Napi Hedz come from the Motor City and is a group made up of Reggie Dokes, Maurice Herd (aka Pirahnahead) and the late Mike's brother, Craig Huckaby. They dropped this EP on the peerless Sound Signature 20 years ago but amid a glut of reissues from Theo Parrish's label, it now resurfaces. Titular opener 'I See Heaven' has a Latin shuffle with woody percussion and time-keeping ticks under swirling vocal loops that are backed with muted horns. It's s sunny sound before 'The Bah' comes alive with a mirage of melodic harp shimmers and rooted, dusty drums with more affected vocal sounds adding the soul.
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Freedom, Rhythm and Sound showcases the stunning graphic works of independently published jazz record cover designs in the 1960s, 70s, 80s and beyond, from radical jazz musicians such as Sun Ra, John Coltrane, Pharoah Sanders, The Art Ensemble of Chicago and others. This second Freedom, Rhythm and Sound book is a new ‘chapter’, featuring hundreds more unique, rare and beautiful jazz record cover designs.
This book documents the continued development in jazz as African-American artists set out on new journeys to enlightenment, heading out into Europe at the end of the 1960s. The artwork of these (often self-produced) record cover designs during this era reflected their radical agenda, spiritual awareness and singular search for musical and personal freedoms. From raw, DIY aesthetics to lyrical and poetic illustrations, sometimes containing futuristic worlds and ancient landscapes, the designs are always bold, strikingly graphic, and most importantly capture the spirit of the music, giving them a unique beauty. The book also includes sections on African-American poets and writers, Civil Rights and Black Power Movement leaders (Martin Luther King, Malcolm X) and early musical pioneers (Yusef Lateef, Max Roach, Art Blakey and others), all of which helped influence and shape the world of radical and spiritual jazz from the 1960s and onwards to its rebirth today. Since the 1980s, Gilles Peterson has been a pivotal figure in the club scene, renowned for his genre-defying approach to music with jazz at its core. As one of the UK’s most iconic DJs, he has spent over 40 years shaping music trends as a radio presenter, club DJ, producer, and festival curator.
He hosts a flagship show on BBC Radio 6 Music and, in 2016, launched Worldwide FM. He is founder of the Worldwide Festival in the South of France and We Out Here festival in the UK. He runs the label Brownswood Recordings, dedicated to discovering and promoting new talent and bringing fresh voices to the global stage. Stuart Baker founded Soul Jazz Records in 1992. For more than 30 years the record company has released over 500 records covering a genre-defying array of non-mainstream musical worlds – Jazz, Reggae, Punk, Latin, Brazilian, Disco, African, Gospel, Acid House and more.
In 2017, part of Stuart Baker’s jazz record collection (much of which appears in Freedom, Rhythm and Sound) was featured and displayed as part of the Soul of a Nation: Art in the Age of Black Power exhibition at Tate Modern in London, and subsequently at The Broad in Los Angeles (2019) and Brooklyn Museum (2019). Soul Jazz Books launched in 2007, a similarly diverse and critically acclaimed publishing house with graphic art, culture and photography titles that include ‘Voguing and The House Ballroom Scene of New York’, ‘Dancehall – The Rise of Jamaican Dancehall Culture’, ‘Yo! The Early Days of Hip-Hop’, ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’, ‘Punk 45 – The Singles Cover Art of Punk 1976-80’ and others. Reviews of the first Freedom, Rhythm and Sound: “A remarkable book” The New Yorker “If there can be such a thing as a revolutionary coffee table book, Freedom Rhythm & Sound is it―a chance to wallow in the Afrocentric visual language of the non-mainstream black jazz vinyl of this extraordinary fertile and creative period.” Eye “Like the uncompromising music they represent, all the covers broadcast a sense of bold, brazen ideology” Pitchfork “A definitive account of a complex passage of cultural upheaval.” The Independent “For decades, no one was sure how to refer to this extraordinary music.
Calling it ‘fire music’ does justice to its incandescent spirit, still burning from the pages of a book that preserves the memory of a special time.” The Guardian “These sleeves are the original independent legacy to America’s premier art form – Jazz. In terms of African-American cultural expression they are part of a long line of thought that was charged in the 1960s by John Coltrane, Martin Luther King, Ornette Coleman, Malcolm X and others” The Wire “A hefty compendium of radical jazz cover art” Mojo
Following the completion of the Pulse EP series, Peverelist invites four producers to present their own refreshing takes on choice cuts from his most recent phase of club exploration.
Fadi Mohem channels the bright angles of 'Pulse IX' into a buoyant, sleek run of uptempo dub techno with an unmistakable Berlin focus. Huey Mnemonic takes the crafty, curious swerve of 'Pulse XX' and sets it to a 4/4 rush of exuberant, steady-climbing techno informed by his Detroit surroundings. Munich-based artist Polygonia's snaking electronica response to 'Pulse VII' capitalises on the swooning melody of the original's second half and matches it with vibrant sound design. Rounding off an especially invigorating round of remixes, the stark jack of 'Pulse V' becomes a twinkling, dreamy Motor City reverie in the hands of the legendary Optic Nerve, aka Keith Tucker.
The end result is a collection of remixes bursting with the same vibrant, uplifting energy that courses throughout the Pulse series.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
The Sound Systems of Jamaica were always the people's radio station.
Tunes were tried and tested in the lion's den of the dance to see which songs rose to the top and became the most popular.
This was the litmus test and the first step to a tracks commercial release to capitalise its hotness on the circuit.
Then the Dub/Version hit big in Jamaica in the early to mid 70's this was also the case and many times the version cut of a track would even prove more popular than its vocal counterpart.
We have compiled some great 70's dub plates that rocked the Sound Systems in fine style...
Hope you enjoy the set....
- A1: Wooley The Newt (Feat Sulaiman Hakim, Richard Raux, Michel Graillier &Amp; Jack Gregg)
- A2: Soyuz Dance (Feat Sulaiman Hakim, Richard Raux, Michel Graillier &Amp; Jack Gregg)
- B1: Allah (Feat Sulaiman Hakim, Richard Raux, Michel Graillier &Amp; Jack Gregg)
- B2: Tender Eyes (Feat Sulaiman Hakim, Richard Raux, Michel Graillier &Amp; Jack Gregg)
- B3: Ahiri-Lalita (Feat Sulaiman Hakim, Richard Raux, Michel Graillier &Amp; Jack Gregg)
Stephen McCraven's WOOLEY THE NEWT was originaly released on Marion Browns own Sweet Earth record label in 1979, this is the first reissue on vinyl and cd.
The LP is limited to 450 copies on black vinyl and is housed in a reverse board printed sleeve , with postcard insert and CD is limited to 1000 in gatefold card sleave ..
Its a post bop-spititual jazz beauty,, a record you think you should have known about already,, with OG copys going for $500 this edition should sell fast..
remastered by the carvery in london from master tape and pin drop,,, as half the tapes servived
Inner City Sound Archives is the work of a small crew of obsessive DJs, diggers, and archivists. For years, they hunted lost reels — digging through basements, flea markets, forgotten storage rooms — until they uncovered a batch of mysterious acetate tapes. No credits, no labels. Just cryptic handwriting and the hiss of time. What they found were raw, extended disco cuts — played once or twice at underground NYC loft parties in the late '70s, passed hand to hand among a tight circle of selectors, then lost to history. Now, after painstaking transfers and full analog remastering, these tracks are back. Unpolished, hypnotic, physical. Restored with love. Cut loud. Pressed right. For our debut release: six unreleased NYC disco bombs, presented in their original long versions across Sides A & B. Once championed behind closed doors by the likes of Larry Levan, Francis Grasso, Steve D’Acquisto, Walter Gibbons, and Richie Kaczor.
- A3: Main Theme & Final Boss Medley
- A4: Dignity Palace (Kain R. Heinlein Stage)
- A5: All Over With Blood (Freeman Stage)
- A6: Fullmoon - A Groan (Gato Stage)
- A7: Destruction Maniac (Grant Stage)
- B1: The Twelve Challengers (Player Select), Exotic Lady (Charlotte)
- B2: Darkness (Shiro Tokisada Amakusa 2)
- B3: Banquet Of Nature (Nakoruru) - Part 1 & Part 2
- B4: Ryuhaku Todoh Stage
- B5: The Primitive Age
- B6: The Age Of Rome
- C1: Ponponella
- C2: Vixen
- C3: The Super Spy, New World
- C4: Imputation
- C5: Game Start, Powering Up
- C6: Stage Medley
- C7: Change (Theme 2)
- C8: Termination (Ending 1)
- D1: Bioinformatics (Ufo Interior Passage 3)
- D2: The Cenotaph (Stage 4 Alternative Route~Ancient Ruins), Desert (Stage 4)
- D3: Secret Factory (Stage 3 Alternative Route~Armory)
- D4: Into The Cosmos (The Void Of Space)
- D5: Opening, Napolitan Blues, Duel R&D, Yuu, Psycho Soldier "K.o.f Version
- A1: Snk - Rhapsody For Piano
- A2: Intro, Stage 1, Stage Boss Medley
Relive the excitement of SNK's greatest games with this album featuring cult titles arranged entirely for piano!
Arranged and performed by pianist Nicolas Horvath, a Steinway and Sons artist renowned as a leading interpreter of composers such as Philip Glass, Franz Liszt, Claude Debussy, and Erik Satie.
The album contains a rich selection of tracks composed by the legendary SNK Sound Team, ranging from Prehistoric Isle to The King of Fighters 94, Samurai Shodown, The Last Blade, and Metal Slug 3.
Sometimes dark, sometimes bright, the arrangements beautifully and emotionally revisit the melodies that have marked several generations of gamers!
b a2 Intro, Stage 1, Stage Boss Medley [PREHISTORIC ISLE]
[c] a3 Main Theme & Final Boss Medley [PREHISTORIC ISLE]
[d] a4 Dignity Palace (Kain R. Heinlein Stage) [GAROU: MARK OF THE WOLVES]
[e] a5 All Over With Blood (Freeman Stage) [GAROU: MARK OF THE WOLVES]
[f] a6 Fullmoon - A Groan (Gato Stage) [GAROU: MARK OF THE WOLVES]
[g] a7 Destruction Maniac (Grant Stage) [GAROU: MARK OF THE WOLVES]
[h] b1 The Twelve Challengers (Player Select), Exotic Lady (Charlotte) [SAMURAI SHODOWN]
[i] b2 Darkness (Shiro Tokisada Amakusa 2) [SAMURAI SHODOWN]
[j] b3 Banquet of Nature (Nakoruru) - Part 1 & Part 2 [SAMURAI SHODOWN]
[k] b4 Ryuhaku Todoh Stage [ART OF FIGHTING]
[l] b5 The Primitive Age [TIME SOLDIERS]
[m] b6 The Age of Rome [TIME SOLDIERS]
[n] c1 PonPonella [ALPHA MISSION]
[o] c2 Vixen [THE SUPER SPY]
[p] c3 The Super Spy, New World [THE SUPER SPY]
[q] c4 Imputation [THE SUPER SPY]
[r] c5 Game Start, Powering Up [Vanguard]
[s] c6 Stage Medley [Vanguard]
[t] c7 Change (Theme 2) [THE LAST BLADE]
[u] c8 Termination (Ending 1) [THE LAST BLADE]
[v] d1 Bioinformatics (UFO Interior Passage 3) [METAL SLUG 3]
[w] d2 The Cenotaph (Stage 4 Alternative Route~Ancient Ruins), Desert (Stage 4) [METAL SLUG 3]
[x] d3 Secret Factory (Stage 3 Alternative Route~Armory) [METAL SLUG 3]
[y] d4 Into the Cosmos (The Void of Space) [METAL SLUG 3]
[z] d5 Opening, Napolitan Blues, Duel R&D, Yuu, Psycho Soldier "K.O.F Version" [THE KING OF FIGHTERS '94]
[b] a2 Intro, Stage 1, Stage Boss Medley [PREHISTORIC ISLE]
[c] a3 Main Theme & Final Boss Medley [PREHISTORIC ISLE]
[d] a4 Dignity Palace (Kain R. Heinlein Stage) [GAROU: MARK OF THE WOLVES]
[e] a5 All Over With Blood (Freeman Stage) [GAROU: MARK OF THE WOLVES]
[f] a6 Fullmoon - A Groan (Gato Stage) [GAROU: MARK OF THE WOLVES]
[g] a7 Destruction Maniac (Grant Stage) [GAROU: MARK OF THE WOLVES]
[h] b1 The Twelve Challengers (Player Select), Exotic Lady (Charlotte) [SAMURAI SHODOWN]
[i] b2 Darkness (Shiro Tokisada Amakusa 2) [SAMURAI SHODOWN]
[j] b3 Banquet of Nature (Nakoruru) - Part 1 & Part 2 [SAMURAI SHODOWN]
[k] b4 Ryuhaku Todoh Stage [ART OF FIGHTING]
[l] b5 The Primitive Age [TIME SOLDIERS]
[m] b6 The Age of Rome [TIME SOLDIERS]
[n] c1 PonPonella [ALPHA MISSION]
[o] c2 Vixen [THE SUPER SPY]
[p] c3 The Super Spy, New World [THE SUPER SPY]
[q] c4 Imputation [THE SUPER SPY]
[r] c5 Game Start, Powering Up [Vanguard]
[s] c6 Stage Medley [Vanguard]
[t] c7 Change (Theme 2) [THE LAST BLADE]
[u] c8 Termination (Ending 1) [THE LAST BLADE]
[v] d1 Bioinformatics (UFO Interior Passage 3) [METAL SLUG 3]
[w] d2 The Cenotaph (Stage 4 Alternative Route~Ancient Ruins), Desert (Stage 4) [METAL SLUG 3]
[x] d3 Secret Factory (Stage 3 Alternative Route~Armory) [METAL SLUG 3]
[y] d4 Into the Cosmos (The Void of Space) [METAL SLUG 3]
[z] d5 Opening, Napolitan Blues, Duel R&D, Yuu, Psycho Soldier "K.O.F Version" [THE KING OF FIGHTERS '94]
- A1: Echo45, We Are! Feat. Oscar Jerome
- A2: Dive Into Feat. Louis Vi
- A3: Desire Feat. Haile Supreme, Liam Bailey
- A4: Bang Bien Feat. Yasiin Bey
- B1: Echo45 Feat. Liam Bailey
- B2: True Feat. Sadie Walker
- B3: I Remember Feat. Greentea Peng
- C1: Starwood Bound Feat. Sadie Walker
- C2: Ain't So… Feat. Lsk
- C3: Mumzie Cut Feat. Liam Bailey
- D1: Holding On Feat. Ladi6
- D2: Wind Of Change Feat. Yarah Bravo
- C3: Hop-To-Mystic Feat. Liam Bailey
Aufgewachsen in der Soundsystem-Kultur des englischen Leeds, kaufte sich George für einen Fünfer - mit freundlicher Genehmigung seiner Mutter - eine alte, ramponierte Lautsprecherbox, die er "Echo45" nannte. Über diese Box lernte er Kevin Harper kennen, ein Gründungsmitglied von Nightmares on Wax – eine zufällige Begegnung, die sein Leben verändern sollte. Mit dem neuesten Nightmares On Wax-Release "Echo45 Sound System" führt er diese Tradition nun einen Schritt weiter und liefert ein Mixtape ab, das sich wie eine Feier und ein Bekenntnis zugleich anfühlt. Ein lebendiger Soundsystem-Trip, inspiriert von der originalen Echo45-Lautsprecherbox, der mit furchtlosem Spirit Soul, Roots, Hip-Hop, Dub und elektronische Texturen verbindet. Mit einem sorgfältig zusammengestellten Ensemble von Kooperatoren – darunter Yasiin Bey, Greentea Peng, Sadie Walker, Oscar Jerome und Liam Bailey – spiegelt die LP nicht nur die Vergangenheit von Nightmares On Wax wider. Obwohl es tief in seinen Ursprüngen, der Soundsystem-Kultur und dem Piraten Radio verwurzelt ist, verkündet es mutig, wohin George geht. Limitierte Auflage auf goldfarbigem Doppelvinyl.
- Swing Low Sweet Chariot
- Double-Barrel Prayer
- Let's Not Chat About Despair
- Birds Of Death
- You Must Be Certain Of The Devil
- Let My People Go
- Malediction
- The Lord Is My Sheperd
Riding in on an eviscerating vocal alarm call and originally released in 1988 as the final installment of her Masque of the Red Death trilogy, Diamanda Galás" You Must Be Certain of the Devil is as unflinching now as it was on release in 1988. It remains a swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture. Often misunderstood as simply dark for its subject matter, You Must Be Certain of the Devil in fact shines a light of such total exposure it leaves nowhere to hide, forensically unmasking the fury and pain of real grief and the vast spectrum of emotions rendered by the AIDS epidemic. It is an album that looks you square in the eye, pins you against a wall and makes you look at and feel the horror the virus visited upon a person, the knowledge of certain death in a hostile environment, and the hypocrisy of those who claim to be Samaritans or protectors.
- Garage Super Stars
- Hey Man
- Contact Tokyo
- Super Sexy Razor Happy Girls
- Stick Around Jo
- Heart Attack
- Super Honda
- Armageddon
- Never Gonna Push Me Around
- Underwear
- Love Factor Five
- Snake And Crane
- Magic Boots (Livish Version)
- Sweet Peach
- Don't Say
- Yellow Danger Babies (Livish Version)
Mikabomb wurde 1997 gegründet, nachdem Frontfrau Mika ihren langweiligen Bürojob in Japan gekündigt hatte und nach London abgehauen war, um eine Band zu gründen und sich dem Rock'n`Roll hinzugeben. Nur wenige Wochen nach ihrer Ankunft in England traf Mika auf eine 16-jährige Punk-Göre namens Agi, die aus ähnlichen Gründen wie Mika ihre Heimatstadt Peking verlassen hatte. Es dauerte natürlich nicht lange, bis Mika und Agi anfingen, ihre eigenen trashigen Pop-Punk-Songs zu schreiben. Mit Ergi, Mika Bass und Tomoko, die die Band vervollständigten, fingen sie an, regelmäßig aufzutreten und sich durch ihre immer ausgelassenen Live-Shows einen furchteinflößenden Ruf aufzubauen. Sie begeisterten nicht nur Konzertbesucher im ganzen Land, sondern wurden auch vom NME als ,die neuen Ramones" bezeichnet, vom Melody Maker als ,fantastisch" beschrieben und von Steve Lamacq von Radio One als ,die beste Band, die Japan je hervorgebracht hat" bezeichnet. So wurden auch viele Plattenfirmen auf Mikabomb aufmerksam, darunter Grand Royal, das Label der Beastie Boys, das im Jahr 2000 zwei limitierte Singles mit den Titeln ,Super Sexy Razor Happy Girls" und ,Heart Attack" veröffentlichte. Ihr fantastisches Debütalbum ,The Fake Fake Sound of Mikabomb" mit 15 Titeln kam ursprünglich am 2. Juli 2001 raus. Da es auf Vinyl schon lange vergriffen ist, bringen wir es jetzt wieder raus, weil Mikabomb wieder aktiv ist und in UK gibt.
"The Word II," which gained instant worldwide recognition after being sampled by Mac DeMarco in "Chamber of Reflection" and by Travis Scott and Quavo's unit HUNCHO JACK in "How U Feel." Shigeo Seikito's seminal work, which includes that track, will be reissued on colored vinyl. It's the most widely listened-to electone piece in the world, drawing attention from a diverse range of audiences including hip-hop, Balearic, and dream pop enthusiasts.
- The World Is Gone
- Zuchthaus (*Bisher Unveröffentlicht)
- Abschiedsvorstellung (*Bisher Unveröffentlicht)
- Corinna (Instrumental)
- Nymphenburg-Soul (*Bisher Unveröffentlicht)
- Corinna (Vokal) (*Bisher Unveröffentlicht)
- Raubzug (*Bisher Unveröffentlicht)
- Tod Am Bahndamm (*Bisher Unveröffentlicht)
- Grausamer Fund (*Bisher Unveröffentlicht)
- Melodie Für Eine Teekanne
- Papierblumenmörder
- Morbide Hausgemeinschaft (*Bisher Unveröffentlicht)
- Peripherie-Beat (*Bisher Unveröffentlicht)
- Jet-Set-Lady (Alt. Version) (*Bisher Unveröffentlicht)
- Du Lebst In Deiner Welt (Tv-Version) (*Bisher Unveröffe
- Dromedar Called Itzenplitz
Zum 100. Geburtstag von Peter Thomas erscheint erstmals eine umfassende Sammlung seiner Musik zur ZDF-Krimiserie DER KOMMISSAR (1969-1976). Die Serie gilt als Meilenstein deutscher Fernsehgeschichte - gesellschaftlich relevant, stilbildend und musikalisch überraschend. Thomas steuerte zu 22 Folgen Musik bei, die von klassischer Filmmusik über Beat und Soul bis hin zu experimentellen Soundcollagen reicht. Die LP/CD enthält erstmals veröffentlichte Titel, darunter Highlights wie "Du lebst in deiner Welt" (Daisy Door), das 1971 die Charts stürmte. Besonders spannend sind die Stücke aus den experimentellen Folgen unter Regie von Zbynek Brynych, in denen Thomas Volksmusik mit Pop und Rock kombinierte. Die Aufnahmen entstanden mit renommierten Studiomusikern wie Jan Hammer, Jiggs Whigham und Olaf Kübler.
- A1: Enjoy The Ride
- A2: Beyond Numbers
- A3: Spirals Of Creation
- B1: Emotion & Delight
- B2: Dub Dimensions
- B3: Angels Provocateurs
- C1: Thorn Away
- C2: The Existance Of Something
- D1: 11-11
- D2: Active Meditation
- D3: A Relaxed Blur
In these shaky times we find ourselves in, A Relaxed Blur invites us to take deep breath in and switch to positive vibes. Dive into a world of serene soundscapes, where deep space reverbs and expansive echoes float freely, creating a sense of calm disorientation. Drawing from a blend of dub, psychill, and psychedelic electronic textures, this album guides you through atmospheric journeys that range from smooth, laid-back grooves to vast, hypnotic sound waves. Each track drifts between the tranquil and the transcendental, blurring the line between relaxation and introspection.
The Modern Soul Septet (later Modern Soul Band) was one of the hottest and most popular dance music groups in East Germany from the late 1960s to the mid-1980s.
In its early years, this band played a very unusual, raw, authentic, and freaky brand of funky Soul-Beat and Jazz-Rock for East Germany, which thrilled many music lovers and dance enthusiasts. The Modern Septett became one of the most booked dance bands in the country and recorded numerous outstanding tracks for the radio. Ahead of their time and too raw and hard for the state label, only two tracks were published in this first creative period. By the mid-70s, the Modern Soul Band had arrived in the midst of Fusion-Jazz and, thanks to their steadily growing popularity, finally received their first LP production in 1976. This album "Soul Komplex" fills a long-overdue gap in the band's discography and is an absolute must for any collector of East German Soul and Jazz.
Previously unreleased East German high class late 1960s and early 1970s funky Soul-Beat and raw Jazz-Rock titels.




















