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Crypt Rot - Embryonic Devils
  • 1: Chapters Of Torment
  • 2: Scaphist Waste
  • 3: Coffin Birth
  • 4: Post Mortal Fetal Extrusion
  • 5: Pit Of Morbidity
  • 6: Internal Organ Feast

The debut seances from Crypt Rot drag the listener to depths of morbidity. For sick fiends of Deicide, Dismember, Death, and Dissection.

Southern Lord unleash a torrent of tumultuous filth, having signed Ohio-based CRYPT ROT - formed by several current/former members of Homewrecker — for the release of their Embryonic Devils debut in early 2017. The album's 'Chapters Of Torment' has been issued for early streaming, as the band announces new live dates, including a set at The Power Of The Riff.

Having written and recorded five original songs within a months' time, CRYPT ROT captured these terrorizing, filth-laden death anthems on their Embryonic Devils debut, with each track led by a death-aura segue. For the recording sessions, the band enlisted Bill Korecky at the Mars Compound (Integrity, Ringworm, Homewrecker); the collaboration with Korecky lead to a well-polished, high-gain sound that grasps elements of many genres and crushes its listeners with its ferocity. Upon completion, the album was passed along, ultimately leading to the signing with Southern Lord.

pre-order now12.05.2017

expected to be published on 12.05.2017

15,50
White Sea - Tropical Odds

Tropical Odds is the second album by White Sea, the solo alias adopted by gifted American singer, songwriter and producer Morgan Kibby of M83
Born in Alaska, and now a resident of Los Angeles, Morgan fronted The Romanovs before joining acclaimed electronic music group M83 in 2007, co-writing, arranging and playing keyboards on the albums Saturdays = Youth and Hurry Up, We're Dreaming, as well as completing several world tours.
As White Sea, her first solo album In Cold Blood arrived in 2014, a dramatic debut praised by Billboard for its 'canyon-sized hooks, knowingly grandiose melodies and succulent vocals' and judged 'pop's newest break-up classic' by Flavourwire.  
Outside of M83 Morgan has also collaborated with artists such as Greg Kurstin, Panic! at the Disco, Mark Ronson and School of Seven Bells, remixed Ellie Goulding and Britney Spears, and composed the award winning soundtrack to Eva Husson's provocative 2016 movie Bang Gang (une histoire d'amour moderne).
New album Tropical Odds stems from an interactive project launched via White Sea's website featuring digital singles and videos released at regular intervals throughout 2015 and 2016. Explains Morgan: 'Generally being able to create and mix and master my solo material within days has given me the direct freedom to share songs I want people to hear. In short, if I write something that I like, I put it out!'
Now gathered together in album form, the musical moods on Tropical Odds range from the sombre reflections of Gangster No. 1 and Yesterday to the hedonistic rush of Stay Young, Get Stoned and Never a Woman, high drama on Bloodline and Arcadia, and heartbreaking balladry on Secret, One Bad Eye and Lessons.

pre-order now12.05.2017

expected to be published on 12.05.2017

15,84
Kareem - Your Markets Are Volatile

Kareem

Your Markets Are Volatile

12inchZHARK028
Zhark
08.05.2017

No Average half cooked tunes is going to be fronted with these luv songs
Brought to you by the Big K from the K-MEN Islands
Maximum Versatility meets high level accuracy-punch precision!

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8,53

Last In: 7 years ago
Liz Akhu - Ankhor

Liz Akhu

Ankhor

2x12inchSK340LP / 143731
Sonar Kollektiv
04.05.2017

t's the utmost honor for Sonar Kollektiv to be in the position to introduce 'Ankhor', the brand new album by Liz Aku. Having recorded all sorts of music with different outfits as well as solo projects over the last fifteen years the Belgian soul singer and highly gifted songwriter definitely earned her stripes and is anything but a newcomer to this game. She seems to have found her own, distinctive voice, after traveling to New Zealand and a far-reaching encounter with Mara TK from Electric Wire Hustle. With 'Ankhor' (a combination of the Egyptian symbol for eternal life 'Ankh' and 'anchor') Aku accomplished a masterpiece of Nu Soul, Jazz and Pop, which will make her join the upper league of the players on the scene. For this cause, several allies and efriended producers have helped her out. With Mara TK leading the way obviously, who co-produced three out of the album's twelve songs. On 'Breathing Underwater' and the sublime, for the whole album groove defining opening song 'The Drum Major Instinct' the native New Zealander duets with Aku

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23,07

Last In: 7 years ago
Martial Canterel - Navigations LP 3x12"

Medical Records proudly presents a special limited edition of all 3 "Forgotten Tracks, Sketches and Unfinished Work 2002-2004" by Martial Canterel as a triple gatefold set. Volume I was released previously in 2013, and Volume II and III are simultaneously being released by Medical Records as standalones. Sean McBride has been producing work under the Martial Canterel moniker dating back to 2002 as well as working as half of Xeno And Oaklander. These tracks capture the allure and depth of Sean's early work exploring rhythms and perfectly crafted pop songs using a very early incarnation of limited instrumentation. Fans of Martial Canterel's early work (think "Austerton" and "Sister Age") will be instantly elated. This is the first time these tracks have been released on vinyl and have been remastered for this release by Martin Bowes at the Cage, UK. Contains special bonus insert with lyrics. Fans of early Martial Canterel as well as other cold wave icons such as A Blaze Color, Snowy Red, and the like will need this collection. Presented on high-quality 180gram classic vinyl in a triple gatefold pack.

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49,87

Last In: 8 years ago
Wolfbrigade - Run With The Hunted
  • 1: Nomad Pack
  • 2: Warsaw Speedwolf
  • 3: Lucid Monomania
  • 4: No Reward
  • 5: Kallocain
  • 6: Return To None
  • 7: War On Rules
  • 8: Feral Blood
  • 9: Under The Bell
  • 10: Dead Cold

Stockholm-based Wolfbrigade announce the news of their ninth full-length album, titled Run With The Hunted, set for release on April 28th through Southern Lord.

Formed in 1995, initially as Wolfpack, after five years they ventured into the new millennium as Wolfbrigade. The band have released an impressive volume of LPs and smaller releases, and have toured widely over the years, becoming one of the premier acts of their genre. Their damning music surges with outcries against human socio-political injustices, yearning for transformation and freedom.

Wolfbrigade's Run With The Hunted strikes with ten brutal new tracks of their trademark d-beat, hardcore-crust-punk fury, elevating both the harsh intensity and the melodic attributes of their music to new extremes of savageness. There's a concentrated sense of urgency across the record, and a sense of dystopia fuelling the scathing vocal wrath. Run With The Hunted was recorded in both Studio Fredman in Gothenburg (At the Gates, In Flames, Martyrdöd), by Fredrik Nordström and Henrik Udd, and in Sunlight Studio (Dismember, Entombed, Grave) in Stockholm, by Tomas Skogsberg.
 
  About the new album, Wolfbrigade declares, We looked to explore our rawness, writing straight-up, in-your-face, primitive songs. On this record, we decided to push the melodic strains even further, but without losing either intensity or brutality. Lyrically we have been inspired by both classic and obscure dystopian literature, finding suitably horrible metaphors for the decline of western society. The search for freedom continues, but this time the path is pointed inwards, into ourselves.'
Run With The Hunted











 

pre-order now28.04.2017

expected to be published on 28.04.2017

15,84
Wolfbrigade - Run With The Hunted LP

Stockholm-based Wolfbrigade announce the news of their ninth full-length album, titled Run With The Hunted, set for release on April 28th through Southern Lord.

Formed in 1995, initially as Wolfpack, after five years they ventured into the new millennium as Wolfbrigade. The band have released an impressive volume of LPs and smaller releases, and have toured widely over the years, becoming one of the premier acts of their genre. Their damning music surges with outcries against human socio-political injustices, yearning for transformation and freedom.

Wolfbrigade's Run With The Hunted strikes with ten brutal new tracks of their trademark d-beat, hardcore-crust-punk fury, elevating both the harsh intensity and the melodic attributes of their music to new extremes of savageness. There's a concentrated sense of urgency across the record, and a sense of dystopia fuelling the scathing vocal wrath. Run With The Hunted was recorded in both Studio Fredman in Gothenburg (At the Gates, In Flames, Martyrdöd), by Fredrik Nordström and Henrik Udd, and in Sunlight Studio (Dismember, Entombed, Grave) in Stockholm, by Tomas Skogsberg.
 
  About the new album, Wolfbrigade declares, We looked to explore our rawness, writing straight-up, in-your-face, primitive songs. On this record, we decided to push the melodic strains even further, but without losing either intensity or brutality. Lyrically we have been inspired by both classic and obscure dystopian literature, finding suitably horrible metaphors for the decline of western society. The search for freedom continues, but this time the path is pointed inwards, into ourselves.'
Run With The Hunted











 

pre-order now28.04.2017

expected to be published on 28.04.2017

22,06
Al Massrieen - Modern Music

Al Massrieen: Disco, Funk and modernized Arabic Pop from Egypt

In the beginning of Habibi Funk, our search was focussed on vinyl records. Around a year ago though, we got to the point where we realized that it became substantially harder to discover music, that we enjoyed and hadn't heard before. It became apparent that it was time to start looking for other formats. Cassette tapes were the obvious alternative. These were introduced in the arabic world around the late 1970s. In some countries they took over a bit earlier, in others a bit later, but eventually they pushed the vinyl format out of the market in the 1980s. In Egypt this trend already even started in the late 1970s.

Al Massrieen was one of the first bands I learned about once I discovered the tape format for myself. They were really popular in Egypt in the 1970s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Only very few bands from the region can match the band's versatility as well as their strive for innovation. Hany Shenoda is the man behind the Al Massrieen band. He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. Al Massrieen was his attempt to introduce his ideas of modernizing Egyptian music, heavily encouraged by Naguib Mahfouz (Egypt's only winner of the Nobel Price for literature) after discussing his ideas with him.
Al Massrieen's sound goes from lush disco like 'Sah' to psych rock like 'Horreya' or incredible jazz fused pop on songs such as 'Edba Mn Gded'. I was shocked to realize the band seemed to be hardly known outside Egypt, even though I feel they're at least on the same level as Ahmed Fakroun. An relative obscurity which I largely attribute to the fact that their releases never have been pressed on vinyl (apart from a Greece best of LP which wasn't a strong compilation of the group's songs). One way or another it felt like this band and especially their composer, band leader and overall brain Hany Shenoda was in need to get some recognition outside of Egypt. The release is fully licensed from the band and comes with an extensive booklet with liner notes, interviews and unseen photos.

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22,65

Last In: 13 months ago
Annenmaykantereit - Wird Schon Irgendwie Gehen (ep) Vinyl

Christopher, Henning & Severin sind AnnenMayKantereit. Sie leben in Köln, sind zusammen aufgewachsen und schreiben heute Songs darüber, wie sie das Leben und die Liebe zerreißt, ratlos macht und beflügelt. AnnenMayKantereit haben sich mit ihren Konzerten von der Straße in ausverkaufte Clubs gespielt.Ihre Videos drehen sie selbst und das erste Album haben sie im Alleingang live eingespielt. Die Fangemeinde ist im letzten Jahr beeindruckend gewachsen,die Videos werden tausendfach aufgerufen und ihre Shows sind immer öfter ausverkauft.Viel Aufmerksamkeit für eine so junge Band, die gar nicht versucht hat, jeden Blick auf sich zu ziehen. Schlagzeug, Gitarre, Bass, Gesang, Klavier,Mundharmonika - das ist das Besteck - und mit guten Songs, viel Blues und Hennings unverwechselbarer Stimme treffen AnnenMayKantereit die Herzen ihrer
Generation, der davor und der danach.

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13,91

Last In: 8 years ago
The Astral Dimension - Galassia M81

Fabio Borgazzi - aka Fabio Fabor - played literally every known style of music, from baroque to 'satanic' electronic, in his library music albums released during his career which lasted almost seven decades. Born in Milan in 1920, Fabor was one of the great artisans of post-war Italian popular music. Author, arranger and conductor with a classical background, he started writing songs (in the 1950's and 1960's) for popstars such as Nilla Pizzi, Johnny Dorelli and Milva; he then turned to music for theatre, cinema and tv, to which he dedicated the rest of his career. In 1981, when he released 'Galassia M81, Fabor was a veteran in the scene of library music, both as an author and an editor. It was the so-called golden age for the genre, just a moment before the advent of MIDI - which made everything easier, but flatter too, putting an end to the 'Italian Touch". The tracks featured here (credited to the fictional combo The Astral Dimension: Fabor together with his friend Antonio Arena) still have a definite Seventies taste, reminding the wave of German kosmische musik (especially the Darmstad school), but they also reflect the Moog-mania raging in pop music after the big success of Walter/Wendy Carlos with the 'Switched On' series. Avant-garde and kitsch hand in hand, ambient for documentaries and background music for horoscopes... all in sequence, with the only purpose of being used and generating royalties.

pre-order now24.04.2017

expected to be published on 24.04.2017

26,77
Talamanca System - My Past Is Your Future

(180 gr) Talamanca System are the unlikely trio of Gerd Janson, Phillip Lauer of Tuff City Kids and Mark Barrott. Their sole release in late 2014 became one of the best selling on the International Feel imprint. My Past Is Your Future brings them back together for a trio of magical productions that cumulate the power of their production skills and winks at a forthcoming album coming on the imprint this summer.

Talamanca System are the unlikely trio of Gerd Janson, Phillip Lauer of Tuff City Kids and Mark Barrott. Their sole release in late 2014 became one of the best selling on the International Feel imprint. My Past Is Your Future brings them back together for a trio of magical productions that cumulate the power of their production skills and winks at a forthcoming album coming on the imprint this summer.

Talamanca System's debut set them alight across the dance music press and the follow up catapults their distinctive take on modern dance music back into the current consciousness. The EP delivers a nirvanic state, with My Past Is Your Future's use of delicate chords, cascading keys and effortless groove. This is a divine record, paired with a Beatless Stars Is Space mix that strips it back to its core and the Chukka Chukka Dance mix squares up to the dancefloor with an end of night classic.

Best known for his burgeoning Running Back imprint, Gerd Janson is a DJ's DJ, a connoisseur of dance music with an inimitable style that cross genres. His production partner Phillip Lauer forms part of Tuff City Kids and Black Spuma, who have also released on International Feel, with a style that fuses the rhythms of house music with bold melodies to form structured songs. The result is music that can sit comfortably in many worlds.

Mark Barrott started out in the mid 90's as Future Loop Foundation and since has composed music for numerous films & TV shows and founded one of the world's leading music consultancies. His highly-respected International Feel label has featured albums from the likes of DJ Harvey and Jose Padilla, with a huge portion of the releases dedicated to Barrott's own anonymous pseudonyms. Barrott's Sketches from an Island project has gained support from Pitchfork, the Fader, the Guardian and even the Financial Times for its bold and quirky take on Balearic music.

The three of them form an exhilarating partnership in Talamanca System and this EP gives a snapshot into their forthcoming album due to be released on International Feel in May 2017.

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8,82

Last In: 7 years ago
Calypso Rose - Calypso Rose Meets Mo Laudi

After the successful Calypso Rose's 'Far From Home' album, Because Music will release a two remixes EP for the Record Store Day. Those remixes are made by the South African Mo Laudi. His work is considered to be in the vein of Jamie XX's music. Forget the thorns, because she has them, and without delay pick this (Calypso) Rose who, at 76 years old, looks fresher than ever. Calypso Rose was always a fighter and had to overcome hostility from her father, a Baptist preacher thoroughly opposed to her pursuing a musical career. And she was sexually abused as a teenager, as she bravely confessed in Calypso Rose, Lioness of the Jungle, the 2009 documentary about her. A tireless worker, she composed almost 800 songs, starting at age 13, and spent 17 years singing on cruise ships for the New York-based company Celebration At Sea, before playing on the legendary stages of the Apollo and Madison Square Garden with two of the greatest calypsonians, Lord Kitchener and Mighty Sparrow. Calypso Rose is a fighter indeed: you don't survive cancer and two heart attacks without a solid dose of grinta.

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10,04

Last In: 3 years ago
De-bons-en-pierre - Crepes Ep

De-Bons-en-Pierre is a project from Beau Wanzer & Maoupa Mazzocchetti. Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. He's released on many labels including; Diagonal, L.I.E.S, Cititrax, Nation, Rush Hour, and Light Sounds Dark. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. Florent is strictly devoted to a DIY mentality around music production and his sound revives the electro-industrial aesthetic of the late 70s and early 80s. He's released notable productions on labels such as Unknown Precept, PRR! PRR!, Knekelhuis and Mannequin Records.

While Beau was visiting Brussels he stopped by Maoupa's house to jam for a bit. All songs were recorded on April 4, 2016 between 11:00am and 11:00pm, as single live takes.'Crepes' is a 6-track EP, titled so because they ate crepes the majority of the session. Beau says, "There was a bit of a language barrier. We'd mostly just laugh and nod when something sounded cool to us." The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Over 23 minutes of garbles, sludgy synths and leviathan rhythms. Surfing the slippery slope between industrial and electro, but never quite falling in, just a dip of your pinky toe to to test the temperature.

All songs are mastered by George Horn at Fantasy Studios in Berkeley. Housed in a sewage green/blue jacket featuring a crepe-masked duo reminiscent of pulpy VHS covers. Designed by Eloise Leigh and Florent Mazzocchetti. Each copy includes a 2-sided postcard with a photo taken during the recording session.

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15,08

Last In: 7 years ago
Denis Mpunga & Paul K - Criola E.p

MFM 019 will be an EP of works by Denis Mpunga and Paul K. Combining elements of traditional African music with experimental electronics, the Belgian/Congolese duo released only a handful of tracks, scattered across a few rare LP and cassette compilations that were put out in the mid eighties by obscure european labels . This release also includes a few previously unreleased songs that were found on the original master tapes

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14,66

Last In: 7 years ago
Ennio Morricone - Tepepa LP

Ennio Morricone

Tepepa LP

12inchVMLP184C
Vinyl Magic
05.04.2017

Although this wasn't directed by but Sergio Leone, but by the less known Giulio Petroni, "Tepepa" is one of the best films in the spaghetti western genre, thanks to a perfect synopsis - even if as set in the 'abused' Mexican Revolution of the early '900 - to a trio of exceptional actors and, finally, to Ennio Morricone's soundtrack. The protagonists are in fact the immovable doctor John Steiner, the histrionic revolutionary Tomas Milian and the massive Colonel Orson Welles, a unique and practically unrepeatable combination, however directed in a 'leone-ish' way by Petroni, who often focuses on large panoramas and close-ups on the character's faces. As always, Morricone means quality: for "Tepepa" the Maestro creates a memorable soundtrack, dominated by strings and, curiously, by the acoustic guitar! Reissued several times on CD, this album has awaited for a vinyl reprint for 35 long years! When the film was premiered in the theatres (1969) just a the single 45rpm "Viva la Revolucion / In Mexico I would like" had been released, both songs are of course included here, the second of which is sung by Christy (stage name of Mary Cristina Brancucci) in a very felt and compelling way.

pre-order now05.04.2017

expected to be published on 05.04.2017

33,19
Analogue Bipolar Boy - Into Darkness Ep

If Aphex Twin and Mike Dred had a kid, they would have called him Analogue Bipolar Boy for sure. Colin Q Smith belongs to the old guard of ravers who grew up to the U.K. and Belgium sound in the early 90's.
Follow up to his must have Tales From An Analogue Graveyard EP' on Acid Night label last year, Into Darkness EP' sees the London based don finding again another french im-print, New Flesh Records, to serve up six wild, untouchable, brutal, old school-acid-industrial songs of his trademark. From the sinister overture of the beat less Into Dark-ness Theme', to the analog madness of Entangled', passing through the evil vision of Sad Robot', ABB blends an obsessive use of analogue synths textures, fusing with his un-limited talent horrific sororities to merciless rhythm constructions.
Many tracks were buried deep in a safe located on a secret analogue graveyard a long long time ago only to be recently unearthed onto the world... The recordings using only old analogue synths and you will probably notice the difference! Not for the fainted hearts, Into Darkness EP' is no doubt one of New Flesh most savages and intense EP's to date. In the AFX vein! Hear it and fear it.

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7,77

Last In: 4 years ago
Toby Tobias - Gravitate / Right Turn To Nowhere

Toby Tobias can be found in the shadows of South London. This is his first offering for the ESP Institute. On side A, 'Gravitator' evolves slowly over ten minutes from a somber intro of supernatural sighs, pulsing machine feedback and techno squelches into an ethereal landscape peppered with dissonant fragments of synth. With side B's 'Right Turn To Nowhere', Toby stretches out even further, flexing a tasteful programming of the 808 while taking the long road to a reverb-drenched crescendo of distortions and expansive string swells. After a prolific output of material for other quality labels around the world, Toby Tobias has undoubtedly re-focused his point-of-view upon his induction to the ESP Institute. These two songs will have you locking up your children at night.

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8,36

Last In: 7 years ago
Lagartijeando - El Gran Podor

Lagartijeando

El Gran Podor

12inchWONDERLP23
Wonder Wheel
27.03.2017

Lagartijeando is the name of producer, musician and DJ Mati Zundel. Born, raised and currently living in a small town on the outskirts of Buenos Aires called Dolores. From a very early age, he was musically curious- experimenting with percussion, charango, guitar, bass, voice, and beyond.

Strongly influenced by his travels through Latin America, Mati's signature psychedelic dance tracks latch onto everything from traditional folk sounds from the Bolivian altiplano to the jungle beats of Brazil. Mati hypnotically fuses his traditional influences (with an emphasis on shaman chant and charango loops) with contemporary electronic beats, creating a sound that once left NPR speechless.

Lagartigeando was signed to the infamous ZZK Records in 2009 (Chancha Via Circuito, Nicola Cruz, etc.) on which he released his first EP Neobailongo- a mix of cumbias with electro and dubstep elements. After releasing the EP, Mati soon took to the road and dove deeper into the music of the Andes, studying charango and various traditional folk styles. In 2012, under the name Mati Zundel, he released his first full length album Amazonico Gravitante, via ZZK as well as Waxploitation (Gnarls Barkley, Danger Mouse) in the U.S.

Some more miles later, Mati released his second LP Cardos Redondo also on Waxploitation, which featured 8 songs recorded across Latin America- an album he calls an 'imaginary sound map of Latin America,'

Freshly into 2017, Mati brings us El Gran Poder via Wonderwheel (Novalima, Alsarah & The Nubatones)- named after an important Aymara festival that takes place in Bolivia and Peru, purely to celebrate family. At these festivals, the community also celebrates their culture and the importance of the collective identity. Like these festivals, the album is a celebratory one, and will tempt any listener out of their seat. The album was recorded in Mati's town, Dolores, outside of Buenos Aires. Once again taking a huge variety of sounds- this time influenced by Brazilian house,afro-brazilian rhythms, and folkloric Andean music. All songs are written and produced by Mati, apart from Lunita, a danceable track written in collaboration with Barrio Lindo.

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15,34

Last In: 7 years ago
Bartellow - Panokorama

Bartellow

Panokorama

12inchESP046
ESP INSTITUTE
27.03.2017

Bartellow has long been associated with the ESP Institute though Tambien, a trio formed alongside Bavarian cohorts Marvin and Valentino, who have released seminal dancefloor material over recent years. With his debut album Panokorama, we are invited into a completely different world of Bartellow's creation—a place where influences become a melting pot of mood, nuance and texture, and where instrumentation is abstracted from a variety of cultures, including those that exist solely within his imagination. Bartellow has found a way to merge Primitivism with Retrofuturism, identifying their point of intersection and reveling in their union across ten songs. While his academic background as a Jazz musician certainly informs both his progressive approach to composition and non-linear production, it is his obsession with electronics and synthesis that shape his current musical climate. The title Panokorama stems from Bartellow's visualization of the album, a surreal landscape with a foreign presence centrally embedded, a 'panorama' punctuated by a 'ko'—although a hybrid word that reads as nonsense, it somehow feels and sounds just right.

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19,79

Last In: 7 years ago
Peter Hunnigale - Untamed Love

Peter Hunnigale

Untamed Love

12inchJAMWAXMAXI08
Jamwax
27.03.2017

Peter Hunnigale aka Mr Honeyvibes was born in South London on December 12th, 1960. Peter Hunnigale was to develop into one of Britain's most formidable reggae 'Lovers Rock' artist of our time. It was clear at a tender age Peter's main interest was in music and being born of Jamaican parentage, he was exposed and influenced by music of West Indian culture.

Untamed Love is an UFO in Peter Hunnigale's career, recorded at Omega studio (London) and originally released on the Cosmic label in 1986. Some people have no words to describe it. You can call it brit-boogie, rare funk, sick jam, musical bomb, or god jam, whatever it's a typical mid 80's tune with a rhythmic background sound that is captivating and memorable, thanks to heavyweight synth and awesome vocals. The original 12'' vinyl record is still very hard to find and expensive nowadays. If you are about to discover this song, make sure you are sit down when you listen to it because this song will blow you down hey girl I like the way you smile'.

Growing up in Britain meant that Peter Hunnigale was also open to other genres of music and with seeing the popular acts of the day perform on television and hearing the songs on the radio Peter knew what he wanted to be. Peter is also a great musician and did live work with reggae legends such as The Chosen Few, The Pioneers, B.B. Seaton and many others, while earning the respect of their peers as a competent bassist and qualified engineer. He won a Best Newcomer award at the Celebrity Awards in 1987, and won Best British Reggae Album at the British Reggae Industry Awards the same year.

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9,79

Last In: 3 years ago
Beranek - Sound Of Danger

Espen Beranek Holm is a Norwegian musician and comedian, born 1960 and began his music career as a clarinetist. Inspired by early synthesizer bands Kraftwerk and The Residents, he began making experimental pop music. His debut single Dra te' hælvete' was released in 1981 and was immediately banned by national TV/radio channel NRK due to explicit lyrics. This gave the young artist tons of publicity, helping the single spend almost 6 months on the national charts.

Beranek returned to the Starholm Studios in Oslo from June - September 1981 to record nine new compositions. His debut album, Sound of Danger', was released on Mind Expanding Records in November 1981. Nowhere near as accessible as the previous single, the album fared poorly commercially. Withdrawing from the single's fun, kitsch pop, the album is cool and static, driven by thin rhythm boxes, cold synths, and glacial guitars. Taking heavy cues from David Bowie, all of the songs are sung in a nasally English accent, a rare occurrence in Norway at the time. The lyrics are melancholic, but tinged with paranoia. There are also upbeat tracks that evoke a prog or glam sensibility a la King Crimson, Alan Parsons, or Roxy Music.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring red, black, and white lines that evoke a visualized Richter Scale designed by Monica Moltzau. Each copy includes a 2-sided 8x11' insert with lyrics and an autographed press photo of Beranek.

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15,08

Last In: 9 years ago
Eleven Pond - Just Be Happy

Eleven Pond

Just Be Happy

12inchPREGO003
Prego
14.03.2017

Eleven Pond formed in 1986, released one epic postpunk/synth pop/darkwave LP titled 'Bas Relief' then records songs for a second LP titled 'Assemblage' and the experimental noise project 'Space Trio'. The band breaks up shortly after due to differences in taste, all the 16 track master tapes are shelved. 22 years later the song Watching Trees is rediscovered in Brooklyn NY and club DJ's in the minimal synth scene play Watching Trees. Dark Entries Records reissues 'Bas Relief', the original hand silkscreened vinyl LP becomes a $900 collectors item, invitations for the band to play shows appear on Facebook ... in 2010 Jeff Gallea reforms Eleven Pond and starts recording and performing. They release a cover of the Seasons Are Sitting on Chairs' from Arvid Tuba and a few great songs like Just Be Happy'. As we love the insane modernity of these two songs we decided to release them on Prego and asked Dmitry Distant to remix this happiness anthem. All songs are remastered for vinyl by Isolator, housed in a jacket designed by Anda Masq & Rodeo Basilic.

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11,72

Last In: 7 years ago
Xiu Xiu - Forget

Xiu Xiu

Forget

12inchUTR091LP
Upset the Rhythm
13.03.2017

The album was produced by John Congleton (Blondie, Sigur Ros), Greg Saunier of Deerhoof and Xiu Xiu's own Angela Seo.

It features guest appearances by fabled minimalist composer Charlemagne Palestine, L.A. Banjee Ball superstar commentator Enyce Smith, Swans guitar virtuoso Kristof Hahn and legendary drag artist and personal hero of Xiu Xiu, Vaginal Davis.

FORGET was recorded during a period of epic productivity for Xiu Xiu. While writing FORGET, they released the lauded Plays the Music of Twin Peaks, collaborated with Mitski on a song for an upcoming John Cameron Mitchell film, composed music for art installations by Danh Vo, recorded an album with Merzbow and scored an experimental reworking of the Mozart opera, The Magic Flute. All of this frantic, external activity lead to a softly damaged dreaminess and broadened intent that has not been heard before in other Xiu Xiu works.

Standout track, Wondering' is one of the catchiest boogie pop gems in the Xiu Xiu catalog, but like much of FORGET, it still bears an underlying tension that manifests differently in each piece. From the haunted guitar duet of "Petite", the hilariously fraught lyrics of "Get Up," the advanced industrial boxing match of "Jenny GoGo," or the experimental goth explosion of "Faith, Torn Apart", all the songs, in their own ways, build to a roiling boil of a fate in vanishing.

The calligraphy on the cover translates literally to "we forget." It bows to the universality of everything and everyone's inevitable decline and foggy disappearance. Regarding the album title, Xiu Xiu singer Jamie Stewart said, To forget uncontrollably embraces the duality of human frailty. It is a rebirth in blanked out renewal but it also drowns and mutilates our attempt to hold on to what is dear.' FORGET is both the palliative fade out of a traumatic's past but also the trampling pain of a beautiful one's decay.

Xiu Xiu is Shayna Dunkelman, Angela Seo and Jamie "Butch Jenny" Stewart.

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16,35

Last In: 9 years ago
Larry Dixon - Can't Price Love

For the past four decades, a growing cult of soul music collectors have sought two obscure LPs and a handful of extremely rare 45s released on the vanity record label LAD Productions, Inc. between the late seventies and the mid eighties by the mysterious South Side Chicago singer/song writer Larry Dixon.
Larry's raw songs capture the transition from R&B to boogie-down as disco was rapidly becoming extinct.
They also perfectly illustrate Larry's ability to overcome his environment and discrimination, transcended by his determination to write and produce music. With the support of his faithful musicians, Larry's success was only hindered by lack of airplay and promotion, but his talent shines through.
This is the story of Larry Dixon, his label LAD Productions, Inc., and his friends and family throughout four decades of music in Chicago's toughest neighborhoods.
Jerome Derradji is proud to reactivate Past Due Records - the boogie funk division of Still Music to release this fantastic archive - what many consider to be the Holy Grail - of Chicago Funk, Boogie and Soul.

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14,24

Last In: 8 years ago
Rebecca Goldberg - 313 Acid Queen

Progression..., like a spark shooting through fiber optic cable or a bullet train churning through the next tunnel, the acid-techno arrangements of Detroit-based DJ/producer Rebecca Goldberg have a velocity to them that's spurred by reverence for the roots of electronic and techno music conceived in her hometown, from the Belleville Three to 'the Godmother of House Music,' DJ Stacey 'Hotwaxx' Hale.

Palpable in the pulse of Goldberg's latest EP 313 Acid Queen is an urgent and inspired, cool and confident sense of picking up a proverbial torch, of propulsion along with preservation, of continuation as well as re-invention. Born vigorously forth upon the blooms and grooves of her synth scores for these five songs is the sharpest demonstration, yet, of her signature sound and vision.

313 Acid Queen reaches to and re-enlivens the traditions of Detroit techno with Roland's contemporary iterations of the 808, 909 and 303 drum machines, quintessential sonic characters utilized by the region & genre's seminal producers. The title refers, also, to the Detroit area's predominant telephone area-code, as she audibly reaches out to touch the essence of her city's distinct and dynamic neighborhoods and landscapes, most evidently with the field recordings from city streets and the animal populace inhabitants in the majestic Belle Isle Aquarium.

These kinetic, contemplative and coolly exhilarating tracks were conceived to carry on the tradition of Detroit acid techno in the contemporary world. Fittingly, Goldberg's first vinyl release comes on March 13t h (3/13), distributed internationally through Detroit Underground, a multidisciplinary arts collective & record label. Goldberg's fellow Detroit producer Ryan McCray has a deep sound and keen sensibility for acid techno all his own; he fell in love with the 313 Acid Queen track 'Aquarium' and remixed it to be an exclusive bonus track for the vinyl release.

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10,46

Last In: 5 years ago
Various - Selectors 002

Various

Selectors 002

2x12inchDKMNTL-SLCTRS002
Dekmantel Records
03.03.2017

Repress

After last years slick selection for the series from MCDE, Young Marco steps up with a great set of obscurities. Top Tip!
.
Born Marco Sterk, he certainly doesn't come from a standard DJ background. A former skate rat who grew up loving American post-hardcore and '90s hip-hop as much as early Warp Records, he's been affiliated over the years with Amsterdam institutions such as Rush Hour, Red Light Records (where you'll find him most weekdays!) and, of course, Dekmantel itself. Still, there's no question that he's always followed his own path, even during the years that playing his favorite records meant that he was occasionally clearing dancefloors.

Things are different these days, of course, as Sterk now regularly plays around the globe and has been widely hailed not just for his DJ talents, but also for his digging prowess and uncanny ability to pluck jams out of genres, eras and geographies that even veteran DJs will often ignore.

Still, Marco's entry in the Selectors series isn't some soulless collection of 'Holy Grail' rarities. 'Where's the fun in that' he explains. 'Anybody with an internet connection can check what flavor-of-the-month records are in demand.'

Just like the first Selectors compilation, this is not a mix CD, but a collection of hand-picked, unmixed tracks that Sterk has personally chosen from his own vinyl archives. Moreover, Marco has put together a collection of tracks that represent not only how he plays music, but also how he makes music himself. The songs here are melodic, electronic and bound together by a refreshing sense of naiveté. Nothing sounds overly calculated; the tunes here span several decades and include dollar-bin records, avant-garde records, club records and yes, a few things that collector types have likely been looking to get their hands on. It's not meant to be a grand statement, as Marco would rather provide an honest snapshot of his musical tastes and share a few of his favorite tracks and artists in the proc

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20,97

Last In: 7 years ago
Muyei Power - Sierra Leona In 1970s Usa

Muyei Power or Orchestre Muyei (muyei means 'our country') was one of the top dance bands of the1970s in Sierra Leone. Soundway Records' first collection of music from this West African country ('Muyei Power: Sierra Leone in 1970s USA') is an album of rock-infused, 'afro' music from a group that traveled the world throughout the mid 1970s. Fusing elements of electric Congolese and Nigerian music with fast, syncopated, uptempo modernised arrangements of traditional music, Muyei Power produced a series of unique single-only releases that have been unavailable for 35 years. The rare recordings featured here are a glimpse of a dynamic and powerful band at the very height of its powers.

Even though lyrically Orchestre Muyei focused on traditional themes and songs, the arrangements and formulation of the instrumental side of things still very much reflected the mixed nature of urban Sierra Leone music, exemplified by a small collection of bands that also included Afro National, Sabanoh 75 and Super Combo.



For the early part of 1970s the band toured extensively throughout Sierra Leone, Liberia and Côte d'Ivoire before making a handful of 45s in local TV and radio studios. The recordings featured here however come from a period of touring the college circuit in California during late 1975 and early 1976. Later that year, as they played the colleges of the east coast, they gave the tracks to the owner of the African Record Centre in Brooklyn, New York. He initially released two of them on his in-house Makossa Records label as 7-inch 45rpm singles in 1976. The tracks from 1975/6 were then not heard of again until 1979/80 when the African Record Centre released many of them on a series of Makossa Records 12's that sounded far superior than the records that had been released a few years earlier.


Orchestre Muyei Power finally split up in 1979 leaving no proper album releases and only a handful of recordings for us to enjoy all these years later.

pre-order now02.03.2017

expected to be published on 02.03.2017

20,97
Lovin' Mighty Fire - Nippon Funk * Soul * Disco 1973-1983 - 2x12"

Lovin' Mighty Fire' is Howard Williams' third Japanese music compilation for the Ace Records house of labels - this time, for BGP International. Assembled in between his job as a record distributor and his monthly Japan Blues show for NTS radio, the first two have taken a look at the late 50s for a blast of Japanese rockabilly ( Nippon Rock'n'Roll' CDWIKD 313), then the 60s and 70s for a romp in Japanese surf music ( Nippon Guitars CDWIKD 297). Following his retrospective of jazz singer Maki Asakawa for Honest Jon's, this new outing searches for the soul music of Japan, from the early 70s to the early 80s.

Japan has long been known as the final destination for many a collectible soul record. Yet, who suspected that some fine soul grooves were recorded for the domestic market, from ballads, to funk and disco Strangely enough, some of the busiest writers and producers in this field came from a late 60s rock band, Happy End, but on listening to their collaborations, their rhythmic, soulful feel is immediately apparent.

The bluesy funk of Lily, the soul-diva brilliance of Minako Yoshida - represented here in both slow-grind mode and epic disco, the maverick genius of Haruomi Hosono, the lively songstress Yasuko Agawa, and the sultry steaminess of Mari Natsuki, and more. This album finally plants a Japanese flag firmly on the global map of soul.

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27,35

Last In: 8 years ago
Mop Mop - Lunar Love Remixed

Big remix package on this 12" for three songs of MOP MOP's latest album "Lunar Love". KALBATA, NICOLA CRUZ, DJ KHALAB and sUb_modU don't disappoint with their treatments on this single and deliver great new versions of the originals.

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9,20

Last In: 8 years ago
The Golden Filter - Still // Alone

2x12"

Optimo Music are delighted to present the second full-length from The Golden Filter, "STILL // ALONE".
After relocating to London and playing shows around Europe for a year and a half, self-imposed pariahs Penelope Trappes and Stephen Hindman delved into creating a two-sided existential opus by renting out old studio spaces around the UK and using mostly analog 80's instruments, machines and effects.
An album about being in love with pure solitude, when STILL // Optimo Music are delighted to present the second full-length from The Golden Filter, "STILL // ALONE".
After relocating to London and playing shows around Europe for a year and a half, self-imposed pariahs Penelope Trappes and Stephen Hindman delved into creating a two-sided existential opus by renting out old studio spaces around the UK and using mostly analog 80's instruments, machines and effects.
An album about being in love with pure solitude, when STILL // ALONE is separated into two distinct sides, record one, STILL, is a hypnotic meditation for the nightclub. Wavy patterns of sound and light bounce off of Penelope's literary vocal bursts, layered over the ominous deep synths and arpeggiators, held together only by a strict 4/4 beat. The rhythm, ironically forcing the body to move, however internally focused and mindful, still.
Record two, ALONE, takes the club offline and into the fringes of raw, odd pop.

Ever-prominent drum machine beats rule, while love and loss permeate the four atmospheric goth songs. Music for dancing alone.
"Behind the cotton wool is hidden a pattern... the whole world is a work of art... there is no Shakespeare... no Beethoven... no God; we are the words; we are the music; we are the thing itself." - Virginia Woolf

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16,93

Last In: 4 years ago
Smbd - Moon Theory

Smbd

Moon Theory

12inchAPRON29
Patta x Apron Records
22.02.2017

Simbad (aka SMBD) is a stalwart of the underground music scene in UK and because of his vast arrays of releases it's very hard to put him into any box or music category. Since his 2007 album Supersonic Revelation & his worldwide acclaimed dancefloor hit Soul Fever, the London based frenchy has been constantly travelling the five continents entertaining delighted clubbers with his super energetic dj skills or producing and recording various artists from many different genres including deeper Dubstep don Mala (DMZ), UK Hip Hop star Roots Manuva, Cuban songstress Dayme Arocena, Detroit House producer Kai Alce, Berlin based deep Techno artist Fred P, Seun Kuti from Afrobeat's most famous family, Brazilian superstar artist/actor Seu Jorge and being production mentor for the king of cool, radio DJ Gilles Peterson (who made him one of the resident at his Worldwide Festivals). With the Moon Theory EP Simbad demonstrates his talent on some deep analog frequencies for the very solid & ever growing label that is Apron Records. As the music wizard puts it himself : 'im just trying to make some timeless shhhhh man, soul in all forms really, trying anyway ! And I guess that the best is yet to come.

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9,20

Last In: 8 years ago
John Tejada + Tin Man - Acid Test 12

After a first collaboration focusing on the City of Angels, LA legend John Tejada and acid innovator Tin Man (Johannes Auvinen), this time brooding on the latter's home city, and former's birthplace, Vienna. The Austrian capital is known as "the city of music" and the "city of dreams," two broadly aligning concepts that go far in describing this beguiling 12-inch. The four songs were mixed down live to 2 tracks, created in the real world without a daw, or multi tracking, which has really captured the spirit of performance and improvisation. Succeeding "Railjet," a tense drum workout, comes "Bim," referring to the colorful trams that run through Vienna. Here, Auvinen sculpts his 303 into near-pizzicato form. The acid box is accompanied by stately pads making for one of the duo's most memorable tracks yet. The next cut, "Danube Nights," references the mighty, ancient river, the flow motion mirrored by a couple of widescreen acid lines. A pensive lead and some melancholy chords emerge, but the drums roll right along like the water- tough enough for a heaving floor with a hint of fragility for the headphones. The record concludes with the acidic "Prater Allee," named after idyllic, sprawling park on the banks of the Danube. The duo's love letter to Vienna is well-suited for travel, for the dance and for dreaming.

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7,86

Last In: 5 years ago
Monopol - Weltweit

Monopol

Weltweit

12inchANNA058LP
Anna Logue Records
15.02.2017

Released in 1982, "Weltweit" was the sole output of the band. It has appropriately become quite rare and difficult to find with the resulting high prices to obtain an original copy. Inspired by the greats such as Kraftwerk, YMO and Klaus Schulze, the three members crafted an exquisite collection of electronic pop songs played on a very impressive collection of analog synthesizers (Arp Odyssey, Korg MS series, MiniMoog, PolyMoog, Moog Modular System 55, PPG 360, some Rolands, and Doepfer sequencer), self-builds and drum machines (Roland TR-808) that were considered cutting edge at the time. The band would have recorded a second album but split up before that was possible. Members of the band continued to be involved in the music industry at least peripherally but didn't participate in further collaborations or bands. Also interestingly, MONOPOL was basically a studio-only project and actually never played live (despite some TV appearances).

Definitely a must-have for fans of NDW such as Bal Paré, Grauzone, Piefke & Pafke, Rheingold, Stahlnetz, Ti-Tho and the like.

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22,48

Last In: 7 years ago
Prince - Cream

Prince

Cream

12inch093624019701
Warner UK
13.02.2017

Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. Not only did he release a series of ground breaking albums, he toured frequently, produced albums and wrote songs for many other artists, and recorded hundreds of songs that still lie unreleased in his vaults. With each album he released, Prince has shown remarkable stylistic growth and musical diversity, constantly experimenting with different sounds, textures, and genres. Occasionally, his music can be maddeningly inconsistent because of this eclecticism, but his experiments frequently succeed, no other contemporary artist can blend so many diverse styles into a cohesive whole.

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14,08

Last In: 7 years ago
Not Waving - Populist

Not Waving

Populist

12inchELP026
Ecstatic
08.02.2017

Not Waving takes 2017 by the scruff with his Populist EP, consolidating the myriad stripes of his acclaimed Animals album in four extended peaktime hammers forged for darkrooms, basements and warehouses alike.
If last year's LP saw you thru from day-into-night, or vice-versa, this one is aimed squarely at the gurny hours of abandon in between, with ferocious acid lines and jabbing drums stripped down and strapped up to prompt reckless behaviour on the 'floor.
Containing his first material written in the wake of Animals, the Populist EP is Alessio Natalizia a.k.a. Not Waving's strongest dancefloor statement since the one-sided Get Serious (2015) bullet.
It finds him taking the opportunity to make straight-up bangers, rather than 'songs', which were thoroughly tried and tested over successive tours of the USA and ountless shows in Europe too in
the last 9 months.
Too Many Freaks is an anthem in waiting, harnessing a barely-hinged sense of chaos between its careening synth lead, acid squabble and velvet-clad kicks, before the dry-rutting jag and plaintive vox of Vibe Killer takes a dog-grip like This Heat meeting Tuning Circuits.
Top marks go to the check-your-stylus intro for Control Myself on the B-side, which holds its fizzy line into a fetid crevice of what sounds Russell Haswell ramping with Powell, whereas the
crooked clampjaw groove of Ur Lucky Ur Still Alive pivots around a sample a lone raver at Atonal, Berlin 'who had no idea how she got there and what she did the night before'. A ruddy good night
all-round, then
Not Waving co-owns the Ecstatic label alongside Sam Willis. Not Waving is widely regarded a connoisseur of Italian new wave and post-punk music - he compiled the Mutazione (Italian
Electronic & New Wave Underground 1980-1988) set for Strut - and has issued a series of acclaimed, sought-after, playfully anachronistic twists on that sound since 2013.

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11,98

Last In: 7 years ago
Vivien Goldman - Resolutionary Lp

Vivien Goldman

Resolutionary Lp

12inchSTAUBGOLD141LP
STAUBGOLD
31.01.2017

There's a myth about music critics that says we are frustrated, wannabe performers. Evidence to the contrary: Vivien Goldman. Ever since she migrated from pitching editors on the little-known music of Robert Nesta Marley to becoming one of the foremost chroniclers of the perfect storm of reggae, punk, hiphop and Afro-Beat, the London-born, New York-based Goldman has made documenting music her primary life work. But between 1979-82, Goldman was also a working musician, creating songs that, years later, would be sampled by The Roots and Madlib. These rare girl grooves are now collected for the first time on Resolutionary, courtesy of Staubgold Records.

Resolutionary takes us through Vivien's first three musical formations: first as a member of experimental British New Wavers The Flying Lizards; next as a solo artist, with her single 'Launderette,' featuring postpunk luminaries; and then as half of the Parisian duo Chantage, with Afro-Parisian chanteuse Eve Blouin. Goldman's synthesis of post-colonial rhythms and experimental sounds are threaded together by her canary vocal tones and womanist themes. Her eclectic musical crew included PiL's John Lydon, Keith Levene and Bruce Smith; avant- gardists Steve Beresford and David Toop; The Raincoats' Vicky Aspinall; the mighty Robert Wyatt; Zaire's Jerry Malekani; Manu Dibango's guitarist; and Viv Albertine, then of her good friends, the Slits. The majority of the tracks were produced by dubmaster Adrian Sherwood, and Resolutionary channels the history of a time when the bon-vivant voice of music was in the air, and Vivien Goldman was its eyes, ears, and mouth.

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20,97

Last In: 3 years ago
Soft Hair - Soft Hair (lp+mp3)

Weird-Pop-Männerfreundschaft: Connan Mockasin und LA Priest vereinen ihre Kräfte unter dem Moniker Soft Hair!

Unter dem Moniker Soft Hair haben sich gleich zwei Enfants Terribles der Szene zusammengefunden. Sam (Eastgate) Dust ist bereits unter seinem Pseudonym LA Priest Mitglied der Domino Familie. Zusammen mit Connan Mockasin haben beide jetzt die Haare schön. Soft Hair ist ein Projekt, das Mockasin und Dust schon vor über fünf Jahren auf Facebook angekündigt hatten. Das war etwa ein Jahr, nachdem die beiden sich auf der letzten Tour von Late Of The Pier kennengelernt hatten. Connan hatte damals den Support für Sam Dusts Band gespielt. Während Sam Dust aber die Welt bereiste, seine eigenen Instrumente erfand, malte und Bildhauerei lernte, bevor er 2015 als LA Priest sein Solo Debüt "Inji" veröffentlichte, veröffentlichte Mockasin mit "Forever Dolphin Love" und "Caramel" sogar zwei vielbeachtete Alben, tourte mit denen durch die ganze Welt und arbeitete mit Künstlern wie Vince Staples, Charlotte Gainsbourg und James Blake. Es ist so also kaum verwunderlich, dass es mehr als fünf Jahre gedauert hat, bis das Album der beiden fertig wurde. Alle Songs wurden in einer Sozialwohnung in St. Anne und einer Fabrik in Sneinton in Nottingham aufgenommen, über einer Autoreparaturwerkstatt und einem alten Schulgebäude in Anawhata, Neuseeland, im Keller und Schlafzimmer von Sams Haus in Loughborough, in Connans Wohnung nahe Old Street, London, im Studio Ferber, Paris, in einem Bungalow in Kurby Muxloe, in Leicestershire und ein bisschen auch in Hotels überall in Europa

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20,97

Last In: 7 years ago
Various - Amer

Various

Amer

10inchWRWTFWW012
WRWTFWW Records
16.01.2017

WRWTFWW Records is feverishly thrilled to announce the first ever vinyl release of the soundtrack for Hélène Cattet and Bruno Forzani's critically-acclaimed Belgian-French giallo Amer (2009), filled with superb compositions by Italian movie score legends Ennio Morricone, Stelvio Cipriani, and Bruno Nicolai, all remastered for hardcore audiophile appreciation. This limited edition of 500 comes on an arousing Pitch Black 10 vinyl, housed in heavy cardboard old Stoughton tip-on jacket. Described by The New York Times as "a surreal cinematic tone poem that pays slavering homage to Italian giallo horror films of the 1970s", Amer finds its influences in the films of Dario Argento, Luis Buñuel, or Mario Bava and makes for a truly visceral cinematic experience, thanks notably to a perfectly curated soundtrack compiling some of the best songs from cult Italian movies of the past.

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17,61

Last In: 8 years ago
Melt Banana - Fetch

Melt Banana

Fetch

12inchAZ09
AZAP
Release unknown

From the whip-like crack of Yako's signature staccato vocals and impossible-to-memorize lyrics to the relentless overdrive tempo of their oneof-a-kind prog-core, Melt-Banana have long resided in a cybertopia of their own devising where the limits of technology and human capability are old-world concerns as quaint and cumbersome as bartering with a blacksmith. The demos for Fetch, their first studio album since the severely fried pop-punk of 1997's Bambi's Dilemma, were completed in March 2011, but the Fukushima earthquake changed everything, including
their ability to concentrate on recording. Which stopped completely.

Once they felt ready to return to their music, they decided to approach the songs on a sound-by-sound basis, choosing each tone with meticulous attention to detail, affirming their personal connections, being themselves naturally and openly.


Fetch scrapes glam shimmers off punk's outermost fringes and forges them into a rather intensely technical Deanscape packed with fantastical hybrids. Agata's guitar riffs, seemingly composed in tandem with skipping CD players, are more bad-ass than ever, bright and fractured like the soundtrack for a CC-Hennix-scored biker flick. The album is juiced with electronics and post-rock production, tempering what could easily be a
tiresome and predictable frenzy, yielding unexpected associations: Kate Bush climaxing on Walter White's blue meth; demos of late-period Wire playing metal run through Wasp synthesizers and Autotune; unripe wild
lychees keeping time on an Ankgor Wat tin roof during a monsoon.

They've been performing live as a duo since summer 2012, and will do the same for their '2 do what 2 fetch' tour in support of the album. After nearly 20 years of playing with a live rhythm section, their use of a PC, while opening possibilities for a variety of drum and synth voicings, does not signal a move away from the traditional live band sound, as heard, for example, via the future transmissions from downtown Noiseapolis on
2009's Lite Live: Ver. 0.0. Yako and Agata say they need to feel real band sounds onstage as much as someone in the audience. This is a group that routinely excels at several kinds of impossible simultaneously, so of course any new challenge they come up with for themselves is sure to blow the doors off your Mini Cooper. - First record as a duo expands the M-B sound
into multiple dimensions - LP includes digital download card; first
pressing on clear vinyl

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33,57
Phantom Forth - The Eepp

Phantom Forth

The Eepp

12inchDE121
Dark Entries
22.12.2016

Phantom Forth were the brother sister team of Paul Luker (Guitar, Bass, Vocals), Debbie Luker (Drums, Guitar, Vocals) and Lorraine Steele (Keyboards, Percussion, Vocals). They formed in 1981 in Auckland, New Zealand. Paul began recording his own music after purchasing a 2-track from Oceania Sound. He formed a band with his flatmate and eventually met Lorraine through Debbie. With a shared love of Young Marble Giants and Cabaret Voltaire they started to rehearse at LAB Studio.

'The EEPP' was recorded in 1983 within a few weeks at Progressive Music Studios. Slated for release in February 1984, the mini-album finally appeared in November on Flying Nun Records. It contained seven moody sketches of Auckland. Their sound blends cold wave guitars, drum-machine propelled post-punk with female vocals. The core recording set up was a Casio-Tone VL, Boss DR-55 Dr. Rhythm, Roland TR-606 and an acoustic Yamaha bass. All original vinyl copies contained many clicks and pops and due to paper bits from previous jobs that pressing plant melted down. Included with this reissue are two early demos recorded at LAB in 1982, made prior to Lorraine joining the band, plus a recording from the Flying Nun live compilation 'The Last Rumba'.

All songs have been remastered from the original master tapes for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in sleeve with original artwork collage designed by Paul Lurker. Each LP includes a two-sided 8.5x11 poster with notes and photos.

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15,08

Last In: 9 years ago
Dagobert Vs Masterarp - Startopology

Electro, Breaks & SciFi-Disco! Dagobert's intergalactic fourth long-player on Dominance Electricity,
documents the transition from his former Electro-Breakbeat dominated productions to the genre-crossing
Electro variations of his new project MasterArp.

Covering works since his last release in 2011, the carefully selected songs on Startopology draw the listener
into Dagobert's cosmos of melodic and rhythmic playfulness somewhere between Electro, Breaks, Space-Disco
and Sci-Fi score music.

Electro, Breaks & SciFi-Disco! Dagoberts intergalaktischer vierter Longplayer auf Dominance Electricity
dokumentiert den Übergang seines bisher Electro-Breakbeat-dominierten Stils hin zu den verstärkt
Genre-mischenden Electro-Variationen seines neuen Projekts MasterArp.

Produziert seit seiner letzter Veröffentlichung im Jahr 2011, ziehen die für dieses Album sorgfältig
selektierten Werke den Zuhörer in Dagobert's Kosmos aus melodischer und rhythmischer
Verspieltheit irgendwo zwischen Electro, Breaks, Space-Disco und Sci-Fi Filmmusik.

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20,13

Last In: 75 days ago
Shadow - Sweet Sweet Dreams

'I take my guitar and strum and sing some tings and blow people's mind. But I ain't trying to do anybody's music. I'm doing what I feel' - Shadow

When it came out in 1984 the far-out album Sweet Sweet Dreams by Trinidad & Tobago's Shadow (aka Winston Bailey) was described as 'way ahead of its time'. Undeservedly it was panned by critics and, unable to reach markets, disappeared into the dusty record collections of a few music aficionados. Now, more than three decades later that cosmic dance-floor UFO is about to take off again, change all that and set the record straight. Remastered and cut by Frank Meritt at The Carvery the album is truly a masterpiece.

But who is this Shadow behind Sweet Sweet Dreams Shadow is a man of understated magnitude. A truly enigmatic artist, he first emerged in Trinidad and Tobago during the 1970s, becoming a part of the tapestry of Caribbean music and reinvigorating calypso at the time. Calypso, the indigenous folk music of Trinidad and Tobago, has roots in West African kaiso rhythms, French Creole influences, and the hardships endured by the African slaves brought to Trinbago, whose descendants still use it as a tool for satire, self-expression, and social commentary. Calypso has also given birth to several other music genres, including soca, with its uptempo beats and festival context. Shadow effortlessly moves between both.

Shadow came from a humble but musical family and started writing songs as a youth while tending cattle in the fields. To his family's initial chagrin he chose calypso over church music but his talent and drive were undeniable. In the early days of his career Shadow's style was cramped when working with some of the more conservative music arrangers who felt that calypso and soca should fit a mould. But after a while Shadow teamed up with more innovative arrangers, including Arthur 'Art'de Coteau, who followed their and Shadow's intuitions resulting in a long line of hits.

'The first time we met for me to arrange his music we had a heated argument on the arrangement for one of his songs, I was theoretically correct but Shadow was musically right. Shadow broke all the traditional musical rules and made his own and that made him a musical giant. He changed the face of Calypso music in 1974 with the release of "Bassman" a tune in which Bass and magnificent horn line took central stage changing Soca music for ever. What Shadow did with his music was to put calypso on the International Dance circuit, giving it a totally different groove. You could take his music and swing it in any direction, Disco, Pop, Calypso, you name it. His music was different from anything that existed before'. - Carl "Beaver" Henderson, one of Trinidad's veteran producers.

This inert creativeness culminated in Sweet Sweet Dreams which was arranged by Shadow and deals with burning and ever-relevant themes like love and the ups and downs of relationships. a surprising fact for someone mainly known for his satirical and political lyrics. It prompted his manager to wonder if Shadow had written the lyrics while in a state of 'tabanca' (a word used in Trinidad and Tobago to describe lovesickness).

Sweet Sweet Dreams was recorded at the legendary SHARC studios, located on a hill in Chaguaramas (near Port of Spain) and despite a fantastic sound and monster Soca-boogie tunes like 'Lets get it together', 'Lets Make it Up' and 'Way, Way Out' the album was a commercial flop, probably due to the fact that it didn't sound like anything else coming out of Trinidad & Tobago at the time: It fused a range of different rhythms and new sounds, primarily heavy synth riffs.

Shadow took the album's lack of success in his stride with usual aplomb:
'When I did Sweet Dreams I expect something could happen. But nothing big happen because I have no big market and no distribution and all this thing now. So I just cool myself and move on to another song. I wasn't doing just one song. I used to always have plenty songs at the one time. And be writing music'.

What Shadow didn't realise back then was that the proto-electronic cocktail he had mixed in 1984 would only find the recognition it deserved three decades later. Life has swung full circle: Sweet Sweet Dreams has come true and been elevated to holy grail status becoming one of the most sought-after Caribbean disco records in existence.

For this re-release we carried out extensive interviews with Shadow and the musicians and have included as bonuses exclusive photos from Shadow's personal collection and the dancefloor filler tune 'D'Hardest' was added as a bonus track.

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27,31

Last In: 6 years ago
Stevie Wonder - Talking Book LP

Stevie Wonder's legendäres, 15. Studioalbum - ursprünglich 1972 über Motown veröffentlicht - ist jetzt endlich wieder auf 180g Vinyl inkl. Download Voucher erhältlich. Legendenstatus konnte sich dieses
Album alleine schon Dank zwei Songs sichern - Songs die heutzutage auf keiner Best Of von ihm fehlen: Für den, gerade von Jack White gecoverten Song, "You Are The Sunshine Of My Life" erhielt
Wonder seinen ersten GRAMMY Award, und "Superstition" schmückte ebenso Platz 1 der Billboard Hot 100.

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27,69

Last In: 9 years ago
Midnight Magic - Free From Your Spell

Fall of 2016 sees Midnight Magic ready to enchant us once more with the much-anticipated birth of their 2nd studio album, the wondrously eclectic Free From Your Spell. Going back to their roots in Los Angeles, Morgan Wiley, and Tiffany Roth, alongside the rest of the boogie nonet, have prepared a refined feast of genre-bending songs. The ever so diverse moods of Free From Your Spell make it a seductive journey. With each song mixed seamlessly into the next, the record coalesces into one long disco odyssey, reminiscing Giorgio Moroder and Donna Summer's concept albums "Four Seasons of Love" and "A Love Trilogy". Moods, genres, and styles intertwine like an aural kaleidoscope, the album electrifying with its striking harmony. Whilst exuberantly borrowing from past decades, Free From Your Spell more than holds its own as a self-assured, innovative body of work. Midnight Magic's Free From Your Spell is an offer one can't refuse. An attractive deal in the form of disco escapism, traveling through its various shades, emotions, and incarnations, a comprehensive revival of the genre for modern ears. It's Studio 54, It's Moroder,Amanda Lear, Gino Soccio, and Grace Jones. It's a whole palette of 1980's R'n'B and cosmic funk. Despite all the music references of past eras Free From Your Spell is very much a current album, a mature demonstration of genuine skills in songwriting, a multi-instrumental banquet of sounds, a coherent collection of ambitious dance tracks and a beautiful celebration of eclecticism. Add to this some of Tiffany Roth's most memorable vocals to date and you arrive at one of the year's most exciting releases. There is a strong reason for both "midnight" and "magic" in the name of the band after all.

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15,76

Last In: 6 years ago
Smersh - Selected Deep House Anthems

Dark Entries returns to the New Jersey basement studio of Smersh to unearth a 4-track selection from the 'Deep House Anthems' cassette. Smersh was the duo of Mike Mangino and Chris Shepard, who began making music together in 1978. They were uninterested in traditional notions of songwriting or live performance. Recording in a domestic setting necessitated the abandonment of live drums for rhythm machines, and the Smersh sound would gradually change with each new bit of gear they acquired. The Electro-Harmonic Rhythm 12 gave way to TR606, TB303, and SH-09. Most Monday nights, they would write a new song from scratch. A couple hours later, the song was recorded, never to be performed again. By 1988, they had already put out at least 16 different tapes on their own Atlas King imprint. They would be followed by as many more. Some of those (subsequent) tapes there were less than 10 copies that got made because nobody wanted them. They couldn't get reviewed,' says Mike Mangino. As these tapes traded their way across continents, Smersh developed a devoted following in places far beyond Piscataway, leading to releases on dozens of other labels from around the globe. Smersh's sound is a lush hybrid of techno, industrial, dance, and experimental. Most songs revolve around driving EBM style beats, intricate industrial noise manipulation and synth melodies. For 'Selected Deep House Anthems' we selected 4 tracks of pulsating acid techno, which were recorded live, direct to DAT. All songs were originally recorded and released in 1991, and this the first time all but one of these songs are appearing on vinyl.

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11,13

Last In: 9 years ago
Lady Wray - Queen Alone

Virginia-born singer/songwriter Nicole Wray has everything you'd want in a singer: an infectious Jackson-5-family-member flare, a range like Aretha's, and a church upbringing that's brought a pure, healing texture to her voice. But the struggle she's been through has made her more than a singer. Nicole Wray is an artist. When talking about Queen Alone, her first solo album in some time, Nicole explains, It's a reflection of my soul. It's who I am today.' And aptly so. Nicole is writing and singing songs about her life. And yet to even start to know her soul, you have to go back to the beginning. Growing up in Portsmouth was tough at times for Nicole. However, at the age of fifteen, life opened up quickly when Missy Elliot paid a visit to Nicole's family home to audition her on the spot. Missy was there on the rumored strength and quality of her voice. Instantly blowing her away, she signed and left with Missy that night. Two years later, at age 17, she had a hit gold single off a solid debut album (Make It Hot). Suddenly she was part of a team that included late '90s R&B and rap royalty: Missy, Aaliyah, Ginuwine, Playa, Timbaland and Magoo. She made it, and fast. However, as rapidly as she achieved success, Nicole then found herself needing to re-make it. By late 2001, her time with Missy and company had run its course. They amicably parted ways and Nicole, once on top of the R&B world, was unsure of what was next. It was a very low, but important, point in her life. While neck-deep in this struggle, Damon Dash and Roc-A-Fella Records called. They signed an album deal and by 2004, in what was starting to be a pattern, just as things were looking up Roc-A-Fella suddenly (famously) split. Nicole found herself in a familiar situation. In 2013, Nicole paired up with London vocalist Terri Walker and released the album Lady. Once again, Nicole was tested. Terri parted ways with the group to pursue her own projects shortly after the album's release. Fast forward to now-the transformation from singer-for-hire to pure artist is evident in this new full-length solo release, Queen Alone. The record was written and recorded in 10 days at the legendary Diamond Mine Studios, in Queens NY with Leon Michels and Tom Brenneck handling production. Nicole says she is Singing out loud now-singing from the stomach.' Back in 1998 she was coached how to sing, and told to stay in a pocket that never let her show her range, power, and passion. Today, after stutter-stepping in and out of the industry, there is a new soul and substance to her songs-all of it from her life. They Don't Hang Around", tells the story of her post Roc-a-Fella days, Guilty", is about her brother's incarceration, Make Me Over" tells the relatable story of being broke with expensive taste, and 'Let It Go', a perfect way to end the record, is about the simple act of letting go and moving on. Almost echoing her new record, Nicole says, You have to go through something for it to be real.' She has been living with one foot in fame and the other in real life. The result is clear: she's feeling something real in her music again. And it's hard for us as listeners not to follow suit.

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23,74

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Jam Money - A Gathering Kind

Jam Money is the shared musical vision of Kevin Cormack and Mathew Fowler. Mathew (Bons) and Kevin (Half Cousin, Harry Deerness) first began collaborating as part of the Blank Tape Spillage Fete, an ongoing collective project of art and music which focuses on the creation and perpetuation of small DIY exhibitions, related events and limited releases that celebrates the hobbyist nature of home recording.

Jam Money revolves around a passion for the simple and sometimes restrictive nature of four-track cassette recording. Using old half-broken guitars, clarinets, charity shop keyboards, toys, family heirlooms, zithers, home-made percussion, and household objects a shared dialogue appears, involving both mark making and musical mishaps, allowing the makers to be carried along as the music finds its own way.

Genre definitions melt away in Jam Money's music as ambient dissolves into lo-fi rock, noise into fragile naive classroom melodies. Creativity beyond easy categorisation.The first recordings titled 'Blowing Stones' were self-released in 2014. The cover and insert artwork for this record featured abstract paintings by the artist Aimée Henderson whose work and process is a great influence on their music. Having played gigs alongside kindred spirits National Bedtime and Plinth, the tail end of 2015 saw the the band travel to Germany to play with the Notwist and Le Millipede for a series of 'Alien Disko' nights organised by Alien Transistor, a label with a shared kinship of both the weird and wonderful.

'A Gathering Kind' is the second album by Jam Money: a journey of sound and colour, subliminal images and narrative. The roots of this collection found Fowler and Cormack using an earthier, more instinctive language, making it a rougher-edged sibling to their other recordings, with parallels to the home-spun worlds of Flaming Tunes, Pumice, Maher Shalal Hash Baz and World Standard. Aimée's artwork features again, both paintings and music forming a collective language of dream-like adventure.

"Poignant and exploratory. Melting together acoustic and electronic elements, the narrative throughout is one of a ghostly world heading for winter. A firm fan favourite Stephen Pastel (The Pastels & Monorail Music) on Blowing Stones.

"Created in question and answer form, their songs exist like little sculptures - wayward and peaceful, sometimes whirring into automatic life under the pair's combined attention."

pre-order now25.11.2016

expected to be published on 25.11.2016

17,61
Letherette - Last Night On The Planet (lp+mp3)

Das britische Produzentenduo Letherette veröffentlicht sein lang erwartetes zweites Album auf Ninja Tune!
Das britische Produzentenduo Letherette veröffentlicht Ende November sein zweites Album "Last Night On The Planet" auf CD & Vinyl via Ninja Tune. Zehn Songs, die die volle Bandbreite zwischen Hip Hop, 80er R&B und straighten House bis hin zu deepen Downtempo-Momenten abdeckt. Neben Stones Throw's Pyramid Vritra finden sich auf dem Album auch Rap-Features von Rejjie Snow und Ubiquity Records' Jed & Luca.CD im Digipack, Die Erstauflage erscheint als gelbes 180g Vinyl inklusive - Downloadcode.

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21,64

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Phil Moffa - Rareforms Ep

"After almost 20 years of making tracks with blaringly loud kicks, you tend to start producing with the other elements first to give yourself a break from the constant pounding of monitors at point blank range. Following an analog filter shopping spree, I began working on a group of tracks where the low end was satisfied by the filtering, and realized these songs worked just fine without a bass drum. Therefore this record is called "Rareforms" since most of my other work consists of a kick drum and lots of loud effects. This record is dedicated to the brilliant synthesist and interpreter Isao Tomita, whose records always provide inspiration in the lab. Also to master storyteller Rod Serling and his frequent collaborator Bernard Hermann, whose score for the Hitchcock film Vertigo I adapted through some MIDI processes and wavetable synthesis, then sent it through a 4-foot spring reverb." - Phil Moffa

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10,29

Last In: 7 years ago
Young Male - How To Disappear In America

WM009 is the debut album from White Material co founder Young Male. A collection of dark ambient and textured experimental songs created as a personal soundtrack for life in uncertain times. Paranoia, lust, virtual experience, and tension/release are themes explored in this tour through a dystopian American landscape.

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5,00

Last In: 3 years ago
Kuedo - Slow Knife

Kuedo

Slow Knife

2x12inchZIQ380
Planet Mu Records
14.11.2016

It's been five years since his acclaimed debut 'Severant' and time has proved it prescient, its futuristic trap influence is now ubiquitous. 'Slow Knife' seems to return to where 'Severant' left off, but with the intricate sound design of last year's haunting EP 'Assertion Of A Surrounding Presence' subsumed into the compositions, making them more exacting and beautifully crafted. Between albums Kuedo has been working as a sound designer and composer for hire and the application of intent and widescreen rigour that commercial work requires has definitely found its way into the new album. 'Slow Knife' has the subtlety, ambition and pacing of a brilliant soundtrack - a sense of an album of scenes, that easily lends itself to an impressionistic narrative. But, as with 'Severant', the title suggests relationship unease, with the slow knife being a metaphor for the building resentment in any close relationship. 'Slow Knife' is almost two albums, the first half, according to Kuedo, invokes the seduction of the city, taking the music of Michael Mann's 'Manhunter' as a cue, with the latter half being inspired by the bloody starscapes and voodoo wilderness of films such as 'Angel Heart', 'Night Of The Hunter' and more recently the 'True Detective' series. Both halves of the album are also in thrall to Mica Levi's inspiring 'Under The Skin' soundtrack, especially in the turbulence of the mid-section. The songs of the albums first half are synthetic and seductive, a gelatinous veil with shades of the pseudo-sophisticated trance of Enigma, of all things, underpinned with dusky unsettling shadows and atmosphere. 'In Your Sleep', perhaps surprisingly, features the vocals of Hayden Thorpe from Wild Beasts, who settles his dark, whispered vocals into the moonlit shadowy atmosphere. 'Floating Forest' is the first track to allow back some of Kuedo's experimentation with the Southern rap template, which he explored before it became commonplace, with echoed drum splashes and a sinister repetitive motif, ending with a haunting growl. The second half of the album enters wilderness territory with 'Approaching's slow descending notes, before 'Broken Fox - Black Hole' throws the record into the cathartic darkness, as undulating chords play hide and seek with riotous reeds and scratchy strings grown from challenging collaborations with cello player Koenraad Ecker (from Lumisokea). 'Breaking The Surface' shivers and coils, before metal and strings dominate while 'In Your Skin' feels like being lost in a vast hinterland before 'Warmer Light' introduces some memories of sunshine, with its plucked bassline and spiralling dub. 'Halogen Light' opens with the sound of crickets and a clear piano, cleansing the soul before 'Lathe' brings things down to earth with a short, yet powerful coda.

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22,23

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Alessandro Alessandroni - Il Tempo Dello Spirito

Amongst the first bunch of this new label releases, we couldn't miss a tribute to one of the greatest masters of libraries recordings, Alessandro Alessandroni, born in 1925. In his long career Alessandroni has published lots of soundtracks - and we mean lots of - and for this he's considered a real star of Italian music. As a friend, and close collaborator of Ennio Morricone, he's remembered as "the whistle man" for his fundamental contribution to the immortal scores of Sergio Leone's movies. His class allowed him to range between genres and atmospheres, from beat to avant-garde, from funky to abstract compositions, always reaching and keeping the highest quality. This is immediately clear in "Il Tempo Dello Spirito", originally published in 1971 for the meritorious Flirt label. It's an album full of sacred music, gospel and spiritual, yet capable of personal flashes that make it interesting, particular and unique. Simple church songs In some cases it may seems so - titles as Ave Maria, Gloria In Excelsis Deo, Pellegrinaggio or Messa Solenne do not leave much room for doubt and interpretations - but Alessandroni is able to astonish even in extreme cases like this.

pre-order now07.11.2016

expected to be published on 07.11.2016

27,69
Massimo Vanoni - Back To My Essential Vibe

New project from Massimo Vanoni in which his black streak with Slow-Down & Nu-Disco-Funk features prevails.
The tracks have strong groove rhythms, with intense, rather thick and ascent.loops. The contaminations collected
by the club consoles seem to merge in the creation of unreleased songs which recall an interesting return to the
old beat with dynamic rhythm. Deluxe package Artwork.
For fans of Frank Booker, LTJ Xperience, Stereo 12", Tee Mango, Fouk, Inkswell, The Revenge, Session Victim, Debonair...

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18,45

Last In: 2 years ago
Weyes Blood - Front Row Seat To Earth
  • 1: Diary
  • 2: Used To Be
  • 3: Be Free
  • 4: Do You Need My Love
  • 5: Generation Why
  • 6: Can't Go Home
  • 7: Seven Words
  • 8: Away Above
  • 9: Front Row Seat

**LP + Download - Bonus track 'Three Tears' on download***Natalie Mering, the being behind Weyes Blood, embeds her sublime song in a harmonic gauze of arpeggiated piano, acoustic guitar, druggy horns, & outer space electronics. Propulsive, spare drums carry us across the album's course. There is a faded California beauty to Front Row. A gentle honesty that recalls the finest folk music made on the West Coast of the '70s. The hue hangs in the sweet-spooky harmonies, the pulsing sway of the vibrato & the ecstatic chord resolves. But this beauty is scratched with shadow, with dark foreboding, alienation, & acceptance of change. Love & loss balance together in suspended alchemy, as the earthiness of the singer-songwriter tradition wears digital sounds like feathers in its hair. Mering, together with co-producer Chris Cohen contrasts live band intimacy with the post-modern electric sheen of A.M. radio atmospherics. The experimental flourishes sparkle amid the succinct, thoughtful arrangements.The closeness of this record - how personal, alone, & frank it feels - conceals its aspirations to the outside, to the "Earth" of its title. Weyes Blood harbors devastating weight while also universalizing the strange ways of identity & relationships. These are not typical love songs or protest songs -- they are painful, poignant riddles that celebrate the ambiguity of love & affirm the conflict of harmonious life within a disharmonic world.

pre-order now21.10.2016

expected to be published on 21.10.2016

23,24
Vaudou Game - Kidayu

Vaudou Game

Kidayu

12inchHC46LP
HOT CASA
21.10.2016

When faced with the decision to take a different direction at the risk of getting lost in a synthetic sound or to further explore the same musical path, Vaudou Game didn't need to consult the oracle for very long when putting together their new album. Since their first acclaimed album, Apiafo and its irresistible single "Pas Contente", these Lyon natives never turned down the heat on over 130 stages across Europe, Africa, America and Asia. Peter Solo has displayed his amulets, charisma and yellow pants around the globe.When time came for them to harness their Afro-Funk sound for the second time, they turned their attention once again to their analog strengths. Vintage material, instruments produced in the 70's and cassette tapes were the "grigris" (or lucky charms) which proved most effective to ward off digital corruption of their music and return them to a tight-knit group with a solid groove.This unbeatable trance rhythm, inherited from James Brown and Fela, icons of Funk and Afrobeat, becomes trident when joined by Mawu, the creative voodoo divinity hidden in each of the group's notes. This inspiration transcends their spirit of communion, plunges them deeply into Mother Earth and results in the telepathic trance which is directly connected to Togo Peter's native Togo.Each song then becomes a celebration where the listener becomes the group's voodoo doll, embraced by the rhythm, submitting itself to the mercilessly metronomic cutting of guitars, struck by the copper-colored flashes of lightning forged by the African voodoo deity Hevioso, pierced by the psychedelic visions generated by the organs and a six-string guitar, cheerful songs, and hypnotic incantations.KIDAYU means "sharing" in Kabye, the language spoken in northern Togo. Sharing, is the philosophy of Vaudou Game - both in their recorded music and on stage.Vintage African funk tinged with voodoo chanting: Togolese Peter Solo and his fellow musicians from Lyon electrify us in a frenzied ceremony" - Télérama

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21,05

Last In: 6 years ago
Agnes Obel - Citizen Of Glass

Agnes Obel

Citizen Of Glass

12inch39222851 PIASR905LP
PIAS RECORDINGS CATALOGUE
21.10.2016

Agnes Obels neuer Longplayer wurde im eigenen Studio Aventine-Neukölln und in den BrandNewMusic-Studios in Berlin aufgenommen. Erstmals hat Agnes nicht nur alle Songs geschrieben und komponiert, sondern das komplette Album im Alleingang aufgenommen, abgemischt und produziert. Als Musiker sind John Corban an der Geige, sowie Kristina Koropecki und Charlotte Danhier an den Cellos dabei. Mit über einer Million verkaufter Alben ihres Debütalbums "Philharmonics" (2010) und "Aventine" (2013), sowie 200 Millionen Streams weltweit, gehört Agnes Obel zweifelsohne zu den angesehensten Female Artists in Europa.

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19,29

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Dj Di'jital - The Clone Ep

RAWAX proudly welcomes Mr. Lamont Norwood aka Dj Di'jital to the family! A true pioneer from Detroit!

Truly an old school Techno Bass jewel, DJ Di'jital has been a key player in the development of what some call the "Second Generation" of Detroit Techno. Having released on classic Detroit labels like Metroplex, Direct Beat, and Twilight 76, there is plenty of good reason why his name and his work have become so legendary over the years.

Influenced by early groups like Kraftwerk and Parliament, it was no surprise that the 80's fusion of Electronic Music, Funk and Hip Hop that brought about the Electro Funk sounds, would have such an impact on him. As a kid, Lamont Norwood aka DJ Di'jital became acquainted with the idea of mixing two songs together using tape decks, which while being limited, still gave him the drive and passion to pursue a career as a professional DJ. Over the years he played many different house parties and underground clubs, even spending some time as a Cabaret DJ.

Throughout this time, Di'jital became an incredibly skilled turntablist, quickly gaining the reputation of being a formidable force behind the wheels of steel. The year 1996 would prove to be quite a momentous one for Norwood, not only signing to the already well established label Direct Beat, but also becoming the official DJ for one of the label's finest and most important artists, Aux 88. Having already released his first EP, "Prototype", on Direct Beat, this would become a great opportunity that would help seal him as an icon of what was now known as the Detroit Techno Bass scene. Over the next few years,

Di'jital continued recording for Direct Beat, releasing some of the greatest and most unique Techno Bass classics to date, even doing a few remixes for some of Aux 88's most well known releases like "Electro/Techno", "I Need To Freak", and "Break It Down". Hit EPs like "From The Mind Of The Master", and "360 Degrees" became instant classics, still very sought after to this day. He also had some of his songs appear on some of the various Direct Beat compilations that were released between the years 1996 and 1999 like "Xperience De Bass II", which released "Radar2Bass", one of his most notable works, as well as the all time collector's album, "Techno Bass: The Mission".
Perhaps what may have been one of the biggest signs that his career was becoming exactly what he had hoped for, was the opportunity presented to him to remix Aaron Carl's classic "Down", which was released on the iconic Metroplex Records in 1998; Something that to any Detroit native would have been an honor and a milestone, given the reputation and level of success and influence that Juan Atkin's imprint had on the Detroit Electronic Music scene, as well as the global Electro/Techno movement.

Between the years 2000 and 2002, there was a small hiatus in complete EPs or albums being released by DJ Di'jital, although there were 2 different tracks released on the labels Bipolar and Studio iK7. In 2002, he went on to sign to another of Detroit's legendary imprints, Twilight 76, where he released 2 EPs, "Bass Programmers", and Di'jital's Revenge". In 2005, already a veteran and having amassed the necessary skill and knowledge needed to be a true beat warrior, Di'jital was now ready to join the resistance...Underground Resistance that is! Featured on the Interstellar Fugitives Vol. 2 compilation ( also later released as a 2xCD/DVD set ), Di'jital also released on the Electrocuter EP, which featured the previously released "Bang", as well as "Track 19".

In 2006, already well into the digital age ( no pun intended ), Norwood would release his first set of downloadable works, starting with an album called "The Prototype", on Twilight 76, which was completely unrelated to his first EP which was also called "Prototype". Recently, Twilight 76 has also released what is so far a 2 volume set of battle cuts dubbed "Electro Battle Tools".

The only known material that is known to be in the future for DJ Di'jital at the moment is a remix of Morphogenetic's "Techno Bass Is Back!", which was originally released as a free download to members of Technobass, but will soon be released on a 12"/Digital release that will launch the site's own label "Techno Bass Music". There will also be a follow EP by Di'jital, so stay tuned! Over the years, DJ Di'jital has proven to be an unstoppable force in the Techno Bass scene, tirelessly working to push the boundaries of Electro forward with his futuristic and visionary beats that have unleashed mayhem across the globe, not just in his published works, but also in his incredible DJ acts, where one can truly witness one of the few actual turntablists in this style of music. Expect more in the future as Di'jital's revenge continues to spread across the globe with his out of the ordinary approach towards Techno Bass music.

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10,55

Last In: 3 years ago
The Notwist - Superheroes, Ghostvillains + Stuff LP 3x12"

Remember how badly we wanted to join them and be part of those sea-faring adventures: Jack London’s The Sea-Wolf, classic TV shows based on his novel The Road, on Radu Toduran’s novels... back then, a couple decades ago, the titles of these shows alone were enough to trigger some strong gusts in our hearts, salty squalls perfect for imaginary downwind journeys we dreamed of with billowing sails. We wanted to cruise alongside albatrosses, seagulls, and fellow sailors. Floating high above a three-masted vessel, we watched our own adventures unfold far below, an imagined movie scene complete with a whole crew that worked the rigging, and all the rest. Cutting waves. Amidst the storm and stress of sounds hitting our eardrums far out in the ocean. Combined with the sounds of rotors, of tropics crossed, of marimbas and cabin wood pounded, of strange music spotted in the distance. And even though it was merely for an hour or two that we were rescued by that seal-hunting ship “Ghost,” as Jack London had it, plus, even worse, often found ourselves surrounded by villains: it was a great escape, for we’d successfully set sails – to new and exciting places.

Both around their own Weilheim shores and elsewhere, brothers Markus and Micha Acher have launched various musical vessels, bands and free-floating constellations over the past three decades – and yet: amid all these other speedboats and unlikely sonic barges, The Notwist has always remained the mother ship. This new album documents the latest live incarnation of this very band, which also features Andi Haberl, Max Punktezahl, Karl Ivar Refseth, and Cico Beck. Recorded on December 16, 2015 on the second of three consecutive, sold-out nights at UT Connewitz in Leipzig, Germany, "Superheroes, Ghost-Villains & Stuff" indeed feels like a first-hand live experience caught on triple vinyl. That’s why it’s the definitive album of The Notwist’s career.

Although there is one song that points to the early, “louder years” of The Notwist – “One Dark Love Poem” off the album Nook –, the rest of the night’s set sees the band perform all the major hits off Neon Golden, The Devil, You + Me, and Close To The Glass. However, these are different, organically enhanced versions, new interpretations and combinations that feel much more alive; thanks to Olaf Opal’s incredible mix, they sometimes even outshine the original studio recordings. Listening to "Superheroes, Ghost-Villains & Stuff" feels like watching these songs evolve and change, moving from one frame to the next, much like a baroque triptych.

What starts out like ‘wimmelbook’ imagery, the music soon folds and unfolds like a Moebius strip: Sans bottom or top, sans inside or outside, the inside becomes the outside and vice versa. It’s all about sonic interconnection, about music as entanglement, music as reconciliation. The rather majestic, cinematic (indie) pop and experimental, kraut- infused jazz, the spirit of the enlightenment and baroque playfulness, the traces of modernism and minimal music, dub leanings, hip-hop lessons, and even hints of house music: here is where they all come together, reconciled in a sound that’s both melancholy and romantic. And ultimately, the spirit of these songs is set free – and the band has released itself, is free at last.

As for the album title, it’s lifted from the song “Kong,” and encapsulates Markus Acher’s motto. Throughout the track, the water theme first appears as a dangerous threat: a force that’s strong enough to wash away an entire house; and yet the fluid state keeps transforming and eventually releases that sense of threat into something rather hopeful, a new musical beginning, a melodic departure that ultimately leads to euphoria and a renewed spirit of adventure. These are the strong gusts mentioned above, it’s the spirit of discovery, the urge to set sail together. The crew’s back at it, working the instruments, the rigging, with sails a- billow, launching the next voyage of discovery, assuming the East in the West and vice versa. And thus the adventure saga continues.

Pico Be (Das Weiße Pferd)

pre-order now14.10.2016

expected to be published on 14.10.2016

29,20
Bocal 5 - Musique Ilectronique

Bocal 5 were a No Wave art group composed of Doc Pilot (synths, vocals), Zouka Dzaza (bass), Florian Guillou (synths), Mickey Lepron (electronic drums, bass) and Evy Tinguette (lead vocals). The project was born in November 1980 in Tours, France as the brain child of Doc Pilot. Between 1981 to 1986 Bocal 5 recorded one 7' single and a cassette-only album before taking a year off in 1984 to launch X-Ray Pop. Influenced by Erik Satie, Brigitte Bardot, Suicide and Young Marble Giants, they call their music "minimum naive new wave."

Musique Électronique' is a 19-track compilation of songs recorded across 1983, most of which have never been released on vinyl before. 16 tracks appeared on the From Bocal 5 To X-Ray Pop' album originally released on cassette by Sound of Pig in 1984. Both tracks from their debut 7' originally released in MB5 1984 are included and show a progression in sound as a result of newer recoding equipment and techniques. Also present is a song from the tape compilation Andreas N°3 L'Animal" released by Fraction Studio in 1984. Armed with a Korg 770, MS-10, Prophet Pro-One, Roland TR-707 and TB-808 they crafted their own brand of quirky synthesized electronic pop. Songs are short, concise and well structured, richly textured, moving at a quick speed with hardly a pause. Evy's pouting, tongue-in-cheek vocals (sung in French) come together for a catchy, sensuous, danceable, eccentric psychedelic ride. This collection shows the group's sense of humor, vitality and carefree playfulness.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Each jacket displays a bright neon green collage of photos and ephemera from the band's archives designed by Eloise Leigh that exudes the project's DIY spirit. Each copy includes a 6-page xeroxed booklet with photos, original artwork and press clippings.

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15,08

Last In: 9 years ago
Diseno Corbusier - Stadia

Diseño Corbusier is the avant-garde electronics duo of Javier G. Marín and Ani Zinc, formed in Granada, Spain 1981. Like Sheffield's relation to London during the punk explosion in the UK, Granada developed an experimental music scene 400 kilometers south of Madrid. As a child, there were no records in Ani's house, so she grew up listening to the radio and was hypnotized after hearing 'Remember Love', by Yoko Ono. While attending university in Granada she responded to an ad in a music magazine by Javier, If you're into bands like Cabaret Voltaire or Flying Lizards, call me'.

The duo recorded their debut album Stadia' in 1982 and self-released as a limited edition cassette on their label Auxilio de Cientos. They drew influences from contemporaries like SPK, Throbbing Gristle, Esplendor Geométrico and DAF. They employed the 'cut-up' technique William Burroughs used to write his books to splicing their magnetic tape loops. Instruments used included a Korg Lambda, Boss DR-55 drum machine, Roland SH 101, and MFB 501 drum machine. The lack of money to buy more expensive instruments forced the duo to be more creative. Everything was recorded directly to a cassette player that was plugged into a Revox B77 reel to reel tape machine to add echo. Ani manipulated and treated her naive, menacing vocals to match Javier's processed rhythms. These early sketches contain atonal, arhythmic, thick shifting curtains of synth, loops and radio samples. For this reissue we've added 7 bonus tracks taken from various cassette compilations, as well as three previously unreleased songs. Elements of industrial music, primitivistic techno and vocal manipulation are fused with a Dadaist approach utilizing modern technology.

All songs were remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The front cover is an exact replica of the band's original design, restored by Eloise Leigh. Each copy includes a 4 page xeroxed booklet with photos, press clippings and liner notes from Javier. Powerful and evocative, soundtrack music for a rising storm or revolt.' Sound of Pig magazine 1985

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15,08

Last In: 9 years ago
Ethel Beatty - I Know You Care/it.s Your Love

Repress!

The two glorious 80s boogie tracks written and produced by Roy Ayers are released here on 7' single for the very first time.

The two songs were originally released back to back on 12' single for the Uno Melodic label, copies exchanging hands for over £400.

These are the only two known recordings by Ethel Beatty, It's Your Love' much sampled on the hip hop scene.

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15,34

Last In: 6 years ago
Wally Badarou - Back To Scales To-night

Wally Badarou was at the cutting edge musically with his fusion of African grooves with the emerging electro sounds of the early 1980s. His debut album 'Back To Scales' in 1980 has been long out of print and is considered a treasure by many connoisseurs. 
Wally plays synthesizer, co-writing and performing Level 42 often considered their 'fifth member'. He also played with Robert Palmer, Talking Heads, Foreigner, Grace Jones and Manu Dibango. He also known for a later hit single Chief Inspector', and Mambo' from the same year (1984) was sampled by Massive Attack
This is a great album deserving appreciation by a wider audience with such an amazing collection of important songs. It was recorded in France, the country of his birth, originally released on French label, Barclay

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17,52

Last In: 4 years ago
Sonic Youth - Confusion Is Sex

Sonic Youth

Confusion Is Sex

12inchGOO022LP
Goofin’
30.09.2016

First complete Sonic Youth album is one of Thurston Moore's favorites. Includes live cover of The Stooges' I Wanna Be Your Dog'. Vinyl includes digital download. Originally slated to be a 7' to follow up their self-titled debut, Sonic Youth's Confusion Is Sex blossomed into the band's first album: a brain-bludgeoning, completely fried endeavor of dissonance and disarray, a perfect soundtrack for running from a chain-wielding gang near the SIN Club. This was the sound of 1983 New York City, nothing like the jangly roots of college radio rock starting to formulate in Athens, Georgia. It sounded like no one else on Earth, for that matter. The raw, Wharton Tiers 8-track production is dark, the Kim Gordon- scrawled cover figure art of Thurston Moore is dark, Lee Ranaldo's back cover photo-collage and Catherine Ceresole's crumpled-xeroxed images that adorned the inside are dark. It's an album that moves Sonic Youth forward from their first EP almost by devolving backwards into true ugly, lo-fi primitivity. The bareboned arsenal of junkpile guitars and implementation of alternate tunings was growing, and so were the songs that matched the individual attributes of each instrument: certain ones groan and growl a specific way that the band started to realize itself could become the compositional germ of a song. Herein is the threshold of a new explosion of the band's creativity, replacing the comparatively cleaner buzz of the Sonic Youth EP with guitars that spew fractured, uglier chunks of sound everywhere, held down by menacing minimalist basslines (actually played by Thurston on half of this LP, and for the only time ever on Protect Me You,' Lee) and the brutal-yet-controlled metronomic drumming of Jim Sclavunos, augmented with replacement drummer Bob Bert's notable bashing on Making the Nature Scene' and grotty no-fi live rendition of I Wanna Be Your Dog.' Hearing the crashedwindow intro of Inhuman' and subway-brake screech of The World Looks Red,' you can attest that while Sonic Youth's guitars are not quite yet being utilized in the totally controlled, lyrical fashion seen later on albums like Evol, Daydream Nation et al., they were well aware of the colors and tonalities that were unfolding and the possibilities presented. Also, they were getting a grasp on adding colors to the chaos with tempered, simmering moments like Gordon's Shaking Hell' and Renaldo's chimy, home-taped Lee is Free.' Making the Nature Scene' and The World Looks Red' even toss in glints of hip-hop vocal approach way ahead of its time, albeit through a blender. While its confrontationalism might have put off some critics, time has rewarded Confusion with a truly distinctive air and atmosphere in the Sonic discography, enough to have Moore declare it his fave along with the band's swan-song The Eternal. Brian Turner, WFMU.

pre-order now30.09.2016

expected to be published on 30.09.2016

33,19
Chicago Basement Trax - Inspired By The Rawness Of Ron Hardy

Chicago Basement Trax returns with an homage to the king of the raw himself Ron Hardy. Those that experienced Ron Hardy first hand will tell you there was a vibe like no other. A minimal space with strobe lights and a bangin system. If you put your hands on an EQ or isolator as a DJ thank Ron as being an innovator of this creative style of frequency manipulation. Not only did Ron drop the bass, he dropped whole songs to expose the beautiful crispy hi hats, vocals and then romanced you with the piano before slapping your whole body with the beat. This ep does it's job to take you there, just close your eyes and blast off!

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8,36

Last In: 7 years ago
Bitori - Legend Of Funana LP

In 1997, a quiet, unassuming man of 59 years old named Victor Tavares - better know as Bitori - walks into a studio for the very first time to record a masterpiece which many Cabo Verdean consider to be the best Funaná album ever made. Bitori´s musical adventure had begun long before this point. It was 1954 when he embarked on a journey across the seas to the island of Sao Tomé & Principe. The young man´s hope was to return to Cabo Verde with an accordion.

Following two years of hard labour Bitori had succeeded in saving enough money to acquire what was to become his most valued possession, his cherished instrument. The two month journey back to Santiago, his island of birth, proved time enough to master it. Self taught, Bitori developed his own style, an infectious blaze, that quickly caught the attention of the older generation. Before long Bitori was being asked to share his musical talents, igniting the local festivities around Praia with his music.

But not everybody welcomed the rural accordion-based sound. Perceived as a symbol of the struggle for Cape Verdean independence and frowned upon as music of uneducated peasants, Funaná was prohibited by the Portuguese colonial rulers. Performing it in public or in urban centres had serious consequences - often jail time and torture awaited musicians that were caught in the act'. In light of such persecution the genre of Funaná began to slowly disappear.

In 1975 Cabo Verde achieved independence from Portuguese colonial rule. Along with Cabo Verde's independence came a lifting of the ban placed on Funaná. The musical repercussions in Cabo Verde were plenty - many upcoming artists embraced Funaná, translating and adapting its musical form in new ways. It was not to be until the mid-1990's, however, that Funaná in its traditional form was actually recorded. It was a young singer from Tarafal, Chando Graciosa, who was to play a key role in this event. Upon hearing Bitori, Graciosa immediately felt drawn to Bitori's unique playing style - a raw and passionate sound accompanied by honest lyrics that reflected the harsh reality of the Cabo Verdean working class. He eagerly approached Bitori suggesting they join forces and travel overseas with the objective of taking Funaná beyond its rural roots. The two of them, with others in tow, achieved their goal and travelled to Europe, introducing a receptive European audience to the vibrant energy of Funaná.

Eventually Bitori returned to his beloved Cabo Verde. Graciosa opted to settle in Rotterdam in order to pursue his career - he vowed, however, to bring Bitori across to Holland at a later date to record an album.

In 1997 the time was ripe to immortalise the sound Bitori had shaped over a time span of four decades. Built around a formidable rhythm section, formed of drummer Grace Evora and bass player Danilo Tavares, "Bitori Nha Bibinha" was recorded. The recording catapulted Chando Graciosa to stardom, making him Cabo Verde´s No.1 interpreter of Funaná.

The success in Cabo Verde was phenomenal and Funaná rapidly gained the recognition it deserved, especially in urban dance clubs. Bitori´s songs quickly became standards - classics known and loved throughout the country. The musical success, however, was solely limited to the Cabo Verdean islands - until now!
Analog Africa is proud to contribute to the worldwide promotion of Funaná - the once forbidden sound of the Cabo Verde archipelago - by releasing a worldwide re-issue of Bitori and Chando Graciosa´s legendary recording.

The release will herald Bitori´s first European tour taking place during the summer of 2016. Watch this space! And listen!

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31,30

Last In: 10 months ago
Justus Köhncke - An Alle

Finally, Justus Köhncke is unveiling new tracks! His first release since »Justus Köhncke & The Wonderful Frequency Band« (KOMPAKT, 2013) is both daring and serious. Five songs in German, interpretations of material by Howard Carpendale, Juliane Werding and Nik P. plus English-into-German translations of two pop classics (»Twist In My Sobriety« by Tanita Tikaram, »Captain Of Her Heart« by DOUBLE). This is not an ironic joke about seemingly ›stupid music‹ or ›Schlager‹: Köhncke embraces these five compositions and turns them into his own. They transmutate into his very own vision of ›nu-german comps-soul‹ while retaining Justus' unique sound. The EP will be released digitally and as a limited vinyl 12" on the Berlin-based label »Martin Hossbach. We cry, we sing. Alone.

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17,61

Last In: 22 months ago
Urusei Yatsura - You Are My Urusei Yatsura

It means Noisy Stars'' - Fergus Lawrie.

So it's coming up for the 20th anniversary of the We Are Urusei Yatsura' album, so what better time to look back at the broken Woolworths guitars, damaged eardrums and bleeding knuckles of Glasgow's lo-fi, Tokyo dreaming geek rock quartet

You could say it all began at the Glasgow Sound City event, when legendary BBC DJ John Peel came along to check out Urusei Yatsura at the 13th Note at the invitation of future Franz Ferdinand front-man Alex Kapranos. Liking the chaos that he saw, Peel invited the band to record a session for his show, asking live on air while guitarist and singer Graham Kemp was visiting the studio to talk about his Kitten Frenzy' fanzine the next day.

Peel arranged for us to record the session in Glasgow' says Kemp, We didn't have any amps or any money to get to London.' Producer Stewart Cruickshank told the band that it was the first Peel Session recorded outside of Maida Vale since the Undertones. So no pressure there then.

This began a long association with John Peel and the BBC, which saw the band record 5 Peel Sessions, 3 Evening Sessions for Steve Lamacq, play live to air for Mark Radcliffe, and appear regularly on Radio Scotland for John Cavanagh and Mark Percival. Digging through old C-90's that had been partly taped over with that week's charts, the band have pieced together a compilation of the best tunes for you, the discerning 90's indie rock aficionado.

..they sounded a bit like the Saints' - Thurston Moore, SELECT

Some of the recordings we did for the BBC, I think, are better than what eventually made it onto vinyl. We did Kewpies Like Watermelon' live in the control room for Radio Scotland and we had just learned it so it sounds really fresh and exciting. The version of Siamese' is the best we ever captured, and I love the Dice/Nae Dice' tune we wrote especially for Peel'. - Kemp

The challenge of recording and mixing four songs in a single day brought out the best in the band, and suited their impulsive, DIY rock n' roll spirit. The album, available on CD and vinyl, features 11 songs, including session versions of 6 singles, choice album tracks and live favourites from the only band who have been threatened by both the Yakuza and the Mafia (the latter incident generating the hilarious headline Nerds Threatened With Death' in the Sun newspaper'). The band have decided to call this hand-picked selection of the highlights of an eight year career', You Are My Urusei Yatsura, BBC Radio Sessions.

Other highlights of said career include, a number one indie single with a video shot in a Star Trek themed bar (Phasers On Stun), a Peel Festive Fifty placing (Kewpies Like Watermelon) an actual top 40 hit (Hello Tiger), numerous chaotic tours of Europe, UK and USA ,narrowly surviving a collapsing stage at Benecassim and a tent fire at Phoenix Festival, releasing three studio albums and 13 singles (including splits with Mogwai, the Delgados and the Blisters), taking Mogwai, Eska and Pink Kross on their first UK tours, supporting Super Furry Animals, Pavement and Teenage Fanclub, playing at Roskilde, Reading and T In The Park festivals, The CMJ festival in New York and MIDEM in Cannes.

The band consisted of the writers Fergus Lawrie (guitar and vocals) and Graham Kemp (guitar and vocals), with brother and sister rhythm section Elaine and Ian Graham on bass and drums respectively.

pre-order now02.09.2016

expected to be published on 02.09.2016

16,01
Matthew Styles - Metro Ep

Matthew Styles

Metro Ep

12inchOSTGUT98
Ostgut Ton
02.09.2016

Chances are you've already danced to one of his sets at Panorama Bar - Matthew Styles has been a regular guest DJ at the club for several years -, but you've probably also come across at least one record with music that went through the Englishman's meticulous hands. While Matthew has released great but small numbers of 12"es on various labels since 2007, his credits in mixing, engineering and mastering exceed his solo discography by far.
With the Metro EP we're finally offering a full solo release by Matthew Styles on Ostgut Ton, accounting for his consistent productional finesse, especially with his original track "Liquid Sky" (on Nick Höppner's Panorama Bar 04, 2012) and his 'Dub Mix' of Dinky's "Planes" (on Ostgut Ton / Zehn, 2015).
"I've never worked on a sequential set of songs that came out on the same record," Matthew commented on this 12". As with his productional approach in general, the Metro EP has a certain timelessness: "One piece is from 8 years ago, one from 3 years ago and another from around the time of the recent birth of my second son. I'll leave it up to the listener to guess which is which."
The eponymous "Metro" on A is an elated seven-minute, trippy, meandering analogue synth exploration in House and Cosmic Disco. "Wave 6" opens the flipside with a simple yet beguiling melody: 6 notes dancing completely beatless in 5/4 time, meandering repetitively and escalating towards a blissful - yet only anticipated - climax. "Border" on B2 is a solid addition to the long history of Dub Techno - smooth, steady, super layed back, but also offering many colorful melodic elements.
(de) Gut möglich, dass du schon einmal zu einem seiner DJ-Sets in der Panorama Bar getanzt hast - Matthew Styles spielt seit Jahren regelmäßig am Wriezener Bahnhof -, aber sicherlich hast du wenigstens eine Platte gehört, die vorher durch die akribischen Hände des Engländers gegangen ist. Obwohl Matthew seit 2007 tolle aber wenige 12"es auf verschiedenen Labels veröffentlicht hat, übertreffen seine Credits als Mixer, Engineer und in Mastering seine Solodiskografie bei weitem.
Mit der Metro EP hat Ostgut Ton nun endlich ein volles Solorelease von Matthew Styles im Angebot, das seiner konsistenten Produktionfinesse - besonders bei seinem Track "Liquid Sky" (auf Nick Höppners Panorama Bar 04, 2012) und seinem 'Dub Mix' von Dinkys "Planes" (auf Ostgut Ton / Zehn, 2015) - Rechnung trägt.
"Ich habe noch nie aufeinanderfolgend Stücke produziert, die dann auf derselben Platte erschienen wären", kommentierte Matthew diese 12". Wie generell bei seinen Produktionen besticht die Metro EP durch eine gewisse Zeitlosigkeit: "Ein Stück ist acht Jahre alt, eines von vor drei Jahren, ein anderes von kurz nach der Geburt meines zweiten Sohnes. Die zeitliche Einordnung möchte ich dem Hörer überlassen."
Das gleichbetitelte "Metro" auf A ist eine beschwingte 7-minütige, trippige, mäandernde Analog-Synth-Erkundung in House und Cosmic Disco. "Wave 6" beginnt die B-Seite mit einer einfachen aber betörenden Melodie: 6 Noten tanzen beatbefreit im 5/4-Takt, treiben repetitiv und ansteigend auf einen beseelten - aber nur erhofften - Höhepunkt zu. "Border" auf B2 ist eine solide Dreingabe zur langen Geschichte von Dub Techno: sanft, stetig, super entspannt, aber mit vielen melodischen Elementen.

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11,72

Last In: 12 months ago
L.u.c.a. - I Semi Del Futuro - 2x12"

ears ago he started putting together some selections for a friend of his: Luca. The intention was to pick songs to be played during car rides, and like any other kind of ritual, this too would come with strict rules. You'd have to go throw the whole selection of 100 tracks without skipping, because every single one was important. Be it the sounds, the arrangement or its creativity, each track was there for a very specific reasons. It quickly became a monthly event which for several years evolved in a deep musical research without genre boundaries: Disco and psychedelic, soundtracks, library music, exotica, electronic and dance music, italo, new wave, pop or prog. Tracks of each and any historical period and provenance had been featured in this special compilations. But it wasn't always that easy to come up with the right piece and eventually Francesco started producing a few on his own to fill in the gaps. After six tracks, it was quite clear that there was a project developing, one in which he could finally experiment freely, leaving behind the rules that often come with dance tracks. Of course, no name could have been better than the one of his friend that had inspired everything And so L.u.c.a was born. Now, while preserving the same mind set, L.u.c.a is back with an album that embraces a new-hippie vibe, strongly pervaded by a mystical naturalism. This is a whole new universe in the making, where rumbling magmatic atmospheres evolve gradually in a journey through an idealist new world, celestial interludes revealing a full take over of nature, with a pervasive library feel that dates back to the great Italian masters, carrying on Edizioni Mondo's legacy.

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16,09

Last In: 8 years ago
Various - Kingston Allstars Meet Downtown At King Tubbys 1972-1975

1973-1976 was a period in Reggae's history when the music coming from Kingston,Jamaica was at its peak.
So many talented singers,who sang soulful/righteous songs found their way onto tape.
Maybe it was the competition between the studios like Randys,Channel 1 and Harry J's and the quality of the singers available to sing these tunes.But whatever caused the explosion the mighty voices of Horace Andy,Cornell Campbell,Johnny Clarke and Ronnie Davis never sounded better....
The tracks as you can see here were culled together from sessions recorded at the fore mentioned legendary studios.Then taken to King Tubby's home style studio at 18 Drummlie Ave in the Waterhouse district of Kingston.This is where the great Dubmaster himself would record the vocal tracks.
A method in which he preferred to work and then mix the tracks Tubby style...We have travelled to Jamaica and listened to hours of master tapes to bring this set to you.
So please sit back and enjoy what we believe to be a wicked set by Kingston's finest..
ALLSTARS one and all........
One more tiem Mr.Tubby if you please ..roll that tape....

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13,40

Last In: 9 years ago
Phil Collins - The Essential Going Back

Phil Collins

The Essential Going Back

12inch0081227946500
Rhino
22.07.2016

Phil Collins revisits a career that can boast over 100 million sales and numerous worldwide #1 albums. Both Sides will be remastered by Nick Davis, who earned a Grammy nomination for Best Surround Sound album for his work on the Genesis '1970-1975' box set. Davis has also worked on all of the Genesis retrospective reissues.

Entirely curated and compiled by Collins himself, his idea for the 'Take A Look At Me Now' concept is to examine how his songs have evolved over time, with the majority of the additional content throughout the series focused on live versions of the tracks. By contrasting the original studio versions of the material with later performances, the series demonstrates how Collins' songs take on a life of their own once they're freed from the confines of the studio.

Collins returned to #1 in 2010 with 'Going Back' which represented his first studio album since 2002's 'Testify'. 'Going Back' was a personal labour of love project that found him faithfully recreating the soul gems that played such an influential role in his musical life.

The concept, he said at the time, 'Was not to bring anything 'new' to these already great records, but to try to recreate the sounds and feelings that I had when I first heard them.' That objective was achieved with the help of special guests including three surviving members of The Funk Brothers: Eddie Willis (guitar), Bob Babbitt (bass) and Ray Monette (guitar). 

'I decided to call this version of 'Going Back' 'The Essential Going Back',' he explains. 'In retrospect, I included too much music on the original version, and I believe that too much is not always a good thing. Hence this trimmed down selection of my favourite Motown songs.'

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36,09

Last In: 9 years ago
Lunapark - Gefangene Vögel

Lunapark is the trio of Burkhard Ballein, Klaus "Schlips" Gebauer, Reinhard "Zoppen" Benisch from Wuppertal, Germany. Formed in 1981 when the boys were dissatisfied with their surrounding musical environment. They packed their instruments and a cassette recorder and set off to create their own brand of Neue Deutsche Welle (NDW "New German Wave'). Their influences included The Beatles, Colloseum, Roxy Music, Frank Zappa as well as Sex Pistols, Ian Dury & The Blockheads, Blondie and The Cure. Gefangene Vögel' ('Prisoner Birds') is their debut album released by Intakt Records, Stuttgart in 1982. Utilizing a simple set up of guitar, bass, drums, drum-computer, Korg MS-10 and Korg MS-20 they recorded 10 tracks that make up the album. Songs bridge the Belgian-type industrial and cold sounds with NDW quirkiness. In the vein of Sad Lovers and Giants, and Schleimer K they blend post-punk and new wave music with electronic influences. All songs are sung in German with monotone vocals and epitomized the urban Zeitgeist of the Cold War. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a replica of the original jacket design, which features a drawing of birds on a grid. There are 4 different color versions of the screen printed jacket: blue, yellow, magenta and turquoise. Each LP includes a copy of the double sided 11x11 insert that was included with the original pressing with lyrics and photos.

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20,59

Last In: 9 years ago
Bill Converse - Warehouse Invocation

Immersed in the early days of the 90s midwest rave scene, Bill Converse began DJing at a young age in Lansing, Michigan. Luminaries such as Claude Young, Traxx, and Twonz were key early influences. Since moving to Texas in 1998, he has experimented with analog techniques in varied studio bunkers. Early techno, noise, ambient, tape, and paranormal processing are all part of his uncanny sound palette. Warehouse Invocation' is Converse's debut 12 release, collecting material from a cassette release on Obsolete Future plus a new unreleased song. Three of the tracks, Warehouse Invocation', Senys Magick' and Consulted Acid', were recorded in Austin TX between 2012-2013 at home and direct to tape with no overdubs or multi-tracking. Riverbank' was also recorded at home in early 2014 in one take with a mic placed outside of the window to record the the sounds of the river late at night. Bill is informed by his surroundings, influenced by scenes of desolation in nature, the sea, the desert, and places of industry, like power stations, old factories, and warehouses. The songs on this EP length reveal a sublime influence from Detroit techno, early Chicago house, and Acid. The album was recorded and mixed by Bill at his home studio in Austin and mastered by Dave Alex. All songs were EQed for vinyl by George Horn at Fantasy Studios in Berkeley. A custom-made jacket designed by Eloise Leigh features a mystical collage by Josua Dorje Ngodup with acid yellow hues on a deep blue-purple background. Each copy includes a postcard with notes and a Buddhist mandala

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11,13

Last In: 9 years ago
Me And My Friends - Hide Your Way

MeandMy Friends

Hide Your Way

12inchSNDWLP088
SOUNDWAY RECORDS
15.07.2016
  • A1: All That Is You
  • A2: Droplet
  • A3: Holiday
  • B1: Leave My Bones
  • B2: Hide
  • B3: Stray
  • B4: You Don't Know S

Britsh quintet Me and My Friends are set to release their captvatng and mesmerising second album,
Hide Your Way, on Soundway Records this summer. A unique and singular blend, it's the sound of Eng-
lish folk colliding head-on with the golden-era music of 1970s West Africa and the West Indies.
Towering vocal harmonies, soaring cello and clarinet lines, colossal basslines and drum paterns
combine on an exquisite rollercoaster-ride of the emotons from euphoria to melancholia and back
again.
Bound by a mutual love of the sun-drenched vintage sounds of afrobeat, soukous, highlife and roots
reggae, the UK-based 5-piece re-invent these infuences around the instantly recognisable voice and
fnger-style guitar of songwriter and singer Nick Rasle. The band's sound involves a meetng of diverse
musical backgrounds: Fred Harper's gospel-infuenced drumming and James Grunwell's deep basslines
provide the bed for Sam Murray's growling clarinet tone and Emma Coleman's strident cello and faw-
less ear for vocal harmony.
Having enthralled festval audiences across the UK with their breathless live show, Hide Your Way sees
the band embarking on a deeper exploraton of the playfulness and rhythmic agility which has come
to defne their sound. A rich and varied pool of musical ideas sits alongside a plaintve lyricism, as the
songs tell tales of regret, corrupton, loss and deceit. The result is something fresh and original, mar-
rying the emotonal vocal power of folk music with early jazz and delta-blues singing and the driving
rhythms of West-Africa's golden era and the heart and soul of the great roots-reggae songwriters.

pre-order now15.07.2016

expected to be published on 15.07.2016

20,97
Bob Dylan - Fallen Angels

Bob Dylan

Fallen Angels

12inch88985316001
Sony Music
14.07.2016

Mit "Fallen Angels" veröffentlicht Bob Dylan ein Album mit zwölf klassischen, amerikanischen Songs, die von einigen der legendärsten und einflussreichsten Songwritern der Musikgeschichte stammen. Es ist das Follow Up zum 2015er Album "Shadows In The Night"das in siebzehn Ländern die Top Ten erreichte, darunter Deutschland (Platz sechs), USA (Platz sieben) und Großbritannien (Platz eins)

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29,83

Last In: 9 years ago
Bezier - Cosmologist Ep

Honey Soundsystem releases 'Cosmologist', the latest offering from our Resident DJ: Robert Yang aka Bézier. A multi-instrumentalist, Robert was trained in saxophone starting at age 10, before moving onto a Fender Telecaster after high school. After being exposed to Southern California rave culture in the late 90s, he moved onto DJing and collecting records. By the time he planted his roots in San Francisco in 2005, Robert had built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.

'Cosmologist' explores Robert's personal universe with three tracks that connect his varied musical lineages. "Cosmos", a celebration of the late 80s/early 90s KIIS FM universe, is built around an infectious freestyle hook that morphs into a seven minute tour of intersecting styles. "Ether" begins as gothic night-driving electro, but breaks into fantasy-scapes inspired by Italo and 1980s Japanese anime theme songs. The final track, "d. Quelle", clocks in at over 11 minutes, incorporating bebop jazz solos drawn from his early exposure to improvisation techniques by Charlie Parker, Cannonball Adderley, and Stan Getz. All songs have been mixed by Mark Pistel (Meat Beat Manifesto, Consolidated) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios.

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11,13

Last In: 9 years ago
Axodry - You

Axodry

You

12inchDE125
Dark Entries
08.07.2016

Axodry was the duo of Andreas Talla 2XLC" Tomalla and Ralf "Ra/Hen" Henrich, who formed in Frankfurt, Germany in 1982. The two met at City Music record store where Talla 2XLC worked, supplying the local DJ scene with dance 12's. From 1984 to 1991 they released six maxi 12' singles. Both members were leading figures in the European electronic scene during the 80's and 90's, forming bands like Bigod 20, Tribantura, Micro Chip League, Moskwa TV, Pluuto and Robotiko Rejekto.

In 1988 they released the maxi 12' single You' on ZYX Records/Combeat. Influenced by Depeche Mode, Gary Numan and John Foxx, the duo crafted high impact Industrial, Synth Pop and Electronic Body Music. Their basic set up for recording at RaHen's home studio was a Moog Rouge, Roland SH-101, Teisco synthesizer, Linn Drum and Fricke sequencer. Ra/Hen performed dramatic vocals, which tell of a lost love found in dreams. Included here are the Beauty & The Beat Mix and the Beasty Dub Mix from the 1988 single. On the flip is the Razormaid Remix, performed by Art Maharg and Joseph Watt, that originally appeared on the "Welcome To The Technodrome' compilation in 1989. Also included is Mechanic', originally released in 1991 as the B-side for their final single Losing You'.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes in a sleeve featuring the original black and blue cover art with hand-painted typography by Dr. Draw, The Gruesome Grapholoic. Each copy includes a postcard with with notes. What Else Is There To Say

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12,56

Last In: 8 years ago
Series - A - Evolution 5 Technology

Series-A was the duo of Sam Anderson aka DJ Maestro and Dave Webb aka Kid Fresh. Sam and Dave both grew up listening to the sounds of the Electrifying Mojo on WJLB in Detroit. They met in 1983 at a DJ gig that they were both hired to play. In 1986, they collaborated on the Nu-Sound II Crew project. After developing a friendship with Juan Atkins, they became hip to the emerging new club sounds that were to become electro and techno.Their subsequent project, Series-A, was named after different car model numbers, but also hints at the evolution of humankind into a new species.

In 1987, Series-A recorded the single Evolution 5 Technology' at Spectrum Sounds Studio in St. Clair Shores, Michigan. Their set up was a vocoder, E-mu Emulator III, Roland 909 drum machine, and an Otari 24-Track recorder. They landed a record deal with Satellite Records in Burbank, California, which had been founded by Pete Moore of The Miracles. After pressing 50 promotional copies, the label ran into financial problems, and the record never reached a full release. Taking cues Kraftwerk, Grand Master DST, Grandmaster Flash & Jam Master Jay, Series-A created dark electro beats in an era when sampling appeared to be the future of music. Lyrically the song addresses our species' entry into the technological age. For this EP reissue, the 7' Mix and Dub Mix are included on the A-side. On the flip is a new remix by prolific Ann Arbor producer JTC, an alias of Tadd Mullinix (aka Dabrye, SK-1, & Charles Manier). JTC speeds up and expands the song to seven minutes. Drawing on influences from Ron Hardy to Jeff Mills, he drives around suburban techno landscapes while simultaneously launching the listener into deep space.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is specially designed by Eloise Leigh and features a cyborg fossil motif with RGB color band and gradients. Each copy includes a post card with with notes.

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12,56

Last In: 8 years ago
Cute Heels - Third Skin Ep

Cute Heels is the solo project of Victor Lenis, a contemporary artist living in Barcelona, Spain. He grew up in Bogotá, Columbia during the 1990s, surrounded by the radial punk scene. Over the years, Victor's passion and fascination for synthesizers and drum machines to produce and compose resulted in various digital-only releases as well as his debut album Spiritual" for Dark Entries in 2014. Cute Heels has been called ''the new blood and spirit for the next step in techno music'' by Electro/Techno pioneer Juan Atkins. Third Skin' is a 4-track EP that connects the dots between Detroit techno, early Chicago house and Belgium electronic body music. Inspired by equal parts Liaisons Dangereuses, Drexciya and Black Devil Disco Club. On the A-side are two fresh compositions recorded in 2015. Third Skin' kicks things in a metallic EBM funk with a pounding bottom end. Lipstick Information' takes the listener on a dark, psychedelic and twisted journey through thrillingly intense arpeggiations. On the flip we present two remixes. The first is from Steffi, House and Techno DJ and producer born in The Netherlands and residing in Berlin. She picks up the pace for an uplifting, percussion-driven, DAF-eque dystopian stomper. The second remix comes from Michel Amato aka The Hacker, French born DJ and producer and frequent collaborator with Miss Kittin. His early musical influences of bands such as Cabaret Voltaire, Throbbing Gristle and Front 242 shine through on this pumping and sophisticated remix ready for any dance floor.
All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes in a custom-made jacket designed by Eloise Leigh featuring a photograph by Corinne Schiavone printed with hi-gloss finish. Each copy includes a postcard with with notes and image for fetish lovers

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11,13

Last In: 7 years ago
Sia - 1000 Forms Of Fear

Sia

1000 Forms Of Fear

3x12inch88843074041
Sony Music
30.06.2016

Sie schrieb Rihannas Überhit "Diamonds" (in 14 Minuten!), sang und schrieb die David Guetta-Hits "Titanium" und "She Wolf" sowie Flo Ridas Millionseller "Wild One" und komponierte zahllose Songs für Katy Perry, Beyoncé, Britney Spears, Birdy, Christina Aguilera, Kylie Minogue und Eminem. Im vergangenen Jahr gab sie mit dem Song "Elastic Heart" (auf dem "The Hunger GamesSoundtrack" und auch auf ihrem kommenden Album) ihr internationales Chart-Comeback unter eigenem Namen. 2014 veröffentlicht die australische Sängerin und Songwriterin SIA nun endlich ein neues, eigenes Album "1000 Forms Of Fear". Die 1. Vorabsingle ist die in jedweder Hinsicht atemberaubende Pop-Hyme "Chandelier", die mit Jesse Shatkin entstanden war und von ihrem langjährigen Studiopartner Greg Kurstin (P!NK, Lily Allen etc.) produziert wurde. In ihrer Karriere veröffentlichte Sia bislang 5 Solo-Alben, zuletzt 2010 die LP "We Are Born", die Platz 2 der australischen Charts erreichte und ihr auch in Deutschland die erste Album-Chartplatzierung bescherte. Das Billboard Magazin widmete ihr eine Titelgeschichte mit der Headline: "This artist is responsible for 12 million track sales... and doesn't want to be famous".

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27,69

Last In: 9 years ago
Wolfgang Tillmans - 2016 / 1986 Ep

Wolfgang Tillmans

2016 / 1986 Ep

12inchFRAGILE01
Fragile
27.06.2016

Wolfgang Tillmans designed Cover with Innersleeve

How to introduce the first record by Wolfgang Tillmans Now considered one of the most significant visual artists working today, his very first passion in life lay with music. This record features on its B-side three songs recorded in 1986 in his home town of Remscheid. The A-side features two pieces recorded in 2015/2016. The 29-year gap in between were marked by Tillmans exploring music, pop and club culture from many different angles. 'Make It Up As You Go Along' is a pulsing dance track based on the recordings of a book printing press in a factory in Stuttgart. Morphed through various production stages, the press's syncopations and his Tillmans' serendipitouspenditous vocals merge into an intoxicating track that could become a summer festival early a.m. favourite. 'Triangle / Gong / What' is an experimental offering made up ofwhich combines the sounds of playing a special alloy triangle, a 999 fine gold gong and a vocal, fused through a particular gain manipulation during the recording process. The 1986 side features three songs which Tillmans wrote and recorded with collaborator Bert Leßmann. A single channel recording from the rehearsal room was all he had from back in the day. With the help of Tim and Klaus Knapp the recordings were filtered and eq'ed and then supported with precise reconstructions of the original instruments. Out of this production process spanning 30 years a unique time capsule emerged, which portraits a small town teenager with some ambition. 'Time Flows All Over' is a haunting reminiscence of the angst and energy of the mid-1980s, infused with surprising contemporary relevance.

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7,44

Last In: 8 years ago
Soul Jazz Records Presents - Coxsonecs Music 2 (3 X 12")
  • 1: Roland Alphonso & His Alley Cats - Jerk Pork
  • 2: Neville Esson - Lover's Jive
  • 3: Monty & The Cyclones - Lazy Lou
  • 4: Owen Gray - Get Drunk
  • 5: Monty & The Cyclones - Dog It
  • 6: Clancy Eccles - More Proof
  • 7: Tommy Mccook & The Skatalites- Exodus
  • 8: Clue J And His Blues Blasters - Swanee River Rock
  • 9: Delroy Wilson - Spit In The Sky
  • 10: Roland Alphonso - Federal Special
  • 11: Owen Gray - Grandma Grandpa
  • 12: Don Drummond - Cuban Blockade
  • 13: Theophilus Beckford With Clue J & His City Slickers - Little Lady
  • 14: Tommy Mccook - Away From You
  • 15: Clancy Eccles With Hersan & His City Slickers - I Live And I Love
  • 16: Roland Alphonso & His Alley Cats - Hully Gully Rock
  • 17: Delroy Wilson - Lion Of Judah
  • 18: Tommy Mccook - Two For One
  • 19: Toots & The Maytals - Sweet Sweet Jenny
  • 20: Roland Alphonso - Grand National
  • 37: Don Drummond - Mr. Propman
  • 21: Owen Gray With Hersan & His City Slickers - Sinners Weep & Mourn
  • 22: Tommy Mccook - Peanut Vendor
  • 23: Toots & The Maytals - Shining Light
  • 24: Lascelles Perkins With Clue J & His Blues Blasters - Lonely Moments
  • 25: Toots & The Maytals - Six And Seven Books Of Moses
  • 26: Cecil Lloyd - It Happens
  • 27: Bunny & Scully - Don't Do It
  • 28: Don Drummond - Scrap Iron
  • 29: Lascelles Perkins And Clue J & His Blues Blasters - Creation
  • 30: Tommy Mccook - Don't Slam The Door
  • 31: The Rhythm Aces - Joybells Of Independence
  • 32: Roland Alphonso - Jack Ruby
  • 33: Toots & The Maytals - Hallelujah
  • 34: Bob Marley & The Wailers - Habits
  • 35: Frank Anderson & Tommy Mccook - Wheel And Turn
  • 36: Busty & Cool - Kingston To Mo'bay
  • 38: Higgs & Wilson - Mighty Man
  • 39: Tommy Mccook & Roland Alphonso - Trotting In
  • 40: Bunny & Skitter With Count Ossie And His Wareikas - Cool Breeze
  • 41: The Mellow Larks - Light Of My Life

The Sound Of Young Jamaica - More Early Cuts From The Vaults Of Studio One 1959-63

This is the second collection to bring together many of the visionary producer Clement 'Sir Coxsone' Dodd's early recordings made with Jamaica's most exciting young artists and musicians who helped define the world of reggae music over the decades following Jamaican Independence. These recordings were made when Sir Coxsone ruled the dancehalls of Kingston in the late 1950s and early 1960s with his number one Downbeat Sound System, where songs were tested out on dub plates at a dance to see a crowd's reaction - the most popular of which were then released commercially. Featuring early material by Roland Alphonso, Don Drummond, Tommy McCook (all of whom would form The Skatalites), Toots and The Maytals, young singers such as Bob Marley and The Wailers, Delroy Wilson, Owen Gray all captured in their formative days. The music here spans a wealth of styles - Jamaican rhythm and blues, jazz, gospel, proto-ska, Rastafarian - all of which were drawn upon to create the future sounds of Jamaican reggae that Sir Coxsone and the artists featured would soon create at Studio One which opened its doors in 1963. This collection is released on heavyweight triple-vinyl plus download code and double CD with slipcase. Sleevenotes and text is by the author Noel Hawks.

pre-order now24.06.2016

expected to be published on 24.06.2016

30,21
Òlafur Arnalds - Late Night Tales: Òlafur Arnalds 2 X 12"

Standing at the intersection where techno meets classical music, Ólafur Arnalds directs the newest Late Night Tales, set for release on 24th June 2016.

After releasing the breakthrough album 'And They Have Escaped The Weight Of Darkness', in 2014 he was awarded a BAFTA for best original music for the TV series Broadchurch. Arnalds' music has a quietude that seems perfectly apposite and that's evident here as each song drifts like an autumn wind towards the next.

Arnalds has enlisted the help of a few of his countrymen for the journey out west - electronic bands Samaris and Hjaltalín - and just as his records manage to combine the experimentalism and adventure of electronic music with a classical sensibility, here he weaves them perfectly, using tracks like Koreless' brilliant post-dubstep 'Last Remnants' alongside the enigmatic brilliance of Jai Paul. It's a perfect musical landscape that is eerie yet beautiful, as on Odesza's 'How Did I Get Here'.

As if Ólafur wasn't spoiling us enough, he offers up three exclusives: his own 'Kinesthesia I' and 'RGB' and 'Orgoned' by his techno side project Kiasmos. Alongside that we have the obligatory cover version (Destiny's Child's 'Say My Name') and also a Late Night Tales debut for David Tennant, reading a story by Anam Sufi, with whom Ólafur worked on Broadchurch.

When I was asked to do the next installation of the Late Night Tales series I thought "This will be fun and easy, only a couple of days work. No problem!". Six months later, I was still pulling my hair out in some kind of quest to make the perfect mix. As someone who has never really done mixes before, I learned a lot of things along the way and the whole experience was very inspiring. I decided to approach the mix in a similar way as I would one of my scores. This is the soundtrack of my life. I included songs from many of my friends and collaborators and tried to deliver a mix that represents who I am as an artist and where my influences are coming from - both personally and musically.'

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22,73

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Soul Jazz Records Presents - Studio One Dub Fire Special
  • 1: Cairo
  • 2: Lourenco Marques
  • 3: Callie Roots
  • 4: Libra Dub
  • 5: Dakar
  • 6: Better Dub
  • 7: Rockers Hop
  • 8: Roots Dub
  • 9: Moving Dub
  • 10: Just Can't Dub
  • 11: Meet 7 Million
  • 12: Scorpio Dub
  • 13: Nairobi
  • 14: Dub Creation
  • 15: Virgo Dub
  • 16: This Race
  • 17: Darker Black
  • 18: Capricorn Dub

Soul Jazz Records' new 'Studio One Dub Fire Special' brings together 18 heavyweight dub cuts, all recorded at 13 Brentford Road in the 1970s.
Featuring a stellar selection of dub cuts to classic and foundation songs recorded at Studio One with music from the legendary in-house bands - The Sound Dimension, New Establishment, Soul Defenders and Brentford All-Stars - featuring the likes of reggae's finest musicians - Jackie Mittoo, Leroy Sibbles, Cedric Brooks, Freddie McGregor and more.
These fresh dub sounds employed the mighty mixing desk skills of The Dub Specialist, aka Clement 'Sir Coxsone' Dodd, Sylvan Morris and Scientist to full effect. Studio One Dub Fire Special features our latest chapter of raw, stripped-down bass and drum sounds direct from Studio One, 'the University of Reggae'.

Released as CD with slipcase and heavyweight 2xLP vinyl (with free download code).

pre-order now27.05.2016

expected to be published on 27.05.2016

30,21
Christian Naujoks - Wave

Christian Naujoks

Wave

12inchDIALLP036
Dial Records
27.05.2016

After his manifold debut in 2009, followed by a second album "True Life / In Flames" with focus on the grand piano, Dial Records is pleased to announce Christian Naujoks's third solo album WAVE, a dedication to one of the artist's essential instruments: the electric guitar.
Inspired by The Durutti Collumn, John Fahey, Vincent Gallo, Azalia Snail and David Grubbs, and many others, Christian Naujoks breaks the boundaries between songwriting and minimalism, folk music and contemporary art. The recordings at Electric Avenue Studios were accompanied by engineering master Tobias Levin, known for his works on Kreidler, Faust, Felix Kubin, Pantha Du Prince & The Bell Laboratory, just to name a few. With WAVE Naujoks and Levin created a sound-seductive state of the art production, ten post-minimalist guitar pieces with an appearance of the artist's signature piano style on two of the songs.
Christian Naujoks recently worked on productions with his band Sky Walking (with RVDS and Lawrence) and released a piano tape on Martin Hossbach's imprint. After a series of concerts at Berlin's Berghain and HAU, the Golden Pudel Club in Hamburg, performances and collaborations around the globe including Israel, Mexico, Vietnam and the Philippines, he returned back to his studio in Hamburg in 2015 where the WAVE started.

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15,25

Last In: 9 years ago
Soul Jazz Records - 100% Dynamite!

This is the new digitally remastered 2015 expanded edition of Soul Jazz Records' biggest ever selling release, 100% Dynamite! Ska, Soul, Rocksteady and Funk in Jamaica.
Since the album's original release nearly twenty years ago, 100% Dynamite has become a cornerstone of reggae: eighteen killer tracks that show the influence that American Jazz, Funk and Soul music had on Jamaican Reggae.
The proximity of the West Indies to the USA meant that many Jamaican musicians were influenced by American styles of music whilst at the same time defining new styles of their own such as Ska, Rocksteady and Dub.
100% Dynamite features some serious Jamaican funk by Jackie Mittoo, The Upsetters and Toots & The Maytals, the cream of Jamaica's jazz musicians such as Tommy McCook, Cedric Brooks and Lennie Hibbert. Also included here are heavyweight Reggae versions to Soul classics by Marlena Shaw's 'Woman of the Ghetto', Aretha Franklin's 'Rocksteady', Syl Johnson's 'Is It Because I'm Black', William DeVaughan's seminal 'Be Thankful' and more.
100% Dynamite also features revolutionary tunes such as Johnny Osbourne's 'We Need Love', Sound Dimension's 'Drum Song' and Lloyd Robinson's 'Cuss Cuss', songs that helped define a unique sound for Jamaican music in the sixties and seventies. These influences went both ways - check Brentford All Stars massive 'Greedy G', the basis for Boogie Down Productions' 'Jack of Spades', or Willie Williams' 'Armageddon Time', later covered by The Clash.
This new expanded edition features seminal tracks from the greatest Jamaican producers - Clement Dodd, Lee Perry, Winston Riley (Techniques) and many more.
The album is available as CD, heavyweight double vinyl (+download), plus digital.

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30,21

Last In: 5 years ago
Luke Solomon & Nick Maurer - Powerdance M.s.p. Ep

Powerdance is a collective formed by Luke Solomon and Nick Maurer formed as a reaction to bland soul less dance music that seems to infiltrating nightclubs the world over.
Luke and Nicks comradely stems back many many years to their association with the Classic Music Company - a label formed by Derrick Carter and Luke.
Nick Maurer was one half of the then prolific Greens Keepers.
This EP for Optimo Trax features the wigged epically funkoid gem "Mysterious Space Plane", who doesn't like songs about space On the other side is the modern hyper jacking "More Fire". Alongside these are a reprise of "Mysterious Space Plane" and a bonus beats of "More Fire" for those djs who like to / are able to get creative with their mixing.

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7,44

Last In: 9 years ago
CAPTAIN PLANET - EIN ENDE

Captain Planet

EIN ENDE

12inchZEITLP43
ZEITSTRAFE
06.05.2016

Das vierte Studioalbum von Captain Planet umfasst bei rund 30 Minuten Laufzeit zehn schnurstracks gehende Lieder. Wie bereits bei vorherigen Werken sind die Songs geprägt von sausenden Gitarrenschwärmen, die auf einem präzise gewebten Rhythmus-Netz aus Bass und Schlagzeug federn. Es ist dieser genreprägende, emotional gefärbte Sound norddeutscher Punkbands, der beim Hören sofort die Hummeln aufrührt. Dabei klingt Captain Planet dennoch merklich amerikanisch. Jan Arne von Twistern besingt alltägliche Momente, in denen sich Erfahrung, Reflexion und Fiktion vermischen. Obwohl es dabei nicht mehr um wilde Nächte, Gentrifizierung und Poststudium-Tiefs geht, zeugt noch immer alles von hoffnungsvollen Aufbrüchen. Dabei springen manchmal absurde Fragmente heraus, wenn zum Beispiel von "Stichkanälen", vom "Knopf, um dieses Treppenhaus zu fluten" und vom "grauen Hund, aus Katzen zusammengenäht" die Rede ist. Und warum jetzt "Ein Ende"? Sind Captain Planet fertig mit ihrem rastlosen Prüfstein-Punk? Ist es Zeit für den Ego-Kerker Reihenhaus, wie das Albumcover suggerieren mag? Nein. Auch wenn sich die Themen scheinbar verschieben, die Intensität, die Captain Planet auf diesem Album beschwört, hat nichts Endgültiges an sich. Bekanntlich provoziert jedes Ende einen neuen Anfang.

pre-order now06.05.2016

expected to be published on 06.05.2016

13,87
Petar Dundov - At The Turn Of Equilibrium LP 4x12" + CD

140-gram 4xLP, heavyweight package including CD. One time pressing of 500 copies worldwide. The follow-up to highly acclaimed Sailing Off The Grid album

"Expect the story of life as a self-reinforcing structure that never reaches the perfect balance. The concept behind the album is to bring awareness that the balance is an illusion and that's why it's called 'At The Turn Of Equilibrium'. Petar Dundov

Petar Dundov, a stalwart of the Croatian scene and a fine purveyor of sophisticated melodic techno, has been a prominent and respected name within underground dance music for over two decades. Throughout his career, the gifted Croatian has achieved much praise and recognition through releasing no less than four acclaimed artist albums ('Sculptures 1-3' in 2001, 'Escapements' in 2008, 'Ideas From The Pond' in 2012 and 'Sailing Off The Grid' in 2013) and performing at some of the world's best clubs and festivals such as, I Love Techno (BE), EXIT (RS), Awakenings (NL), Berghain (DE), Womb (JP), Air (NL), Fuse (BE) and Space Ibiza (ES).

The inspirational eight-tracker, 'At The Turn Of Equilibrium', is Dundov's fifth long-player and encompasses all of the inimitable production qualities of his previous albums whilst exploring a broader set of moods and themes, delivering what feels like his most accomplished work to date. Dundov explains, "This time, in addition to using more sound textures I introduced parts with classical instruments like piano and strings. As the album is about life and how it evolves, from purely a physical body to a thinking person, the songs are sequenced from faster, simple-rhythmic, cyclic, body moving tracks to slower, more complex layered, beatless mind tracks."

The album's impassioned opener, 'Then Life', commences the release by taking us on a captivating journey of complex melodies and soothing ambient textures. The album continues by showcasing a wealth of hypnotic masterpieces such as the dark and slow-burning 'The Lattice', the thought-provoking 'Before It All Ends' and the Kraftwerk-esque 'Midnight Orchestra'.

Other highlights include, the Vangelis-influenced up-tempo groover 'Mist', the lush ambient soundscape 'New Hope', the uplifting and emotional 'Missing You' and the hugely stimulating synth-driven melodic work-of-genius 'Everlasting Love' which concludes the album.

'At The Turn Of Equilibrium' is a very absorbing and imaginative album that's been driven by Dundov's eternal quest of translating sound into emotion. Developed like a well-constructed DJ set, the album has not only been designed to invoke personal insight for music to be the catalyst for understanding but also make sense as a listen, highlighting Dundov's unparalleled talent, depth and versatility as a DJ/producer.

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29,37

Last In: 3 years ago
Tee Mac - Nepa Oh Nepa

Tee Mac

Nepa Oh Nepa

12inchHC41
HOT CASA
28.04.2016

With the agreement of the artist Hot casa decided to select the best of his repertoire. The long awaited Tee Mac's Best Of is a reality at last: juicy, hot, explosive and threatening to shatter all existing records !
Tee Mac is a Nigerian multi-talented maestro flutist with cross-cultural Itsekiri and Swiss roots. He combined his first degree in Economics from the University of St. Gallen in Switzerland, with a specialization in classical music concert performance and philharmonic compositions at University of Lausanne.

During a rich career spanning over 40 years, Tee Mac formed numerous bands including Tee Mac & Afro Collection in the 1970s with notable Nigerian artists. He recorded his first LP, United, for Polydor International in Germany, with his European band, Tee Mac United, in the late 70s. And he then hit the global music charts with two songs, "Fly Robin Fly" and "Get Up & Boogie", touring extensively with his third band, Silver Convention.

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20,97

Last In: 3 years ago
Anenon - Petrol

Anenon

Petrol

12inchFOF146LP / 126981
Friends of Friends
20.04.2016

Anenon is Brian Allen Simon, an artist and the founder of
the Non Projects record label. Constantly shedding the non-essential in search of a deep and individualized core, Anenon's music feels potent and refined, yet still raw. His work reaches audiences through speakers and venues where music is given serious consideration. An experimental artist using contemporary tools, Brian mines the intersection of electronics, jazz, improvisation and spiritual atmospherics.Simon has performed internationally throughout Japan, Europe and North America, sharing the stage with the likes of Morton Subotnick, Julia Holter, Laurel Halo, Baths and many more. He is a distinguished entrant of the 2011 Red Bull Music Academy and has guest lectured at CalArts. Alongside multiple LP's and EP's released on Non Projects, Simon has also released songs on Ghostly International, Innovative Leisure and Brownswood. October saw Anenon's debut on Friends of Friends with the 'Camembert' EP, an effort that will be followed with the 'Petrol' LP in 2016. Born out of a series of improvisational sessions with friend and collaborator Jon-Kyle Mohr, Anenon's 'Petrol' is an album about his native city of Los Angeles, but not the Los Angeles you know. It's a city built as much upon the frenzied kinetic energy of its freeways as its moments of thoughtful, early morning solitude. In Anenon's mind, an Angeleno is 'one who understands the beauty of distance and the consistencies of irregularity' and those juxtapositions can be
found throughout 'Petrol', a spacious album that needs to be lived in to be believed. Those juxtapositions extend to the sonic makeup of 'Petrol', from the tactile bliss of opener 'Body' to the album closing title track's climactic bombast. Out March 4 on Friends of Friends, 'Petrol' is the culmination of years of work and a deeply refined sensibility,
a combination that seems to fit both label and artist like a glove.

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18,11

Last In: 7 years ago
Labi Siffre - For The Children

Issued in 1973, Labi's fourth album ('the album of which I am proudest') includes two epic songs in 'Children Of
Children' and 'Let's Pretend', songs he says he was 'provoked' into writing.
Presented in its original gatefold sleeve, with all the lyrics on the inner sleeve, and pressed on brown 180 gram
vinyl.

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19,71

Last In: 10 years ago
Richard Sen - Resistance Through Rituals

Richard Sen's last outing on (Emotional) Especial - the bleep revival brilliance of "Songs of Pressure" - was something of a stone cold killer, so hopes are naturally high for this belated follow-up. The title track again digs deep for inspiration, doffing a cap to the starry futurism of Detroit, psychedelic acid and the drum-machine driven jack of early Chicago house. The flipside Dub of the same track takes it into uncharted territory, with hazy, drawn-out chords and post-production effects only serving to emphasize the heavy nature of Sen's vintage groove. Bonus "Shoc Horracore" explores similar territory, while offering a knowing wink towards obscure 1980s horror movie soundtracks and the bold synthesizer lines of Italo-disco.

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8,87

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Novos Baianos - ACABOU CHORARE (1972) LP

˜Acabou Chorare™ is the second album from Novos Baianos, or ˜New Bahians,™ who formed in Bahia, Brazil, in the 1960s. They are considered to be one of the most important and revolutionary groups in Brazilian music. ˜Acabou Chorare™ ž which translates to šNo More Crying› ž was originally released in 1972 by Som Livre after the success of their first LP ˜É Ferro na Boneca™ in 1970. It charted at No. 1 in a Rolling Stone Brazil™s Top 100 Brazilian Albums Ever chart. šPreta, Pretinha› placed 20th in the same publication™s list of the greatest Brazilian songs of all time. The unique sound of this record is a result of the fusion of samba, MPB, rock ™n™ roll and bossa nova, and strong influences from Jo–o Gilberto, who frequently played with the group, and bossa nova legend Gilberto Gil.

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30,21
Sasha - Late Night Tales Presents Sasha : Scene Delete 3x12"

+ Downloadcode!

The first Late Night Tales release of 2016 is a very special project by Sasha.

Imagine listening to music inspired by Frahm, Richter and Steve Reich, but made by one of the UK's leading house and techno DJs. Away from the hubbub of the club, the craziness of Ibiza, there's a contemplative side to everybody. Forget the beats and the sweat and the billowing anthems; this quiet, undulating, at times pastoral piece is less about songs and anthems and more about texture and atmosphere. 'Scene Delete' is a side of Sasha you've never heard before. I love post-minimalist modern classical, I love to listen to something completely different that's quite hypnotic as well. It almost purges the system.

About three years ago, my collaborators David Gardner and ThermalBear and I wrote a song called 'Bring On The Night'. I sent it to Ultraista and within a few days she sent it back with this amazing vocal on, with Nigel Goodrich playing keyboards. We tried to do club mixes but we just couldn't get it right. So it sat there doing nothing.

Tracks like this kept building up, until finally last summer my frustration boiled over. We'd made so many tunes that I couldn't remember the names of half of them: What was that thing with a bass sound and a string line It drove me mental. At the same time as we were logging these tracks, I was listening to the Jon Hopkins' Late Night Tales and I thought a lot of the music we'd been working on was in the same vibe. So I sent the music over to Late Night Tales and they really liked it.

Initially, I thought we'd just do a Late Night Tales compilation with maybe a few pieces of my own music. But as we went through everything we'd worked on in the last two years, we realised we had about 50 pieces of music. So we started editing and compiling: 'Scene Delete' is the end result.' - Sasha, January 2016

Think of 'Scene Delete' as somewhere between a mix album, an artist album and a gentle stroll through the soundtrack in your mind. Make sure you switch off the lights before you enter.

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26,47

Last In: 13 months ago
Tom And His Computer - Small Disasters Ep

TOM And His Computer is the newest alias for Copenhagen favourite Thomas Bertelsen. He started out as a teenager by looping and creating beats on his 4 track tape-recorder. Since then the very talented producer and DJ has been around the block. He produced two albums (with Lulu Rouge) and a number of songs, edits and remixes. He has also been DJing alongside Trentemøller every now and then since the early days and most recently TOM And His Computer performed live on the opening slot of Trentemøller's latest live tour and lately at Sonar Copenhagen 2015. Now we are happy and proud to present 'Small Disasters', TOM And His Computer's debut EP on Anders Trentemøller's label In My Room! Mixing elements as disparate as electronica, lo-fi guitars, driving beats, vocals and cinematic soundscape, this EP is a perfect example of why TOM And His Computer is tipped for big things in 2016. What maybe can be described as 'alternative electronic music' unfolds in different nuances. The lead track 'Organ' rides along on a crunchy rhythm track while throwing in psychedelic organs and howling electronics. Fizzing guitars weave in and project a paranoid undertone. Next up is 'Girl A Go Go' and its raw driving beat and bass hits in without any warning, before an agressive, hypnotising surf like guitar-riff comes in. Layers and layers of dirty distortion build a colapsing, overdriving climax. 'Tectonic' keeps the dark energy flowing, but packs it into a slow crawling creepy setting, drenched in reverb and noisy layers. Fraser McGuinness contributes the otherwordly vocals. Is he moaning Or conjuring Or proclaiming The song evolves from a fragile, fleeting feel into a massive, 'tectonic' pressure and all the way back. 'La Fountaine' completes the EP with another cut that perfectly fuses diverse elements from across the musical spectrum

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7,27

Last In: 5 years ago
The Beach Boys - The Beach Boys' Party! Uncovered And Unplugged

Das 1965er-Album "Beach Boys' Party!" wurde remixed, remastert und erweitert zu "BEACH BOYS' PARTY! UNCOVERED AND UNPLUGGED". Zum 50jährigen Jubiläum erscheint es als Doppel-CD und enthält 81 Songs und Sprachtracks. Am 4. März erscheint die Vinyl Edition mit 12 Tracks, remixed and remastered im "Uncovered and Unplugged"-Style.

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20,59

Last In: 10 years ago
Hord - Focus On Light Lp

Hord

Focus On Light Lp

12inchGDLP004
Giallo Disco
25.02.2016

Here at Giallo HQ we first noticed H O R D whilst searching for tracks for the fictitious WILD IN BLUE OST, and his music has gone on to be some of the best we've ever heard, so much so that we jumped at the chance to release the debut album by this incredible artist. Eight Reverb-Soaked Urban-Gothic Melancholic songs, between synth-shoegaze and violent EBM, Focus On Light is a beautiful heartbreaking LP that will resonate strongly with fans of Pornography-era The Cure, Joy Division and classic Nine Inch Nails. Like the soundtrack to some insane X-Files or Pre-Millennium cyberpunk movie. Strange Days indeed. Art by Warren Lynn, photo titled: Avian Shadows. Layout by Eric A. Lee. Mastered by Brassica.

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12,31

Last In: 7 years ago
David Garrett - Explosive - 2lp

David Garrett

Explosive - 2lp

2x12inch0602547682017
Polydor Germany
25.02.2016

Nach den zwei Klassik-Alben - Garrett vs. Paganini (2013) und - Timeless (2014) meldete sich David Garrett vergangenen Herbst mit - Explosive als Crossover-Künstler fulminant zurück. - Das neue Album ist einzigartig und überhaupt nicht zu vergleichen mit allen Sachen, die ich vorher gemacht habe , erklärt der Star-Geiger zur VÖ. Und Garrett sollte mit dieser Aussage Recht behalten: - Explosive begeistert Crossover-Fans wie Klassik-Liebhaber, platzierte sich gleich in der zweiten Woche auf #4 der Deutschen Album-Charts und hielt sich insgesamt 15 Wochen unter den Top 25. Das Album zeichnet sich durch seine spektakuläre Mischung an Eigenkompositionen Garretts und Crossover-Adaptionen berühmter Rock-/Pop-Klassiker aus. U.a. nimmt sich Garrett der Songs von Eminem (- Lose Yourself ), Michael Jackson (- They Don't Really Care About Us ) und Ed Sheeran (- Thinking Out Loud') an. Dass er für seine Eigenkompositionen - Serenity und - How Many Times Nicole Scherzinger bzw. Xavier Naidoo als Sänger/in gewinnen konnte, ist für David Garrett die Erfüllung eines Traums und Auszeichnung seiner Fähigkeiten gleichzeitig. - Explosive erscheint am 26. Februar 2016 als rote Doppel-Vinyl.

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29,83

Last In: 10 years ago
Tonight Will Be Fine - Elephant Island

Gone with the flow - after a little break the German musicians Julius Steinhoff and Abdeslam Hammouda revived their musical adventures and left all electricity untouched this time. For their new acoustic project the duo has chosen the alias Tonight Will Be Fine - a name that is familiar to those who followed their work in the past years. As Steinhoff & Hammouda they used the name for their first 12" on Smallville Records, the worldwide acclaimed house and beyond label and record store that Steinhoff co-runs. Now they reheated the phrase and chose it as the alias for a bittersweet acoustic singer/songwriter project. Their wonderful, captivating new musical venture came into life due to happenstance and old ferventness. After their trips into house music the duo parted geographically. Hammouda moved away from Hamburg while Steinhoff strengthened his label Smallville, built up a global DJ career and produced acclaimed house records on diverse labels - solo" and with his buddy Dionne as Smallpeople. In all the time Steinhoff and Hammouda never stayed out of touch, bound together through deep friendship.

At some point they met again for musical missions and started to record music that had nothing in common with their prior work. Steinhoff re-activated his self-taught guitar abilities and entered the studio of his friend Lawrence in the back of the Smallville record store to capture some steeldrums and vibraphone sounds. Hammouda brought more instruments like a banjo, a violine and tablas and they just started to record sketches and songs. Hammouda's musical backround leads to a widespread range of influences while growing up, before he got into producing hip hop and electronic music. For Steinhoff, the transformation from an electronic music producer into a singer/songwriter wasn't that new too, as his first musical steps have been routed in band music. Until his late teenage years, when he discovered house and techno, he played drums in a local indie group in Freiburg and for Tonight Will Be Fine he now also freed his old drum kit from cellar dust.

After the duo felt that their musical communication elevates into something more profound then a session thing, they provided themselves with additional instruments like new guitars, claves, an accordion, a piano and more. Initially the songs were very rough and sketchy. Musical ideas that did not have a real song structure. Then we started to arrange the tracks and added our voices and lyrics.' both reveal. Their charming singing covers almost the whole album with a characteristic sense of deep winking melancholy. Their lyrics are exercising the possibilities of words and are inspired by life, the world and all the those questions a human can ask in his time on earth. At some point both started to show their new songs to some friends and they liked it and encouraged the duo to move on. Somehow one of the tracks landed in Toshiya Kawasaki's mailbox. He instantly fell in love with it and asked if they would like to do an album for Mule Musiq. They did what was asked and after some reformatting and reinventing Tonight Will Be Fine originated 13 songs full of sweeping acoustic guitars, airy rhythms, piano melodies, gloomy accordion emotions, touching voices and a bunch of other exotic instruments, done without the help of electronics. They all form Elephant Island' - an incredibly inspirational place where impressionistic lyrics dance gently with kinetic acoustic music that comes out of plain jamming fun. The melange of a structured song base and free improvisation injects all songs a loose feeling. And shows two handsome fellas carving out their own musical utopia. It is a warming one, full of hope and musical freedom powered by an unabashed instrumental playfulness.
nstrumental playfulness.





É a5 | soliloquy

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14,66

Last In: 9 years ago
Cale Sexton - S/t

Cale Sexton

S/t

12inchTCST02
Temporal Cast
19.02.2016

It's been just over a year since Cale Sexton emerged out of Melbourne's suburban sprawl into the centre of its thriving club scene, in which time the sets he's delivered from behind a nest of wires and hardware have gained recognition as some of Melbourne's most compelling and sought after. Moving across a vast terrain of reference points, Sexton constructs dense soundscapes held together by tight programming, all of this culminating in the powerful live delivery he's become known for. These four songs mark an impressive debut EP, and the second release on Melbourne imprint Temporal Cast.

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8,19

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Phil Collins - Hello, I Must Be Going

Phil Collins

Hello, I Must Be Going

12inch0081227952099
Warner UK
19.02.2016

Michael Ludwigs, 45 RPM Audiophile — 'Atlantic 75: Genesis, Bad Company, Phil Collins Against the Original Pressings.' YouTube video.

On his first solo album, 1981's Face Value, Genesis drummer-singer Phil Collins showed that he wasn't about to be left behind in the mire of classical-rock sludge. That LP boasted shorter songs and demonstrated that Collins had a true pop sensibility. Hello, I Must Be Going! continues that trend, with some familiar patterns emerging, wrote Rolling Stone's John Milward.

"First, there are the dramatic rock dirges that use drums as a lead instrument; 'I Don't Care Anymore,' with Collins' one-man band playing alongside Daryl Stuermer's atmospheric guitars, wins in this category. Then there are the buttery ballads, of which "Don't Let Him Steal Your Heart Away" is the best by virtue of a Beatles-like melody that buoys Collins' anonymously sweet voice. Both of these styles were already Genesis staples; it was Collins' uptempo soul tunes on Face Value and Genesis' Abacab that surprised old fans and found new ones. 'I Cannot Believe It's True,' with Earth, Wind and Fire's Phoenix Horns casting out clean lines, clobbers the other soul contenders on Hello, I Must Be Going!, especially his remake of the Supremes' 'You Can't Hurry Love.' Collins took the golden-oldie route on that song and the result isn't soulful, it's superfluous. Despite its trend-bucking boast of an 8-track recording, the album's rich luster is of the old classical-rock school. In fact, the LP sounds like stripped-down Genesis, ornamental but not too ostentatious. — John Milward, Rolling Stone (3 Stars)."

This Analogue Productions (Atlantic Series) reissue of Hello, I Must Be Going! has the essential elements that make it a standout for your collection. First, we turned to Chris Bellman at Bernie Grundman Mastering to cut lacquers from a 1/4" EQ'd Dolby tape copy of the original master. Pressing on 180-gram vinyl is by Quality Record Pressings, and the album is housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Hello, I Must Be Going! was a triple-platinum-selling hit in the U.S. for Collins in the 1980s and it stayed on the U.K. album charts for more than a year, peaking at No. 2. For the fans it is a drummer's album, a record that expresses rage and desperation as well as loneliness and longing. Not an album for every day, but one that really speaks to you when you need it, wrote Martin Klinkhardt.

pre-order now19.02.2016

expected to be published on 19.02.2016

36,09
Linea Aspera - Linea Aspera

The debut album of contemporary British band LINEA ASPERA. Linea Aspera is the London duo of RYAN AMBRIDGE (Synths/Programming) and ALISON LEWIS (Vocals/Synths). They began the project in November 2011, technically drawing inspiration from electronic music from the early 1980s. Within the duo, Alison writes and performs all vocal elements, while Ryan is responsible for the writing and performing of the electronics, as well as recording and mixing of the final recordings. For their debut album they utilized small, simple analog synthesizer set up: Roland SH-09, Roland Juno 6, Vermona DRM MKiii, Korg Poly 800 and Analogue Solutions Semblance. Linea Aspera's sound includes clear influences from early electronic body music, classic synth-pop and, in some instances, industrial and noise. Lyrically the band incorporates the sciences of osteology, neuroscience, and anthropology weaving a new medical language around themes of desire, despair and renewal. Linea Aspera serve up an icebox of dark doom riding on Alison's powerful vocals with a soft but sharp touch. All songs have been mastered for vinyl by GEORGE HORN at Fantasy Studios in Berkeley. Each LP is housed in a specially designed jacket by DOVILE SHURPO and includes a full sized insert of all lyrics.

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17,86

Last In: 4 years ago
X Ambassadors - Vhs LP 2x12"

X Ambassadors

Vhs LP 2x12"

2x12inch0602547413901
Polydor Germany
04.02.2016

Die vierköpfige Band aus Ithaca (New York) X Ambassadors besteht aus Sänger und Gitarrist Sam Harris, seinem blinden Bruder Casey Harris am Keyboard, Gitarrist Noah Feldshuh und Schlagzeuger Adam Levin. Ihren bereits veröffentlichten EPs - Love Songs Drug Songs' (2013) und - The Reason' (2014) folgt nun ihr Debütalbum - VHS'. - Mir war wichtig, dass sich das Album insgesamt wie ein Film anfühlt', sagt Sam Harris. Wie in einem Film, geht es in den Songs um Bewegung, um Geschwindigkeit, um den Wunsch, irgendein Beziehungschaos und die Enge des Kleinstadtdaseins hinter sich zu lassen. Die erste Single - Renegades', ist bereits auf Hitkurs! Am Radio belegt die Single nur wenige Wochen nach Radiostart bereits #26 der Airplaycharts. In den USA chartete sie an die Spitze der Alternative Airplay Charts und der Triple A Radio Charts, sowie auf #8 der US Top 40 Radio Charts.
Die Single hat sich schon jetzt weltweit über eine Million Mal verkauft und verzeichnet über 45 Millionen Streams. In Kanada, USA und Italien wurde - Renegades' bereits mit Doppel-Platin ausgezeichnet. Die Band tourte mit Bands wie Imagine Dragons, The Lumineers und Panic! At The Disco und eröffnet im Januar 2016 acht US-Shows für Muse! Das Album erscheint als CD und Vinyl.l

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26,85

Last In: 10 years ago
Arnaud Rebotini - Music Components LP 2x12"

Analog ist besser: Vinyl-Wiederveröffentlichung eines Retro-Klassikers von 2008.

Das Album "Music Components" erschien ursprünglich im Oktober 2008, damals aber lediglich als CD.

Mittlerweile ist Vinyl wieder schwer gefragt, und deshalb schiebt ziemlich genau sieben Jahre später das Label !K7 eine Doppel-LP-Edition hinterher. Die ist auf 500 Exemplare limitiert, also schnell zugreifen.

Was hat es mit "Music Components" auf sich Bei der Albumaufnahme galt für Arnaud Rebotini die konzeptionelle Devise: Zurück zu den Wurzeln. Mit Hilfe diverser analoger, elektrohistorischer Klangmaschinen, die auf die Vornamen Roland, Arp, Korg oder E-Mu hörten, stellte Arnaud im Studio ein Dancefloor-Set ohne Laptop oder externen Sequenzer nach, und spielte zehn überwiegend tanzbare, sehr warme, zeitlos-romantische Techno-Tracks live ein. Damit landete er nicht allein bei der Kritik einen Treffer, auch Kollegen wie Laurent Garnier ("I am a big fan"), DJ Hell ("The first two songs are monsters, very hot, super elegant movers") und Dave Clarke ("I really like") wussten "Music Components" zu honorieren.

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23,49

Last In: 10 years ago
A Pleasure - Jream House Lp (1lp Vinyl)

Beautifully Designed 1LP, 180g Vinyl Press kit: Following his Extended Play EP on Other People last year, Jream House is the turbulent and spiritual debut LP of Mark Hurst aka A Pleasure. Blending mathematical composition with an unrestrained studio experimentalism, the sound of A Pleasure charts a space where formative influences confront the most immediate performative impulse. Using a process of numerical transposition, the names of personally significant bands and composers are converted into drum patterns. He then lets loose, improvising around these structures with a variety of traditional and unorthodox instruments: bass and guitar, bowed cymbals, drum machines juggled like turntables, blowtorch on aluminium, to name but a few. With his influences as start-points, he builds rhythmic structures literally in their namesake, blasting their hulls with walls of noise, monolithic basslines and any other jam-yielded shrapnel. Despite the chaos and complexity of the process, the results sound neither clinical, nor garbled. The tracks always find their way to an emotive melody or strong groove. Lush guitar strums and yearning keys ride the high-speed beat of Slow Channel", which seems to soar through cloud-cover as one snaking mass. The Order of Things' folds a cosmic guitar-part into a backdrop of heavily side-chained noise. Arthur Russell' features a neck-snapping rim-shot and crushed snare that splash up the bits of an elegiac vocal part. Through violent and idyllic atmospheres, Jream House jettisons its inspirations like landing shuttles, always in search of new ground. These are songs, not just experiments.

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13,82

Last In: 3 years ago
Turbostaat - Abalonia (LP)

Irgendwo zwischen Pegida und Hansa-Studio, Odyssee und Husumer Watt, Konzeptkunst und one, two, three four erzählen Turbostaat hier ein modernes Märchen. Ähnlichkeiten mit lebenden Personen und dem real existierenden grauen deutschen Herbst: explizit erwünscht. Natürlich haben Turbostaat auch bereits in der Vergangenheit das klassische Punkrock-Format gesprengt. Laufzeiten über fünf Minuten sind bei ihnen keine Seltenheit. Die Konsequenz aber, mit der auf "Abalonia" Erzählung und Musik zu einem stringenten Ganzen zusammenfinden, ist für diese Band eine Premiere. "Nachdem die Geschichte grob stand, wollten wir auch musikalisch die Popformel mit dem Standardaufbau aus Strophe, Bridge, Refrain aufbrechen, um den weiter gespannteren Texten eine musikalische Entsprechung zu verleihen", sagt Marten Ebsen, Gitarrist und Songschreiber der Band. Aufgenommen wurde "Abalonia" nach anderthalbjähriger Vorbereitung in nur fünf Tagen an historischer Stelle: Der Turbostaat-Stammproduzent Moses Schneider buchte das Berliner Hansa Studio, wo er einst sein Handwerk gelernt hatte. Pult-Legende Peter Schmidt mischte.

pre-order now29.01.2016

expected to be published on 29.01.2016

22,65
Eliot Sumner - Information

Eliot Sumner

Information

2x12inch0602547702647
Polydor Germany
21.01.2016

Eliot Sumner präsentiert ihr erstes Solo-Album "Information"! Nach vier Jahren des Schreibens, Tourens und Erwachsenwerdens meldet sich die ehemalige I Blame Coco-Frontfrau jetzt als
Solokünstlerin unter ihrem bürgerlichen Namen Eliot Sumner zurück. - Ich bin stolz auf die Musik, die ich mache, und jetzt ist es an der Zeit, auch mit meinem echten Namen dafür zu stehen so Eliot. Die Tochter von Sting hat sich für ihr erstes Solo-Album - Information" genug Zeit gelassen um erwachsen
zu werden, zu experimentieren und ihren eigenen Sound zu finden. Fündig wurde Eliot im Lake District, dorthin zog sie sich für fünf Monate zurück und arbeitete in totaler Isolation an ihrem neuen Album - Information . Die neuen Songs sind viel organischer, frisch und voller Energie. Beeinflussen
ließ sich die Sängerin u.a. auch von ihrer Lieblings-Band aus Teenagerzeiten den Bad Seeds. Die erste Single - Information ist ein Song mit Synthesizern und Strings der von Duncan Mills (The
Vaccines, Spector, Crocodiles) produziert und in den Strongroom-Studios in London aufgenommen wurde. Zusammen mit ihrer Band I Blame Coco veröffentlichte sie 2010 ihr Debütalbum - The Constant . Das Album verkaufte sich in Deutschland rund 40.000 Mal.

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21,64

Last In: 10 years ago
Nils Frahm - Screw Reworked

Nils Frahm

Screw Reworked

2x12inchERATP079LP
Erased Tapes
13.01.2016

A collection of nine reworks crafted by fans and selected by Nils himself form the 'Screws Reworked' re-issue, also featuring his original 'Screws'. The 2012 album 'Screws' by Nils Frahm, was the result of inspiration from his fans and friends while he recovered from an unfortunate accident, which saw him fall from his bunk bed located directly above his studio, which resulted in a broken thumb.

These nine intimate recordings were offered to fans to download for free and in return fans thanked Nils by sending him their audio and visual reinterpretations. Fascinated by the results, Nils then publicly asked his fans to submit their reworks or any form of art that was inspired by the release and all these submissions have been collected since on a dedicated website: It gave birth to the 'Screws Reworked' project from which Nils selected nine reworks to feature on a special edition re-issue which also includes his original 'Screws'.

'Whenever you have to decide between two things, you end up favouring one over the other. In the case of this record, I had to choose nine out of hundreds of songs - but I didn't want to follow this logic, I didn't want the songs to compete against each other. I never liked music competitions, neither when I was a kid playing classical music contests nor today when the best album of 2015 is awarded.

Having been in the situation to pick my own tracks for my own records, I knew that the only way to manage this tough job is to concentrate on the cohesiveness of listening to the songs all together. Screws Reworked should sound like a record, not like a random collection of tracks.

The motivation to make such a record came with the release of Screws in 2012 as a gift to my listeners. I thought about it as a starting point for people to make their own interpretations of the songs. The feedback was overwhelming. A couple of months later, we counted over 300 contributions. Without going through a selection process, they were all available only online until now.

It seemed essential to make it a real record as I imagined how happy it must make those who would find their names - in most cases for the first time - on a real record.

Now is the time to thank you all for your numerous and beautiful contributions. In case you don't find your track here, please don't think it stands behind the others. This record means, in fact, that some of the most beautiful songs couldn't be included as they simply weren't 'good neighbours' and because there is only one rework for each of my original compositions.

However all of you opened your hearts and minds and shared your uniqueness with us and I feel incredibly blessed by each and every single rework of Screws. Thank you!' - Nils Frahm.

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20,13

Last In: 10 years ago
Sasha Siem - Most Of The Boys

Sasha Siem

Most Of The Boys

12inch5053760013709
Polydor Germany
08.01.2016

Sasha Siems Debütalbum repräsentiert einen Songzyklus aus 12 Tracks, die ihre unterschiedliche musikalische Sozialisation widerspiegeln. Über Jahre komponierte die in Englang geborene Halb-Norwegerin klassische Musik, die weltweit mit Preisen ausgezeichnet wurde. Gleichzeitig aber übten zeitgenössischen Pop-Musiker wie Andrew Bird, Tom Waits, Björk und Joanna Newsom mit ihrem innovativen Songwriting und ungewöhnlichen Arrangements eine wahnsinnige Faszination auf Sasha aus. Im Ergebnis ist Most Of The Boys eben das, was es ist - ein ungwöhnliches Album, idiosynkratrisch und groß. Siem wuchs in London auf als Tochter eines norwegischen Vaters und einer englischen Kunsthistorikern auf. Sie begann mit 5 Jahren Klavier zu spielen, kurz danach kam Cello dazu und mit 11 Jahren studierte sie an den Wochenenden an Londons Guildhall. Bereits mit 20 Jahren hat sie für angesehene Orchester wie das London Symphony Orchestra, das London Philharmonic Orchestra und das Norwegian Chamber Orchestra komponiert. 2010 gewann sie den British Composer Award. Ihre Liebe zur Poesie brachte sie schließlich dazu, Ausdrucksmöglichkeiten neben der Klassik zu suchen und sie fand sie in ihren Songs die schlussendlich zum Album Most Of The Boys wurden.

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17,23

Last In: 10 years ago
Cheiron - Land After Life

Does the treasure chest of Lex Grauwen have a bottomless pit After the re-discovery of Tranquil Eyes Walks cassette a few years back and more recently the Frozen Ducks legacy, it's time for another dazzling project originating from the man's brain. Cheiron is Lex Grauwen, he plays all the instruments & produced all the music and José van Waveren, who sings distinctively. The album Land After Life aims for the dance floor with it's high energy minimal synth and electro stylings.

In the mid-80s Lex Grauwen was asked to participate in the 'Pas de Deux' compilation album, a legendary new wave compilation album featuring Bene Gesserit, Algebra Suicide & Psyclones. Lex asked high school sweetheart José van Waveren to join up for a few songs. Land after Life' was chosen for the vinyl and began to lead it's own life for many years on the internet. 'Serenity world', recorded during the same sessions is of an equal spellbinding beauty. It got released on the 'Top Tape' label cassette called 'L'Embrasse' in an edited mix.

The third song recorded; 'Finally Free Four' is a José only composition, previously unreleased till now. José and Lex had been making music before though, one of those older tracks is 'No Trace', from '81-'82. Shortly after 'Pas de Deux', they tried to record some more tracks, but the demo's were never really finished. A while later Lex asked Paul Oosterbaan of 'Tranquil Eyes' and Ruud Braumuller of 'Beatnik Love Affair' to help finish these tracks. The results are 'Your life, your body', also a José solo-piece and 'Ping Pong', the last recorded track. Today José is a singer-songwriter, performing in the French language.

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11,56

Last In: 9 years ago
Maurizio Abate - Loneliness Desire And Revenge
  • 1: In My Heart For A While 06:44
  • 2: Omens 03:46
  • 3: Once Upon A Time 0:26
  • 4: Tomorrow's Plan 06:39
  • 5: A Safe Place 03:42
  • 6: Sweet Motherfucker Blues 0:5
  • 7: Life Beyond The Wall 04:1
  • 8: No More Prohibited Games 06:17

This 8 track acoustic guitar album is a big change for the experimental musician Maurizio Abate. After many years of psychedelic albums in which improvisation was combined with a creative recording process, he composed an entire album based on a more traditional method: acoustic guitar solo.
During winter 2014 he organized a series of italian screenings preview of the documentary ' In Search of Blind Joe Death: The Saga of John Fahey' and that occasion encouraged Maurizio to experience the guitar solo language.
After playing these compositions at live shows, Maurizio decided to record the tracks in an almost definitive way, nevertheless the live interpretation of the songs is always different and mutating.
He recorded alone in his house between Christmas 2014 and new year's day on a reel tape recorder, performing acoustic guitar and, in a couple of songs, electric guitar and harmonica. "Loneliness, Desire and Revenge" it's an intimate and confidential album, it evokes moods and emotions of the musician during the past 2 years.

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16,93
Epic Soundtracks - Rise Above

Epic Soundtracks

Rise Above

12inchMAPANC001LP
Mapache Records
Release unknown

"Rise Above is an album that fell through the cracks - in 1992, records by singer-songwriters were more likely to be ignored than they were 20 years before in the early 1970's or would be 20 years later in the early 2010's. It was certainly critically acclaimed but unnoticed by the world at large. Time, surely, for these dozen classic songs to be re-assessed. (Chris Coleman)

"Rise Above is a work of pensive autumnal fragility and of such high quality, that it would be a monumental injustice to halt the fresh flow of Epic's muse." (Melody Maker)

"one of the "10 Best Albums Of The Year" (Spin)

" a gem out of left field....a bounty of delightfully anachronistic rock tunes here, in league with the best of Alex Chilton." (Billboard)

"....it's even Mr Soundtracks' version of Dennis Wilson's "Pacific Ocean Blue". People will come across "Rise Above" in ten years' time and wonder where the hell it came from. For now, here's the out-of-the-blue album of 1992." ( Select magazine's Andrew Perry)
"...the lyrics are well-crafted, the musicianship's flawless, the production is beautiful (and) the songs are melodic and emotional." ( Dave Thompson in Alternative Press)

· Clasic debut album by Epic Soundtracks reissued on vinyl for the first time

· Collaborations by Lee Ranaldo and Kim Gordon (Sonic Youth), J Mascis (Dinosaur Jr.) , Rowland S. Howard (The Birthday Party) and Martyn P Casey (The Bad Seeds)

· Insert with unseen pictures and liner notes by Chris Coleman

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31,39
Helen - The Original Faces

Helen

The Original Faces

12inchKRANK196LP
Kranky Records
Release unknown

When I was a child, I spoke to Helen.

Helen is a pop group from Oregon. Liz Harris (vocals/lead guitar), Jed Bindeman (drums/tambourine), Scott Simmons (bass/guitar), and Helen (back up vocals).

Originally started with the intention of being a thrash band, it turned into something else entirely. The Original Faces was recorded over a period of several years in Portland by the band members, their friends Nick, Chris and, largely, Justin Higgins. Written together, some songs based on Liz and Scott's demos.

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21,98
Banchop Chaiphra / Samai Onwong - Ya Doen Show / Sakura La Kon
  • A1: Ya Doen Show
  • B1: Sakura La Kon

*Repress*

This 7-inch is a gift from the past, reissuing two rare Thai treasures from the late 1960s, big hits from that time which were actually covers of Japanese songs.
Pan-Asian music produced by Surin Paksiri, a legendary presence in the Isan music scene from the 1960s until the present. The first song "Ya Deon Show" was Paksiri's first hit, a Thai-language version of "Soran Bushi", a traditional work song of Hokkaido fishermen, sung here by popular actor Banchop Chaiphra. The song fuses a Luk Thung arrangement with a Japanese "Dodonpa" rhythm. The second singer here is Samai Onwong, a key force in the development of Thai pop music, with "Sakura La Kon (Goodbye Sakura)", sung in both Japanese and Thai. The original was a 1968 hit by Pinky & The Killers and features some fine Khaen playing by Samai, lending a bittersweet Thai feeling. With English lyrics and liner notes, this is a lovely treat, guaranteed to bring a smile and perhaps a tear.

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11,98
Prins Thomas - Paradise Goulash Edits

This sampler 12" contains a special selection of Prins Thomas edits. Includes tracks by The Mackenzie, A Thunder Orchestra, Zazou Bikaye & CY1, and A Split - Second.
Dear Vinyl Enthusiast,
Thank you for purchasing this individual Paradise Goulash sampler 12".
I've cherrypicked 4 very special songs, edited them slightly where I thought they could benefit from it, quality checked the mastering personally and made sure only the highest quality virgin vinyl was used in the pressing.
All audio has been sourced from the highest quality formats available to use and they can (should) be played loud on both big club rigs as well as on your home stereo.
Prins Thomas, 28th of July 2015

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8,61

Last In: 4 years ago
Jose Rico - Declaration Of Intent Ep

Jose Rico launches the new Le Disque Record Store's project: Ambiwa Records, a label dedicated to abstract House music.

"Declaration of Intent EP" is a collection of songs with a history, 4 pieces of his life talking about hypocrisy referred to poverty, the trivialisation of music as money source, the days in the studio with Ron Trent, and the night music-workers.

Beyond any related stories, here you can find all the Jose Rico's Music standards: Impossible Mpc percussion patterns, black keys, vocal textures, distorted kicks and tons of suspense and tension. This just means ... music for the most demanding dancefloors and open minds. As it could not be otherwise, mastered by Jose Rico.

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9,20

Last In: 10 years ago
Never - Don't Touch Me Now

Never

Don't Touch Me Now

12inchDEEK011
DEEK
11.12.2015

Art school friends GG and SB
living room dancing nights, long hours in the cave
another failed evening of warm beers and cigarete buts
a sound emerges and...
pop!
The EP 'Don't Touch Me Now' features 4 melancholic and beautful art-pop songs, packaged in a
hand stckered heavy-weight card sleeve, complete with download card. The EP was mixed by DEEK
head-honcho, Bullion. The vinyl EP was pressed at The Vinyl Factory and is strictly limited to 500
copies.

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9,87

Last In: 8 years ago
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