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The 17th release on Ohm Series features tracks by Blueshift, Lovan Lerogovan, Malkov & NSS
Another strong release - well selected by label boss Bjarnar Jónsson aka OHM.

Janeret present Orizon, With his new record label, Janeret opens the door to a world of unrestricted sound. A label that thrives on variety, mixing styles while providing a platform to artists who resonate with his vision. Orizon001, Mantrax EP is dedicated to the different spectrum of house music to a deep dive into atmospheric Drum & Bass. ,

2025 Repress

Quickly following March’s The Fool - our label debut - Sa Pa reveals his new album Ambeesh on Short Span.

Coming five years after In A Landscape, and nearly a decade since his debut Fuubutsushi, Ambeesh pulls together a previously hidden body of work.

Written between 2014-2019 and long held in reserve awaiting the right moment for release, the album has often been grouped conceptually as a follow up to his FORUM debut. There’s a strong through line connecting the unique language and liveliness of ambient, layered field recordings, and dub techno found in those earlier records, as well as the seamless skydive through pressure formations found in the Enter Sa Pa production mix, which hinted at several of these tracks.

These pieces have taken time to surface and fully catch the light, but there’s still little else that compares. It’s a cache of some of his deepest and most texturally thrilling music, some of which have been rattling around in our ears and minds and conversation for years and have now found the right home and time. Forward thinking and singular in its combination of atmosphere; Ambeesh can press on the body at the right volume, and moves in thrust and riposte with the listener’s circadian rhythms. Sa Pa continues to dissolve the border between club-informed experimentation and intimate headphone listening.

Ambeesh also marks the artist’s return to Australia and the beginning of a new phase.

Mastered by Miles. Digital release of Lexanconical mastered by CGB @ Dubplates & Mastering.

Art from The Designers Republic.

Celebrated Danish/UK bassist Jasper Høiby presents We Must Fight, an audacious new statement with his exploratory and collaborative band, Fellow Creatures. Reimagining the music of his renowned trio Phronesis, through the visionary arrangements of Alex Hitchcock, transforming his compositions into a dynamic, multi-layered collective experience. Blending Oud, brass, and intricate rhythmic interplay. We Must Fight is a bold, forward-thinking sound that cements Høiby’s reputation as one of contemporary music’s most fearless innovators, serves as a powerful reminder to stand up for what unitesus, using music as a tool for positive resistance and collective action. White vinyl.

Strut proudly presents the debut album from producer, songwriter and multiinstrumentalist, Momoko Gill. Fresh from her critically acclaimed collaboration Clay recorded with cult electronic artist Matthew Herbert, Momoko steps forward in her own right for the first time with her remarkable debut solo album. Momoko has long been one of the UK electronic and jazz scene’s best-kept secrets.

A self-taught drummer, producer, songwriter, and vocalist, she has brought her unique touch to collaborations with Alabaster DePlume, Matthew Herbert, Coby Sey, Tirzah, and Nadeem Din-Gabisi (her musical foil in An Alien Called Harmony). Extensive touring behind the drum kit, at the keys and in front of the mic have honed her compositional and production instincts. With Momoko, Gill emerges into the spotlight with an album that is entirely her own. Throughout, you can hear the stylistic flavours of jazz musicians as much as singer-songwriters, experimental artists and electronic producers. Though Gill rejects imitation, sculpting her sound through feel and expression rather than tradition. Based in London and having grown up in Japan and the US, Gill channels her breadth of perspective through her musical ideas and storytelling, with a unique voice developed through instinct, collaboration and solitary study.

The album’s eleven tracks take in a wide spectrum with the jazz-infused groove of ‘No Others’ and harmony-drenched, reflective ‘Heavy’ contrasting with the dark, confrontational sound of 'Shadowboxing' leading into an eerie left-field instrumental beat, ‘Test A Small Area' and the impressive 50-person choir on ‘When Palestine Is Free’ (which includes heavyweights Shabaka Hutchings, Soweto Kinch, Alabaster DePlume, Coby Sey, Marysia Osu and more). It is a deeply personal and poetic recording and showcases the full uncompromising range of Momoko’s vison, presented in her own voice. Momoko was produced by Momoko Gill, recorded at Total Refreshment Centre, mixed by Matthew Herbert and mastered by Alex Gordon at Abbey Road Studios.

Repress!

LTD Edition white vinyl version of RÜFÜS DU SOL's debut LP 'ATLAS' that hit Number 1 in Australia. The album was a testament to the band’s passion, work ethic and DIY approach to music, featuring the much loved singles 'Take Me' and 'Desert Night'.

A labour of love, the album was written, produced and recorded by the band between two studios they built themselves - one in a remote farmhouse on the NSW south coast, the second in a hollowed out water tank under one of their parents houses.

Das Album "One, Two" von der Reggae/Dancehall Legende Sister Nancy enthält „den meistgesampelten Reggae-Song aller Zeiten“ („Bam Bam“) sowie zwei weitere Hitsingles („One Two“ und „Transport Connection“). Produziert von Winston Riley und gemischt von Soldgie bei Channel One. Sister Nancy in ihrer Blütezeit mit einer erstklassigen Auswahl der besten Reggae-Rhythmen, originalem Artwork und einer Innenhülle mit Liner Notes des angesehenen Reggae-Historikers John Masouri.

Vohkinne is the alter-ego of Craig McWhinney, close associate and one of Southern Light’s foundation artists. The Way Of All Things is his first album in six years and provides a dystopian sonic journey into contemporary and modern techno that few artists can match.

Internal Collapse is an opening statement of intent; drone-infused and heavily cloaked dark ambient techno. Falling Knife is a chilling half step creation, providing a sense of murky sonics raining down from above. Unearthly Lights shifts gears as it traverses a more linear and magnetic path, while Disintegration diverts again with darker, squelching breaks.

C h r o m e s t h e s i a slows down the tempo but the morose and opaque feel of the album remains ever present, before War Paint is unleashed with a sense of urgency and high-octane intensity. Between Lives continues that intensity by unleashing its dark hypnotic breaks, before closing with the title track, perhaps for the first time on the album revealing a ray of hope amongst the dystopian energy that prevails on the album.

The Way Of All Things is more than a collection of tracks; it’s a look inside one artist’s view of the world, distilled into a singular and expansive archetype body of work.

Following up after the recent Circadian Rhythms release is Sebastian S under his Caustic 14 alias with a yummy yummy 2x12” six tracker full of speedy bleep science breakbeat and colorful jungle techno compositions that could only be made in BRUXHELL (Brussels).

The selection is a patchwork of various unreleased works from around 1993 to 1996. A silent witness of these rave-days said the following about the production process of the tracks on this new Basic Moves release:
“We were eager to share our individual sound universes with each other and see where it would take us. These compositions emerged during many sleepless nights spent watching videos of science fiction series such as Babylon 5 or Star Trek, scrutinising each episode while composing.”

The Womack Sisters – Kucha, Zeimani und BG Womack – sangen schon, bevor sie laufen konnten. Ihr gleichnamiges Debütalbum „The Womack Sisters“ aus dem Jahr 2026 ist der musikalische Höhepunkt der langen und kurvenreichen Reise der drei Schwestern auf der Suche nach sich selbst. In einer Sammlung von Stücken voller intensiver Soul-Power, die an eine Zeit erinnert, als Popmusik noch Substanz, Atmosphäre und Sinn hatte, kommt jede ihrer unverwechselbaren Stimmen im Rampenlicht zur Geltung.
Die Schwestern wuchsen auf der Straße auf. Ihre Schulen waren Bühnen und Studios auf der ganzen Welt, wo sie hinter ihren Eltern, Zekkariyas & Zeriiya (ehemals Womack & Womack), zusammen mit ihren vier Geschwistern sangen. Nirgendwo waren sie lange zu Hause. Egal, wo sie lebten – London, Thailand, Amsterdam, Kenia, Paris, Sydney, Zürich, Wien, Tansania, New York, Miami, West Virginia, die Bahamas – sie waren immer von Musik und Familie umgeben.
Als Enkelinnen des legendären Sam Cooke und Nichten von Bobby Womack stammen die Schwestern aus einer Soul-Dynastie, die tief in ihrem musikalischen Wesen verwurzelt ist. Das Album „The Womack Sisters“, das am 14. August bei Daptone Records erscheint, blickt nach vorne, indem es zurückblickt: Es ist eine Hommage an die Tradition ihrer Familie und schafft gleichzeitig einen Sound, der ganz und gar ihr eigener ist.

The Womack Sisters – Kucha, Zeimani und BG Womack – sangen schon, bevor sie laufen konnten. Ihr gleichnamiges Debütalbum „The Womack Sisters“ aus dem Jahr 2026 ist der musikalische Höhepunkt der langen und kurvenreichen Reise der drei Schwestern auf der Suche nach sich selbst. In einer Sammlung von Stücken voller intensiver Soul-Power, die an eine Zeit erinnert, als Popmusik noch Substanz, Atmosphäre und Sinn hatte, kommt jede ihrer unverwechselbaren Stimmen im Rampenlicht zur Geltung.
Die Schwestern wuchsen auf der Straße auf. Ihre Schulen waren Bühnen und Studios auf der ganzen Welt, wo sie hinter ihren Eltern, Zekkariyas & Zeriiya (ehemals Womack & Womack), zusammen mit ihren vier Geschwistern sangen. Nirgendwo waren sie lange zu Hause. Egal, wo sie lebten – London, Thailand, Amsterdam, Kenia, Paris, Sydney, Zürich, Wien, Tansania, New York, Miami, West Virginia, die Bahamas – sie waren immer von Musik und Familie umgeben.
Als Enkelinnen des legendären Sam Cooke und Nichten von Bobby Womack stammen die Schwestern aus einer Soul-Dynastie, die tief in ihrem musikalischen Wesen verwurzelt ist. Das Album „The Womack Sisters“, das am 14. August bei Daptone Records erscheint, blickt nach vorne, indem es zurückblickt: Es ist eine Hommage an die Tradition ihrer Familie und schafft gleichzeitig einen Sound, der ganz und gar ihr eigener ist.

Suburban Architecture are pleased to announce the second release in their 'New Town Dubs' series, following in the footsteps of the now Sold Out 'Architecture Dubs' series. Whereas 'Architecture Dubs' enlisted remixers from Drum & Bass's mid 90s golden era (among them the likes of Peshay, Blame, 4Hero and Ray Keith), 'New Town Dubs' turns its attention to the new breed of producers inspired by the sounds of Drum & Bass and Jungle's foundations.

On the A-Side, a rinsing Amen rework of 2022 roller 'Distant Response' comes courtesy of Law, the name behind the prolific Repertoire imprint. With releases on labels including Silent Force, Rupture and of course Repertoire, Law has been a major player in the Jungle revival sound for over a decade.

Over on the flip, Melbourne based producer Kloke delivers a stripped back rework of 'Rising', taken from this year's 'Vivid' EP. With releases on Future Retro, Hyperdub and Diamond Life, Kloke is a frequent collaborator with Tim Reaper and has collaborated with many of the notable producers and labels representing Jungle's new wave.

Pressed on 10" vinyl and housed in brown Kraft paper sleeves, the series makes visual reference to the exclusive dubplate pressings which introduced so many classic cuts to the UK's dancefloors in the 90s.

SKYLAX RECORDS presents the second chapter in a landmark 4-part saga — a secretive and conceptual series uniting two titans of French electronic music: ARNAUD REBOTINI & ACID WASHED. Following the acclaimed Winter Sequences (LAXBLACK 01) and Rebotini’s Musical Component, SKYLAX BLACK 3 pushes further into cinematic rave, electro, and techno territory. On the A-side, Artificial Darwinism ignites the EP with raw intensity — fusing early 2000s Blackstrobe energy, UR aggression, and cold wave tension into a hypnotic, funk-laced ritual. They Are Coming follows with darker, driving techno — mechanical yet alive, pulsing with paranoia and urgency. Flip to the B-side for Space Time 303, a dreamy ambient-acid trip evoking early R&S and IDM — ethereal, timeless, and drifting through time. Closing the EP, A Comet in the Northern Sky delivers melancholic electro in the spirit of Dopplereffekt and Drexciya, elevated by Rebotini’s analog mastery. A visionary statement — intelligent, bold, and essential. The puzzle continues to unfold…

2024 repress!


Echospace are proud to announce the fourth ep from the forthcoming cv313 album, "dimensional space". The title track "Seconds To Forever" was originally planned to appear on Echospace 010 but due to the nature of old Ampex tape, the age of the tape resulted in terrible shedding and was unable to be restored but as a result was remade and remodeled for this special limited release in clear vinyl.

This is the very first and only single artist EP from Tone DropOut. This EP is the work of TDO co -owner DAWL. DAWL has put together four big dance floor electro bangers , that we felt should not be separated.

Each track shows off DAWL's skill, knowledge and love of electro, anyone who loves new and old school electro will love this. We have the big bass lines, the beautiful big deep synths and pads, bleeps and buzzes and that classic electro beat, and topped off with some cheeky sampled voices.

The title Track -Total Annihilation kicks off with its strong electro breakbeat and popping bleeps, going in and out, then comes the big fuzzy bassline and cinematic strings swooping through the track moving all the time, will get any dance floor going.

Track 2 infiltrator has those great claps over the electro beat before we get the busy bassline and the bleeps and buzzes and that driving synth, constantly moving .

Track 3 is Kaotik and that exactly what it is with its wobbly bleeps and whistles and pumped actioned bobbly bassline true electro.

Track 4 the final track on EP as strong as the others with its basslines and bleeps and strings and synths caps off this EP nicely.

Another Tone DropOut four track banger, all tracks ready for the dancefloor.

cause we love vinyl. Following the huge success of Jackfruit Recordings, we founded the sublabel Jackfruit Traxx in 2023. And here is the first vinyl release on the label: Jackfruit Traxx Salad Vol.1. It features four tracks. Nesi, Edgar Peng with a remix for Nils Ohrmann, and of course Dompe as label head are all on board. Dompe also contributes an exclusive vinyl-only track. House music all life long.

Based in Rennes and founder of the Vives label in 2020, Weever has been exploring the interplay of light and shadow for over 10 years, crafting abstract soundscapes and textured sonic tunnels of unparalleled musical breadth. He elegantly blends industrial and baroque sounds to construct sonic cathedrals. His music is both utterly raw and meticulously crafted.

L’âge de la Galère :

started this EP in 2020. At the time, I had just finished my studies, it was a pretty difficult period and I had made a track, or rather a melody, that I thought was amazing. I held onto it all these years without ever releasing it. 2020 was a tough year overall. The big question was: What am I going to do with my life? Hence the title L’âge de la Galère

The title really started to make sense when I began putting tracks together for Micheal. Around that time, I was reading Those of 1914 by Maurice Genevoix. For those who don’t know it: it’s written as a journal and tells the story of the author and his fellow soldiers in the trenches during World War I.

I’ve always been passionate about the two World Wars, I watch every film, old and new, I listen to the soundtracks, and so on. Same with period films, especially medieval ones. I love drawing inspiration from them.

So naturally, I imagine and create around that. It comes easily because it’s always been my universe. And when I make music, those kinds of images inevitably come out, even subconsciously.

So I created and told an audio story through my 6 tracks.

“It’s 1914. The story of many men who, upon hearing the sound of the bells, are met with the announcement of a war like no other. Most of them are young, some very young, and they are drafted into the French and German armies. They have no military experience, and the first battles are so violent that many won’t make it back. Very few will earn the glory they deserve.

The conditions are appalling, everything is in short supply, and the men are exhausted. Still, they must hold on.
Leaving carelessly from beneath their mothers’ skirts, too few returned. Many were left traumatized, and an entire generation was forever changed.”

THE OPRHIC HYMNS is an ode to the mystical. A celebration of the languid. An exploration of the id. A journey into self. The project was written, performed, and produced by Ryan Grieve and Tom Kuntz over the course of a year in a secluded location, with a few visits from notable guest contributors such as Alex Kassian and Logan Hone to sprinkle in a little of their magic. Kuntz (aka Pinchy Don) is the Pinchy in PINCHY AND FRIENDS. Grieve is the man behind HOLE IN THE SKY RECORDS and projects such as Heart People, Canyons, and Absolute Unity. This is their first release as THE ORPHIC HYMNS.

HAVEN are back with their vinyl operation with a fresh plate of grubby Techno heat from Irish heavyweights Faetch & Sunil Sharpe on the Grotteca EP. Featuring 4 original rippers and a remix from Italian legend DJ Plant Texture of upfront club pressure, the NZ-based label are proud to transmit some of the finest in creeping electronics from across the globe.

The A-side kicks off with 'Bleed In' with its tough drum-work and hypnotising atmospheres eventually descending in to an all-out stomp with one of the filthiest synth-lines in the label's history hitting half-way through. This is followed up with 'Test Breaks' - a broken-beat slammer with a ton of gritty synth design and rear-shaking rhythms. The first side is closed with DJ Plant Texture's remix of 'Bleed In', where driving 909 hits combine with the original synth line for a club-ready weapon ready to get those feet moving.

On the B-side 'Vapornation' keeps the energy rolling with its rolling congas, heavy kick, and eerie atmospheres tailor-made for a concrete basement. Finally, 'Shinplant' closes the record with full-steam-ahead drums and squalid synth rhythms to end yet another plate of dance-floor ammunition from the HAVEN camp.

Remixes by Blazej Malinowski, Claudio PRC, RCHTR & Invalid Request and a revisit by Re:Axis himself.
As the Derailed Records x Planet Rhythm vinyl saga continues, a new force materializes: the remix EP of Re:Axis's Ancient Ways. Reverent yet fearless, it transforms the original into something darker, deeper, and undeniably compelling.
Wrapped in a soft silver glow, this vinyl edition mirrors the legacy of its marbled-gold predecessor. The contrast is intentional, the pairing essential. Don't miss the chance to complete the set.




d B2 Back To The Now Revisited

2026 Repress

ARTSCORE002 / I Hate Models. In an era of Abondance, of the wrong leaders, and mass-producing for profit, this name showed how Techno can be innovative, designing a furrow in the mind of people, and move the generations forward. ARTSCORE is the power-core of the label, and I Hate Models Set the bars of the innovation once again with Totsuka No Tsurugi.

12” reissue of the sought-after 1986 freestyle gem by the well-known Exposé’s member Laurie Miller and produced by Michael Morejon in Miami.

Including the dub mix and the extended version by Skyrager.

Restored from the original master tapes, licensed directly by the artist.

This release is the result of the collaboration between Presagi (Paesaggi Records sub-label) and Laurie Miller’s Xica Productions.

NYC's Sweater on Polo follows up his acclaimed L.I.E.S. 12 inch from 2023 with debut full length double LP, "Almighty Grand Essence" This is pure to form 1985-1988 Chicago House worship, and while many have attempted to recreate this sound, most fail to deliver with correct reverence. Names like Saunders, Mixx, Virgo Four, undoubtedly appear in this conversation with Sweater on Polo taking cues and transforming the vintage sound into re-imagined dancefloor classics. Raw but clean, psychedelic but functional...this nine track record can move the crowd in all the right ways, with the lush deepness of "The Creation" to the nu-wave-house hybrid of "Proto Wave" or BMX beat track closer Psychotic Seance, its rare to find a young producer tapping into the vaults in such a focused, effective manner. Highly recommended to house heads worldwide.

For the tenth release on Rhythm Control Barcelona, we present something truly special: the debut of Not A Headliner presents José. This marks a new step in the journey of the Spanish artist, recognized in recent years as one of the leading figures of the national underground techno scene, who now introduces his alter ego to reconnect with his house roots.

"Usufructo (Uso + Disfruto)" is a four-track EP where the spirit of the mid-90s UK sound merges with tech house, acid, and breaks influences, resulting in a solid, characterful record set to delight all lovers of those classic and timeless vibes.

Roland Corporation's MKS-50 form 1986 is a rack-mount version of the Alpha Juno. It has the same synth engine and architecture, but with added features like 16 programmable chord memories, the ability to store velocity, volume, panning, de-tune, portamento and other similar parameters within each patch you create. The optional PG-300 gives traditional slider type control of all editable tone parameters which include DCO (digitally controlled oscillators) LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF (filter) with freq/env/res/LFO/kybd, VCA envelope, chorus, and more. Adapta delivers a project based on this legendary MKS-50 synth. Tracks created with technology from the past, aimed for the future. Techno!!

Sauna Radio presents its first compilation, a sonic snapshot of Stockholm's vibrant underground.
Born from the weekly community radio and event series hosted on a floating sauna in the city center, the compilation brings together local and international artists connected to the project - including Peder Mannerfelt, MOLØ, Abstraxion & Bella Sarris, Staffan Lindberg, Julia Wallin, and more.

Blending hypnotic techno, leftfield house, and introspective electronica, the release captures the raw, emotional, and communal energy of Sauna Radio.

Limited to 100 vinyl copies, Sauna Radio Compilation SR001 will be released on December 12th, 2025 via Biologic Records.

The debut 12 from M Sexton delivers four cuts of soulful house steeped in live musicianship and dusty sample work. From the shuffling energy of “In My Heart” to the hypnotic depth of “Feelings Can’t Explain,” and the screaming gospel of “Savin’ Me” to the tension-filled funk of “Club Mozambique,” this record bridges classic soulful house and old-school production with modern finesse.

Siriusmo is back! His fourth album, "Buletten & Blumen", will be released in November 2025 – a collection of musical delicacies. Freshly prepared, spicy, and greasy, but as always with a flower on top. The Berlin-based producer, whose real name is Moritz Friedrich, remains true to himself and his distinctive style – between funk, hip-hop, electronica, soundtrack vibes, and genre playfulness. As usual, Siriusmo wanders through musical styles, embracing them, missing them spectacularly – or simply inventing them. A subtle "Berliner Allerlei". The artist himself says of his working method on the album: "I'm a whole band. Nobody masters their instrument, but everyone pretends to – always with the fear that the others will notice." The album begins with the tongue-in-cheek opener "That Could Function As A Song", an ironic exploration of the artist's own creative process. With "Buletten & Blumen," Siriusmo delivers not simple fare, but a multifaceted menu.

Guests: Mr. Oizo, Erobique, Dana (& Claire Waldorff) An album that oscillates between irony, melancholy, and absurdity.

Tracklist:
A1. That Could Funktion As A Song
A2. Hongkong House feat. Liu's Family
A3. Watch Me Fall
A4. Ok So

B1. Baum
B2. The Syntheziser Has Been Drinking
B3. Liquit feat. Mr. Oizo
B4. In Der Klemme

C1. Koko
C2. Langsame Runde
C3. Der Uhrturm
C4. Meissner Schwerter

D1. Dummdidumm
D2. Every Tree Needs A Friend
D3. Lehm feat. Erobique & Dana
D4. Irgendwohin

Across these 8 tracks, Troy constructs a continuum between the mystical and the mechanical: deep, tunneling synth lines, evolving textures, and precise rhythmic flow pushing his punchy techno sound to the next level.

This is the latest release in the East Africa series by the renowned King Shiloh Soundsystem, making their debut at Triple Vision.

On the Talking Bass riddim produced by Roots Mechanics, Black Omolo, Kare, Lavosti, Tiger Simeon & Brada Jahziel feature on vocal duties.
Also included are the horns cut by Brasspect and a dub by Jah Works.

RAWAX welcomes Moreno Ácido to the artist family!
Big first release from the portuguese producer.
Presenting the full range from powerfull, groovy, deep to soulful House.
Don't miss this great record!

Frits Wentink’s Bobby Donny returns for the fifth various artist 12” vinyl release in the Ace Series. Welcoming new additions, Glenn & Derrick for some peak time dancefloor business as well as Leigh Hunt who joins forces with label favourite Rico Scott. On the flip Dominic Oswald returns with two soulful and deep cuts. Six heavy heaters for house fans of the deeper persuasion. Another essential release from Bobby Donny!

Holy grail of Memphis Boogie Funk! Subway Featuring Wave is an absolute gem of a mini Lp and is reissued for the first time ever on Past Due Records. Original copies are known to fetch in the thousands...
Produced by Lee Moore with Stax musicians, including guitarist Michael Toles, keyboard player Lester Snell, and drummer Willie Hall, all members of the Isaac Hayes Movement. He also hired bassist Ray Griffin who recorded numerous sessions for both Stax and Malaco Records.

Big Big Train, die preisgekrönte Progressive-Rock-Band, veröffentlicht ihr 16. Studioalbum. "Woodcut" ist ein Meilenstein für die internationale Gruppe, deren Mitglieder aus England, Schottland, Italien, den USA, Schweden und Norwegen stammen, da es ihr erstes Konzeptalbum in voller Länge ist. "Die Geschichte spielt nicht in einem bestimmten Zeitrahmen, sondern handelt von einem Künstler, der mit dem Leben zu kämpfen hat", beginnt Gründungsmitglied Gregory Spawton. "Er macht einen Spaziergang, findet dieses Stück Kernholz und schafft etwas, das er als schön und anders empfindet. Vielleicht ist es ein Traum oder vielleicht ist es das echte Leben, aber er findet sich in dieser Narnia-artigen Holzschnittwelt wieder."
"Woodcut" ist ein eher bandorientiertes Werk, zu dem alle sieben Mitglieder einen beeindruckenden Beitrag leisten, wobei Frontmann Alberto Bravin die Federführung als Produzent übernommen hat: "Dieses Mal ist es eine Art neues Statement für die Band. 'Woodcut' ist für uns ein großer Schritt nach vorne", kommentiert er. Mit 16 Titeln und einer Spielzeit von 66 Minuten wirkt "Woodcut" episch, ohne sich zu sehr in die Länge zu ziehen.
Das Album ziert ein auffälliges Cover-Design des in Dorset ansässigen Künstlers Robin Mackenzie - natürlich ein schwarz-weißer Holzschnitt, der von einem Holzschnitt abgeleitet ist, den die Band speziell für das Album bei ihm in Auftrag gegeben hat. Erhältlich als limitierte CD + Blu-ray-Edition, einschließlich ausführlicher Liner Notes sowie Dolby Atmos- und 5.1-Surround-Sound-Mischungen von Shawn Dealey von Sweetwater Studios, wird das Album auch als atemberaubende Gatefold-180g-2LP mit speziellem geprägten Cover, Standard-CD-Jewelcase und digital in Stereo- und Dolby Atmos-Versionen erhältlich sein.

This is the debut release from Laguna Seca, a new project from Porto based Mike Jefford. It foreshadows a new body of work, steeped in 70s nostalgia, refracted though sounds that could belong to krautrock, disco, electronica, noisy alt rock and everything in between. Mike has previously recorded as Positive Centre releasing textural, experimental techno on such labels as Stroboscopic Artefacts, SNTS and Leyla. (seek out if you you’re a fan of Vatican Shadow or the ghostlier wing of Black Dog)

After mastering his forthcoming 2026 debut album ‘O Tempo’, Mike Jefford caught a second wind of inspiration. In just seven frantic days he recorded the heap of tracks that formed the basis of 'Live from Müsli Mountain’. It soon became clear that these tracks foreshadowed the album perfectly and the EP was born.

Named after the California raceway, this project fuses 1970s recording techniques, modern electronics and psychedelic retrofuturism, it’s a pyramid of sonic adventure that will be explored deeper on the album next year.

Prolific beat pharmacist par excellence Brendon Moeller continues his hot streak with a return to Samurai to serve up the exquisite craftsmanship of Shadow Language. Across 15 fresh productions the seasoned house and techno producer demonstrates yet more variations on his rejuvenated sound since pivoting towards 160 tempo zones. Heavyweight dub techno pulses collide with D&B pressure and dubstep snarl, delivered with devastating restraint and mediative warmth.

Moeller's dub-informed, high-grade production hit a hot streak as he started to experiment with faster tempos and more broken rhythms, reaching into thrilling new sound fields where fast-slow rhythmic intrigue meets with spatial subtlety and constantly evolving synth voices. The past year has seen him release a swathe of albums, from Further on Samurai to outings on Constellation Tatsu, ESP Institute and Quiet Details that all burst with inspiration, each distinct from the last and offering an original perspective on this rich seam of crossover electronics.

Shadow Language shows Moeller burrowing even deeper into this new era of his work, continuing the hypnotic approach set out on Further while edging more forthright ingredients into the mix. From the outset 'Division By Zero' hits with immediacy even as it dips into a dubwise breakdown, with snatches of vocal and even the iconic loom bird making the slightest of appearances. 'Feral Hymn' finds a curious kind of uplift in the synth chord that twists in and out of the mental techno murmurations of the rhythm section. 'Impermanence' has some snarling bass that belongs in the gnarliest tech-step, while the nagging hats ticking through 'Junkyard Syntax' hint at a shockout without resorting to brute force. The majestic dub techno chords of 'Driftform' create a through-line across Moeller's extensive catalogue, but here they dominate the mix above a spongy bed of sub bass throb and framed by the tiniest slithers of percussion.

Throughout the album, it's the implications Moeller suggests with the tools at his disposal that create a powerful energy. Restraint governs the delivery, guiding the listener in deeper until they find a maximal experience from each elegantly understated roller. The weight and presence is abundant across every track, fuelled by the invigorating power of each tone and frequency while avoiding the clutter of overloaded arrangements.

Finding the notes in between and half-hidden rhythms, Moeller himself perfectly summed up his latest opus as he continues to develop his own compelling Shadow Language.

Motem - a Retrospective
Unsung hero of home recording, undercover Trap lord, flag bearer of Canadian Skweee and bass guitar grunge wizard. Two decades of Motem on an album as wild and diverse as his outfits, cherry picked by Coco Bryce.

2026 Repress

Gaston and the crew are taking a much-needed break!

Catch Merov’, Occibel, Emi Omar, and Wooka on a magical island, where mojitos have replaced tap water and the sound of the waves is swapped for dream house beats. You in?

CER009 finally brings Pumphouse Gang – “Welcome Back Into My Life” back to the 7inch format, a killer slice of Irish modern soul perfection from 1979. Originally pressed in tiny quantities and barely escaping dublin, it’s one of those records that rarely becomes available. A favourite of label boss miche, it’s in his words “an unbeatable soul track, that really fills a dancefloor with smiles”

On the flip, Medlar steps up once again, this time sending his mix straight from the Cayman Islands — a dubbed-out, Part 2-style reprise that stretches the groove, teases the rhythm, and gives the track a second life for late-night dancefloors.

As always, Celestial Echo digs deep into the overlooked corners of soul and disco, unearthing some of the best soul records and giving them a new lease of life. Each release is remastered with care and presented with the respect these recordings deserve.

Falter is the 5th full-length album from New Zealand-based composer/-multi-instrumentalist Micah Templeton-Wolfe, working under the moniker Stray Theories.

Templeton-Wolfe has consistently woven together the cinematic sweep of ambient music, the refined structures of neoclassical composition, and the emotional cresting arcs of post-rock. With Falter, those intersections are more deeply blurred, yet more boldly explored.

Transparent Red Vinyl.

The title Falter evokes wavering, hesitation, uncertainty of intent and yet the album stands in sharp contrast to that concept: Templeton-Wolfe’s performance here is marked by a quiet but unmistakable confidence.
From the first notes, the listener is immersed in an atmosphere in which the music feels like a cinematic means of passage, a journey toward redemption. Optimism is present, but ever cloaked in doubt; moments of
contemplative solace sit side-by-side with streaks of melancholia. One senses something looming within the sound-world of Falter. As though the heart itself can tell something is coming.

In this respect, Falter may well rank as the most affecting release in Templeton-Wolfe’s canon to date. While his earlier work had always balanced delicate textures and evocative atmosphere, here he pushes into a more expansive emotional terrain. Only the hopeful refrain “Lifelines” brings the album fully into brighter territory , hinting that redemption is possible, that the journey through doubt is not endless.

A spectacular return for Shakarchi & Stranéus, the legendary Gothenburg duo's softfocus magic in full display on four new tracks, the first of many to come. Longtime Studio Barnhus heads will rejoice in familiar bliss from tracks like dreamhouse extravaganza "Donut Plains" and the triphop wonkiness of "Sandy Balls Resort", while "Emerald Hills" and "Royal Links" offer new, exciting pathways leading to
unexpected territories and increased bpm levels.

Uscita solo su cassetta e digitale nel 2020, "Edit Sucks" inserita da Christian Zingales nel Trax di Blow Up magazine in quel momento.

Viene ora stampata su vinile con l'aggiunta di un nuovo mix dello stesso Raoh, supervisionato dal Dj Andrea Daniel per il lancio della

sua etichetta Corpo Sottile Records. Master di Marco Antonio Spaventi.



Released only on cassette and digital in 2020, "Edit Sucks" featured by Christian Zingales in Blow Up magazine's Trax at the time.

It's now released on vinyl with the addition of a new mix by Raoh himself, supervised by DJ Andrea Daniel for the launch of his

Corpo Sottile Records label. Master by Marco Antonio Spaventi.

Toscal Records presents its fourth only vinyl release TSCL004.

Italian maestro Jamahr takes the lead with two refined club weapons — Keep Rock Again and Need You — blending deep rhythm, swing, and hypnotic warmth. On the flip, Spanish duo Borch & Joel Hernandez deliver two playful cuts La Discoteca and Bipolar to complete the record’s dance-floor narrative.

Move and dance!

Lis Sarroca marks the tenth release on her Maai Records imprint with her debut vinyl release on the label, “Signals.” The EP spans four tracks, moving seamlessly between refined house and electro energy, tinges of Italo nostalgia and of course all infused with Lis’ signature uplifting touch. Since 2021 Maai has quickly become an essential label for tastemakers, and in parallel, Lis has been steadily carving out her path as an artist making this a milestone release of her journey this far.

RAWAX proudly presents the 4th episode of Gerald Mitchell's own series!
Another outstanding masterpiece made in Motor City. Detroit sound at it's best - from one of the best!

Analog house tracks and raw production styles come together on New Jersey's MANNY STEELO's 6 track debut. The newcomer is a bubbling entity of the underground and looks like a good fit for STAR CREATURE's GLOBAL CARRESS imprint with it's no frills, raw house tracks output thus far

Sublunar is proud to present Pareidolia IV, the fourth chapter of the saga written by its founder Sciahri.

With this new LP, the journey continues and reaches its most complete sonic expression to date a statement of evolution, depth and identity, featuring a special collaboration with Temudo.

The record opens with "Just 30 Seconds", driven by powerful low-end foundations balanced by warm, enveloping textures that immediately pull the listener in. "Groundbound" follows, deep and immersive, built around a memorable synth and arrangement designed to linger in the mind.

The voyage continues with "2014", a melodic and transportive track that drifts effortlessly into "Silent Embers", where raw power and mysticism merge into a uniquely intense atmosphere.

The second half opens with "Anime", propelled by a massive rumble beneath a delicate groove and finely crafted stabs. "Essenza" dives into darker, hypnotic territory, defining its own distinct mood and tension.
The only collaboration on the LP, "Encontro", sees Sciahri and Temudo blending their respective visions into something truly memorable, where both styles converge naturally and with purpose.

The journey closes with "Offset", a reflective and emotional piece that encapsulates a sense of travel and quiet melancholy a final moment designed to resonate long after the record ends.

DJ Support: Crookers, Dr Banana, Make A Dance, Bluetoof, Joe Milli and more

Nat Home & DJ ADHD deliver a no-holds-barred EP built for the afterhours and beyond. Sleazy, chunky, and unapologetically club-ready, Early Riser / 100 Foot Wave brings rolling grooves and heavyweight energy straight to the floor, featuring powerhouse vocals from Chiara Mascara.

TLC’s iconic album Fanmail is now available on a 2LP vinyl. Featuring chart-topping hits like “No Scrubs” and “Unpretty,” this reissue delivers the full original tracklist across two beautifully pressed records.

13Monkeys Records have picked four fresh tracks screaming out that Spain is here and Oldskool never died on their second vinyl offering so far. And beware that this one's strictly vinylized and no digital availability. In other words... Oldskool.

Specific Objects debuts on Life In Patterns with Helios, a powerful 6-track EP shaped by the pressures, ambitions, and contradictions that define creative work in a hyper-competitive society. The record explores the perpetual pursuit of success - an ever-distant horizon that inspires as much as it consumes.

Named after the sun, Helios symbolizes the personal goals we orient ourselves toward: radiant and motivating, yet capable of overwhelming those who chase them too closely. The EP was written during a period of intense reflection on performance culture, "hustle" mentality, and the rat race of late capitalism - an environment amplified by constant comparison on social media.

Helios is both a celebration and critique of ambition - a techno journey through the heat, pressure, and brilliance of striving. It is scheduled to release on February 6, 2026 on both digital and vinyl formats.

After recent Ron Allen reissues on Emotions Electric and our own Classic Cuts imprint, it's time to revamp the mothership itself: Strobe Records. First one up in this new campaign is R.A.S.E.'s The Ron Allen Sound Experience EP -- a four-tracker, originally out in 1991, that captures what is timeless about Allen's signature sound: warm basslines, soulful vocals, and that Toronto swing. The A-side serves up two uplifting mixes of Get On Up, while the B-side goes deeper, yet keeping the soul fully intact. A perfect reintroduction to one of Canada's prime house architects.

Aftersome refers to that suspended moment of wonder, when you realize you’ve been led here by a chain of unexpected events and small decisions — so improbable they almost feel preordained. Between chance and destiny, it is a fragile state where emotion and reflection intertwine.
This album by You Man embodies precisely that idea: each track is a step along this path, a resonance born of accidents and coincidences, ultimately shaping a coherent trajectory despite its improbability.
The work moves between techno, house and post-wave, infused with science-fiction and fantastical influences, constantly blurring the line between reality and imagination.
The experience is enriched by remarkable collaborations: Marc Almond (Soft Cell), Local Suicide, Jérôme Voisin, each bringing their own brilliance to this odyssey.

Presenting the debut solo LP by Indi Zone, member of Slow Life, the label's graphic designer, and half of the Ethereal Logic project. The album is a deep, soothing journey with organic grooves and blissful harmonies that takes you to his "Natural Habitat."

Eliptic is back with the 8th release of the label, signed by the talented Romanian producer - Roban - with his Inglourious debut EP.

‘Overcome’ opens the A-side. A mysterious and meditative atmosphere that evolves into a hypnotic and timeless piece of music. ‘Inglourious’ is in the same note but with more playful rhythms and all manner of late night motifs.

Rhadoo (aka. Nea Marin) remix on B side is a techno hypnotizer, bringing a lush feel to the EP with his unique vision and memorable vibe. A veritable club weapon.

‘Stolo Signs’ closes the story with a clear perspective and letting you craving for more. This is just the beginning.

Being a musical playground for Dixon and Âme since the beginning of the label. Our Secret Weapons series symbolizes a constantly forward moving train of both artistic expression and musical exploration. With the aim of showcasing tracks that circled through the sets during the year and will do beyond. Part 17 finally available on 3LP.

2025 Repress!

"Butch-No Worries". It doesn't take much to describe this track that we first released in 2010 on Cecille Records. Ibiza track of the season, track of the year in reader polls and magazines such like Groove and Resident Advisor.

12 years later we come back with an updated 2022 version of Bucth´s original including a massive remix by Toman.

WOLF proudly welcomes the return of Tom Esselle to the label. Fresh from his latest release on Rhythm Section, Tom follows up his 2022 Praise Bes EP on WOLF with a new four-track collection of deep, dancefloor-ready cuts.

Opening track Livewire sets the tone immediately, pulling you in with a heads-down, UK garage influenced groove. A-side follow-up Don’t Have To is a strong contender for standout moment, pairing luscious keys with a sweet vocal for peak-time soulful impact.

On the flip, Small Talk delivers a quirky vocal sample over an undeniable groove, before EP closer Spaced Out dives deeper, unfolding beautiful, emotive chords. Another standout release that oozes quality from a producer hitting their stride and firmly establishing himself as one to watch.

Stay True Sounds supremo Allan Nicoll, aka Kid Fonque, and legendary UK producer Charles Webster have brought together the cream of the South African deep house scene for a unique album. The record was recorded at Flame Studios, a facility built inside a prison at Constitution Hill in South Africa, which is very significant to South Africans, because that's where the Constitution was written. “It's a remarkable institution,” says Charles. “Mandela was in there; you can really feel the history. You're working in a prison cell from a brutal regime. It's an important place. So, I didn't want the album to be too light, because you can't escape from politics anywhere, but especially somewhere like here - and you shouldn't.”

WRWTFWW Records is proud to announce a super limited vinyl release of Christine Aufderhaar and City of Prague Philharmonic Orchestra's original soundtrack for the critically acclaimed, multiple award-winning 2022 animated-documentary film Aurora's Sunrise. The release comes as a 45rpm double LP in a heavyweight sleeve with inside out print.
Aurora's Sunrise is directed by Inna Sahakyan, and tells the extraordinary true story of Aurora Mardiganian, a survivor of the Armenian genocide who later became an actress in the United States. The film combines animated storytelling, archival footage, interviews, and rediscovered scenes from the 1919 silent film, and one of Hollywood's first blockbusters, Auction of Souls, in which Aurora starred. Aurora's Sunrise was Armenia's official submission for the 95th Academy Awards for best international feature film. It has won over 20 international prizes.
The composer, Christine Aufderhaar, is an accomplished German composer based in Berlin and Los Angeles, with over 20 years of experience and more than 50 films to her name. Her background spans classical, jazz, film scoring, and contemporary orchestral work, and she has been the recipient of numerous awards for her work.
The soundtrack performed by the City of Prague Philharmonic Orchestra is deeply emotional, blending intimate melodies and majestic orchestral work, and weaving together themes of memory, survival, loss, and hope. A perfect fit for collectors of film scores, contemporary classical music, and limited vinyl releases.

Sie bevorzugen Ihren Lo-Fi-Dreamgaze so, wie Sie Ihre Partner bevorzugen: geboren in den 90er Jahren und mit ihrer College-Freundin in einem Schlafzimmer in einem Vorort zusammenlebend. Hier erstmals zusammengestellt: Shoulds Debütalbum ,Feed Like Fishes" aus dem Jahr 1998 plus 10 Bonus-Tracks aus dieser Zeit, zum ersten Mal auf Vinyl erhältlich. Es klingt, als würde man den Kopf aus dem Autofenster hängen, während man drei Stunden nach der Ausgangssperre an einem Schultag mit hoher Geschwindigkeit eine Landstraße entlangfährt. Bitte schalten Sie die Scheinwerfer aus.

a1 FISH FOURTEEN
a2 SARAH MISSING
a3 ASIDE
a4 SPANGLE
a5 IT STILL WOULD
a6 LULLEN
b1 MEMDRIVE
b2 ITS PULL IS SLIGHT
b3 INST2
b4 IN NINE
b5 BOTH EYES OPEN
c1 THINGS ARE THE SAME (IN NINE)
c2 FADED
c3 THIS HOUSE I'M LIVING IN
c4 MYSELF
c5 SINGE
d1 FEED LIKE FISHES
d2 OCEAN WARM
d3 SOOTHED (RERECORDED)
d4 MERGER
d5 THESE DAYS

Running Out Of Time return with a bass-heavy desert combat 12-inch. It's time for cashing back, no more BS.

Third release on the Lava On Wax label, as usual bringing back to life forgotten gems from back in the day. Since many years Matteo Fava, label's founder, has been digging old records in the Caribbean, especially Trinidad & Tobago and Barbados. During one of his last trip he managed to meet the band members of Rebellions, a very obscure band that only recorded two singles. One of the two singles they made is the ultra rare Funky Rainbow/Disco Soca Song. Despite the record being pressed in Barbados, each musician from the band is from Trinidad & Tobago. Heavy hitting funky Disco with a psychedelic touch, resulting in a sexy, explosive, musical experience.

Following the reissue of The Pocket of Fever, Ambient Sans presents the second chapter in Masahiro Sugaya’s visionary work for the avant-garde performing arts company Pappa TARAHUMARA.

Founded by Hiroshi Koike in 1982, Pappa TARAHUMARA blended dance, theater, music, and visual art into abstract, immersive stage worlds. Sugaya’s compositions became the sonic counterpart to this radical aesthetic—minimal yet deeply evocative, combining electronics, ambient textures, and delicate melodic gestures into a sound language both intimate and expansive.

Music From Alejo marks his first original stage score for the company: a work where repetition and silence intertwine with shimmering synthesizers and dreamlike motifs, conjuring atmospheres that feel suspended between reality and reverie. More structured than The Pocket of Fever yet equally poetic, the album reveals Sugaya’s gift for translating movement into sound, balancing modern composition with subtle echoes of Japanese tradition.

Reissued for the first time on vinyl, Music From Alejo includes a printed insert featuring an exclusive interview with the artist, alongside photographs from our visit to his home in Japan. Essential listening for anyone drawn to the ambient minimalism of Hiroshi Yoshimura, Midori Takada, or Brian Eno—reimagined here through the lens of Tokyo’s experimental scene of the 1980s.

Grace & Raffaella is the first collaborative release by ML and Vittoria Totale. Over nine tracks, the album strikes a deceptively minimalist tone, taking in a ton of musical as well as literary references. An elegy on a journey back to the present, with all the hushed intensity of an informed fever dream, Grace & Raffaella has a magic-realist feel. Its vocal parts serve as loopy self-fulfilling prophecies. Cut off from the sun, the gorge grows darker. Using an electroacoustic sense of spacing, as well as abstracted current-day club influences, with scraps of background noise fading in and out, this album's use and treatment of a snippet-like narrative is its core aesthetic. A digital gleam drenches the spoken bits into instances of subtle surrealism. Like a kitchen sink drama stripped of all deadweight. We are on the edge of relinquishing all control here. Rip up your diary and let go of the language of the old ones. Grace & Raffaella is a seductive slice of modern hyper-pop that defines its own intentions over and over again.

‘Desire’ is the sophomore full-length album by TLF Trio, following their beloved debut album ‘Sweet Harmony’ from 2022. On ‘Desire’, the group presents their signature, contemporised chamber music through their main instruments: piano, cello and electric guitar; now enhanced by a pervasive use of sampling and a distinct use of silence as musical material.

The album is an aesthetic voyage in a musical landscape of minimalism, classical music, free improvisation, left-field-electronica, and references to pop and house music. It blends into a sound that is experimental and unpredictable – yet at the same time strangely familiar and self-explanatory.

The ten pieces balance an open-ended improvisational intimacy with a tight compositional intention. Each track's repetitiveness operates as a trickling plateau of layered sentiments of times and spaces through the sampling of different acoustic rooms, the playing in specific styles and the curated selection of sounds and instrumentations; a collage of memories and associations patched together to create new meanings.

Debut album from Irrflug, the Berlin-based project of Mark Kanak.
Irrflug is a changing artist group rather than a fixed band. In Silver it's comprising Ian King, BoBo (Christiane Hebold) and Ella Sturmvogel and some others. 2 tracks feature Blixa Bargeld's voice.
Silver extends Sähkö vocabulary into new directions. ”rhythmic studies of corroded atmospheres” says Mark Kanak

Roto makes his PILLZ debut with Lose Yourself, a high-voltage statement from one of Spain’s fastest-rising names. Across four razor-sharp cuts, the EP reflects a shared vision between artist and label: music with deliberate intent—sometimes hypnotic, sometimes fast and direct, and at moments pared down to pure introspection. Lose Yourself carries that spirit throughout, built to lock the floor under peak-time pressure while opening space for release in the glow of sunrise. Already echoing through the underground, it’s primed to soundtrack the circuit.

With this release, Roto steps forward as one of the new voices shaping tomorrow’s dance floor, balancing mystery, pace, and stripped-back tension.

Label welcomes Tunisian-based artist Ahmet Mecnun to the label for the first time with open arms and with sincere hope it is not the last due to high level admiration for his artistic output. Ahmet has crafted M.E.S.S.A with dark flavour oozing throughout the EP that has unified the audio trips together in a complete story. The remix duties of the A-side track have been taken by none other than Uruguayan mastermind Marcos Coya who has provided his take on this matter and has done it flawlessly so. The synergy between the two artists from different backgrounds and cultures but same ideology of music has resulted in M.E.S.S.A to take the shape it has now. The dark times are coming so it is best to go into the loop state of mind to avoid or to welcome psycho override depends on the mood and current feeling one might be going through.

Deniro is back on his own label with 4 tracks inpired by 4 cities around the world

New label by Innershades dedicated to 90's Belgian trance! Emotive Response's new EP Dosed Reality channels the bittersweet energy of 90's Belgian trance with soaring melodies, hypnotic rhythms, and a raw, emotional edge.

Stripped of its branches and reduced to the bare trunk, Evigt Morker 6 stands at the threshold where fire becomes voice and light devours the sky. Across six tracks, the music moves through hushed revelation, listening for a call that cannot be refused. Salvation and damnation burn side by side on the horizon, as everything else is consumed by flame. ''Kapa grenarna. Lat stammen sta ren infor slutet. Nar riket oppnas ska rosten tala i lagor, bara for dig. Lyssna, och se hur ljuset ater himlen tills oandligheten skymtar. Kliv in i den negativa elden dar intet vander sig om och blir till.''

Those in charge of opening this vinyl saga are "Fat & Blind" these two artists from Cádiz better known as "Deibeat & Shemma" with their track "Mother F .... Breakbeat" published by the label "Weekend Breaks" in 2000 , a track that became an anthem and continues to resonate at every party, now remastered for this occasion.

Machinery Of Emotions marks Torrent’s debut on Cupula Recordings, yet his bond with the label runs far deeper. A trusted figure in our circle and a selector with a rare sensitivity for mood and movement, Torrent channels his craft into four tracks that blur the line between mechanical precision and human feeling.

From hypnotic rhythms to cinematic synth work, designed for both the floor and the mind.

Pressed on vinyl, Machinery Of Emotions captures the essence of our shared vision where sound speaks as strongly as emotion.

Western Lore presents the second part of an absolute jaw dropper of an LP from the enigmatic L own, the producer behind 2024’s much lauded Forgotten Paradise Bootlegs (which flew out so rapidly on Bandcamp, none of the ltd run of copies made it to retail).

Deep, musical, textural & blissed out jungle tekno wizardry across a range of tempos, Daybreak Survivors is a journey like no other. Emotive and dripping with nostalgia whilst sounding distinctly futuristic, L own effortlessly carves out a unique sound that shines like beacon in a sea of noise.

Molekul pushes forward with this new compilation showcasing six of today's finest producers, delivering a fresh and cutting-edge release.

To celebrate their 5th anniversary Pure Hate Trax brings you 5 Years Remixed Pt.2, inviting Perc, Kilbourne, EAS & STRISC. to remix their favourite tracks from the last 5 years.

Since its inception, Klasse Wrecks has always flirted with rap music flavours. Whether it's Luca Lozano's DJ Cabbage alter ego or the raw beats of the Grafiti Tapes series. Both label owners are big rap fans, with one (Mr. Ho) even being an ex-DMC scratch champ. It makes sense then that the last release from KW in 2025 is the heavily Memphis-inspired 'Straight From Hell' EP, brought to you by the two mysterious producers DJ Skelet and Grim Phunk. To use the term 'stripped down' would be an overstatement in regards to this EP, skeletal drums, booming kicks and frantic vocal loops done right make for a simple yet perfect mix. Tape hiss, MPC crunch and catchy loops are all integral to the vibe and music, tracks keep to a punchy 3-4 minutes and are interspersed by dreamy bonus beats just like in the old days.

Inner Image is a series of live studio recordings by Kamran Sadeghi, an Iranian, New York City-based composer and interdisciplinary artist working across electronic music, sound art, and multichannel composition. The EP is focused on rhythm programming and non-sample-based, hyper-sculpted synthesis. Audible artifacts become compositional material, producing shifting textures while exploring auditory illusion, spectral layering, and spatial perception. This debut release on amenthia recordings bridges Sadeghi's club sound system music with his ongoing work in sound art and avant-garde composition.

***
you are much more than simply dead:
I am a dish for your ashes,
I am a fist for your vanished air.
***