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Of Paradise welcomes Seattle-based artist Hünter with his sophomore album, Mica, a sublime addition to the label’s ever-evolving musical catalogue and one that quickly acquires almost mythical status.

Focused on the relationship between the digital age and the environment, Mica explores the extraction of natural resources, identity, memory, and what remains. A fusion of ambient soundscapes and deconstructed club rhythms, Mica questions erosion as both a physical and cultural consequence of modern consumption, encouraging listeners to reevaluate their relationship with nature, technology, and excess.

Available as a limited edition 12” and digital album, Mica responds to overstimulation; music that breathes slowly, punctuated by occasional moments of tension, provides periods of stillness and reflection interrupted by the intensity of digital life and environmental anxiety. This album isn’t merely a collection of songs; it’s an atmosphere to inhabit.

Felipe Gordon is back on Shall Not Fade with his new album Tezeta and f*ck is it special.

Felipe Gordon is SNF label mainstay... (we released his triple repressed debut album "A Landscape Onomatopeya" in 2022 as well as 7 x 12" EPs on SNF over the years plus an extra 12" on Lost Palms)... so given his consistent and exceptional output on our record label you'd probably forgive some complacency with this write up, you might even afford us license to assume we're preaching to the choir and allow us to rest easy knowing that at this stage Felipe Gordon's records sell themselves.... Well none of those things are happening here because when an artist makes a record this complete, this good, you have to try to find the words. You use words like "timeless", "complete and "special". Words that can carry the weight. Because when you've listened to an album dozens of times, and not once, in any part, on any listen in any way has it fatigued you, you need to say. When a record felt so wonderfully familiar from the first listen and just kept on giving you the same feels ever since, you need to say. When a record makes you think about you how you feel about certain Air & St Germain albums (even when you know what it means to put that in a press release), you need to say. So here we are, saying these things.. Tezeta is a special record, one that exists in the rarefied air. A proper album. A record that every time you press play you will immediately remember why you own it and why you love it. A record that your subconscious will know so well that if shuffle is on you will know in an instant. An album that when it's in your collection and the first track starts you get a twinge of annoyance because you didn't listen again sooner and when the final track stops you stop too.

Given paint and a canvas we can most of us paint a picture, but only those that are gifted can paint something that makes us feel. Tezeta makes you feel. Feel familiarity when it's playing, yearning when its not, and absence when it ends. This alone would be enough to make the argument as to why this album is special and justify the gushing opening paragraph of this press release. But we're not done yet.

We don't really have a word in english for what Felipe Gordon has created with this album and how it makes you feel. "Tezeta" that word.

Tezeta is a one of four musical modes within the traditional Ethiopian modal music system known as Qiñit. Mulatu Astatke, the father of Ethio-jazz, frequently uses this mode, often translating it as "nostalgia" or "longing". Gordon says Mulatu's own tezeta recordings convey to him "feelings of melancholy and longing from a point of affection". This is exactly the feeling Gordon has captured. It is what he has woven through every recording on this album. Tezeta is the prime ingredient. It's the base note in recipe, it's sprinkled over the signature jazz-sampled house tracks. It powers the vast array of synthesizers Gordon deploys. It underpins the explorations into trip-hop. It's present in Gordon's varied vocal deliveries and it tunes his guitar. It's in the running order. It's the flow. Tezeta is tezeta in electronic music form, with 4/4, breakbeats, samples and synths.

Gordon says a big part of what differentiates this album from from his previous albums is that is was recorded in a period where he allowed himself to create music without the constraints of time or self-pressure which coincided with a moment of heavy personal growth which allowed him to reflect deeply on his work.

There is a word in Portuguese "Saudade" that Gordon says has a similar meaning to Tezeta - Saudade is defined as a deep, sometimes bittersweet, longing or nostalgia for someone or something that is absent or lost. But here at SNF we think that in Tezeta nothing has been lost. Quite the opposite. Through Felipe Gordon's artistic explorations we have all gained something very special indeed.

Odysee’s vinyl release schedule for 2026 kicks off with this superb 3-track E.P. from none other than the labels founder, T-Mirage. Following up from his 2024 release Dark Rhodes, this E.P. is an embodiment of the raw Mirage sound; a melting pot of Atmospheric D&B with hard hitting dance-floor sensibilities, where 70's OST & Film Noire sounds are blended with deep Techno and electronica elements.

From the blistering amens and deep textures of 'Expressive Thoughts', to the dreamy atmosphere of 'Dawnbreaker' and the dystopian menace of the breakbeat-driven 'Machines Of London', this E.P. is an absolute must for all true Odysee fans!

In 1994, Tilla was just 17 years old, and an integral part of the original St Albans collective that comprised Jim Baker & Phil Aslett (Source Direct) and Rupert Parkes (Photek), when he set up the Odysee imprint and released the first Source Direct record (Future London/Shimmer). With a follow-up release from Photek (Phaze 1/Try A Style) and a second from Source Direct, the profile of the label began to grow exponentially.

It was the 3 Mirage releases however that really put the label on the map. These tracks were engineered by Jim Baker but heavily co-produced by Tilla himself with a major focus on his keen ear for dark 70’s Noire samples and eerie abstract electronica pitted against soulful R&B vocals. In hindsight, the impact of this rather different soundscape on the Source Direct material that followed is unmistakable.

The CJP Band return to Supa Jams with two more tracks for your listening and dancing pleasure.

First up 'We Must Believe' channels disco (not) disco vibrations on a strings for days sea of spiritual spaceways. Soaring skyward on Boogie driven basslines and roaring sax solos.

This fresh cut nods to the psychedelic soul vocals of Rotary Connection, Idris Muhammad and The 5th Dimension, Carrying a powerful spiritual message of unity and transformation.

On the flip, Charles Earland 1976 jazz funk classic 'Let The Music Play' gets the CJP cover treatment.

A raw, Driving dancefloor burner, Powered by heavyweight drums, Deep Fender precision basslines, Flamboyant Brazilian percussion and crazy guitar and sax solos. Featuring Hannah Williams on guest vocals.

Hand Stamped Sleeve

Limited Pressing

Don't Sleep!

Expand is the fourth release from French producer Antoine Bourachot. The EP features five original tracks, including the standout singles Sailing Away and Who Said?, with soulful vocals form Sodade.

Also included are two special live recordings of Sailing Away and Who Said?, captured at the legendary Motorbass studio in Paris with a ten-piece band.

The release closes with a bonus track, Far Too Long.

Dieses Album braucht keinen Anlauf und keine Vorrede. Von Sekunde eins an ist es da. Es türmt sich auf, überlebensgroß und mit einer nahezu existenziellen Dringlichkeit. "Einmal mehr mit Dir gegen die Furcht" ist das sechste Studiowerk der Berliner Band Klez.e. Es ist von der düsteren Ahnung getrieben, dass da draußen gerade etwas kippt, und es setzt dieser Bedrohungslage etwas entgegen. Klez.e, das sind fast 25 Jahre nach der Bandgründung: Tobias Siebert (Gesang, Gitarre), Daniel Moheit (Synthesizer, Bass) und Filip Pampuch (Schlagzeug, Percussion). Waren die Vorgänger "Erregung" (2023) und "Desintegration" (2017) von einer grimmigen Düsterheit geprägt, ist diese Trostlosigkeit einer bislang ungehörten musikalischen Luftigkeit gewichen. Und es ist, als habe sich die Band beim Schreiben der Songs auch erstmals bewusst gegen die Furcht vor dem Erzählen gestemmt. An die Stelle früherer Verklausulierung ist eine neue textliche Klarheit getreten. Musikalisch ist "Einmal mehr mit Dir gegen die Furcht" eine Kathedrale von einem Album: akustisch weit, mit glatten, kühlen Oberflächen, atmosphärisch dicht und verhallt. Das Licht, das durch die Fenster hereinfällt, verdrängt die Dunkelheit und malt hier und da tanzende Flecken auf den Boden und an die Wände. Klez.e den schmerzhaften persönlichen Erfahrungen in einer sich verdüsternden Welt ein drängendes und bestürzend schönes Album abgetrotzt. Eines, das die Antwort auf die bange Frage gibt: "Was tun, wenn alles zusammenbricht?" Sie lautet: näher zusammenrücken. Gemeinsam gegen die Furcht. CD, LP klassisch schwarz sowie LP farbig.

Mit Tether veröffentlicht die preisgekrönte Saxophonistin, Improvisatorin und Komponistin Alden Hellmuth ihr neues Album - der kraftvolle Nachfolger zu Good Intentions, das als Debut Album of the Year International beim Deutschen Jazzpreis ausgezeichnet wurde. Hellmuth, Absolventin des renommierten Herbie Hancock Institute, verbindet hier kompositorische Präzision mit einem markanten, modernen Bandsound. Das Herzstück von Tether ist ein seltenes Zwei-Bass-Quartett, getragen von zwei der radikalsten Musiker der LA-Szene: Logan Kane, ein genreübergreifender Bassist zwischen Jazz, Avantgarde und Punk-Funk, und Miller Wrenn, einer der furchtlosesten Improvisatoren der Westküste. An den Drums sorgt Justin Brown für energetische Dynamik - ein herausragender Musiker, der u. a. mit Ambrose Akinmusire, Christian McBride und Vijay Iyer gearbeitet hat. Besondere Gäste wie Paul Cornish, Finalist großer internationaler Klavierwettbewerbe und auf Blue Note veröffentlicht, sowie Yakiv Tsvietinskyi, eine prägende Stimme des modernen ukrainischen Jazz, erweitern den Klang zusätzlich. Tether ist ein energiegeladenes, modernes Jazzalbum, das Avantgarde-Mut, kompositorische Tiefe und unmittelbare Spielfreude vereint. Hellmuths Quartett erschafft eine kraftvolle, eigenständige Klangwelt zwischen Modern Jazz, zeitgenössischer Improvisation und experimentellen Low-End-Texturen.

Jimpster delivered some great releases in 2023, most notably his Natural Child collab EP with Crackazat as well as his Tribute EP featuring South African vocalist Mavhungu and including heavy Osunlade remixes. He also produced some of his best remixes to date including Thakzin’s Don’t Let Me See, Blaze’s Wonderland and Detroit Rising’s Rocket Love.

It’s always a good day to announce a new Jimpster EP on Freerange and with two captivating originals plus a stunning Atjazz remix you’re in for a treat! You’re My Ecstasy sets the tone with Jimpster’s trademark deep Rhodes pads, punchy bassline and shuffling classic house drum groove. He once again manages to strike a great balance between soulful, musical, warm and just a touch moody.

Next up we have The Passion which builds a deep and jazzy mood around a 4 bar piano progression whilst the sampled interviewee gives his insight into how he maintains his passion for music. London based trumpet player KingCrowney adds some lovely horn parts, emphasising the jazz feel to compliment the spoken word.

Atjazz gets well and truly stuck in on his remix of The Passion. Reportedly completed in just two studio sessions the hardest working man in deep house (as Jimpster calls him) brings his well-loved deft touch introducing an beautifully syncopated bassline and classic Atjazz drums making for a clubby interpretation for the deep, discerning dance floors.

Los Amantes Oscuros" brings together for the first time on vinyl the recordings made between 1968 and 1969 by pioneers of Bolivian garage rock, Loving Darks, originally released on their three EPs. A selection packed with proto-punk covers of hits by the Stones, Cream, Tony Hatch, and more-often surpassing the originals in attitude and power. Their original records are highly sought after and are virtually impossible to find in any condition_ If we had to choose the Latin American country where the rawest and wildest garage and beat records of the '60s were recorded, Bolivia would be one of the clearest contenders. For some strange reason-surely related to the country's extreme conditions, its high altitude, and the influence of huayno-Bolivian recordings are truly unique and fascinating. A multitude of bands sprang up under the influence of groups-mainly British-that dominated the international charts. From the ashes of two of Bolivia's most important seminal bands, Los Black Byrds and The Turtles, two new groups fundamental to the history of Bolivian rock would be born: the mythical Climax and the legendary Loving Darks. "Los Amantes Oscuros" brings together for the first time on vinyl the recordings this band made between 1968 and 1969, originally released across three EPs on the local Lyra label. Their repertoire is packed with covers such as 'El Adivino,' a sped-up reinterpretation of 'Fortune Teller,' or even 'Algo de títere,' a reworking of 'Jumpin' Jack Flash.' They also adapt the classic 'Call Me' by Tony Hatch and 'Toad' by Cream, from whom they borrow the cover of one of their most iconic albums for the artwork of their EP "Complicado." In fact, 'Complicado'-a proto-punk version of the Rolling Stones' 'Complicated' and their signature track-is a perfect example of how a Bolivian band could outdo the British giants in attitude and power. Their importance lies in having paved the way for new sounds, styles, and aesthetics within a still-emerging scene. This compilation is a joint release with the Peruvian label Rey Record and includes an insert with notes on the band's history. First time vinyl reissue.

Get In Where You Fit In, was originally released in October of 1993 and would be his fourth album in a row to be certified platinum. Production was handled by Ant Banks and The Dangerous Crew, which featured live instrumentation, incorporated P Funk samples, and G Funk synths. The lead single "I'm a Player" sampled Bootsy Collins' funky bass of "Hollywood Squares" and Quincy Jones' son QDIII produced the epic Bay Area G Funk laden classic track "Just Another Day". And it wouldn't be a Too $hort record without some pimp and sex tales like "Blow Job Betty", "All My Bitches Are Gone" and the upbeat "Gotta Get Some Lovin". Bay Area legends Spice 1, Ant Banks, and Mhisani aka Goldy join in on the posse cut "The Dangerous Crew" followed by a track with more Bay Area legends Rappin' Ron and Ant Diddley Dog dissin' ex Dangerous Crew member MC Pooh on the title track. Get On Down has repressed this Too $hort 90's fan favorite album on Purple-In-Clear Colored Vinyl.

Carlos Alberto Garcia Moreno, better known by his stage name Charly Garcia, is an Argentine singer-songwriter, multi-instrumentalist, composer and record producer, considered one of the most important rock musicians in Argentine and Latin American music Named "the father of rock nacional", he is known for the complexity of his compositions covering genres like folk rock, progressive rock, symphonic rock, jazz, new wave and many others. His lyrics are known for being defiant and critical towards modern Argentine society, especially during the era of the military dictatorship and for his rebellious and extravagant personality.

Frankfurt am Main -- Leipzig duo not even noticed deliver their long-awaited debut album space beyond noise - a 12-track journey balancing club functionality with immersive, long-form listening.

Shaped by years of touring and a shared ritual of visiting botanical gardens around the world, the album blends shapely grooves, field recordings and warm melodic textures into a cohesive, lived- in sound. Subtle environmental details run throughout, creating a natural flow between tracks.

Musically, it moves between electro-funk, breakbeat and hip-hop- inflected cuts, with downtempo and dubby excursions. Highlights include the driving “chrone,” the sundown groove of “diras,” the acid-tinged “plune,” and the hazy two-step moment “skum.”

Designed with warmer months in mind, space beyond noise captures the balance between dancefloor energy and home listening depth.

Alt Dub label head Federsen links with Belgrade’s Estray for a deep, percussive exploration of dub house—where analogue weight meets globally-rooted rhythm and hypnotic late-night energy.

A key figure within Eastern Europe’s electronic landscape, Estray has spent over a decade shaping a sound that travels far beyond his home base. With releases on Rebellion, Neptune Discs, Sol Selectas, Akumandra and Buddha Bar, alongside an extensive international DJ presence, his output reflects a balance of cultural depth and dancefloor functionality.

His productions draw on a wide palette of influences, fusing African and Latin rhythmic structures with rolling, dub-informed low-end. Intricate drum programming and fluid groove design sit at the core, while his basslines—heavy, warm and propulsive—remain a defining signature. Federsen, known for releases on Echospace Detroit, Grayscale, Synchrophone, Lempuyang and Avant Roots, continues to refine a sound rooted in analogue process, spatial detail and textural precision. His work leans into restraint, allowing depth and subtle modulation to drive momentum.

Recorded at Devon Analogue Studios, the pair’s collaboration unfolds across four tracks built on dense sub frequencies, shifting percussion and evolving atmospheres. Each piece is carefully structured yet organic, moving between stripped-back dub frameworks and more rhythmically charged passages.

The result is a cohesive body of work that sits comfortably within the dub house tradition while introducing a broader, multicultural rhythmic language—equally suited to immersive listening and deep dancefloor moments.

Anthea’s PILLZ imprint returns with its ninth release, welcoming Argentinian producer Dani Labb for the ‘It’s Tayme’ EP. Across four tracks, Labb combines detailed sound design with rave-ready energy, moving between modern electro textures and flashes of 80s club nostalgia while keeping a strong focus on the dance floor.

From the smoky, late-night drive of the title track to the playful lift of ‘Te Gane’, the deeper groove of ‘Cosmoclub’ and the hazy broken rhythms of ‘Cuchillo’, the EP delivers versatile club material with character and momentum throughout.

Warehouse Find!

Time to welcome Soul 223 to the label with his debut Delusions EP entitled Fear Of Stopping. Something of a complete legend in our eyes and ears, Steve Pickton has been releasing top drawer tuneage for over two decades both as Stasis on influential labels such as B12 and Peacefrog and more recently as Soul 223 on equally well regarded imprints like Delsin, Soul Jazz and Neroli. Always one to shy away from any limelight or self promotion it's true to say that this underrated British producer remains something of an anomaly, staying true to his underground roots where faceless, shadowy and obscure reigns supreme over the latest over-exposed cover star. This ethos naturally carries through into his music where you will always find both expansive beauty and unrefined rawness in equal measures ensuring his tracks always sound fresh rather than over produced or contrived.

Fear Of Stopping opens the EP with a low-slung disco groove providing the backbone for intermittent pad washes and reversing stabs. The focus here is firmly on the drums and simple conga riff with thankfully very little else to deter you from this sublime slice of abstract dance music.

Next up we have a remix from another ridiculously talented producer who chooses quality over quantity, having only ever had one release under his own name, albeit for one of the most respected labels in the world; Rush Hour. Maxi Mill came to our attention having released one of the tracks of 2011 namely To The Next. On this, his first ever solo remix he brings a brilliant bump to the EP with a raw, warehousey and bass-heavy workout. Just the right amount of strings and pads keep the deep vibe intact but the filtering bass and jacking drums definitely take this one to the floor.

Flipping over we have Walberswick in it's Hoist Covert Mix incarnation. Almost thirteen minutes of spaced out, deep Detroit house music awaits you, ready to lure you in and cocoon you with it's warm and hypnotizing machine funk. Lovely to hear the old Stasis influence working it's way into this one sounding both decidedly old-school and completely futuristic and otherworldly as only the best tracks ever do.

Closing the EP we have Birdbrook Rain dropping the BPM's for a beautifully sparse track that brings with it an almost desolate and disconnected feeling, echoing synths providing a naive melody while a dusty pad shifts simply beneath. A little slice of magic concluding a fresh and interesting EP, we hope you agree.

Multitrack Reworks returns with Volume 14, featuring four exceptional reworks from producer Smoove. Working directly from the original multitrack tapes, Smoove peels back the layers and strips each recording down to its essential groove, revealing these classic tracks in a fresh new context. Across the EP, he delivers powerful drums, slick basslines, precise arrangements and perfectly placed percussion breaks.

Gladys Knight’s Taste The Bitter Love contains all the right ingredients, expertly polished and reimagined for contemporary dancefloors. Heartfelt strings, warm Fender Rhodes and Gladys’ unforgettable vocal performance combine to create a timeless yet modern groove.

Dexter Wansel’s Theme From The Planets has been sampled countless times throughout the years, often intentionally played at the wrong speed. Smoove takes a different approach, reworking the track at a faster BPM while carefully retaining the original pitch, bringing new energy to this much-loved classic.

On Talk Talk’s It’s My Life, the keyboard layers are stripped back to a Balearic-inspired groove, allowing the iconic vocals to take centre stage while maintaining the song’s unmistakable character.

The EP closes with the mighty Donald Byrd and Lansana’s Priestess. Here, Smoove delivers a stripped-back jazz-funk workout, highlighting the track’s infectious rhythm and musical sophistication while giving dancers plenty of room to move.

Volume 14 is another masterclass in respectful reconstruction, breathing new life into four celebrated recordings while preserving the qualities that made them classics in the first place.

Somewhere between the after-hours haze and the first flicker of sunrise, Nebraska re-emerges - this time with a twist in the signal. Long respected for his deep-cut sensibilities and dancefloor intuition, Ali Gibbs returns to Delusions Of Grandeur not just as Nebraska, but with a handover to his new alias: Dubl Drat. The Alter Alter Ego EP plays like a transmission from both sides of his creative psyche - one rooted in warm, groove-led house and disco mutations, the other drifting deeper into dubbed-out, heady abstraction.

The A-side opens with Alter Alter Ego in its Nebraska OG Mix form - a crunchy, funked-up mid-tempo burner. Chopped Rhodes solos flicker in and out of the mix while a rolling bassline locks into a low-slung groove - equal parts party-starter and late-night dancefloor hypnosis. Next, The Teckel Track slides the tempo down into a proper slo-mo four-on-the-floor bumpy groove. Fat stabs punch through layers of glitchy FX while a melodic bassline snakes underneath, forming a hazy, infectious earworm tailor-made for those early-night mood-setting sessions. Closing the A-side, Olive (Dubl Drat Dub) signals a shift. Here, Gibbs leans fully into his Dubl Drat persona, dissolving structure into a blissed-out dub excursion.

Chopped breaks scatter across the stereo field, chiming melodies echo into the distance, and granulated percussion parts build a dense, immersive landscape - one to get lost in rather than dance through. Flipping over we have Alter Alter Ego (Dubl Drat Remix) which reconfigures the title track into a stripped-back boogie workout. The groove is leaner but no less potent, driven by a killer bassline and punctuated with signature Rhodes licks - pure, understated club pressure. Finally, Olive (Nebraska Version) offers a gentle comedown. This alternate take softens the edges, introducing additional guitar textures that drift into Balearic territory. It’s nostalgic, introspective, and quietly expansive - a closing chapter that lingers long after the last note fades. The Alter Alter Ego EP isn’t just a new release - it’s a dual-state exploration, a conversation between rhythm and space, between Nebraska and Dubl Drat, and marks the last ever Nebraska release as Ali closes the chapter and the alias for the final time.

The story that underlines on the deep levels of the artist cannot be said & done with a few words. It has to be discussed and aknowleged by the the most intricate ways of human wholesomeness and the connection of the art that we call sound. Human Collapse has been created with love for a human life but at the same time understanding that we are collapsing as a society in one way or another, whenever we chasing the material things or feeling absolute content and secure with minumum the world is giving us. Humanity Collapse is all about experiencing it together wrapped in an idea that we’ll be able to understand. The final track of the B side is taken by truly incredible artistic force called Charlou. The deep mind from France has taken his view on the subject with an insatiable musical acknowlegedment.

The second release from Baller Beats brings two killer vocals to move your soul. DJ Goce knocks it out of the park with an updated tough version of a beautiful soul track that instantly captivates! S man on the flip with a club-ready 2000’s RnB vocal, beefed up with a familiar instrumental - Made for the mix!

Side A) DJ Goce hits hard with this standout raw and punchy soul edit that will NOT leave your crates. The emotionally charged vocal locks you in with a feeling of heartbreak and pain, grabs you by the soul, and doesn’t let go! Don’t miss out on this absolute gem of a edit!

Side B) Australia’s S Man has made a big stir of late with several successful releases on various Australian imprints. Baller Beats is happy to have him onboard with a classic RnB vocal that was in need of a 7’ club cut edit. Early 2000’s nostalgia with a beefed up instrumental that just works so well in the mix!

French beatmaker Farres returns with Get Out Of This House, a four-track EP navigating the space between driving house and tech house, with subtle electro tendencies woven through it. Rather than chasing trends, the EP leans into subtle tension and rolling energy, building patiently and with intent, reflecting a sound that feels refined, deliberate, and increasingly distinctive. Built through patience, consistency, and a clear sense of direction, this EP marks a significant step for Farres — and we’re glad to welcome him to Partisan.

BERLINCIAGAY launches its first vinyl release, welcoming DJ Beluga92 for a dreamy and twisted journey through house, tech and electro. Rooted in analog textures and emotions,
BCG001 captures a driving and cinematic side of Berlin nightlife while still carrying enough tension for the late-night hours.

Mastered and lacquer cut by Mike Grinser at Manmade Mastering and pressed by Matter Of Fact, the EP feels intentionally physical and warm, embracing the depth and movement of analog sound.

DJ Beluga92 recently delivered a live set at Rex Club Paris, which can also be heard through the BERLINCIAGAY #10 mix series. We are very excited to finally present this release on vinyl.

A1 “Rip Meine Maschine” is Labelheads Tom Peters’ absolute favorite from the EP. A twisted roller driven by a distinctive male vocal, hypnotic groove and restless energy. The track became a closing moment during Tom’s latest US tour, where he played BASEMENT’s Studio in NYC, Vice Underground’s warehouse party in Los Angeles and Midnight Service in Miami.

A2 “System Effect” moves into a more dreamy and emotional direction. Floating vocals repeating “this is the sound” drift through housy pads and spacious textures, creating a track that feels both euphoric and trippy at the same time.
B1 “GA_Entry after 7AM” rounds off the record beautifully with spacey atmospheres, analog synth work, echoes and reverbs. It feels like the afterglow of a long night, designed for the early morning hours on the dancefloor or the journey home afterwards.

BERLINCIAGAY is a statement. A different perspective on Berlin club culture. Less aggressive, less functional, more emotional, dreamy and intimate.

Mit diesem außergewöhnlichen Doppel-Vinyl lässt sich die Musik aus den ikonischsten Filmen von Clint Eastwood neu entdecken. Als Schauspieler, Regisseur und Produzent zählt Eastwood zu den prägenden Figuren der internationalen Filmgeschichte - und hat über Jahrzehnte hinweg ein ebenso markantes musikalisches Universum geschaffen. Diese sorgfältig kuratierte Sammlung vereint Originalaufnahmen aus seinen Filmen und spiegelt die enorme stilistische Bandbreite wider: von Jazz-Legenden wie Charlie Parker und Duke Ellington über Soul- und Pop-Klassiker bis hin zu Orchesterwerken und traditionellen Stücken. Die Auswahl zeigt eindrucksvoll, wie entscheidend Musik für die Atmosphäre von Eastwoods Filmen ist - mal subtil, mal prägend, immer charakteristisch. Gepresst als hochwertige Doppel-LP auf farbigem Vinyl, ist diese Edition zugleich Sammlerstück und klangstarke Hommage an eine einzigartige Film- und Musiktradition.

Eight track LP of blissed out dub artifacts from Detroit’s Infant

Manchester-based poet, writer and producer Antony Szmierek has announced the release of his debut album, Service Station At The End Of The Universe. The past few years have been a wild ride for the artist. Cutting his teeth on the Manchester spoken word scene and gaining notoriety for his seamless flow skewering everything from the hardships of contemporary British life to finding the unexpected beauty in the everyday, it was the 2023 release of his single ‘The Hitchhiker’s Guide To The Fallacy’ that kicked off his meteoric ascent.

After the relaunch of its vinyl output, Sol Asylum continues the SA-LTD series with Jorge’s Anticipation Station EP — his first vinyl release on the label. Blending old-school breakbeat, acid, and progressive house with a refined modern edge, the EP reflects Jorge’s deep musical background and dancefloor intuition. Tested across floors worldwide, this release marks a strong and confident next chapter for both the artist and the SA-LTD series.

Strut Records proudly presents the first definitive expanded reissue of Somewhere Over The Rainbow, Sun Ra’s 1977 session recorded at the Bluebird in Bloomington, Indiana, presented across three Vinyl LPs or as a two CD set.

The Arkestra were at the peak of their powers in 1977, releasing revered albums like The Soul Vibration Of Man and My Favorite Things with Arkestra regulars Marshall Allen, Danny Ray Thompson, Michael Ray and Luqman Ali among the core musicians. Ra also continued his touring in Europe with historic gigs in Italy. During this period, Arkestra live performances were often loosely structured into thematic blocks that moved from reflections on jazz history to cosmic “space narrative” sections featuring collective chants, extended Africa/Egypt-inspired grooves and selections from the Great American Songbook. This recording brings in all of these features with re-imagined versions of standards like ‘Take The “A” Train’, ‘St. Louis Blues’ and title track ‘Over The Rainbow’ alongside rarely recorded Ra compositions like ‘Make Another Mistake’ and ‘Amen Meni Many Amens’. Ra conducted improvisations to guide the listener seamlessly from one musical scene to the next. As Sun Ra himself described it: “It’s like a party—we enjoy ourselves and everybody’s invited to enjoy it with us.”

The original version of Somewhere Over the Rainbow assembled a handful of clearly delineated tracks drawn from the flow of two complete concert recordings, re-arranged out of sequence. Strut’s new edition restores previously excised material and preserves more of the natural transitions between pieces, offering a fuller glimpse into the distinctive aesthetic of Sun Ra and his Arkestra.

This definitive reissue is pressed across two CDs, or three vinyl LPs housed in a triple gatefold sleeve, newly remastered by Technology Works from the original source tapes and features extensive new liner notes by Chris Cutler alongside video stills from the original concert.

Despite building their careers out of strikingly different musical places, both dBridge and Radioactive Man have taken influence from the field in which each other operate. dBridge (Darren White) was part of the iconic drum & bass outfit Bad Company and he helms one of the scene's most solid and quality imprints in Exit Records and Radioactive Man (Keith Tenniswood) was born from the acid house scene and the off kilter electronics of his Two Lone Swordsman projects (alongside Andrew Weatherall) which led him to create his decidedly UK take on Drexciyan electro. It's by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they've also found a mutual respect and connection in the studio over the last few years, leading to the dBRm moniker for Craig Richards' The Nothing Special label.

After ten years 12 Inch Lovers has become a household name not only because of their parties but also because of the fantastic vinyl samplers they released over the past few years, which were sold out in no time and have become true collector's items.

They now continue in the same vein and once again bring a fresh and contemporary mix of hard to find, original house classics or even classics that never had a vinyl release.

These samplers should therefore not be missing from any 12 Inch Lovers collection.

"Gregor Salto" is at it again! Sampler 6 opens with that other and hard to find classic of his "Your Friend". A club classic that has won the hearts of countless clubbers and house fanatics around the world since 2009. And speaking of hearts; Belgian dj-producer "DJ Wout" released this beautiful and emotional remix of "D. Van Horn's" "Somebody Now To Love". A true trance classic and typical in sound for that period that you can find on A2.

On B1 we find a more recent track but which you can already say is a future classic. "MZ" from "Sascha Funke" is still played to this day by top DJs like Solomun and very hard to find on vinyl. A must have! Dutch producer "Karmon" delivered this catchy deephouse remix of "Fabo's" "Where I Stand" in 2012. You can find it on B2.

On C1 we find the beautiful "Andain" classic in the "Gabriel & Dresden Unplugged Mix". "Beautiful Things" was picked up by "Tiësto" at the time and has made it a true classic. Hard to find on vinyl.

"Moko" "Fly" on C2 is a very catchy and quirky track from 2010 that never had a vinyl release! Highly recommended!

D1 brings the dreamy and highly sought after "Today" from "POB & Taylor" in the "Seismic" remix after which we close with D2 with a true classic.

"My Moon My Man" by "Feist" is probably that record which remix is better than the original. "Boys Noize" was responsible for this in 2007 and the rest is as they say history.

2026 Repress

In our era of post-truth & questioned realities, tin foil hatted folk project their insecurities onto the puppet masters, those holding the strings to us all, the endless psy-op at play. For those opting for psychedelic enlightenment over psychological terror, we find solace in the dance, especially when the music is from heads such as Jeku.

‘Peyote Trance’ follows the Helsinki based artists journey into the “trip”, where mother nature instead pulls the strings. A sound of trance often not followed, continuing the work of forebearers such as eXquisite CORpsE; where the zap of the synapses in the brain connect with the bubble & squeak of electronics. Creating a sound advanced by nature, yet resonating within the concrete walls us ravers know and love. All 4 tracks harness a kinetic energy that nudges you to ascendance, not desperately reaching for it like the heavy handed aesthetics of the genre can. Instead, the heads down motion of the music can take you there, and well, a little bit of Peyote might just help, as mother nature intended.

Old school Les Boucles Etranges Style : Bass Kicks and spaces electro sounds...

Simple production is the goal, no overcomplication. A sharp kick, added vocal, just a few strong elements that really stand out. Ason Teva keeps it direct and honest. The result is a powerful track that makes me rethink everything I knew about production.

Alex Caballero, also known as Doctrina Natura (Seville, Spain), is known for his organic, nature-inspired sound, and this remix follows that style closely. It exists alongside my original track, like two versions in different universes with the same purpose.

In his version, the focus is on punchy, tight drums that give a 90s feel. The track starts dark and moody, then gradually builds into a more intense and powerful climax, keeping its natural and immersive vibe throughout.

This is the second time Alex has remixed one of my tracks. The first collaboration dates back to 2019 on Edgar’s Nferee. While my own sound has changed significantly since then, Alex has remained true to his distinctive style, steadily raising the quality of his work.

Strom UA delivers a remix with deep basslines and hypnotic sounds that create a strong atmosphere from the start. The track develops slowly, adding small, subtle new elements along the way which are not recognised at first but at the end they come together and form a full story.
To me it feels like traveling in a tunnel where the light slowly disappears. It creates a cold and mysterious feel which then keeps you interested and encourages you to progress further.
It doesn’t demand attention, it absorbs it.

Repress 2026 of the Chronobrain 16... The Road Creator is back !

CRAZY stuff !!!

Double LP for a travel into darkness, Tribe to Hardcore with lots of storytellings... At the concept album frontier !

Unique !

Superb second opus for T.I.R. !

The record open on a flood raving Tribe tune from Spinhell...
Then his second tune brings something definitly more old school Tribe, minimal and jumpy/pumping, annoncing the style that carries the flip from CRLTTO and Dottor Gonzo

Still 4 crazy tracks, pure tribe ! Summer sound !

First tune is a superb little trippy Techno mental travel...
And then comes a Tribe acid swinging 175 BPM pumper !

The flip offer a Techno tune for the B1, easy mouth harp !
The finish is a Dub StepperTtechno tune in the Uzinadub style !!!

BIG UP !!

2026 Repress

Traversing wormholes and flexing versatility, Nicola Cruz gets back on his club-ready biz.

No proper introductions needed here. Sometimes you just have to sit back and appreciate someone at the top of their game. The third portal thing, done masterfully. Hats off.

Time-honoured templates that provide the foundations for his hybrid mutations. Three mescaline-strength techno incursions backed up with a vivid projection of fractal electro.

Big on murk. Properly steeped in introspection, expanding consciousness and horizons. The vision quest endures for the duration.

New levels of insectoid detail and lysergic flourish revealed with every close listen, but he’s always keeping it robust. Giving it chest with some serious dancefloor dramatics until the final unfurling.

Insane Teknology's label new batch !!

Double LP for the newskool Resist-Dance !!!
Bloody tunes bringing Insane Teknology or Protokick... in the meantime than discrete talents since ages like Piou... and new sounds...

This label is totally awake !!!

ENJOY !