gently encouraged along by distant guitar strings on a bed of reverb whilst “Wind From The Mountains” (which features the beautiful work of Nailah Hunter) is the perfect example of what Chihei does so well with subtle movements that encourage your imagination & allow you to be lost in your own dream.
For the second vinyl release of GNC Records we got five tracks meant for a dark night at the club, produced straight out of the Patagonia by argentine heavyweight Saigg. This EP has four Electro Techno cuts and it also includes a killer remix by argentine EBM live duo KRSSV. Throughout the release, playful basslines interact with arpeggiated synthesizers generating a fun climate that becomes more and more tense while reverberant atmospheres bring the night to its climax. On the side A, we can appreciate how sharp drums build up intensity on the dancefloor in order to leave everything on point for side B, where breakbeats and diffused vocals transport the listener to an induced psychedelic state, a dystopic void representative of the producer and his sonic quest.
Venice Affaie seeks only to give humans a look into their own lives, history, suffering, and peace, all while providing a backbeat sprinkled with sexuality, romanticism, and especially entertainment. The concept of “Ascension” is much larger than a description of upward motion; it is the human description of our evolution from four to two, from caves to high rises, from child to elder, and from stardust to flesh. This collection of songs has been in the works since 2021 and meticulously arranged to provide the best possible lens into Venice Affair’s concept of human existence.
The track “Alive” seeks to display the contrast between the wholesomeness of romantic affection and the emotional torture of such affection falling through due to externalities. “Dead of Night” is an observation of emotions one may feel when the subject of their love is away without care, leaving in their path longing and unspecified vitriol. “The Web” is a natural progression of these emotions in the verses, a culmination of feelings that leads one to leave. Leaving a once bountiful love is compared through the analogy of nomadic people leaving a region which was once home, now depleted of resources, rain, and vegetation.
Brussels-based artist Adja Fassa releases her debut album, two years after her well-received EP IRONEYE - and it is promising to be quite a ride.
This contemporary body of work showcases 11 stories, each telling their story of the impact our capitalistic society has on our most intimate moments: from dystopian neo-soul tales of Deliveroo-drivers being stalked by telemarketers (both of them selling/delivering literal 'hope and dreams'), to re-imagined jazz standards and classical songs about conditional friendships, based on time and money. We even get her take on the 'stick-it-to-the-man-sing-along-rock-song', which she called 'Sucking on my Emphatitties'. And then we have the title song 'Golden Retrieve Her' which is as much an accumulation of feelings as of musical curiosities
" 'Golden Retrieve Her' is a wordplay on wanting to retrieve my kindness in a violent social system. Simultaneously, it is criticizing the fact that we, the masses, are often asked to either be naive or pretend we are. All of this accumulated in a visual image of what our social system considers 'the perfect, obedient nuclear family': a kind couple with 2.4 children, a house in the suburbs and... a Golden Retriever." ~ Adja
Serious and concrete topics, wrapped up in a symbolic package, as Adja values both straightforwardness, critical thinking and, paradoxically, a bit of mysticism. For her visual artwork, she created four, self-made tarot cards, that represent the four themes on the album:
'The Wheel Of Fortune', embodies the desire to get the upper hand in a system that doesn't align with your values. 'The Mirror', represents projection and likeness within lost connections (whether with strangers or with friends), 'The Dark Wheel' embodies the turning point of the wheel of fortune, where one is completely surrendered to their own moral demise and 'The Cave' stands for the - sometimes painful, sometimes blissful - return to one's own mind and heart.
Musically, this album contains as much variety as song titles, as Adja continues to explore her own depths as an artist and musician, together with her partner-in-crime, guitarist, composer and jazz-arranger Alexis Nootens. She collaborated with music producer Adam Scrimshire, who was featured in the Guardian as UK's one of three most significant soul music producers alongside Swindle and Inflo, and renowned Belgianproducer, mixer and musician Koen Gisen, who both mentored her into deepening her own productional skills. Last but not least, she gathered 13 musicians to deliver the sound she brings to her album, among them her 5 steady band members and 8 studio musicians from all over Europe. As we said: it promises to be quite a ride.
LIVE:
09/05 : Ancienne Belgique, Brussels
11/05 : Jazz à Liège
"Petrol", one of Manu Kenton's most iconic tracks, makes its highly anticipated return in a limited edition that will appeal to both collectors and techno enthusiasts. This special version features not only the original track, but also exclusive remixes that reinterpret the piece from different angles, offering a diverse and exciting sonic palette.
Manu Kenton, staying true to his creative genius, revisits his own track by adding an energetic and catchy vocal, bringing a fresh new dynamic to the already electrifying atmosphere of the original.
The Gregor Size remix is a true powerhouse: dynamic, industrial, and powerful, it transforms "Petrol" into a heavy, punchy piece, with dark textures and irresistible rhythms that leave a lasting impression.
Greg Denbosa, on the other hand, delivers a progressive techno remix, with a dynamic and repetitive beat that builds tension, creating a hypnotic experience perfectly suited for the dancefloor.
Finally, Bestien offers a nervous, straight, and punchy version, ideal for the peak moments of a night. His explosive remix ramps up the intensity on the dancefloors, with raw energy and power that demands attention.
Visually, this vinyl stands out with its "Yolk" effect, a unique blend of white and white with luminous accents, creating a striking and modern design that will enhance any collection.
Français
"Petrol", l'un des morceaux les plus emblématiques de Manu Kenton, fait son grand retour dans une édition limitée qui séduira aussi bien les collectionneurs que les passionnés de techno. Cette version spéciale inclut non seulement la version originale du titre, mais aussi des remixes inédits qui réinterprètent le morceau sous des angles différents, offrant ainsi une palette sonore variée et excitante.
Manu Kenton, fidèle à son génie créatif, revisite son propre morceau en y ajoutant un vocal énergique et entraînant, donnant une nouvelle dynamique à l'atmosphère déjà électrisante de l'original.
Le remix de Gregor Size est un véritable tour de force : très dynamique, industriel et puissant, il transforme "Petrol" en une œuvre lourde et percutante, avec des textures sombres et des rythmes irrésistibles qui marquent les esprits.
Greg Denbosa, quant à lui, propose un remix techno progressif, avec un beat dynamique et répétitif qui crée une tension croissante, offrant une expérience hypnotique et parfaitement calibrée pour les sets dansants.
Enfin, Bestien livre une version nerveuse, droite et percutante, idéale pour les moments intenses d'une soirée. Son remix explosif fait monter l’intensité sur les dancefloors, avec une énergie brute et une puissance qui ne laisse personne indifférent.
Visuellement, ce vinyle se distingue par un effet "Yolk", un mélange unique de blanc et de rouge lumineux, créant un visuel frappant et moderne qui enrichira toute collection.
Announcing the debut album from one of London’s most electrifying acts, New Regency Orchestra. An 18-piece Afro-Cuban big band, inspired by the musical melting pot of NYC in the 1950s, but with the punch and power of a whole host of London’s best Latin and jazz musicians. Blowing new life into these compositions, the album is a reimagining of some of the finest music from that golden era. From early 1950s René Hernandez and Tito Puente, through to the 1970s salsa of Rafael Labasta and Orlando Marin, produced and performed with fresh fire.
NRO is the brainchild of its artistic director, and the man behind Total Refreshment Centre and Church of Sound, Lex Blondin. Through a long-held passion for jazz, Lex discovered the explosive Afro-Cuban rhythms of mid-1940s NYC via the godfather of Afro-Cuban jazz, Mario Bauzá. A time when two musical worlds collided in a fusion of creativity and energy, jazz luminaries like Dizzy Gillespie and Charlie Parker joining forces with Cuban greats like Machito and Chano Pozo. This vibrant sound was music to dance to and found a home at The New York Palladium, a formative space of freedom and expression that was key to the scene’s development.
Although dance-focussed in their makeup, those early recordings are not often heard in modern club environments and Lex dreamt of retelling their story with a contemporary dynamism. A slice of serendipity followed, as a slot at a new festival opened up and Lex jumped at the chance to make this idea a reality, an 18-piece big band breathing new life into these beloved songs.
Enlisting the expertise of some of the capital’s finest talent, Lex and co-captain Andy Wood, of Como No fame, put together a world-class line-up of talent. Bringing in Eliane Correa as musical director and bandleader, a fluid and interchanging 18-piece band was formed.
The album itself is a hand-picked selection of timeless Afro-Cuban jazz classics, reimagined with NRO’s unbridled energy. It contains ten incredible instrumental tracks including 'Pregon' with its anthemic horn stabs and the addictive head nod bounce of 'Mambo Rama', alongside two scorching vocal numbers in 'Papa Boco' and 'Labasta Llego'. Coupling a heavyweight rhythm section with a wall of horns, they provide a fresh spin on songs from Tito Puente and Chico O'Farrill, René Hernandez through to Rafael Labasta.
“Some of the tunes like Tito Puente’s ‘Mambo Rama’ and ‘Scarlet Mambo’ might sound like they went to a gym as extra drums and bass synth were added to them whilst the tune ‘Sahib & Tito’ is a mix of Tito’s ‘Mambo Buda’ and Sahib Shihab’s ‘Nus’. Our intention is to be both respectful to the innovators and inventors of this incredible music and to pay our dues, but also to add something special from London where the city’s new jazz scene connects with its Latin American musicians and the musical influences around us.”
This pure collective joy, shared experience and music you can’t help but move to.
Roberto Intrallazzi and Dario Piana, two unheralded sons of Italy’s original Afro-cosmic movement of the 1980s, have joined forces in the studio for the first time. The result is the 99% Stories EP, a collaborative debut for Leng inspired by the formative years of the duo’s near 45-year friendship and their shared musical roots.
The duo both started DJing in and around Milan in 1981, drawing inspiration from pioneering contemporary Daniele Baldelli. Intrallazzi found international success following the birth of Italy’s distinctive house scene, collaborating with other like-minded producers as part of FPI Project and Cube Guys, while Piana continues to be a prolific solo artist whilst also working extensively with mentor and friend Baldelli.
The EP begins with ‘Out Of Control’, a dubbed-out cosmic disco chugger with guitar snippets, spoken word samples and sonic textures over a percussive beat and low-slung bass guitar line. Fellow long- serving Italian LTJ Xperience drops a remix that highlights the acid-flecked electronic sounds, rubbery bass and hypnotic beats in his trademark style.
Intrallazzi and Piana explore the middle ground between psychedelic, pitched down acid and cosmic- disco on ‘Lazise’, offering up a blend of percussion-enhanced beats, undulating 303 motifs and intergalactic electronics, before once more reaching for the bass guitar to drive the vibraphone, bleeps, keys and vocal enhanced midtempo shuffle of ‘Saocraffen’.
The digital version of the EP has bonus cut: ‘SP-15’. Named in honour of the Technics turntables used by Daniele Baldelli at the iconic Cosmic Club – where he first showcased his hybrid and decidedly psychedelic ‘Afro-Cosmic’ DJ style – the track is murky, immersive, trippy and picturesque in equal measure, with waves of glistening synth sounds and musical flourishes winding in an out of a charred, midtempo cosmic disco groove. We have no doubt that Baldelli approves!
Limited to 1000, individually numbered copies. Eight tracks for the first time on LP vinyl from The Diplomats Of Soul featuring an all star cast of UK singers and musicians produced by Bluey from Incognito. Vocalists are Natalie Duncan, Vanessa Haynes, Imaani, Valentina Silwimba, Cherri V and the late Noel McKoy on an array of recordings from 2006 to 2024. The songs range from covers of rare groove, two step and soul classics to one original. Six songs original mixes, plus remixes by Atjazz and Yam Who?
Slow-moving finger-picked ambient folk straddling the synthetic and organic divide – that is “The Ending Was A Typical Part”, the first album by the Zurich-based duo Gūsū. It combines the tradition of playing the guzheng with electronic instruments, allowing different yet harmonious worlds to collide.
The collaboration between Xueyan Chen and Nicolas Balmer alias Gūsū was born out of their shared musical explorations in 2022 and has evolved into a dialogue of sound. Chen’s guzheng, an instrument deeply linked to Chinese history, resonates with improvised and self-composed melodies, freeing its pentatonic scale from its traditional bounds. Her playing is underscored with the cryptic hum of Balmer’s modular synthesizers, the deep bass and layered textures that combine the organic with the electronic. Together they create a sonorous exploration of identity, displacement and unity.
Xueyan Chen has been playing the Guzheng since her early childhood. With her moving to Zurich, Switzerland she started reimagining its historical identity through improvisation and self-composed melodies. With this approach, Chen emancipates the instrument from its classical heritage, weaving a contemporary and deeply personal narrative. Nicolas Balmer meanwhile brings a contrasting yet complementary dimension with modular synthesizers, bass guitar, and electronic textures. His layered soundscapes amplify and distort the Guzheng’s pentatonic timbres, enveloping them in mysterious tones and expansive harmonics.
Life is full of splendid yet fleeting moments – as is this album. Filled with songs of ever- changing bliss, it offers a modern take on Rephlexish-Warpy IDM and Electronica, embedded in that irresistible Electro groove from the land of milk and honey. Put your feet up – it’s time for a break from work.
First time on vinyl! Selected tracks from the 2018 digital release, newly compiled and remastered – plus three completely new tunes from the same era!
Saṃsāra Cycles – A Spiritual and Ode to Dance Music Trilogy by B From E.
Rising French label Happiness Therapy unveils Saṃsāra Cycles, an extraordinary trilogy of EPs crafted by Danish treasure B From E. This ambitious and evocative project dives deep into the spiritual dimensions of music while paying homage to the transformative power of dance.
Through Saṃsāra Cycles, B From E demonstrates the full breadth of his artistic and technical mastery. Spanning ethereal dream house, uplifting garage / piano house and hypnotic neo trance, each record in the trilogy is a testament to his unparalleled versatility and creativity.
This trilogy, available on vinyl and digital formats, will be released between February and April 2025. Each EP embodies a unique stage of the Saṃsāra cycle, creating a cohesive narrative that connects sound, spirituality, and the energy of the dancefloor.
More than a year after its last compilation, Amsterdam’s Locked-in returns with a glistening selection of club-ready tracks further anchoring the label’s progressive groove while opening avenues to different sounds and scenes.
Blending minimal techno and ambient aesthetics, Hamburg’s Rupert Marnie opens up the A-side with “Half-Baked Spel”, a mysterious yet dancefloor-ready cut elegantly setting the tone. Norwegian house and techno DJ and producer A:G (Asgeir Giskegjerde) follows up with an escape into trance influenced sounds, delivering a playful, ambitious and infectious bopper. On the flip-side, Barcelona-based Aniano takes things one notch deeper offering a dimmed light minimal groover. With its moody atmosphere and catchy samples, the track gracefully hints at Perlon's catalogue. To close the journey, Frog Dog Records crew member Slacks from Philadelphia takes the listener apart with a very subtle emotional break composition, crafting an intricate and moving piece of music reminiscing of good times.
With four tracks stemming from different parts of the world, Locked-In once again showcases the quality of its curation and the consistency of its sound and vision. This release is dimmed to resonate on both dark and sun-drenched dancefloors.
After years of silence dedicated to side projects, DJENA makes a triumphant return with his solo EP, In Motion. A testament to his passion for eclecticism, this release seamlessly bridges house and breakbeat, enriched by a stunning remix from the legendary French producer DJ W!LD.
The journey begins with the title track, In Motion, a hypnotic breakbeat composition where deep pads intertwine with tribal vocal elements, evoking raw emotion and sonic depth. This track is designed to captivate both the ears and the heart. DJ W!LD then takes the reins, transforming In Motion into an irresistible dancefloor anthem. His remix injects a house-driven groove, elevating the track into an emotive yet club-ready masterpiece.
Flipping to the B-side, Thrust propels listeners into a deep tech-driven rhythm, gradually intensifying into a peak-time energy surge. Rounded arps, subtle vocal textures, and celestial pads craft an immersive, ethereal adventure—blurring the lines between introspection and movement.
Closing out the EP, Veer is a sublime after-hours gem. Its bouncy bassline and tech-house rhythm are complemented by atmospheric pads and haunting vocals, leading the listener into a space where both mind and soul find fulfillment
In Motion EP is a refined sonic exploration, balancing depth and energy in perfect harmony. DJENA’s return marks a powerful statement—one that will undoubtedly resonate on dancefloors and beyond.
Every label’s first release sets a tone. With "Pegasi EP", Saraw establishes itself with a focus on sonic precision and ethereal atmospheres, exploring the intersection of house, techno, and minimalism. Founded by Root, the label debuts with Apolinic, a project that approaches these genres with a sharp, cinematic aesthetic. "Pegasi EP" emphasizes rhythm, space, and texture, with remixes by label owner Root and seasoned producer Tommy Vicari Jnr.
'Alt Nod De Cravata' (A1) builds around crisp percussion and evolving walls of sound, creating a subtle yet persistent momentum perfect for special peak-time moments. 'Root’s remix' (A2) deepens the original’s swing, heightening its hypnotic effect through morphing basslines, shuffling hi-hats, whispered vocal fragments, and emotive pads. 'Sense Of' (B1) plays like a sequel to A1, delving further into its subdued yet cinematic power, infused with oriental-tinged atmospheres. 'Tommy Vicari Jnr’s Remix' (B2) reshapes the original with a refined, pumping house structure, threading acidic undertones through the same atmospheric palette.
Saraw is centered on refined electronic music—focused, understated, and designed for both dancefloor action and deep listening, and "Pegasi EP" marks the beginning of a carefully curated catalog.
“Traces”, the debut album from Vesto Comodo, presents a sonic meditation on the enduring power of human emotions and behaviors in an era where the boundaries between organic and artificial consciousness have dissolved.
Introspective, funky, earthy and deep: the album sound palette juxtaposes elements like century-old piano phrases with mysterious synth pads, while tape-squashed drum breaks and jazzy flute themes spiral together creating a journey into a prehistoric futurism.
You’ve enjoyed it digitally for the past few months, now it’s time to get your hands on the real thing.
Masšh & Adam Port feat. Ninae - All I Got is finally here on a fresh vinyl pressing. The cathartic emotionality of the track sees Adam Port returning to his sonic roots, collaborating with Masšh to imbue it with authentic South African soul. Out on Madorasindahouse Records
2017 revolutionierte die bahrainisch-britische Trompeterin und Flügelhornistin Yazz Ahmed mit ihrem Album "La Saboteuse" den Jazz, indem sie ihr doppeltes Erbe mit elektronischen Effekten vermischte, um das Genre neu zu definieren. Die Platte taucht ein in ihre britischen und bahrainischen Wurzeln, mit Musikern wie Lewis Wright und Shabaka Hutchings, und zeichnet sich durch orientalische Melodien und stimmungsvolle Rhythmen aus, wobei auch der Einfluss moderner Jazzkünstler wie Kamasi Washington und Sons of Kemet nicht zu leugnen ist. Parallel fordert Yazz die von Männern dominierte Jazzsphäre heraus, gestärkt durch eine steigende Zahl weiblicher Musikerinnen.
50th ANNIVERSARY EDITION
Heavyweight Vinyl 45 RPM Cut / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer / 30x30 cm insert with interview to Steve Kuhn by Tony Higgins printed on 250 gram Favini Lanilla Yellow / 20 Pages 21 x 30 cm "Real Book" with transcripts of the songs in the "Real Book" style, handwritten by The Maestro Carlo Spanò with main theme, chords and lyrics printed on 120 gram Shiro Eco paper, 100 gram Favini Crush Alghe. Carlo also edited an introduction with technical analysis of the session, which solves some of the little mysteries around this music gem.
Personnel:
Steve Kuhn - Vocals, Piano
Airto Moreira - Percussions
Billy Cobham - Drums
Ron Carter - Bass
Gary McFarland - Arranged by
Notes:
The album features the group playing Gary McFarland arrangements of Kuhn's compositions, accompanied by a string section on several tracks, with Kuhn delivering stream of consciousness lyrics in an unplanned and largely improvised fashion in the studio. However, that wasn't the only surprising aspect to the session. Airto Moreira's appearance was more by chance than design, he having just popped by the studio, again, unplanned. The 'Steve Kuhn' album is all the stronger for these extemporaneous and serendipitous elements and showcases a band at the top of their game; tight and funky yet relaxed and flowing like molten gold, with stabs and washes of keyboard from Kuhn. Splashes of free playing enter the session, but the band never stray too far from a melodic and harmonious centre of gravity. Kuhn's deft keyboard skills provide melodic embroidery to the impressive rhythmic textures and tonal colours of Carter, Cobham and Moreira. As if the music wasn't enough, the album is given extra significance by the fact that, within a few months of the recording, McFarland would die after being mysteriously poisoned by methadone in a New York bar. In a sense, it is a valedictory album from McFarland, channeled by Kuhn and the band.
It's among the hardest of Kuhn's albums to find so this reissue is most welcome. Luxuriate in the glow of Kuhn's Fender Rhodes and the pliant funky bass of Ron Carter; immerse yourself in the percussive interplay of Moreira and Cobham, a pairing that has rarely sounded so good. This is such an exquisite album; you will lose yourself in its delicate power and find yourself coming back to it again and again.
Established artist management company Palm Artists will be launching a new label this May. Named Palm Recs, the maiden release comes from fast-rising British-collective Girls Of The Internet in the form of the below single, Above.
The group described how Moloko’s The Time Is Now inspired them, stating: “We had the words running through our minds for a few weeks, just thinking about where they took us. It sparked us into writing Above. All the best love songs have a shot of poison. Musically, we were back at Patrick Adams meets Basic Channel.”
It’s a blissful five-minute offering, made up of rounded percussion and a warming underlying groove. Gentle kick-hat combos make up the overarching rhythm, whilst soothing vocals accentuate the track’s reflective nature. Dreamy chords soon meander into rolling key chimes to form an emotive, feel-good cut.
Girls Of The Internet have swiftly risen up the electronic music ranks since their debut release four years ago. Known for an eclectic disco-inspired sound both behind the decks and in the studio, their productions have found a welcome home on Defected, Classic Music Company and Heist Recordings in recent years, receiving support from Nemone, The Blessed Madonna and Axel Boman in the process.
Palm Artists is an East London based artist management company with over a decade of experience in developing some of the most exciting and successful musicians in the UK. Managing the likes of Gorgon City, Sonny Fodera, Adelphi Music Factory and a myriad of other industry heavyweights, the company has received several accolades over the years including; the BBC Sound Of 2019 while releasing multiple chart-topping singles, critically acclaimed album campaigns and delivering global tours for their roster. 2021 will see Palm Recs release a series of singles and remixes from some of their favourite up and coming acts, with producers such as Preditah, Fideles and many others soon to be debuting on the imprint.
Portland's finest practitioners of Great Black Music offering to the planet! All Is Sound could not be a more apt title for this. Through saxophone, cello, piano, and flutes The Cosmic Tones Research Trio created a truly beautiful record. All Is Sound breaks new ground. At its heart, it's healing/meditation music, but the Gospel and Blues roots are in there too...as well as hints of forward-looking Spiritual jazz.
As sincere a record as you could ever hope for. Music is indeed the healing force of the universe. Formed by alto sax player and composer Roman Norfleet, cellist and multi-instrumentalist Harlan Silverman, and pianist Kennedy Verrett—who also plays a wide variety of wind instruments—, The Cosmic Tones Research Trio focuses on healing music. In All is Sound, delicate, profound melodies create peaceful, immersive soundscapes, which the group develops through their combined background in acoustic ecology, sound meditation, mindfulness, and active community involvement.
A noteworthy follow up to Norfleet’s first length with Mississippi Records (the self-titled Roman Norfleet and Be Present Art Group, from 2023), All is Sound offers the chance to engage with songs intended for healing. Following the steps of musicians such as Sun Ra, Alice Coltrane, and Pharoah Sanders, The Cosmic Tones Research Trio delivers music that is both restorative and sonically rich—each tone falling into perfect place, as if by magic. Praise for Roman Norfleet and Be Present Art Group: “A free-flowing suite.” — The Quietus // “Life-affirming music.
“i was put on this earth”, his first solo music since 2022, and debut on XL
Recordings.
On “i was put on this earth”, DJ Python - aka Brian Piñeyro - gently forays into uncharted territory as a singer, producer,
and collaborator; an evolution all the more impressive in light of his groundbreaking musical projects to date like Mas
Amble, Angel, and Club Sentimientos Vol 2. While splitting his time between New York and London, Python has teamed
up with a diverse set of collaborators including South London rapper Jawnino, Honduran-born powerhouse Isabella
Lovestory, unclassifiable songwriter Organ Tapes, and NYC mainstay Physical Therapy. Across the five-track EP,
Python shares bold solo songs alongside these intriguing collaborations. The project retains the captivating melodies,
atmospheric textures, and rhythmic innovation that defined Python's earlier recordings while building on and shaping these
signature elements into ambitious and addictive new songs.
The first look at the EP comes in the form of “Besos Robados”. Isabella Lovestory lends an insouciant yet insistent vocal
to this sublime downtempo lovers' reggaeton track that's been a fan-favourite since appearing on Python's epic BBC
Radio 1’s Essential Mix.
On ‘i was put on this earth’, DJ Python says “to whom it may concern…
its too beautiful to embrace change and to challenge urself to find something meaningful in it... i love my friends and
love is deep :') i want them to know that always... but sometimes i get busy and overwhelmed n im not the best at
saying how i feel always... just want to sit around and talk and feel understood together w someone who you like or u
find interesting.. thats the best :) and if the day is nice or if the day is not nice but ur inside and its cozy.. thats too
wicked. and ur making a soup and eating it together... just with the stuff in the kitchen.. dont even go out to get
ingredients.. no need to follow a recipe.. cause ur grandma taught u to cook w the "sazon" (cooking by tasting w as u
go on adding diff ingredients and spices.. no recipes. .. u can only really cook if u can freestyle in the kitchen she said)..
and then u think about how ur grandma taught u that.. and your w someone in the kitchen making something together..
and then u taste it and it warms u up and ur like damn this is fire.. thats what this and i think maybe what "its all"
about... thank u for taking time to read this and i hope you enjoy the album…
kiss u…
Brian”
The iconic DJ Sotofett comes with a real treat--a 12-track album on Clone West Coast Series that showcases a playful take on electronic music. Immerse yourself in the vibrant world of DJ Sotofett & The Colours of Computer Generated Instruments. With 12 electrifying electro tracks that blend a wide spectrum of rhythms with 80's Nintendo console vibes and holy grail analog vs digital synthesis, this album is a jubilant celebration of that sound. Prepare for an exhilarating journey filled with surprises, seamlessly transitioning from acid infected vibes and catchy electronic pop to groundbreaking avant-garde electro cuts. Each track intricately weaves together influences from over 40 years of electronic dance music, inviting listeners to explore the rich tapestry of genres that have shaped the landscape. As you delve deeper, you'll uncover the intricate layers and innovative production techniques that define Sotofett's distinctive style, transforming this album into more than just a collection of tracks -- it's a true sonic adventure that beckons you to listen, dance and dream.
Garage Hermétique, returns with a new EP of music from Views, presenting the ‘Kyoto Love’ EP. An alias of Atilla Fidan - producer & live performer, founder of the Berlin label Tape Archive, and also known for releases as Waitress/ASWA - each of the four tracks hits a naturalistic groove driven by vintage Chicago-esque rhythms and warm, acidic tones.
On opening and title-track ‘Kyoto Love’, charming bird song flourishes into a rubbery bassline. ‘Go Well (Part 2)’ embarks on a similar tip, before loosening up into a soaring, somewhat new-age atmosphere, while never sacrificing it’s watertight drums.
On the flip, ‘Kimura’ and ‘Systems (Last Mix)’ move in deeper directions still; The former is a sparkling, detailed cut that rolls out nocturnal dance floor depth, while the latter rounds off the release with transcendent choral breaks.
Black Music has always been the main source of inspiration for contemporary music and for the IRMA records label, which turns 37
this year, it is a fundamental part of its musical vision.
In the 80s with the birth of the term Acid Jazz this international scene began to emerge that fished out the Soul Jazz Funk sounds of the
70s and which to this day is a scene alive and well that continuously generates new artists. IRMA records is recognized as one of the
labels that has published several of these artists since the 90s starting with Jestofunk, Bossa Nostra, Gazzara, Man Sueto and many
others.
With this compilation entitled ‘Mondo Groove’ it wanted to highlight the very varied Italian scene today that inevitably undergoes the influences of Dancefloor but also those of Afrobeat, Fusion and World Music.
On the cover one of the artists included in the selection: Alixia Mistral.
Side A’s “Intergalactic Love Song” by the Diddys & featuring Paige Douglas is a vocal version of the Charles Earland's instrumental classic (who also produced the track) & is a disco-tinge jazz-funk groover that you will want in your bag. It glides across the dancefllor with a breezy ease & pulls you in.
B. side
On the flip, we have“Searching The Circle” by Barbara & Ernie from the classic psyche-folk soul album “Prelude To …” (Ctollion - SD 9044), produced by Joel Thorn. It’s a wonderfully weird little record that has a sound that's unlike anything else I can think of.
This trippy early-70s folk-jazz-soul nugget featured here from guitarist Ernie Calabria & singer/keyboardist Barbara Massey (back-up for Cat Stevens, amongst others). Arrangements are by the pair, but Deodato also had a hand in the record too along w/ Grady Tate on drums, Ralph McDonald on percussion, & Sam Brown on guitar.
It holds a righteous groove undercurrent that recalls Richard Evans or Charles Stepney. Massey’s vocals have a flanged-out quality that's clearly overdubbed, creating a double-voiced sound that's almost a bit like Brasil 66! Completely
Prepare to delve deeper into the sonic universe of the «Force Bleu» with the second installment of this EP series on Prince's Castle Records.
Building upon the foundation laid by its predecessor, this EP continues to explore the realms of serious groove, delivering electrifying rhythms and captivating basslines that will keep you entranced from start to finish.
Get ready to elevate your musical experience as we embark on the next phase of this exhilarating journey.
The Spring is quickly approaching, and the R&C boys are always ready for it, back in the game with a new chapter of their magical reworks.
“Stars” is a new tailored-shape of the very successful Italian song ‘Figli Delle Stelle’, now revisited with a groovy electro funk mood - dancefloor oriented.
On the flip, “Brillantina” brings back to those magical times of a classical musical anthem, re-imagined into a slow-funk cut, filled with solid spacey & balearic synths.
Celebrating 40th anniversary of Yves Deruyter's musical career with this 10 x 12" Vinyl Box Set. Including tracks from F.U.S.E. vs LFO, Tronikhouse, Robert Armani, L.S.G., Edge Of Motion, Plastikman, The Prodigy, Ecstasy Club, and the master himselfYves Deruyter.
Yves Deruyter - 40 Years at the Pinnacle of the Night
Forty years. A rollercoaster of a musical career, meandering through five decades, leaving timeless marks on the collective dancefloor memory. Yves Deruyter is the exception that proves the rule. An icon behind the decks, celebrated far beyond national borders for his legendary sets, impeccable musical choices, and the anthems released under his name. The result of collective effort, where Yves, with his vision and unique touch, consistently left his mark-transforming good tracks into inescapable bombs that still resonate through time.
If you've spent forty years living to the pulse of music, the night is in your DNA. Yves Deruyter, a DJ to the core-the real deal. The man who bent the night to his will, dragging weekend vibes into the workweek like a warrior, a true master behind the turntables who made his people dance. His beats: the oxygen that generations lived on.
Yves sharpened his musical weapons in the early '90s within the iconic afterparty scene of Barocci and The Globe-places that became sanctuaries in Belgium's endless night. Here, die-hard dancefloor warriors, cutting-edge music lovers, and night owls from the four corners of the globe gathered. They willingly followed Yves' masterful mixing and his razor-sharp set construction. Clubs with a more conventional timeframe were the next step, with the iconic Cherrymoon as his home base for years-alongside endless guest DJ spots and global gigs. From there, the underground pulsed through Yves' hands and crates, reaching ever-larger crowds-without ever compromising for commercial or crossover sounds. Yves stayed true to his choices, lifting his audience to euphoric heights like a craftsman, armed with his hits, hidden gems, and freshly unearthed nuggets.
From the pounding energy of Rave City to the flippy, epic flashes of Calling Earth-tracks that not only captured the spirit of the times but conquered dancefloors worldwide. This isn't just music; it's a time capsule-a connection between generations and a reminder of the energy from a golden era.
With musical partners like Roel Butzen, Frederico Santini, M.I.K.E. Push, and more recently, Insider, Yves forged a sound that etched its place into rave and dance history. From The Rebel to The House of House, parts of Yves' musical taste have become immortal pillars of dance music heritage. In the early rave days, he topped Belgium's DJ rankings year after year, elevating every club he played to the highest echelons of popularity. The same held true for the records where his name appeared like a badge of honor.
From The Globe to the globe itself-it seemed almost written in the stars. Yves, thestar DJ, became one of the instigators of the electronic music storm that put Belgium on the global map-a storm that never subsided. Festivals like Love Parade, Mayday, I Love Techno, Nature One, and Tomorrowland saw Yves as a trusted force, effortlessly commanding crowds and turning dancefloors inside out. Forty years later, that storm still ignites partygoers, vibrates through dancefloors, and keeps entire generations moving.
Even today, Yves still holds a steady residency with Yves Deruyter and Friends at Club Moustache, where his concept always sells out. Here, both fresh talent and seasoned DJs deliver a killer blend of modern electronic dance music and timeless classics, creating an atmosphere that hooks the crowd every single time.
Because partying doesn't need an excuse. But forty years? That deserves the spotlight-not as a mere milestone, but as a showcase of timelessness. Music mutates, reinvents itself for new generations, yet retains the same impact as that very first time. Yves proves that forty is just a number, and relevance isn't about trends-it's about vision, energy, and an unmistakable touch. His sets? Indestructible. His sound? A heartbeat echoing through time.
And Yves? He doesn't live in the past. Today, Yves distills those four decades into a compilation capturing the essence of his career. Belgian beats, interpreted and refined into a sound that powered raves around the world. Ten vinyls featuring not just a fiercely curated selection that contextualizes the magic of his early days, but also new versions of three unbeatable anthems-potent hits designed to turn dancefloors upside down in wonder, without losing a shred of their soul. Yves remains a beacon in the night, a searchlight for that one perfect beat-always relevant, always chasing that magical moment.
Yves Deruyter-a name spoken in the same breath as the greats of the scene. A ten-vinyl compilation is more than a celebration; it's a well-earned trophy. As unique, indestructible, and uncompromising as the man himself.
Good friends and Record Mission co-captains, Dan Tyler (one half of the Idjut Boys) and Nick The Record, take the reins for the third volume of the Mr Bongo Edits 12" series. With previous editions coming courtesy of Danny Krivit and Luke Una, Dan and Nick set their sights on a hand-picked selection of iconic ‘70s Cuban recordings for this three-track cosmic whirlwind. Across the A side, Dan picks out two Juan Pablo Torres tracks, with Nick taking on Grupo Los Yoyi on the B. Tweaking, extending and reworking the recordings with a dose of extra magic they remould the tracks to fit the sounds and structure of today’s dancefloors.
Having formed the Idjut Boys in the early ‘90s, Dan and Conrad McDonnell have crafted a dubbed-out, disco-tinged style that permeates their countless productions, remixes and DJ sets. Speaking of the two tracks Dan has chosen to rework for this EP he mentions, “Having been caught under an avalanche of good music from Mr Bongo, I took it upon myself to extend and add effects to a couple of the fantastic tracks from the Juan Pablo Torres LPs they recently re-issued. Just for disco jockey and barn dance use.”
First, Dan looks to Cuban maestro Juan Pablo Torres’ 1978 album 'Algo Nuevo', taking one of the standout tracks ‘Cacao’ and giving it more space to breathe. Teasing out the scatting vocal line and percussive climax that nods to George Kranz's ’83 electronic disco anthem 'Din Daa Daa', whilst adding more cosmic tripped-out synths and space echoed dubs, Dan builds the tension to fine effect. This track sounds immense on a big club system and the swirling synths felt like they were lifting the ceiling off when we played it at the amazing La Paloma ballroom in Barcelona.
Dan then turns his attention to Torres’ 1977 'Super Son' album, giving the psych-Latin-funk track 'Pastel En Descarga' a dub makeover. Rich in delay and drama, whilst maintaining and extending the breakers funk intro, he juices it up into a punchy, no-nonsense, cosmic-funk delight.
On the B side, Tangent co-founder, long-standing Life Force resident and seasoned rework master, Nick The Record, revisits an edit that he originally constructed in 2009. Clocking in at over double the length of the original cut, Nick’s edit of Grupo Los Yoyi’s 1977 cut 'Paco La Calle', is made with dancers firmly in mind. This secret weapon builds and simmers, with the drums and percussion pushing and pulling before the psychedelic synth lines return in a sweltering fashion. In this new 2025 version, Dan is drafted in to work some brilliant new synth lines into the mix.
Khen has landed on All Day I Dream with his new My Pure Soul EP, a sentimental three-track collection that marks his first release on the beloved electronic label.
Written in dedication to his father, My Pure Soul explores themes of introspection and transcendence, blending organic percussion with lush synth work to create an emotive sonic journey. Offering a robust medley of dynamic rhythms and mesmerizing melodies, Khen’s hypnotic house grooves envelop listeners as the EP progresses from the titular track through its accompaniments ‘Lyup’ and ‘Uchi Mata’. A wondrous debut from Khen, My Pure Soul embodies the entrancing soundscapes synonymous with the label’s curation for more than a decade.
Some of these songs first time on LP. The Sound of Big Crown. Gold foil cover art. An amazing listen. Big Crown is proud to present the next volume of Crown Jewels, our various artists compilation series that highlights some of the most popular tunes next to some of the more obscure. Every artist on Big Crown stands on their own two feet with ease, but together, something else becomes apparent. If you discover one artist on the roster and it brings you to the label, it's very likely you will nd more that you enjoy. The Crown Jewels comps are just that, a chance to get a listen to the whole roster in one place. Even though not all BC artists can be found in the same aisle of the record store, after listening to Crown Jewels Vol. 2, it should be clear how they all t on the same record label. When we started Big Crown we wanted to have a label that’s only boundaries were dened by our taste, not by genre. We think that this is a perfect example of that. Thank you to everyone who has supported us thus far and please stay tuned as we have a lot more music on deck
Refreshing, Supreme Soul from Rising Japanese Artists
A stunning collaboration between Japan's up-and-coming producer 01sail, from the creative collective/label w.a.u, and Tokyo-based singer-songwriter/guitarist toya—now available on a 7-inch release!
Blending 01sail's signature deep grooves and soulful melodies with toya's expressive, husky vocals, this track delivers a rich, nostalgic soul experience. Originally released digitally in 2023, it marks 01sail's third single and the first solo project from toya, frontman of iihatov.
With doo-wop-inspired harmonies, lush guitar work, and a timeless warmth, this song effortlessly channels the raw, earthy charm and sweet elegance of classic soul. A must-have for any collector!
